Bach: Sinfonias & Orchestral Movements from Cantatas

1. Cantata No. 29, "Wir danken dir, Gott, wir danken dir," BWV 29 Sinfonia
Composed by Johann Sebastian Bach
with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

2. Cantata No. 34, "O ewiges Feuer, o Ursprung der Liebe," BWV 34 No. 3, Aria "Wohl euch, ihr auserwählten Seelen"
Composed by Johann Sebastian Bach
with Stephen Taylor
Conducted by Richard Kapp

3. Cantata No. 31, "Der Himmel lacht! die Erde jubilieret," BWV 31 No. 1, Sonata. Allegro
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

4. Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 No. 1, Sinfonia
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

5. Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 No. 5, Sinfonia. Presto
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

6. Cantata No. 49, "Ich geh und suche mit Verlangen," BWV 49 No. 1, Sinfonia
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

7. Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 No. 5, Aria "Alleluija"
Composed by Johann Sebastian Bach
with Edward Carroll , Lee Soper
Conducted by Richard Kapp

8. Cantata No. 68, "Also hat Gott die Welt geliebt," BWV 68 No. 2, Aria. Presto "Mein gläubiges Herze"
Composed by Johann Sebastian Bach
with Edward Carroll
Conducted by Richard Kapp

9. Cantata No. 129, "Gelobet sei der Herr," BWV 129 No. 5, Choral
Composed by Johann Sebastian Bach
Conducted by Richard Kapp

10. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 No. 1, Chor
Composed by Johann Sebastian Bach
Conducted by Richard Kapp

11. Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 No. 1, Instrumentalsatz
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

12. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 No. 6, Choral "Wohl mir, daß ich Jesum habe"
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

13. Cantata No. 156, "Ich steh mit einem Fuss im Grabe," BWV 156 No. 1, Sinfonia. Adagio
Composed by Johann Sebastian Bach
with Stephen Taylor
Conducted by Richard Kapp

14. Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 No. 1, Sinfonia
Composed by Johann Sebastian Bach
Performed by Gewandhaus Orchestra with E. Power Biggs
Conducted by Hans-Joachim Rotzsch

15. Cantata No. 207, "Vereinigte Zwietracht der wechselnden Saiten," BWV 207 Marcia
Composed by Johann Sebastian Bach
Conducted by Richard Kapp

16. Cantata No. 207, "Vereinigte Zwietracht der wechselnden Saiten," BWV 207 No. 1, Coro "Vereinigte Zwietracht der wechselnden Saiten"
Composed by Johann Sebastian Bach
Conducted by Richard Kapp

Bach: Sinfonias & Orchestral Movements from Cantatas,Johann Sebastian Bach,Hans-Joachim Rotzsch,Richard Kapp,Philharmonia Virtuosi,Stephen Taylor,Gewandhaus Orchestra,E. Power Biggs,Edward Carroll,Lee Soper,Sony,Cantata,Choral,Classical,Classical Composers,Classical Music

Average customer rating: The first of Hewitt's monumental Bach cycle Sophisticated, understated Bach

Bach: Fantasia in C minor; Two-Part Inventions; Three-Part Inventions; Chromatic Fantasia & Fugue Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Hewitt, Angela | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Bach: The Toccatas Bach: French Suites / Angela Hewitt Bach: The Six Partitas / Angela Hewitt Bach: The Well-Tempered Clavier (book 1) Bach - The Keyboard Concertos Vol 1 ASIN: B000002ZUY Release Date: 1994-08-30

Tracks:

1. Fantasia In C Minor, BWV906
2. Fifteen Two-Part Inventions, BWV772-786: Invention 1 In C Major
3. Fifteen Two-Part Inventions, BWV772-786: Invention 2 In C Minor
4. Fifteen Two-Part Inventions, BWV772-786: Invention 3 In D Major
5. Fifteen Two-Part Inventions, BWV772-786: Invention 4 In D Minor
6. Fifteen Two-Part Inventions, BWV772-786: Invention 5 In E Flat Major
7. Fifteen Two-Part Inventions, BWV772-786: Invention 6 In E Major
8. Fifteen Two-Part Inventions, BWV772-786: Invention 7 In E Minor
9. Fifteen Two-Part Inventions, BWV772-786: Invention 8 In F Major
10. Fifteen Two-Part Inventions, BWV772-786: Invention 9 In F Minor
11. Fifteen Two-Part Inventions, BWV772-786: Invention 10 In G Major
12. Fifteen Two-Part Inventions, BWV772-786: Invention 11 In G Minor
13. Fifteen Two-Part Inventions, BWV772-786: Invention 12 In A Major
14. Fifteen Two-Part Inventions, BWV772-786: Invention 13 In A Minor
15. Fifteen Two-Part Inventions, BWV772-786: Invention 14 In B Flat Major
16. Fifteen Two-Part Inventions, BWV772-786: Invention 15 In B Minor
17. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 1 In C Major
18. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 2 In C Minor
19. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 3 In D Major
20. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 4 In D Minor
21. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 5 In E Flat Major
22. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 6 In E Major
23. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 7 In E Minor
24. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 8 In F Major
25. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 9 In F Minor
26. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 10 In G Major
27. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 11 In G Minor
28. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 12 In A Major
29. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 13 In A Minor
30. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 14 In B Flat Major
31. Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 15 In B Minor
32. Chromatic Fantasia And Fugue In D Minor, BWV903: Fantasia
33. Chromatic Fantasia And Fugue In D Minor, BWV903: Fugue

Customer Reviews:

The first of Hewitt's monumental Bach cycle.......2006-03-25

In 1994 a mostly unknown 'Canadian' pianist signed with Hyperion Records to begin recording the whole of Bach's keyboard works. Eleven years - and some 14 discs later - the dream was complete, but the pianist was now well known and respected as one of the great Bach interpreters of her generation. This CD was the first of these recordings and the logical place to begin.

The program here ranges from the more simple of Bach's compositions (Two-Part Inventions) to some of the more trecherous, virtuostic masterpieces (the two fantasias). Written by Bach for his son and students around 1723, the Two-Part and Three-Part Inventions form the foundational know-how and skills of Bach's countrapuntal keyboard art. For centuries now these works have been essential for any piano student learning the "basics" of figuration, melodic line, smooth legato, clarity of two and three voices and so on. The Three-Part pieces are fairly advanced pieces possessing complex voicing and passagework. As such they are pre-requisite for learning the more complex preludes and fugues of "The Well-Tempered Clavier." Like the pieces in the WTC, both sets of Inventions show Bach as both a master educator and deft lyricist with their range of emotive qualities. There is delicacy, pensiveness, vivacity, virtuosity and sorrow expressed in these miniatures - all while building the foundational skills (like seamless legato w/o use of the pedal) necessary for performing the major piano repertoire. Pianists worldwide owe a world of gratitude for Johann Sebastian Bach for such foundational compositions which have been reverently played by many of the great composers who followed Bach.

I'm not sure if it is more Bach's multi-faceted compositions or Miss Hewitt's varied and expressive playing of them, but these so-called "piano excercises" sound anything but that. Likely, it is both of the above factors. It was in this first recording that Hewitt showed the music world her ever-so delicate, poised and artistic pianistic mannerisms, transforming these student pieces into delightful little concert performances in themselves. Her readings are worthy role models for students focusing on the long, clear, lyrical line that is essential to Bach's music as well as rewarding to admirers of Bach's art. Perhaps what Miss Hewitt most brings to this music is her tasteful, expressive nuances: a subtle rubato, an enticing dynamic shading and an artistic variety of tone summoned forth from her Steinway Grand. Such qualities create more of an unfolding story within each piece than showcasing mere "finger dexterity exercises." Gramophone recognized this more sensitive tunement to the musical aspects too and gave this CD a solid recommendation.

If the Inventions are the "main course" of this set, then the two virtuostic Fantasias which open and close the program are the delectable "appetizer" and "dessert" on the menu. Both show Bach as master of the extemporaneous "Style Fantasticus" that he most likely gleaned in his youth from his visit to hear the great organist, Buxtahude. Even in Bach's day supposedly, the great Chromatic Fanasia in D-minor was among his most popular piece as it is today. Both are exciting, daunting works played to perfection by Hewitt. As noted by Gramophone, "her readings of the fantasias are as eloquent and stimulating as any yet recorded by a harpsichordist." Also in support of the pianist is a fine recording ambiance by Hyperion that is hard to fault. Its rather ironic that this first CD of Hewitt's Bach recordings was the last of her entire discography I acquired. But even after hearing all her glorious performances of Bach's music - from the WTC and Goldbergs to the Toccatas, Suites and Keyboard Concertos - hearing these earliest and more straightforward pieces still brings great refreshment and satisfaction that is so common in Bach's music - and so common too in Angela Hewitt's masterful and colorful playing of them. Compositions - 4.5 stars, Peformance - 5 stars, Sound - 4.5 stars.

Sophisticated, understated Bach.......2002-03-24

I have several recordings of the Inventions and Sinfonias, both on harpsichord (Gilbert, Koopman) and piano-- but this is easily the most satisfying. Less quirky than Gould's, Hewitt's performance is the furthest thing from flashy or idiosyncratic and really allows the clarity and contrapuntal elegance of Bach's keyboard writing to shine through. The result is the furthest thing from didacticism, always a risk with works that have such a central position in every pianist's early training. While eschewing every excess, Hewitt is also unafraid to take some liberaties-- hear, for example, the octave-doubling in the f-minor Sinfonia, easily a highlight of the set and of this performance in particular. Excellent fill-ups as well, the virtuosic c-minor Fantasia (though performed, as is almost always the case, without its fragmentary companion fugue) and the "Chromatic" Fantasie & Fugue. Unhesitatingly recommended.

Average customer rating: FOR THE FAITHFUL Expect excellence, Get genius Performance versus Technology benchmark for the initiated This is just great music greatly interpreted

Inventions & Sinfonias - 70th Anniversary Edition Glenn Gould , and Bach Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: French Suites - 70th Anniversary Edition Art of the Fugue - 70th Anniversary Edition A State of Wonder: The Complete Goldberg Variations (1955 & 1981) Partitas 4 5 & 6 - 70th Anniversary Edition The Glenn Gould Edition - Bach: The Well-Tempered Clavier, Book I ASIN: B00006FI9S Release Date: 2002-09-03

Customer Reviews:

FOR THE FAITHFUL.......2006-08-20

To get the terminology clear - the 3-part Bach `Inventions' also go by the name of `Sinfonias'. There are 15 2-part and 15 3-part Inventions, and on this disc they are presented grouped in pairs by key, one of each type per pair.

The liner-note makes rather a song and dance of its own about the piano used for the recordings. It apparently suffered certain vicissitudes in the course of being transported around north America, and the first attempts at using it for recording these works had to be abandoned. With patience and perseverance they all got it back into an acceptable condition, and Gould himself contributes a commentary on the matter. He points out certain shortcomings in the sound of the instrument which have then been acutely perceived by others although not so much by myself even after being told about them. The only objective fault I find is a curious subdued `tick', and I can only say that after a lifetime of putting up with far worse on LP this minor blemish gives me no problem whatsoever. As often there is some background vocalising by the maestro himself. This is quiet, it is only intermittent, it is at least tuneful and I am accustomed to it from Gould, and again I simply could not care less. What I would say is that I like the sound of the instrument in general rather less than on some of Gould's other recordings, and that is a perception of my own and not something I have been told to look for, but once again it bothers me very little indeed.

The playing itself is exactly as one would expect it to be. The touch is non-legato, the precision of the fingerwork is phenomenal, little or no use is made of the pedals, there is comparatively little in the way of dynamic variation but there are enormous contrasts in the speeds adopted. This is Gould as we know him and either love him or do not love him. Myself, I find him a prodigy of the first magnitude, and in Bach he has never done any wrong from my point of view. You will not be amazed to be told that I recommend this disc wholeheartedly despite any minor reservations, and I have done what I can to make it clear what I consider recommendable and why.

Expect excellence, Get genius.......2006-07-04

I have to smile at the constant complaints over Gould's many eccentricities, especially in this recording of Bach. If one puts on their memory cap, it is Bach who was the iconoclast of his day, the one who went to jail rather than conform, the one who established modern music with his advocacy of a "well-tempered" instrument. (One wonders what he would think of the incredible Symphonic organs that transformed composition and performance so drastically.)

I simply choose to ignore (or smile at) the occasional hum. When we deal with people we deal with their falacies. Good art is not sterile but (I prefer to think) important, creative and more than anything, human. I am not sure if Gould was not slyly trying to tick off the critics with some of his antics. After the Goldberg I was expecting big things from this album and I was not disappointed. Gould has an inimitable manner in which he seems to imbue each note with his entire being, with all the artistry that he possesses. He excells at structure and has the ability to rework the architecture of a piece (think of his Brahms), maintaining the form while emphasizing a phrase here, a pause there, bringing out an internal melody not apparent in other hands, pouring his soul into each note. He becomes his music as few artists are able to do.

The Inventions were sheer prefection and the 3-parts were even better. It goes without saying that the tone of the instrument was superb. Even after only a few seconds, one easily detects that Gould "touch" - the purity of tone, the clarity of note, the almost imagined hesitancy in the performance as if the artists were still searching for the best presentation. My grade: A

Performance versus Technology.......2005-06-25

One can tolerate Glen Gould's grunting and groaning throughout, as his interpretation of the Bach inventions is outstanding. However, despite Sony's reputation the recording is flawed. The first track (Invention 1 in C major) has a "tic-tic-tic" for the first few bars that is unacceptable. Amazon very kindly replaced the disc free of all charges, including freight, but the replacement had the same flaw. I noticed that the disc played OK on my computer so I tried burning a copy. Lo, it was fine on my hi-fi gear so that solved the problem. But take care; why should we have to go to the trouble to make allowances to fix a technical fault when we are paying good money for a faultless one?

benchmark for the initiated.......2005-06-05

I first heard the Bach Inventions/Sinfonias in a performance by Andras Schiff, which is a terrific album in its own way, should you happen upon it. But nothing could have prepared me for the shock that the Gould performance is. Yet time and repeated listening has made this my own personal favorite performance, as it is one of the most original musical utterances anyone could find anywhere.

For the uninitiated Gould listener, this album is eyebrow-raising. Some might even find it vulgar and off-putting. There's many obstacles in the way: the piano in this recording has serious malfunction, with a pronounced "hiccup" heard in the low-middle range. You'll also have to contend with Gould's creaking, noisy chair, which sometimes makes it sound as if this album were recorded in front of a large bonfire. Then there's the oft-mentioned Gould vocalise, which is more audible than ever here. The tempos are almost bi-polar in nature; either excruciatingly slow or hyper-fast, with not too much gray area in between. If that proves anything, it's that Gould had an almost superhuman technique which allowed him to play clean at extremely fast tempos, and with a profound emotional depth at slower tempos. No one can play as well at slow tempos as Gould does.

It has gotten to the point where I don't even have to make any attempt to block out these extraneous sounds. It's all part of what is, in summation, one of the most highly original and musical Bach albums ever issued.

This is just great music greatly interpreted.......2005-01-22

I remember what film made me look into classical music and what made my life different. It was the film "A CLockwork Orange". I remember hearing all the Beethoven sections and saying "Hey classical music is cool!!" I found this album in a similar manner. Instead of hearing this music in a film I read about it in Thomas Harris' novel "The Silence of the Lambs". Oh yes the film references the aria from the Goldberg Variations but not only is Glenn Gould's name left out of the film but also another famous piece of work that Dr. Hannibal loved dearly. The two and three part invention by Glenn Gould. Hannibal Lecter asks for this very piece of music specifically while he is hiding away in a fancy hotel. Well I ran out and purchased this recording and all I have to say is that this is probably a better overall set of music that the Goldbergs as far as I'm concerned. There's a playfulness and longing here that Gould absolutely nails. And yes his piano in this recording is indeed defective. Some of the notes "stick" occasionally. I'll honestly tell you that this sticky and awkward piano sound SOMEHOW matches the music and is quite fun to listen to. Don't hesitate to buy this great album.

Average customer rating: One of the best piano performances of the Inventions Bach:Tow part Inventions/Three part Inventions Average What is all this fuss about Gould being better than Schiff? A Somewhat "Romanticized" Bach Performance

Bach: Two part Inventions/Three Part Inventions Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Schiff, András | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Bach: The Well-Tempered Clavier, Book 1 Bach: The Well Tempered Clavier Book II Bach: The Six French Suites Bach: English Suites BWV 806-811 Inventions & Sinfonias - 70th Anniversary Edition ASIN: B0000041PL Release Date: 1990-10-25

Tracks:

1. Two-Part Inventions: No. 1 In C Major
2. Two-Part Inventions: No. 2 In C Minor
3. Two-Part Inventions: No. 3 In D Major
4. Two-Part Inventions: No. 4 In D Minor
5. Two-Part Inventions: No. 5 In E-Flat Major
6. Two-Part Inventions: No. 6 In E Major
7. Two-Part Inventions: No. 7 In E Minor
8. Two-Part Inventions: No. 8 In F Major
9. Two-Part Inventions: No. 9 In F Minor
10. Two-Part Inventions: No. 10 In G Major
11. Two-Part Inventions: No. 11 In G Minor
12. Two-Part Inventions: No. 12 In A Major
13. Two-Part Inventions: No. 13 In A Minor
14. Two-Part Inventions: No. 14 In B-Flat Major
15. Two-Part Inventions: No. 15 In B Minor
16. Three-Part Inventions: No. 1 In C Major
17. Three-Part Inventions: No. 2 In C Minor
18. Three-Part Inventions: No. 3 In D Major
19. Three-Part Inventions: No. 4 In D Minor
20. Three-Part Inventions: No. 5 In E-Flat Major
21. Three-Part Inventions: No. 6 In E Major
22. Three-Part Inventions: No.7 In E Minor
23. Three-Part Inventions: No. 8 In F Major
24. Three-Part Inventions: No. 9 In F Minor
25. Three-Part Inventions: No, 10 In G Major
26. Three-Part Inventions: No. 11 In G Minor
27. Three-Part Inventions: No. 12 In A Major
28. Three-Part Inventions: No. 13 In A Minor
29. Three-Part Inventions: No. 14 In B-Flat Major
30. Three-Part Inventions: No. 15 In B Minor

Customer Reviews:

One of the best piano performances of the Inventions.......2007-04-12

I can't believe the negative reviews about Schiff's performance of this work.

This is a perfect performance, perfect in every respect: tempi, ornaments, dynamics, technique etc. and of course the overall feeling that this performance exhudes.

Highly recommended.

Bach:Tow part Inventions/Three part Inventions.......2007-03-12

The CD arrived the same week I ordered it. I am very pleased witht this recording.

Average .......2005-07-03

Writting reviews about lesser talented pianists who are now building their house in the wake of Gould always seems to be the perfect occasion to say astoundingly stupid things about Gould - the wolf hunted down by dogs scarving to turn him into a dog.
Schiff, as with other Bach works he recorded up to now (2005), offers an average, good, gentle but non remarquable nor memorable performance here, with dubious legatos, superfluous qualm and unjustified sentimentality.
May cause deception and drowsiness.

What is all this fuss about Gould being better than Schiff?.......2001-10-28

Schiff plays Bach extremely well with a beautiful tone. I personally think that Schiff plays better than Gould. An eccentric person, Gould mainly does what he wants. In some pieces, he plays them extroadinarily, but most pieces, they are a mess of complete rushing and absolutely no dynamics. In almost every song he plays, Schiff shows a perfection that no one else could have. I enjoy listening to him and learn a lot.

A Somewhat "Romanticized" Bach Performance.......2000-06-13

The first problem I have with this recording is the performer's extremely free additions of ornaments that are not in Bach's scores. While these may be somewhat justifiable as common practice in Baroque period music, they are rather unlikely considering the pedagogical nature of the composer's original intentions for these works. Schiff's use of outright RUBATO in places absolutely kills the forward-moving rhythms that one longs to hear in these pieces. Schiff's fabulous technique is evident in every piece, but his phrasing is almost as though he were playing Brahms, rather than Bach. Purists who are looking for an accurate performance from a historical perspective will NOT enjoy this CD. But again, the pianist's technical prowess is quite praiseworthy, despite the CD's lack of historical style considerations.

Average customer rating: Surprising Music, Well Played Unknown Gems!

C.P.E. Bach: Hamburg Sinfonias Nos. 1-6 Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Carl Philipp Emman. | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: CPE Bach: Symphonies (Wq 182, 183); Cello Concertos (Wq 170-172) /Bylsma * OAE * Leonhardt Stamitz: Symphonies Vol. 1 Johann Baptist Vanhal: Symphonies Vol. 1 Johann Baptist Vanhal: Symphonies, Vol. 2 Stamitz: Symphonies Vol.2 ASIN: B0000014D9 Release Date: 1997-06-10

Tracks:

1. Allegro Di Molto
2. Poco Adagio
3. Presto
4. Allego Di Molto
5. Poco Adagio
6. Presto
7. Allego Assai
8. Adagio
9. Allegretto
10. Allegro Ma Non Troppo
11. Largo Ed Innocentamente
12. Allegro Assai
13. Allegretto
14. Larghetto
15. Presto
16. Allegro Di Molto
17. Poco Andante
18. Allegro Spirituoso

Customer Reviews:

Surprising Music, Well Played.......2003-05-16

Even though C. P. E. Bach was highly influential and counted among his admirers Haydn and Beethoven (not too slouchy!), his symphonies represent a kind of musical dead end. No composer after him followed his lead in producing what he thought of as music of "affect," but which I would rather think of as music of wit. But Bach's wit is not the genial, tongue-in-cheek wit of a Haydn; it's more the wit of the Metaphysical poets. Bach's language is one of strange and unexpected harmonies and melodic turns. In fact, as music critics have pointed out, he is the most adventurous composer harmonically before Schubert.

And Bach's strangest, most striking music comes in these Hamburg Symphonies and the four so-called Orchestral Symphonies Wq 183. Unlike the later symphonies, however, the Wq 182 symphonies are scored not for winds and strings but for strings alone. In a way, this seems to enhance the lightening-quick play of wit, and I admire both sets almost equally.

In this Naxos recording, everything seems to go right. The orchestra is highly responsive, zipping along with glee or exploring the melancholy music of Bach's slow movements with equal success. Christian Benda, a descendant of the 18th-century Czech composer Jiri Benda, is a fine conductor who understands the music of this period well. Add to the package a clear, resonant recording, and this is a find for lovers of the pre-Classical era.

Unknown Gems!.......1999-04-04

These symphonies are virtually unknown to most concert-goers. They are wonderfully fresh, charming works. One wonders why they are not more often performed!

Average customer rating: Stunning - buy it while you can ! A delightful listen Solid odd I have already worn the plastic nubs off the jewel case

J.S. Bach: Inventions; Sinfonias; Little Preludes Johann Sebastian Bach , and Richard Troeger (performer) Manufacturer: Lyrichord Discs Inc. ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: J.S. Bach: The Seven Toccatas Bach: Six Partitas / Richard Troeger Art of Fugue/Violin Transcriptions/Fantasias (Bach on Clavichord Vol. 4) Playing Bach on the Keyboard: A Practical Guide Bach: Inventions and Sinfonias (Complete) ASIN: B00004Y6MJ Release Date: 2000-10-24

Tracks:

1. Two-Part Invention No.1 in C, BWV772
2. Two-Part Invention No.2 in c, BWV773
3. Two-Part Invention No.3 in D, BWV774
4. Two-Part Invention No.4 in d, BWV775
5. Two-Part Invention No.5 in E flat, BWV776
6. Two-Part Invention No.6 in E, BWV777
7. Two-Part Invention No.7 in e, BWV778
8. Two-Part Invention No.8 in F, BWV779
9. Two-Part Invention No.9 in f, BWV780
10. Two-Part Invention No.10 in G, BWV781
11. Two-Part Invention No.11 in g, BWV782
12. Two-Part Invention No.12 in A, BWV783
13. Two-Part Invention No.13 in a, BWV784
14. Two-Part Invention No.14 in B flat, BWV785
15. Two-Part Invention No.15 in b, BWV786
16. Little Prld No.1 in C, BWV924
17. Little Prld No.2 in C, BWV939
18. Little Prld No.3 in c, BWV999
19. Little Prld No.4 in D, BWV925
20. Little Prld No.5 in d, BWV926
21. Little Prld No.6 in D, BWV940
22. Little Prld No.7 in e, BWV941
23. Little Prld No.8 in F, BWV927
24. Little Prld No.9 in F, BWV928
25. Menuet & Trio (Prld No.10, BWV929)
26. Little Prld No.11 in g, BWV930
27. Little Prld No.12 in a, BWV942
28. Sinf No.1 in C, BWV787
29. Sinf No.2 in c, BWV788
30. Sinf No.3 in D, BWV789
31. Sinf No.4 in d, BWV790
32. Sinf No.5 in E flat, BWV791
33. Sinf No.6 in E, BWV792
34. Sinf No.7 in e, BWV793
35. Sinf No.8 in F, BWV794
36. Sinf No.9 in f, BWV795
37. Sinf No.10 in G, BWV796
38. Sinf No.11 in g, BWV797
39. Sinf No.12 in A, BWV798
40. Sinf No.13 in a, BWV799
41. Sinf No.14 in B flat, BWV800
42. Sinf No.15 in b, BWV801
43. Little Prld No.1 in C, BWV933
44. Little Prld No.2 in c, BWV934
45. Little Prld No.3 in d, BWV935
46. Little Prld No.4 in D, BWV936
47. Little Prld No.5 in E, BWV937
48. Little Prld No.6 in e, BWV938

Customer Reviews:

Stunning - buy it while you can !.......2006-02-13

I don't have much to say. The subtle beauty of this recording (and others by Troeger) is self-evident. Five stars is not enough.

A delightful listen.......2003-03-24

This is the best recording of these works I have ever heard. The sound quality is outstanding, the playing is superb. I was initially reluctant to purchase this cd (not being familiar with Troeger and hesitant about the sound quality of a clavichord recording). I am fortunate that I took a chance and bought it as this is the best recording of the two and three part inventions and preludes. One reviewer reported that the tempo was too fast for his liking, although I disagree. I don't give five stars often, but this recording deserves it.

Solid.......2001-03-26

Troeger has delivered on all three clavichord recordings of Bach thus far. This particular volume contains "less sophisticated" works by Bach, more didactic pieces for his sons (and everyone else today) to learn fingering, composition, and sensitivity. In this last case, Troeger sounds like a master on this quiet instrument, and he gives us an intimate sense of the music (these pieces could very likely have been played by Bach's sons in this manner at home, on the clavichord). A delightful recording in many respects.

odd.......2001-02-12

Poor ole Bach. Sax choirs, Swingle singers. Synths and Bongos.. well at least the clavichord predates the light bulb.

Don't get me wrong this is not a wretched CD. I even play it ... sometimes. It may not be `whatever' but the artiste Maybe he had a hot date or the Celtic Gaol Squad was after him something but he just plays the music too fast for me. The playing sounds rushed [which one doesn't `pick up' on the samples]. I wouldn't want to see a comparison of this and, say, Glen Gould playing Bach on the piano in terms of tempi.

This is a nice `specimen' CD IF you already own a CD of these works.

I have already worn the plastic nubs off the jewel case.......2001-02-03

Like another recent Lyrichord recording (the Trio Sonatas, played on twin gut-stringed lautenwercke), this wonderful package is beautiful and revelatory. The individual lines of each work are clearly audible, and while they are simpler overall than some of Bach's more extended works, these pieces are very, very sweet, melodic and enjoyable. Sorry for all the vague words. The performance is full of energy, occasionally making this listener, anyway, want to jump up and down. I'll be checking out *all* the releases by Richard Troeger: this is the sort of music to listen to when Bach is all you can possibly stand. It will make you feel good about humanity, if you don't already.

Understand, this comes from a lover of Bach's music who has *no* formal training in music theory, history or performance - which could be a caveat or not, depending on your opinions.

Average customer rating: Beautifully Played Crisp and Clean Bach Fresh, but fails to move Straightforward playing

Bach: Inventions and Sinfonias (Complete) Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Musettes | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Carl Philipp Emman. | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Piano Works J. S. Bach: Favourite Piano Works Bach: The Keyboard Album J.S. Bach: Inventions; Sinfonias; Little Preludes Keyboard Music ASIN: B0000013W7 Release Date: 1994-02-15

Tracks:

1. Inventions: No. 1 In C Major, BWV 772
2. Inventions: No. 2 In C Minor, BWV 773
3. Inventions: No. 3 In D Major, BWV 774
4. Inventions: No. 4 In D Minor, BWV 775
5. Inventions: No. 5 In E Flat Major, BWV 776
6. Inventions: No. 6 In E Major, BWV 777
7. Inventions: No. 7 In E Minor, BWV 778
8. Inventions: No. 8 In F Major, BWV 779
9. Inventions: No. 9 In F Minor, BWV 780
10. Inventions: No. 10 In G Major, BWV 781
11. Inventions: No. 11 In G Minor, BWV 782
12. Inventions: No. 12 In A Major, BWV 783
13. Inventions: No. 13 In A Minor, BWV 784
14. Inventions: No. 14 In B Flat Major, BWV 785
15. Inventions: No. 15 In B Minor, BWV 786
16. Sinfonias: No. 15 In B Minor, BWV 786
17. Sinfonias: No. 2 In C Minor, BWV 788
18. Sinfonias: No. 3 In D Major, BWV 789
19. Sinfonias: No. 4 In D Minor, BWV 791
20. Sinfonias: No. 5 In E Flat Major, BWV 791
21. Sinfonias: No. 5 In E Flat Major, BWV 791
22. Sinfonias: No. 7 In E Minor, BWV 793
23. Sinfonias: No. 8 In F Major, BWV 794
24. Sinfonias: No. 9 In F Minor, BWV 795
25. Sinfonias: No. In G Major, BWV 796
26. Sinfonias: No. 11 In G Minor, BWV 797
27. Sinfonias: No. 12 In A Major, BWV 798
28. Sinfonias: No. 13 In A Minor, BWV 799
29. Sinfonias: No. 14 In B Flat Major, BWV 800
30. Sinfonias: No. 15 In B Minor, BWV 801
31. Fragments Of Anna Magdalena's Notebook: Minuet In G Major, BWV Anh. 114
32. Fragments Of Anna Magdalena's Notebook: Minuet In G Minor, BWV Anh. 115
33. Fragments Of Anna Magdalena's Notebook: Minuet In G Major, BWV Anh. 116
34. Fragments Of Anna Magdalena's Notebook: Polonaise In G Minor, BWV Anh. 119
35. Fragments Of Anna Magdalena's Notebook: March In D Major, BWV Anh. 122
36. Fragments Of Anna Magdalena's Notebook: Polonaise In G Minor, BWV Anh. 125
37. Fragments Of Anna Magdalena's Notebook: Musette In D Major, BWV Anh. 126
38. Fragments Of Anna Magdalena's Notebook: Minuet In D Minor, BWV Anh. 132

Customer Reviews:

Beautifully Played .......2007-01-18

A Bonus is several pieces from Mary Magdelina's famous Notebook (Bach's Second Wife's book of beginning pieces of which most piano students have played for centuries) which the artist plays with great command. It is rare to hear great pianists play these kind of supposedly simplistic pieces that Bach evidently composed for his several genius sons and other children of which he had 20!

Crisp and Clean Bach.......2006-04-27

Sebestyen's rendering of Bach is very clean and precise, something which is very important in contrapuntal compositions. However, I must level one critique against the performance on this CD. It seems a bit too "laid-back" and carefree at times. In my humble opinion, I wish he would have a bit more passion and nuance in dynamics and punctuation. Nevertheless, his crisp style does do much to show the beauty of Bach's work. A further positive note is the inclusion of Minuet in G Minor, BWV Anh. 115, a simple, yet rich, Minuet that I have had some difficulty finding next to its Major counterpart. Overall, at its low price, I must thoroughly suggest this collection because it is executed well, albeit a bit dispassionate.

Fresh, but fails to move.......1999-11-24

Janos has an effortless way of playing, although he misses out on the more deliacte nuances found in other recordings. More interesting recordings are Glenn Gould (intoxicating) or Andras Schiff (featherlight and bouncy).

Straightforward playing.......1999-04-04

Janos Sebestyen plays these study pieces clearly, crisply, and cleanly. The tempi are nicely set, and his delicate use of rhythms sounds as though he is playing on the harpsichord. Included on this album are a few selections from the notebook Bach made for his second wife Anna Magdalena, including that perennially charming Minuet in G, Anh. 114.

Average customer rating: Hang a star on this one! A Splendid Bargain - A Wonderful Composer

J. C. Bach: 6 Sinfonias, Op. 3; 6 Piano Concertos, Op. 13 Manufacturer: Philips ProductGroup: Music Binding: Audio CD Bach, Johann Christian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Academy of St. Martin in the Fields | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: J.C. Bach: Sinfonias, Vol. 2 - Op. 6 Albinoni Concertos (12), Op.10 C.P.E. Bach: Keyboard Sonatas J.C. Bach: Sinfonias, Vol. 1 Bach: Brandenburg Concertos Nos 4, 5 & 6 ASIN: B0000041MT Release Date: 1997-06-10

Tracks:

1. Sinfonia No.1 In D: 1. Allegro con Spirito
2. Sinfonia No.1 In D: 2. Andante
3. Sinfonia No.1 In D: 3. Presto
4. Sinfoniz No.2 In C: 1. Allegro
5. Sinfonia No.2 In C: 2. Andante
6. Sinfonia No.2 In C: 3. Allegro assai
7. Sinfonia No.3 In E-flat: 1. Allegro di molto
8. Sinfonia No.3 In E-flat: 2. Andantino
9. Sinfonia No.3 In E-flat: 3. Allegro
10. Sinfonia No.4 In B-flat: 1. Allegro con Spirito
11. Sinfonia No.4 In B-flat: 2. Andantino
12. Sinfonia No.4 In B-flat: 3. Tempo di menuetto, piu tosto allegro
13. Sinfoniz No.5 In F: 1. Allegro
14. Sinfoniz No.5 In F: 2. Andante
15. Sinfoniz No.5 In F: 3. Allegro assai
16. Sinfonia No.6 In G: 1. Allegro assai
17. Sinfonia No.6 In G: 2. Andante
18. Sinfonia No.6 In G: 3. Allegro assai
19. Concerto No.1 In C: 1. Allegro
20. Concerto No.1 In C: 2. Rondeau: Allegretto

Tracks:

1. Concerto No.2 In D: 1. Allegro con spirito
2. Concerto No.2 In D: 2. Andante
3. Concerto No.2 In D: 3. Allegro
4. Concerto No.3 In F: 1. Allegro con brio
5. Concerto No.3 In F: 2. Rondeau: Allegro
6. Concerto No.4 In B-flat: 1. Allegro
7. Concerto No.4 In B-flat: 2. Andante
8. Concerto No.4 In B-flat: 3. Andante con molto
9. Concerto No.5 In G: 1. Allegretto
10. Concerto No.5 In G: 2. Tempo di menuetto
11. Concerto No.6 In E-flat: 1. Allegro
12. Concerto No.6 In E-flat: 2. Andante: Tempo di menuetto

Customer Reviews:

Hang a star on this one!.......2004-03-22

Superb sound; wonderful performances. I have most of these works in full priced recordings with Halstead on CPO. As good as they are, this is better & bargain priced to boot.

Snap this one up.

A Splendid Bargain - A Wonderful Composer.......2001-01-12

This is the third Philips Duo issue of works by Johann Christian Bach, Bach's youngest son, and a much underrated and underappreciated composer. His work has been called "transitional" between the Baroque and Classical styles -- but I vehemently disagree: listen to some of JC's father's works -- High Baroque. To some of JC's elder brother, Carl Philip Emmanuel's, work -- THIS is clearly transitional. Now listen to JC Bach, and you are fully in the world and style of the High Classical Period -- the language is fully mature, only the structures are not as complex as they would become later iin the works of the three Viennese Masters. Remember that JC was, after learning from his father, brother, and then by absorbing all he could during his sojourn in Italy, finally isolated in England, and hence was not exposed to the innovations in Austria and Germany. Significantly for the history of Music, he knew Mozart as a boy -- and though Haydn's later influence shaped Mozart's grasp of structure most, it is the music of JC Bach in which one can find the source of the particular "sound" of Mozart, the musical language. It is also salutory to listen to the Op. 18 Sinfonias, published just a few months before JC's death, and wonder how he might have developed had he lived longer (at his death on the first day of 1782, he was only 46 years old-- a decade older than Mozart at his own death, but look how far JC came from the music of HIS youth!). The two previous duo sets issued by Philips -- that of the Opp. 1 & 7 Fortepiano Concertos and of the Sinfonias Opp. 6, 8 and 18, are foundation sets of the repertoire; this makes an invaluable third pillar! It incorporates the delicious Neville Marriner / ASMF recordings of the early Op. 3 Sinfonias. Even here, simple and short though the structures may be, the language is fully and unmistakably Classical. And to complete the issue is the fine Ingrid Haebler version of the Op. 13 Piano Concertos, played as for opp 1 & 7, on fortepiano. (Someday soon, I hope, some group will record the Op 13 concerti on a modern piano: the opp 1 & 7 sets are great with fortepiano, but Op 13 would be even better on a modern grand; and it'd be great to have the Op 18 symphonies played with all the repeats, both of exposition and development-recapitulation; this would give them more heft.) For now we should rejoice that these sets are available. Beautiful rich recording does justice to JC's lush orchestrations and, at this price,this set, as do its two predecessors, makes a magnificent bargain! Lovers of the Classical Style need not hesitate!

Average customer rating: This is a great CD. Gorgeous sound and musicianship I don't think so. Contrary to the previous review Serkin - why would anyone buy this one?

Bach: Inventions & Sinfonias Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Peter Serkin: Beethoven Sonatas Inventions & Sinfonias - 70th Anniversary Edition Bach: Well-Tempered Clavier Bach: Fantasia in C minor; Two-Part Inventions; Three-Part Inventions; Chromatic Fantasia & Fugue Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99 ASIN: B000003G5E Release Date: 1997-02-11

Tracks:

1. 15 Inventions, BWV 772-786: Invention No. 1In C Major, BWV 772
2. 15 Inventions, BWV 772-786: Invention No. 2 In C Minor, BWV 773
3. 15 Inventions, BWV 772-786: Invention No. 3 In D Major, BWV 774
4. 15 Inventions, BWV 772-786: Invention No. 4 In D minor, BWV 775
5. 15 Inventions, BWV 772-786: Invention No. 5 In E-Flat Major, BWV 776
6. 15 Inventions, BWV 772-786: Invention No. 6 In E Major, BWV 777
7. 15 Inventions, BWV 772-786: Invention No. 7 In E Minor, BWV 778
8. 15 Inventions, BWV 772-786: Invention No. 8 In F Major, BWV 779
9. 15 Inventions, BWV 772-786: Invention No. 9 In F Minor, BWV 780
10. 15 Inventions, BWV 772-786: Invention No. 10 In G Major, BWV 781
11. 15 Inventions, BWV 772-786: Invention No. 11 In G Minor, BWV 782
12. 15 Inventions, BWV 772-786: Invention No. 12 In A Major, BWV 783
13. 15 Inventions, BWV 772-786: Invention No. 13 In A Minor, BWV 784
14. 15 Inventions, BWV 772-786: Invention No. 14 In B-Flat Major, BWV 785
15. 15 Inventions, BWV 772-786: Invention No. 15, In B Minor, BWV 786
16. 15 Sinfonias, BWV 787-801: Sinfonia No. 1In C Major, BWV 787
17. 15 Sinfonias, BWV 787-801: Sinfonia No. 2 In C Minor, BWV 788
18. 15 Sinfonias, BWV 787-801: Sinfonia No. 3 In D Major, BWV 789
19. 15 Sinfonias, BWV 787-801: Sinfonia No. 4 In D Minor, BWV 790
20. 15 Sinfonias, BWV 787-801: Sinfonia No. 5 In E-Flat Major, BWV 791
21. 15 Sinfonias, BWV 787-801: Sinfonia No. 6 In E Major, BWV 792
22. 15 Sinfonias, BWV 787-801: Sinfonia No. 7 In E Minor, BWV 793
23. 15 Sinfonias, BWV 787-801: Sinfonia No. 8 In F Major, BWV 794
24. 15 Sinfonias, BWV 787-801: Sinfonia No. 9 In F Minor, BWV 795
25. 15 Sinfonias, BWV 787-801: Sinfonia No. 10 In G Major, BWV 796
26. 15 Sinfonias, BWV 787-801: Sinfonia No. 11 In G Minor, BWV 797
27. 15 Sinfonias, BWV 787-801: Sinfonia No. 12 In A Major, BWV 798
28. 15 Sinfonias, BWV 787-801: Sinfonia No. 13 In A Minor, BWV 799
29. 15 Sinfonias, BWV 787-801: Sinfonia No. 14 In B-Flat Major, BWV 800
30. 15 Sinfonias, BWV 787-801: Sinfonia No. 15 In B Minor, BWV 801
31. 4 Duets, BWV 802-805: Duet No. 1 In E Minor, BWV 802
32. 4 Duets, BWV 802-805: Duet No. 2 In F Major, BWV 803
33. 4 Duets, BWV 802-805: Duet No. 3 In G Major, BWV 804
34. 4 Duets, BWV 802-805: Duet No. 4 In A Minor, BWV 805

Amazon.com

If Peter Serkin's four Goldberg Variations recordings reveal a lifelong affinity for Bach on the concert grand, one suspects his approach to the Inventions has similarly been well-tempered and seasoned over the years. Compared to Glenn Gould's rhythmic vigor and Andras Schiff's fleeter, more spontaneously conceived readings, Serkin's eloquent understatement may appear impersonal and even bland. Repeated hearings, however, uncover felicities of voice leading and dynamic terracing, as well pianist's warm, singing legato achieved purely by hand balance and fingering, with no aid from the pedal. While the virtues of Gould and Schiff should not be discounted, Serkin sweetens the ante, adding on the four Duets from the Clavierubung. Sonics are first class. --Jed Distler

Customer Reviews:

This is a great CD........2001-07-23

After years of hacking through these pieces on the piano, and then a few more years studying them in college classes...I guess I developed a fondness for them. So, I wanted to get a recording that summed up why I loved them so much. Don't be angry, but the Gould just didn't do it for me. I was very impressed with Serkin's performances of Takemitsu and Messiaen, so I was glad to find this cd. It's great...I'd say perfect (although I'm not a Bach scholar...am I?). The tempos are great. There is this subtlety to it...the notes just kind of "dance" out of the speakers and into your ears. Nice.

Gorgeous sound and musicianship.......2001-07-05

The extreme disparity of the reviews here is probably indication enough that this is a recording worth buying and studying. Serkin is consistently one of the most subtle and insightful musicians active today, and Bach is the perfect showcase for his talents. Listeners seeking a cheap thrill will be disappointed with this disc; the more thoughtful will discover a bottomless well of seamless phrasing, singing tone in the cello register, and voicing of a subtlety that is nearly impossible to achieve.

There is a pervasive calm in Serkin's playing that can be mistaken for apathy; however, it is passionate in the sense that a Palestrina motet, for example, is passionate. Gould's more zippy reading actually feels more emotionally detached. As for Schiff, well, sorry, he's the definition of bland.

To the reviewer who would bash Peter with the spectre of his famous father -- shame on you! Just call him, say, Peter Johnson, and give it another listen. They are very different artists and personalities, but both brilliant.

Kudos to the engineering team on this disc. The recorded sound is mindblowingly gorgeous. This Manhattan studio sounds more like St.John the Divine.

I don't think so........2001-06-07

Comparing Peter Serkin to Glenn Gould is like comparing your high school baseball team to the New York Yankees. They're in completely different leagues.

Contrary to the previous review.......2001-06-01

After seeing this trashed in the previous review I got curious and bought it. Personally I loved the Goldberg Variations Serkin put out a few years ago. I also have several of Gould's Bach recordings and I have the Bach Preludes by Schiff which I like pretty well, although I find Schiff somewhat unremarkable. I can listen to them all - however when I listen to Serkin's I feel like I'm listening to Bach. When I listen to Glenn Gould, hey I am listening to Glenn Gould (with maybe a little Bach thrown in)! His (Gould's) brilliant technique gets in the way of the feeling of the music somehow. I guess it depends on whether you prefer Glenn Gould or Bach. I prefer Bach. I think Serkin gets a raw deal because his father was a famous pianist. Listen to the way he characterizes the lower parts in a different type of "voice" than the higher parts. A subtle technique that is very hard to master, and I don't hear that in Gould. This technique of Serkin's illustrates the use of counterpoint which is the cornerstone of Bach's musical universe. This is a great album if you like Bach on the piano.

Serkin - why would anyone buy this one?.......1999-04-17

Serkin falls short of both vigor and elegance and presents a bland and bloodless Bach. I would advice you to avoid young Peter (papa Rudolf is in another league, sorry), and instead listen to Glenn Gould or Andras Schiff, depending on your preferences. Gould is the master virtuoso (and eccentric), and Schiff the elegant baroquist.

Perhaps there is a sutleness in Peter's playing, but I just can't seem to find it. One star.

Average customer rating: Superb Makes me dizzy Rubsam -- forever! Rübsam Horrifying

J.S. Bach: Inventions and Sinfonias (Complete) Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: J.S. Bach: Inventions; Sinfonias; Little Preludes ASIN: B000001419 Release Date: 1995-07-18

Tracks:

1. No. 1, BWV 772 (1st Version)
2. No. 1, BWV 772 (2nd Version)
3. No. 2, BWV 773
4. No. 3, BWV 774
5. No. 4, BWV 775
6. No. 5, BWV 776
7. No. 6, BWV 777
8. No. 7, BWV 778
9. No. 8, BWV 779
10. No. 9, BWV 780
11. No. 10, BWV 781
12. No. 11, BWV 782
13. No. 12, BWV 783
14. No. 13, BWV 784
15. No. 14, BWV 785
16. No. 15, BWV 786
17. No. 1, BWV 787
18. No. 2, BWV 788
19. No. 3, BWV 788
20. No. 4, BWV 790
21. No. 5, BWV 791
22. No. 6, BWV 792
23. No. 7, BWV 793
24. No. 8, BWV 794
25. No. 9, BWV 795
26. No. 10, BWV 796
27. No. 11, BWV 797
28. No. 12, BWV 798
29. No. 13, BWV 799
30. No. 14, BWV 800
31. No. 15, BWV 801

Customer Reviews:

Superb.......2007-06-21

So much more alive and interesting than the standard fare we get in many recordings today. Strong intuition drives the performance and moves both performer and listener to look beyond the usual frontiers.

Makes me dizzy.......2006-11-25

Now don't get me wrong, I am not against rubato in Baroque music and am not a purist who wants the Inventions played in a "correct", textbook fashion, but Rubsam really murders these pieces. Ok, use some rubato in the slower ones, but in #8? This is the liveliest of the set and to hear rubato and beats stretched out in every measure makes me seasick. It's not just in #8, but all of them! Rubsam has a nice sound, but also a terrible rubato habit that becomes so predictable that it's a farce. Also, #15 is so slow it's ridiculous.

Rubsam -- forever!.......2005-09-29

All criticists are not true! Rubsam never plays bad (and of course this set of sinfonias). And he never plays boring like mentioned and advertised Gould. This recording and others of Bach's clavier works made by Naxos are probably most interesting and unusual in our days! Especially to my mind it's because of the instrument choice. The recording will be intriguing for everybody, who likes really unique performance art, and sure not for "scientists" and "mathematicians" from music. Rubsam's recordings of each composer are always discovery. They open new ways for understanding of known-for-a-long-time works. And from this point of view Rubsam's play is similar to Koopman's one.

Rübsam.......2004-11-12

I borrowed a copy of this recording from my university's library so that I could listen to an invention (Two-Part, #15) as I analyzed it for my Counterpoint course. I am not a pianist, but as soon as I hit 'play' I could tell that the recording was bad.

Counterpoint literally means 'point against point.' When a pianist displaces points so that they are not against each other, as Rübsam blatantly does in #15, then counterpoint vanishes, or at the very least becomes obscured. Rübsam's ridiculous obsession for rubato, which I won't harp on given that most others have rightfully done so, places no regard on period and style. I found that the displaced beats and constant give and take of the interpretation obscured not only the counterpoint but also the overall form of the invention.

The class period after I listened to this awful recording, my professor played a Glen Gould recording, and suddenly everything about the sections of the inventions made sense. Buy Glen Gould. It won't be a waste of your money.

Horrifying.......2004-06-17

This CD is perhaps the most appalling one I've purchased. By no means should you consider buying this. I bought it because it was the first cheap and complete set of two-part inventions I found. Go for Glenn Gould and you won't go wrong, trust me.

The only fathomable way Rubsam could have some dignity in recording such an atrocious set is if he was sight-reading these pieces. That is what it sounds like. Specifically, he plays No. 13 (A Minor) about one minute too slow, and in a one-minute piece . . .

To say it is a Romantic interpretation would be a disgrace to the Romantic Period, but. Rubsam uses rubato EXCESSIVELY. As in, every measure. Totally unacceptable. I urge you to buy Glenn Gould, not this.

Average customer rating:

Bach: Inventions & Sinfonias [Germany] Gustav Leonhardt Manufacturer: Deutsche Harmonia Mun ProductGroup: Music Binding: Audio CD General | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Bach: English Suites, Partitas - Gustav Leonhardt (4 CD's) ASIN: B0007DB0U4 Release Date: 2004-12-27

Tracks:

1. Invention No.1 In C Major, Bwv772
2. Invention No.2 In C Minor, Bwv773
3. Invention No.3 In D Major, Bwv774
4. Invention No.4 In D Minor, Bwv775
5. Invention No.5 In E Flat Major, Bwv776
6. Invention No.6 In E Major, Bwv777
7. Invention No.7 In E Minor, Bwv778
8. Invention No.8 In F Major, Bwv779
9. Invention No.9 In F Minor, Bwv780
10. Invention No.10 In G Major, Bwv781
11. Invention No.11 In G Minor, Bwv782
12. Invention No.12 In A Major, Bwv783
13. Invention No.13 In A Minor, Bwv784
14. Invention No.14 In B Flat Major, Bwv785
15. Invention No.15 In B Minor, Bwv786
16. Sinfonia No.1 In C Major, Bwv787
17. Sinfonia No.2 In C Minor, Bwv788
18. Sinfonia No.3 In D Major, Bwv789
19. Sinfonia No.4 In D Minor, Bwv790
20. Sinfonia No.5 In E Flat Major, Bwv791
21. Sinfonia No.6 In E Major, Bwv792
22. Sinfonia No.7 In E Minor, Bwv793
23. Sinfonia No.8 F Major, Bwv794
24. Sinfonia No.9 In F Minor, Bwv795
25. Sinfonia No.10 In G Major, Bwv796
26. Sinfonia No.11 In G Minor, Bwv797
27. Sinfonia No.12 In A Major, Bwv798
28. Sinfonia No.13 In A Minor, Bwv799
29. Sinfonia No.14 In B Flat Major, Bwv800
30. Sinfonia No.15 In B Minor, Bwv801

Music Review:

1. Balada: Torquemada and Other Works
2. Beethoven: Piano Sonatas, Vol.6
3. Beethoven: The Piano Sonatas, Vol. 7
4. Brahms: Symphony in Em No4, Op98; Academic Festival Overture in Cm Op80
5. Brahms:Symphony No.1/Tragic Overture
6. Bubalo: Concertino; Valence II
7. Carpenter: Sea Drift; Hadley: Scherzo Diabolique; Mason: Chanticleer; Porter: Dance in Tree-time
8. Chadwick: String Quartets Nos. 1 & 2
9. Chamber Music of Andrew Imbrie
10. Chasalow: Over the Edge / Speculum Musicae

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