Organ Music For Christmas

On this CD:

1. Partita No 4 on "Nun Komm, der Heiden Heiland" for organ
Composed by Andreas Kneller
Performed by Michael-Christfried Winkler

2. Nun Komm, der Heiden Heiland, chorale for organ
Composed by Wilhelm Friedemann Bach
Performed by Michael-Christfried Winkler

3. Nun komm, der heiden Heiland
Composed by Georg Friedrich Kauffmann
Performed by Michael-Christfried Winkler

4. Chorale prelude for organ ("Nun komm der Heiden Heiland"), BWV 659
Composed by Johann Sebastian Bach
Performed by Michael-Christfried Winkler

5. Magnificat in the 2nd Ton
Composed by Matthias Weckmann
Performed by Michael-Christfried Winkler

6. Gelobet Seist Du, Jesu Christ, chorale for organ
Composed by Georg Bohm
Performed by Michael-Christfried Winkler

7. Lobt Gott, Ihr Christen, Allzugleich
Composed by John Dowland
Performed by Michael-Christfried Winkler

8. Vom Himmel Hoch Da Komm Ich Her, chorale for organ
Composed by Georg Bohm
Performed by Michael-Christfried Winkler

9. Chorale for organ ("Vom Himmel hoch da komm ich her") (I)
Composed by Johann Pachelbel
Performed by Michael-Christfried Winkler

10. Chorale fugue for organ ("Meine Seele erhebet den Herren"), ("Fugue on the Magnificat"), BWV 733
Composed by Johann Sebastian Bach
Performed by Michael-Christfried Winkler

11. O Jesulein süß, chorale prelude for organ
Composed by Georg Friedrich Kauffmann
Performed by Michael-Christfried Winkler

12. Es ist ein Ros entsprungen
Composed by Michael Praetorius
Performed by Michael-Christfried Winkler

13. Easy Chorale Preludes (52) for organ, Op. 67 Nun Komm, Der Heiden Heiland
Composed by Max Reger
Performed by Michael-Christfried Winkler

14. Little Chorale Preludes (30) for organ, Op. 135a No 16 Macht Hoch Die Tü
Composed by Max Reger
Performed by Michael-Christfried Winkler

15. Easy Chorale Preludes (52) for organ, Op. 67 No 23 Lobt Gott Ihr Christen Alle Gleich
Composed by Max Reger
Performed by Michael-Christfried Winkler

16. Chorale Prelude for organ ("Vom Himmel hoch"), Op. 135a/24
Composed by Max Reger
Performed by Michael-Christfried Winkler

17. Little Chorale Preludes (30) for organ, Op. 135a No 2 Allein Gott In Der Höh Sei Ehr
Composed by Max Reger
Performed by Michael-Christfried Winkler

18. Little Chorale Preludes (30) for organ, Op. 135a No. 29, Wie Schön Leucht't Uns der Morgenstern
Composed by Max Reger
Performed by Michael-Christfried Winkler

19. Choral prelude for organ ("Es ist ein Ros' entsprungen"), Op. posth. 122/8 No 08, Es ist ein Ros' entsprungen
Composed by Johannes Brahms
Performed by Michael-Christfried Winkler

20. Der Tag, der ist so freudenreich, fugue for organ
Composed by Johann Georg Albrechtsberger
Performed by Michael-Christfried Winkler

21. Weihnachten (Christmas), for organ, Op. 145/3
Composed by Max Reger
Performed by Michael-Christfried Winkler

22. La Nativité du Seigneur, 9 meditations for organ, I/14
Composed by Olivier Messiaen
Performed by Michael-Christfried Winkler

Tracks:

Toccata And Fugue In D Minor: Toccata in D minor
Orchestral Suite No. 3 In D Major: Air
Prelude in C major
Brandenburg Concerto No. 4 In G Major: Allegro
Goldberg Variations: Aria
Sleepers Awake: Wachet auf, ruft uns die Stimme
Violin Concerto No.1 In A Minor: I Allegro moderato
Jesu, joy of man's desiring
Keyboard Concerto No.4: Allegro: I Allegro
Cello Suite No.3: Bourees I & II: Bourrees I And II
Concerto for Oboe & Violin In C Minor: Adagio
Mass In B minor: Crucifixus
Cello Suite No.1 in G Major: Praeludium
French Suite No.5 in G major: Gigue
Prelude in D Minor
Brandenburg Concerto No.5 In D Major: III Allegro
Matthaus-Passion: St Matthew Passion

Tracks:

Brandenberg Concerto No.2 In F Major: I Allegro
Concerto For 2 Violins In D Minor: II Largo, ma non tanto
Lute Suite In E Major: Prelude
Cantata: Sheep may safely graze
Cello Sonata In G Minor: II Adagio (excerpt)
Italian Concerto In F Major: II Allegro
Weihnachtsoratorium: Pastoral sinfonia
Violin Concerto No.1 In A Minor: II Andante
Partita No.1 In B Flat Major: Gigue
Orchestral Suite No.2 In B Minor: Menuet
Orchestral Suite No.2 In B Minor: Badinerie
Oboe Concerto In F Major: Siciliano
Brandenberg Concerto No.3 In G Major: I Allegro
Violin Partita No.2 In D Minor: Allemande
Violin Partita No.2 In D Minor: Gigue
Keyboard Concerto No.2 In E Major: I Allegro (excerpt)
Cantata: Sanctify us by thy goodness
Keyboard Concerto No.5 In F Minor: II Largo
Concerto In A Minor: I Allegro

Amazon.com

It is not possible to fit 36 Bach masterpieces on two CDs, so what Essential Bach does is present individual movements from across a range of the composer's work. The anthology is clearly aimed at the newcomer, and the absence of booklet notes to put the music in context is disappointing. We are only given titles, performers, and what films the extracts have been featured in, from Rollerball to The English Patient.

On the plus side, most if not all of the music is instantly recognizable, by melody if not by name. Everything from the Brandenburg Concertos to "Air on a G String" to the B Minor Mass and St. Matthew Passion is represented. Performances range from 1960 to 1993, encompassing both early instrument and modern orchestra interpretations by a wide variety of forces, including Sir Neville Marriner with the Academy of St. Martin in the Fields and Raymond Leppard leading the English Chamber Orchestra. Given such diversity the result is unavoidably a patchwork, albeit one made from the finest materials, and as such is perhaps best treated as a sampler to aid exploration of the vast legacy of one of the very greatest composers who ever lived. --Gary S. Dalkin, Amazon.co.uk

Customer Reviews:

so amazing .......2006-06-14

I love this kind of playing. this is my favorite classical cd.

Essential Bach is OK.......2005-09-29

This is a good basic primer. A true Bach lover might find a better selection/orchestra.

Excellent collection of mostly recognizeable music.......2005-03-18

LOVE LOVE LOVE this 2-CD set. I bought I a awhile back and have enjoyed it very much. My toddler likes it too. I think it's a great value for the money and may have to get another copy if this one wears out.

Exquisite Essential Bach.......2005-02-01

Value and exquisite sampler of Bach on two CD's at an affordable price. Recorded by the likes primarily of Academy of the St. Martin-in-the-fields, Chicago Sympony, Boston Symphony, English Chamber Orchestra and with virtuoso performers as William Bennett, Heinz Hollinger, Pepe Romero, and Wolfgang Rubsam, one gets treated to wonderful Bach exerpts of all his fantastic breath and depth of chamber, symphony and choral works.

One will have to go to other places to find background on these marvelous compositions as the liner notes only list perfomer and date recorded.

Good.......2004-07-13

This is a good album but for information on real choral music visit www.freewebs.com/bachster67/

Average customer rating:

I hate to be rude, but . . .
Outstanding
Sacred Songs
My favorite of Fleming's CDs so far
Inspiring and beautiful

Sacred Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Haunted Heart
The Inner Voice : The Making of a Singer
Bryn Terfel - Simple Gifts
HOMAGE: The Age of the Diva

ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

Ave Maria
Jesu bleibet meine Freude
Dank sei dir, Herr
Ave Maria, D839
Laudamus te
Panis Angelicus
Air: "He shall feed his Flock"
Simple Song
Pie Jesu
Domine Deus
Laudate Dominum omnes gentes
Air: Rejoice greatly, o daughter of Zion
Abends will ich schlafen gehn
L'Adieu des bergers
Mariiegenlied, Op.76/52
Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Average customer rating:

poor sound quality
SUPERB
In this case: I'm baroque
Come to laugh and stay to cry
Great Introduction to Beautiful Music

25 Baroque Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

25 Vivaldi Favorites
25 Bach Favorites
25 Mozart Favorites
25 Handel Favorites
25 Classical Favorites

ASIN: B0000058I7
Release Date: 1996-08-20

Tracks:

Canon
Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
Water Music: VI. Minuet
Trumpet Concerto In D: II. Adagio
Sarabande
Oboe Concerto In D Minor: II. Adagio
Concerto In D For Trumpet & Strings: III. Grave
Air On The G String
Adagio For Strings In G Minor
The Four Seasons: Spring, II. Largo
Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
Concerto In D For 2 Trumpets & Strings: II. Largo
Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
Concerto In D For 6 Trumpets & Strings: II. Adagio
Ombra mai fu: Handel's Largo
Trumpet Sonata No. 1 In F: II. Grave
Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
Concerto In C For Viola Pomposa & Strings: II. Andante
Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
Sonata For Trumpet & Strings: I. Allegro
Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
Trumpet Voluntary

Customer Reviews:

poor sound quality.......2004-09-29

a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.

SUPERB.......2004-02-19

An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.

If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.

In this case: I'm baroque.......2004-02-07

I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.

Come to laugh and stay to cry.......2003-11-26

Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.

"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".

At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.

Great Introduction to Beautiful Music.......2000-07-08

The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.

Tracks:

Lieder ohne Worte op. 19: No. 1 In E Major - Andante con moto
Lieder ohne Worte op. 19: No. 2 In A Minor - Andante espressivo
Lieder ohne Worte op. 19: No. 3 In A Major 'Hunting Song' - Molto allegro e vivace
Lieder ohne Worte op. 19: No. 4 in A Major - Moderato
Lieder ohne Worte op. 19: No. 5 In F Sharp Minor - Piano agitato
Lieder ohne Worte op. 19: No. 6 In G Minor 'Venetian Gondola Song' - Andante sostenuto
Lieder ohne Worte op. 30: No. 1 In E Flat Major - Andante espressivo
Lieder ohne Worte op. 30: No. 2 In B Flat Minor - Allegro di molto
Lieder ohne Worte op. 30: No. 3 In E Major - Adagio non troppo
Lieder ohne Worte op. 30: No. 4 In B Minor - Agitato e con fuoco
Lieder ohne Worte op. 30: No. 5 In D Major - Andante grazioso
Lieder ohne Worte op. 30: No. 6 In F Sharp Minor 'Venetian Gondola Song' - Allegretto tranquillo
Lieder ohne Worte op. 38: No. 1 In E Flat Major - Con moto
Lieder ohne Worte op. 38: No. 2 In C Minor - Allegro non troppo
Lieder ohne Worte op. 38: No. 3 In E Major - Presto e molto vivace
Lieder ohne Worte op. 38: No. 4 In A Major - Andante
Lieder ohne Worte op. 38: No. 5 In A Minor - Agitato
Lieder ohne Worte op. 38: No. 6 In A Flat Major - Andante con moto
Lieder ohne Worte op. 53: No. 1 In A Flat Major - Andante con moto
Lieder ohne Worte op. 53: No. 2 In E Flat Major - Allegro non troppo
Lieder ohne Worte op. 53: No. 3 In G Minor - Presto agitato
Lieder ohne Worte op. 53: No. 4 In F Major - Adagio
Lieder ohne Worte op. 53: No. 5 In A Minor 'Folksong' - Allegro con fuoco
Lieder ohne Worte op. 53: No. 6 In A Major - Molto allegro, vivace

Tracks:

Lieder ohne Worte op. 62: No. 1 In G Major - Andante espressivo
Lieder ohne Worte op. 62: No. 2 In B Flat Major - Allegro con fuoco
Lieder ohne Worte op. 62: No. 3 In E Minor 'Funeral March' - Andante maestoso
Lieder ohne Worte op. 62: No. 4 In G Major - Allegro con anima
Lieder ohne Worte op. 62: No. 5 In A Minor 'Venetian Gondola Song' - Andante con moto
Lieder ohne Worte op. 62: No. 6 In A Major 'Spring Song' - Allegretto grazioso
Lieder ohne Worte op. 67: No. 1 in E Flat Major - Andante
Lieder ohne Worte op. 67: No. 2 In F Sharp Minor - Allegro leggiero
Lieder ohne Worte op. 67: No. 3 In B Flat Major - Andante tranquillo
Lieder ohne Worte op. 67: No. 4 In C Major 'Spinning Song' - Presto
Lieder ohne Worte op. 67: No. 5 In B Minor - Moderato
Lieder ohne Worte op. 67: No. 6 In E Major 'Wiegenlied' - Allegretto non troppo
Lieder ohne Worte op. 85: No. 1 In F Major - Andante espressivo
Lieder ohne Worte op. 85: No. 2 In A Minor - Allegro agitato
Lieder ohne Worte op. 85: No. 3 In E Flat Major - Presto
Lieder ohne Worte op. 85: No. 4 In D Major - Andante sostenuto
Lieder ohne Worte op. 85: No. 5 In A Major - Allegretto
Lieder ohne Worte op. 85: No. 6 In B Flat Major - Allegretto con moto
Lieder ohne Worte op. 102: No. 1 In E Minor - Andante, un poco agitato
Lieder ohne Worte op. 102: No. 2 In D Major - Adagio
Lieder ohne Worte op. 102: No. 3 In C Major - Presto
Lieder ohne Worte op. 102: No. 4 In G Minor - Un poco agitato, ma andante
Lieder ohne Worte op. 102: No. 5 In A Major - Allegro vivace
Lieder ohne Worte op. 102: No. 6 In C Major - Andante
Kinderstucke op. 72: Allegro non troppo
Kinderstucke op. 72: Andante sostenuto
Kinderstucke op. 72: Allegretto
Kinderstucke op. 72: Andante con moto
Kinderstucke op. 72: Allegro assai
Kinderstucke op. 72: Vivace
Gondellied: Allegretto non troppo
2 Klavierstucke: Andante cantabile
2 Klavierstucke: Presto agitato
Albumblatt op. 117: Allegro

Customer Reviews:

FORGOTTEN (BY ME) BEAUTIES.......2007-05-14

Until I purchased this bargain (two discs for the price of one), recording of Mendelssohn's "Songs without Words" that are played exquisitely by Daniel Barenboim, I, in the past, have listened mainly to Mendelssohn's chamber music, Concertos and/or Symphonies kind of forgetting about these most beautiful compositions, What a real pleasure this recording has been for me. I believe that Mendelssohn composed these" Songs without Words" (also included are Mendelssohn's "Kinderstucke", op 72, "Albumblatt", op. 117 and 2 short pieces) through out his short life. Daniel indeed plays all of the works including the "demanding" ones (there are surprisingly for me some very demanding ones) most beautifully never forgetting that the compositions are above all else "Songs". Daniel Barenboim always lets the melodies be heard above all else and there are some very beautiful melodies to hear.

This recording was made in the early 1970s; however, DGG has done a wonderful job of transferring them to the CD format--the sound is rich, lush and clear.

If you want to hear some beautiful compositions that are played most beautifully, buy this recording.

MENDELSSOHN'S 48.......2006-09-01

Bach's 48 preludes and fugues seem to me to be to some extent a diary of the composer's feelings, and I get much the same impression from Mendelssohn's Songs Without Words, which are also 48 in number. To me, they are beautiful and touching minor masterpieces and when I hear them I am not disturbed, or even visited, by the thought that they are not masterpieces to rank with Bach's. However I am not as exacting in evaluating a performance of them as I would be with Bach either, and when I willingly award this set 5 stars I know that I'm setting the bar lower. There are limits to what any interpreter, even the greatest, of the Songs Without Words can find in them, but for all that some interpreters are greater than others, and I happen to know even better accounts of some of these pieces than you will find on these two discs from Barenboim.

It was high time in any case that I had a complete set of these lovely works. My collection up to now had only stretched to 14 of them, but - I have to say it again - those 14 are enough to teach me the difference between fine performances and great ones. Barenboim's accounts should be easily good enough for most of us most of the time, and in addition to the Songs he throws in the Children's Pieces plus a few other short numbers that Mendelssohn, for reasons known principally to himself, chose not to publish. With one solitary exception, Barenboim's touch is affectionate, warm and beautiful, and is well served by the 1974 recording. Speeds adopted sound about right to me in general, and the interpretations offered are full of insight and loving care, and free from eccentricity or egotism. Barenboim can be powerful when he needs to be, but the requirement for power is very limited in what we have here, and the overall impression that the set leaves is rightly one of tact, sympathy and enthusiasm. My single regret concerns my own favourite of all the Songs - the Duetto op 38/6. Something goes quite unaccountably wrong here. I'd call the speed too fast in the first place, and I would have liked the pseudo-voices brought out more strongly against the arpeggio accompaniment, but the real affront to my sensibilities comes when the two voices sing forte in octaves, and Barenboim bangs out the melody in a bad-tempered and cacophonous way that reminds me of one of Kissin's off-days.

One botched effort out of 58 is not a bad ratio nevertheless. I can play the Duetto to my own satisfaction anyway, or I can listen to it on my old Turnabout LP played by Guiomar Novaes. Novaes seems to be all but forgotten these days, but she was a great player, recognised as such by no less than Debussy when she was a teenager. Her idea of the Duetto is slower than mine, indeed for an amateur like me the piece, which lies beautifully and naturally under the hands, seems practically to dictate its own speed. However it's not the tempo that makes the impression. In this piece as in many others starting with the very first of all the Songs, what transfixes me is the haughty and highlighted clarity of Novaes's melodic line and the magnificence of her left-hand tone. It also happens that in the disc that accompanies the biography of Serkin by Stephen Lehmann and Marion Faber there are two of the Songs in Novaes's selection - a solemn and gripping op 62/1 and a coruscating Spinning Song worthy of Horowitz or Cziffra for virtuosity. The point is simply this - there is an aura of greatness that surrounds the playing of Serkin and Novaes in practically anything they do. Admirable as he is, Barenboim is not quite in that league, although I don't consider the balance of advantage to be totally one-sided, and it may be that Barenboim actually makes a more appealing job of the Spring Song.

Nevertheless I have only 14 of the Songs from Novaes, and all of two from Serkin, in somewhat antiquated sound at that. Barenboim gives me all 48 plus some bonus extras, played with love and appreciation of the soul of this beautiful and affecting music. This is a set I am going to be returning to for solace and balm to the spirit, I can tell already. The recorded sound is not wondrous, but it's good 1974 quality. The liner note is from the distinguished pen of Joan Chissell, but I can't say it seems to me to amount to much. Moreover she nails her colours to the mast with the ringing challenge `No 19th-century composer exceeded Mendelssohn in respect for Classical tradition, and such ordered modes of expression as fugue...' I dispute this strenuously. Not only are Mendelssohn's fugues not his best or most professional work, as Tovey makes very clear, they are inferior in respect for classical precedent and thoroughness of workmanship to Schumann's, as the same sage also points out. Besides which Brahms was a musical scholar of minute and profound learning, particularly steeped in the great German musical tradition, to an extent that Mendelssohn never rivalled. What Mendelssohn can claim is to be sui generis, what he does best he does better than anyone, and some of his most intimate musical thoughts are to be found in the Songs Without Words. For the pleasure and comfort they bring me I thank Mendelssohn's shade and the loving and expert guidance of Barenboim.

Portraits at exhibition!.......2006-04-09

In contrast to many other musicians, Mendelssohn had an evident, fruitful and fortunate association with the visual arts. Keeping in mind his education was conceived as part of the Renascence man, so we should not ignore his classical-humanistic education, so that explains why his Symphonies maybe basically, considered such arresting visual landscapes: the Scottish, Italian and Reform would seem confirm it.

The Songs without words conform ostensibly, a great stylistic and conceptual unity. It could not be other way, noticing the fact John Field was essentially the grandfather of the nocturnes for piano and Chopin the most expressive and intimate explorer of the human soul, Mendelssohn had all those variables in mind and decided to create a portrait album. As other artists as Liszt and Goethe the exerted fascination after being in Venice would work out as febrile inspiration. Every little page of this kaleidoscopic reflects different state anima; they are structured and interweaved similarly respect Robert Schumann with his Carnival or Childhood scenes; with profound lyric and evocative accent, destined to recreate the tourist memory. He achieved then to make a voluminous album of feelings but without that marked introspective mood of Frederic Chopin, for instance.

Daniel Barenboim decided to record these ebb tide piano pieces with personal conviction and lyric imagination. The result was simply refulgent and deeply inspiring.

Second-tier Mendelssohn and Boringboim to boot.......2002-10-21

The majority of Mendelssohn's works consisted of fluff and flutter reminisent of Mozart on an off-day and these piano pieces certainly aren't among Mendelssohn's small number of masterworks.The fact that these compositions are no more than trifles is made worse by Barenboim's insistence in trying to infuse an element of profundity to them.The result is tedium and annoyance.I owned this 2 disk set for more than 2 years and didn't listen to it more than 7-8 times.Every time I would try and listen boredom would set in and within a few minutes listening became a matter of endurance.I finally traded it off and haven't missed it in the least.It may be a 2 for the price of 1 set but,as usual,such "bargains" are hardly a bargain.

Excellent!.......2002-02-18

This is one of my top 5 classical piano CDs. It has a relaxing, easy-to-listen-to sound that I never get tired of. Every song in this 2-cd set is great.

Average customer rating:

Bryn Terfel's beautiful voice.
Why do people think this guy can sing??
Relaxing
Bryn Terfel's Simple Gifts
A Heartfelt Offering Reminiscent of An Earlier Era

Bryn Terfel - Simple Gifts

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Bryn Terfel Sings Favorites
Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon)
Sacred Songs
Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)
Renee and Bryn: Under the Stars

ASIN: B000B8ISN2
Release Date: 2005-10-11

Tracks:

Ave Verum Corpus, K.618 - Adapted by Chris Hazell
Deep River - Arranged by Chris Hazell
The Lord Bless You and Keep You
I'll Walk Beside You - Arranged by Chris Hazell
Stabat Mater
Still, Still, Still Weils Kindlein Schlafen Will
Simple Gifts - Arranged by Chris Hazell
How Great Thou Art
Panis Angelicus - Arranged by Chris Hazell
Bless This House - Arranged by Chris Hazell
Ave Verum Corpus
Cavatina - Arranged by Chris Hazell
The Rose
Amazing Grace - Arranged by Chris Hazell
God's Mercy
Morning Has Broken - Arranged by Chris Hazell
Nearer My God To Thee - Arranged by Chris Hazell
Ave Maria
Send In The Clowns - Arranged by Jonathan Tunick
God Will Be With You

Amazon.com

Everything about Bryn Terfel is over-life-size: his physique, his personality, his breath-control, and of course his extraordinarily beautiful voice. This recording displays his stunning vocalism and versatility to full advantage, but its title belies its content. Alhough it does include some simple pieces, the execution is fussy, overdone, and calculated for maximum external effect. The program ranges from Mozart, Pergolesi and pseudo-Bach to Sondheim in arrangements that are pure Hollywood, complete with throbbing strings and rolling drums, often destroying the spirit as well as the letter of the original compositions. It begins with Mozart's heavenly "Ave verum" arranged for baritone solo and chorus, frustratingly cut off after a few phrases (another setting of the same text by Karl Jenkins, written for Terfel, is more satisfying, being complete and original). The splendid baritone Simon Keenlyside joins him here as well as in the opening number of Pergolesi's "Stabat Mater;" originally for soprano and alto, this must be the baritones' revenge on female singers who usurp songs written for men, like Schubert's and Schumann's cycles. Franck's "Panis angelicus" also inexplicably becomes a duet; unfortunately, Terfel's and tenor Aled Jones' voices do not match. Bach-Gounod's popular "Ave Maria" is all swells and exaggerations. The rest of the program consists of folksongs, hymns, show and film tunes, inflated to operatic proportions and generally ending in a fade-out or a flourish. Even the title song is anything but simple. This record is not for purists who like their music performed the way the composer wrote it, but aficionados of great singing will love it. --Edith Eisler

Customer Reviews:

Bryn Terfel's beautiful voice........2007-05-13

Bryn Terfel has a beautiful voice. Listening to him is very pleasant and definitely something to look forward to. I read a review saying he would replace tenor Pavroti. However, I believe that Mr. Terfel is a Baritone and not a Tenor. That does not detract from the fact that he should be considered one of the world's top male singers. His voice is truly impressive. This CD by Bryn Terfel is one from our collection that is outstanding and a favorite.

Why do people think this guy can sing??.......2007-04-27

Sorry, I think this guy is one of the most overrated singers out there today. He always sounds like he is singing holding his nose shut. VERY nasal sounding.

If you want to listen to an incredibly beautiful voice, buy one of Josh Groban's CD's--you won't regret it! He has the voice of the century!

Relaxing.......2007-02-03

Excellent selection of music. It covers many different types. My wife likes being able to hear the words with out instruments drowning out the vocals. I find it relaxing and many of the songs are familiar and very well done.

Bryn Terfel's Simple Gifts.......2006-02-25

Simply superb. I don't know what our local (Wash DC) paper was talking about when they said Deep River was the weakest link. I was enthralled from beginning to end. I have had the pleasure of hearing Bryn Terfel live in recital at the Kennedy Center. I can assure you that his voice has only improved with age. He was wonderful then and is spectacular now!

A Heartfelt Offering Reminiscent of An Earlier Era.......2006-02-15

Bryn Terfel harkens back to earlier American operatic stars such as Richard Tucker and Robert Merrill who crossed grenres to satisfy their unquenchable need to sing any and all songs that moved them to an appreciative public. These great singers all had their origins singing sacred music from their respective religions and learned to lay their considerable talents before the altar of the simple inspirational song.

This recording is wonderful on many levels. The selections are an unusual mixture of classical sacred music, spirituals, hymns, Lieder, Austrian Christmas and Gaelic songs, musical numbers and movie theme songs harmoniously combined to touch the soul of the listener in a gentle ebb and flow of devotion, intensity and tenderness. All of these songs are beautiful in and of themselves and in his hands, we experience them anew.

Bryn Terfel sings with the commitment necessary to make the awesome challenge of simplicity look easy. To my way of thinking, he is the most communicative and articulate singer today, bar none. He is a poet who savors the sound, feeling and meaning of each and every word and marries it uniquely and faithfully to the music. He transports the listener into the life of a song and transfixes us each and every moment. His enormous talent is not overwhelming or distractive and is inextricably and wholly intertwined with the music. This is greatness and it is very, very rare today.

I like the inclusion of the choir in several of the numbers as it reflects on the nature and context of the songs. I am less fond of the selections with the guest soloists as I feel they do not match his ability to "get inside" a song. The orchestra and orchestations are sensitive and enhancing.

This recording is simply wonderful and should have a broad appeal. It will move and inspire the believer, satisfy and fulfill the otherwise spiritual, calm the troubled and renew a flagging soul.

Average customer rating:

A Beautiful, Relaxing Project
It just cannot be the end for Charlotte's classical career! :(
Charlotte Church
Somewhat decent but still mediocre
R&B For Charlotte

Prelude: The Best of Charlotte Church
Charlotte Church
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Broadway & Vocalists | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Enchantment
Voice of an Angel
Charlotte Church
Tissues and Issues
Dream a Dream

ASIN: B00006LFGG
Release Date: 2002-11-26

Tracks:

Pie Jesu from Requiem
My Lagan Love
In Trutina (from Carmina Burana)
Panis Angelicus
Amazing Grace
Just Wave Hello
La Pastorella (The Little Shepherdess)
She Moved Through The Fair
Ave Maria
Dream A Dream (w/ Billy Gilman)
The Flower Duet
Haba
The Prayer (w/ Josh Groban)
All Love Can Be
It's The Heart That Matters Most
Tantum Ergo
Bridge Over Troubled Water
Sancta Maria

Amazon.com

Need more evidence of the record industry's obsession with youth? Consider that budding Welsh diva Charlotte Church was a ripe, old 16 when this, her first greatest-hits anthology was released. Spanning her first four releases, as well as some outside collaborations and unreleased material, this 18-track collection underscores the soprano's seemingly boundless potential--as well as some potential career obstacles ahead. Her crystalline, still-maturing voice is best showcased on classically oriented works like Andrew Lloyd Webber's "Pie Jesu," Franck's "Panis Angelicus," and her now-ubiquitous rendering of Delibes' "Flower Duet." She also excels on folk traditionals such as "She Moved Through the Fair" and "My Langan Love." But overwrought productions like the already-dated "Dream a Dream" and "Habanera," a faux-flamenco take on Bizet, nearly get the best of her. Still, her promising duet with fellow young phenom Josh Groban on "The Prayer" and her mature, dreamy reading of A Beautiful Mind's "All Love Can Be," as well as strong performances on the previously unreleased "It's the Heart That Matters Most" and "Bridge over Troubled Waters," are ample evidence of her potential for rewarding pop crossover--if she doesn't retire by 21. --Jerry McCulley

Customer Reviews:

A Beautiful, Relaxing Project.......2007-06-15

My only other experience with Charlotte Church was seeing part of a PBS special on her, where she sang songs like "Some Enchanted Evening". I actually enjoy her voice on this style of music.

I love her rendition of "Amazing Grace". She also did good on covering "Bridge Over Troubled Water", though I was disappointed she didn't try the high note on the verses as Garfunkel did. My favorite on the project was "It's the Heart That Matters Most".

If I want some beautiful sounding music to relax to while I'm working, this would be a very good project for that.

It just cannot be the end for Charlotte's classical career! :(.......2006-08-20

I'm just shocked that Charlotte has decided to end her classical career with this mediocre assortment of her most loved pieces from her other albums! I wish that she had re-sung all of the pieces to make them sound better than ever with her mature voice! To me, it seems disgusting that anyone would want to end their career with a last album that sounds the way this album does!

Her beginning pieces (Pie Jesu, My Lagan Love, In Trutina, Panis Angelicus, and Amazing Grace) were sung at the beginning of her classical career, and you can hear her flat vowels and shaky low notes. You can also hear it in "She Moved Thru the Fair". It's really annoying!

La Pastorella is a beautiful song to sing, and Church masters it beautifully! Just Wave Hello - the Ford Anthem, is also a beautiful piece, with amazing work from the orchestra.

Ave Maria is a complete annoyance! Church lays on the high notes too much, putting too much emphasis on them, and it's an annoyance! Her vowels are also flat on the high notes - I just hate it!

Dream a Dream is a very nice piece, leaning more towards the pop scene. Church still seems to make it work, and I would listen to it all day!

The Flower Duet is a beautiful song, but Church's vocals are strained, which makes it hard to listen to with a smile on your face! It's still beautiful!

The Prayer (w/ Josh Groban) is a very nice piece, originally sung by Celine Dion. She's still a little bit flat here!

All That Love can Be is sung beautifully, completely smooth and connected. The vocals are flawless and have a mezmerizing effect.

It's the Heart that Knows is a pop piece that Church sings with strong vocals. It's just showing us that she's ending her career as a classical superstar!

Tantum Ergo, Bridge Over Troubled Water, and Sancta Maria, are all beautiful pieces!

I am a Charlotte Chruch fan, no doubt, but I really didn't like this album! I still wish that she would stay with opera, but I guess dreams don't come true! I wouldn't advise you to buy this CD - but as long as you have Voice of an Angel, Charlotte Church (the Self Titled Album) and Enchantment, there's no need for this CD!

Sorry Charlotte!

Charlotte Church.......2006-07-29

Love that voice!! This is a great CD and any one who had not heard this young lady sing should buy it and prepare for some musical enjoyment.

Somewhat decent but still mediocre.......2006-06-07

I am well aware of Charlotte's age. However, I am also aware of her amazing vocals and powerful range. But these things don't make you a good singer. Charlotte chose to stick to opera in most of her songs. And face it, not just anyone can do opera.

Charlotte's voice is very well trained - maybe too trained. From a very young age she's been hitting the same notes as Sarah Brightman. But I feel that Charlotte's over-worked and not to mention overdone voice has been declining tremendously.

But I guess none of this really matters now because I haven't heard her do anything classical for a while. If you want to listen to Charlotte now, go find the song 'Crazy Chick.'

If you want to listen to other angel voiced sopranos, I'd go with Sarah Brightman or Renee' Fleming.

R&B For Charlotte .......2006-05-07

If a bird can be annoying as in a Rooster Crowing in the morning, some people will like it. A dog can bark in the nights we sleep, some People will like it. A human voice so light, so vibrated within their own dimensions, people will like it, but not I. I never really saw the beauty of opera, agitating to the ears, just like a Rooster calling on it's hens. With that said, Charlotte needs to turn to Blues Rock or R&B. Yes, Boogie style Blues Rock, she has the voice for it. No matter how many here perceive Opera or know what should sound good, no opera singer could ever sing Blues without a voice and a heart for it. Not One! So why should a girl with soulful music embedded in her, do the same? I say, "it's time to really Rock Charlotte!"

Average customer rating:

Great collection of sacred music
An Inspiring and Heartening Compilation
making a joyous sound
A correction
I AM A SIMPLE WOMAN

Kiri Te Kanawa - Ave Maria

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Opera & Vocal | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

Opera & Vocal | Holiday Music | Special Features | Music
Similar Items:

Kiri
Kiri Te Kanawa Classics
Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song
Ave Maria
Christmas with Kiri

ASIN: B0000040X1
Release Date: 1990-10-25

Tracks:

O Divine Redeemer
Laudate Dominum
Bist Du Bei Mir
Jesu, Joy Of Man's Desiring
Sanctus
Auf Flugeln Des Gesanges: On Wings Oof Song
Panis Angelicus
Ave Verum K. - KV 618
Ave Maria Op.52-6
Trumpet Tune
Let The Bright Seraphim
Let Their Celestial Concerts

Customer Reviews:

Great collection of sacred music.......2005-12-23

What a great collection, many real sacred classics, all delivered in very heartfelt, but simple way, and Kiri's voice is just so beautiful. And I like the fact that there are many different moods, there are some songs which are very soothing, slow pieces but also different ones, and the the final songs are Let The Bright Seraphim which is so uplifting and bright and Let Their Celestial Concerts. They are both from Samson, it's refreshing to hear these tracks instead of the usual pieces from Messiah.
My favourite songs are Bist du bei mir and especially Mozart's Ave Verum, so perfect when sung by Kiri, I know so many different versions but these are probably the best I have heard.
Mozart's Laudate Dominum is done very nicely, good tempo and such great singing. Kirir has a great trill! Panis Angelicus is good too, I wish Kiri would do something else instead of this worn classic, but her version of Schubert's Ave Marias on this album is actually very good. This is a great, refreshing collection overall, well put together, with very tasteful arrangements. There is also a nice chorus, they only sing in few pieces but they sound really good.
There is a small problem with the sound level on this album, it's true, but Kiri's voice still sounds beautiful, just crank up the volume a little bit, so you can hear her better. Maybe the bright seraphim will hear her too!

An Inspiring and Heartening Compilation.......2004-07-12

Kiri Te Kanawa voice never fails to inspire me and uplift my spirit. Her rendition of "Ave Maria" is just so beautiful and moving that its effect on the listener can not be expressed in mere words. Kiri's voice and intuitive nature of delivering the inner strength and emotion of each selection on this CD is just inspiring.

making a joyous sound.......2003-07-03

Dame Kiri's voice shines in these beautiful sacred pieces, and as her biographer David Fingleton, in his excellent liner notes for this CD points out, that going back to her youth and first voice teacher, who was a Sister of Mercy, church music has always been a part of her repertoire, even though she is mostly noted as an operatic soprano.
Favorites include Gounod's exquisite "O Divine Redeemer" ("Repentir"), the two Mozart pieces, "Laudate Dominum" (from "Vesperae solennes de confessore" KV 339), and "Ave Verum" KV 618, and the luminous performance of Schubert's popular "Ave Maria".

Track # 11, Purcell's "Trumpet Time", is a trumpet solo by Crispian Steele-Perkins, and there is also a good and jolly trumpet on track # 11, Handel's "Let the Bright Seraphim" from "Samson", which is the piece Dame Kiri sang in St. Paul's Cathedral for the Prince and Princess of Wales, at their wedding in 1981, and has become one of her most often requested songs.
This recording was made in 1984, at the All Saints' Church in Tooting, England, and the sound is not great but quite adequate. The boys of the Choir of St. Paul's Cathedral sing like little angels, and the English Chamber Orchestra is led by Barry Rose. Total time is 47:40.
This would make a nice change of pace CD during the Christmas Season, and for fans of this wonderful soprano, hearing her voice is a joy any time of the year.

A correction.......2003-05-28

I don't know where this comment belongs, but I have a correction to make:
Track 2 is Laudate Dominum from Vespearae solennes de confesore (K.337) and not Vespeare de Dominica (K.321) as the listing says.
Both Mozart's arias are beautiful, though.

I AM A SIMPLE WOMAN.......2003-02-08

I LEARNED TO PLAY CHOPSTIX AND THE RIGHT HAND PART OF BLUE MOON FROM MY FATHER WHEN I WAS LITTLE. I LEARNED TO SING FRERE JAQUES FROM HIM TOO AND WE SANG IT TOGETHER IN ROUNDS. I KNOW WHERE MIDDLE C IS ON THE PIANO AND THIS IS THE EXTENT OF WHAT I KNOW ABOUT MUSIC. SO YOU EXPERTS CAN JUST GO TO THE NEXT REVIEW IF YOU LIKE AND I WONT BE OFFENDED. I AM A KNUCKLEHEAD BY YOUR STANDARDS AND I WOULDN'T PAY ATTENTION TO ME EITHER IF I WERE YOU. BUT FOR THE REST OF YOU, LET ME SAY THAT THIS WOMAN'S VOICE IS LIKE NOTHING YOU HAVE EVER HEARD. THE MUSIC SHE CHOSE TO SING FIRST OF ALL, IS BEATUIFUL, JUST BEAUTIFUL. YOU'LL GET GOOSEBUMPS. BUT HER VOICE IS THE THING. IT'S LIKE GOOD COLD SPRING WATER. IT'S CLEAN AND CONFIDENT, NO FUZZY EDGES OR BIG SHOWY SWOOPS. IT'S SOFT AND STRONG AND BIG AND TINY JUST WHEN IT SHOULD BE, I THINK. YOU WILL JUST FIND YOURSELF LISTENING AND SOMETIMES YOU WILL JUST BE HOLDING YOUR BREATH, HARDLY BELIEVING YOUR GOOD LUCK THAT YOU ARE HEARING THIS. I ACTUALLY SHUSHED MY HUSBAND AND TOLD HIM TO STOP TRYING TO TALK TO ME WHEN I FIRST HEARD IT BECAUSE I WAS AFRAID I WOULD MISS SOMETHING. I LOVE A GOOD VOICE AND/OR A GOOD SINGER. THEY AREN'T ALWAYS THE SAME THING. SO I WILL ADD THIS WOMAN AND HER MUSIC TO MY COLLECTION OF FAVORITES THAT INCLUDE THE MUSIC OF JANIS JOPLIN, NINA SIMONE, JONI MITCHELL, CECILIA BARTOLI, MARIAH CAREY, MR. PAVOROTI AND SOME OTHER GOOD GIRLS AND GUYS. AND POUR YOURSELF A GLASS OF WINE THE FIRST GO AROUND...

Average customer rating:

Stokowski's famous romantic Bach delusions are a lot of fun
great Stokowski
Knockin on Heaven's Door
Magnificent
Heavenly Bach

Bach - Stokowski

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Stokowski's Symphonic Bach, Vol. 2
Stokowski's Symphonic Bach
The Fantastic Leopold Stokowski: Transcriptions For Orchestra
Stokowski: Bach Orchestral Transcriptions
Debussy: Nocturnes No1-3; Prélude à l'après-midi d'un faune

ASIN: B000002S9M
Release Date: 1997-03-18

Tracks:

Passacaglia & Fugue in C Minor, BWV 582
'Komm, susser Tod,' BWV 478
English Suite No. 2, BWV 807: Bourree
Violin Partita In B Minor, BWV 1002: Sarabande
Cantata No. 80, BWV 80: 'Ein' feste Burg ist unser Gott'
Christmas Oratorio BWV 248: Shepard's Song
Little Fugue In G Minor, BWV 578
Orchestral Suite No. 3 BWV, 1068: Air On The G String
'Mein Jesu, was fur Seelenweh befallt dich in Gethsemane,' BWV 487
Violin Partita No. 3, BWV 1006: Preludio
Toccata & Fugue In D Minor, BWV 565

Customer Reviews:

Stokowski's famous romantic Bach delusions are a lot of fun.......2007-06-02

These recordings date from the late 1950's and still sound remarkably vivid and atmospheric. I'm not a big Stokowski fan but when the man was in his element, he could pull off some magnificient results. This CD in a case in point. The stunning string sound and gorgeous results that Stokowski summons here leave quite an impression. These are of course decadently Romantic readings of great Baroque music and many purists will run from the room when you put this on, but anyone who loves music can see that these transcriptions should not be heard as sins against an immortal master composer and instead are acts of love and dedication.

Even I can get annoyed at the schmaltzy antics of these recordings but they are not nearly as perverse as the later Decca Phase 4 versions Stokowski recorded. There have recently been plenty of conductors taking up Stokowski's transciptions but it's the original master who still stands the test of time.

The Passacaglia and Fugue in C minor was one instant where I was not fully in sympathy with Stokowski. The orchestral version here is far too dominated by the strings. If you listen to Ottorino Respighi's transcription which was recorded on a Chandos CD recently, you'll hear more instrumental color and variety in Respighi's version than with Stokowski. Furthermore, Stokowski's Decca Phase 4 record of the Passacaglia is so garish, grandiose and over the top, that it makes this earlier EMI version sound quite tame by comparison.

The rest of the music here was handled well but the saccharine sweetness of the strings can get tiresome. The big conclusion of the program is the famous Toccata and Fugue in D minor and rest assured, Stokowski does it proud. Unbelievably grand and imposing, it's an inspired performance without a doubt. All in all, a successful program and a good introduction to Leopold Stokowski's style of music-making.

great Stokowski.......2006-07-11

The Bach transcriptions written by Stokowski are among the most exciting presentations of Bach's music in the classical music repertoire. For one just hearing Bach for the first time this is a great introduction. For the serious listener it is pure joy. These, however, are not necessarily for the Bach purist.

Knockin on Heaven's Door.......2006-03-03

One of the greatest recordings in the cannon - even better due to the spectacular mix on this remastered issue. This soul-baring music must be heard, and heard at top, almost painful volume to realize how transcendent these transcriptions really are - earth-shaking and primal. Stokowski was one of the all-time, all-time greats - and to my ear - this recording is his best ever.

Magnificent.......2005-07-26

As a professional classical musician and deep lover of the works of J.S. Bach, I believe these transcriptions and performances of his works would have greatly pleased the master. This album is a magnificent work; especially, but not limited to, the incredible full orchestra arrangement of the most famous Toccata and Fugue in D Minor. It will simply take your breath away with its awesome majesty. You will not regret purchasing this!

Heavenly Bach.......2004-12-18

When I was 12 years old I was madly in love with Leopold Stokowski. Now I'm 74 and after hearing this CD I find I'm still in love with him. This is a whole new dimension of Bach. Stokowski's arrangements are lyrical and dramatic, refreshing and romantic. A totally delightful rendition of Bach's music that will soothe your heart and refresh your soul. To be listened to with an open mind. Enjoy!

Average customer rating:

The Best Of Baroque Collection
Outstanding sampler

Greatest Hits ~ Baroque
George Frideric Handel , Jean-Philippe Rameau , Antonio Vivaldi , Johann Sebastian Bach , Jean-Joseph Mouret , Marc-Antoine Charpentier , Johann Pachelbel , Henry Purcell , Tomaso Albinoni , Alessandro Marcello , Jeremiah Clarke , New York Sinfonietta , Philadelphia Orchestra , Columbia Symphony Orchestra , Hartmut Haenchen , Jean-Claude Malgoire , Raymond Leppard , Richard Kapp , Max Goberman , Eugene Ormandy , Vladimir Goischmann , Glenn Gould , Carolyn Watkinson , Teiko Maehashi , La Grande Ecurie et la Chambre du Roy , and William Bennett
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

The Best of Baroque Music
Baroque Masterpieces
25 Baroque Favorites
Greatest Hits: Harpsichord
Essential Baroque

ASIN: B000002AVS
Release Date: 1995-06-13

Tracks:

Water Music Suite No. 2: Alla Hornpipe
Violin Concerto In E Major, RV269 'Spring': I. Allegro
Adagio
Orchestral Suite In B Minor, BWV 1067: Badinerie
Concerto For Guitar, 2 Violins & Basso Continuo In D Major, RV 93: II. Largo
First Symphonic Suite: Rondeau
Orchestral Suite In D Major, BWV 1068: Air (Excerpt)
Mandolin Concerto In C Major, RV 425: I. Allegro
Goldberg Variations, BWV 988: Aria
Te Deum In D Major: Introduction
The Anna Magdelana Notebook: Minuet
Canon For 3 Trumpets And Strings
Xerxes: Largo ('Ombra mai fu')
Abdelazer: Rondeau
Le Tambourin
Oboe Concerto In D Minor: II. Adagio
Solomon: Arrival Of The Queen Of Sheba
Canata No. 147: Jesu, Joy Of Man's Desiring
Piano Concerto In F Minor, BWV 1056: II. Largo
Lute Suite In E Major, BWV 1006a: I. Prelude
Prince Of Denmark's March
Concerto Grosso In G Minor, Op. 6 No. 8 'Christmas Concerto': II. Largo. Pastoral ad libitum
Messiah: Hallelujah Chorus

Customer Reviews:

The Best Of Baroque Collection.......2004-02-22

This compilation album features some well-known Baroque Era musical works and serves as a perfect introduction to classical music. The great Baroque composers are showcased here - Bach, considered the greatest of them all, Handel, Vivaldi, Corelli and others. The Baroque period (from 1600 to 1750) was a time of great development and change in music. Before the Baroque Era, music was single-melody and primitive, in much the same way it had been since the Old World of the Greeks and Romans. Plaintive chorus was the only new invention of the medieval days- the Gregorian monk chant and Hildegard Bingen's nuns' chant. But during the Baroque Era, instruments were created and with them a new sound. Flutes, oboes, clarinets, drums, violins, violas and most significantly the trumpet, was played in a new medium called the orchestra. This music was played before royalty, kings of England, Germany and France, and often elitist aristocratic crowds. The same applied to Baroque Opera, which re-told Greek legends and classical heroes through music and the human singing voice of opera. Finally, music broke out from the old and into the new.

Johann Sebastian Bach is regarded as the best of the Baroque composers. He wrote prolifically for orchestra, for harpsichord (the earliest piano or keyboard instrument), as well as the organ. Among Bach's popular pieces are the Toccata and Fugue in D Minor (which is the theme for "Dracula" and was made into an orchestra version by conductor Leopold Stokowski as seen in the Disney film Fantasia of 1940), his Brandenburg Concertos- a total of six concertos that showcase the tone color of several instruments of the orchestra and are considered the height of the Baroque musical style. The Brandenburg Concerti that are most famous are th 3rd and 5th. Bach's Golberg Variations for keyboard are also very virtuosic as well as his Organ Preludes. Bach's Orchestral Suites are the skeletons of the first symphonies, even if it it's not exactly a symphony form, and Bach's cantatas and Mass In B have long been hailed as the best works of chorus.

George Frederic Handel, a German-born composer, adapted the Italian musical technique, especially the new invention of opera, but performed publically in England, even writing the famous "Messiah" oratorio in English. Handel's skills were most keen in the orchestra. His "Concerti Grossi" which total a number of 12, are virtuoso and expressive of instrumental color. The Water Music and the Royal Fireworks music are also very famous and written in a grandiose style that was quintessentially Baroque. Vivaldi, a former priest, became a composer who specialized in small-scale chamber music. He created the "tone poem" long before it was even called that in the 19th century. His "Four Seasons" are his most acclaimed. The music expresses the four seasons of fall, winter, spring and summer. The violins, the woodwinds, the trumpets, each deliver a picture of pastoral scenes. Vivaldi also wrote numerous other concerti, including some for mandolin, an early guitar.

This collection is a must have for music lovers.

Outstanding sampler.......2001-02-25

It is impossible of course to capture Baroque music on a single CD, but if you want just one it doesn't get any better than this. Outstanding and generous selection of many of the best known excerpts of the period, excellent performances throughout, and superior sound quality. Even the casual listener will recognize many of these great works, such as the theme from Masterpiece Theater, Pachelbel's Canon, Handel's Water Music, and so on.