Cantos De Espana / 6 Spanish Dances

1. Cantos de España, 5 pieces for piano, Op. 232, B. 44 No. 1: Preludio
Composed by Isaac Albeniz
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

2. Cantos de España, 5 pieces for piano, Op. 232, B. 44 No. 2: Oriental
Composed by Isaac Albeniz
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

3. Cantos de España, 5 pieces for piano, Op. 232, B. 44 No. 3: Bajo la Palmera
Composed by Isaac Albeniz
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

4. Cantos de España, 5 pieces for piano, Op. 232, B. 44 No. 4: Cordoba
Composed by Isaac Albeniz
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

5. Cantos de España, 5 pieces for piano, Op. 232, B. 44 No. 5: Seguidillas
Composed by Isaac Albeniz
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

6. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 Galante (Minueto)
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

7. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 Oriental
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

8. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 Fandango (Zarabanda)
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

9. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 Villanesca
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

10. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 Andaluza (Playera)
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

11. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 Rondalla Aragonesca (Jota)
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

12. Valses poéticos, 7 pieces for piano, H. 147
Composed by Enrique Granados
with Cornelius Bruinsma , Simon Munting , Peter Rueffer

Tracks:

Albeniz: Asturias
Albeniz: Tango
Sanz: Canarios
Rodrigo: Fandango
Torroba: Nocturno
Segreras - El Colibri
Albeniz: Sonata in D
De Falla: The Corregidor's Dance
De Falla: Fisherman's Song
De Falla: The Miller's Dance
Torroba: Madronos
La Nit de Nadal
El Noy de la Mare
Granados: Ma Maja de Goya
Abeniz: Cordoba
Tarrega: Recuerdos de la Alhambra
Granados: Spanish Dance No. 5
El Testamen de Amelia
Villa-Lobos: Prelude No. 4 in E Minor
Albeniz: Sevilla
De Falla: Homanaje
Mudarra: Fantasia
Turina: Fandanguillo

Customer Reviews:

Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.

Together Again/ Julian Bream & John Williams

Average customer rating:

The very best
Sublime
An excellent CD for anyone who loves the classical guitar

Together Again/ Julian Bream & John Williams

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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Together/Julian Bream & John Williams
Julian Bream: The Ultimate Guitar Collection-Volume 2
Ultimate Guitar Collection
Bach: Lute Suites
Music of Spain

ASIN: B000003FDN
Release Date: 1993-05-25

Tracks:

Largo maestoso; Allegro moderato
Larghetto
Serenade In A, Op. 96: Finale
Rondella aragonesa
Spanish Songs, Op. 232, No.3: Beneath The Palm Tree
Zambra
Variazioni concertanti, Op. 130
Evocacion
Pavan
Galliard
Ouverture
Harlequinade
Laughter
Rigidon
The Fighters
Gigue
Reverie
Golliwog's Cakewalk
Clair de lune

Customer Reviews:

The very best.......2007-01-11

I have a large collection of classical guitar recordings. Quite simply, "Together Again" is the finest,best recordings of its genre ever made. It features arrangements that had never been before heard and that a big plus, for the normal repertoire for guitar is fairly small and we soon tire of hearng the same pieces again and again. The virtuosity of both Williams and Bream is unqustionalble. Bream sounds a bit steely at times. whereas Williams is soft. Together, they produce a magnificent sound.

Sublime.......2006-03-14

The two foremost virtuosos of our time have come together once again to produce this sublime album.

What John Williams lacks in lyricism is easily compensated for by Bream and the result is outstanding.

Their chemistry is so amazing and the pieces come to life in such a cohesive way that I sometimes think it is one person with 10 fingers on each hand playing the pieces.

Not every piece is easily accessible, so give it time.

Highly recommended.

An excellent CD for anyone who loves the classical guitar.......2000-06-12

This CD is a must have for all lovers of the classical guitar. As is the case of the first album, aptly named "Together", the modern masters of the classical guitar, Bream & Williams, join forces again in order to achieve some spectacular results.

The main problem of playing a classical guitar is the genuine lack of material, apart from those (relatively few) pieces which were originally written for the guitar. Furthermore, being a fairly limited instrument, the guitar limits severely the possibilities of adapting various classical pieces which were not written originally for the guitar. Thus, Bream & Williams, set out on a mission - to achieve what is not possible on one guitar, by playing a duet of classical guitars. Hence, almost all the compositions here are adaptations, but this is by no means a bad thing - the arrangements very cleverly hides the limits of the instruments, while emphasizing it's intimate and warm nature.

Two of the most notable of these adaptations are "Evocacion", from Albeniz "Suite Iberia" and "Bajo la palmera" from "Cantos de Espana", both of which were written for piano. It is well worth mentioning that many of Albeniz compositions were based on traditional spanish tunes, played originally on guitars. Thus, by playing these truly great pieces on classical guitars, Bream & Williams are restoring some of the magic which allured Albeniz to these tunes in the first place. One might also feel these tunes sound actually more natural played on two guitars rather than on a piano.

Other interesting adaptations are the three pieces by Debussy, which are very melodic and are very suitable to be played on guitars.

Customer Reviews:

The classical heritage .......2006-04-16

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.

In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.

In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.

Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.

Julian Bream makes a colossal tribute to both composers in this egregious and golden album.

Average customer rating:

mellow music
Phasing is awkward
Unbelievable technique, unorthodox phrasing

Angel Romero: Spanish Guitar Virtuoso

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Spanish Guitar Virtuoso, Vol. 2
The Royal Family of the Spanish Guitar
Bella: The Incomparable Artistry of Angel Romero
Antonio Vivaldi: Guitar Concertos, Los Romeros
Angel Romero Plays Bach

ASIN: B00004VW05
Release Date: 2000-08-01

Tracks:

Madronas
I. Preambulo
II. Oliveras
III. Melodia
IV. Los Mayos
V. Albada
VI. Panorama
Burgalesa
Fandanguillo (From Suite Castellana)
Cordoba, Op.232 No.4
Tango, Op.163 No.2
Sevillanas (From Suite Espanola)
Leyenda (From Suite Espanola)
Prelude No.5
Prelude No.2
Estudio Brilliante
Mazurka
Marieta
Maria
Adelita
Fandanguillo
Garrotin
Soleares
Rafaga

Customer Reviews:

mellow music.......2007-05-12

This cd has a lovely classic guitar sound. I only gave it 4 stars because I expected a more lively cd (you know the kind of fast fingering classical guitar?). Don't get me wrong - the music is REALLY nice, it's just a much slower and mellower fingering than I was anticipating.

Phasing is awkward.......2004-05-14

I agree with the review from "A music Fan" who said Angel's phasing is awkward. I was able to listen to this at a store and totally agree that Angel's phasing is awkward and unnatural. For instance, Adelita sounds stiff and brittle, very unsatisfying.

Unbelievable technique, unorthodox phrasing.......2003-11-21

As my title states, Angel Romero's technique is very clean and precise. His dynamic range is huge. This set of pieces in itself is a documentation of his versatility as an artist; combining pieces of pure burn (Allard) with simple (Tarrega miniatures) and artful soundscapes (Torroba, Albeniz). However, the phrasing is often very akward. I don't understand why someone with so much musical background and technique, coming from a family that practically educated the instrument on musicality, would phrase music so irrationally. For instance, listen to Angel's Estudio Brillante. The phrasing sounds like the fingering. Any master violinist or pianist playing this piece would not phrase the scale and arpeggio phrases in the way Romero does on this recording. Otherwise, the album is basically a greatist hits CD with some formidably played but non-essential renditions of the pieces all classical guitar masters play.

Average customer rating:

Rubinstein's Love Affair with Spain
Rubinstein Topples de Larrocha
Rubinstein "Speaks" Spanish Without an Accent

Rubinstein Collection, Vol. 18

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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Rubinstein Collection, Vol. 42
Rubinstein Collection, Vol. 22
Rubinstein Collection, Vol. 24
Artur Rubinstein Collection, Vol 25
Rubinstein Collection, Vol. 72

ASIN: B000031WBO
Release Date: 2000-10-10

Tracks:

Andaluza: Danza espanola No. 5 In E Minor
The Three-Cornered Hat: Miller's Dance
Cordoba, Op. 232, No. 4
Goyescas, No. 4: The Maiden And The Nightingale
Cancon i dansa No. I
Pieces espagnoles, No. 4: Andaluza
Iberia, No. I: Evocacion
Navarra (Completed By Severac)
Suite espanola, No. 3: Sevillanas
El Amor Brujo: Dance Of Terror
Cancon i dansa No. 6
Nights in the Gardens of Spain: En el Generalife
Nights in the Gardens of Spain: Danza lejana
Nights in the Gardens of Spain: En los jardines de la Sierra de Cordoba
El Amor Brujo: Ritual Fire Dance

Customer Reviews:

Rubinstein's Love Affair with Spain.......2006-09-06

Arthur Rubinstein was from the earliest days of his long fabled career a proponent of the music of Spain. Whether in that extraordinary follow-up to the protean display pieces of Liszt, Albeniz's Iberia, or the memorable lyrical passages of the ill-fated Granados, Rubinstein's way with this music stood out in that bygone era of legendary virtuosi. (Of note - Granados tragically was killed trying in vain to rescue his wife following a U-boat attack on their return to Barcelona following the succesful 1916 Met premiere of his opera Goyescas. His success was so great in America he even played at the White House for President Wilson. The CD has one selection from Goyescas, the famous "The Maiden and the Nightingale" in a wonderfully evocative performance by Rubinstein.)
At the same time as the Goyescas' Met premiere the young Artur Rubinstein was traveling across the breadth of the Iberian peninsula, giving over a hundred concerts between 1916 and 1917. Rubinstein became friends with the Albeniz family. (The composer had died in 1909.) He became a huge public favorite and was feted far and wide in Spain, including by the Spanish Royal family. Throughout his life he kept a home in Spain in that extraodinary Costa del Sol cityscape that is Marbella. Rubinstein's appreciation for Spain and Spanish music was unparalled among any other non-Spanish performers of the last century.
This selection was made according to the back cover between 1947 and 1955, but actually, as one reviewer correctly noted, the earliest recording, Navarra from Iberia, was made earlier, in June of 1941. The remainder are from 1947 or later. The performance of the delightful Spanish piano concerto, De Falla's Noches en los Jardins de Espana, captures Rubinstein at the peak of his career - his later stereo performance lacks the froth, sparkle and genuine magic given off in this version. The piano sounds wonderful and has been superbly restored in this issue. The only downside to this CD is that it represents most of the Spanish music Rubinstein recorded.
If you thought Rubinstein simply meant Chopin then this CD will certainly be a revelation. Some of the greatest Spanish piano music played by one of its greatest interpretators. Highest possible recomendation!
P.S. When a customer searches for this title why does Amazon insist on listing an old no longer available CD of this RCA CD and not this much more recent and in stock remastering? This version has a drawing of Rubinstein by Picasso.

Rubinstein Topples de Larrocha.......2001-02-10

Dear Readers, Rubinstein does not deserve to be mentioned in the same sentence with de Larrocha. The fact is that he "LOVED" Spanish music and de Larrocha made her career on it. It's very beautiful what she does, but Rubinstein goes to the heart everytime. You'll get a glimpse of this if you compare the two. They are in very different zones.

Rubinstein "Speaks" Spanish Without an Accent.......2001-01-02

After Alicia De Larrocha, Arthur Rubinstein was the 20th century's greatest exponent of Spanish piano music. On his first tour of Spain, in 1915, the Polish pianist fell in love with the country--its food, wine, women, and music. The love was mutual. Spain took Rubinstein to heart and became friends with some of the composers featured on this CD. Critical reactions to Rubinstein's performances of Spanish music were ecstatic--many musicians remakring that he played Spanish music "without an accent," i.e., like a born Spaniard.

The performances on this CD were recorded from 1941-1955. Every track on this disc demonstrates what the critics in Spain were writing at the time, Rubinstein had a natural feel for this repertoire that defies born nationality. Particularly effective are the Albeniz and Falla selections.

It is a pity that Rubinstein was not persuaded to re-record all of these works in stereo (there are stereo versions of Falla's Fire Dance, Nights in the Gardens of Spain, and Albeniz' Navarra), as there are those closed-minded individuals who will refuse to buy this CD simply because the recordings featured on it are monaural. The loss is theirs.

Tracks:

Asturias
Tango
Canarios
Fandango
Nocturno
El Colibri
Sonata In D
The Corregidor's Dance
Fisherman's Song
The Miller's Dance
Mondronos
La Nit de Nadal
El Noy de la Mare
La Maja de Goya
Cordoba
Recuerdos de la Alhambra
Spanish Dance No. 5
El Testamen de Amelia
Prelude No. 4 In E Minor
Sevilla
Homanaje
Fantasia
Fandanguillo, Op. 36

Customer Reviews:

Brilliant in many ways.......2005-10-04

'The guitar is a genuinely Spanish instrument,' writes Uwe Kraemer, and it (along with the classical music for it) is one of the great gifts of Spanish culture to the world. The period of composition for guitar in Spanish culture began in the 1500s, and has never really faded. Guitarist John Williams (not to be confused with the composer of the Star Wars themes) is a master of this instrument, and has selected a repertoire of pieces spanning all four centuries of the instrument.

This is a solo album - all of the pieces here are arranged for single guitar. Some of the music is distinctively Spanish, while others bear a Catalan and Portuguese influence. Few of the composers on this album are well-known names in the Northern-European culture, but in the Latin culture, these are names that are known, and the music even more so.

From the earliest century of guitar music, composers such as Gaspar Sanz and Alonso Mudarra show the origins of this kind of work, which includes dissonances that occasionally sound like modern composition. There are pieces with lively spirit and power, inspiring dance in a more popular mode.

Mateo Albeniz has only one surviving composition; a church organist in the late eighteenth/early nineteenth century, he was influenced by Scarlatti and wrote for the harpischord - Williams has transcribed the piece for guitar here.

From the nineteenth to early twentieth centuries, many composers were productive: Isaac Albeniz, Julio Sagreras, Manuel de Falla, Enrique Granados, Francisco Tarrega, Heitor Villa-Lobos, and Joaquin Turina. Some like de Falla were very influenced by traditional Spanish stories and musical themes, whereas others like Granados drew inspiration from the broader aspects of European musical tradition. Villa-Lobos shows the transportation of Spanish music into the new world, becoming a noted name in Brazilian music (which, ironically, is the only major South American country without Spanish as its primary language).

Joaquin Rodrigo and Frederico Moreno Torroba represent composers in this grand style up to the present day.

John Williams' playing is technically sound and has flashes of emotional power and inspiration. Many pieces here are wonderful, but 'The Miller's Dance', the 'Fandango' and the Villa-Lobos 'Prelude No. 4 in E minor' stand out as the greatest of tracks here, being nothing short of brilliant.

classical gems.......2003-07-09

A treat for the solo guitar enthusiast, this is a sparkling collection of Spanish classics, full of drama and passion, played to perfection by John Williams. His technique is dazzling, with a purity and clarity even in the fast and fiery parts, and never a squishy note to be heard.
The music takes us back to the mid 16th century with Alonso Mudarra's "Fantasia", which is short and charming, as well as another early composer, Gaspar Sanz (1640-1710), with his "Canarios", up to many 20th century masters like de Falla, Torroba, and the only non-Spaniard represented, the Brazilian Heitor Villa-Lobos.
Favorites include Albeniz' "Cordoba", which has a marvelous "rasqueado", and the familiar but exciting "The Miller's Dance" by de Falla, but every track is impressive on this CD, as well as entertaining, something solo guitar music occasionally fails to be.

Having been reared by a mother who loved her guitar almost as much as her children, I have heard these pieces played often and by many great artists, but never better, or more enjoyably. This is a compilation that consists of previously released material, some from the 70's and 80's; the sound throughout is excellent, and the total time 73:46.

Nobody Does It Better.......2001-11-24

I regard the recording of "Leyenda" on this CD the best. All other recordings are weak, especially during the buildup of the arpeggio and the strummed chords. Williams is the only guitarist I've heard (including Segovia) to give this dramatic masterpiece the dose of power it deserves--from the bright arpeggio to the whipsaw chordal strums. Other great performances on this CD are "Canarios," "Sonata in D," "Madronos," "Cordoba," and "Recuerdos de la Alhambra." To give an indication of just how powerful Williams' playing is, I've heard Christopher Parkening's and David Brandon's duo (which I highly regard) performance of "The Miller's Dance," and found it lacking the dynamism and excitement of Williams' solo performance. A few of the other compositions on this CD don't appeal to me much; otherwise, I'd rate this CD higher.

Good CD.......2001-10-15

Nice round choice of pieces, well performed. Naturally there are favorites, but overall, a lovely work.

A cultural treasure.......2001-10-09

While converting CDs to MP3s recently, I rediscovered this 1990 CD. I've always loved Williams' lively performances of "Canarios" and "Fantasia", but was struck, one week before the terrorist war began, by the gentle, sad beauty of "Recuerdos de la Alhambra" [Keepsakes of the Alhambra palace]. Tarrega's composition, an inspired work of genius, could serve to restore hopes of peace to the world.

Average customer rating:

¡España!

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music
ASIN: B000001HO8
Release Date: 1994-03-22

Tracks:

Espana: Rapsodie - The State Of Mexico Symphony Orchestra/Enrique Batiz
Fandango - Carlos Bonell
The Toreador's Prayer - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Carmen: The Toreadors - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Espana: Tango - Allan Schiller
Cantos De Espana: Bajo La Palmera - Pro Arte Gtr Trio
Suite Espanola: Sevilla - Alma Petchersky
Suite Espanola: Asturias - Guillermo Fierens
Goyescas: Intermezzo - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Tonadillas: The Timid Beau - Sandra Browne/Michael Isidor
Danzas Espanolas: Villanesca - Pro Arte Gtr Trio
Danzas Espanolas: Andaluza - Maria Garzon
Gran Jota - Carlos Bonell
La Vida Breve: Spanish Dance No.1 - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Canciones Populares Espanolas: Jota - Sandra Browne/Michael Isidor
Love The Magician: Ritual Fire Dance - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz