Composed by Gyorgy Kurtag
with Kim Kashkashian
2. Kromatikus Feleselos, Agitato
Composed by Gyorgy Kurtag
with Kim Kashkashian
3. In Memoriam Aczél György (Largo Desolato)
Composed by Gyorgy Kurtag
with Kim Kashkashian
4. Elakad= Szavak (Hommage A John Cage) (Molto Moderato)
Composed by Gyorgy Kurtag
with Kim Kashkashian
5. Doloroso (Lento, Parlando)
Composed by Gyorgy Kurtag
with Kim Kashkashian
6. H. J. Nóta (Largamente)
Composed by Gyorgy Kurtag
with Kim Kashkashian
7. Levél Verának (Szeliden, Csendesen)
Composed by Gyorgy Kurtag
with Kim Kashkashian
8. Pieces (8) for piano, Op 3 Vagdalkozós (Vivo, Feroce)
Composed by Gyorgy Kurtag
with Kim Kashkashian
9. In Memoriam Tamás Blum (Calmo, Sereno)
Composed by Gyorgy Kurtag
with Kim Kashkashian
10. Jelek, for viola, Op. 5
Composed by Gyorgy Kurtag
with Kim Kashkashian
11. Hommage to Robert Schumann, Op 15d Merkwürdige pirouetten des Kapellmeisters Johannes
Composed by Gyorgy Kurtag
with Eduard Brunner , Kim Kashkashian
12. Hommage to Robert Schumann, Op 15d Der begrenzte Kreis...
Composed by Gyorgy Kurtag
with Eduard Brunner , Kim Kashkashian
13. Hommage to Robert Schumann, Op 15d Und wieder zuckt es schmerzlich F. um die Lippen
Composed by Gyorgy Kurtag
with Eduard Brunner , Kim Kashkashian
14. Hommage to Robert Schumann, Op 15d Felho Valék, Már Süt A Nap...Töredék-Töredék
Composed by Gyorgy Kurtag
with Eduard Brunner , Kim Kashkashian
15. Hommage to Robert Schumann, Op 15d In der Nacht (Presto)
Composed by Gyorgy Kurtag
with Eduard Brunner , Kim Kashkashian
16. Hommage to Robert Schumann, Op 15d Abschied Mesiter Raro entedckt Guillaume de Machau
Composed by Gyorgy Kurtag
with Eduard Brunner , Kim Kashkashian
17. Märchenbilder for viola (or violin) & piano, Op. 113 Nicht Schnell
Composed by Robert Schumann
with Kim Kashkashian
18. Märchenbilder for viola (or violin) & piano, Op. 113 Lebhaft
Composed by Robert Schumann
with Kim Kashkashian
19. Märchenbilder for viola (or violin) & piano, Op. 113 Langsam Mit Melancholischem Ausdruck
Composed by Robert Schumann
with Kim Kashkashian
20. Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, Op. 73 Zart und Mit ausdruck
Composed by Robert Schumann
with Eduard Brunner
21. Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, Op. 73 Lebhaft, Leicht
Composed by Robert Schumann
with Eduard Brunner
22. Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, Op. 73 Rasch Und Mit Feuer
Composed by Robert Schumann
with Eduard Brunner
23. Märchenerzählungen for clarinet (or violin), viola, & piano, Op. 132 Lebhaft, Nicht Zu Schnell
Composed by Robert Schumann
with Eduard Brunner , Kim Kashkashian
24. Märchenerzählungen for clarinet (or violin), viola, & piano, Op. 132 Lebhaft und Sehr Markiert
Composed by Robert Schumann
with Eduard Brunner , Kim Kashkashian
25. Märchenerzählungen for clarinet (or violin), viola, & piano, Op. 132 Ruhgies Tempo, Mit Zartem Ausdruck
Composed by Robert Schumann
with Eduard Brunner , Kim Kashkashian
Product Description
Amazon.com
The only perceptible connection between these composers is a certain concentrated inwardness; also, Kurtág's Hommage á R. Schumann is scored for the same combination as Schumann's Op. 132. Recalling Webern's pointillism, Kurtág's pieces are extremely short; full of rests, sound effects, dissonances, and juxtaposing rather than developing musical fragments; and fascinating in their infinite variety. The playing is fabulous. Kashkashian makes light of the double and triple stops, wild leaps, harmonics, and precipitous velocity; her tone is beautiful over a huge range. She finds expression in every note, speaking, sighing, whispering, questioning, attacking, and creating continuity across the silences by sheer power of concentration. The Schumann is free yet concise with lots of character, the expressiveness ranging from dreamy, tender introspection to playfulness, agitation, and passion; the viola sounds wonderful, the interplay between the instruments is splendid. --Edith Eisler
The only perceptible connection between these composers is a certain concentrated inwardness; also, Kurtág's Hommage á R. Schumann is scored for the same combination as Schumann's Op. 132. Recalling Webern's pointillism, Kurtág's pieces are extremely short; full of rests, sound effects, dissonances, and juxtaposing rather than developing musical fragments; and fascinating in their infinite variety. The playing is fabulous. Kashkashian makes light of the double and triple stops, wild leaps, harmonics, and precipitous velocity; her tone is beautiful over a huge range. She finds expression in every note, speaking, sighing, whispering, questioning, attacking, and creating continuity across the silences by sheer power of concentration. The Schumann is free yet concise with lots of character, the expressiveness ranging from dreamy, tender introspection to playfulness, agitation, and passion; the viola sounds wonderful, the interplay between the instruments is splendid. --Edith Eisler
Kurtág: Neun STücke Für Viola Solo/Jelek, Op.5/Hommage A R. Sch.Schumann: Märchenbilder, Op.113/Fantasiestücke,Op.73/,Eduard Brunner,Gyorgy Kurtag,Robert Schumann,Kim Kashkashian,Ecm Records,Chamber,Chamber Music,Classical,Classical Music,English Horn Solo/Sonata,Keyboard,Miscellaneous,Miscellaneous Music,Mixed Chamber Ensemble with Keyboard,Music for Keyboard,Viola with Keyboard
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