Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
2. Hungarian Folksongs, for violin & piano (transcribed from "For Children" by Tivadar Országh & Béla Bartók) Part 1
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
3. Hungarian Folksongs, for violin & piano (transcribed from "For Children" by Tivadar Országh & Béla Bartók) Part 2
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
4. Sonatina, for violin & piano (arranged from piano work by Endré Gertler with Bartok's approval) Sz. 55, BB 102a Bagpipes
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
5. Sonatina, for violin & piano (arranged from piano work by Endré Gertler with Bartok's approval) Sz. 55, BB 102a Bear Dance
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
6. Sonatina, for violin & piano (arranged from piano work by Endré Gertler with Bartok's approval) Sz. 55, BB 102a Finale
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
7. Hungarian Folk Tunes, for violin & piano, arranged by Joseph Szigeti and Bela Bartók from "For Children" Part 1
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
8. Hungarian Folk Tunes, for violin & piano, arranged by Joseph Szigeti and Bela Bartók from "For Children" Part 2
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
9. Hungarian Folk Tunes, for violin & piano, arranged by Joseph Szigeti and Bela Bartók from "For Children" Part 3
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
10. Sonata, for violin & piano, No. 1 in C sharp Minor, Sz. 75, BB 84 (Op. 21)
Composed by Bela Bartok
with Gusztav Fenyo , Susanne Stanzeleit
Béla Bartók: Violin Music, Volume 2,Bela Bartok,Gusztav Fenyo,Susanne Stanzeleit,Asv Living Era,Chamber,Classical,Violin with Keyboard
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A Life In Music: Isaac Stern, Volume 9
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A8I Release Date: 1995-07-25 |
Tracks:
- Concerto For Violin And Orchestra 'No. 1': I. Andante sostenuto
- Concerto For Violin And Orchestra 'No. 1': II. Andante giocoso
- Concerto For Violin And Orchestra 'No. 2': I. Allegro non troppo
- Concerto For Violin And Orchestra 'No. 2': II. Andante tranquillo
- Concerto For Violin And Orchestra 'No. 2': III. Allegro molto
Customer Reviews:
A treasured musical document!.......2005-08-31
Isaac Stern perfect, orchestra pathetic.......2004-04-23
I'm complaining of two things in particular, namely the playing of the orchestra and the overall sound of the recording. Because the sound of the recording can be summed up very quickly, I'll say that first:
Whoever engineered the sound and the placement of the microphones on this recording should have been fired immedietally after its release, if he or she wasn't. You see, the overall sound of the recording is as though the orchestra has been placed in a tin can, with the microphones and Isaac Stern on the outside; the recording sound is extremely hollow and there are places where the orchestra, even though the whole thing is playing, is virtually inaudibule underneath Stern's thunderously loudly microphoned playing.
Now.. for the orchestra.
Leonard Bernstein was a talented man. His knowledge of music was unending, he was a fantastic composer and he was a fantastic pianist; the charisma in his lectures is rivetting. On the podium, however, his talent lied in his awe-inspiring ability to completely ignore the score. I'm a student of music education, you see, and one of my extreme pet peeves is a performance in which the score is almost totally disregarded in favor of a vulgarly "expressive" interpretation. This you can see in virtually all of Bernstein's recordings of music written after the invention of the metronome, but this performance is the only one I'm concerned with right now.
This is what I did: I checked out my music library's copy of the score of Bartók's second violin concerto to follow along with the recording. Look at this list of balance problems, compiled within the first minute and a half of fifteen in the first movement.
1. Measures 3-6: Horn completely inaudible even though the only other thing going on is pizz. strings.
2. Measures 7-15: Orchestral strings inaudible; basses and 'celli *sensed* but not heard.
3. From entry in measure 9 to end: bassoons completely inaudible, even in soft dynamic levels where only they and clarinets are playing.
4. Measures 10-28: Clarinets completley inaudible.
5. Measures 15-17: Oboes inaudibule.
6. Measures 16-17: Flute sensed, but not heard.
7. Measures 15-21: TIMPANI inaudible!!
8. Measures 31-34: First six or so notes in clarinet heard, but nothing afterward; the scoring is so light at this point this is absurd.
9. Measure 32: Flute sensed, not heard. Again, scording so light that this should not be so.
10: Measures 31-40: Three horns used and light scoring, but inaudible beyond first attack (more like a splatter than an attack)
11: Measures 34-35: First six notes heard in flute run, but EXTREMELY rushed.
12: First climax, measures 43-51: Whole orchestra is used, forte, but only first violins are actually audible. Flutes are in their highest register but still inaudible. Low strings are sensed but not heard. Oboes? Bassoons? Clarinets? Horns, all four of them?! Measure 49 is thinly scored, but bassoons and oboes are only barely discernable. Bass clarinet in high register but inaudible. Canon-like counterpoint in strings, measures 48-51, is swamped by the raucously loud first violins.
All in the first two minutes of the first movement's fifteen!
Is it so much to ask that, in a Bartók recording, I hear all of what Bartók wrote? Ladies and gentlemen, in a fine orchestra like the New York Philharmonic on a fine label like Sony Classical, there is absolutely no excuse for this horrible balance.
I recommend, instead, Pierre Boulez' performance of the same piece on the Deutsche Grammophon label, with Gil Shaham as the soloist. Granted, Boulez is hardly perfect, but you'll hear more of the score than you will under Bernstein or, indeed, any other.
One star for the orchestra and the morons who engineered this recording, five stars for Isaac Stern.
Definitive reading of the 2nd Violin Concerto.......2000-11-12
I spotted this CD in Best Buy, of all places. I read the details and discovered that it contained the very same recording that had captivated me years earlier, so I quickly snapped it up. Also on the disc is a 1961 Stern recording of Bartok's First Violin Concerto, with the Philadelphia Orchestra led by Eugene Ormandy. Though no less impressive in its own right, the first concerto is shorter, less ambitious, and more transparently Romantic. Stern and Ormandy handle it deftly.
In all, this is a valuable addition to your collection if you enjoy great 20th-century orchestral music. Buy it because it's Isaac Stern, or buy it because it's Bela Bartok. Either way, buy it.
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A Life In Music: Isaac Stern, Volume 10
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A8J Release Date: 1995-07-25 |
Tracks:
- Concerto For Violin And Orchestra No. 1 In D Major, Op. 19: I. Andantino - Andante assai
- Concerto For Violin And Orchestra No. 1 In D Major, Op. 19: II. Scherzo. Vivacissimo
- Concerto For Violin And Orchestra No. 1 In D Major, Op. 19: III. Moderato
- Concerto For Violin And Orchestra No. 2 In G Minor, Op. 63: I. Allegro moderato
- Concerto For Violin And Orchestra No. 2 In G Minor, Op. 63: II. Andante assai
- Concerto For Violin And Orchestra No. 2 In G Minor, Op. 63: III. Allegro ben marcato
- Rhapsody For Violin And Orchestra No. 1 In G Minor: I. Lassu
- Rhapsody For Violin And Orchestra No. 1 In G Minor: II. Friss
- Rhapsody For Violin And Orchestra No. 2 In D Minor: I. Lassu
- Rhapsody For Violin And Orchestra No. 2 In D Minor: IIl. Friss
Customer Reviews:
Variable in technique, but great musicianship throughout.......2007-02-05
Even more so ae we swept to Hungary for the two Bartok Rhapsodies with Bernstein. I had thought that the version recorded by Gil Shaham with Boulez on DG were very good, but they are bloodless compared to what we have here, gypsy fiddling at its most soulful as filtered through Bartok's modernist sensibility. Great cembalon, too, miked up close.
In all, one of Stern's most gratifying and exciting records.
Terrible Bartók.......2005-04-16
(One of the reasons I cannot stand Isaac Stern--and, in fact, a lot of string soloists and vocalists in general--is that they like to abuse vibrato. Vibrato is a means of expression and, in the same way that too much honey becomes nauseating, it loses its effect when overused and ends up sounding as though the soloist has more of a nervous twitch than anything.)
As for the orchestra, I would seriously like to know what got the previous reviewer thinking that this is exactly as Bartók wanted. Now, I may not be a violinist, but I know that the violin cannot overpower an orchestra. Where are these "smears" of orchestral color? I cannot hear them underneath Isaac Stern's obnoxiously microphoned and sickeningly sweet playing. As for Bernstein, he's his usual terrible self here. Dynamics are ignored, tempi are ignored, and the score is otherwise neglected in favor of an obscenely romantic "interpretation" that is just plain wrong. It's not as terrible as his performance (again, with Stern) of Bartók's second violin concerto on the same label, but still awful. Bartók must be rolling in his grave.
(...)
Go elsewhere for the Prokofiev.......2000-02-13
The Bartok Rhapsodies are this disc's savior (and the only reason I haven't consigned it to the used CD bin). Full orchestral and violinistic color are smeared across the sound waves exactly as Bartok himself intended. Wonderful.
That said, if the Bartok has been released elsewhere, get it there. The Prokofiev concerti are immeasurably dissapointing.
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Béla Bartók: Violin Music, Volume 2
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD ASIN: B0000030UI Release Date: 1994-03-22 |
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Bela Bartok: Violin and Piano Music, Volume 3
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD ASIN: B0000030X1 Release Date: 1997-02-18 |
Tracks:
- Son in e, Op.Posth: First Movt: Allegro Moderato
- Son in e, Op.Posth: Second Movt: Andante
- Son in e, Op.Posth: Third Movt: Vivace
- Andante
- Slovak Folk Songs: Allegro
- Slovak Folk Songs: Andante
- Slovak Folk Songs: Allegretto
- Slovak Folk Songs: Lament: Lento
- Slovak Folk Songs: Poco Andante
- Slovak Folk Songs: Allegro
- Slovak Folk Songs: Romanze: Assai Lento
- Slovak Folk Songs: Moderato
- Slovak Folk Songs: Fangspiel: Prestissimo
- Burlesque, Op.8c No.2
- For Children: Allegro Non Troppo
- For Children: Andante Sostenuto
- For Children: Vivace
- For Children: Betyarnota: Andante
- For Children: Tanedal: Allegro
- For Children: Gyernetdal: Andante
- For Children: Furulyaszo: Andante Molto Rubato
- For Children: Andante
- For Children: Andante
- For Children: Allegro
- Contrasts, SZ111: Verbunkos (Recruiting Dance): Moderato Ben Ritmato - Susanne Stanzeleit/Gusztav Fenyo/Michael Collins
- Contrasts, SZ111: Piheno (Relaxation): Lento - Susanne Stanzeleit/Gusztav Fenyo/Michael Collins
- Contrasts, SZ111: Sebes (Fast Dance): Allegro Vivace - Susanne Stanzeleit/Gusztav Fenyo/Michael Collins
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Gateway To Classical Music: Volume 1/Volume 2
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD ASIN: B000002SCD Release Date: 1994-03-15 |
Tracks:
- Six Medieval Tunes - GATEWAY TO CLASSICAL MUSIC
- Rosa das rosas - GATEWAY TO CLASSICAL MUSIC
- Maravillosos e piadosos - GATEWAY TO CLASSICAL MUSIC
- Instrumental Kyrie (Codex Faenza) - GATEWAY TO CLASSICAL MUSIC
- Sanctus - GATEWAY TO CLASSICAL MUSIC
- Flos florum - GATEWAY TO CLASSICAL MUSIC
- Messe de Nostre Dame III.: Gloria - GATEWAY TO CLASSICAL MUSIC
- Motet - Quam pulcra es - GATEWAY TO CLASSICAL MUSIC
- Requiem (Missa pro defunctis): II. Kyrie - GATEWAY TO CLASSICAL MUSIC
- Motet - Absalom, fili mi - GATEWAY TO CLASSICAL MUSIC
- (untitled) - GATEWAY TO CLASSICAL MUSIC
- Rias Chamber Choir: Innsbruck, ich muss dich lassen - GATEWAY TO CLASSICAL MUSIC
- O magnum mysterium - GATEWAY TO CLASSICAL MUSIC
- Hodie Christus natus est - GATEWAY TO CLASSICAL MUSIC
- Ricercar - GATEWAY TO CLASSICAL MUSIC
- Buccinate in neomenia - GATEWAY TO CLASSICAL MUSIC
- Toccata V In G major - GATEWAY TO CLASSICAL MUSIC
- Zefiro torna - GATEWAY TO CLASSICAL MUSIC
- The First Booke Of Songes: 'Now O Now' - GATEWAY TO CLASSICAL MUSIC
- Dances From Terpsichore: Passameze - GATEWAY TO CLASSICAL MUSIC
Tracks:
- Suite In A Minor For Flute And Strings - Overture - Various Artists
- Abdelazer: Rondo - Various Artists
- Concerto Grosso In G Minor, Op. 6, No. 8 'Christmas': I. Allegro - Various Artists
- Oboe Concerto: I. Allegro - Various Artists
- Concerto For Mandolin: I. Allegro - Various Artists
- Concerto For Mandolin: II. Largo - Various Artists
- Concerto For Mandolin: III. Allegro - Various Artists
- Adagio In G Minor For Organ And Strings - Various Artists
- The Four Seasons - 'Spring' RV.269: I. Allegro - Various Artists
- The Four Seasons - 'Spring' RV.269: II. largo - Various Artists
- The Four Seasons - 'Spring' RV.269: III. Allegro - Various Artists
- Toccata And Fugue In D Minor, BWV 565 - Various Artists
- Canon In D - Various Artists
- Water Music - Suite In D: Alla Hornpipe - Various Artists
- Contata No. 80: Chorale - Ein 'Feste Burg ist unser Gott - Various Artists
- Quella pace gradita (Cantata) - 'Care selve, soggiorni quieti' - Various Artists
- Brandenburg Concerto No. 2 In F Major, BWV 1047: I. Allegro - Various Artists
- Brandenburg Concerto No. 2 In F Major, BWV 1047: II. Andante - Various Artists
- Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro assai - Various Artists
Tracks:
- Symphony No. 96 In D Major 'Miracle': I. Adagio - Allegro - Various Artists
- Eine kleine Nachtmusik (Serenade, K. 525): I. Allegro - Various Artists
- Minuet For Strings - Various Artists
- Divertimento, Hob.II:20: III. Adagio - Various Artists
- Horn Concerto No. 4, K. 495: III. Rondo - Various Artists
- Orfeo ed Euridice: Dance Of The Blessed Spirits - Various Artists
- Cello Concert No. 1 In E Flat, G. 474: I. Allegro moderato - Various Artists
- Piano Concerto No. 21 In C, K. 467, 'Elvira Madigan': II. Andante - Various Artists
- Trumpet Concerto In E Flat Major: III. Allegro - Various Artists
- Symphony No. 40 In G Minor, K. 550: I. Molto Allegro - Various Artists
- Marriage of Figaro, K. 492: Overture - Various Artists
- Medea: Overture - Various Artists
Tracks:
- Barber Of Seville: Overture - GATEWAY TO CLASSICAL MUSIC
- Violin Concerto No. 1 In D Major, Op. 6: III. Rondo (Allegro spirituoso) - GATEWAY TO CLASSICAL MUSIC
- Symphony No. 8 In B Minor, D.759 'Unfinished': I. Allegro moderato - GATEWAY TO CLASSICAL MUSIC
- Symphony No. 4 In A 'Italian': I. Allegro Vivace - GATEWAY TO CLASSICAL MUSIC
- Piano Concerto No. 1 In E Minor, Op. 11: II. Romance (Larghetto) - GATEWAY TO CLASSICAL MUSIC
- Symphony No. 6 In F, Op. 68 'Pastoral': I. Allegro ma non troppo - GATEWAY TO CLASSICAL MUSIC
- Der Freischutz: Overture - GATEWAY TO CLASSICAL MUSIC
Tracks:
- Roman Carnival Overture - Various Artists
- Hungarian Rhapsody No. 3 In D - Liszt
- Symphony No. 3 In E Flat Major, 'Rhenish': I. Lebhaft - Various Artists
- Voices Of Spring, Op. 410 - Johann Strauss
- Dance Of The Persian Slaves: Khovanshchina - Various Artists
- VIOLIN CONCERTO IN D, OP. 77: III. Allegro giocoso, ma non troppo vivace - Various Artists
- Carnaval Overture, Op. 92 - Various Artists
- Tristan und Isolde: Liebestod - Various Artists
- Symphony No. 4 In F Minor, Op. 36: IV. Finale, (Allegro con fuoco) - Tchaikovsky
Tracks:
- Mlada: Procession Of The Nobles - Various Artists
- Pavane, Op. 50 - Various Artists
- Symphony No. 1 In E Major, Op. 26: I. Lento - Various Artists
- Symphony No. 4 In E Flat 'Romantic': III. Scherzo And Trio - Various Artists
- Symphony No. 5 In C Minor: IV. Adagietto (Sehr langsam) - Various Artists
- Pomp & Circumstance March No. 1 In D, Op. 39-1 - Various Artists
- Poeme De L'amour Er De La Mer, Op. 19: II. Interlude - Various Artists
- On Hearing The First Cuckoo In Spring - Various Artists
- The Sorcerer's Apprentice - Various Artists
- Ein Heldenleben, Op. 40: Renunciation - Various Artists
Tracks:
- Finlandia - GATEWAY TO CLASSICAL MUSIC
- Rhapsody On A Theme Of Paganini: Variation No. 18 - GATEWAY TO CLASSICAL MUSIC
- Pavane pour une infante defunte - GATEWAY TO CLASSICAL MUSIC
- Nocturnes: 'Fetes' - GATEWAY TO CLASSICAL MUSIC
- The Firebird: 'Infernal Dance' - GATEWAY TO CLASSICAL MUSIC
- Feste romane: 'La Befana' - GATEWAY TO CLASSICAL MUSIC
- Fantasia On 'Greensleeves' - GATEWAY TO CLASSICAL MUSIC
- Music For Strings, Percussion And Celesta: III. Adagio - GATEWAY TO CLASSICAL MUSIC
- Adagio For Strings - GATEWAY TO CLASSICAL MUSIC
- Rodeo: Hoe-down - GATEWAY TO CLASSICAL MUSIC
- Romeo And Juliet, Suite No. 2, Op. 64c: Montagues And Capulets - GATEWAY TO CLASSICAL MUSIC
- 5 Orchestral Pieces, Op. 16: Peripetie: Sehr rasch - GATEWAY TO CLASSICAL MUSIC
- A Set Of Pieces For Theater Or Chamber Orchestra - No. 3: In The Night - GATEWAY TO CLASSICAL MUSIC
- Candide: Overture - GATEWAY TO CLASSICAL MUSIC
Tracks:
- Orfeo ed Euridice: 'J'ai perdu mon Eurydice' - Various Artists
- Don Giovanni: 'Madamina, il catalogo e questo' (Catalog Aria) - Various Artists
- Fidelio: 'O namenlose Freude!' - Various Artists
- Norma: 'Casta Vista' - Various Artists
- Il Barbiere di Siviglia: 'Largo al factotum della citta' - Various Artists
- L'Elisir d'Amore: 'Una furtiva lagrima' - Various Artists
- La Traviata: 'Lunge da lei...de'miei bollenti spiriti' - Various Artists
- Aida: 'Qui Radames verra...O patria mia' - Various Artists
- Tannhauser: 'Wie Todesahnung O du mein holder Abendstern' - Various Artists
- Carmen: 'Votre toast je peux vous le rende' (Song Of The Toreador) - Various Artists
- La Gioconda: 'Suicidio!' - Various Artists
- Pagliacci: 'Vesti la giubba' - Various Artists
- La Fanciulla del West: 'Ch'ella mi creda libero' - Various Artists
- TOSCA: 'E lucevan le Stelle' - Various Artists
- Adriana Lecouvreur: 'Ecco! respiro appeno...Io son lumile ancella' - Various Artists
- Peter Grimes: 'Embroidery In Childhood Was A Luxury Of Idleness' - Various Artists
- Salome: 'Ah! Ich habe deinen Mund gekusst' - Various Artists
Music Review:
- Baroque Recorder Sonatas I
- Bax & Whitlock: Choral Music
- Beethoven: Complete Symphonies, Vol. 3.
- Beethoven: Piano Concerto No. 6; Choral Fantasy; Rondo in B flat
- Beethoven: The Piano Sonatas, Vol. 10
- Berlioz: Béatrice Et Bénédict/Le Roi Lear/Herminie
- Camille Saint-Saëns: Violin Sonatas
- Clarke: Sonata for viola; Trio
- Clementi: Symphony No. 1; Overture in C; Symphony No. 3 "The Great National"
- Clementi: Symphony No. 2 in; Overture in D
Music Review
Walton: Scenes from Shakespeare/ Gielgud, Plummer, Marriner
Stokowski Conducts Beethoven, Britten, Falla
While My Lady Sleeps [Original recording remastered] [Import]
Time for Travellin': The Best of Joe Ely, Vol. 2 [Import]