Richard Strauss: Josephs Legende, Op. 63

On this CD:

1. Josephs Legende, ballet, Op. 63
Composed by Richard Strauss
Performed by Tokyo Metropolitan Symphony Orchestra
Conducted by Hiroshi Wakasugi

Richard Strauss: Josephs Legende, Op. 63, Music, Richard Strauss, Hiroshi Wakasugi, Tokyo Metropolitan Symphony Orchestra, Ballet, Classical, Romantic Ballet
Richard Strauss: Josephs Legende, Op. 63
Average customer rating: 4 out of 5 stars
  • A RARE WORK WORTH OF INTEREST
 Richard Strauss: Josephs Legende, Op. 63

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
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  1. Berlioz. Symphonie Fantastique. Hungarian Radio and Television Orchestra / Charles Munch

ASIN: B0000034M6
Release Date: 1993-08-30

Customer Reviews:

4 out of 5 stars A RARE WORK WORTH OF INTEREST.......2004-05-31

This is the first complete recording of this rare ballet that was first performed in 1914, then almost never performed again although it gained good reception from its first performances.

If you think that german composers can be played only by german orchestras, don't worry : Maestro Wakasugi has been permanent conductor with the Dresden Staatskapelle, Dresden National Opera and also the Zurich Tonhalle Orchester before recording this piece.

You'll find all the colors and Strauss-spirit you might expect from such a huge-proportioned Strauss work.

Discover this piece safely !
Second Stage: The Symphonic Sound Stage, Vol. 2
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    Deutsche Grammophon Centenary Collection, 1988-1997 (Box Set)
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      Amazon.com

      Most collectors who are at all interested in the artists represented here are likely to have these discs already, such as the Emerson String Quartet's Beethoven recordings (Op. 59, No. 3, and Op. 132), John Eliot Gardiner's Beethoven Symphonies (5 and 7), Pierre Boulez's recordings of Debussy and Stravinsky, and James Levine's Strauss Don Quixote with the Met Orchestra. Anne Sofie von Otter offers a surprisingly congruent compiliation of Berg, Korngold, and Weill. But Mikhail Pletnev and his Russian National Orchestra aren't well served by a program of minor works by Tchaikovsky and Liadov, and Claudio Abbado only occasionally rises above his corporate suaveness in Brahms's Symphony No. 2. Those who somehow missed Christian Thielemann's recording of Beethoven's Funeral Cantata on the Death of Emperor Joseph II will find it here. The discs carrying the most interest are early efforts by artists whose stars have risen dramatically, such as Gil Shaham's recording of Saint-Saëns's Violin Concerto No. 3 and Maria Joao Pires's Mozart piano sonatas (K. 310, 333, and 545). --David Patrick Stearns

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