Mozart: Concerto Nos. 1 & 2/Andante In C Major
On this CD:
1. Flute Concerto No. 1 in G major, K. 313 (K. 285c)
Composed by Wolfgang Amadeus Mozart
Performed by Munich Chamber Orchestra
with Andras Adorjan
Conducted by Hans Stadlmair
2. Flute Concerto No. 2 in D major, K. 314 (K. 285d)
Composed by Wolfgang Amadeus Mozart
Performed by Munich Chamber Orchestra
with Andras Adorjan
Conducted by Hans Stadlmair
3. Andante for flute & orchestra in C major, K. 315 (K. 285e)
Composed by Wolfgang Amadeus Mozart
Performed by Munich Chamber Orchestra
with Andras Adorjan
Conducted by Hans Stadlmair
Mozart: Concerto Nos. 1 & 2/Andante In C Major, Music, Wolfgang Amadeus Mozart, Hans Stadlmair, Andras Adorjan, Kammerorchester München, Classical, Classical Composers, Classical Music, Concerto, Flute Concerto
Average customer rating:
- Build Baby's Brain through Classics Vol 1
- Wonderful stimulating music for baby
- The greatest CD!!
- Forget baby, it's mine?
- Love this CD--why all the complaints?
|
Build Your Baby's Brain
Manufacturer: Sony
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ASIN: B00000AE72
Release Date: 1998-08-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Philadelphia Orch; Ormandy, E.
- Fse
- Arrival of the Queen of Sheba from "Solomon"
- Alla Turca
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Concerto No. 1 in E Major, RV. 269 "Spring" (From the Four Seasons)
- "Jesu Joy of Man's Desiring" from Cantata No. 147
- Canon in D
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Air ("On the G String") From Orchestral Suite No. 3, BWV 1068
- Sheep May Safely Graze from Cantata No. 208
- Water Music, HWV 348-350 (Wassermusik)
- Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan"
- Serenade No. 13 in G Major, K. 525 "Eine Kleine Nachtmusik"
- "Dove Sono" from le Nozze Di Figaro, K. 492
- "Li Darem la Mano" from Don Giovanni, K. 527
- Bist du Bei Mir, BWV 508
Amazon.com
Hundreds of compilation recordings have been thrust on the market in recent years on the theory that classical music makes a nice, non-threatening accompaniment to everything from working out to making love. And here we have one compilation promising to make your baby smarter. It's offensive enough that the music featured on these compilations is spliced up so that the most you hear of any work is a single movement; what's really annoying is the poor quality of so many of the featured performances. So it is some consolation that the artists here include such 20th-century legends as the Cleveland Orchestra under Szell and the Budapest String Quartet with Mieczyslaw Horszowski. Of course if these folks were alive, one can imagine their violent objection to this presentation of their work. --Gwendolyn Freed
Customer Reviews:
Build Baby's Brain through Classics Vol 1.......2006-07-25
I am a true fan of Classical music and this was purchased as a gift for a co-worker who is adopting a child from China. Therefore I did not open it nor listen to it. The recipient is now overseas picking up their daughter so I know they haven't had the opportunity to listen to it. I think it's a great idea, though, and purchased a used set for my Grandson.
Wonderful stimulating music for baby.......2006-06-23
I am sorry for the previous review who said that intelligence is hereditary. If that is true, all mankind would have been doomed from the start.
Intelligence is not hereditary, but rather a result of stimulation during infancy and birth. Sure, it isn't a guarantee that your child *will* become a genius if you attempt to educate them from birth, but there is no doubt that real educational stimulation of a young mind is a powerful indicator that the child will be more advanced than the average child.
Music is not just notes played. Music--real music--is everything. Though the music of today will fade, classical music will always be around because it is classic. It fits no matter what era you place it in. There is always a home for it. The artists are timeless just as the beautiful melodies are.
I certainly believe that babies who listen to music will become more familiar with and more easily understand music and instruments. Therefore, they will be quicker of mind. It is just a fact that people who play instruments are usually of higher intelligence.
I don't think that people are destined to be stupid or geniuses. I believe it is a question of environment. I feel I'm a great mother but I haven't done everything I could have been doing to help my son's mind expand as an infant. Now that he is a toddler (18 months) I am teaching him to read and exposing him to the magic of classical music in hopes that it will help mold him and set him apart from the rest.
Minds are trainable. You just have to work at it. This CD compiled of beautiful pieces composed by instrumental geniuses will help you do just that.
The greatest CD!!.......2006-01-17
I received this CD free when I had my first baby and it instantly became my fav cd of all time. I have it on my computer and I had another copy made because I just can not imagine not having it.
And as for the comment that the music has nothing to do with intellingence, you stand alone on that front. Besides, what does it hurt? It's great, soothing music and the babies enjoy it.
Forget baby, it's mine?.......2005-09-01
I love my child, but the first time I heard this CD, It immediately went from her recorder to mine. I take it practically everywhere I go. I know it's technically "Her" CD, but the selections are so soothing; and you need that type of comfort when stuck in traffic. Honestly, we both enjoy it - and I'm glad someone thought enough to give it as a gift.
Love this CD--why all the complaints?.......2004-08-30
I'm not sure what people were expecting when they purchased this. For one thing it tells you exactly what is on the CD. Its not a mystery!! If you buy it on amazon it has listed every title on it so I"m not sure about the people who said they were dissapointed because they already own those titles. Obviously you should glance at the list of titles on this CD if you have a large classical collection already. However if you don't already have a classical collection this is by far excellent .I'll be honest and admit I listen to one of the volumes daily regardless of who is in the room. It's marketed for babies but it is really for anyone. There are SO many classical pieces out there. What they have done is to take the best of the best and also the ones that are known to appeal to babies. For some reason many reviewers thing they just took a random sampling of classical music. In reality they have put together those that appeal most to children. I can tell you that my 1 year old daughter actually dances to these. She really likes them a lot. I consider the whole collection a must have for any household.
Average customer rating:
- Middle of the road wedding music
- just what I was looking for
- Most Chosen Selections
- Another Great Reference CD
- A Nice CD
|
Bride's Guide to Wedding Music
Manufacturer: Angel Records
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ASIN: B000002SOG
Release Date: 1993-09-14 |
Tracks:
- Three Lute Dances: Prelude: Courante
- Sonata In E-Flat: Prelude: Adagio
- Brandenburg Concerto No. 4 In G: Prelude: Allegro
- Water Music: Prelude: Suite No. 1- Air
- Processional: Trumpet Voluntary (The Prince Of Denmark's March)
- Te Deum: Processional: Prelude
- Processional: Canon In D
- Processional: Trumpet Tune
- Lohengrin: Processional: 'Wedding March'
- Cantata 147: Ceremony: 'Jesu, Joy Of Man's Desiring'
- The Four Seasons: Ceremony: 'Spring' - Allegro
- Ceremony: 'Ave Maria'
- Five Mystical Songs: Ceremony: 'The Call'
- Ceremony: 'Sheep May Safely Graze'
- A Midsummer Night's Dream: Recessional: 'Wedding March'
- Solomon: Recessional: 'Arrival Of The Queen Of Sheeba'
- Brandenburg Concerto No. 1 In F: Recessional: First Movement
- Organ Symphony No. 5: Recessional: Toccata
Customer Reviews:
Middle of the road wedding music.......2007-01-20
I bought this cd because I had everything in my wedding planned to the last tiny detail except the ceremony music. All the songs on the cd are nice traditional wedding songs. I did not use any of the music from the cd, but I am glad I bought it because it helped me realize that traditional wedding music was not what I wanted. All and all a nice classical music cd but not for brides who really want a personal ceremony. BTW I went with Enya and Lorena McKennitt.
just what I was looking for.......2007-01-10
We wanted traditional wedding music and found it in this CD. I'm no music expert, but the arrangements and performances seemed fine. I would definitely recommend this CD for any bride looking for a concise collection of traditional wedding pieces.
Most Chosen Selections.......2006-03-13
As a wedding officiant, my wife and I are often asked to assist the couple with other services for their ceremony, such as music. For this, we have a very large selection in our music library to choose from. We have put together a catalog of cd's that we loan out to the couple for their review, and most often, their selections come from BRIDE'S GUIDE TO WEDDING MUSIC.
If you're planning a traditional or formal wedding on a budget, this cd has it all. There are even two selections of Wagner's "Wedding March" to choose from. Only two of the selections have vocals, the rest are all extraordinary instrumental selections.
Often, even around the house or in my car, I find myself listening to this cd. The music is soothing, refreshing, uplifting and most enjoyable. I recommend this cd over all other wedding music cd's.
Another Great Reference CD.......2006-01-09
This is a great compilation, CD, along with Bride's Guide to Wedding Music Volume 2, to use as a reference for some of the more popular wedding songs; just about everything on here is standard fare for weddings. All of the musicians are generally superb, and the sound quality is very good. However, this is most useful if you are playing the CD at your wedding, or using it as a reference CD to talk over potential music selections with an organist, a string quartet, etc. Like my review for Volume 2, I only gave it four stars based on practicality, not on quality. If it were just quality, I would give it five stars. I purchased this CD since I am in the process of making my own wedding CD (I am a professional, freelance violinist), and this was nice to listen to, even just as background music for dinner. BTW: beware of reviewers who don't use their names, especially "A music fan." This is most likely the producer of the "Wedding Traditions" CD and he slanders other CDs so his will look better. You'd think that in the wedding music business people would have better ethics, but unfortunately, that's not always the case. The best advice I can give, as a classical musician myself, if to take time to listen to the sound clips, and if possible, try to find them on iTunes where they might sound higher quality. This is the only real way of knowing whether the CD is right for you.
A Nice CD.......2005-12-30
This is a very nice CD.
Our daughter used some of the songs on this CD
and some of the songs that are on the
"Classical Wedding Traditions" CD for the wedding.
She also used many of the songs on the
"New Wedding Traditions Volume I" CD
Amazon is a great place to find good wedding music
Average customer rating:
- Mozart:: Horn Concertos 1 - 4
- This needs to be the "other" recording
- Its worth it
|
Mozart: Horn Concertos Nos. 1-4
Manufacturer: EMI Classics
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- Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields
- Baroque Trumpet Concertos
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- Bach: Violin Concertos
- Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373
ASIN: B00005RD9N
Release Date: 2003-03-25 |
Tracks:
- Hn Con No.1 in D, K.412: I. Rondo: Allegro
- Hn Con No.1 in D, K.412: II. Allegro
- Hn Con No.2 in E flat, K.417: I. Allegro Maestoso
- Hn Con No.2 in E flat, K.417: II. Andante
- Hn Con No.2 in E flat, K.417: III. Rondo
- Hn Con No.3 in E flat, K.447: I. Allegro
- Hn Con No.3 in E flat, K.447: II. Romanza: Larghetto
- Hn Con No.3 in E flat, K.447: III. Allegro
- Hn Con No.4 in E flat, K.495: I. Allegro Moderato
- Hn Con No.4 in E flat, K.495: II. Romanza: Andante
- Hn Con No.4 in E flat, K.495: III. Rondo: Allegro Vivace
- Fragment in E flat, 494a
- Rondo in E flat, K.371
Customer Reviews:
Mozart:: Horn Concertos 1 - 4.......2006-07-28
Exactly what we needed to prepare intermediate horn solo for competition.
This needs to be the "other" recording.......2005-05-31
As a music teacher and hornist who has performed all of the Mozart horn concertos at one time or another, I am probably more picky about recordings of these works than anything else. Everyone always upholds the Dennis Brain recordings as the best, and rightly so. Brain was the all-time master of the horn, period. The problem is that he died young and his Mozart recordings were made in the 1950s. Yes, the CD has been remastered and sounds quite good, but there's only so much a producer can do.
That's why one recording of these masterpieces simply will not do.
This CD by Barry Tuckwell most assuredly needs to be the "other" recording one has in their collection. Tuckwell with his gorgeous tone, fantastic range, and excellent lip trills is easily the best hornist in the past few decades. He plays each concerto with spirit and aggression in contrast to Brain's more controlled and leisurely interpretation. His cadenzas are more modern and showy yet maintain classical style and taste. The ASMF provides perfect, well-balanced accompaniment with, interestingly enough, a harpsicord playing basso continuo underneath the orchestra (a feature that may or may not have been used when Mozart first debuted these concertos).
Finally, the original recordings are modern enough that when digitally remastered, they sound clear as a bell.
So yes, buy the Brain recording, he is the best hornist of all time. But this recording by Tuckwell is marvellous and should be immediately added to one's collection. Both recordings are correct, both are beautiful, but both are different.
Therefore, both are needed.
Its worth it.......2003-05-27
I am impressed with the elegance of Barry Tuckwell's playing, combined with the conducting of world known conductor, Sir Marriner. As a beginner trumpeter, who also loves the french horn, I would recommend this cd for those who loves the french horn as much as I do.
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
|
Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
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- The Most Relaxing Classical Album in the World...Ever!
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ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- What Hath God Wrought?
- World class music
- I Wish Dennis Brain Had Been Born So That His Performing Powers Peaked in 1995
- A Master Performs a Master
- Mozart: Horn Concert
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Mozart: Horn Concertos Nos. 1-4
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Horn Concertos
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ASIN: B00000GCAD
Release Date: 1999-01-12 |
Tracks:
- Horn Concerto No.1 In D, K.412: Allegro
- Horn Concerto No.1 In D, K.412: Rondo (Allegro)
- Horn Concerto No.2 In E Flat, K.417: Allegro maestoso
- Horn Concerto No.2 In E Flat, K.417: Andante
- Horn Concerto No.2 In E Flat, K.417: Rondo
- Horn Concerto No.3 In E Flat, K.447: Allegro
- Horn Concerto No.3 In E Flat, K.447: Romance (Larghetto)
- Horn Concerto No.3 In E Flat, K.447: Allegro
- Horn Concerto No.4 In E Flat, K.495: Allegro moderato
- Horn Concerto No.4 In E Flat, K.495: Romance (Andante)
- Horn Concerto No.4 In E Flat, K.495: Rondo (Allegro vivace)
- Quintet In E Flat For Piano And Wind K.452: Largo-Allegro moderato
- Quintet In E Flat For Piano And Wind K.452: Larghetto
- Quintet In E Flat For Piano And Wind K.452: Rondo (Allegro)
Customer Reviews:
What Hath God Wrought?.......2007-04-02
Well ...
If you're reading this, it's likely that you have already have already heard about Dennis Brain and in particular the famous passages where his rapid playing left a generation of listeners shaking their heads in astonishment.
This is how everyone first hears of him: a sort of circus act with lots of notes but without the great tone that distinguishes really good horn playing. This first impression is strengthened by stories about the strange, narrow-bore horn he played and by the sound of occasionally clipped staccato notes and a tight low range. As someone once said, "My faults, according to this calculation, are heavy indeed!"
But in Brain's case as well as in Fitzwilliam Darcy's, closer acquaintance reverses the impression altogether.
At odds with the idea of frenetic speed, Brain produces some of the most sensitive phrase shaping you'll find in any musical recordings. His effortless mastery gives many passages a relaxed feeling that suggests he is playing them a third lower than written. His recordings of hornists' two signature pieces -- Strauss's first horn concerto and Mozart's third -- are both gentler than any other recording in the catalogue. He plays the Mozart third at a surprisingly slow tempo and turns the first page of the Strauss, which most players muscle up on, into a lullaby.
In the middle and upper ranges, Brain's tone, while unobtrusive, is so full and pure that many people say they have a tendency to block out everything else and just listen to that sound. That may not seem an asset for ensemble playing, but his accompaniment playing was wonderful and his reliability a huge asset for his colleagues. The expectation of perfection became so other-worldly that, on the inevitable day when Brain finally flubbed a passage in rehearsal, the always mischievous Sir Thomas Beecham stopped the orchestra, put his baton down, and just said, "Thank God."
Brain's trills, lip trills in particular, are uniquely clear, and at the end of the day, yes, there is that fabulously rapid articulation that leaves listeners wondering whether they were dreaming what they just heard.
This playing all emanated from a personality that was apparently of the utmost simplicity and modesty. Alan Civil had the last word on this forty years ago in his remembrance of Brain on the jacket of "The Art of Dennis Brain" album (Seraphim 60040, if you can find it). Brain's early, accidental death strikes one the same way as Beethoven's deafness does: a hint that higher forces are at play.
No, this is not a review of Brain's Mozart. It is an invitation to begin an acquaintance. Dig in!
World class music.......2007-01-10
By far the best rendition of the Mozart Horn Concertos ever produced. David Brain must be the "El Supremo" of horn playing. An added bonus on this CD is the Quintet in E flat for piano and wind and with Colin Horsley as the pianist is an added treat for New Zealanders. A "MUST HAVE" for all lovers of Mozart.
I Wish Dennis Brain Had Been Born So That His Performing Powers Peaked in 1995.......2006-05-17
I purchased The LP in 1953 and proceeded to 'wear it out.' No, I have not yet thrown it out.
However, I have had the good fortune to find myself a resident of the San Francisco Peninsula since 1970 and, in time, have had the privilege to make the acquaintance of the Philharmonia Baroque Orchestra, who perform one of each of their annual subscription concert series locally here in Palo Alto.
In 1992 they recorded the Horn Concertos with Lowell Greer performing them on the natural (valveless) horn, the instrument which was in use at the time Mozart composed them. Given the temperamental nature of the the instrument, the recording is doubtless a composite of many 'takes.' It is also a breathtaking performance and is now my 'standard.' See:
[...]
Take a moment to listen to some of the available tracks.
Form your own opinion.
A Master Performs a Master.......2005-08-20
I'm not much of a classical music reviewer. I've been exposed to a lot of music, but I tend to stick to favorite performances, so I don't have the depth needed to really be authoritative. Except perhaps for oboe, and that's because I grew up listening to John De Lancie and Marcel Tabuteau - and once you hear really good, you know what's what. This album is a similar case. Dennis Brain wasn't a 'good' French horn player, he was probably the best that there ever was or will be.
I've heard a lot of performance horn players. All you have to do to see what I mean is to wander through this website and pick off performances of the first movement of Horn Concerto No. 2 in E flat and you will discover that Brain never blurbles a note, and every attack in the Allegro Maestoso is pinpoint. He is technically and tonally perfect and couples that with a superb musical sensibility. It was one of the great musical tragedies that he died at the age of 36.
Something to keep in mind is that when Mozart wrote these works for his good friend (and cheesemonger) Joseph Leutgeb, the French horn was a very limited instrument. Many of the notes were reached by stopping the bell to some degree, which affected volume and intonation. Mozart wrote to take advantage of Leutgeb's expertise at this, and Dennis Brain chooses to maintain this effect rather than just play his modern instrument with no thought to the past.
These compositions cover a fair range of time. Number 2(K.417) is really the earliest (1783). And the incomplete No. 1 (K.412) is really the last (1791). The best though, in both my mind and Mozart's is the Quintet in E flat for piano & wind. Mozart was a master in using instrument groupings in novel and powerful fashion and this is no exception.
EMI has remastered this CD over their previous release, which enhances clarity, and makes it easier to hear Dennis Brain's considerable finesse. I own their first release and the difference in clarity makes it worth finding this edition. But even the duller production of the 1997 is enjoyable. It you want a good selection of Dennis Brain's work on one CD this is an excellent buy.
Mozart: Horn Concert.......2005-08-14
Great recordings of the century, and that is what it is.
Herbart von Karajan conducting, and Dennis Brain on horn tells it all; a wonderful rich music experience are waiting for you.
In my ears its probably one of the best recordings ever made of the horn concert. And even though its from the mid 50`s it comes in a wonderful remastered CD.
The CD comes with a very good booklet in English; telling the story behind the record.
I highly recommend this album
Average customer rating:
- (~~)==++ JULIA FISCHER: simply TREMENDOUS - a very RFRESHING new RECORDING by this very young Violinist!
|
Mozart, W.A.: Violin Concertos Nos. 1, 2 & 5
Julia Fischer , W.A. Mozart , Netherlands Chamber Orchestra , and Yakov Kreizberg
Manufacturer: Pentatone
ProductGroup: Music
Binding: Audio CD
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ASIN: B000I2IPPC
Release Date: 2006-10-31 |
Tracks:
- Allegro Moderato
- Adagio
- Presto
- Allegro Moderato
- Andante
- Rondeau (Allegro)
- Allegro Aperto
- Adagio
- Rondeau (Tempo Di Menuetto)
Customer Reviews:
(~~)==++ JULIA FISCHER: simply TREMENDOUS - a very RFRESHING new RECORDING by this very young Violinist!.......2007-02-15
SEVEN STARS******* for the woman who releases a new CD almost every two months!
Right during "Mozart Year" 2006 a recording of Mozart works for violin - of all of his violin concertos on two CDs - was released by this very young and already fully established 1. Class Violinist. The release of these concertos of this tremendous quality shows or reveals JULIA FISCHER completely naturally and self-confident, and she proves to be a virtuoso, whose place is in the "thin air" of the violinistical "first league", who stands not only right by the side of but ahead of other well-established and outstanding violinists, and beyond that she belongs to the BEST OF THE VERY BEST VIOLINISTS THROUGHOUT THE WOLRD!
Julia Fischer plays her violin highly accurately and her intonation is completely clean (just as we have become accustomed to!) and she always produces a rather slightly and elegantly formed vibrato than to make it to pulsate extremely excessively; she is so certain about what she does when she is playing her violin and, to our great delight, she avoides "colouring" each note excessively and to form them in an overemphasised expressiveness and intensity, and this way she avoids unnecessary vibrato in general. HER ACOUSTIC "COLOURS" are discreet and VERY SPLENDID and of MUCH BRIGHTNESS as well as EXPRESSIVNESS, and they are much right to the point in each phrasing; JULIA FISCHER's TECHNICAL CONTROL and INTERPRETATION of THESE PIECES, as well as of PIECES BY OTHER COMPOSERS, are so PURE and HIGHLY PERFECT! This makes JULIA a TRUE and VERY FINE YOUNG MASTRESS OF the VIOLIN! This is a GRAND PLUS FOR HER, and her TECHNICAL CONTROL and INTERPRETATION of pieces for violin is GENERALLY TRUE FOR this WONDERFUL YOUNG VIOLINIST JULIA FISCHER. This is one more reason to ADMIRE HER SO MUCH!
There is one more ability, which makes me appreciate her and which makes JULIA even more admirable for me, that is the fact that SHE w r o t e / c o m p o s e d HER O W N and very beautifully created cadenzas for the five of Mozart's violin concertos - even at this very young age SHE "CADENCES" HERSELF! JULIA, I BOW FOR YOU for this! This way you I N S P I R E N E W L I F E INTO MOZART's violin works - and in particular into those "antiquated" (fusty!) old cadenzas which can be heard thousands of times from numerous other recordings of the same pieces... and which, therefore, have become known to everyone well enough and which we have so by now become a bit "tired" of (bored with!)..... (I do not mind those "old" cadenzas when they are performed/played by other virtuosos with much heart and soul as well as with much technical competence - but a few NEW, "REFRESHING" CADENZAS every now and then would be VERY WELL INTRODUCED into VIOLIN LITERATURE and SERVE us with a FRESH BREEZE of NEW MUSICALITY! THIS BREEZE now brings us to our great delight --- thanks to her musical capability and skills as well as thanks to her CLEAR and WELL-DEFINED UNDERSTANDING of MUSICAL CONTEXTS and thanks to the extraordinary and superior control of her instrument --- JULIA FISCHER!). Julia shows us that CLASSICAL MUSIC NOT ONLY lives from NEW INTERPRETATIONS or ideas, which refer to these, made by virtuosos, BUT can be VITALISED also BY INTRODUCING IDEAS OF COMPOSITION which are MADE BY CADENZAS CREATED BY VIRTUOSOS THEMSELVES!
Another, a third reason to name these recordings by Julia Fischer (one of) my absolutely favourite recordings is that somebody had the courage - much in Bach and Vivaldi style! - to use a HARPSICHORD AS ACCOMPANIMENT for the orchestral background. MOZART would be MUCH CHARMED and DELIGHTED about this really great accompaniment of his first two violin concertos, both of which were recorded with harpsichord accompaniment, through which these get a FRESH BREEZE of NEW MUSICALITY. This NEW FRESH BREEZE, in some passages, reminds me of Bach's and Vivaldi's violin concertos (maybe it reminds me a bit of Vivaldi's "The Four Seasons"); the harpsichord in the orchestral background kind of slightly and discreetly eases the musical structure of these pieces. And Julia Fischer does not "seize" these concertos but plays as a perfectly matched partner of the orchestra and the conductor Yakov Kreizberg (who seems to be her preferred conductor)! JULIA, that's BEAUTIFUL! ASTONISHING!!!
So, the FRESHNESS and LIVELINESS OF THESE NEW RECORDINGS of the MOZART VIOLIN CONCERTOS REMIND me very strongly of JULIA FISCHER's SUPERB RECORDING of "THE FOUR SEASONS" which she made a view years ago and which was released on DVD; both her recordings of Vivaldi as well as of Mozart are for the same reasons HIGHLY REMARKABLE as well as RECOMMENDABLE, in particular, since there are also thousands of recordings of Vivaldi's "The Four Seasons" whose interpretations are, as I see it, "antiquated" (fusty!) and by which one gets bored or feels tired from. So, some years ago, JULIA FISCHER succeeded also in BREEZING NEW and FRESH MUSICALITY into ANTONIO VIVALDI's "THE FOUR SEASONS"! Among many other recordings by Julia Fischer, there is one particular recording by her which I would like to mention on this occasion and which can be heard in the same high quality only rarely from other violin virtuosos in a comparable quality. It is the recording of the RUSSIAN VIOLIN CONCERTO by ARAM KHACHATURIAN which belongs to my personal favourites made by Julia (and certainly it belongs to Julia's favourite concertos), because it brings so much warmth and musical depth into with the beautifulness of her violin play. And also some years ago, again really early in her career, she recorded the BACH SOLO SONATAS and PARTITAS as TERRIFICALLY as BRILLIANTLY - I BOW TO YOU AGAIN!! So much bowing...
Not only because of JULIA FISCHER's OUTSTANDING VIOLIN PLAY but also because of the use of the HARPSICHORD AS ACCOMPANIMENT of the FIRST TWO of MOZART's VIOLIN CONCERTOS --- and F I R S T O F A L L because of the CADENZAS W R I T T E N AND C R E A T E D BY JULIA FISCHER H E R S E L F ! --- I would (if possible!) give AT LEAST SEVEN or MORE STARS for these REFERENCIAL RECORDINGS! ALWAYS KEEP GOING JULIA!! And PLEASE ALSO KEEP COMPOSING FURTHER CADENZAS, please also for those concertos by other composers!
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Classical Masterpieces of the Millennium [20 CD Set]
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.