Peter Tchaikovsky: Klavierkonzert In B-Flat Minor, Op. 23

On this CD:

1. Piano Concerto No. 1, for piano & orchestra (or 2 pianos) in B flat minor, Op. 23
Composed by Pyotr Il'yich Tchaikovsky
Performed by Leipzig Gewandhaus Orchestra with Tatyana Nikolayeva

Editorial Reviews
Amazon.com
Not many buyers are willing to spend money and take up shelf space with a CD containing only this one familiar work, and in mono at that. But since I collect Tatiana Nikolayeva recordings, let me tell you something about what makes this performance special. Nikolayeva plays the Concerto with an ideal balance of virtuosity and lyricism, ardent and powerful throughout but never forcing her tone or aiming for obvious effects. Her beautiful tonal shadings come across well in this 1959 recording, which also features the young Kurt Masur sounding more energetic than he usually does today. If you love the music, this is really worth hearing. --Leslie Gerber

Peter Tchaikovsky: Klavierkonzert In B-Flat Minor, Op. 23, Music, Pyotr Il'yich Tchaikovsky, Gewandhausorchester Leipzig, Tatiana Nikolayeva, Tatyana Nikolayeva, Classical, Concerto, Piano Concerto
Peter Tchaikovsky: Klavierkonzert In B-Flat Minor, Op. 23
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    Peter Tchaikovsky: Klavierkonzert In B-Flat Minor, Op. 23

    Manufacturer: Berlin Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B0000035Q3
    Release Date: 2005-10-01

    Tracks:

    1. Pno Con in b Flat, Op.23: 1. Allegro Non Troppo E Molto Maestoso
    2. Pno Con in b Flat, Op.23: 2. Andantino Semplice
    3. Pno Con in b Flat, Op.23: 3. Allegro Con Fuoco

    Amazon.com

    Not many buyers are willing to spend money and take up shelf space with a CD containing only this one familiar work, and in mono at that. But since I collect Tatiana Nikolayeva recordings, let me tell you something about what makes this performance special. Nikolayeva plays the Concerto with an ideal balance of virtuosity and lyricism, ardent and powerful throughout but never forcing her tone or aiming for obvious effects. Her beautiful tonal shadings come across well in this 1959 recording, which also features the young Kurt Masur sounding more energetic than he usually does today. If you love the music, this is really worth hearing. --Leslie Gerber

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