Complete Organ Works 12

On this CD:

1. Little Chorale Preludes (30) for organ, Op. 135a No 29, Wie schön leucht' uns der Morgenstern (Choralvorspiel)
Composed by Max Reger
Performed by Rosalinde Haas

2. Chorale Fantasia for organ ("Wie schön leucht't uns der Morgenstern"), Op. 40/1
Composed by Max Reger
Performed by Rosalinde Haas

3. Prelude and Fugue for organ in C major, Op. 7/1
Composed by Max Reger
Performed by Rosalinde Haas

4. Prelude and Fugue for organ in D minor, Op. 56/2
Composed by Max Reger
Performed by Rosalinde Haas

5. Easy Chorale Preludes (52) for organ, Op. 67 No 15, Jauchz Erd' und Himmel
Composed by Max Reger
Performed by Rosalinde Haas

6. Easy Chorale Preludes (52) for organ, Op. 67 No 9, Herr Jesu Christ dich zu wend
Composed by Max Reger
Performed by Rosalinde Haas

7. Easy Chorale Preludes (52) for organ, Op. 67 No 49, Werde munter mein Gemüte
Composed by Max Reger
Performed by Rosalinde Haas

8. Chorale Prelude for organ ("Morgenglanz der Ewigkeit"), Op. 79b/4
Composed by Max Reger
Performed by Rosalinde Haas

9. Little Chorale Preludes (30) for organ, Op. 135a No 4, Aus tiefer Not schrei ich zu dir
Composed by Max Reger
Performed by Rosalinde Haas

10. Easy Chorale Preludes (52) for organ, Op. 67 No 16, Ich dank' dir Herre
Composed by Max Reger
Performed by Rosalinde Haas

11. Easy Chorale Preludes (52) for organ, Op. 67 No 24, Lobe den Herren
Composed by Max Reger
Performed by Rosalinde Haas

12. Easy Chorale Preludes (52) for organ, Op. 67 No 28, Nun danket alle Gott
Composed by Max Reger
Performed by Rosalinde Haas

13. Easy Chorale Preludes (52) for organ, Op. 67 No 1, Allein Gott in der Höh' sei Ehr
Composed by Max Reger
Performed by Rosalinde Haas

14. Pieces (9) for organ, Op. 129
Composed by Max Reger
Performed by Rosalinde Haas

15. Dankpsalm (Psalm of Thanksgiving), for organ, Op. 145/2
Composed by Max Reger
Performed by Rosalinde Haas

Tracks:

Prld & Fuge in e, BWV 548: Praludium
Prld & Fuge in e, BWV 548: Fuge
Choral: An Wasserflussen Babylon..., BWV 653
Choral: Von Gott will ich nicht lassen..., BWV 658
Choral: Schmucke dich, o liebe Seele..., BWV 654
Prld & Fuge in b, BWV 544: Praludium
Prld & Fuge in b, BWV 544: Fuge
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Sopran, BWV 662
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Tenor, BWV 663
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Trio, BWV 664

Tracks:

Toccata (Dorisch) & Fuge in d, BWV 538: Toccata
Toccata (Dorisch) & Fuge in d, BWV 538: Fuge
Orgelbuchlein, BWV 618: O Lamm Gottes unschuldig
Orgelbuchlein, BWV 619: Christe, du Lamm Gottes
Orgelbuchlein, BWV 620: Christus, der uns selig macht
Orgelbuchlein, BWV 621: Da Jesus an dem Kreuze stund
Orgelbuchlein, BWV 622: O Mensch, bewein' dein' Sunde gro
Orgelbuchlein, BWV 623: Wir danken dir, Herr Jesu Christ
Orgelbuchlein, BWV 624: Hilf Gott, damir's gelinge
Prld & Fuge in g, BWV 535: Prld
Prld & Fuge in g, BWV 535: Fuge
Orgelbuchlein, BWV 625: Christ lag in Todesbanden
Orgelbuchlein, BWV 626: Jesus Christus, unser Heiland
Orgelbuchlein, BWV 627: Christ ist erstanden (3 vers)
Orgelbuchlein, BWV 628: Erstanden ist der heil'ge Christ
Orgelbuchlein, BWV 629: Erschienen ist der herrliche Tag
Orgelbuchlein, BWV 630: Heut' triumphiret Gottes Sohn
Toccata & Fuge in C, BWV 566: Toccata
Toccata & Fuge in C, BWV 566: Fuge
Orgelbuchlein, BWV 631: Komm, Gott Schopfer, heilieger Geist
Orgelbuchlein, BWV 632: Herr Jesu Christ, dich zu uns wend

Tracks:

Prld & Fuge in C, BWV 545: Prld
Prld & Fuge in C, BWV 545: Fuge
Fuge in G, BWV 577
Prld & Fuge in d, BWV 539: Prld
Prld & Fuge in d, BWV 539: Fuge
Choral: Wo soll ich fliehen hin, BWV 694
Partita sopra: O Gott, du frommer Gott, BWV 767
Choral: Wir Christenleut hab'n jetzund Freud, BWV 710
Alla Breve in D, BWV 589
Canzona in d, BWV 588
Fuge in c, BWV 575
Fuga sopra il Magnificat: Meine Seele erhebet den Herren, BWV 733
Kleines harmonisches Labyrinth (Introitus, Centrum, Exitus), BWV 591
Prld & Fuge in a, BWV 551: Prld
Prld & Fuge in a, BWV 551: Fuge

Tracks:

Prld & Fuge in e, BWV 533: Prld
Prld & Fuge in e, BWV 533: Fuge
Chorale: Nun freut euch, lieben Christen g'mein, BWV 734
Chorale: Liebster Jesu, wir sind hier, BWV 730
Chorale: Liebster Jesu, wir sind hier, BWV 731
Chorale: In dulci jubilo, BWV 729
Chorale: Herzlich tut mich verlangen, BWV 727
Prld & Fuge in C, BWV 531: Prld
Prld & Fuge in C, BWV 531: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV726
Chorale: Allein Gott in der Hoh'sei Ehr' (Bicinium), BWV 711
Chorale: Allein Gott in der Hoh'sei Ehr', BWV 715
Chorale: Fuga super Allein Gott in der Hoh' sei Ehr', BWV 716
Chorale: Allein Gott in der Hoh' sei Ehr' (manualiter), BWV 717
Chorale: Christ lag in Todesbanden, BWV 718
Chorale: Ach Gott und Herr (per canonem), BWV 714
Fantasia con imitazione in b, BWV 563
Chorale: Gelobet seist du, Jesu Christ, BWV 722
Chorale: Gottes Sohn ist kommen, BWV 724
Chorale: Jesus, meine Zuversicht, BWV 728
Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 732
Chorale: Vater unser im Himmelreich, BWV 737
Chorale: Vom Himmel hoch, da komm'ich her, BWV 738
Chorale: Wie schon leuchter der Morgenstern, BWV 739
Chorale: Wir glauben all' an einen Gott, BWV 765
Chorale: Herr Gott, dich loben wir, BWV 725

Tracks:

Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV 709
Chorale: Liebster Jesu, wir sind hier, BWV 706 (1+2)
Chorale: Erbarm' dich mein, o Herre Gott, BWV 721
Chorale: Wer nur den lieben Gott la walten, BWV 690
Chorale: Wer nur den lieben Gott la walten, BWV 691
Chorale: Christ lag in Todesbanden, BWV 695
Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Partita: sopra Christ, der du bist der helle Tag, BWV 766
Sieben Fughetten Fur Die Weinachtszeit: Christum wir sollen loben schon, BWV 696
Sieben Fughetten Fur Die Weinachtszeit: Gelobet seist du, Jesu Christ, BWV 697
Sieben Fughetten Fur Die Weinachtszeit: Herr Christ, der ein'ge Gottes Sohn, BWV 698
Sieben Fughetten Fur Die Weinachtszeit: Nun komm'der Heiden Heiland, BWV 699
Sieben Fughetten Fur Die Weinachtszeit: Von Himmel hoch da komm' ich her, BWV 701
Sieben Fughetten Fur Die Weinachtszeit: Gottes Sohn ist kommen, BWV 703
Sieben Fughetten Fur Die Weinachtszeit: Lob sei dem allmachtigen Gott, BWV 704
Choral: Vom Himmel hoch da komm' ich her, BWV 700
Fuge in b uber ein Theme von Corelli, BWV 579
Fantasia: Jesu, meine Freude, BWV 713
Choral: In dich hab' ich gehoffet, Herr, BWV 712

Tracks:

Prld & Fuge in C, BWV 547: Prld
Prld & Fuge in C, BWV 547: Fuge
Canonic Vars: Vom Himmel hoch, da komm' ich her, BWV 769
Clavier Ubung Dritter Teil: Prld in E flat, BWV 552
Chorale: Kyrie, Gott Vater in Ewigkeit, BWV 669
Chorale: Christe, aller Welt Trost, BWV 670
Chorale: Kyrie, Gott heilinger Geist, BWV 671
Chorale: Kyrie, gott Vater in Ewigkeit (manualiter), BWV 672
Chorale: Christe, aller Welt Trost (manualiter), BWV 673
Chorale: Kyrie, Gott heiliger Geist (manualiter), BWV 674
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 675
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 676
Chorale: Allein Gott in der Hoh' sei Ehr' (Fughetta), BWV 677
Chorale: Dies sind die heil'gen zehn Gebot, BWV 678
Chorale: Dies sind die heil'gen zehn Gebot (Fughetta), BWV 679

Tracks:

Chorale: Wir glauben all' an einen Gott, BWV 680
Chorale: Wir glauben all' an einen Gott (Fughetta) (manualiter), BWV 681
Chorale: Vater unser im Himmelreich, BWV 682
Chorale: Vater unser im Himmelreich (manualiter), BMV 683
Chorale: Christ, unser Herr, zum Jordan kam, BWV 684
Chorale: Christ, unser Herr, zum Jordan kam (manualiter), BWV 685
Chorale: Aus tiefer Not schrei' ich zu dir, BWV 686
Chorale: Aus tiefer Not schrei' ich zu dir (manualiter), BWV 687
Chorale: Jesu Christus, unser Heiland, BWV 688
Chorale: Jesu Christus, unser Heiland (Fuga) (manualiter), BWV 689
Vier Duette: Duetto I, BWV 802
Vier Duette: Duetto II, BWV 803
Vier Duette: Duetto III, BWV 804
Vier Duette: Duetto IV, BWV 805
Fuge in E flat, BWV 552
Chorale: Herr Jesu Christ, dich zu uns wend' (Trio), BWV 655
Chorale: Vor Deinen Thron tret' ich, BWV 668

Tracks:

Prld & Fuge in c, BWV 546: Prld
Prld & Fuge in c, BWV 546: Fuge
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 633
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 634
Orgelbuchlein: Chorale: Dies sind die heil' gen zehn Gebott, BWV 635
Orgelbuchlein: Chorale: Vater unser im Himmelreich, BWV 636
Orgelbuchlein: Chorale: Durch Adam's Fall ist ganz verderbt, BWV 637
Orgelbuchlein: Chorale: Es ist das Heil uns kommen her, BWV 638
Orgelbuchlein: Chorale: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
Orgelbuchlein: Chorale: Ich dich hab'ich gehoffet, Herr, BWV 640
Orgelbuchlein: Chorale: Wenn wir in hochsten Noten sein, BWV 641
Orgelbuchlein: Chorale: Wer nur den lieben Gott la walten, BWV 642
Orgelbuchlein: Chorale: Alle Menschen mussen sterben, BWV 643
Orgelbuchlein: Chorale: Ach wie nichtig, ach, wir fluchtig, BWV 644
Partita Sopra: Sei gregrut, Jesu gutig, BWV 768
Prld & Fuge in f, BWV 534: Prld
Prld & Fuge in f, BWV 534: Fuge
Fant in C, BWV 570

Tracks:

Piece d'Orgue in G, BWV 572: Tres vitement-Gravement-Lentement
Orgelbuchlein: Chorale: Nun komm' der Heiden Heiland, BWV 599
Orgelbuchlein: Chorale: Gottes Sohn ist kommen, BWV 600
Orgelbuchlein: Chorale: Herr Christ, der ein' ge Gottes Sohn, BWV 601
Orgelbuchlein: Chorale: Lob sei dem allmachtigen Gott, BWV 602
Orgelbuchlein: Chorale: Puer natus in Bethlehem, BWV 603
Orgelbuchlein: Chorale: Gelobt seist du, Jesu Christ, BWV 604
Orgelbuchlein: Chorale: Der Tag, der ist so freudenreich, BWV 605
Orgelbuchlein: Chorale: Vom Himmel hoch da komm' ich her, BWV 606
Orgelbuchlein: Chorale: Vom Himmel kam der Engel Schar, BWV 607
Orgelbuchlein: Chorale: In dulci jubilo, BWV 608
Orgelbuchlein: Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 609
Orgelbuchlein: Chorale: Jesu, meine Freude, BWV 610
Orgelbuchlein: Chorale: Christum wir sollen loben schon, BWV 611
Orgelbuchlein: Chorale: Wir Christenleut, BWV 612
Orgelbuchlein: Chorale: Helft mir, Gootes Gute preisen, BWV 613
Orgelbuchlein: Chorale: Das alte Jahr vergangen ist, BWV 614
Orgelbuchlein: Chorale: In dir ist Freude, BWV 615
Orgelbuchlein: Chorale: Mir Fried' und Freud' ich fahr' dahin, BWV 616
Orgelbuchlein: Chorale: Herr Gott, nun schleuden Himmel auf, BWV 617
Fant in c, BWV 562
Choral: Wir glauben all' an einen Gott, Vater, BWV 740
Fant: Super Valet will ich dir geben, BWV 735
Choral: Valet will ich dir geben, BWV 736
Fuge uber ein Thema von Giovanni Legrenzi in c, BWV 574

Tracks:

Prld & Fuge, BWV 532: Prld
Prld & Fuge, BWV 532: Fuge
Trio in d, BWV 656
Orgelchorale aus Achtzehn Chorale: O Lamm Gottes, unschuldig, BWV 656
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland, BWV 659
Orgelchorale aus Achtzehn Chorale: Trio super 'Nun komm, der Heiden Heiland, BWV 660
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland' in organo pleno, BWV 661
Orgelchorale aus Achtzehn Chorale: Fantasia super Komm, heiliger Geist, BWV 651
Orgelchorale aus Achtzehn Chorale: Komm, heiliger Geist, BWV 652
Orgelchorale aus Achtzehn Chorale: Nun danket alle Gott, BWV 657
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 665
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 666
Orgelchorale aus Achtzehn Chorale: Komm, Gott Schopfer, BWV 667

Tracks:

Konzert in a, BWV 593: Allegro
Konzert in a, BWV 593: Adagio
Konzert in a, BWV 593: Allegro
Konzert in d, BWV 596: (Allegro)-Grave-Fuga
Konzert in d, BWV 596: Largo
Konzert in d, BWV 596: Finale
Konzert in C, BWV 594: (Allegro)
Konzert in C, BWV 594: Rezitativ Adagio
Konzert in C, BWV 594: Allegro
Konzert in G, BWV 592: (Allegro)
Konzert in G, BWV 592: Grave (Adagio)
Konzert in G, BWV 592: Presto (assai)
Konzert in C, BWV 595: (Allegro)
Aria in F, BWV 587
Prld & Fuge in A, BWV 536: Prld
Prld & Fuge in A, BWV 536: Fuge
Choral: An Wasserflussen Babylon, BWV 653b
Prld & Fuge in G, BWV 550: Prld
Prld & Fuge in G, BWV 550: Fuge
Trio in g, BWV 584

Tracks:

Toccata in d, BWV 565
Toccate & Fuge in F, BWV 540: Toccata
Toccate & Fuge in F, BWV 540: Fuge
Prld (Fant) & Fuge in g, BWV 542: Prld
Prld (Fant) & Fuge in g, BWV 542: Fuge
Pastorella, BWV 590: 1
Pastorella, BWV 590: 2
Pastorella, BWV 590: 3
Pastorella, BWV 590: 4
Prld & Fuge in a, BWV 543: Prld
Prld & Fuge in a, BWV 543: Fuge
Toccata in C, BWV 564: Toccata
Toccata in C, BWV 564: Adagio
Toccata in C, BWV 564: Fuge

Tracks:

Son I in E flat, BWV 525: Allegro moderato
Son I in E flat, BWV 525: Adagio
Son I in E flat, BWV 525: Allegro
Son II in c, BWV 526: Vivace
Son II in c, BWV 526: Largo
Son II in c, BWV 526: Allegro
Son III in d, BWV 527: Andante
Son III in d, BWV 527: Adagio e dolce
Son III in d, BWV 527: Vivace
Son IV in e, BWV 528: Adagio
Son IV in e, BWV 528: Andante
Son IV in e, BWV 528: Un poco allegro
Son V in C, BWV 529: Allegro
Son V in C, BWV 529: Largo
Son V in C, BWV 529: Allegro
Son VI in G, BWV 530: Vivace
Son VI in G, BWV 530: Lento
Son VI in G, BWV 530: Allegro

Tracks:

Passacaglia E Tema Fugatum in c, BWV 582
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 645: Wachet auf, ruft uns die Stimme
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 646: Wo soll ich fliehen hin
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 647: Wer nur den lieben Gott la...
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 648: Meine Seele erhebet den Herren
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 649: Ach, bleib' bei uns
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 650: Kommst du nun, Jesu...
Fuge in g, BWV 578
Prld & Fuge in g, BWV 541: Prld
Prld & Fuge in g, BWV 541: Fuge
Choral: Ein' feste Burg ist unser Gott, BWV 720
Prld in G, BWV 568
Adagio, BWV 1027: Adagio
Adagio, BWV 1027: Allegro moderato (trio) (1027a)
Ricercare a 6 (aus Das musikalische Opfer), BWV 1079-5
Prld in a, BWV 569

Amazon.com

Marie-Claire Alain is not only one of the greatest organists alive today, but she stands directly in a what is undoubtedly the world's greatest tradition of organ playing. It was France that first rediscovered and cultivated Bach's organ music, and which in turn stimulated the great works of Franck, Widor, Vierne, and their school. Alain has recorded Bach's complete organ music no less than three times, here on historical organs of Bach's own time. Each disc is planned as a recital that showcases both the music and the instrument. Her performances are simply the last word in style, musicianship, and virtuosity. Magnificent. --David Hurwitz

Customer Reviews:

Complete set CD review of Bach.......2007-05-12

I discovered Bach organ music 40 years ago. I love Bach, everything he wrote. I have 4 complete sets of Bach organ recordings. Marie Claire-Alan is my favorite organist of everyone I have heard. I met Marie and her husband in person after a performance she gave in Chicago. I have 2 complete sets of Bach organ played by Marie. One is on records and the other the new CD set. She is a little older now when she recorded the CD's. The albums have a more youthful sound to them, a little more energy and different registration selection on the organs. I love Marie in her youthful recordings more than these. I love the albums so much I will digitize them and listen to them over the new CD collection. I play the albums on my Linn turntable through McIntosh equipment.

The Definitive Collection of Bach .......2005-09-25

Marie-Claire Alain has recorded Bach's complete organ music 3 times, this set being the second time. She plays quite differently now, but these are some of the best interpretations. Each cd fearures a different organ dating from Bach's time, and all of the booklets are filled with pictures, history, and even the stop registrations for each of the pieces are given. Quite alot of research! If those of you who are new to Bach's organ works, I would recommend starting on a smaller scale, as some of these works can be quite intense to listen to. At any rate, this possibly may go down as one of the famous recordings of the century.

Absolutely wonderful!.......2004-07-27

From this huge box set, it is quite obvious that Bach was a dedicated composer for the organ (and obviously a virtuoso organist for that matter). Bach was a very prominent composer who lived in the Baroque era, and to truely understand his works and their style you must have a general outline of knowledge of the timeframe in which he lived. And so the Baroque era, (1600-1750) was characterized by vastness of proportion, rich counterpoint, great splendor and a highly ornamented melodic line. (One should note that the era abruptly ended after Bach's death which actually shows his importance in it) Some of these pieces are examples of works that require performers at the very highest degree to play them. His works go way beyond the famous Toccata and Fuge in D Minor, and with a "Complete" edition you can listen and hear them all for yourself, hence grasping the full view of his genious. This set is of wonderful value and worth every penny. Unfortunately, the Master's version is not available in a CD store, and so we must indulge upon other's interpretations. This out of the others stands as one of the very best. It is also complementing to the experience to have an instrument of the period (which is so in this set). Bach devoted his entire frame of mind towards the spreading of God's kingdom, therefore one could derive that he felt that by creating enlightening and insightful music, he was doing a lowly service to his God. Overall--this is a fabulous interpretation, and it will deepen one's respect and awe for Johann Sebastian Bach, the greatest organist who ever lived.

Monumental Artistry.......2003-03-08

Although I am partial to the Romantic Organ, particularly in the vein of Widor, Vierne and Rheinberger, it all begins with Bach. And in this case, one could say that it all begins with Marie-Claire Alain and her wonderful interpretations. Alain seems to understand that Bach was above all else a religious composer. Many "complete" works of Bach play short shrift with the liturgical works whereas these are some of the most satisfying of the group.

The sound is pure sonority, almost perfect, and the technical prowess is just awesome. Out of the millions of notes played, I never heard a miscue or slight jiggle. Still, keyboard wizardry is only part of the story. The registration is a work of art in itself. Alain understand the difference between the Baroque and the Modern, the French and the German and the old and the new. Just as she is a "natural" for Widor or Vierne, she also seems to have entered the Bach mind on some of these.

This is a fabulous collection worthy of any serious student of classical music. Nowhere can one derive such satisfaction that listenting to Bach played by Ms. Alain.

A Happy Sacrifice.......2001-06-30

I gladly sacrificed two of the four speakers in my car to this wonderful, wonderful treasure. What more can I say?

Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim

Average customer rating:

A good deal to enjoy
Jazzy Ludwig!

Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim
Ludwig van Beethoven , Jörg Demus , Emil Gilels , Olli Mustonen , Christopher Alder , Daniel Barenboim , and Wilhelm Kempff
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Ecossaises | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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Complete Beethoven Edition, Vol. 11: Early String Quartets

ASIN: B000001GZ9
Release Date: 1997-11-25

Tracks:

7 Bagatelles, Op.33: No. 1 In E Flat Major - Andante grazioso quasi Allegretto
7 Bagatelles, Op.33: No.2 In C Major - Scherzo. Allegro
7 Bagatelles, Op.33: No.3 In F Major - Allegretto
7 Bagatelles, Op.33: No.4 In D Major - Andante
7 Bagatelles, Op.33: No.5 In C Major - Allegro ma non troppo
7 Bagatelles, Op.33: No.6 In D Major - Allegretto quasi andante
7 Bagatelles, Op.33: No.7 In A Flat Major - Presto
11 Bagatelles, Op.119: No.1 In B Flat Major - Allegretto
11 Bagatelles, Op.119: No.2 In C Major - Andante con moto
11 Bagatelles, Op.119: No.3 In D - a l'Allemande
11 Bagatelles, Op.119: No.4 In A Major - Andante cantabile
11 Bagatelles, Op.119: No.5 In C Minor - Risoluto
11 Bagatelles, Op.119: No.6 In G Major - Andante - Allegretto
11 Bagatelles, Op.119: No.7 In C Major - Allegro ma non troppo
11 Bagatelles, Op.119: No.8 In C - Moderato
11 Bagatelles, Op.119: No.9 In A Minor - Vivace moderato
11 Bagatelles, Op.119: No.10 In A Major - Allegramente
11 Bagatelles, Op.119: No.11 In B Flat Major - Andante ma non troppo
Bagatelle in C Minor: Presto
Bagatelle In C Major: Allegretto
6 Bagatelles, Op.126: No.1 In G Major - Andante con moto cantabile e compiacevole
6 Bagatelles, Op.126: No. 2 In G Minor - Allegro
6 Bagatelles, Op.126: No.3 In In E Flat Major - Andante cantabile e grazioso
6 Bagatelles, Op.126: No.4 In D Major - Presto
6 Bagatelles, Op.126: No.5 In G Major - Quasi Allegretto
6 Bagatelles, Op.126: No.6 In E Flat Major - Presto - Andante amabile e con moto - Tempo I
Bagatelle 'Fur Elise' In A Minor: Poco moto

Tracks:

3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 1. Allegro cantibile
3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 2. Andante
3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 3. Rondo vivace
3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 1. Larghetto maestoso - Allegro assai
3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 2. Andante
3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 3. Presto
3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 1. Allegro
3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 2. Menuetto. Sostenuto - Var. I-VI
3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 3. Scherzando. Allegro, ma non troppo
2 Sonata Movments In F Major: 1. Without Tempo Indication
2 Sonata Movments In F Major: 2. Allegretto
Piano Sonata In C Major: Allegro
Piano Sonata In C Major: Adagio
Allegretto In C Minor
'Lustig - Traurig' In C Major
Prelude In F Minor
Piano Piece In B Flat Major
Allegretto In B Minor
Allegretto quasi andante In G Minor
Allemande In A Major
Minuet In E Flat Major
Waltz In E Flat Major
Waltz In D Major
Ecossaise In E Flat Major
Fugue In C Major
Allegretto In C Minor

Tracks:

Rondo In C Major, Op. 51: Moderato e grazioso - Ludwig Van Beethoven
Rondo In G Major, Op. 51 No. 2: Andante cantabile e grazioso - Ludwig Van Beethoven
Rondo In C Major: Allegretto - Ludwig Van Beethoven
Rondo In A Major: Allegretto - Ludwig Van Beethoven
Polonaise In C Major: Alla polacca, vivace - Ludwig Van Beethoven
9 Variations (In C Minor) On A March By Ernst Christoph Dressler: Thema. Maestoso - Ludwig Van Beethoven
6 Variations On A Swiss Song In F Major: Thema. Andante con moto - Ludwig Van Beethoven
Thema. Allegretto - Var. I-XIII - Var. XIV. Allegretto - Adagio - Var. XV-XIX - Var. XX. Scherznado - Var. XXI-XXII - Var. XXIII. Adagio sostenuto - Var. XXIV. Allegro - Allegro stringendo - Presto assai - Ludwig Van Beethoven
12 Variations (In C Major) On The 'Menuett a la Vigano' From Jakob Haibel's Ballet 'Le nozze disturbate': Thema. Allegretto - Var. I-IX - Var. XII. Allegro - Adagio - Ludwig Van Beethoven
6 Variations (In G Major) On The Duet 'Nel cor piu non mi sento' From Giovanni Paisello's Opera 'La molinara': Thema. (Andantino) - Ludwig Van Beethoven

Tracks:

Fantasia In G Minor: Allegro - Poco adagio - allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio
6 Variations (In D Major) On An Original Theme: Thema. Allegro risoluto - Var. I-V - Var. VI. Presto - Tempo I
Thema. Allegretto - Var. I-II - VarIII. Commodetto - Var. IV - Var. V. Risoluto - Arioso. Andante con moto - Var. VI. Espressivo - Var. VII. Allegro no nmolto - Var. VIII. Tempo I - Var. IX. Allegro
8 Variations (In C Major) On The Romance 'Une fievre brulante' From Gretry's Opera 'Richard Coeur de Lion': Thema. Allegretto - Var. I-VII - Var. VIII. Allegro - Presto
10 Variations (In B Flat Major) On The Duet 'La stessa, la stessissima' From Antonio Salieri's Opera 'Falstaff': Thema. Andante con moto - Var. I-IX - Var. X. Allegretto (alla Austriaca) - Tempo I
7 Variations (In F Major) On The Quartet 'Kind, willst du ruhig schlafen?' From Peter Winter's Opera 'Das unterbrochene Opferfest': Thema. Allegretto - Var. I-VI - Var. VII. Allegro - Allegro molto
8 Variations (In F Major) On The Trio 'Tandeln und Scherzen' From Franz X. Sussmayrs Opera 'Soliman II': Thema. Andante, quasi Allegretto - Var. I-VI - Var. VII. Adagio molto ed espressivo - Var. VIII. Allegro vivace - Adagio
6 Easy Variations (In G Major) On An Original Theme: Thema. Andante, quasi Allegretto - Var. I-VI

Tracks:

6 Variations (In F Major) On An Original Theme: Thema. Adagio. Cantabile
6 Variations (In F Major) On An Original Theme: Var. I
6 Variations (In F Major) On An Original Theme: Var. II - Allegro ma non troppo
6 Variations (In F Major) On An Original Theme: Var. III - Allegretto
6 Variations (In F Major) On An Original Theme: Var. IV - Tempo di Menuetto
6 Variations (In F Major) On An Original Theme: Var. V - Marcia. Allegretto
6 Variations (In F Major) On An Original Theme: Var. VI - Allegretto. Adagio molto
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Introduzione col Basso del Tema. Allegretto vivace
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Tema
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. I
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. II
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. III
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. IV
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. V
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VI
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VII - Canone all'ottava
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VIII
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. IX
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. X
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XI
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XII
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XIII
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XIV
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XV - Largo
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Coda
15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Finale. Alla Fuga. Allegro con brio - Andante con moto
9 Variations (IN A Major) On The Aria 'Quant'e piu bello' From Giovanni Paisiello's Opera 'La molinara': Allegretto
12 Variations (In A Major) On A Russian Dance From Paul Wranitzky's Ballet 'Das Waldmadchen': Allegretto
7 Variations (In C Major) On 'God Save The King': Thema - Var. I-V - Var. VI. Allegro. Alla Marcia - Var. VII. (Allegro) - Adagio - Allegro
5 Variations (In D Major) On 'Rule, Britannia' From Thomas Arne's Masque 'Alfred': Thema. Tempo moderato
32 Variations (In C Minor) On An Original Theme: Thema. Allegretto
6 Ecossaises In E Flat Major

Tracks:

33 Variations (In C Major) On A Waltz By Anton Diabelli: Thema.Vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. I - Alla Marcia maestoso
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. II - Poco Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. III. - L'istesso tempo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. IV. - Un poco piu vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. V. - Allegro vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var.VI-Allegro ma non troppo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. VII - Un poco piu allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. VIII - Poco vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. IX - Allegro pesante e risoluto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. X - Presto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XI - Allegretto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XII - Un poco piu moto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIII - Vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIV - Grave e maestoso
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XV - Presto scherzando
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVI - Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVII
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVIII - Poco moderato
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIX - Presto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XX - Andante
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXI - Allengro con brio
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXII - Allegro molto
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIII - Allegro assai
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIV - Fughetta. Andante
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXV - Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVI
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVII - Vivace
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVIII - Allegro
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIX - Adagio ma non troppo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXX - Andante, sempre cantabile
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXI - Largo, molto espressivo
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXII - Fuga.Allegro - Poco adagio
33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXIII - Tempo di Menuetto moderato

Tracks:

Andante In F Major - 'Andante favori: Andante grazioso con moto
6 Minuets: 6 Minuets - No. 1 In C Major; No. 2 In G Major; No. 3 In E Flat Major; No. 4 In B Flat Major; No. 5 in D Major; No. 6 In C Major
7 Landler In D Major
12 German Dances: No. 1 In D Major; No. 2 In B Flat Major; No. 3 In G Major; No. 4 In D Major; No. 5 in F Major; No. 6 In B Flat Major; No. 7 In D Major; No. 8 In G Major; No. 9 In E Flat Major; No. 10 In C Major; No. 11 In A Major; No. 12 In D Major
'The Rage Over The Lost Penny' In G Major: Allegro vivace
Canon A 2 In G Major, Hess 274
Canon A 2 In A Flat Major, Hess 275
8 Variations (In C Major) On A Theme By Count Waldstein: Thema. Andante con moto - Var. I-VII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto
6 Variations (In D Major) On The Lied 'Ich denke dein': Lied. Andantino cantabile

Tracks:

Sonata In D Major, Op. 6: 1. Allegro molto
Sonata In D Major, Op. 6: 2. Rondo. Moderato
3 Marches, op.45: No.1 In C Major - Allegro ma non troppo
3 Marches, op.45: No. 2 in E Flat Major - Vivace
3 Marches, op.45: No. 3 In C Major - Vivace
'Grosse Fuge' In B Flat Major, Op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. (Allegro) - Meno mosso e moderato - Allegro (molto e con brio)
2 Preludes Through All Twelve Major Keys For Piano Or Organ: No. 1
2 Preludes Through All Twelve Major Keys For Piano Or Organ: No. 2
Fugue In D Major For Organ
5 Pieces For Mechanical Clock: No. 1 In F Major - Adagio assai
5 Pieces For Mechanical Clock: No. 2 In G Major - Scherzo. Allegro
5 Pieces For Mechanical Clock: No. 3 In G Major - Allegro
5 Pieces For Mechanical Clock: No. 4 In C Major - Allegro non piu molto
5 Pieces For Mechanical Clock: No. 5 In C Major - Menuett. Allegretto
Grenadier March For Mechanical Clock In F Major, Hess 107

Customer Reviews:

A good deal to enjoy.......2006-04-15

Though Beethoven could play the violin he was not a virtuoso on the instrument. The piano, on the other hand, was changed as an instrument by him. He was always on a quest for more sonorous and richer sounds and piano makers did their best to oblige. Many of Beethoven's avant guarde ideas about composition and the role of music in self expression started as piano sonatas and piano works. With this in mind, Beethovens compositions for the piano are some of the most outstanding, brilliant, and technically pure works to emerge from any composer. It is impossible not to feel the emotions Beethoven wishes to convey from piece to piece.

The piano sonatas are really self contained dramas. In them, you will hear the expressions of sadness, beauty, rage, and unbounded joy. It is impossible to listen to this collection and not find pleasure in it. The recordings as well as the performers are top-notch. Highly recommended.

Jazzy Ludwig!.......2005-02-17

An excellent set featuring Ludwig van's sets of variations wherein he gets jazzy and swings on catchy tunes! Highly recommended.

NOTE: For those of you who don't understand metaphor: what I'm saying here is that Beethoven used popular operatic hit-tunes of his day and improvised variations on those tunes--as is done in America's original art-form--Jazz. Get it?

Average customer rating:

A beautifully thought-out programme and stunning playing
Nancy Allen

A Celebration For Harp

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Nancy Allen Plays Ravel & Debussy
The Most Relaxing Harp Album in the World... Ever!
Music for Solo Harp

ASIN: B000002SDH
Release Date: 1990-10-25

Tracks:

Toccata
French Suite No.6 In E, BWV.817: Allemande and Courante
Sonata In E K 380: Andante comodo
Three Lute Dances: Courante
Three Lute Dances: Pavane
Three Lute Dances: Bransles
Three Lute Dances: Le Coucou Daquin
Romeo And Juliet: Aubade
BMV.1031: Siciliano
Violin Sonata No 2: Andante
Op12 No 7: Prelude
Siciliana
B Flat K545: Sonata
Les Barricades mysterieuses
A K208: Sonata
A K 209: Sonata
BMV639: Ich ruf zu dir
Jesu Joy Of Man's Desiring
Confusing

Customer Reviews:

A beautifully thought-out programme and stunning playing.......2007-04-18

I bought this CD (with slight trepidation) because I was sure I would enjoy most of the music. The trepidation was only because, having discovered the inimitable Andrew Lawrence-King, I wasn't sure how the sound of the modern harp would stack up against his amazing instruments and the even more amazing range of sounds he gets from them. But I needn't have worried. Nancy Allen makes a beautiful, if mostly conventional, sound on her modern harp and her virtosity takes away one's breath. Her articulation is possibly the cleanest of any player of the modern harp I've heard and her sense of rhythmn is faultless. I'm no fan at all of modern music but I even enjoyed the two pieces by Prokofiev on this CD. I can't recommend it highly enough.

Nancy Allen.......2007-04-16

Nancy Allen is the best harpist in the world and this CD reflects that.

Average customer rating:

Dupré: Complete Organ Works Vol. 1

Manufacturer: Guild
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B000026BWT
Release Date: 1999-05-01

Average customer rating:

The royal music!

Organ Works Complete
Johann Sebastian Bach , and Christopher Herrick
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00006L3WC
Release Date: 2002-11-12

Customer Reviews:

The royal music!.......2003-11-05

Organ king's music performed by a prominent organist at his best on ones of the best organs in the world!

Average customer rating:

If you enjoy the sound of static, buy this!!
Full Price for a Boxset of Mono Records That Comes in 8
Cool, but profound.
Mozart at his best

Mozart: Complete Solo Piano Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Bach: Well-Tempered Clavier
Gieseking-A Retrospective, Vol. 1
Beethoven: 29 Piano Sonatas / Gilels
Alfred Cortot: The Master Classes
Debussy: The Complete Works For Piano

ASIN: B000002S26
Release Date: 1991-07-01

Tracks:

Menuette & Trio In G Major, KV1
Menuette In F Major, KV2
Allegro In B Flat Major, KV3
Menuette In F Major, KV4
Menuette In F Major, KV5
8 Variations In G Major. KV24
7 Variationen In D Major, uber Willem van Nassau, KV25
6 Variationen In F Major, uber ein Allegretto, KV54
Menuette In D Major, KV94
6 Variations In G Major 'Mio caro Adone', KV180
12 Variations In C major 'Menuette von J. CH. Fischer, KV179
Klaviersonate Nr. 1 In C major, KV279: I. Allegro
Klaviersonate Nr. 1 In C major, KV279: II. Andante
Klaviersonate Nr. 1 In C major, KV 279: III. Allegro
Klaviersonate Nr. 2 In F Major, KV280: I. Allegro assai
Klaviersonate Nr. 2 In F Major, KV280: II. Adagio
Klaviersonate Nr. 2 In F Major, KV280: III. Presto
Klaviersonate No. 3 In B Flat Major, KV 281: 1. Allegro
Klaviersonate No. 3 In B Flat Major KV 281: II. Andante amoroso
Klaviersonate No. 3 In B Flat Major KV 281: III. Rondo (allegro)

Tracks:

Klaviersonate Nr. 4 In E Flat Major, KV 282: I. Adagio
Klaviersonate Nr. 4 In E Flat Major, KV 282: II. Minuetto I & II
Klaviersonate Nr. 4 In E Flat Major, KV 282: III. Allegro
Klaviersonate Nr. 5 In G Major, KV 283: I. Allegro
Klaviersonate Nr. 5 In G Major, KV 283: II. Andante
Klaviersonate Nr. 5 In G Major, KV 283: III. Presto
Sonatensatz (Allegro) In G Minor, KV 312
Klaviersonate Nr. 6 In D Major, K284: I. Allegro
Klaviersonate Nr. 6 In D Major, K284: II. Rondo & Polonaise (Andante)
Klaviersonate Nr. 6 In D Major, K284: III. Tema Con Variazioni
Klaviersonate Nr. 7 In C Major, K309: I. Allegro con spirito
Klaviersonate Nr. 7 In C Major, K309: II. Andante un poco Adagio
Klaviersonate Nr. 7 In C Major, K309: III. Rondo (Allegretto grazioso)

Tracks:

Klaviersonate Nr. 9 In D Major, KV 311: I. Allegro con spirto
Klaviersonate Nr. 9 In D Major, KV 311: II. Adante con espressione
Klaviersonate Nr. 9 In D Major, KV 311: III. Rondo (Allegro)
Klaviersonate Nr. 8 In A Minor, KV 310: I. Allegro maestoso
Klaviersonate Nr. 8 In A Minor, KV 310: II. Andante cantibile con espressione
Klaviersonate Nr. 8 In A Minor, KV 310: III. Presto
12 Variations In E Flat Major uber 'Je suis Lindor,' KV 354
Capriccio In C Major KV 395
12 Variations In C Major, uber 'Ah, ous dirai-je Maman,' KV 265
Klaviersonate Nr. 10 In C Major, KV 330: I. Allegro Moderato
Klaviersonate Nr. 10 In C Major, KV 330: II. Andante Cantabile
Klaviersonate Nr. 10 In C Major, KV 330: III. Allegretto

Tracks:

Klaviersonate Nr. 11 In A Major, K.331: I. Tema (Adante graziosa)
Klaviersonate Nr. 11 In A Major, K.331: II. Minuetto
Klaviersonate Nr. 11 In A Major, K.331: III. Alla turca (Allegretto)
Klaviersonate Nr. 12 In F Major, K.332: I. Allegro
Klaviersonate Nr. 12 In F Major, K.332: II. Adagio
Klaviersonate Nr. 12 In F Major, K.332: III. Allegro assai
12 Variationen In E Flat Major uber 'La belle Francoise,' K 353
9 Variationen In C Major uber 'Lison dormait,' KV 264
Klaviersonate Nr. 13 In B Flat Major, K.333: I. Allegro
Klaviersonate Nr. 13 In B Flat Major, K.333: II. Adante cantabile
Klaviersonate Nr. 13 In B Flat Major, K.333: III. Allegretto grazioso

Tracks:

8 Menuette Mit Trios, KV 315 A
8 Variationen In F Major uber den Marsch aus 'Les Mariages samnites'
Sonatensatz (Allegro) In B Flat Major, KV 400
Fantasie mit einer Fuge In C Major KV 394
Fuge In G Minor , KV 401
Fantasie In C Minor KV 396
Fantasie D Minor, KV 397
Suite In C Major, KV 399: Ouverture - Allegro - Allemande - Courante - Sarabande
6 Variationen In F Major uber 'Salve tu, Domine,' KV 398

Tracks:

Kliener Trauermarsch In C Minor, KV 453a
8 Variationen In A Major uber 'Come un' agnello,' KV 460
10 Variationen In G Major uber 'Unser dummer Pobel meint,' KV 455
Fantasie In C Minor , KV 475
Klaviersonate Nr. 14 In C Minor, KV 457: I. Allegro
Klaviersonate Nr. 14 In C Minor, KV 457: II. Adagio
Klaviersonate Nr. 14 In C Minor, KV 457: III. Molto allegro
Samtliche Klavierwerke: Rondo In D Major, KV485
Sonatensatz & Menuett In B Flat Major, KV 498a: Allegro
Sonatensatz & Menuett In B Flat Major, KV 498a: Menuette (Allegretto)
12 Variationen In B Flat Major uber ein Allegretto, KV 500

Tracks:

6 deutsche Tanze mit Trios, KV 509
Rondo In A Minor, KV 511
Klaviersonate Nr. 18 F Major, KV533: I. Allegro
Klaviersonate Nr. 18 F Major, KV533: II. Andante
Rondo In F Major, KV 494
Adagio In B Minor, K 540
Klaviersonate Nr. 15 In C Major, KV 545: I. Allegro
Klaviersonate Nr. 15 In C Major, KV 545: II. Andante
Klaviersonate Nr. 15 In C Major, KV 545: III. Rondo (Allegretto)
Klaviersonate Nr. 19 In F Major, KV 547a: I. Allegro
Klaviersonate Nr. 19 In F Major, KV 547a: II. Rondo (Allegretto)

Tracks:

Klaviersonate Nr. 16 In B Flat Major, KV 570: I. Allegro
Klaviersonate Nr. 16 In B Flat Major, KV 570: II. Adagio
Klaviersonate Nr. 16 In B Flat Major, KV 570: III. Allegretto
9 Variationen In D Major uber ein Menuett von Duport, KV 573
Eine Kleine Gigue In G Major, K. 574
Klaviersonate Nr. 17 In D Major, KV 576: I. Allegro
Klaviersonate Nr. 17 In D Major, KV 576: II. Adagio
Klaviersonate Nr. 17 In D Major, KV 576: III. Allegretto
Adantino In E Flat Major, KV 236
Menuette In D Major, KV 355
Adagio In C Major, KV 356
8 Variationen In F Major uber 'Ein Weib ist das herrlischste Ding,' KV 613
Rondo In F Major, KV 616

Customer Reviews:

If you enjoy the sound of static, buy this!!.......2006-10-17

The sound quality is so poor in this recording that it is difficult at best to enjoy. I suppose if you play your music at extremely low volume, or are used to listening on a poor quality stereo (think victrola sound), then maybe you could get past the static noise. Quite a shame, considering what a masterfully performed, complete set this makes.

Full Price for a Boxset of Mono Records That Comes in 8.......2005-12-15

There is an Amazon.com review (on Annie Fischer's Complete Beethoven Sonatas) which says Geiseking's Mozart are all "faceless and anonymous". As I don't really know when I will finish listening to them all, I am really in no position to say one way or the other.

After having heard more than half of them, my first impression is, his playing is very disciplined, yet with a lot of grace and style. But contrary to what one may expect, Geiseking could also be surprisingly slow in tempo at times. Yes, he could be poetic too, but he hardly swings. His 511, for instance, could perhaps be a little more poetic. His left hand, perhaps rightly so for Mozart, never thunders. But when the drama of the music requires so, it could be very explosive. Otherwise, his left hand is always at least one step down if not two, be it harmonic or polyphonic...

I don't refer to Geiseking's Mozart that often as I like his Songs Without Words better, and I like his Debussy even more. His Beethoven Piano Concerto No. 5 is one of the best that one could expect. Finally on the recording. For recording of the 50's with such a label concerning an artist of his stature, I'm afraid the sound quality is somewhat below expectation. All in all, I expect the price of these historic recordings to come down a bit for the benefit of all Mozart lovers.

Cool, but profound........2003-01-03

While his piano sonatas and variation works are often recorded, I tend to have the most fun in playing the lesser known works that often give the most direct view on Mozart's genius. Looking through the catalogue I had little doubt that Gieseking's collection would give me the most bang for the buck (check out the German Amazon site) and good old Walter did not disappoint.

In old mono recordings that are noisy, lack soundstage, yet sound surprisingly well, Gieseking offers us an almost complete edition of all Mozart's works for solo piano. His style that can best be described as clear, cool and very precise, approaches Mozart from a decidedly non-romantic, non-neurotic perspective. In short: a perfect Uchida antidote.

Giesekings tempos in the Sonatas tend to be at the high side, but his exemplary technique -what a left hand!- prevents the interpretations from ever sounding stressed. Although I can pick some instances where a little more involvement could have paid off, e.g. in the small funeral march KV 453a or in the c-minor Fantasie KV 396, one of Goulds rare Mozart miracles, the playing throughout is exemplary.

All those who claim that Gieseking would be too cold only need to listen to this version of the great a-minor sonata KV310. While it clearly stays within the boundaries of classicism it is on par with Lipatti's version in delivering a direct and profound dramatic statement.

This classic has been in the catalogue for 50 years and for many more to come. I hope that more of Gieseking's Bach performances will find their way to the cd, since the clarity and drive that his Mozart interpretations exude must have resulted in some great Bach.

Mozart at his best.......2000-06-17

These interpretations of Mozart have been part of my library since I was 14, back in the 70's. Originally issued by Angel in the mid 50's, they were rereleased on Seraphim, which was then the budget label for Angel.

Listening to these recordings, one cannot help but notice the attention Gieseking gives to the steady timing. He does not take the liberties that other pianists have been known to take with some music of this era.

Customer Reviews:

Maurice Duruflé. Complete organ works.......2006-12-30

Maurice Duruflé (1902-1986) who is well known for his Requiem, has a very attractive repertoire for organ. Beside that his works are quite briefs, musical expression is always pleasant to hear.

Two highlights on this CD : the Suite opus 5 (track 1-3) especially in the Toccata, and the Prelude and Fugue on Alain opus 7 (track 12-13). Both better known as concert pieces, for their brightness in style and execution. A very interesting piece, Chant donné - Hommage à Jean Gallon (track 4) is an interesting short and not so well known piece that worth the listening.

Soft registration and expressive play by Friedhelm Flamme make theis CD a sort of tribute to the excellence of composition by Duruflé.

Very accurate recording, choice of repertoire and meticulous execution make togother a summit in recorded organ music.

Exquisite Works, Exquisite Playing on a Beautiful New Organ.......2004-06-25

I am an almost complete neophyte when it comes to the organ music of Maurice Duruflé (1902-1986). I've heard only one of these pieces in recital as far as I can recall; that was 'Prélude et fugue sur le nom d'Alain, Op. 7,' played by Duruflé's widow, Marie-Madeleine Duruflé-Chevalier, toward the end of her life. I later heard it played by the very fine organist at my church. But the other works here are terra incognita for me, although, having sung the 'Requiem' recently, the musical language was in general quite familiar to me. That said, I must try to contain my enthusiasm for having made the discovery of this music. And since I've not heard other recordings or performances, I have nothing to compare them with.

Duruflé wrote slowly and carefully and did not leave very much music. This disc contains ALL of his organ music. One wishes he had written (or preserved) more. The two big pieces here are the early Suite, Op. 5, and the 'Prélude, Adagio et Choral varié sur la thème du "Veni Creator", ' Op. 4. The Toccata in the former, reminding one of Gigout's famous Toccata, and the Choral varié in the latter are particularly memorable, and expertly played by organist Friedhelm Flamme. There are a number of much smaller pieces, most memorable of which are the 'Chant donnée - Hommage à Jean Gallon,' exquisite for its short 1 1/2 minutes, and the previously mentioned Prelude and Fugue on the name of [Jehan] Alain. Characteristic of Duruflé writing is the extremely subtle mix of colors; he was very careful to prescribe registrations and there are certainly some organs that cannot supply the color required. The organ here, a new Mühleisen (of Strasbourg) Organ installed in 2000 at the Stiftkirche in Bad Gandersheim, Lower Saxony, is perfectly suited, it sounds to me, for the delicacy of Duruflé's music.

I wish I could describe the effect Duruflé's style has on me; it is both exquisitely wrought and delicate, and at the same time highly emotional (in that oh-so-French way); it has much the same effect on me that the Ravel of, say, 'L'Enfant et les sortileges' or the Satie of 'Socrate' does. I've been playing this disc in my car and at home for a couple days and can't seem to get enough of it. I have been playing the audio CD layer of this hybrid SACD disc and the sound is exemplary; I can only imagine how it would be in SACD sound.

Strongly recommended.

TT=66:48

Tracks:

Wie schon leuchtet der Morgenstern
Du Wahrer Gottes und Marien Sohn
Erfuellet, ihr himmlischen goettlichen Flammen
Ein irdscher Glanz, wein leiblich Licht
Unser Mund und Ton der Saiten
Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger

Tracks:

Ich elender Mensch, wer wird mich erloesen
O Schmerz, o Elend, so mich trifft
Solls ja so sein
Ach lege das Sodom der suendlichen Glieder
Hier aber tut des Heilands Hand
Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber

Tracks:

(Caro) Was Gott tut, das ist wohlgetan
(Alto, Tenore) Was Gott tut, das ist wohlgetan
(Soprano) Was Gott tut, das ist wohlgetan
(Basso) Was Gott tut, das ist wohlgetan
(Alto) Was Gott tut, das ist wohlgetan
Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

Sinfonia
Nach dir, Herr, verlanget mich
Doch bin und bleibe ich vergnuegt
Leite mich in deiner Wahrheit
Zedern muessen von den Winden
Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden

Tracks:

Die Zeit, die Tag und Jahre macht
Auf, Sterbliche, lasset ein Jauchzen ertoenen
So bald, als dir die Sternen hold
Es streiten, es siegen die kuenftigen Zeiten
Bedenke nur, begluecktes Land
Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens

Tracks:

Kyrie eleison
Christe eleison
Kyrie eleison
Gloria in excelsis Deo
Laudamus te
Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner

Tracks:

Singet dem Herrn ein neres Lied
Der Geist hilft unser Schwachheit auf
Komm, Jesu, komm
Jesu, meine Freude
Fuerchte dich nicht, ich bin bei dir
Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall

Tracks:

Fantasia et Fuga in g BWV 542
Fuga in g BWV 578
Canzona in d BWV 588
Praeludium et Fuga in h BWV 544
Praeludium et Fuga in a BWV 543
Fant in c, BWV 562 - Ton Koopman
Prld Et Fuga in C, BWV 531 - Ton Koopman
Fant in G, BWV 572 - Ton Koopman
Fant in C, BWV 570 - Ton Koopman
Passacaglia in c, BWV 582 - Ton Koopman

Tracks:

Inventio 1 BWV 772
Inventio 2 BWV 773
Inventio 3 BWV 774
Inventio 4 BWV 775
Inventio 5 BWV 776
Inventio 6 in E, BWV 777 - Zuzana Ruzickova
Inventio 7 in e, BWV 778 - Zuzana Ruzickova
Inventio 8 in F, BWV 779 - Zuzana Ruzickova
Inventio 9 in f, BWV 780 - Zuzana Ruzickova
Inventio 10 in G, BWV 781 - Zuzana Ruzickova
Inventio 11 in g, BWV 782 - Zuzana Ruzickova
Inventio 12 in A, BWV 783 - Zuzana Ruzickova
Inventio 13 in a, BWV 784 - Zuzana Ruzickova
Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
Inventio 15 in b, BWV 786 - Zuzana Ruzickova
Sinf 1 in C, BWV 787 - Zuzana Ruzickova
Sinf 2 in c, BWV 788 - Zuzana Ruzickova
Sinf 3 in D, BWV 789 - Zuzana Ruzickova
Sinf 4 in d, BWV 790 - Zuzana Ruzickova
Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
Sinf 6 in E, BWV 792 - Zuzana Ruzickova
Sinf 7 in e, BWV 793 - Zuzana Ruzickova
Sinf 8 in F, BWV 794 - Zuzana Ruzickova
Sinf 9 in f, BWV 795 - Zuzana Ruzickova
Sinf 10 in G, BWV 796 - Zuzana Ruzickova
Sinf 11 in g, BWV 797 - Zuzana Ruzickova
Sinf 12 in A, BWV 798 - Zuzana Ruzickova
Sinf 13 in a, BWV 799 - Zuzana Ruzickova
Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
Sinf 15 in b, BWV 801 - Zuzana Ruzickova

Tracks:

Prelude and Fugue in A minor: Praeludium
Prelude and Fugue in A minor: Fuga
Prelude and Fughetta in E minor: Praeludium
Prelude and Fughetta in E minor: Fuga
Prelude in G major BWV 902a
Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
Prld in E, BWV 937 - Zuzana Ruzickova
Prld in C, BWV 939 - Zuzana Ruzickova
Prld in d, BWV 940 - Zuzana Ruzickova
Applicatio in C, BWV 994 - Zuzana Ruzickova

Tracks:

Suite in G minor BWV 995: Prelude
Suite in G minor BWV 995: Allemande
Suite in G minor BWV 995: Courante
Suite in G minor BWV 995: Sarabande
Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
Ste in g, BWV 995: Gigue - Luca Pianca
Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
Ste in e, BWV 996: Allemande - Michele Barchi
Ste in e, BWV 996: Courante - Michele Barchi
Ste in e, BWV 996: Sarabande - Michele Barchi
Ste in e, BWV 996: Bourree - Michele Barchi
Ste in e, BWV 996: Gigue - Michele Barchi
Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca

Tracks:

Concerto for two violins BWV 1043: Vivace
Concerto for two violins BWV 1043: Largo, ma non tanto
Concerto for two violins BWV 1043: Allegro
Concerto BWV 1042: Allegro
Concerto BWV 1042: Adagio
Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
Con in a, BWV 1041: Allegro - Alice Harnoncourt
Con in a, BWV 1041: Andante - Alice Harnoncourt
Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
Con in g, BWV 1056R: Largo - Alice Harnoncourt
Con in g, BWV 1056R: Presto - Alice Harnoncourt
Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May

Album Description

Volume 1, 15 Discs
Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt

Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt

Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt

Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt

Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Customer Reviews:

Bach is priceless.......2006-11-10

I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.

Buy the works you like...........2006-01-11

If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.

Poor Bach.......2005-11-26

In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."

I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.

The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)

Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?

If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.

A Treasure Trove.......2004-03-07

This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.

147 out of 153 ain't bad!.......2001-04-29

Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.

If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.

In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!

I love th