Composed by Rudolph Bubalo
Performed by Cleveland Chamber Symphony with Regina Mushabec
Conducted by Edwin London
2. Concertino
Composed by Rudolph Bubalo
Performed by Cleveland Chamber Symphony Conducted by Edwin London
3. Valence II, for clarinet & bassoon
Composed by Rudolph Bubalo
with Lawrence McDonald , Kenneth Moore
4. Offset I, Three Pieces for orchestra and Synthesizers
Composed by Rudolph Bubalo
Performed by Cleveland Chamber Symphony Conducted by Edwin London
Bubalo: Concertino; Valence II,Kenneth Moore,Regina Mushabec,Lawrence McDonald,Rudolph Bubalo,Edwin London,Cleveland Chamber Symphony,New World Records,Cello Concerto,Chamber,Chamber Music,Classical,Concerto,Miscellaneous,Miscellaneous Music,Orchestral,Orchestral & Symphonic,Orchestral Music
Average customer rating:
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Bubalo: Concertino; Valence II
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD ASIN: B0000030I2 Release Date: 1997-03-25 |
Tracks:
- Concerto For Cello And Orchestra: Part 1
- Concerto For Cello And Orchestra: Part 2
- Concerto For Cello And Orchestra: Part 3
- Concertino
- Valence II
- Offset 1: Part 1
- Offset 1: Parts 2 & 3
Customer Reviews:
Adventurous, energising music.......2002-06-17
The four pieces represented on the CD illustrate different facets of the composer's varied interests - from the integration of orchestra and synthesisers on 'Concertino' and 'Offset 1' (where the electronics are mainly used to enhance colour and texture), through to the vibrantly serialist 'Concerto for Cello and Orchestra' and woodwind multiphonics of 'Valence II'.
Bubalo explains: "In all my work I am concerned with the expressive content of sound... sound that engages and stimulates the consciousness of the listener." In these aims he certainly succeeds. These pieces are among the most energising, adventurous, timbrely full-bodied and rhythmically packed I have heard for a long time. They combine formal musical interest with a real visceral punch, revealing their originator's intellectual rigour but also his delight in musics outside the canonical high art tradition. Synaesthetically speaking, his sound palettes are full of deep reds and blues contrasting with lighter hues and some surprising splashes of colour. This is a superb collection by a relatively little-known composer. Thoroughly recommended.
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