Complete Organ Works 7

On this CD:

1. Chorale Prelude for organ ("Freu dich sehr, o meine Seele"), Op. 67/11
Composed by Max Reger
Performed by Rosalinde Haas

2. Chorale Fantasia for organ ("Freu' dich sehr, o meine Seele"), Op. 30
Composed by Max Reger
Performed by Rosalinde Haas

3. Chorale Prelude for organ ("Herzlich tut mich verlangen"), Op. 67/14
Composed by Max Reger
Performed by Rosalinde Haas

4. Chorale Prelude for organ ("Christus der ist mein Leben"), Op. 67/5
Composed by Max Reger
Performed by Rosalinde Haas

5. Chorale Prelude for organ ("O Welt, ich muß dich lassen"), Op. 67/34
Composed by Max Reger
Performed by Rosalinde Haas

6. Chorale Prelude for organ ("O wie selig seid ihr doch"), Op. 67/35
Composed by Max Reger
Performed by Rosalinde Haas

7. Chorale Prelude for organ ("Seelenbräutigam"), Op. 67/37
Composed by Max Reger
Performed by Rosalinde Haas

8. Suite for organ No. 2 in G minor, Op. 92
Composed by Max Reger
Performed by Rosalinde Haas

9. Chorale Prelude for organ ("Von Gott wil ich nicht lassen"), Op. 67/44
Composed by Max Reger
Performed by Rosalinde Haas

10. Chorale Prelude for organ ("Liebster Jesu, wir sind hier"), Op. 135a/14
Composed by Max Reger
Performed by Rosalinde Haas

11. Chorale Prelude for organ ("Was mein Gott will"), Op. 135a/27
Composed by Max Reger
Performed by Rosalinde Haas

12. Chorale Prelude for organ ("Wer nur den lieben Gott läßt walten"), Op. 135a/28
Composed by Max Reger
Performed by Rosalinde Haas

13. Chorale Prelude for organ ("Jerusalem, du hochgebaute Stadt"), Op. 135a/12
Composed by Max Reger
Performed by Rosalinde Haas

14. Pieces (12) for organ, Op. 59 7. Kyrie
Composed by Max Reger
Performed by Rosalinde Haas

15. Pieces (12) for organ, Op. 59 8. Gloria
Composed by Max Reger
Performed by Rosalinde Haas

16. Pieces (12) for organ, Op. 59 9. Benedictus
Composed by Max Reger
Performed by Rosalinde Haas

17. Pieces (12) for organ, Op. 59 10. Capriccio
Composed by Max Reger
Performed by Rosalinde Haas

18. Pieces (12) for organ, Op. 59 11. Melodia
Composed by Max Reger
Performed by Rosalinde Haas

19. Pieces (12) for organ, Op. 59 12. Te Deum
Composed by Max Reger
Performed by Rosalinde Haas

Tracks:

Apparition De L'eglise Eternelle
La Nativite Du Seigneur: I. La Vierge Et L'enfant
La Nativite Du Seigneur: II. Les Bergers
La Nativite Du Seigneur: III. Desseins Eternels
La Nativite Du Seigneur: IV. Le Verbe
La Nativite Du Seigneur: V. Les Enfants De Dieu
La Nativite Du Seigneur: VI. Les Anges
La Nativite Du Seigneur: VII. Jesus Accepte La Souffrance
La Nativite Du Seigneur: VIII. Les Mages
La Nativite Du Seigneur: IX. Dieu Parmi Nous

Tracks:

Le Banquet Celeste
Offrande Au Saint Sacrement
Diptyque
Les Corps Glorieux: I. Subtilite Des Corps Glorieux
Les Corps Glorieux: II. Les Eaux De La Grace
Les Corps Glorieux: III. L'ange Aux Parfums
Les Corps Glorieux: IV. Combat De La Mort Et De La Vie
Les Corps Glorieux: V. Force Et Agilite Des Corps Glorieux
Les Corps Glorieux: VI. Joie Et Clarte Des Corps Glorieux
Les Corps Glorieux: VII. Le Mystere De La Saints Trinite

Tracks:

Meditations Sur Le Mystere De La Sainte Trinite: I. Le Pere Des Etoiles
Meditations Sur Le Mystere De La Sainte Trinite: II. Dieu Est Saint
Meditations Sur Le Mystere De La Sainte Trinite: III. La Relation Reelle En Dieu Est Reellement Identique A L'essence
Meditations Sur Le Mystere De La Sainte Trinite: IV. Dieu Est
Meditations Sur Le Mystere De La Sainte Trinite: V. Dieu Est Immense - Dieu Est Eternel - Dieu Est Immuable...
Meditations Sur Le Mystere De La Sainte Trinite: VI. Dans Le Verbe Etait La Vie Et La Vie Etait La Lumiere...
Meditations Sur Le Mystere De La Sainte Trinite: VII. Le Pere Et Le Fils Aiment, Par Le Saint-Esprit, Eux-Memes, Et Nous
Meditations Sur Le Mystere De La Sainte Trinite: VIII. Dieu Est Simple - Les Trois Sont Un
Meditations Sur Le Mystere De La Sainte Trinite: IX. Je Suis Celui Qui Suis

Tracks:

Prelude
Verset Pour La Fete De La Dedicace
Monodie
L'ascension: I. Majeste Du Christ Demandant Sa Gloire A Son Pere
L'ascension: II. Alleluias Sereins D'une Ame Qui Desire Le Ciel
L'ascension: III. Transports De Joie D'une Ame Devant La Gloire Du Christ Qui Est La Sienne
L'ascension: IV. Priere Du Christ Montant Vers Son Pere
Messe De La Pentecote: I. Entree (Les Langues De Feu)
Messe De La Pentecote: II. Offertoire (Les Choses Visibles Et Invisibles)
Messe De La Pentecote: III. Consecration (Le Don De Sagesse)
Messe De La Pentecote: IV. Communion (Les Oiseaux Et Les Sources)
Messe De La Pentecote: V. Sortie (Le Vent De L'esprit)

Tracks:

Livre D'orgue: I. Reprises Par Interversion
Livre D'orgue: II. Piece En Trio (Pour Le Dimanche De La Sainte Trinite)
Livre D'orgue: III. Les Mains De L'abime (Pour Les Temps De Penitence)
Livre D'orgue: IV. Chants D'oiseaux (Pour Le Temps Pascal)
Livre D'orgue: V. Piece En Trio (Pour Le Dimanche De La Sainte Trinite)
Livre D'orgue: VI. Les Yeux Dans Les Roues (Pour Le Dimanche De La Pentecote)
Livre D'orgue: VII. Soixante-Quatre Durees
Livre Du Saint Sacrement: I. Adoro Te
Livre Du Saint Sacrement: II. La Source De Vie
Livre Du Saint Sacrement: III. Le Dieu Cache
Livre Du Saint Sacrement: IV. Acte De Foi
Livre Du Saint Sacrement: V. Peur Natus Est Nobis
Livre Du Saint Sacrement: VI. La Manne Et Le Pain De Vie

Tracks:

Livre Du Siant Sacrement: VII. Les Ressuscites Et La Lumiere De Vie
Livre Du Siant Sacrement: VIII. Institution De L'eucharistie
Livre Du Siant Sacrement: IX. Les Tenebres
Livre Du Siant Sacrement: X. La Resurrection Du Christ
XI. L'apparition Du Christ Ressuscite A Marie-Madeleine
Livre Du Siant Sacrement: XII. La Transsubstantiation
Livre Du Siant Sacrement: XIII. Les Deux Murailles D'eau
Livre Du Siant Sacrement: XIV. Priere Avant La Communion
Livre Du Siant Sacrement: XV. La Joie De La Grace
Livre Du Siant Sacrement: XVI. Priere Apres La Communion
Livre Du Siant Sacrement: XVII. La Presence Multipliee
Livre Du Siant Sacrement: XVIII. Offrande Et Alleluia Final

Customer Reviews:

Excels in performance and acoustically.......2006-01-26

Latry is technically and musically excellent. He "gets" the music.
The recording is a perfect mix of amibient space and reverb and direct sound. Bass extends well down to 16Hz so you will need a good system to reproduce this faithfully.

I've heard that Latry doesn't use 100% of the tonal color available on the Cavaile-Coll organ, but I feel as though it's expressive and rich.

The wind chest noise doesn't bother me. It is part of the instrument.

Overall excellent. Play this loud!!!

The sting of awakening........2006-01-24

I must confess that I've been lukewarm about Messiaen. He was often pictured in the 1970's in Hawaiian shirts and suspenders jacking his pants up to his man-boobs and this tacky image carries over all too well to some of his later music, where the extended durations are meant to be slow and glorious like the procession of a pharaoh through the streets of Thebes, or the dawning of God's grace on a sinner ( I'm trying to avoid using the word "hieratic" ) but can sometimes, if you're in the wrong mood, seem more like a senile windbag droning on without a care in the world for his auditors. His portrayal of mystical states often have an air of smugness, of impregnable autosatisfaction.

Then, occasionally, a recording like this comes along and suddenly my spine is vibrating like a Water-Pik. I'm beginning to realize that Messiaen is a far more tricky composer than I'd thought, that what seems foolproof has maybe never really been heard the right way before. Latry has the key to Messiaen in a way that Celibidache has the key to Bruckner, or Stockhausen has the key to Stockhausen. In fact, this may be the one true Messiaen recording that exists so far, in any of the categories from orchestral to piano music. Where other players seem to be twiddling their thumbs waiting for the next note, Latry fills those spaces between with terror and expectation that make you want to jump out of your skin. What usually feel like repetitious passages in Messiaen's music are revealed by Latry in all of their subtly particular glory, like God looking down at the antheap of humanity and still being able to sympathize with one overweight secretary's love problems. A repeated piercing shriek from the organ will be given a smoky, ominous feeling the first time, and then a soft, languishing one the next, and so on.

While many composers benefit from different approaches, for Messiaen, facts are facts -- to play him you must not only be from France, but must be a Catholic. French Catholics, who have a body of literature behind them with one foot in the secular world, by writers such as Leon Bloy, Huysmans and Julien Green, are not to be compared with Catholics anywhere else. To listen to Latry play Messiaen is to marvel at the arbitrary cruelty and unfairness of the church, its shocking lapses behind the scenes allowed to slide on the basis of an infallibility we're meant to take on faith... And then to realize that this faith, unrewarded and abused, trampled on and thrown away, is precisely for this reason, precisely because it's hopeless, our absolute duty towards God. Latry's Messiaen is a celebration of terror, disappearance, awe and infinitely black spasms of traumatized joy.

The True Incarnation of Messian's Mystic Art.......2005-04-24

You will not find a better recording of Olivier Messiaen's organ works than this gem. Approved by a Catholic Church official in the liner notes as capturing the religious ideals that Messian sought to reveal, Latry's playing on the formidable Notre Dame Cathedral organ contains a gravity and seriousness that give a rare and divine character to the music. Latry was blessed by Messiaen himself as the best interpreter of his works, and the reason for that is evident here. The music pours fourth in a majestic tide, and Latry uses his formidable talent, the full resources of the outstanding 600-year old organ, and the natural, extra-long reverberation in the medieval cathedral to capture the mysticism that pervades Messiaen's art. This is art music of the highest caliber, and will greatly reward repeated listenings.

outstanding - music, performance, and sound.......2004-04-14

This CD set was released at a perfect time for me: just after hearing ALL of the material live at St. James cathedral in Seattle, performed by the young Paul Jacobs. He told the audience that the music had changed his life. Play these CDs on a good system, and I think you will understand. Best concert of any sort in a decade for me.

The music is incredible, and would only sound exactly right in a cathedral. To get as close to live sound as possible, I wish this recording was in a surround format (SACD or DVD-A), however for stereo, this is excellent, as others have noted. It's a must have.

Essential Messiaen!.......2003-06-19

If you are a Messiaen fan, you simply must own this CD! It is essentail for a number of reasons.

For one, it is a complete recording of all of his organ works--quite an audio library, as you can see from the list of pieces included! Second is the quality of the recording (assured since this is a Deutsche Grammophon recording). It is digital, clear, and amazing. An old recording of Messiaen playing his own organ works is available, but it is a mono recording which he plays on a lackluster organ, as opposed to this recoring which is (of course) stereo, digital, and recorded on the organ at Notre Dame Cathedral--a magificent instrument that does justice to Messiaen. Also, while Messiaen is a favorite composer, his skills as an organist are not world-class as Olivier Latry's, whose playing here is masterful, inspired and technically perfect. You put all that together--excellent composer, recording, instrument, and organist--and you have "Messiaen: Complete Organ Works"... which from my first listening of it has become my favorite CD, bar none.

The reason why will be apparent to you as you listen to the very first track: "Vision of the Eternal Church." The piece is intended to invoke a musical interpretation of what it would be like to experience an apparition of the Church of God. As such, the first half is a constant build, one long crescendo, as if the vision were appearing slowing... the second half is a fading away, one long decrescendo. When Latry gets to the climax right in the middle of the piece, you'll see immidiately how all the elements come together (excellent recording, composer, instrument and artist)... it is the single most triumphant, majestically rendered chord you will ever hear. (You can almost hear the stone of the cathedral shaking, it is that magnificent!)

Latry's versatility is apparent when you hear the softer, more nuanced pieces, such as "Diptyque," which are as delicate as "Vision of the Eternal Church" is majectic. In short, most of the pieces are given a definitive interpretation by Latry.

I own every other recording of Messiaen's organ music, and this one stands far and above all of the others. If you don't know Messiaen's organ works, this CD is clearly your best bet; if you have heard his organ works before, or own other CDs, you'll smile as you listen to how Latry interprets each piece.

If I were stuck on a deserted island and could have only a handful of CDs to keep me company, this would be one of them.

Widor: Complete Organ Works Vol. 4
Average customer rating:

Widor Complete Organ Works Vol. 4, Ben van Oosten

Another Gold Medal

Another Gold Medal

Widor: Complete Organ Works Vol. 4

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Chamber Music | Classical | Styles | Music
Similar Items:

Widor: Complete Organ Works Vol. 5

Widor: Organ Works Vol. 2

Widor: Complete Organ Works Vol. 6

Widor: Complete Organ Works Vol. 1

Widor: Complete Organ Works, Vol. 3

ASIN: B000028AMT
Release Date: 2001-02-27

Tracks:

Sym No.7 in a, Op.42: Moderato
Sym No.7 in a, Op.42: Choral. Andante
Sym No.7 in a, Op.42: Andante - Allegretto
Sym No.7 in a, Op.42: Allegro Non Troppo
Sym No.7 in a, Op.42: Lento
Sym No.7 in a, Op.42: Finale. Allegro Vivace
Sym Gothique in c, Op.70: Moderato
Sym Gothique in c, Op.70: Andante Sostenuto
Sym Gothique in c, Op.70: Allegro
Sym Gothique in c, Op.70: Moderato - Allegro - Moderato Andante - Allegro

Customer Reviews:

Widor Complete Organ Works Vol. 4, Ben van Oosten.......2006-03-24

This recording made on the magnificent Cavaille-Coll-Organ at St. Ouen, Rouen, is truly wonderful from both a performance and audio experience point of view. Widor's 7th symphony has got to be some of the most beautiful music ever written for organ. The profound slow movements transport the listener into the center of the church to mediate on life's most serious themes. The majestic sounds of the 9th symphony engulf the listener in the power of this great 19th century instrument. Having listened to many organ recordings, I can say that this recording renders a unique experience. The notes are detailed and most informative, and Ben van Oosten's performance is masterful.

Another Gold Medal.......2003-07-30

This latest CD (following the remakes of Volumes 1, 2 and 3 from the LP) is again perfect as an example of Widor's eminent last phase as a composer. After the initial "getting your feet wet" trio of Symphonies 1-3, we have the Lush Romanticism of 4-8, then the mature Rhenish and Gothique.

The Seventh has always had a special place in my heart. Shortly after our marriage, my wife arranged a trip to Williamsburg where we stayed in an "authentic" old home - but that's another story. The night we arrived she noted a concert at the church. The main piece - I forgot the organist - was Widor's Seventh, and hearing this enormous work in a small church was a sensory delight. The fires for big, Romantic works are still burning bright but the in some areas the portents are present for the next level.

The Gothique (# 9) does not startle but it is a superbly crafted work that grows on one the more it is heard. In parts, it is contemplative in tone, but it is complex - much more so than the Romantic pieces. And it is much more of a unified work in that the themes are inter-related and reoccurring. Again, Van Oosten's playing - and the sound of the organ - are both tops.

Another Gold Medal.......2003-07-07

This latest CD (following the remakes of Volumes 1, 2 and 3 from the LP) is again perfect as an example of Widor's last phase as an organist. After the initial "getting your feet wet" trio of Symphones 1-3, we have the Lush Romanticism of 4-8, then the mature Rhenish and Gothique.

The Seventh has always had a special place in my heart. Shortly after our marriage, my wife arrange a trip to Williamsburg where we stayed in an "authentic" old home - but that's another story. The night we arrived she noted a concert at the church. The main piece - I forgot the organist - was Widor's Seventh, and hearing this enormous work in a small church was a sensory delight. The fires for big, Romantic works are still burning bright but the in some areas the portents are present for the next level.

Tracks:

Prelude And Fugue In G Minor
Fugue In A Flat Minor
Mein, Jesu, Der Du Mich
Herzliebster Jesu
O Welt, Ich Muss Dich Lassen
Herzlich Tut Mich Erfreuen
Schmucke Dich, O Liebe Seele
O Wie Selig Seid Ihr Doch
O Gott, Dau Frommer Gott
Es Ist Ein Ros' Entsprungen
Herzlich Tut Mich Verlangen
Herzlich Tut Mich Verlangen
O Welt, Ich Muss Dich Lassen
Chorale Prelude And Fugue In A Minor On O Traurigkeit, O Herzeleid
Prelude And Fugue In A Minor

Customer Reviews:

wonderfull playing.......2006-12-18

Excellent recording-perhaps the finest there is of these works.The tempos are vell chosen.Very considered,solemn and moving.

The last composition of Brahms, Op. 122.......2006-01-31

These organ pieces of Brahms are wonderuflly written and it is sad they are nowadays neglected. Especially the last piece Brahms ever penned, the 11 Chorale Preludes of 1896. All of these are beautiful but track 5 "O Welt, ich muss dich lassen" is especially so. My German is a bit rusty but I believe the translation is "O world, I must leave you." Indeed, Brahms did, within the next year after Op. 122 was composed.

I always like to hear the last thing a composer wrote before death, as it usually reveals an inner part of themselves that we don't get in other compositions. Brahms'last thoughts before leaving this world reflected much on death and eternity, as this work definitely evokes those subjects.

The other pieces on the disc are also wonderfully performed by Robert Perkins as well, but they are lacking in the mature style that Brahms showed in the 11 Chorales. Track 1 is from 1857, track 2 also from 1856 but published in 1864, track 14 from 1857 but revised in 1882, and track 15 from 1856. It is interesting that Brahms neglected the organ for much of his life but then came back to it in the end. In the 1850s, he actually aspired to become an organ virtuso before realizing how difficult the instrument is to play.

As for the performance, it is well above average. Perkins is an accomplished American organist who I believe now teaches at Duke University. I believe he adequately expresses through his playing here what Brahms was trying to convey. Bravo for Naxos for making this music so easily available and at a low cost. The sound quality here, as always with Naxos discs, is excellent.

P.S........2003-03-16

Why are we not even told who the performer is?

Complete nonsense.......2003-03-16

These were Brahms's last works before his death. Not only did he have no chance to publish them or to have second thoughts about them, but they have always stood as his last musical testament. Why the inventions above?

Rare Brahms.......2000-03-06

This CD presents hard to find music of Brahms, the organ works. Brahms himself was unsure of these works, resulting in their relative obscurity. In the works, he imititates Baroque style well and gets quite a lot from the organ. The fugues in particuler are very good. Some Brahms fans may not like this disc because Brahms himself meant not for this music to be published. It does however show his classic inclinations.

Lo the Full Final Sacrifice & Other Choral Works

Average customer rating:

Ravishing Music, Ravishingly Sung

Lo the Full Final Sacrifice & Other Choral Works
Finzi , Robinson , Whitton , and Choir St John's Collg
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

$6.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
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Elgar: Sacred Choral Music
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ASIN: B00006RHPP
Release Date: 2003-01-21

Tracks:

God Is Gon Up, Op.27, No.2
Magnificat, Op.36
My Lovely One, Op.27, No.1
Welcome Sweet And Sacred Feast, Op.27, No.3
Thou Didst Delight My Eyes, Op.32
Let Us Now Praise Famous Men, Op.35
I Praise The Tender Flower
I Have Loved The Flowers That Fade
My Spirit Sang All Day
Clear And Gentle Stream
Nightingales
Haste On, My Joys!
Wherefore Tonight So Full Of Care
Lo, The Full, Final Sacrifice, Op.26

Customer Reviews:

Ravishing Music, Ravishingly Sung.......2003-04-09

As a choral singer myself, I was particularly drawn to this new Naxos release of sacred and secular choral music, some of it familiar but much of it quite unfamiliar (at least on this side of the Atlantic).

The disc leads off with what is probably Finzi's most popular sacred choral work, 'God is gone up with a triumphal shout,' set to a text by Edward Taylor. The opening organ fanfare is followed by sung fanfares with men's voices echoing those of the trebles. [The choir in this recording is that of St. John's College, Cambridge, and as such follows the Anglican tradition choirs consisting of boy sopranos, male altos, tenors and basses. There are some who dislike this sound but I find it very attractive, and of course it is the sound that Finzi surely heard in his mind's ear as he was writing these pieces.] The piece has colorful choral and organ writing that mirrors such words as 'Methinks I see Heaven's sparkling couriers fly.'

This is followed by 'Magnificat,' Op. 36 (Finzi's only American commission, written for the choirs of Smith and Amherst Colleges), a moving setting without the usual concluding 'Gloria', that begins with an exulting 'My soul doth magnify the Lord' and ends on the words 'for ever and ever' gradually dying away to the final 'Amen.'

'God is gone up' is the second of three sacred pieces in Opus 27. The other two are included (although not in consecutive order). They are 'My lovely one,' and 'Welcome sweet and sacred feast.' The latter is a setting of Henry Vaughan's poem celebrating the poet's redemption through religious conversion ('Dead was I, and deep in trouble'). It contains a meltingly beautiful passage on the words 'O rose of Sharon! O the Lily of the Valley!'

There are two part-songs for male voices, the a cappella 'Thou didst delight my eyes,' Op. 32, and one set to the famous passage from Ecclesiastes, 'Let us now praise famous men,' Op. 35. The latter, in two-part harmony, is notable for its Elgarian treading bass in the organ.

'Seven Unaccompanied Partsongs,' Op. 17, are set to texts by Robert Bridges. They are lyrical and tender and the part-writing is especially grateful to sing. The joyous 'My Spirit Sang All Day' is a particular favorite of small choirs. (For American readers/singers I will add that these songs remind me harmonically and in tone of those in Randall Thompson's 'Frostiana.')

The final and longest piece here is 'Lo, the Full, Final Sacrifice,' Op. 26, a 14-minute festival anthem set to Crashaw's elegant translation of Aquinas's 'Adoro te' and 'Lauda Sion.' It starts with a longish organ introduction and features a cappella and accompanied passages and short solos following the poetry's verse structure. There are some ecstatically lovely melodies, particularly at the words 'Jesu, Master, just and true' and at the final 'Amen.'

The singing here is impeccable and stylish. The recorded sound is all one could ask. Another triumph for St. John's, Cambridge, its conductor, Christopher Robinson, and for Naxos.

Tracks:

Prld & Fuge in e, BWV 548: Praludium
Prld & Fuge in e, BWV 548: Fuge
Choral: An Wasserflussen Babylon..., BWV 653
Choral: Von Gott will ich nicht lassen..., BWV 658
Choral: Schmucke dich, o liebe Seele..., BWV 654
Prld & Fuge in b, BWV 544: Praludium
Prld & Fuge in b, BWV 544: Fuge
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Sopran, BWV 662
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Tenor, BWV 663
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Trio, BWV 664

Tracks:

Toccata (Dorisch) & Fuge in d, BWV 538: Toccata
Toccata (Dorisch) & Fuge in d, BWV 538: Fuge
Orgelbuchlein, BWV 618: O Lamm Gottes unschuldig
Orgelbuchlein, BWV 619: Christe, du Lamm Gottes
Orgelbuchlein, BWV 620: Christus, der uns selig macht
Orgelbuchlein, BWV 621: Da Jesus an dem Kreuze stund
Orgelbuchlein, BWV 622: O Mensch, bewein' dein' Sunde gro
Orgelbuchlein, BWV 623: Wir danken dir, Herr Jesu Christ
Orgelbuchlein, BWV 624: Hilf Gott, damir's gelinge
Prld & Fuge in g, BWV 535: Prld
Prld & Fuge in g, BWV 535: Fuge
Orgelbuchlein, BWV 625: Christ lag in Todesbanden
Orgelbuchlein, BWV 626: Jesus Christus, unser Heiland
Orgelbuchlein, BWV 627: Christ ist erstanden (3 vers)
Orgelbuchlein, BWV 628: Erstanden ist der heil'ge Christ
Orgelbuchlein, BWV 629: Erschienen ist der herrliche Tag
Orgelbuchlein, BWV 630: Heut' triumphiret Gottes Sohn
Toccata & Fuge in C, BWV 566: Toccata
Toccata & Fuge in C, BWV 566: Fuge
Orgelbuchlein, BWV 631: Komm, Gott Schopfer, heilieger Geist
Orgelbuchlein, BWV 632: Herr Jesu Christ, dich zu uns wend

Tracks:

Prld & Fuge in C, BWV 545: Prld
Prld & Fuge in C, BWV 545: Fuge
Fuge in G, BWV 577
Prld & Fuge in d, BWV 539: Prld
Prld & Fuge in d, BWV 539: Fuge
Choral: Wo soll ich fliehen hin, BWV 694
Partita sopra: O Gott, du frommer Gott, BWV 767
Choral: Wir Christenleut hab'n jetzund Freud, BWV 710
Alla Breve in D, BWV 589
Canzona in d, BWV 588
Fuge in c, BWV 575
Fuga sopra il Magnificat: Meine Seele erhebet den Herren, BWV 733
Kleines harmonisches Labyrinth (Introitus, Centrum, Exitus), BWV 591
Prld & Fuge in a, BWV 551: Prld
Prld & Fuge in a, BWV 551: Fuge

Tracks:

Prld & Fuge in e, BWV 533: Prld
Prld & Fuge in e, BWV 533: Fuge
Chorale: Nun freut euch, lieben Christen g'mein, BWV 734
Chorale: Liebster Jesu, wir sind hier, BWV 730
Chorale: Liebster Jesu, wir sind hier, BWV 731
Chorale: In dulci jubilo, BWV 729
Chorale: Herzlich tut mich verlangen, BWV 727
Prld & Fuge in C, BWV 531: Prld
Prld & Fuge in C, BWV 531: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV726
Chorale: Allein Gott in der Hoh'sei Ehr' (Bicinium), BWV 711
Chorale: Allein Gott in der Hoh'sei Ehr', BWV 715
Chorale: Fuga super Allein Gott in der Hoh' sei Ehr', BWV 716
Chorale: Allein Gott in der Hoh' sei Ehr' (manualiter), BWV 717
Chorale: Christ lag in Todesbanden, BWV 718
Chorale: Ach Gott und Herr (per canonem), BWV 714
Fantasia con imitazione in b, BWV 563
Chorale: Gelobet seist du, Jesu Christ, BWV 722
Chorale: Gottes Sohn ist kommen, BWV 724
Chorale: Jesus, meine Zuversicht, BWV 728
Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 732
Chorale: Vater unser im Himmelreich, BWV 737
Chorale: Vom Himmel hoch, da komm'ich her, BWV 738
Chorale: Wie schon leuchter der Morgenstern, BWV 739
Chorale: Wir glauben all' an einen Gott, BWV 765
Chorale: Herr Gott, dich loben wir, BWV 725

Tracks:

Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV 709
Chorale: Liebster Jesu, wir sind hier, BWV 706 (1+2)
Chorale: Erbarm' dich mein, o Herre Gott, BWV 721
Chorale: Wer nur den lieben Gott la walten, BWV 690
Chorale: Wer nur den lieben Gott la walten, BWV 691
Chorale: Christ lag in Todesbanden, BWV 695
Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Partita: sopra Christ, der du bist der helle Tag, BWV 766
Sieben Fughetten Fur Die Weinachtszeit: Christum wir sollen loben schon, BWV 696
Sieben Fughetten Fur Die Weinachtszeit: Gelobet seist du, Jesu Christ, BWV 697
Sieben Fughetten Fur Die Weinachtszeit: Herr Christ, der ein'ge Gottes Sohn, BWV 698
Sieben Fughetten Fur Die Weinachtszeit: Nun komm'der Heiden Heiland, BWV 699
Sieben Fughetten Fur Die Weinachtszeit: Von Himmel hoch da komm' ich her, BWV 701
Sieben Fughetten Fur Die Weinachtszeit: Gottes Sohn ist kommen, BWV 703
Sieben Fughetten Fur Die Weinachtszeit: Lob sei dem allmachtigen Gott, BWV 704
Choral: Vom Himmel hoch da komm' ich her, BWV 700
Fuge in b uber ein Theme von Corelli, BWV 579
Fantasia: Jesu, meine Freude, BWV 713
Choral: In dich hab' ich gehoffet, Herr, BWV 712

Tracks:

Prld & Fuge in C, BWV 547: Prld
Prld & Fuge in C, BWV 547: Fuge
Canonic Vars: Vom Himmel hoch, da komm' ich her, BWV 769
Clavier Ubung Dritter Teil: Prld in E flat, BWV 552
Chorale: Kyrie, Gott Vater in Ewigkeit, BWV 669
Chorale: Christe, aller Welt Trost, BWV 670
Chorale: Kyrie, Gott heilinger Geist, BWV 671
Chorale: Kyrie, gott Vater in Ewigkeit (manualiter), BWV 672
Chorale: Christe, aller Welt Trost (manualiter), BWV 673
Chorale: Kyrie, Gott heiliger Geist (manualiter), BWV 674
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 675
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 676
Chorale: Allein Gott in der Hoh' sei Ehr' (Fughetta), BWV 677
Chorale: Dies sind die heil'gen zehn Gebot, BWV 678
Chorale: Dies sind die heil'gen zehn Gebot (Fughetta), BWV 679

Tracks:

Chorale: Wir glauben all' an einen Gott, BWV 680
Chorale: Wir glauben all' an einen Gott (Fughetta) (manualiter), BWV 681
Chorale: Vater unser im Himmelreich, BWV 682
Chorale: Vater unser im Himmelreich (manualiter), BMV 683
Chorale: Christ, unser Herr, zum Jordan kam, BWV 684
Chorale: Christ, unser Herr, zum Jordan kam (manualiter), BWV 685
Chorale: Aus tiefer Not schrei' ich zu dir, BWV 686
Chorale: Aus tiefer Not schrei' ich zu dir (manualiter), BWV 687
Chorale: Jesu Christus, unser Heiland, BWV 688
Chorale: Jesu Christus, unser Heiland (Fuga) (manualiter), BWV 689
Vier Duette: Duetto I, BWV 802
Vier Duette: Duetto II, BWV 803
Vier Duette: Duetto III, BWV 804
Vier Duette: Duetto IV, BWV 805
Fuge in E flat, BWV 552
Chorale: Herr Jesu Christ, dich zu uns wend' (Trio), BWV 655
Chorale: Vor Deinen Thron tret' ich, BWV 668

Tracks:

Prld & Fuge in c, BWV 546: Prld
Prld & Fuge in c, BWV 546: Fuge
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 633
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 634
Orgelbuchlein: Chorale: Dies sind die heil' gen zehn Gebott, BWV 635
Orgelbuchlein: Chorale: Vater unser im Himmelreich, BWV 636
Orgelbuchlein: Chorale: Durch Adam's Fall ist ganz verderbt, BWV 637
Orgelbuchlein: Chorale: Es ist das Heil uns kommen her, BWV 638
Orgelbuchlein: Chorale: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
Orgelbuchlein: Chorale: Ich dich hab'ich gehoffet, Herr, BWV 640
Orgelbuchlein: Chorale: Wenn wir in hochsten Noten sein, BWV 641
Orgelbuchlein: Chorale: Wer nur den lieben Gott la walten, BWV 642
Orgelbuchlein: Chorale: Alle Menschen mussen sterben, BWV 643
Orgelbuchlein: Chorale: Ach wie nichtig, ach, wir fluchtig, BWV 644
Partita Sopra: Sei gregrut, Jesu gutig, BWV 768
Prld & Fuge in f, BWV 534: Prld
Prld & Fuge in f, BWV 534: Fuge
Fant in C, BWV 570

Tracks:

Piece d'Orgue in G, BWV 572: Tres vitement-Gravement-Lentement
Orgelbuchlein: Chorale: Nun komm' der Heiden Heiland, BWV 599
Orgelbuchlein: Chorale: Gottes Sohn ist kommen, BWV 600
Orgelbuchlein: Chorale: Herr Christ, der ein' ge Gottes Sohn, BWV 601
Orgelbuchlein: Chorale: Lob sei dem allmachtigen Gott, BWV 602
Orgelbuchlein: Chorale: Puer natus in Bethlehem, BWV 603
Orgelbuchlein: Chorale: Gelobt seist du, Jesu Christ, BWV 604
Orgelbuchlein: Chorale: Der Tag, der ist so freudenreich, BWV 605
Orgelbuchlein: Chorale: Vom Himmel hoch da komm' ich her, BWV 606
Orgelbuchlein: Chorale: Vom Himmel kam der Engel Schar, BWV 607
Orgelbuchlein: Chorale: In dulci jubilo, BWV 608
Orgelbuchlein: Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 609
Orgelbuchlein: Chorale: Jesu, meine Freude, BWV 610
Orgelbuchlein: Chorale: Christum wir sollen loben schon, BWV 611
Orgelbuchlein: Chorale: Wir Christenleut, BWV 612
Orgelbuchlein: Chorale: Helft mir, Gootes Gute preisen, BWV 613
Orgelbuchlein: Chorale: Das alte Jahr vergangen ist, BWV 614
Orgelbuchlein: Chorale: In dir ist Freude, BWV 615
Orgelbuchlein: Chorale: Mir Fried' und Freud' ich fahr' dahin, BWV 616
Orgelbuchlein: Chorale: Herr Gott, nun schleuden Himmel auf, BWV 617
Fant in c, BWV 562
Choral: Wir glauben all' an einen Gott, Vater, BWV 740
Fant: Super Valet will ich dir geben, BWV 735
Choral: Valet will ich dir geben, BWV 736
Fuge uber ein Thema von Giovanni Legrenzi in c, BWV 574

Tracks:

Prld & Fuge, BWV 532: Prld
Prld & Fuge, BWV 532: Fuge
Trio in d, BWV 656
Orgelchorale aus Achtzehn Chorale: O Lamm Gottes, unschuldig, BWV 656
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland, BWV 659
Orgelchorale aus Achtzehn Chorale: Trio super 'Nun komm, der Heiden Heiland, BWV 660
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland' in organo pleno, BWV 661
Orgelchorale aus Achtzehn Chorale: Fantasia super Komm, heiliger Geist, BWV 651
Orgelchorale aus Achtzehn Chorale: Komm, heiliger Geist, BWV 652
Orgelchorale aus Achtzehn Chorale: Nun danket alle Gott, BWV 657
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 665
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 666
Orgelchorale aus Achtzehn Chorale: Komm, Gott Schopfer, BWV 667

Tracks:

Konzert in a, BWV 593: Allegro
Konzert in a, BWV 593: Adagio
Konzert in a, BWV 593: Allegro
Konzert in d, BWV 596: (Allegro)-Grave-Fuga
Konzert in d, BWV 596: Largo
Konzert in d, BWV 596: Finale
Konzert in C, BWV 594: (Allegro)
Konzert in C, BWV 594: Rezitativ Adagio
Konzert in C, BWV 594: Allegro
Konzert in G, BWV 592: (Allegro)
Konzert in G, BWV 592: Grave (Adagio)
Konzert in G, BWV 592: Presto (assai)
Konzert in C, BWV 595: (Allegro)
Aria in F, BWV 587
Prld & Fuge in A, BWV 536: Prld
Prld & Fuge in A, BWV 536: Fuge
Choral: An Wasserflussen Babylon, BWV 653b
Prld & Fuge in G, BWV 550: Prld
Prld & Fuge in G, BWV 550: Fuge
Trio in g, BWV 584

Tracks:

Toccata in d, BWV 565
Toccate & Fuge in F, BWV 540: Toccata
Toccate & Fuge in F, BWV 540: Fuge
Prld (Fant) & Fuge in g, BWV 542: Prld
Prld (Fant) & Fuge in g, BWV 542: Fuge
Pastorella, BWV 590: 1
Pastorella, BWV 590: 2
Pastorella, BWV 590: 3
Pastorella, BWV 590: 4
Prld & Fuge in a, BWV 543: Prld
Prld & Fuge in a, BWV 543: Fuge
Toccata in C, BWV 564: Toccata
Toccata in C, BWV 564: Adagio
Toccata in C, BWV 564: Fuge

Tracks:

Son I in E flat, BWV 525: Allegro moderato
Son I in E flat, BWV 525: Adagio
Son I in E flat, BWV 525: Allegro
Son II in c, BWV 526: Vivace
Son II in c, BWV 526: Largo
Son II in c, BWV 526: Allegro
Son III in d, BWV 527: Andante
Son III in d, BWV 527: Adagio e dolce
Son III in d, BWV 527: Vivace
Son IV in e, BWV 528: Adagio
Son IV in e, BWV 528: Andante
Son IV in e, BWV 528: Un poco allegro
Son V in C, BWV 529: Allegro
Son V in C, BWV 529: Largo
Son V in C, BWV 529: Allegro
Son VI in G, BWV 530: Vivace
Son VI in G, BWV 530: Lento
Son VI in G, BWV 530: Allegro

Tracks:

Passacaglia E Tema Fugatum in c, BWV 582
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 645: Wachet auf, ruft uns die Stimme
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 646: Wo soll ich fliehen hin
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 647: Wer nur den lieben Gott la...
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 648: Meine Seele erhebet den Herren
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 649: Ach, bleib' bei uns
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 650: Kommst du nun, Jesu...
Fuge in g, BWV 578
Prld & Fuge in g, BWV 541: Prld
Prld & Fuge in g, BWV 541: Fuge
Choral: Ein' feste Burg ist unser Gott, BWV 720
Prld in G, BWV 568
Adagio, BWV 1027: Adagio
Adagio, BWV 1027: Allegro moderato (trio) (1027a)
Ricercare a 6 (aus Das musikalische Opfer), BWV 1079-5
Prld in a, BWV 569

Amazon.com

Marie-Claire Alain is not only one of the greatest organists alive today, but she stands directly in a what is undoubtedly the world's greatest tradition of organ playing. It was France that first rediscovered and cultivated Bach's organ music, and which in turn stimulated the great works of Franck, Widor, Vierne, and their school. Alain has recorded Bach's complete organ music no less than three times, here on historical organs of Bach's own time. Each disc is planned as a recital that showcases both the music and the instrument. Her performances are simply the last word in style, musicianship, and virtuosity. Magnificent. --David Hurwitz

Customer Reviews:

Complete set CD review of Bach.......2007-05-12

I discovered Bach organ music 40 years ago. I love Bach, everything he wrote. I have 4 complete sets of Bach organ recordings. Marie Claire-Alan is my favorite organist of everyone I have heard. I met Marie and her husband in person after a performance she gave in Chicago. I have 2 complete sets of Bach organ played by Marie. One is on records and the other the new CD set. She is a little older now when she recorded the CD's. The albums have a more youthful sound to them, a little more energy and different registration selection on the organs. I love Marie in her youthful recordings more than these. I love the albums so much I will digitize them and listen to them over the new CD collection. I play the albums on my Linn turntable through McIntosh equipment.

The Definitive Collection of Bach .......2005-09-25

Marie-Claire Alain has recorded Bach's complete organ music 3 times, this set being the second time. She plays quite differently now, but these are some of the best interpretations. Each cd fearures a different organ dating from Bach's time, and all of the booklets are filled with pictures, history, and even the stop registrations for each of the pieces are given. Quite alot of research! If those of you who are new to Bach's organ works, I would recommend starting on a smaller scale, as some of these works can be quite intense to listen to. At any rate, this possibly may go down as one of the famous recordings of the century.

Absolutely wonderful!.......2004-07-27

From this huge box set, it is quite obvious that Bach was a dedicated composer for the organ (and obviously a virtuoso organist for that matter). Bach was a very prominent composer who lived in the Baroque era, and to truely understand his works and their style you must have a general outline of knowledge of the timeframe in which he lived. And so the Baroque era, (1600-1750) was characterized by vastness of proportion, rich counterpoint, great splendor and a highly ornamented melodic line. (One should note that the era abruptly ended after Bach's death which actually shows his importance in it) Some of these pieces are examples of works that require performers at the very highest degree to play them. His works go way beyond the famous Toccata and Fuge in D Minor, and with a "Complete" edition you can listen and hear them all for yourself, hence grasping the full view of his genious. This set is of wonderful value and worth every penny. Unfortunately, the Master's version is not available in a CD store, and so we must indulge upon other's interpretations. This out of the others stands as one of the very best. It is also complementing to the experience to have an instrument of the period (which is so in this set). Bach devoted his entire frame of mind towards the spreading of God's kingdom, therefore one could derive that he felt that by creating enlightening and insightful music, he was doing a lowly service to his God. Overall--this is a fabulous interpretation, and it will deepen one's respect and awe for Johann Sebastian Bach, the greatest organist who ever lived.

Monumental Artistry.......2003-03-08

Although I am partial to the Romantic Organ, particularly in the vein of Widor, Vierne and Rheinberger, it all begins with Bach. And in this case, one could say that it all begins with Marie-Claire Alain and her wonderful interpretations. Alain seems to understand that Bach was above all else a religious composer. Many "complete" works of Bach play short shrift with the liturgical works whereas these are some of the most satisfying of the group.

The sound is pure sonority, almost perfect, and the technical prowess is just awesome. Out of the millions of notes played, I never heard a miscue or slight jiggle. Still, keyboard wizardry is only part of the story. The registration is a work of art in itself. Alain understand the difference between the Baroque and the Modern, the French and the German and the old and the new. Just as she is a "natural" for Widor or Vierne, she also seems to have entered the Bach mind on some of these.

This is a fabulous collection worthy of any serious student of classical music. Nowhere can one derive such satisfaction that listenting to Bach played by Ms. Alain.

A Happy Sacrifice.......2001-06-30

I gladly sacrificed two of the four speakers in my car to this wonderful, wonderful treasure. What more can I say?

Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim

Average customer rating:

A good deal to enjoy
Jazzy Ludwig!

Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim
Ludwig van Beethoven , Jörg Demus , Emil Gilels , Olli Mustonen , Christopher Alder , Daniel Barenboim , and Wilhelm Kempff
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Ecossaises | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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Complete Beethoven Edition, Vol. 2: Concertos
Complete Beethoven Edition, Vol. 9: Piano Trios
Complete Beethoven Edition, Vol. 11: Early String Quartets

ASIN: B000001GZ9
Release Date: 1997-11-25

Tracks:

7 Bagatelles, Op.33: No. 1 In E Flat Major - Andante grazioso quasi Allegretto
7 Bagatelles, Op.33: No.2 In C Major - Scherzo. Allegro
7 Bagatelles, Op.33: No.3 In F Major - Allegretto
7 Bagatelles, Op.33: No.4 In D Major - Andante
7 Bagatelles, Op.33: No.5 In C Major - Allegro ma non troppo
7 Bagatelles, Op.33: No.6 In D Major - Allegretto quasi andante
7 Bagatelles, Op.33: No.7 In A Flat Major - Presto
11 Bagatelles, Op.119: No.1 In B Flat Major - Allegretto
11 Bagatelles, Op.119: No.2 In C Major - Andante con moto
11 Bagatelles, Op.119: No.3 In D - a l'Allemande
11 Bagatelles, Op.119: No.4 In A Major - Andante cantabile
11 Bagatelles, Op.119: No.5 In C Minor - Risoluto
11 Bagatelles, Op.119: No.6 In G Major - Andante - Allegretto
11 Bagatelles, Op.119: No.7 In C Major - Allegro ma non troppo
11 Bagatelles, Op.119: No.8 In C - Moderato
11 Bagatelles, Op.119: No.9 In A Minor - Vivace moderato
11 Bagatelles, Op.119: No.10 In A Major - Allegramente
11 Bagatelles, Op.119: No.11 In B Flat Major - Andante ma non troppo
Bagatelle in C Minor: Presto
Bagatelle In C Major: Allegretto
6 Bagatelles, Op.126: No.1 In G Major - Andante con moto cantabile e compiacevole
6 Bagatelles, Op.126: No. 2 In G Minor - Allegro
6 Bagatelles, Op.126: No.3 In In E Flat Major - Andante cantabile e grazioso
6 Bagatelles, Op.126: No.4 In D Major - Presto
6 Bagatelles, Op.126: No.5 In G Major - Quasi Allegretto
6 Bagatelles, Op.126: No.6 In E Flat Major - Presto - Andante amabile e con moto - Tempo I
Bagatelle 'Fur Elise' In A Minor: Poco moto

Tracks:

3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 1. Allegro cantibile
3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 2. Andante
3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 3. Rondo vivace
3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 1. Larghetto maestoso - Allegro assai
3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 2. Andante
3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 3. Presto
3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 1. Allegro
3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 2. Menuetto. Sostenuto - Var. I-VI
3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 3. Scherzando. Allegro, ma non troppo
2 Sonata Movments In F Major: 1. Without Tempo Indication
2 Sonata Movments In F Major: 2. Allegretto
Piano Sonata In C Major: Allegro
Piano Sonata In C Major: Adagio
Allegretto In C Minor
'Lustig - Traurig' In C Major
Prelude In F Minor
Piano Piece In B Flat Major
Allegretto In B Minor
Allegretto quasi andante In G Minor
Allemande In A Major
Minuet In E Flat Major
Waltz In E Flat Major
Waltz In D Major
Ecossaise In E Flat Major
Fugue In C Major
Allegretto In C Minor

Tracks:

Rondo In C Major, Op. 51: Moderato e grazioso - Ludwig Van Beethoven
Rondo In G Major, Op. 51 No. 2: Andante cantabile e grazioso - Ludwig Van Beethoven
Rondo In C Major: Allegretto - Ludwig Van Beethoven
Rondo In A Major: Allegretto - Ludwig Van Beethoven
Polonaise In C Major: Alla polacca, vivace - Ludwig Van Beethoven
9 Variations (In C Minor) On A March By Ernst Christoph Dressler: Thema. Maestoso - Ludwig Van Beethoven
6 Variations On A Swiss Song In F Major: Thema. Andante con moto - Ludwig Van Beethoven
Thema. Allegretto - Var. I-XIII - Var. XIV. Allegretto - Adagio - Var. XV-XIX - Var. XX. Scherznado - Var. XXI-XXII - Var. XXIII. Adagio sostenuto - Var. XXIV. Allegro - Allegro stringendo - Presto assai - Ludwig Van Beethoven
12 Variations (In C Major) On The 'Menuett a la Vigano' From Jakob Haibel's Ballet 'Le nozze disturbate': Thema. Allegretto - Var. I-IX - Var. XII. Allegro - Adagio - Ludwig Van Beethoven
6 Variations (In G Major) On The Duet 'Nel cor piu non mi sento' From Giovanni Paisello's Opera 'La molinara': Thema. (Andantino) - Ludwig Van Beethoven

Tracks:

Fantasia In G Minor: Allegro - Poco adagio - allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio
6 Variations (In D Major) On An Original Theme: Thema. Allegro risoluto - Var. I-V - Var. VI. Presto - Tempo I
Thema. Allegretto - Var. I-II - VarIII. Commodetto - Var. IV - Var. V. Risoluto - Arioso. Andante con moto - Var. VI. Espressivo - Var. VII. Allegro no nmolto - Var. VIII. Tempo I - Var. IX. Allegro
8 Variations (In C Major) On The Romance 'Une fievre brulante' From Gretry's Opera 'Richard Coeur de Lion': Thema. Allegretto - Var. I-VII - Var. VIII. Allegro - Presto
10 Variations (In B Flat Major) On The Duet 'La stessa, la stessissima' From Antonio Salieri's Opera 'Falstaff': Thema. Andante con moto - Var. I-IX - Var. X. Allegretto (alla Austriaca) - Tempo I
7 Variations (In F Major) On The Quartet 'Kind, willst du ruhig schlafen?' From Peter Winter's Opera 'Das unterbrochene Opferfest': Thema. Allegretto - Var. I-VI - Var. VII. Allegro - Allegro molto
8 Variations (In F Major) On The Trio 'Tandeln und Scherzen' From Franz X. Sussmayrs Opera 'Soliman II': Thema. Andante, quasi Allegretto - Var. I-VI - Var. VII. Adagio molto ed espressivo - Var. VIII. Allegro vivace - Adagio
6 Easy Variations (In G Major) On An Original Theme: Thema. Andante, quasi Allegretto - Var. I-VI

Tracks:

6 Variations (In F Major) On An Original Theme: Thema. Adagio. Cantabile
6 Variations (In F Major) On An Original Theme: Var. I
6 Variations (In F Major) On An Original Theme: Var. II - Allegro ma non troppo
6 Variations (In F Major) On An Original Theme: Var. III - Allegretto
6 Variations (In F Major) On An Original Theme: Var. IV - Tempo di Menuetto
6 Variations (In F Major) On An Original Theme: Var. V - Marcia. Allegretto
6 Variations (In F Major) On An Original Theme: Var. VI - Allegretto. Adagio molto
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Introduzione col Basso del Tema. Allegretto vivace
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Tema
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. I
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. II
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. III
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. IV
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. V
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VI
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VII - Canone all'ottava
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VIII
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. IX
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. X
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XI
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XII
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XIII
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XIV
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XV - Largo
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Coda
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Finale. Alla Fuga. Allegro con brio - Andante con moto
9 Variations (IN A Major) On The Aria 'Quant'e piu bello' From Giovanni Paisiello's Opera 'La molinara': Allegretto
12 Variations (In A Major) On A Russian Dance From Paul Wranitzky's Ballet 'Das Waldmadchen': Allegretto
7 Variations (In C Major) On 'God Save The King': Thema - Var. I-V - Var. VI. Allegro. Alla Marcia - Var. VII. (Allegro) - Adagio - Allegro
5 Variations (In D Major) On 'Rule, Britannia' From Thomas Arne's Masque 'Alfred': Thema. Tempo moderato
32 Variations (In C Minor) On An Original Theme: Thema. Allegretto
6 Ecossaises In E Flat Major

Tracks:

33 Variations (In C Major) On A Waltz By Anton Diabelli: Thema.Vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. I - Alla Marcia maestoso
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. II - Poco Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. III. - L'istesso tempo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. IV. - Un poco piu vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. V. - Allegro vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var.VI-Allegro ma non troppo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. VII - Un poco piu allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. VIII - Poco vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. IX - Allegro pesante e risoluto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. X - Presto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XI - Allegretto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XII - Un poco piu moto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIII - Vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIV - Grave e maestoso
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XV - Presto scherzando
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVI - Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVII
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVIII - Poco moderato
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIX - Presto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XX - Andante
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXI - Allengro con brio
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXII - Allegro molto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIII - Allegro assai
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIV - Fughetta. Andante
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXV - Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVI
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVII - Vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVIII - Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIX - Adagio ma non troppo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXX - Andante, sempre cantabile
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXI - Largo, molto espressivo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXII - Fuga.Allegro - Poco adagio
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXIII - Tempo di Menuetto moderato

Tracks:

Andante In F Major - 'Andante favori: Andante grazioso con moto
6 Minuets: 6 Minuets - No. 1 In C Major; No. 2 In G Major; No. 3 In E Flat Major; No. 4 In B Flat Major; No. 5 in D Major; No. 6 In C Major
7 Landler In D Major
12 German Dances: No. 1 In D Major; No. 2 In B Flat Major; No. 3 In G Major; No. 4 In D Major; No. 5 in F Major; No. 6 In B Flat Major; No. 7 In D Major; No. 8 In G Major; No. 9 In E Flat Major; No. 10 In C Major; No. 11 In A Major; No. 12 In D Major
'The Rage Over The Lost Penny' In G Major: Allegro vivace
Canon A 2 In G Major, Hess 274
Canon A 2 In A Flat Major, Hess 275
8 Variations (In C Major) On A Theme By Count Waldstein: Thema. Andante con moto - Var. I-VII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto
6 Variations (In D Major) On The Lied 'Ich denke dein': Lied. Andantino cantabile

Tracks:

Sonata In D Major, Op. 6: 1. Allegro molto
Sonata In D Major, Op. 6: 2. Rondo. Moderato
3 Marches, op.45: No.1 In C Major - Allegro ma non troppo
3 Marches, op.45: No. 2 in E Flat Major - Vivace
3 Marches, op.45: No. 3 In C Major - Vivace
'Grosse Fuge' In B Flat Major, Op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. (Allegro) - Meno mosso e moderato - Allegro (molto e con brio)
2 Preludes Through All Twelve Major Keys For Piano Or Organ: No. 1
2 Preludes Through All Twelve Major Keys For Piano Or Organ: No. 2
Fugue In D Major For Organ
5 Pieces For Mechanical Clock: No. 1 In F Major - Adagio assai
5 Pieces For Mechanical Clock: No. 2 In G Major - Scherzo. Allegro
5 Pieces For Mechanical Clock: No. 3 In G Major - Allegro
5 Pieces For Mechanical Clock: No. 4 In C Major - Allegro non piu molto
5 Pieces For Mechanical Clock: No. 5 In C Major - Menuett. Allegretto
Grenadier March For Mechanical Clock In F Major, Hess 107

Customer Reviews:

A good deal to enjoy.......2006-04-15

Though Beethoven could play the violin he was not a virtuoso on the instrument. The piano, on the other hand, was changed as an instrument by him. He was always on a quest for more sonorous and richer sounds and piano makers did their best to oblige. Many of Beethoven's avant guarde ideas about composition and the role of music in self expression started as piano sonatas and piano works. With this in mind, Beethovens compositions for the piano are some of the most outstanding, brilliant, and technically pure works to emerge from any composer. It is impossible not to feel the emotions Beethoven wishes to convey from piece to piece.

The piano sonatas are really self contained dramas. In them, you will hear the expressions of sadness, beauty, rage, and unbounded joy. It is impossible to listen to this collection and not find pleasure in it. The recordings as well as the performers are top-notch. Highly recommended.

Jazzy Ludwig!.......2005-02-17

An excellent set featuring Ludwig van's sets of variations wherein he gets jazzy and swings on catchy tunes! Highly recommended.

NOTE: For those of you who don't understand metaphor: what I'm saying here is that Beethoven used popular operatic hit-tunes of his day and improvised variations on those tunes--as is done in America's original art-form--Jazz. Get it?

Average customer rating:

A beautifully thought-out programme and stunning playing
Nancy Allen

A Celebration For Harp

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Nancy Allen Plays Ravel & Debussy
The Most Relaxing Harp Album in the World... Ever!
Music for Solo Harp

ASIN: B000002SDH
Release Date: 1990-10-25

Tracks:

Toccata
French Suite No.6 In E, BWV.817: Allemande and Courante
Sonata In E K 380: Andante comodo
Three Lute Dances: Courante
Three Lute Dances: Pavane
Three Lute Dances: Bransles
Three Lute Dances: Le Coucou Daquin
Romeo And Juliet: Aubade
BMV.1031: Siciliano
Violin Sonata No 2: Andante
Op12 No 7: Prelude
Siciliana
B Flat K545: Sonata
Les Barricades mysterieuses
A K208: Sonata
A K 209: Sonata
BMV639: Ich ruf zu dir
Jesu Joy Of Man's Desiring
Confusing

Customer Reviews:

A beautifully thought-out programme and stunning playing.......2007-04-18

I bought this CD (with slight trepidation) because I was sure I would enjoy most of the music. The trepidation was only because, having discovered the inimitable Andrew Lawrence-King, I wasn't sure how the sound of the modern harp would stack up against his amazing instruments and the even more amazing range of sounds he gets from them. But I needn't have worried. Nancy Allen makes a beautiful, if mostly conventional, sound on her modern harp and her virtosity takes away one's breath. Her articulation is possibly the cleanest of any player of the modern harp I've heard and her sense of rhythmn is faultless. I'm no fan at all of modern music but I even enjoyed the two pieces by Prokofiev on this CD. I can't recommend it highly enough.

Nancy Allen.......2007-04-16

Nancy Allen is the best harpist in the world and this CD reflects that.

Average customer rating:

Dupré: Complete Organ Works Vol. 1

Manufacturer: Guild
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B000026BWT
Release Date: 1999-05-01

Average customer rating:

Widor: Complete Organ Works Vol. 7

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Widor: Complete Organ Works Vol. 6
Widor: Organ Works Vol. 2
Widor: Complete Organ Works Vol. 4
Widor: Complete Organ Works Vol. 5
Widor: Complete Organ Works Vol. 1

ASIN: B000009QBP
Release Date: 1998-08-18

Tracks:

Trois Nouvelles Pieces, Op.87: Classique D'hier (Moderato)
Trois Nouvelles Pieces, Op.87: Mystique (Andante)
Trois Nouvelles Pieces, Op.87: Classique D'aujourd'hui (Moderato)
Sym No.1, Op.13/1: Finale (Allegro)
Sym No.1, Op.13/1: Allegro
Sym No.2, Op.13/3: Marcia
Sym No.2, Op.13/2: Prld (Andantino)
Sym No.3, Op.13/3: Finale (Allegro Molto Quasi Presto)
Conte D'Avril, Op.64: Marche Nuptiale
Bach's Memento: Pastorale (Allegretto)
Bach's Memento: Miserere Mei Domine (Lento)
Bach's Memento: Aria (Adagio)
Bach's Memento: Marche Du Veilleur De Nuit (Moderato)
Bach's Memento: Sicilienne (Andantino)
Bach's Memento: Mattheus-Final (Andante)

Amazon.com

Widor's organ music makes great listening for people who normally hate organ music. It's so tuneful, elegant, and "French" that you sort of forget all of the churchly associations of the instrument and simply enjoy the colorful sounds that Widor employs. This final volume of the complete organ works includes two delightful suites: the Three New Pieces, and a lovely suite of arrangements entitled Bach's Memento. Along with these two works, van Oosten also includes early versions of various movements from the organ symphonies, proving (as if such proof were needed) that Widor was as self-critical a musical craftsman as ever set pen to paper. A fine conclusion to a superb series. --David Hurwitz