1.
A Haunted Landscape, for orchestra
Composed by
George Crumb
Performed by
New York Philharmonic
Conducted by
Arthur Weisberg
2.
Colloquies (3) for horn & orchestra
Composed by
William Schuman
Performed by
New York Philharmonic
with
Philip Myers
Conducted by
Zubin Mehta
George Crumb: A Haunted Landscape / William Schuman: Three Colloquies for Horn & Orchestra - New York Philharmonic / Arthur Weisberg / Zubin Mehta,George Crumb,William Schuman,Arthur Weisberg,Zubin Mehta,Philip Myers,New York Philharmonic,New World Records,20th/21st Century Orchestral Work with Descriptive Title,Classical,Concerto,French Horn Concerto,Orchestral,Orchestral & Symphonic
Average customer rating:
- If you like this sort of thing, you'll find that this is the sort of thing you like.
|
George Crumb: A Haunted Landscape / William Schuman: Three Colloquies for Horn & Orchestra - New York Philharmonic / Arthur Weisberg / Zubin Mehta
Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD
All Works by George Crumb
| Crumb, George
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schuman
| Schuman, William
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
French Horn
| Brass
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B0000030DA
Release Date: 1992-12-08 |
Tracks:
- A Haunted Landscape
- Three Colloquies For Horn And Orchestra: Rumination
- Three Colloquies For Horn And Orchestra: Renewal
- Three Colloquies For Horn And Orchestra: Remembrance
Customer Reviews:
If you like this sort of thing, you'll find that this is the sort of thing you like........2006-07-27
In all, a substantive and worthwhile disc here. Crumb's A Haunted Landscape sounds very much like a good sci-fi horror movie score, laden with anxiety and a sense of the numinous and bizarre. Schuman's Three Colloquies for Horn and Orchestra are more difficult. Its texture owes much to Webernian pointillism, but harmonic and melodic material seem to derive more from extended tertian harmonies than from serial rows or pitch-class sets, so that the piece speaks in a more consonant, jazz orchestra sort of language as far as pitch is concerned. The New York Philharmonic plays with predictable skill and, surprisingly, a good deal of enthusiasm (so many performances of new compositions are just phoned-in), and Myers, the horn soloist, produces a rugged, powerful sound that works very well in the Colloquies. This isn't meant to be pretty music and if your tastes run more to Brahms and Mahler in orchestral music it won't be your favorite album, but these are both excellent post-modernist scores.
Music Review:
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- Honegger: The Chamber Music, Disc 4
- John Alden Carpenter: Collected Piano Works
- Ka & Ttai: Suites for Piano
- Korf: Symphony No.2/Davidovsky: Divertimento/Wright: Night Scenes
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