Vivaldi: 12 Concerti, Op.9 "La Cetra"

On this CD:

1. Violin Concerto, for violin, strings & continuo in C major ("La cetra" No. 1), Op. 9/1, RV 181a
Composed by Antonio Vivaldi
Performed by Giulio Franzetti, I Solisti Italiani

2. Violin Concerto, for violin, strings & continuo in A major ("La cetra" No. 2), Op. 9/2, RV 345
Composed by Antonio Vivaldi
Performed by I Solisti Italiani, Gigino Maestri

3. Violin Concerto, for violin, strings & continuo in G minor ("La cetra" No. 3) Op. 9/3, RV 334
Composed by Antonio Vivaldi
Performed by I Solisti Italiani, Paolo Ciociola

4. Violin Concerto, for violin, strings & continuo in E major ("La cetra" No. 4), Op. 9/4, RV 263a
Composed by Antonio Vivaldi
Performed by Giovanni Guglielmo, I Solisti Italiani

5. Violin Concerto, for violin, strings & continuo in A minor (also attributed to Giovanni Piantaneda), Op. 9/5, RV 358
Composed by Antonio Vivaldi
Performed by Frederico Guglielmo, I Solisti Italiani

6. Violin Concerto, for violin, strings & continuo in A major ("La cetra" No. 6), Op. 9/6, RV 348
Composed by Antonio Vivaldi
Performed by Giulio Franzetti, I Solisti Italiani

7. Violin Concerto, for violin, strings & continuo in B-flat major ("La cetra" No. 7) Op. 9/7, RV 359
Composed by Antonio Vivaldi
Performed by I Solisti Italiani, Gigino Maestri

8. Violin Concerto, for violin, strings & continuo in D minor ("La cetra" No. 8), Op. 9/8, RV 238
Composed by Antonio Vivaldi
Performed by I Solisti Italiani, Paolo Ciociola

9. Double Violin Concerto, for 2 violins, strings & continuo in B-flat Major (La cetra No. 9), Op. 9/9, RV 530
Composed by Antonio Vivaldi
Performed by Frederico Guglielmo, I Solisti Italiani

10. Violin Concerto, for violin, strings & continuo in G major ("La cetra" No. 10), Op. 9/10, RV 300
Composed by Antonio Vivaldi
Performed by Giovanni Guglielmo, I Solisti Italiani

11. Violin Concerto, for violin, strings & continuo in C minor ("La cetra" No. 11), Op. 9/11, RV 198a
Composed by Antonio Vivaldi
Performed by Giulio Franzetti, I Solisti Italiani

12. Violin Concerto, for violin, strings & continuo in B minor ("La cetra" No. 12), Op. 9/12, RV 391
Composed by Antonio Vivaldi
Performed by Frederico Guglielmo, Giovanni Guglielmo, I Solisti Italiani

Tracks:

Concerto No.1 In E, RV269 (Spring): I - Allegro
Concerto No.1 In E, RV269 (Spring): II - Largo
Concerto No.1 In E, RV269 (Spring): III - Allegro (Danza pastorale)
Concerto No.2 In G Minor, RV315 (Summer): I - Allegro non molto - Allegro
Concerto No.2 In G Minor, RV315 (Summer): II - Adagio - Presto - Adagio
Concerto No.2 In G Minor, RV315 (Summer): III - Presto (Tempo impetuoso d'estate)
Concerto No.3 In F, RV293 (Autumn): I - Allegro (Ballo, e canto de' villanelli)
Concerto No.3 In F, RV293 (Autumn): II - Adagio molto (Ubriachi dormienti)
Concerto No.3 In F, RV293 (Autumn): III - Allegro (La caccia)
Concerto No.4 In F Minor, RV297 (Winter): I - Allegro non molto
Concerto No.4 In F Minor, RV297 (Winter): II - Largo
Concerto No.4 In F Minor, RV297 (Winter): III - Allegro
Concerto No.5 In E Flat, RV253 (The Sea Storm): I - Allegro
Concerto No.5 In E Flat, RV253 (The Sea Storm): II - Largo
Concerto No.5 In E Flat, RV253 (The Sea Storm): III - Allegro
Concerto No.6 In C, RV180 (Pleasure): I - Allegro
Concerto No.6 In C, RV180 (Pleasure): II - Largo
Concerto No.6 In C, RV180 (Pleasure): III - Allegro

Tracks:

Concerto No. 7 in D Minor, RV 242: I - Allegro
Concerto No. 7 in D Minor, RV 242: II - Largo
Concerto No. 7 in D Minor, RV 242: III - Allegro
Concerto No. 8 in G Minor, RV 332: I - Allegro
Concerto No. 8 in G Minor, RV 332: II - Largo
Concerto No. 8 in G Minor, RV 332: III - Allegro
Concerto No. 9 in D Minor, RV 236: I - Allegro
Concerto No. 9 in D Minor, RV 236: II - Largo
Concerto No. 9 in D Minor, RV 236: III - Allegro
Concerto No. 10 In B Flat, RV 362 'La caccia': I - Allegro
Concerto No. 10 In B Flat, RV 362 'La caccia': II - Adagio
Concerto No. 10 In B Flat, RV 362 'La caccia': III - Allegro
Concerto No. 11 in D, RV 210: I - Allegro
Concerto No. 11 in D, RV 210: II - Largo
Concerto No. 11 in D, RV 210: III - Allegro
Concerto No. 12 in C, RV 178: I - Allegro
Concerto No. 12 in C, RV 178: II - Largo
Concerto No. 12 in C, RV 178: III - Allegro

Amazon.com

Vivaldi's The Four Seasons is actually part of a larger group of works, the Twelve Violin Concertos, op. 8. This set, in turn, has an additional subtitle: "The Contest Between Invention and Harmony"; not that anyone is quite sure what this means. Aside from The Four Seasons there are several other works with subtitles, including "Storm at Sea," "The Hunt" and "Rapture." It's only natural that when you've composed some 600 concertos for various instruments, the ones with the catchy names will become the most popular. But the others are no less fine, and if your interest in Vivaldi goes beyond the "Big Four," then you might want to check out this excellent set. --David Hurwitz

Customer Reviews:

classic performances.......2007-07-10

"The Four Seasons" naturally tend to overshadow the other eight concertos of Vivaldi's op. 8, of which Spring, Summer, Autumn, & Winter are merely a part. That these four concertos form a suite of their own adds to the relative neglect of the other concertos; but, the other eight concertos are full of great music, even if they aren't as brilliantly conceived as their famous relatives. But what other music did Vivaldi write that can live up to the reputation of "The Four Seasons"?

For several decades beginning in the 1950's I Musici was the leading ensemble specializing in Italian Baroque music, & these performances were standard-setting in their time. They still hold up exceptionally well even though approaches to early music, driven by the period instrument revolution, have changed somewhat since then.

Perhaps the simplest way to define the differences between I Musici & more contemporary ensembles is that I Musici's approach, while spirited & completely authentic, is also refined & elegant without being extravagent, whereas more modern groups often sound scaled down & a little more earthy. Both definitely have their merits, although I find myself attracted more to I Musici's grandeur & sweep.

The stereo sound here is acceptable. The first four concerti ("The Four Seasons") date from 1959 & appear to have been recorded in a bigger hall than the other eight, which were recorded in 1961.

If you are looking for a classic set of op. 8, then I Musici is the way to go. If you looking only for "The Four Seasons," expand your horizons & buy this set.

Pina Carmirelli's Is The Best By I Musici If Not The Best Period.......2005-10-20

Although I Musici is certainly one of the best chamber groups in the world for Baroque music if not the best as claimed by Toscanini, there is also a standard of excellence for the violin soloists in I Musici itself over the past 50 years and Felix Ayo is simply not a top contender. Ayo is decent for the concerti but the crucial 'Four Seasons' is very average by the standards of I Musici itself. Although I find Ayo's interpretation better than Michelucci's with I Musici, this performance of 'The Four Seasons' itself is not I Musici's best for this piece by a long shot. I have not heard one rendition anywhere whether chamber or symphonic that even compares to the absolutely brilliant 1982 performance by I Musici and Pina Carmirelli. It is truly the clearest and most passionate performance available to date. Carmirelli's proficiency for this piece completely surpasses Ayo's rather safe and monotone interpretation. Michelucci's is even worse. With a steady but constant pace, Carmirelli swings the bow and soars the scales with impeccable clarity and proficiency: there is simply not one hesitation or moment of faltering in transitions. It is simply a breathtakingly divine performance that surpasses Ayo's rather cautious performance.

For those who are debating other options, don't be deceived into buying other performances even if they have skilled violinists such as Perlman or Zuckerman. The latter are specialized in the German Romantic and Klezmer traditions of violin and so tend to perform better with Northern European composers from the Romantic period such as Brahms or Wienawski but not with Italian ones generally and Italian Baroque violin pieces least of all! As for performances by great conductors and symphonies such as Karajan and the Berlin Philharmonic or Solti and the Chicago/London Symphonies, the orchestral ensembles they use are generally too large for chamber pieces and most of the instruments used are modern. They are also recorded in too large of spaces so the performances sound like Beethoven's 9th instead of a chamber lyrical piece. There are other groups and recordings that are more faithful to Baroque techniques and traditional interpretations but their performances tend to suffer in their lyrical aspects and recording quality. The artists in such chamber groups generally come from academic backgrounds in traditional techniques and instruments instead of professional circles and so are more focused on applying the techniques instead of evoking from them the lyrical mood required by the piece. This results in clumsy and lifeless performances where each musician is so painfully struggling to apply the correct technique to their individual instrument that the entire piece comes out sounding as a cacophony instead of a symphony. Vivaldi was an innovative and demanding composer and this piece is one of the most difficult pieces to perform in the repertoire of music for the solo violin. I Musici have been world acclaimed leaders in performing Italian Baroque for over 50 years and have performed with many of the best musicians in this field. They emphasize more on a passionate Italian Romantic interpretation in its performances instead of a rigid Baroque one but reach a good balance with tradition by performing in the Italian style almost exclusively on Stradivarius instruments and within the size of a small Baroque chamber orchestra. The Stradivarius is the gem of traditional string instruments and really an instrument in and of itself that no other period instrument can even compare to. There are also really no chamber groups in existence that perform on so many Stradivari at once as they are simply too rare and even many professionals simply lack sufficient talent to play one proficiently.

Ayo's performance is not the worst in terms of I Musici but it is definitely not the best the group ever performed. He actually does quite well in the remaining concerti. It is simply not a good performance of 'The Four Seasons' which is the most technically demanding and where Ayo starts to slip. It is still better than most of those by your typical chamber groups out there however. The best for I Musici if not across the board is its 1982 performance with Pina Carmirelli. Carmirelli's performance is extremely hard to find these days and sometimes ridiculously expensive so a close match by a comparable Italian chamber group is Salvatore Acardo's Stradivarius performance with I Solisti delle Settimane Musicali di Napoli which is available in abundance here on Amazon. Accardo himself had already played several times with I Musici before making his legendary performance with Il Solisti and had cultivated his talent to mastery. That peformance is the only close contender I can think of that comes even close to Carmirelli's passionate and legendary performance. Unless you are interested purely in symphonic interpretations, I would stick to either Carmirelli's performance or Accardo's as an alternative because the quality of their performances is exponentially superior to everyone elses' without question.

I-Musici + Vivaldi; wow!.......2000-07-17

Los doce conciertos Op.8 de Vivaldi son sin duda alguna una de las obras de "música clásica" más conocidas y más desconocidas al mismo tiempo. Son las más conocidas porque los primeros 4 conciertos son las célebres "cuatro estaciones", obra de referencia obligada incluso para quienes no gustan de este tipo de música; pero son desconocidas porque los 8 conciertos restantes han pasado desapercibidos para la enorme mayoría del público, a pesar de su gran belleza. I Musici durante mucho tiempo fue considerada una de las mejores orquestas de cámara del mundo, y si a ello añadimos que también era considerada como una de las mejores intérpretes de la obra de Vivaldi, entonces tenemos que en este disco combinamos lo mejor de ambas opiniones, para obtener una colección excepcional. Quizá la única crítica que se les podría hacer es que no utilizan "instrumentos originales" como se ha puesto de moda últimamente, pero su interpretación es tan brillante que fácilmente se les perdona eso y más. Quizá la calidad de grabación deje algo que desear (estas grabaciones fueron hechas alrededor de 1960, cuando la tecnología de almacenamiento de audio aún no estaba tan perfeccionada), pero por su precio y por la calidad de la interpretación bien vale la pena probar estos dos discos.

Buena interpretación de I Musici.......2000-06-16

I Musici durante mucho tiempo fue considerada una de las mejores orquestas de cámara del mundo, y si a ello añadimos que también era considerada como una de las mejores intérpretes de la obra de Vivaldi, entonces tenemos que en este disco combinamos lo mejor de ambas opiniones, para obtener una colección excepcional. Quizá la única crítica que se les podría hacer es que no utilizan "instrumentos originales" como se ha puesto de moda últimamente, pero su interpretación es tan brillante que fácilmente se les perdona eso y más. Quizá la calidad de grabación deje algo que desear (estas grabaciones fueron hechas alrededor de 1960, cuando la tecnología de almacenamiento de audio aún no estaba tan perfeccionada), pero por su precio y por la calidad de la interpretación bien vale la pena probar estos dos discos.

okay Four Seasons, the other concerti are not as good..........2000-06-01

An overall great recording, but the Four Seasons here could be a little more energetic, but that is a matter of taste. This recording sounds just a little too slow. The other concertos are not nearly as satisfying as the big four, but the ones in minor keys are pretty good. I usually listen to the Four Seasons on other recordings and come to these CD's for No.6, No.7, No.8, and No. 10, the rest not being as interesting in my humble opinion. Of course, virtuosity and showmanship permeate all of these violin concertos. The recordings were made in 1959 and 1961, but the sound quality is relatively excellent, with great balance between solo violin, harpsichord, and orchestra. The liner notes are informative and sincerely point out that not all of Vivaldi's concertos are of equal interest, with a few hints as to which ones are considered outstanding. Whatever you do, please consider a period instrument recording of the Four Seasons too so that you hear the real Baroque sound as well as more modern interpretations, both approaches are beautiful, thanks to Vivaldi's creativity.

Average customer rating:

A unique but limited compilation
Very Redundant
Corelli's best work.

La Folia, Variations On A Theme

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Imports | Stores | Music
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La Folia, 1490-1701
Altre Follie, 1500-1750
Geminiani: Concerti Grossi (after Corelli Op 5) /AAM * Manze
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ASIN: B0000063BT
Release Date: 1998-03-10

Tracks:

Sonata In D Minor, Op. 5 No. 12
Les Follies d'Espagne
Primo e Secondo Libro di Toccate: Folia From Toccata No. 7 (Primo tono)
Trio Sonata In D Minor (Variations On 'La Folia'), RV63 (Op. 1 No. 12)
12 Variationen uber die Folie d'Espagne, Wq118,9,H263
Concerto Grosso 'La Folia' (After Corelli)

Customer Reviews:

A unique but limited compilation.......2005-07-11

I was drawn to this album for its unique compilation of "La folia" (pronounced "la foh-LEE-ah," literally meaning mad or empty-headed) -- arguably "the most lasting and famous tune in Western music" and "one of the most remarkable phenomena in the history of music," according to a breathtakingly comprehensive Web shrine, "La folia, a musical cathedral," which explores the hidden world of this famous 16th-century theme and endeavors to list all derivations and interpretations of it. The motif, with its characteristic harmonic pattern, has fascinated composers to the present day (many samples, including many by modern composers are available on that Web site).

Truly, as a theme and variations, this CD may seem repetitive and boring to some. That would be a matter of personal taste. However, I am rather fascinated with it, even more so as I have learned of its history. Among the most famous and influential variations (and my favorites) are those of Arcangelo Corelli (Track No. 1) and Antonio Vivaldi (Track No. 4). I also enjoy the Geminiani. (...)
For a bit of concise background, I excerpt and adapt a few paragraphs from "La folia, a musical cathedral." Its roots (linguistically, metaphorically, musically) of madness, dance, folly, fertility, and pleasure have captured the imagination of many. The taste offered by "La Folia, Variations on a Theme" is perhaps not yet the definitive collection, but for those entranced by La folia, it whets the appetite for more:

"'Folía' (modern spelling; the old spelling lacked the accent, as was the norm in Spain during the sixteenth and seventeenth centuries) is of Iberian origin and refers to a fertility dance in three-four time originating in the late 15th century. In music Folia meant, at least till the 1670s, a very quick-paced and tumultuous dance, in which the dancers carried men dressed as women upon their shoulders. They were literally driven mad by the noise and the stirring rhythm. The 'early' Folia is sometimes called Folías españolas while the 'later' Folia might be indicated as Folías italianas. Derived from the Tuscan term 'Folle' (meaning empty-headed) the title Follia (with double LL) is used by many Italian composers. . . . The English word Folly has roughly the same meaning as the Tuscan term. In France the structure and its variations became known as Folies d'Espagne, with reference to its presumed origin. . . .

"What is so special about this tune?

"(1) The instant appeal of the music might be explained in the human's pursuit for balance. Speaking from a musicological point of view we are dealing with almost perfect symmetry and intricate harmonic layering.

"(2) By far the most important reason is that it is very pleasant music to listen to. There is somehow an instant appeal for listeners and composers alike. It even sounds familiar when you have never heard the piece before. . . . Being captivated by the tune is of course a matter of personal taste, for there remain plenty of people who get bored by hearing only a couple of variations.

"(3) From 1672 up to now the theme has not lost its power. . . . Composers are always looking for something that will give a piece instant flavour and character. La Folia variations provide lots of freedom too because there are no fixed numbers of variations to complete nor has there to be any structure between the variations.

"(4) Finally there is the interesting social phenomenon that the music had its roots in popular culture and developed into a stately court dance; from a fertility dance for the people into a courtly flirtation."

Very Redundant.......2005-06-05

I bought this album for one piece, that being track number four. After I listened through the entire thing I found that I only liked tracks four and five, and after listening to those a two more times, I became very annoyed.
For those of you who don't know, La Folia is just a piece with the same repeating pattern. These patterns go on for one hour with this CD and become boring and annoying.
Tracks number four and five are really the only decent tracks on this album.
Don't become dissapointed with this CD like I did.

Corelli's best work........2000-09-01

This is a spectacular performance of one of Corelli's best work La Folia. I highly recomend this CD to people who like boroque music.

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Vivaldi: Concerti for cembalo

Manufacturer: Tactus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B000056PFP
Release Date: 2001-02-27

Tracks:

Con VI Delle Stravaganze in d: (Allegro)
Con VI Delle Stravaganze in d: Largo
Con VI Delle Stravaganze in d: (Allegro)
Con in D, BWV972: Allegro
Con in D, BWV972: Larghetto
Con in D, BWV972: Allegro
Con in F: Andante Adagio
Con in F: (Allegro)
Con in F: (Adagio)
Con in F: (Allegro)
Con in G, BWV973: Allegro Assai
Con in G, BWV973: Largo
Con in G, BWV973: Allegro
Con I Delle Stravaganze: Allegro
Con I Delle Stravaganze: Largo E Cantabile
Con I Delle Stravaganze: Allegro
Con in C, BWV976: Allegro
Con in C, BWV976: Largo
Con in C, BWV976: Allegro
Con in A: Allegro
Con in A: Adagio E Cantabile
Con in A: Allegro
Con in F, BWV978: Allegro
Con in F, BWV978: Largo
Con in F, BWV978: Allegro

Bach: Concerti, BWV 972-987 - arrangements of other composers (Edition Bachakademie Vol 111) /Watchorn (harpsichord)

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How I'd like to play it

Bach: Concerti, BWV 972-987 - arrangements of other composers (Edition Bachakademie Vol 111) /Watchorn (harpsichord)

Manufacturer: Hanssler Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Bach as Teacher: Keyboard works from the Cothen period (Edition Bachakademie Vol 107) /Hill (lute-harpischord; clavichord)
Klavierbuchlein for Wilhelm Friedemann Bach
Bach: Harpsichord Music by the Young J. S. Bach, II (Edition Bachakademie Vol 103) /Hill

ASIN: B00004TKFI
Release Date: 2000-06-27

Tracks:

(Allegro)
Larghetto
Allegro
(Allegro)
Largo
Allegro
(Allegro)
Largo
Giga (Presto)
(Allegro)
Largo
Allegro
Allegro
Largo
Allegro
(Allegro)
Largo
Allegro
(Allegro)
Adagio
Giga
(Allegro)
Adagio
Allegro
(Andante)
Adagio
Presto

Tracks:

Vivace
Vivace
(Adagio)
Prestissimo
(Adagio) - Allegro
Adagio
Allegro
Andante
Adagio
Allegro
(Allegro)
Adagio
Allegro
Allegro
Grave
(Un Poco) Allegro
Adagio
Vivace
(Allegro)
Adagio E Affettuoso
Allegro Assai
Allegro Assai
Grave
Presto
(Allegro)
Adagio
Allegro
(Allegro)
Adagio
Allegro

Customer Reviews:

How I'd like to play it.......2006-07-13

Excellent interpretation of Bach's keyboard transcriptions for "Italian" works.

Fine ornamentation and improvisation, good balance with emotion but not too florid. Restrained but natural. I hope to play these works some day, and I will be using this recording as an inspiration and example.

Sound of harpsichord is wonderful, a truly rich and "present" sound.

It is not easy to obtain this recording in the States. I recommend you move fast before the supplies are gone.

Vivaldi: 12 Concerti Op 8 / Cimento Dell'armonia E Dell'inv

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Vivaldi: 12 Concerti Op 8 / Cimento Dell'armonia E Dell'inv

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B00000JWJ3
Release Date: 1999-08-17

Tracks:

Concerto In E Major ' La primavera' (Spring), Op. 8 No. 1: I. Allegro
Concerto In E Major ' La primavera' (Spring), Op. 8 No. 1: II. Largo e pianissimo sempre
Concerto In E Major ' La primavera' (Spring), Op. 8 No. 1: III. Allegro
Concerto In G Minor 'L'estate' (Summer), Op. 8 No. 2: I. Allegro non molto
Concerto In G Minor 'L'estate' (Summer), Op. 8 No. 2: II. Adagio
Concerto In G Minor 'L'estate' (Summer), Op. 8 No. 2: III. Tempo impetuoso d'estate: Presto
Concerto In F Major 'L'autunno' (Autumn), Op. 8 No. 3: I. Allegro
Concerto In F Major 'L'autunno' (Autumn), Op. 8 No. 3: II. Adagio
Concerto In F Major 'L'autunno' (Autumn), Op. 8 No. 3: III. Allegro (La caccia)
Concerto In F Minor 'L'inverno' (Winter), Op. 8 No. 4: I. Allegro non molto
Concerto In F Minor 'L'inverno' (Winter), Op. 8 No. 4: II. Largo
Concerto In F Minor 'L'inverno' (Winter), Op. 8 No. 4: III. Allegro
Concerto In E Flat Major 'La tempesta di mare' (Stormy Sea), Op. 8 No. 5: I. Presto
Concerto In E Flat Major 'La tempesta di mare' (Stormy Sea), Op. 8 No. 5: II. Largo
Concerto In E Flat Major 'La tempesta di mare' (Stormy Sea), Op. 8 No. 5: III. Presto
Concerto In C Major 'Il piacere' (Pleasure), Op. 8 No. 6: I. Allegro
Concerto In C Major 'Il piacere' (Pleasure), Op. 8 No. 6: II. Largo e cantabile
Concerto In C Major 'Il piacere' (Pleasure), Op. 8 No. 6: III. Allegro

Tracks:

Concerto In D Minor, Op.8 No. 7: I. Allegro
Concerto In D Minor, Op.8 No. 7: II. Largo
Concerto In D Minor, Op.8 No. 7: III. Allegro
Concerto In G Minor, Op. 8 No. 8: I. Allegro
Concerto In G Minor, Op. 8 No. 8: II. Largo
Concerto In G Minor, Op. 8 No. 8: III. Allegro
Concerto In D Minor, Op. 8 No. 9: I. Allegro
Concerto In D Minor, Op. 8 No. 9: II. Largo
Concerto In D Minor, Op. 8 No. 9: III. Allegro
Concerto In B Flat Major 'La caccia' (The hunt), Op. 8 No. 10: I. Allegro
Concerto In B Flat Major 'La caccia' (The hunt), Op. 8 No. 10: II. Adagio
Concerto In B Flat Major 'La caccia' (The hunt), Op. 8 No. 10: III. Allegro
Concerto In D Major, Op. 8 No. 11: I. Allegro
Concerto In D Major, Op. 8 No. 11: II. Largo
Concerto In D Major, Op. 8 No. 11: III. Allegro
Concerto In C Major, Op. 8 No. 12: I. Allegro
Concerto In C Major, Op. 8 No. 12: II. Largo
Concerto In C Major, Op. 8 No. 12: III. Allegro

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Vivaldi: Concerti Op.8 Nos. 7 - 12

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B0000034LV
Release Date: 1993-08-30

Tracks:

Con VII in d, RV.242, F.I-28: I. Allegro
Con VII in d, RV.242, F.I-28: II. Largo
Con VII in d, RV.242, F.I-28: III. Allegro
Con VIII in g, RV.232, F.I-16: I. Allegro
Con VIII in g, RV.232, F.I-16: II. Largo
Con VIII in g, RV.232, F.I-16: III. Allegro (Molto Vivace)
Con IX in d, RV.454 (236), F.VII-1: I. Allegro (Moderato) - Giovanni Guglielmo
Con IX in d, RV.454 (236), F.VII-1: II. Largo - Giulio Franzetti
Con IX in d, RV.454 (236), F.VII-1: III. Allegro - Pietro Borgonovo
Con X in B flat, RV.362, F.I-29 'la Caccia': I. Allegro - Giuseppe Manani
Con X in B flat, RV.362, F.I-29 'la Caccia': II. Adagio - Giovanni Guglielmo
Con X in B flat, RV.362, F.I-29 'la Caccia': III. Allegro - Pietro Borgonovo
Con XI in D, RV.210, F.I-30: I. Allegro
Con XI in D, RV.210, F.I-30: II. Largo
Con XI in D, RV.210, F.I-30: III. Allegro
Con XII in C, RV.449 (178), (F.I-31): I. Allegro
Con XII in C, RV.449 (178), (F.I-31): II. Largo
Con XII in C, RV.449 (178), (F.I-31): III. Allegro

Vivaldi: Il Cimento dell' Armonia (Concerti 7-12)

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Vivaldi: Il Cimento dell' Armonia (Concerti 7-12)

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B00000E3VA
Release Date: 1990-09-12

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Vivaldi: Concerti per Clavicembalo

Manufacturer: Symphonia
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00004WK8A
Release Date: 2000-08-29

Bach: 16 Harpsichord Transcription of Concerti by Various Composers

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Bach: 16 Harpsichord Transcription of Concerti by Various Composers

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B0000034UL
Release Date: 1993-08-27

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