Composed by Maurice Ravel
Performed by Boston Symphony Orchestra Conducted by Seiji Ozawa
2. Miroirs, for piano (or orchestra) Une barque sur l'océan
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra Conducted by Seiji Ozawa
3. Menuet antique, for piano (or orchestra)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra Conducted by Seiji Ozawa
4. Miroirs, for piano (or orchestra) Alborada del gracioso
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra with Sherman Walt
Conducted by Seiji Ozawa
5. Pavane pour une infante défunte, for piano (or orchestra)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra with Charles Kavalovski
Conducted by Seiji Ozawa
6. La valse, poème choréographique for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra Conducted by Seiji Ozawa
Ravel: Boléro; Miroirs,Sherman Walt,Maurice Ravel,Seiji Ozawa,Charles Kavalovski,Boston Symphony Orchestra,Polygram Records,20th/21st Century Orchestral Music,Classical,Classical Music,Keyboard,Keyboard Work with Descriptive or Unclassified Title,Minuet for Keyboard,Orchestral,Pavane for Keyboard
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Ravel: Boléro
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002MXMX Release Date: 1999-11-09 |
Tracks:
- Bolero
- Alborada del gracioso
- Ma Mere I'Oye (Complete Ballet): Prelude
- Ma Mere I'Oye (Complete Ballet): 1 Tableau: Andse du rouet et Scene
- Ma Mere I'Oye (Complete Ballet): 2 Tableau: Pavane de la Belle du bois dormant
- Ma Mere I'Oye (Complete Ballet): 3 Tableau: Les Entretiens de la Belle et de la Bete
- Ma Mere I'Oye (Complete Ballet): 4 Tableau: Petit Poucet
- Ma Mere I'Oye (Complete Ballet): 5 Tableau: Laideronette, Imperatrice des pagodes
- Une Barque sur l'ocean
- Rapsodie espagnole: Prelude a la nuit - Malaguena - Habanera - Feria
Tracks:
- La Valse
- Pavane pour une infante defunte
- Le tombeau de Couperin: Prelude
- Le tombeau de Couperin: Forlane
- Le tombeau de Couperin: Menuet
- Le tombeau de Couperin: Rigaudon
- Valses nobles et sentimentales: Modere - Assez lent
- Valses nobles et sentimentales: Modere - Assez anime
- Valses nobles et sentimentales: Presque lent - Azzez vif
- Valses nobles et sentimentales: Moins vif - Epilogue
- Menuet antique
- Fanfare pour 'L'Eventail de Jeanne
- Daphnis et Chloe (Suite No. 2): Lever du jour
- Daphnis et Chloe (Suite No. 2): Pantomime
- Dapnis et Chloe (Suite No. 2): Danse generale
Customer Reviews:
Simply wonderful!.......2007-01-09
quiet time reorganization of the mind.......2007-01-05
Sumptuous.......2007-01-04
To heck with arguments about Elvis, Chuck Berry, Bill Haley, etc. Ravel's Bolero was the first ever piece of rock music, so there. This version by Dutoit and the Montreal Symphony totally nails it, always been my favorite version. The trick is to not let things get over the top as the intensity heightens. Flawless readings of the Rapsodie Espagnole and La Valse to boot makes this an essential disc. This is all the evidence you need that Charles Dutoit is the greatest living Ravel interpreter.
You never have enough Ravel - just never........2006-01-15
"Ravel was extremely surprised at the mass success of "Boléro" `They're going to turn it into another "Madelon", he said, rather crossly; and deep down he felt that the obsessive, musico-sexual element in the piece was probably behind its enormous popularity. But one old lady was proof against the contagion. Ravel's brother Edouard saw her, at the first performance, wedged tightly in her seat shouting above the applause `Rubbish! Rubbish!' Maurice, when informed by his brother, replied mysteriously: `That Old Lady got the message!'" from Ravel et nous 1945 page 166.
The other works on this disk are more substantive than the 15-minute crescendo and its constantly changing orchestral colors. The entire "Mother Goose" ballet - who doesn't love this? Although you usually here it performed as the suite. The "Rhapsodie Espagnol" is a favorite and delivers that wonderful Spanish flavor with a French sauce.
"Le tombeau de Couperin" and "Valses nobles et sentimentale" are orchestrations of major piano works (with some alterations in the tombeau) (there are other pieces on these disks that also began as piano works) that are probably more well known to the general public as orchestral works. However, they are very essential works in the pianist's repertoire, and I encourage you to get to know them in that form as well.
"La Valse" is really two things. There is a tribute to Johann Strauss. Ravel admitted that every composer wanted to write a very good waltz, but that it was very difficult. So, he wrote this symphonic waltz as a tribute. However, the second half is something else, is it not? There is decadence and a madness to it that seems like a nightmare to me. As if we are all trapped in this thing until everything falls apart with pain and loss into nothing. A fascinating piece.
There are other small and popular pieces on this disk that are all done well.
Recommended!
The Best of Ravel By Master Conductor And Orchestra.......2005-11-10
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Ravel: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A27 Release Date: 1994-08-09 |
Tracks:
- Bolero
- Pavane For A Dead Princess
- Alborada Del Gracioso
- Rapsodie espagnole: Feria
- Le tombeau de Couperin: Rigaudon
- La Valse
- Piece In The Form Of A Habanera
- Mother Goose Suite: The Fairy Garden
- Daphnis et Chloe, Suite No. 2: Daybreak
- Daphnis et Chloe, Suite No. 2: Pantomime
- Daphnis et Chloe, Suite No. 2: General Dance
Customer Reviews:
Ravels Greatest hits.......2007-07-20
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Ravel: Boléro
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD ASIN: B000003CUZ Release Date: 1990-10-25 |
Tracks:
- Alborado Del Gracioso
- I. Prelude A La Nuit
- II. Malaguena
- III. Habanera
- IV. Feria
- I. Modere
- II. Assez Lent
- III. Modere
- IV. Assez Anime
- V. Presque Lent
- VI. Assez Vif
- VII. Moins Vif
- VIII. Epilogue
- La Valse
- Bolero
Amazon.com
Jesus Lopez-Cobos proves himself a perceptive and idiomatic interpreter of some of Ravel's most popular works. A conductor with a fine ear and a style that lends itself more to elegance than brute force, he encourages his players to explore every nook and cranny of these colorful scores, without any sacrifice of energy or excitement. He's helped in no small degree by Telarc's excellent recording, which allows the music to build to a natural climax that conveys maximum impact without any sense of strain. There are many excellent Ravel discs out there, and this certainly deserves to be considered one of them. --David HurwitzCustomer Reviews:
Bolero.......2007-03-20
Exercise in orchestration........2002-01-31
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Ravel: Boléro / Ma Mère L'Oye (complete ballet) / Rapsodie espagnole / Une Barque sur l'océan / Alborada del Gracioso - Berliner Philharmoniker / Pierre Boulez
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GLO Release Date: 1994-06-14 |
Tracks:
- Ballett: Prelude: Tres lent
- Tableau: 1er Tableau: Dance Of The Spinning Wheel And Scene
- Tableau: 2e Tableau: Pavane Of The Sleeping Beauty
- Tableau: 3e Tableau: Conversations Of Beauty And The Beast
- Tableau: 4e Tableau: Tom Thumb
- Interlude
- Tableau: 5e Tableau: Laideronnette, Empress Of The Pagodas
- Apotheose: 6e Tableau: The Fairy Garden
- Une Barque sur l'ocean: Tres soule de rythme
- Alborada del gracioso: Assez vif
- Rapsodie espagnole: Prelude a la nuit: Tres modere
- Rapsodie espagnole: Malaguena: Assez vif
- Rapsodie espagnole: Habanera: Assez lent et d'un rythme las
- Rapasodie espagnole: Feria: Assez anime
- Bolero: Tempo di Bolero moderato assai
Amazon.com
The Berlin Philharmonic never has had much opportunity to play Ravel, which is a pity because under Pierre Boulez they do it extremely well. Under their current music director, Claudio Abbado, the orchestra more often than not sounds positively comatose. How gratifying then, that with a dynamic conductor and music that's fun to play, they rouse themselves to sound like the world-class ensemble they really can be when they're not resting on their laurels. Boléro is really smashing, with a knockout final cadence, and the solo players in all of these works cover themselves with glory. This is a great Ravel disc. --David HurwitzCustomer Reviews:
Ravel-ation!! ECSTACY.......2007-06-24
Boulez Has the Perfect Ear for Ravel.......2006-05-23
Popular Ravel Works.......2006-01-30
The Mother Goose ballet has five scenes from various fairy tales: Dance of the Spinning Wheel, Pavane of the Sleeping Beauty, Conversations of the Beauty and the Beast, Tom Thumb, Empress of the Pagodes, as well as a prelude, interlude, and a finale entitled Fairy Garden; all totaling 28 minutes. Each tableaux provides a vivid musical portrait of the fairy tale: the Dance of the Spinning Wheel has a constantly moving string undercurrent, while the Pavane for Sleeping Beauty has beautifully woven melodies in the winds, a lovely calm awaiting Prince Charming. Conversations of the Beauty and the Beast is a charming waltz where, perhaps, the girl is falling in love, while Tom Thumb has direct portrayals of bird trills and calls. The festive Empress of the Pagodes has an Asian pentatonic melody in a spirited dance, but it all culminates in the Fairy Garden, with a lush hymn set in 20th century fullness, bringing the work to close. Wonderfully colorful with lyric melodies for the woodwinds, charming dances, and special effects on the strings (glissandos, slides, harmonics, col legno, etc.) give the work a fantastical feel. Also on the disk is Une Barque sur l'ocean, an ultra Romantic depiction of the sea. Great swellings of waves occur in the music, first peacefully, with gently oscillating winds and strings, but eventually more aggressive. Very descriptive in nature, Ravel's colorful orchestral writing is an optimistic view of the sea, with occasional woodwind melodies insinuating melancholy, or loneliness at sea.
The other three works on the disk are all based in Spanish folk-rhythms and sequences. The seven minute Alborada del Gracioso is a dancing orchestral showpiece with a two-against-three feel, which erupts into a glorious exclamation before immediately calming down. Whirlwinds of harp, flutes, and clarinets, along with quickly repeated trumpet notes, castanets, and a lonely bassoon solo, make the work a tour de force. The 16-minute Rhapsodie Espagnole is in four movements (Prelude to the Night, Malaguena, Habanera, and Festival), and on the whole, a rather understated work of impressionism. The opening prelude has an unceasing, unresolved feeling, as well as a rhythmic displacement that lasts throughout. The Malaguena is a quiet, but snappy dance in 3, while the Habanera is a sluggish dance with a jerky feeling. The Festival finale is the most outgoing, and besides the Bolero, has the most extensive writing for brass on the CD. The famous Bolero, with its sassy melody and natural crescendo (by adding instruments to increase volume), is an orchestral standard. Made famous by its unrelentless rhythmic ostinato and catchy melody, the work includes unique orchestrations, including solos in extreme ranges and use of saxophones (tenor and soprano). The work brings the disk to a rousing close.
Pierre Boulez is a pre-eminent Claude Debussy interpreter, and his experience there is utilized successfully in this Ravel CD. Boulez follows the score intently, sometimes to a fault; he follows the extreme dynamic ranges and Ravel's articulation markings (sometimes making the listener have to adjust the volume in order to hear). Although the Berlin Philharmonic is an unusual choice for a French composer, with often needed delicate handling, they fare quite well, often setting a transparent quality, but thoroughly enjoying the raucous dance settings. Featuring some of Ravel's most vivid and descriptive music, and certainly famous works, this CD should satiate the average listener as a great introduction to Ravel, but the winning performance and 4-dimension DG digital sound should win over the rest. Good choice for these popular works. TT: 75.33
Ravel In Berlin With Boulez.......2005-11-20
The recording gives us Ravel's complete ballet "Ma Mere L'Oye" (Mother Goose), with its exquisite and lush orchestration; the brilliant "Une Barque Sur L'Ocean" (A Boat On The Ocean); and the familiar rhythms of "Alborada Del Gracioso" and "Rapsodie Espagnole", reflecting the Spanish influence that permeated much of Ravel's music (as well as his having grown up along the border between France and Spain). The recording climaxes with that great experiment of 20th century music making, the celebrated "Bolero", a work that, thanks to its rhythmic simplicity and its basis in Spanish/Arabian music, has never fallen out of style (and which had its popularity boosted further on the big screen in 1979 by its use in director Blake Edwards' comedy-drama "10").
Boulez, no slouch as a composer either, is often thought of as a rather cold and emotionless conductor who, like Leopold Stokowski before him, directs without a baton (Boulez once joked that holding a baton "made his hands freeze"). Such a perception is not entirely accurate, however, just to judge from the way he is able to handle these Ravel works, particularly the mega-popular "Bolero", with the Berliners. The orchestra had recorded that work on two separate occasions, in 1964 and 1977 respectively, under Karajan, but both times the piece felt slower than it was supposed to be. Under Boulez's direction, however, "Bolero" moves very freely, and with an undercurrent of occasional menace. The performances of "Mother Goose", "Alborada Del Gracioso", "A Boat On The Ocean", and "Rapsodie Espagnole" are also handled with considerable panache by Boulez and the Berliners.
This is a hugely recommended recording, for the sheer pleasure of Boulez interpreting a fellow Frenchman's great works with one of the world's premiere orchestras.
The best Bolero.......2004-08-30
Solo performances (flute, clarinet, saxophones, trombone, and all) are all simply marvelous, with _both_ perfect technique and taste. The orchestral ensemble is perfect. After all, it's the Berlin Philharmonic. Nevertheless (I say "nevertheless") the perfomance is passonate and exciting. Other passonate recordings out there go beyond the orchestra's capacity and go wild with disastrous ensamble. The capacity of the Berlin Philharmonic is so high that they can be (and are) passionate without sacrificing techincal perfection.
Who said Boulez was cold? He seems to set priority on perfection over emotion. But, when he _does_ already have perfection, he no longer has any reason to restrain his emotion. Only then was this great achievement of modern orchestra possible.
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Ravel: Orchestral Works
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GHS Release Date: 1995-05-16 |
Tracks:
- Bol - Tempo di Bolero moderato assai
- Rapsodie espagnole: Prde a Nuit: TrMod
- Rapsodie espagnole: Malaguena: Assez Vif - Assez Lent
- Rapsodie espagnole: Habanera: Assez Lent et d'un Rythme Las
- Rapsodie espagnole: Feria: Assez anim Trmod - De plus en plus anim
- Valses nobles et sentimentales: Mod
- Valses nobles et sentimentales: Assez lent
- Valses nobles et sentimentales: Mod
- Valses nobles et sentimentales: Assez Anim
- Valses nobles et sentimentales: Presque Lent
- Valses nobles et sentimentales: Assez Vif
- Valses nobles et sentimentales: Moins Vif
- Valses nobles et sentimentales: Epilogue: Lent
- Ma M L'Oye: Prde: TrLent - Anim
- Ma M L'Oye: Danse du Rouet et Sc: Allegro - TrLent
- Ma M L'Oye: Pavane De La Belle Au Bois Dormant: Lent
- Ma M L'Oye: Les Entretiens de La Belle et de La B - Mouvement de Valse Mod
- Ma M L'Oye: Petit Poucet: Trmod
- Ma M L'Oye: Laideronnette, Imptrice des Pagodes Mouvement de Marche
- Ma M L'Oye: Le Jardin Fique: Lent et Grave
Tracks:
- Menuet antique - Maestoso
- Le tombeau de Couperin: Prelude: Vif
- Le tombeau de Couperin: Forlane: Allegretto
- Le tombeau de Couperin: Menuet: Allegro moderato
- Le tombeau de Couperin: Rigaudon: Assex vif Moins vif - Assex vif
- La Valse
- Alborada del Gracioso
- Une Barque sur l'Ocean
- Pavane pour une infante defunte
- Daphnis et Chloe
- Daphnis et Chloe
- Daphnis et Chloe
Customer Reviews:
Wonderful interpretations of Ravel music.......2006-03-16
I suspect that they are a favorite of mine in large part due to the fact that Mr. Ozawa was fresh in Boston having recently taken the helm there in the early 1970's. They are light, dynamic, fast-paced, exciting, not to mention the incredible recording techniques of the DG engineers.
My favorites in this collection include Alborada, La Valse, Rhapsodie, and of course Daphnis et Chloe Suite No.2. What I especially love about this Daphnis is that Seiji did not opt out of the chorus for the suite like so many conductors do. It really adds to the impressionistic sound that Ravel was so famous for.
As a percussionist myself , i found the section to be played cleanly - and these recordings bring out all the nuances without overpowering. The section simply sparkles. On the whole - the BSO (in my opinion) really stand up to their European counterparts.
I highly recommend this set - treat yourself and pick it up.
Everything is good but Le Tombeau de Couperin.......2001-04-30
This double CD has a great collection of Ravel's work, as you can see. My only complaint is the version of Le Tombeau de Couperin. At times it was as though the orchestra had trouble keeping up with Mr. Ozawa. Ravel liked to conduct his music at a breakneck pace, but I'm certain that he would have slowed down if he were extending beyond their limits. Other conductors that have done better versions of this piece are Andre Previn and Charles Dutoit.
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Maurice Ravel: The Composer as Pianist and Conductor
Manufacturer: Pierian ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008BNTE Release Date: 2003-02-25 |
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Ravel: Bolero; Rapsodie Espagnole; Pavane; Alborada del Gracioso; Daphnis et Chloe, Suite no. 2
Manufacturer: Erato ProductGroup: Music Binding: Audio CD ASIN: B000005E8A Release Date: 1992-10-13 |
Tracks:
- Daphnis et Chloe: Deuxieme Suite: Lever du Jour - Pantomime - Danse generale
- Rapsodie espagnole: I. Prelude
- Rapsodie espagnole: II. Malaguena
- Rapsodie espagnole: III. Habanera
- Rapsodie espagnole: IV. Feria
- Pavane Pour Une Infante Defunte
- Alborada Del Gracioso
- Bolero
Customer Reviews:
Authoratative Ravel.......2000-08-29
Daphnis et Chloe started out as a full ballet with an orchestra and choir. The ballet itself was never very popular, but the last part of the music (with or without the voices), also known as Suite no. 2, has had continuing success. It starts out with the most amazing musical representation of dawn I have ever heard, moves into a long flute solo (beautifully played here by Donald Peck), then into a boisterous dance in 5/4 meter. The subtleties of the music here are excellently captured by Barenboim; it is clear simply in this first track that he is a conductor very sensitive to the music.
Next comes Rhapsodie Espagnole, or Spanish Rhapsody. The prelude, with its constant overlay of E D# C# C is followed by the wonderfully spanish sounding Malagueña. Then comes a pensive Habanera, then the dance-like Feria. The whole Rhapsody is performed with precision.
My favorite tracks on the disc follow. First is the exquisite Pavane pour une Infante Defunte (Pavane for a Dead Princess). Pavane, as most of Ravel's orchestral pieces, started out as a piece for piano. He wrote it while he was somewhat young, and it became a worldwide favorite, which it should have. Toward the end of his career freed it to the orchestra. The orchestral version is twice as exquisite as the original, and here is presented with such delicacy and pathos that it is not to be missed.
Next is a piece that began life in a piano suite entitled "Miroirs", Alborada del Gracioso, which in Spanish roughly means "The Comedian's morning song". This piece, like the Malagueña of the Rhapsody, sounds so delightfully Spanish with its triplets and rhythms that it makes you want get up and move. Barenboim's interpretation stays on tempo and the entirity of the fast sections simply dance in themselves and not a note is missed, even in the impossible repeated triplets (which are especially hard for pianists playing the original, such as myself). The slow section is wonderfully melancholic and the ending makes one fully aware as to why the piece has the title it does.
Finally comes the famous Bolero. Ravel supposedly said once, "I have written one masterpiece, Bolero, only it contains no music." The piece is a continuous repetition of two melodies, one diatonic, one not, gradually growing louder and louder and more fully instrumentated till the ending. The gradual increase here is, as is the entire disc, excellently executed. Barenboim and the Chicago Symphony Orchestra have made an excellent collection of pieces from an excellent composer. Any Ravel enthusiast should buy this disc.
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Orchestral Excerpts for Bassoon
Manufacturer: Summit(Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000038JZ Release Date: 1995-03-17 |
Tracks:
- Into
- Marriage Of Figaro
- Sym No.4
- Sym No.9
- Vn Cto. (1st)
- Vn Cto. (2nd)
- Vn Cto. (3rd)
- Sym Fantastique (4th)
- Sym Fantastique (5th)
- La Gazza Ladra
- Una Furtiva Lagrima
- Sym No.4 (1st)
- Sym No.4 (2nd)
- Sym No.5 (1st)
- Sym No.5 (2nd)
- Sym No.5 ( 3rd)
- Sym No.6
- Scheherazade
- Till Eulenspiegel
- Ein Heldenleben
- Bolero
- Alborada Del Grazioso
- Rapsodie Espanol
- Pno Con in G (1st)
- Pno Con in G (3rd)
- Firebird
- Rite Of Spring
- Con
- Sym No.1
- Sym No.9
- Closing
Customer Reviews:
A MUST HAVE.......2003-06-03
Not just for bassoon players !!.......2000-10-16
I play primarily jazz bass, but have practiced "classical" music to get a better perspective on my weaknesses in intonation, phrasing, and overall style. And although I have never been one to disregard the other instruments in the orchestra (I have always enjoyed a well-played woodwind line), I have never got around to actually practicing these excerpts on my bass. Until now, of course. Anymore, I feel I am robbing myself of some incredible musical opportunities if I limit my vocabulary to double bass recordings.
I would highly recommend this recording to any bassoonist, bassist, or for that matter, ANY instrumentalist, regardless of genre of expertise ....
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Maurice Ravel: Boléro/Daphnis Et Chloé/Alborada
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD ASIN: B000001GNK Release Date: 1995-03-14 |
Tracks:
- Daphnis et Chloe: Introduction - Lent - Tres Modere -
- Daphnis et Chloe: Modere
- Daphnis et Chloe: Modere - Un peu plus lent
- Daphnis et Chloe: Vif
- Daphnis et Chloe: Vif
- Daphnis et Chloe: Vif
- Daphnis et Chloe: Vif - Plus modere - Tres modere - Pesant
- Daphnis et Chloe: Assez lent - Anime - Vif
- Daphnis et Chloe: Lent - Moins lent - Tres libre
- Daphnis et Chloe: Tres modere
- Daphnis et Chloe: Moderement anime - Tres anime - Lent - Tres Agite
- Daphnis et Chloe: Modere - Plus lent
- Daphnis et Chloe: Lent et tres souple de mesure
- Daphnis et Chloe: Meme ouvement
- Daphnis et Chloe: Anime et tres rude
- Daphnis et Chloe: Un peu moins anime
- Daphnis et Chloe: Tres rude - Modere - Anime - Assez lent - Anime - Lent
- Daphnis et Chloe: Assez anime
- Daphnis et Chloe: Lent - Plus anime
- Daphnis et Chloe: Lent
- Daphnis et Chloe: Lent
- Daphnis et Chloe: Tres lent
- Daphnis et Chloe: Lent - Anime - Lent - Anime
- Daphnis et Chloe: General Dance - Dance OF Daphnis And Chloe - Dance Of Dorcon - -Final Dance - -Bacchanal
- Daphnis et Chloe: Alborada del gracioso
- Daphnis et Chloe: Bolero
Customer Reviews:
The Bolero is habitforming.......2003-08-07
Dr Jacques COULARDEAU, University of Perpignan
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Ravel: Boléro; Alborada del Gacioso; La Valse; Daphnis et Chloé Suite No. 2
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009CYF Release Date: 1998-07-14 |
Tracks:
- Bolero: Tempo di Boler moderato assai
- Alborada del gracioso: Assez vif- Plus lent- Au mouvement
- La Valse: Mouvement de Valse viennoise - Un peu plus modere Premier mouvement-Assez anime
- Daphnis Et Chloe, SuiteNo. 2: Lever du jour
- Daphnis et Chloe, Suite No. 2: Pantomime
- Daphnis et Chloe, Suite No. 2: Danse generale
- Rapsodie espagnole: I. Prelude a la nuit
- Rapsodie espagnole: II. Malaguena
- Rapsodie espagnole: III.Habanera
- Rapsodie espagnole: IV. Feria
Amazon.com
What a potent combo: Maurice Ravel and Leonard Bernstein. Boléro slowly comes to a steady boil without any ingredients overflowing. By contrast, in Alborada del Gracioso and La Valse, Bernstein thoroughly revels in his French orchestra's watery brass and silvery string tuttis. Back in Manhattan, the Daphnis and Chloé suite and Rapsodie Espagnol are lusty without ever sounding vulgar. Some might find the miking a hair spotlit for their tastes, but Ravel's breathtaking orchestration can withstand such scrutiny. So can Bernstein and company. An ingratiating release. --Jed DistlerCustomer Reviews:
Not the best rendition of Bolero or La Valse.......2004-06-09
Needless to say the orchestra for this particular Bernstein rendition was awful in performing both Bolero and La Valse. Some sections of the orchestra are over miked while some other sections are under miked, making Bolero's famous final crescendo
shrill and choppy.
Bernstein said it himself: Bolero is the most abused classical work--perhaps because of the intricate instrumentaion of the work. I'm not a muscian, so I don't know. Anyway, Both Bolero and La Valse--two masterpieces of music not equalled by any other composer-- deserve better treatment than given here by the techinically limited, over/under miked performances given by the French symphony orchestra in this recording.
Get the Columbia/Bernstein version of Bolero-La Valse . It is the standard , model interpretation of those works.
Well done.......2004-02-11
Ravel takes a single Spanish sounding line and repeats it with some variation and variation of interments. In this way he has capture the feel of Spanish music better than most originals. Timing is everything and we are carried along with the music. We start out slow and quiet, repetition using exotic instruments as the obo has us mesmerized, eventually build to frenzy and them a release.
This piece was also used as the background music in the movie "10" for its alternative use.
The balance of this CD is other Ravel/Bernstein recordings that you may come to appreciate as much if not more than Bolero.
It's Not Nearly So Bad.......2003-02-03
Not for easy listening........2002-12-12
I will keep this cd in my library, but will definitely find another Ravel recording for easy listening.
Music Review:
- Rhapsodie - Works for Solo Harp by Marcel Grandjany / Germaine Tailleferre / Gabriel Fauré / Albert Roussel / Gabriel Pierné / Claude Debussy / Aram Khachaturian / Jean-Michel Damase / Carlos Salzedo - Ieuan Jones, Harp
- Richard Strauss: Josephs Legende, Op. 63
- Schubert: Andante
- Schumann: Dichterliebe / Liederkreis
- Serenade for Tenor Horn & Strings
- Sonata in D Minor
- Suzuki Meets Victoria De Los Angeles
- Thirteen Drums: Music for Solo Percussion
- Tristan & Isolde / Lohengrin
- Ulysses' Gaze, Original Soundtrack [Soundtrack]
Music Review
Organ History: The Organ Transcription in France
MOZART: Piano Cocertos No. 24, 25 - Vienna Symphony - Rudolf Buchbinder