Piano Trios Complete

On this CD:

1. Piano Trio No. 3 in B flat major, K. 502
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

2. Piano Trio No. 4 in E major, K. 542
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

3. Piano Trio No. 2 in G major, K. 496
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

4. Piano Trio No. 1 in B flat major, K. 254
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

5. Piano Trio No. 5 in C major, K. 548
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

6. Piano Trio No. 6 in G major, K. 564
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

7. Piano Trio in D minor (fragment), K. 442
Composed by Wolfgang Amadeus Mozart
Performed by Chia Chou, Michael Gross, Wolf-Dieter Streicher, Parnassus Trio

Tracks:

Piano Quintet In E-flat, Op. 44: Allegro brillante
Piano Quintet In E-flat, Op. 44: In modo d'una marcia. Un poco largamente
Piano Quintet In E-flat, Op. 44: Scherzo. Molto vivace
Piano Quintet In E-flat, Op. 44: Allegro, ma non troppo
Piano Quartet In E-flat, Op. 47: Sostenuto assai - Allegro ma non troppo
Piano Quartet In E-flat, Op. 47: Scherzo. Molto vivace
Piano Quartet In E-flat, Op. 47: Andante cantabile
Piano Quartet In E-flat, Op. 47: Finale. Vivace
Piano Trio No. 1 In D Minor, Op. 63: Mit Energie und Leidenschaft
Piano Trio No. 1 In D Minor, Op. 63: Lebhaft, doch nicht zu rasch

Tracks:

Piano Trio No. 1 In D Minor, Op. 63: Langsam, mit inniger Empfindung
Piano Trio No. 1 In D Minor, Op. 63: Mit Feuer
Piano Trio No. 2 In F, Op. 80: Sehr lebhaft
Piano Trio No. 2 In F, Op. 80: Mit innigem Ausdruck
Piano Trio No. 2 In F, Op. 80: In massiger Bewegung
Piano Trio No. 2 In F, Op. 80: Nicht zu rasch
Piano Trio No. 3 In G Minor, Op. 110: Bewegt, doch nicht zu rasch
Piano Trio No. 3 In G Minor, Op. 110: Ziemlich langsam
Piano Trio No. 3 In G Minor, Op. 110: Rasch
Piano Trio No. 3 In G Minor, Op. 110: Kraftig, mit Humor

Amazon.com

This two-CD set, offering Schumann's groundbreaking Piano Quintet, the Piano Quartet, and the three piano trios, is an exceptional bargain. The approach of the Beaux Arts players and their associates is essentially reflective: they let the music speak for itself and avoid the rhetorical excesses other interpreters often fall victim to. In their hands the quintet, one of Schumann's most inspired creations, receives an especially polished and poised performance, with a lovely dovetailing of voices. The analog recordings are warm and detailed, and they have been optimally transferred to CD. --Ted Libbey

Customer Reviews:

holy smoke........2007-04-17

now i'm just a big dummy. i really am. but somehow classical music got through my thick skull and into my heart. so glad that it did. these recordings from 1975 by the beaux arts trio are spectacular works of chamber music. mr schumann's compositions are given a vibrantly intense and dramatic going over by these great musicians. soul-stirring stuff in every way. this is the sound of a musical springtime, all green invention and sunshine for the spirit. the violin, cello, and piano tunnel through the music, unearthing and displaying its potential and grace. i listened to the entire two hours and twenty minutes of glorious music that's on these discs this morning, and it was a great experience indeed. i highly highly recommend this set to any and all music lovers. this whole affair is a masterpiece of grand compositions in the hands of brilliant performers.

A linkage between the past and the modernism!.......2006-11-28

If Goethe's Werther was the prototype of the Romantic hero per excellence, inflaming the imagination and creativeness of newcomer artists, I guess the legitimate Ambassador in the music, had its embodiment around the egregious figure of Robert Schumann. No other composer in the history of the music has embraced new genres and styles with as much febrile intensity, uncertainty but at the same time with as much determination as did Schumann. The remarkable fact he had composed 138 songs in just one year, supports with striking stubbornness he blended music and poetry; despite of the fact his enormous knowledge of literature. Of course the main pivot for his incursions in the chamber music were his passionate analysis around Beethoven's late Quartets. His immense devotion for the chamber music was in visible counter flow with the tendencies of the New German School. He was aware about the dissolution of the piano as protagonist instrument ( just think in Busoni `s Piano concerto, for instance) and in this sense he consecrated all his efforts to preserve and defend the power of expression of the noblest instrument.

On the other hand, the set of Trios surmounted the well known Op. 54's Piano Concerto. That reveals a very careful design in the tonal architecture, interlinking parts and polyphonal material which points to the future and Brahms securely had to have discussed this issue with his friend.
Such emblematic attitude made that composers such Mahler and Schoenberg were so influenced due its modernist projections.

The second is by far, the most romantic of the set with Schubertian reminiscences try to realize th far echoes of the last movement of Cesar Franck's Sonata for violin in the third movement of this trio, while the last one is evidently as we expected the most futurist of the three; and you certainly may find seminal seeds for modern age and the Viennese school of the early ages of the XX Century.

So, consider a wise acquisition to have these distinguished and refined Trios because reflect fundamental works that far to be transitional were the most perfect linkage between the dying Romanticism and the arousing musical modernism and illustrates wisely that smart statement of Octavio Paz: "The past is function of the future. The will of future makes the dead bodies stand and puts order in its works..."

great deal.......2005-10-12

These are well-played and well-recorded versions of these pieces. The price is also right.
Personally I found Schumann's compositions excessively mercurial at times but that's my problem. If you like him this should'nt be missed.

Excellent performances, superb value.......2002-04-07

This collection of Schumann's piano trios, Op. 47 piano quartet, and Op. 44 piano quintet is excellent, epsecially since it's offered at Philips' Duo (2-for-1 price). Having recently performed the piano quartet and quintet, I can say that the Beaux Arts Trio brings much finesse, refinement, and superb musical judgment to these performances. The famous Quintet gets an oustanding performance, not as volatile as the live EMI recording led by Martha Argerich, but then without that recording's self-indulgence either. I think the piano quartet is underrated; it has a absolutely beautiful slow movement and an exhilarating last movement filled with counterpoint. The Beaux Arts gives it an excellent performance, though the slow movement seems rather too ponderous and lacking the radiance it should have. The piano trios aren't as well known: they come from later in Schumann's career and are often considered inferior to the earlier works. I cannot agree, especially in the case of the first two trios, which cotrast beautifully, the first one passionate and tragic, the second one lighter and fresher, almost Schubertian, both with beautiful slow movements. The snag is that the first trio is split between the two discs, which is an inconvenience. Very good sound, too. By the way, if you enjoy the trios, you should also check out the Florestan Trio's two outstanding discs on Hyperion (one with the first two trios, the other with the Piano Quartet, the third trio, and the Op. 88 Fantasiestücke for piano trio). The Florestan's performances are perhaps more imaginative than the Beaux Arts', and they are even better recorded.

Not just for chamber musik freaks! This is Schumann's best........1999-10-09

This 2 CD set offers an extraoardinary bargain. Five works by the underrated German master are heard in incisive performances that only occaisionally succumb to the usual pitfall of many Schumann performances: Zu Viel Schmaltz. When Robert indulged in self-pity, he bathed in it! (especially when he was "Eusebius").... The sound overall is consistent and adequate, although some selections are remastered from analog. Many people have said, "Why couldn't Schumann write a truly great symphony?" He did---the Eb Quintett, op. 44. If you love romantic period chambermusic, you should not miss this collection. This is more than two hours of great music...

Average customer rating:

A Hidden Gem Worth Taking Without Hesitation!
first CD best
A great way to buy Schubert's chamber music
Good, but too "intellectualized"
One Schubert CD YOU Should Get

Franz Schubert: Complete Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Schumann: Complete Piano Trios
Mozart: The Complete Piano Trios
Brahms: Complete Trios
Antonín Dvorák: Complete Piano Trios
Brahms: Complete Piano Quartets

ASIN: B00000417B
Release Date: 1994-01-18

Tracks:

String Trio In B Flat, D.581: I. Allegro moderato
String Trio In B Flat, D.581: II. Andante
String Trio In B Flat, D.581: III. Menuetto (Allegretto)
String Trio In B Flat, D.581: IV. Rondo (Allegretto)
String Trio In B Flat, D. 471--Allegro
Piano Trio In B Flat, D.898: I. Allegro moderato
Piano Trio In B Flat, D.898: II. Andante un poco mosso
Piano Trio In B Flat, D.898: III. Scherzo (Allegro)
Piano Trio In B Flat, D.898: IV. Rondo (Allegro vivace)

Tracks:

Piano Trio In E Flat, C.929: I. Allegro
Piano Trio In E Flat, C.929: II. Andante con moto
Piano Trio In E Flat, C.929: III. Scherzo (Allegro moderato)
Piano Trio In E Flat, C.929: IV. Allegro moderato
Piano Trio In One Movement In B Flat, D.28: Allegro
Adagio In E Flat, D.897

Amazon.com

Schubert's two piano trios are the products of his last years when, knowing that he was ill and dying, he still managed to produce dozens of songs and chamber music masterpieces, as well as pursue counterpoint studies and make plans for further orchestral and stage works. Add to this the earlier String Trio and a couple of miscellaneous single movements, and his output in "trio" form is complete. Both of the piano trios are typically large works, generously stuffed with first-rate tunes, some of which you may recognize without knowing exactly where they came from. These excellent performances at a "twofer" price offer the most convenient and cost effective way to get to know this marvelous music. --David Hurwitz

Customer Reviews:

A Hidden Gem Worth Taking Without Hesitation!.......2005-10-21

The Grumiaux Trio and the Beaux Arts trio are highly respected groups in the domain of chamber music and rank as highly as groups such as the Guarneri Quartet. These earlier performances of Schubert are exquisite in their execution and the only defect here is perhaps a slightly reduced sound quality than your typical contemporary performances due to its age. This is barely noticeable however and this CD is really a steal for the price.

The trios of Schubert are a good way of exploring various periods of his life in which he composed drastically different arrangements. His Piano Trio D. 28 is a good example of his foundations in Mozart and early Beethoven until you reach his Piano Trio D. 929 (performed often in Kurbrick's 'Barry Lyndon') where Schubert explores much more on impressionistic themes than romantic ones. Such themes were only pursued later by composers such as Brahms and Schumann. Liszt's romanticism was also stongly influenced by both Beethoven and Schubert. Of the performances I really have nothing to say as they are simply flawless and there are few I could compare. The sound has some disadvantages but not really significant ones.

This is really a magnificent performance giving you Schubert's complete trios on two CDs. For the quality of performance you get it's a bargain. I am glad I got it as it was worth every dollar.

first CD best.......2005-10-03

I enjoyed the string trios and first piano trio far more than the piano trios on the second CD. Those pieces seemed to stretch Schubert's tendency to repeat sections with slow development to the limit of my toleration. The recordings here are somewhat distant at times but the individual instruments are easy to discern. My comment above about the compositions reflects personal taste -- reasons I generally prefer Beethoven to Schubert. If the pace of his development is to your liking you might very well consider this a "5 star" recording. Recommended with some reservations.

A great way to buy Schubert's chamber music.......2005-08-03

A wonderful 2 CD set of Schubert's trios played by excellent musicians. I particularly like the Beaux Arts Trio and their playing of the piano trios. A great way to consolidate your collection.

Good, but too "intellectualized".......2002-08-20

This is an excellent CD to have; the Beaux Arts Trio is excellent, but sometimes their interpretation is too intellectual and doesn't care enough for the beauty of Schubert's melodies. For example, in the second movement of Schubert E flat Piano trio, the gorgeous solo, the accompaniment to the gorgeous cello solo, then piano solo, is staccato, which takes much of the beauty out of this gorgeous section. I could picture the three guys sitting there and saying, "The melody line is long, so we should make the accompaniment short." When this melody recurs in the fourth movement, it's played much much much too quickly, again taking the beauty, the melancholy out of it. It's clear in those gorgeous waterfall-like descending chords on the piano that Pressler is racing and shouldn't be. After the solo in the second movement, the violin gets too staccato and makes part of the piece unbearably corny, particularly during the fortissimo parts. The B flat in particular tends to race. However, the playing is still very expressive; Pressler in particular and Greenhouse next. I reccomend this CD very highly.

One Schubert CD YOU Should Get.......2001-04-23

There just doesn't seem to be quite the equal for their interpretations of the classical repertoire, but even among the numerous remarkable recordings the Beaux Arts Trio has produced, this gorgeous rendering of Schubert decisively stands out.

Trio No.1 in B flat Major is my favourite pick, with all of its very expansive movements (length-wise, rather than musically, which often make the piece sound boring in lesser hands) treated with extremely delicate and tasteful pacings. One more thing that is very noticeable is the lyricism of the cello tone that almost resembles that of a human voice; it is so light and transparent, as perfectly exhibited in the second movement of the Trio No.1, that at times it could be mistaken for violin.

Tracks:

Piano Trio In B Flat, Op. 21: Allegro molto
Piano Trio In B Flat, Op. 21: Adagio molto e mesto
Piano Trio In B Flat, Op. 21: Allegretto scherzando
Piano Trio In B Flat, Op. 21: Finale (Allegro vivace)
Piano Trio In G Minor, Op. 26: Allegro moderato
Piano Trio In G Minor, Op. 26: Largo
Piano Trio In G Minor, Op. 26: Scherzo (Presto - Poco meno mosso)
Piano Trio In G Minor, Op. 26: Finale (Allegro non tanto)

Tracks:

Piano Trio In F Minor, Op. 65: Allegro ma non troppo - Poco piu mosso, quasi vivace
Piano Trio In F Minor, Op. 65: Allegro grazioso - Meno mosso
Piano Trio In F Minor, Op. 65: Poco Adagio
Piano Trio In F Minor, Op. 65: Finale (Allegro con brio - Meno mosso - Vivace)
Piano Trio In E Minor, Op. 90 (Dumky): Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I - Allegro molto
Piano Trio In E Minor, Op. 90 (Dumky): Poco adagio - Vivace non troppo
Piano Trio In E Minor, Op. 90 (Dumky): Andante - Vivace non troppo - Andante - Allegretto
Piano Trio In E Minor, Op. 90 (Dumky): Andante moderato (quasi tempo di marcia) - Allegretto scherzando - Meno mosso - Allegro - Moderato
Piano Trio In E Minor, Op. 90 (Dumky): Allegro
Piano Trio In E Minor, Op. 90 (Dumky): Lento maestoso - Vivace, quasi movimento - Lento - Vivace

Amazon.com essential recording

Dvorák composed four piano trios, and all of them are fine works. The very last, the so-called "Dumky" Trio, has eclipsed the others in popularity, which is a pity, particularly with respect to the Trio No. 3 in F minor. This work, composed at exactly the same time as the Seventh Symphony, is clearly the finest work of its type since Beethoven--and that includes the three trios of Brahms. Perfectly proportioned, emotionally intense, and chock full of incredible tunes, it grabs you from the first note and never lets you go. The Beaux Arts Trio performs all of this music with their customary musicality and expertise, and the "twofer" price in unbeatable. Now try that Trio No. 3--you'll be glad you did. --David Hurwitz

Customer Reviews:

Emblematic and desert island choices!.......2006-11-19

Dvorak's immense talent as composer of chamber works deserve to him, even a major status that most of people tend to estimate. The spirit of eloquency, sheer lyricism and brisky musicality make of this set a true must-have.

Don't miss this set under any pretext.

fantastic Recordings!.......2005-12-16

The beaux arts' performances of these trios, like most recordings of their golden period, wih Cohen and Greenhouse, set a benchmark, for both the technical as well as the emotional depth in the interpritation of chamber music... Their tension and beauty, particularly of Isidore Cohen's distinctive tone, thrills the heart, as much as the ear.

it just can't be 5 stars.......2003-08-15

Okay, I have to be honest, I don't own these CDs, though I have listened to them a little, which is what's most important. What I simply must tell to the prospective buyer is that there is one part about 40 seconds into the scherzo of the g minor trio that is absolutely atrocious on the part of the violinist, where he (Isidore Cohen, who for the record I think has a nasty tone in general although many people would disagree) goes flatter and flatter on an upward run landing on the note of the climax of the section about halfway between two pitches! To be quite honest, it's absurd that they didn't do another take, because it's pretty painful, yet entertainingly bad, to listen to. If you can enjoy Isidore Cohen's tone, though, this should be a good buy overall.

Definitive Performances Of Dvorak's Piano Trios.......2001-12-08

This is yet another excellent compilation of the great recordings made by the Beaux Arts Trio when its lineup included Isidore Cohen as violinist and Bernard Greenhouse as cellist as well as pianist Menahem Pressler. These are lively, exciting performances replete with warmth and Slavic charm, gracefully played by these exceptional musicians. Of course, the highlight is their exquisite performance of the "Dumky" trio, but the others are equally compelling. This is one of the highlights of my CD collection of Dvorak's music; it should be yours too.

Average customer rating:

Fine Mozart at a Bargain Price
Mozart with a heart
Unbalanced, sloppy and poor intonation at a good price
Elegance
BEAUX ARTS' MOZART MAKES THIS KITTY PURR!!! (SNOOKIE)

Mozart: The Complete Piano Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Mozart: Complete String Trios & Duos
Schumann: Complete Piano Trios
Franz Schubert: Complete Trios
Beethoven: The Piano Trios
Mozart: The Six String Quintets

ASIN: B0000041BU
Release Date: 1995-04-11

Tracks:

Piano Trio In E, K.542: 1. Allegro
Piano Trio In E, K.542: 2. Andante grazioso
Piano Trio In E, K.542: 3. Allegro
Piano Trio In B Flat, K.502: 1. Allegro
Piano Trio In B Flat, K.502: 2. Larghetto
Piano Trio In B Flat, K.502: 3. Allegetto
Piano Trio In G, K.564: 1. Allegro
Piano Trio In G, K.564: 2. Andante. Thema mit Variationen
Piano Trio In G, K.564: 3. Allegretto
Piano Trio In C, K.548: 1. Allegro
Piano Trio In C, K.548: 2. Andante cantabile
Piano Trio In C, K.548: 3. Allegro

Tracks:

Piano Trio In B Flat, K.254: 1. Allegro assai
Piano Trio In B Flat, K.254: 2. Adagio
Piano Trio In B Flat, K.254: 3. Rondeau. Tempo di menuetto
Piano Trio In G, K.496: 1. Allegro
Piano Trio In G, K.496: 2. Andante
Piano Trio In G, K.496: 3. Allegretto. Thema mit Variationen
Trio In E flat, K.498: 1. Andante
Trio In E flat, K.498: 2. Menuetto
Trio In E flat, K.498: 3. Rondeaux. Allegretto

Customer Reviews:

Fine Mozart at a Bargain Price.......2007-04-06

I can't add much to Mike Powers excellent review, but a few thoughts. This is another in the Philips Duo series, which I find a good source for the chamber music of Mozart, Beethoven, Schubert etc at bargain prices. The way these composers are played remains pretty much unchanged since these recordings were made in the late 60s and the 1970s, and made by the finest players of the time. When you thought piano trios you thought the Beau Arts Trio, who made the piano trio their speciality. So you can be sure that the interpretation will be excellent, which it is, and, despite the age of the recording, the sound is very good. And the music ? Some who take life too seriously might put them down as " more Mozart lollipops", well, they don't pretend to compare with a Brandenburg, but they are joyfull and airy, more like a small scale piano concerto, plenty of fine melodies for all the players.
I have no hesitation in giving five stars, there might be a better version available, but it will cost at least twice as much.

Mozart with a heart.......2006-05-20

The last two star review is frankly flabbergasting. I guess some people may be just a little hard to please and perhaps if you are a musical expert or virtuoso you may have a case against these performances by the uniformly excellent Beaux Arts Trio.

Look at what everyone else thinks! This is exceptionially beautiful music played with heart and soul. There are so many performances of Mozart's chamber music that to these untrained ears just sound dull, thin-lipped and polite - for a long time I found much of Mozart's music rather superficial - very clever and witty - but ultimately superficial - I could fully understand why Glenn Gould recorded his sonatas just to show how overrated he had become!

Listening to the Beaux Arts Trio, all is forgiven. I can hear all instruments perfectly equally; the pacing is spot on and somehow the performance brings out a profundity in Mozart's chamber music I was unable to hear before.

Having said all this I would of course love to hear the other Phillips recording that is meant to be so definitive.

Unbalanced, sloppy and poor intonation at a good price.......2006-02-22

I take my chamber music very seriously, and thought this would be a good deal at $14 from Amazon. I'm severely disappointed, but concede you get what you pay for. Both the remastering and the playing leaves something to be desired. I have these same three players playing the Dumky Trio and the Mendelssohn d minor Trio, and the Schubert Trios and they're quite good. These are bad enough that I would not even consider backing the CDs up.

First, the balance seems to be biased towards the violin / clarinet. Daniel Guilet is often criticized for milking the music too much, and it is no exception here, and this, imho, is a severe flaw when interpreting Mozart. His style is also inconsistent. For example, his Mozart spiccato at pianissimos becomes sloppy detaches that are way too long at fortes. Menahem Pressler sounds like he's playing with the soft pedal and the lid down. At times Mozart's clever left hand counterpoint is lost in the background. In the Clarinet Trio, the viola is often lost behind the clarinet. Overall, the intonation is not very good, especially in the awkward passages, like in the E major Trio. (Both Guilet and Greenhouse have issues tuning against the piano... perhaps because the lid was down?)

I give two stars because it could be even worse. My expectations compare to the excellent (especially in comparison) interpretation by Ingred Haebler of the Mozart Piano Quartets (released by Philips). There the exacting intonation and precociousness of Mozart shines. With these recordings I feel like I'm listening to a sight-reading through the wall, closest to the violinist/clarinet player.

Elegance.......2005-06-23

These performances are wonderful, pure, relaxed and elegant. Mozart's Piano Trios are mostly mature works, still more easy listening and less expressive, less demanding than his "Haydn" quartets, most essential string quintets (K. 515, 516, 593), the piano/wind quintet (K 452), the piano quartet (K. 478) and the trio labelled "Divertimento" (K. 563). This makes it more difficult to explain what their charm consists in. Let me try with words like playful coolness, charming equanimity, happy serenity, light imperturbability, natural elegance, soothing purity or unruffled whiteness... Elegance is the keyword.

BEAUX ARTS' MOZART MAKES THIS KITTY PURR!!! (SNOOKIE).......2003-05-06

I have had this recording for about five years, and have enjoyed it immensley. Recorded in the 1960's, it features the original personnel (Menahem Pressler, Piano - Daniel Guilet, Violin - Bernard Greenhouse, Cello).

The Beaux Arts Trio is just wonderful in this literature. Menahem Pressler's dynamic shading, articulation, and interactions with the other instruments are always "just right".

The sound of the recording itself is fine. Even though it was recorded in 1967, it was digitally remastered to cd.

Tracks:

Piano Trio In B, Op. 8 - H-dur, en si majeur: Allegro con brio
Piano Trio In B, Op. 8 - H-dur, en si majeur: Scherzo (Allegro molto)
Piano Trio In B, Op. 8 - H-dur, en si majeur: Adagio
Piano Trio In B, Op. 8 - H-dur, en si majeur: Allegro
Frio In E Flat Op. 40 For Piano, Violin And Horn: Andante - Poco pimato
Frio In E Flat Op. 40 For Piano, Violin And Horn: Scherzo (Allegro)
Frio In E Flat Op. 40 For Piano, Violin And Horn: Adagio molto
Frio In E Flat Op. 40 For Piano, Violin And Horn: Finale (Allegro con brio)

Tracks:

Piano Trio in C, Op. 87: Allegro
Piano Trio in C, Op. 87: Andante con moto
Piano Trio in C, Op. 87: Scherzo (Presto)
Piano Trio in C, Op. 87: Finale (Allegro giocoso)
Piano Trio In C Minor, Op. 101: Allegro energico
Piano Trio In C Minor, Op. 101: Presto non assai
Piano Trio In C Minor, Op. 101: Andante grazioso
Piano Trio In C Minor, Op. 101: Allegro molto
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Allegro
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Adagio
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Andante grazioso
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Allegro

Customer Reviews:

Correction to review concerning the versions of the op. 8 trio.......2006-06-10

Christopher Smith is in error in saying that the Borodin Trio's performance of Brahms's B Major Piano Trio, on Chandos CHAN 8334/5, is the original version. The Borodin Trio recorded only the revised version (unless they made a second recording I'm unaware of). So far as I can tell from the Amazon Web listings and old Penguin Guides, the original version has been recorded by the following groups: Odeon Trio, Trio Opus 8, Altenberg Trio, and Parnassus Trio. The last two groups recorded both versions. Apart from listening, one can tell from the movement designations which version one is dealing with. For instance, the first movement was originally allegro con moto and was revised to allegro con brio, and the third movement was changed from adagio non troppo to adagio. Also, I think you will find that the "great chunks" Brahms removed in his revision are from the first and third movements, not the second (scherzo) movement. Incidentally, I would have preferred not to rate this recording, as my purpose is only to make a correction and the Beaux Arts Trio recording I have is another version with a different violinist, but Amazon's system would not let me do so without including a rating, so I have provided a rating that corresponds to the average of the other ratings.

Excellent buy, whether "budget" or not.......2006-02-02

The three trios on the "B" CD especiall show the emotional depth of Brahms later life chamber music. The Clarinet Trio is well rendered with a supple, yet reserved, but not austere, style.

Excellent, delightful.......2004-11-04

This set is a treat for any Brahms lover. Excellent performance, elegance, depth and profound understanding. True Brahms !!!

Becoming a favorite.......2000-10-17

After listening to the first movement of the C major I'd agree that it's a shade brisk and perfunctory. I've now listened to this performance of the clarinet trio many times. This is a piece that made no impression on me until I listened repeatedly and studied the score. I now realize that, while it's not a perfectly satisfying masterpiece, it has a subdued, elusive beauty, plus it's a remarkably concise piece. I have a theory that it was written in memory of Schumann. Some reasons: 1) the key of A minor was a favorite of Schumann's, 2) the opening melody for cello resembles the opening theme of Schumann's cello concerto (also in A minor), 3) the climax of the coda of the first movement (bars 194-200) has several Schumannesque descending fifths in the melody, 4) the whole piece has a feeling of sad reminiscence such as one can imagine Brahms would feel late in his own life thinking back on his friend, now dead thirty years. The clarinet trio is played very beautifully with no hint of the perfunctory quality mentioned above in connection with the C major trio. This is great music that deserves to be studied and thought about, not just played in the background.

Addendum (10/2002)...I just want to take back what I said about the C major being perfunctory. I've had many hours of enjoyment from all tracks on these discs, particularly the C major and C minor piano trios and the clarinet trio. That business about "perfunctory" was a very superficial initial reaction. These guys play with fire and sweep...crack open a beer and crank it up!

a real disappointment.......2000-07-19

Although I haven't listened to all of it extensively, I found that both the Opus 8, B Major and Opus 87, C Major, were played with jarring tempo changes, unintuitive and displeasing phrasing, and a seeming lack of interest. I am a huge fan (and player) of Brahms and these trios in particular, and it was astonishing to discover that this compilation's recordings were so lacking in feeling and grace.

Average customer rating:

Little Gems.
Delightful Music
Too Bland for Haydn!!!
Haydn: Complete Piano Trios
Gramophone "Top 100 " Recording

Haydn: Complete Piano Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Beethoven: The Piano Trios
Mozart: The Complete Piano Trios
Haydn: The Complete Piano Sonatas
Schumann: Complete Piano Trios
Franz Schubert: Complete Trios

ASIN: B0000041LO
Release Date: 1997-09-16

Tracks:

Hob. XV:30 In E Flat: Allegro moderato
Hob. XV:30 In E Flat: Andante con moto
Hob. XV:30 In E Flat: Presto
Hob. XV:27 In C: Allegro
Hob. XV:27 In C: Andante
Hob. XV:27 In C: Finale (Presto)
Hob. XV:28 In E: Allegro moderato
Hob. XV:28 In E: Allegretto
Hob. XV:28 In E: Finale (Allegro)
Hob. XV:29 In E Flat: Poco allegretto
Hob. XV:29 In E Flat: Andantino ed innocentemente
Hob. XV:29 In E Flat: Finale: Allemande (Presto assai)

Tracks:

Hob. XV:24 In D: Allegro
Hob. XV:24 In D: Andante
Hob. XV:24 In D: Allegro, ma dolce
Hob. XV:25 In G: Andante
Hob. XV:25 In G: Poco adagio. Cantabile
Hob. XV:25 In G: Rondo all'Ongarese (Presto)
Hob. XV:26 In F Sharp Minor: Allegro
Hob. XV:26 In F Sharp Minor: Adagio cantabile
Hob. XV:26 In F Sharp Minor: Tempo di menuetto
Hob. XV:31 In E Flat: Andante cantabile
Hob. XV:31 In E Flat: Allegro

Tracks:

Hob. XV:20 In B Flat: Allegro
Hob. XV:20 In B Flat: Andante cantabile
Hob. XV:20 In B Flat: Finale (Allegro)
Hob. XV:21 In C: Adagio pastorale - Vivace assai
Hob. XV:21 In C: Molto andante
Hob. XV:21 In C: Finale (Presto)
Hob. XV:22 In E Flat: Allegro moderato
Hob. XV:22 In E Flat: Poco adagio
Hob. XV:22 In E Flat: Finale (Allegro)
Hob. XV:23 In D Minor: Molto andante
Hob. XV:23 In D Minor: Adagio ma non troppo
Hob. XV:23 In D Minor: Finale (Vivace)

Tracks:

Hob. XV:15 In G: Allegro
Hob. XV:15 In G: Andante
Hob. XV:15 In G: Finale (Allegro moderato)
Hob. XV:17 In F: Allegro
Hob. XV:17 In F: Finale (Tempo di menuetto)
Hob. XV:32 In G: Andante
Hob. XV:32 In G: Allegro
Hob.XV:18 In A: Allegro moderato
Hob.XV:18 In A: Andante
Hob.XV:18 In A: Allegro
Hob. XV:19 In G Minor: Andante - Presto
Hob. XV:19 In G Minor: Adagio, ma non troppo
Hob. XV:19 In G Minor: Presto

Tracks:

Hob. XV:12 In E Minor: Allegro moderato
Hob. XV:12 In E Minor: Andante
Hob. XV:12 In E Minor: Rondo (Presto)
Hob. XV:13 In C Minor: Andante
Hob. XV:13 In C Minor: Allegro spiritoso
Hob. XV:14 In A Flat: Allegro moderato
Hob. XV:14 In A Flat: Adagio
Hob. XV:14 In A Flat: Rondo (Vivace)
Hob.XV:16 In D: Allegro
Hob.XV:16 In D: Andantino pito allegretto
Hob.XV:16 In D: Vivace assai

Tracks:

Hob. XV:7 In D: Andante con variazioni
Hob. XV:7 In D: Andante
Hob. XV:7 In D: Allegro assai
Hob. XV:8 In B Flat: Allegro moderato
Hob. XV:8 In B Flat: Tempo di menuetto
Hob. XV:9 In A: Adagio
Hob. XV:9 In A: Vivace
Hob. XV:10 In E Flat: Allegro moderato
Hob. XV:10 In E Flat: Presto
Hob. XV:10 In E Flat: Allegro moderato
Hob. XV:10 In E Flat: Tempo di menuetto

Tracks:

Hob. XV:f1 In F Minor: Allegro moderato
Hob. XV:f1 In F Minor: Menuet
Hob. XV:f1 In F Minor: Finale (Allegro)
Hob. deest in D: Allegro molto - Andante
Hob. XIV:C1 In C: Adagio - Presto
Hob. XIV:C1 In C: Menuet
Hob. XIV:C1 In C: Hob. XIV:C1 in C: Finale
Hob. XV:2 In F: Allegro moderato
Hob. XV:2 In F: Menuetto. Allegretto
Hob. XV:2 In F: Finale (Adagio con variazioni)
Hob. XV:5 In G: Adagio non tanto
Hob. XV:5 In G: Allegro
Hob. XV:5 In G: Allegro
Hob. XV:6 In F: Vivace
Hob. XV:6 In F: Tempo di menuetto

Tracks:

Hob. XV:40 in F: Moderato
Hob. XV:40 in F: Menuet
Hob. XV:40 in F: Finale (Allegro molto)
Hob. XV:41 in G: Allegro
Hob. XV:41 in G: Menuet
Hob. XV:41 in G: Adagio
Hob. XV:41 in G: Finale (Presto)
Hob. XV:35 in A: Capriccio (Allegretto)
Hob. XV:35 in A: Menuet
Hob. XV:35 in A: Finale (Allegro)
Hob. XV:34 in E: Allegro moderato
Hob. XV:34 in E: Menuet
Hob. XV:34 in E: Finale (Presto)
Hob. XV:36 In E Flat: Allegro moderato
Hob. XV:36 In E Flat: Polones
Hob. XV:36 In E Flat: Finale (Allegro molto)
Hob. XV:38 In B Flat: Allegro moderato
Hob. XV:38 In B Flat: Menuet
Hob. XV:38 In B Flat: Finale (Presto)

Tracks:

Hob. XV37 in F: Adagio
Hob. XV37 in F: Allegro molto
Hob. XV37 in F: Menuet
Hob XV:C1 in C: Allegro Moderato
Hob XV:C1 in C: Menuet
Hob XV:C1 in C: Andante con variazioni
Hob. XIV:6-XVI:6 in G: Allegro
Hob. XIV:6-XVI:6 in G: Adagio
Hob. XIV:6-XVI:6 in G: Menuetto
Hob.XV:39 in F: Allegro
Hob.XV:39 in F: Andante
Hob.XV:39 in F: Allegro
Hob.XV:39 in F: Menuetto
Hob.XV:39 in F: Scherzo
Hob. XV:1 in G minor: Moderato
Hob. XV:1 in G minor: Menuet
Hob. XV:1 in G minor: Presto

Amazon.com

Haydn's piano trios deserve far more attention than they receive. As music lovers know, they are every bit as rewarding as his symphonies and string quartets, and also very numerous. They are not, however, true trios as we understand the term now. Essentially, Haydn took the sonata for violin and piano and added a cello part to strengthen the weak bass of contemporary pianos. This doesn't inhibit the quality of the music in any way, but it has prevented modern piano trios from taking them up since the cellist usually wants something more exciting to do. All praise, then, to the Beaux Arts Trio for understanding that musical quality is more important than instrumental display. --David Hurwitz

Amazon.com

This set, recorded during the 1970s, is still the only complete recording of Haydn's trios. (Imagine if there were only one recording of Mozart's or Beethoven's trios!) In this low-priced, space-saving format, it is one of the greatest chamber music bargains of all time. The great Beaux Arts Trio took its time recording the music, so every piece was thoroughly studied and absorbed before it was recorded. Some period instrument groups might be more stylish or authentic in a given trio, but this is still a splendid series of performances and your only chance to hear all of the music. Take the box on vacation; it doesn't use up much space! --Leslie Gerber

Customer Reviews:

Little Gems........2007-07-19

I have come to the view that Haydn is for the more musically mature; this is after fifty five years of avoiding him! I have wasted a lot of time.

Like many people, I have thought of Haydn principally in terms of his "thousands" of symphonies and felt the title "Papa" well deserved. However, having spent an increasing amount of time over the last five years in getting to know his chamber works, I have altered my opinions dramatically and long since have ceased to think of him as "Papa".

Given that for a few years at least, he shared the middle of the 18th. century with Bach, his works were highly innovative following so close upon the heels of the Barok. I think Haydn receives far too little credit for the pioneering work he did. His string quartets are truly of the highest order and given that he "invented" the genre, astonishingly forward and musically developed. Mozart did nothing to advance the form which Haydn left as a wonderful foundation upon which Beethoven, Schubert and Mendelssohn could build.

Whilst the quartets are of a comparatively cerebral character, these piano trios are not so. Not because of any inventive shortcomings of on the part of the composer but due to their being intended for a different and much larger audience along with groups of amateur players to whom his publishers could sell lots of sheet music; it should be remembered that Haydn's reputation extended from Italy to Sweden and he was enormously popular at the end of the century. These trios, whilst very occasionally sounding just a little "commercial", make very satisfying listening and I enjoy them immensely.

The Beaux Arts' readings are characteristically "safe" and I have no quibble with this. Another reviewer has found them "bland" but with this I disagree. Frankly, I think it difficult to make a proper judgment because, as has been pointed out elsewhere, the strings are not at all well recorded and for much of the time the pieces sound like a piano sonata with occasional string accompaniment. I find this irritation present on other Beaux Arts/Philips recordings but in this case less annoyingly so as the piano really is a stand-alone part with the overall nature of the works being surprisingly undiminished - particularly the 'cello whose principal function is to bolster the rather fragile bass of the early Viennese fortepiano - don't have a lot to say that is of much musical consequence. Fortunately, Menahem Pressler, being a superb pianist, carries the burden masterfully. In other respects the standard of recording is good.

I would like to have awarded five stars; generally, this set deserves them but I feel some penalty has to be imposed in respect of the poor microphone balance. Musically, this collection is a well-performed joy and I'm sure others will delight in it.

Delightful Music.......2006-03-04

The Beaux Arts Trio, as always, performs well enough to win an award with these trios. The works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.

This music is also wonderful to listen to while doing desk work or reading. You'll not be disappointed.

Too Bland for Haydn!!!.......2006-01-17

No doubt that Haydn is one of the greatest composers of all times both in terms of quality and quantity of his diverse compositions.I have always found his piano sonatas very witty and enjoyable having listened to Jando and Richter.I was completely floored by one of the Haydn's Piano trios featured in the Stern,Rose and Istomin recording of the Schubert Piano Trios-Perky,springy,Bouncy playing keeping the listener constantly guessing.It is with great expectation that I bought this complete set of Haydn Piano Trios by the REPUTED Beaux Arts Trio.Listening to the First 2 CDs of this set was a bit of a let down.I find their playing totally bland and Lifeless-Yes,they are pretty but lacking in perky,quirky humour that Haydn is justly known for.They sound like Rameau's compositions!I find that the individuality and personality of Haydn is totally absent.
I know that the Beaux Arts Trio has a Big Reputation but I need to say this.I found their Beethoven Trios a Trifle Bland as well.The Stern Rose Istomin Excel in that recording as well!Ditto for their Schubert Piano Trios.Just what is the Difference?I find the Stern Rose Istomin Trio play with Fresh Abandon whereas the Beaux Arts Trio seem to be too Studious,a little too serious!This robs a little bit of spontaneity and LIVING IN THE MOMENT vitality.(More so for Franz Joseph Haydn!)
Yes,This may be the only complete recording of the wonderful Haydn Piano Trios,but I would strongly advise that you collect the individual performances by different groups after due listening.

Haydn: Complete Piano Trios.......2005-09-06

Bad recording - all one can hear is the piano part...too loud and is sounded liked the piano was set right next to the microphone... Wish I could return this set of CD's. Very disappointed.

Gramophone "Top 100 " Recording .......2005-04-25

There are times - even for the most engaged classical fan - when the denser textures or sudden changes in dynamics of a symphony, concerto or even string quartet cannot quite be processed, but still the musical-person-within desires to hear great music. Well, for those times - such as a cozy Sunday afternoon reading on the couch - Haydn's piano trios are the perfect prescription for musical bliss and contentment. And while these trios are lighter in character and texture, they are definately not monotonous, run-of-the-mill divertimenti but rather quite musically intelligent compositions which are exceedingly pleasant, full of exuberance, rich in invention and always in good Haydn taste.

Haydn's Piano Trios is an abundant, marvelous cache of chamber music to explore. Many are similar in mood and interplay to Mozart's sprightly Piano Trios, while some movements of the late works forshadow Beethoven's expressivity. Haydn's piano trios never cease to delight with their classical balance, lightness-of-heart, bubbly joy and smooth textures. One reason for such a proliferation of works in the piano-trio genre in Haydn's time is that the home market for such compositions was exploding in mid-18th century with seemingly every middle to upper class household now owning this new, must-have musical instrument - the clavier.

The Beaux Arts Trio do great justice to this works and show they really care and enjoy Haydn's music. The artistry, performance and sound quality of these recordings are superb on all levels which is probably why this set won the impressive awards of "Top CD of the Year" and a "Top 100 Recording" from Gramophone - the latter being a supreme compliment. The crisp, dancing piano tempos from pianist Menahem Pressler in these trios are energetic, sure-footed and delightful, while the two strings bring a rich tonality and elegant mannerism that is most fitting for this genre and period. As a whole, the Beaux Arts Trio exhibits the kind of natural, seamless musicianship that comes through years of playing together. Their playing and this CD show classical-era chamber music at its finest, and "legendary" would not be an out-of-place description of this fine trio. As of 2005, the trio is now in its 50th year with original member pianist Menahem Pressler still going strong. All of their recordings still decades later are among the top positions in the ratings in spite of much fine competition (Mozart, Beethoven, Schubert, Brahms piano trios). I would say the Haydn Piano Trios are just as enjoyable and musically rich than their Mozart and Beethoven recordings. I would not be without one set.

For all these reasons, these most-admirable recordings are some of my most frquently played discs in all my collection (I play music all day while studying or working). Others note this "ever-fresh" appeal that allows lots of play before any weariness sets in. So, the quality of recordings, beautiful slim packaging, decent liner notes and exceptional value all combine to make this set a compelling investment for the chamber-music lover. And if you think 9 CD's of piano trios are a lot, consider it a lifetime investment and exploration.

Average customer rating:

best available version
outstanding
DO WE UNDERSTAND HAYDN EVEN YET?

Haydn: Piano Trios (Complete) [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Haydn: Piano Sonatas Complete
Telemann:Tafelmusik (Complete) (Box Set)
François Couperin: Chamber Music (Complete)
Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set)
Couperin: 4 Livres de pièces de clavecin [Box Set]

ASIN: B000DZV8C6
Release Date: 2006-01-24

Customer Reviews:

best available version .......2007-02-10

I normally prefer modern instruments in most recordings,even in Haydn's piano sonatas. But when it comes to Haydn's trios, I prefer the period instruments by far. They just seem to blend better, and the musicians seem to be able to play with more passion and energy; by contrast, the performances by the Beaux Arts Trio sound cold and restrained. Great recordings, and the price is amazing!

outstanding.......2007-01-30

I can't add much to David Bryson's excellent review below.

I've owned the Beaux Arts modern instrument set of these works for years, and I have to say I greatly prefer this set, which was performed on period instruments. I enjoy modern instrument performances of music from this period (for instance Mozart's piano concertos, where a period fortepiano is frequently overwhelmed by the orchestra, even a period insturment orchestra. However, I think period fortepianos are preferable in chamber music.

The balance and clarity of these recordings is superb. Three different period fortepianos are used, adding to the sense of progression not just in Haydn's compositions, but also the color and texture of the music as influenced by the choice of instrument.

As usual, Brilliant Classics offers a great value for the money as well. Informative liner notes, sturdy cardboard sleeves for each of the ten discs, and the set takes up less than two inches of shelf space.

Highest of recommendations.

DO WE UNDERSTAND HAYDN EVEN YET?.......2006-10-09

In a letter Brahms says something to the effect `Nobody seems to understand Haydn nowadays. For years he gave us all our music'. Whatever precisely Brahms meant, it seems to me that the complete transformation in the idiom of music that made the music of Mozart and everyone since so astoundingly different from the music of Bach was Haydn's achievement, and his alone. Relics of the baroque manner are absent from Haydn's own style virtually from the outset. Any that remain relate to his treatment of the bass in ensembles, and that matter has a particular bearing on Haydn's piano trios, not so much in themselves as in the way they are perceived.

Assuming for the moment what I shall try to explain in that respect, the set under review will be hard to surpass as `record of the decade' whatever marvels await us between now and the end of 2010. For comprehension of Haydn's style and its development, for loving, inspired and meticulous musicianship, for the ability to recognise and convey greatness when they find it, these artists deserve the most extravagant praise. For quality in the recorded sound, for thought and imagination in the production, for helpful and illuminating comment, and for sheer brilliant value, this set deserves hardly less. It comes compactly packaged in ten numbered envelopes averaging an hour's music apiece. Box and envelopes are of strong cardboard, but the discs can be difficult to extract when new, so be careful with them. There are 40 trios plus (on disc 5) a selection of individual movements where the music is probably by Haydn but the arrangements for trio not. Attribution to Haydn is probably not completely certain in some of the earliest trios either, but he becomes unmistakable before long, and none of the music is less than attractive. The 3 trios on disc 6 have flute rather than violin according to Haydn's expressed preference, and Marion Moonen uses a wooden flute. There are two violinists and two cellists sharing the work, but the fortepianos (several are used) are played throughout the entire 10 hours of music by the formidable Bart van Oort, who contributes one of the admirable liner-notes into the bargain. The level of musical insight shown by the entire ensemble I have already alluded to, but van Oort is a player to hear just for his playing, turning out trills to rival Gould himself.

Serkin said that that Haydn's trios are a musical corpus to rival Mozart's piano concertos, and that a life devoted to their study alone would be well spent. He might have recorded some of them in that case, mightn't he? The statement is not much of an exaggeration in my opinion. Broadly speaking, one senses Haydn's style developing as the 10 discs progress, the adagio of the F# minor trio on disc 9 is better known as the sublime slow movement of the wonderful symphony 102, and the 4 trios occupying the last disc, particularly the C major, are absolute belters worthy to stand with the greatest of his piano sonatas. One can probably enjoy them best without reading too much about them, as enlightenment is in short supply in what one reads. Tovey finds `strange inability to refrain from writing down in the piano part everything that the other instruments have to say.' This I quote to illustrate the pitfalls of dealing in generalisation. There is more doubling between the violin and the piano's right hand than in later styles, but as a general characterisation of what you can hear with your own ears it is nonsense. The really interesting issue concerns the cello. Genuine emancipation of the cello in ensembles with piano came only with Mozart, although Haydn had got there in his quartets and symphonies. We may therefore choose to believe, as Tovey seems to, that this composer, the most thoroughgoing revolutionary, in his civilised way, that music has yet seen, was incapable of advancing in his trios to the treatment of the cello that he had achieved elsewhere; or we can believe something more probable. Cellists of the calibre necessary for Haydn's symphonies and quartets were probably still thin on the ground. The instrument never had music worthy of it until Bach, inspired by the playing of Linike, wrote his cello suites. In Haydn's time, as in Bach's, it was probably still embraced by players of little attainment or promise, and simple cello parts in piano `trios' were a way of giving such performers an opportunity to participate with their more gifted colleagues. It would take little to arrange Haydn's trios as `violin sonatas', but it seems to me that Haydn - or you or I come to that - can perceive the benefit of cello sound to the overall effect, even if Professor Tovey does not.

The one thing I miss from this wonderful set is a clear account of the dates of the trios. I am not conversant with the Hoboken numbering-system, but it is not followed strictly here. Roughly, I would guess that the sequence of the works over these 10 discs follows the sequence of their composition. However there may be producer's or presentational reasons for departing from such rigid ordering, although I can't imagine any such reason for presenting the 3 flute trios, all on the same disc, in the (Hoboken) sequence 16/15/17.

You may be aware that Haydn also wrote trios for baryton viola and cello, of which I own a marvellous complete set on vinyl, not now available on cd so far as I know, but there seem to be others of comparable quality. Those could well be another treat if you are unfamiliar with this side of the master's output. In the short term, there are these trios to get acquainted with if we thought we knew Haydn but were actually missing something important.

Brilliant Classics indeed.

Average customer rating:

HIMMELISCH HUMMEL (Complete!!!!)

Hummel: Complete Piano Trios

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Hummel: Piano Works
Hummel: Piano Sonatas
Hummel: Piano Concerto in E major, Op. 110 / Concerto for Piano & Violin, Op. 17 - Howard Shelley / Hagai Shaham / London Mozart Players
Johann Nepomuk Hummel: Piano Concerto in A Minor and B Minor
Hummel: Violin Concerto

ASIN: B00000JISC
Release Date: 1999-07-20

Tracks:

Pno Trio in E flat, Op.93: Allegro Con Moto
Pno Trio in E flat, Op.93: Un Poco Larghetto
Pno Trio in E flat, Op.93: Rondo. Allegro Con Brio
Pno Trio in G, Op.65: Allegro Con Spirito
Pno Trio in G, Op.65: Andante Grazioso
Pno Trio in G, Op.65: Rondo. Vivace Assai E Scherzando
Pno Trio in E, Op.83: Allegro
Pno Trio in E, Op.83: Andante
Pno Trio in E, Op.83: Rondo

Tracks:

Pno Trio in E flat, Op.12: Allegro Agitato
Pno Trio in E flat, Op.12: Andante
Pno Trio in E flat, Op.12: Finale. Presto
Pno Trio in E flat, Op.22: Allegro Moderato
Pno Trio in E flat, Op.22: Andante Con Vars
Pno Trio in E flat, Op.22: Rondo Alla Turca. Vivace
Pno Trio in G, Op.35: Allegro Con Brio
Pno Trio in G, Op.35: Tempo Di Menuetto
Pno Trio in G, Op.35: Rondo. Vivace E Scherzando
Pno Trio in E flat, Op.96: Allegro Con Spirito
Pno Trio in E flat, Op.96: Andante Quasi Allegretto
Pno Trio in E flat, Op.96: Rondo Alla Russa. Allegro Vivace

Customer Reviews:

HIMMELISCH HUMMEL (Complete!!!!).......2001-07-15

You can't keep a good man down! Ah, Hummel, you sly devil!

With contemporaries like Mozart, Haydn and Beethoven all nipping and tucking with their piano trios simultaneously, Hummel (1778-1837) really had to know what he was up against, musically, if not psychologically and emotionally, and to stand his ground amongst these giants. No mean task; but our intrepid Hummel withstood firmly and added to the repertoire seven piano trios that are virtual founts of continuous invention, melody, and an enduring humanity that never fail to please nor touch us.

Naturally, by no stretch of the imagination can Hummel be considered a composer with the depth of a Beethoven (but, then, how many composers can?) or a Mozart (ditto); no, he's more akin to Haydn, especially in these piano trios. Yet, there is more to Hummel than meets the ear--- and although profundity does not run rampant throughout these works, neither are they mere superficial excursions or frothy entertainments. On the contrary, every trio is a well-wrought composition; from the earliest Op. 12 to the last, Op. 96, each offers up its own unique rewards and very special delights diverse enough to tantalize the most jaded palate.

The Trio Parnassus--- an absolute gem of an ensemble--- play these Hummel trios with a warmth and love that simply radiates. And how well-integrated these artists are! As near to perfection as one could wish for. Their immersion in this music is total and infectious and contagious. The recording, too, is topnotch in every respect. This is, indeed, heavenly stuff.

[Running time--- CD 1: 60:59 CD 2: 60:40]

Mozart: The Complete Piano Trios (K.254, K.496, K.502, K.542, K.548, K.564) - The Mozartean Players

Average customer rating:

THE recording to get of these trios
The Genius of Mozart
Beautiful recording - perfectly in the spirit of the music

Mozart: The Complete Piano Trios (K.254, K.496, K.502, K.542, K.548, K.564) - The Mozartean Players

Manufacturer: Harmonia Mundi France
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0000007CQ
Release Date: 1992-12-07

Tracks:

Divertimento In B-Flat, K.254: 1. Allegro assai
Divertimento In B-Flat, K.254: 2. Adagio
Divertimento In B-Flat, K.254: 3. Rondo; Tempo di menuetto
Trio In G, K.496: 4. Allegro
Trio In G, K.496: 5. Andante
Trio In G, K.496: 6. Allegretto (Variations)
Trio In B-Flat, K.502: 7. Allegro
Trio In B-Flat, K.502: 8. Larghetto
Trio In B-Flat, K.502: 9. Allegretto

Tracks:

Trio In E, K.542: Allegro
Trio In E, K.542: Andante grazioso
Trio In E, K.542: Allegro
Trio In C, K.548: Allegro
Trio In C, K.548: Andante cantabile
Trio In C, K.548: Allegro
Trio In G, K.564: Allegro
Trio In G, K.564: Andante (Variations)
Trio In G, K.564: Allegretto

Amazon.com

Mozart did not confide his most profound thoughts to the trio medium. These pieces aren't superficial, but they aren't his most demanding or intense chamber works either. For that reason, they may be the wrong choice for continuous listening sessions; one at a time is usually best. If you want to hear the music, however, here is an ideal way. Steven Lubin's rippling fortepiano leads the ensemble, but never at the expense of the other parts. The players never exaggerate Mozart's little spells of mock-tragedy, and their alertness keeps the music lively and involving. In performance and recording this is a near-ideal set. --Leslie Gerber

Customer Reviews:

THE recording to get of these trios.......2003-04-23

I heartily agree with the reviewer from Scotland/Hong Kong (although I would encourage him/her to give the other Lubin recordings a chance too)! The world-renowned Beaux Arts Trio has been one of my favorites for years and years, and their recording of these Mozart trios used to be my favorite. That was until I heard this recording by the Mozartean Players on period instruments -- it just strikes the perfect balance. It's tricky when playing Mozart not to get carried away by his sheer brilliance, but this recording shows so many more subtleties while still allowing that brilliance to show through.

The Genius of Mozart.......2002-12-25

This music was written and performed with such succintness, exactitude, beauty, and perfection, that it made me realize how such virtues can exist in music and transfer to the life of the listener. The more I listen to this double cd, which was the first classical cd I had ever purchased, the more I ponder how different the world would seem if the average individual gravitated back toward Mozart, and away from media-hyped music.
The idea seems quite simple: forte piano (played wonderfully by Steve Lubin), cello, and violin directed by Mozart's compositional vision, and lifting the listener's mind and spirit with these aforementioned virtues; taking both to new heights.
As a younger music listener I would often get caught in the hooks that are thrown in to sell records. This recording has no such hooks, as it seems like one continuous meditation on what music can offer the human condition. I know "genius" has been used to describe millions of people in the past, but if I had to limit this label to twenty individuals in world history, I believe an argument could be made that Mozart would fall in that elite group. And not pursuing his music as a listener is like settling for an alchemical view of the world in light of the most advanced science.

Beautiful recording - perfectly in the spirit of the music.......2001-10-10

I am embarrassed to say that I have come to Mozart's piano trios only lately. I very much enjoyed the recordings by the highly respected Beaux Arts Trio and the recent DG recording by the exemplary Pires, Dumay and Wang. I was suspicious of this version - I tend not to like the sound of the Fortepiano, and have disliked the recordings I've heard by Lubin, despite the high estimate of them in the music press. but i love the trios so very much that I took a risk and bought the set. I have rarely been so delighted - the sound of the fortepiano is not at all strange or 'out-of-tune sounding.' On the contrary, it is gentle, refined - in short - just right. But what is so appealing about this recording is the sheer 'rightness' of the interpretations - the tempos, the interplay between the players, the stylishness, grace and sheer beauty of the interpretations. There is wit, irony and also a darker side which the players bring out with effortless grace. These recordings are so 'right' that it is now impossible for me to go back to pires on her modern grand piano (too grand and Romantic) or even the beloved Beaux Arts Trio (somehow dated and up-tight). this is THE one to go for. But don't take my word for it - just try the first movement of the Divertimento - doesn't it do the trick for you too? I do hope so. Warmly and affectionately recommended.