1.
Sarabande and Rigaudon for flute, viola & piano, Op 60
Composed by
Arthur Foote
with
Randall Hodgkinson
,
Fenwick Smith
,
Marcus Thompson
2.
Threnodies (2), for flute & string trio
Composed by
Aaron Copland
with
Stephanie Chase
,
Katherine Murdock
,
Fenwick Smith
,
Ronald Thomas
3.
Threnodies (2), for flute & string trio
Composed by
Aaron Copland
with
Stephanie Chase
,
Katherine Murdock
,
Fenwick Smith
,
Ronald Thomas
4.
Pieces (3) for flute & piano, Op 31b
Composed by
Arthur Foote
with
Randall Hodgkinson
,
Fenwick Smith
5.
At Dusk for flute, cello, & harp
Composed by
Arthur Foote
with
Fenwick Smith
,
Ronald Thomas
,
Caitriona Yeats
6.
Vocalise-etude, wordless song for voice & piano (arr. by Dwyer for flute & piano, 1972)
Composed by
Aaron Copland
with
Randall Hodgkinson
,
Fenwick Smith
7.
Nocturne and Scherzo for flute & string quartet
Composed by
Arthur Foote
with
Lynn Chang
,
Bruce Coppock
,
Katherine Murdock
,
Fenwick Smith
,
Vyacheslav Uritsky
8.
Duo, for flute (or violin) & piano
Composed by
Aaron Copland
with
Randall Hodgkinson
,
Fenwick Smith
Aaron Copland, Arthur Foote: Chamber Music with Flute,Bruce Coppock,Ronald Thomas,Aaron Copland,Arthur Foote,Fenwick Smith,Caitriona Yeats,Randall Hodgkinson,Katherine Murdock,Marcus Thompson,Lynn Chang,Stephanie Chase,Vyacheslav Uritsky,Northeastern,20th/21st Century Music for Voice and Keyboard,Chamber,Chamber Music,Classical,Flute Solo/Sonata,Keyboard,Music for String Quartet with Other Instrument(s),Quartet for Mixed Instruments without Keyboard,Rigaudon for Keyboard,Vocal
Average customer rating:
- A welcome addition...
- Two Very Contrasting Composers
|
Aaron Copland, Arthur Foote: Chamber Music with Flute
Manufacturer: Koch Int'l Classics
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Similar Items:
- Alexa Still, Flute
- Peter Lieberson: Neruda Songs
ASIN: B00004T91G
Release Date: 2000-06-27 |
Tracks:
- Sarabande And Rigaudon: Sarabande
- Sarabande And Rigaudon: Rigaudon
- Threnodies I And II: Threnody I
- Threnodies I And II: Threnody II
- Three Pieces For Flute And Piano, Op. 31B: I. Aubade villageoise
- Three Pieces For Flute And Piano, Op. 31B: II. Melodie
- Three Pieces For Flute And Piano, Op. 31B: III. Pastorale
- As It Fell Upon A Day
- At Dusk
- Vocalise
- Nocturne And Scherzo: Nocturne
- Nocturne And Scherzo: Scherzo
- Duo For Flute And Piano: I. Flowing
- Duo For Flute And Piano: II. Poetic, Somewhat Mournful
- Duo For Flute And Piano: III. Lively, With Bounce
Customer Reviews:
A welcome addition..........2003-12-07
... to the chamber music catalog. Arthur Foote was a prominent Boston composer in the late 19th and early 20th centuries, much influenced by Brahms. He excelled at chamber music and I think these works are quite representative. For those who know and like his works, Naxos has issued a three volume survey of great merit. The Copland pieces will probably seem more familiar and are equally wothwhile. Boston is exceptionally blessed with classical music performing talent and these performers represent the highest standards. A solid recommendation for the more adventurous.
Two Very Contrasting Composers.......2001-03-13
Copland and Foote are not very similar sounding when it comes to this assortment of chamber music. Foote sounds almost Baroque sounding at times while Copland is very distinctly modern.
You can sense the American spirit in the final movement of Copland's Flute and Piano Duo which is very good. The second movement is kinda dreary and the first is intersting indeed. The scales in the 1st and 2nd movement is what makes them so unique (even though there are two unique movement....ironic isn't it?). Much of the rest of the Copland works are soft but are experiments of sometimes seeming awkward chords to the untrained ear. But after a few listening, you get to like it.
Foote is a very interesting composer who I have not heard of until now. He has such a grand ability to compose simple melodies, but with great softness yet very out going. It's something that is only charistical of him. I recommend listening to some samples of his to get a feeling of what he is like.
The CD is something I don't grab all the time, but I'm sure glad it's there when I do want to listen to it. Very soothing but also demanding attention. I enjoy this light hearted CD.
Average customer rating:
- A Great Intro to American Classical Music - Almost a Short Course!
|
The Story of American Classical Music
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Similar Items:
- American Classics Sampler
- Virgil Thomson: Symphony No 1-3
- John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
- Voice of the Violin
ASIN: B0009JMELK
Release Date: 2005-06-21 |
Customer Reviews:
A Great Intro to American Classical Music - Almost a Short Course!.......2005-07-12
Many reasonably sophisticated American and European musiclovers still think there are really no American classical music composers of note other than perhaps Gershwin and Copland. It is to the credit of the Naxos label, via their 'American Classics' series, that the lie is put to that notion. Each month there are new issues from Naxos containing music by American composers. And it was a brilliant idea for them to take selections from their dozens of releases of this music to put together this sampler of such music to illustrate a 100+ page essay on the subject by an eminent writer on music, Barrymore Laurence Scherer. The combination of 2 CDs of music tracks, Scherer's essay, a chronological outline, suggestions for further listening, even a map showing where various composers were born helps the 'student' learn much about our nation's musical heritage.
There are selections by twenty-eight composers stretching from the amazing Wagnerian 'Macbeth' Overture by William Henry Fry (1813-1864) to the very recent 'Rapture,' a percussion concerto by Michael Torke (b. 1961). Some selections are complete movements, others are shorter passages from larger works. Included are such gems as the first movement of Arthur Foote's Piano Quartet, the third movement of Henry Hadley's Fourth Symphony, Charles Ives's 'The Unanswered Question,' 'King Cotton' by John Philip Sousa, 'Maple Leaf Rag' by Scott Joplin, a passage (the exciting Spanish Waltz) from Walter Piston's 'The Incredible Flutist,' the finale of Copland's 'Billy the Kid,' the opening of Samuel Barber's luminous 'Knoxville - Summer of 1915,' 'Tonight' from Bernstein's 'West Side Story,' the opening of George Rochberg's masterful Violin Concerto, and John Adams's incredibly popular 'Short Ride in a Fast Machine.' Plus selections by Louis Moreau Gottschalk, Edward MacDowell, George Whitefield Chadwick, Amy Beach, Charles Tomlinson Griffes, Charles Wakefield Cadman, George Gershwin, George Antheil, Zez Confrey, William Schuman, John Cage, Gunther Schuller, Alan Hovhaness, Elliott Carter and Philip Glass. The performances are more than acceptable and in some instances ('Knoxville,' Rochberg's Violin Concerto) definitive.
I would heartily recommend this set (especially at its superbudget price) to anyone wanting to know more about the history of American classical music -- Scherer is a master of cogent, clear prose -- and wishing to hear examples of the broad range it has taken over the past couple of centuries. I can easily imagine this set being used in a music appreciation course. And I am sure it will spark interest in the newcomer to this branch of classical music.
2 CDs TT=ca. 160 mins.
Scott Morrison
Average customer rating:
|
Aaron Copland, Arthur Foote: Chamber Music with Flute
Manufacturer: Northeastern
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ASIN: B000001YLD
Release Date: 1995-01-31 |
Average customer rating:
|
Romantic Approach
Manufacturer: Celestial Harmonies
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ASIN: B00000JHCS
Release Date: 1999-06-29 |
Tracks:
- Quiet City - Celia Nicklin/Michael Lair
- On The Town: Three Dance Episodes: Lonely Town (Pas De Deux) - New York PO/Leonard Bernstein
- Hymn and Fuguing Tune No.2: Hymn - Boston SO/Serge Koussevitzky
- Elegy - Arditti Str Qt
- Str Qt: Adagio - Manhattan Str Qt
- Dream - Maria Newman
- Lullaby - Manhattan Str Qt
- A Night Piece - Diane Gold/Alard Qt
- Qt: III. Movt - Viklarbo Chamber Ens
- Ste From The River: Village Of The Virgins - Detroit SO/Neeme Jarvi
- Grand Canyon Ste: Painted Desert - Detroit SO/Antal Dorati
- Two Contemplations: The Unanswered Question - Milwaukee SO/Lukas Foss
Tracks:
- Cavelleria Rusticana: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
- Clair De Lune - Czecho-Slovak RSO/Keith Clark
- Prld V - Camerata Transylvanica/Gyorgy Selmeczi
- Berceuse - Czecho-Slovak RSO/Keith Clark
- Son No.1: II. Movt - Rossini Ens, Budapest/Andras Kiss
- Con in c, RV.425: Largo - Geza Imre
- La Boutique Fant: Nocturne - Camerata Transylvanica/Gyorgy Selmeczi
- Crisantemi - Failoni Orch/Geza Overfrank
- Str Qt: II. Movt - Failoni Orch/Geza Overfrank
- Notturno, Op.70 No.1: Celestial Harmonies Adagio I: - Czecho-Slovak State PO Of Kosice/Johannes Wildner
- Str Qt: III. Movt - Kodaly Qt
- Thais: Meditation - Janos Selmeczi
- Str Qt: III. Movt - Kodaly Qt
- Gymnopedie No.1 - Czecho-Slovak RSO Bratislava/Ondrej Lenard
Tracks:
- Pno Son No.14 in c# Op.27, No.2: Adagio Sostenuto - Jeno Jando
- Cl Qnt in B flat Op34: Fant - Kalman Berkes/Auer Str Qt
- Romance No.2 in F, Op.50 - Takako Nishizaki
- Songs Without Words No.41 in A, Op.85 No.5 - Peter Nagy
- Hebraic Melodies Op.47: Kol Nidrei Adagio - Maria Kliegel
- Fant in C, Op.17: Langsam Getragen - Denes Varjon
- Qnt in b, Op.115: Adagio - Jozsef Balogh
- Siegfried Idyll - Polish National RSO/Johannes Wildner
Tracks:
- Missa Pro Defunctis: Agnus Dei - Louis Halsey Singers/Louis Halsey
- O Magnum Mysterium - St. John's College Chor, Cambridge/George Guest
- Crucifixus For 8 Voices - St. John's College Chor, Cambridge/George Guest
- Psalm 23 - St. John's College Chor, Cambridge/George Guest
- Jesus, Meine Zuversicht, BWV 728: Chor Prld - Peter Herford
- Expectans Expectavi - Ian Crabbe/St. John's College Chor, Cambridge/George Guest
- Four Sacred Pieces: Ave Maria - Los Angeles Master Chor/Roger Wagner
- Adagio - Peter Planyavsky
- Ave Verum Corpus KV 618 - Peter White/Alastair Roberts/St. John's College Chor, Cambridge/George Guest
- Trois Nouvelle Pieces, Op.87 No.2: Mystique - Jane Parker-Smith
- Requiem, Op.48: In Paradisum - St. John's College Chor, Cambridge/George Guest
- Requiem: Lux Aeterna - Westminster Cathedral Boys Chor/London Sym Chor/Richard Hickox
- Le Banquet Celeste - Simon Preston
- Ein Deutsches Requiem, Op.45: Selig Sind, Die Da Leid Tragen - Chor O fRadio Suisse Romande And Pro Arte De Lausanne/Ernest Ansermet
- Org Son, Op.65 No.4: Andante Religioso - Roger Fisher
- Matthaus-Passion BWV 244: O Haupt Voll Blut Und Wunden - Stuttgarter Hymnus-Chor/Gerhard Wilhelm
Album Description
What makes music Romantic? Like beauty, Romanticism is in the eye - or ear - of the beholder. As a musical movement, it is generally associated with nineteenth century Europe though the Romantic movement actually originated in Germany. In this exquisite trilogy of romantic classical music,
The Romantic Approach explores the origin of music Romanticism, French and Italian romantic music, and 20th century American romantic music written after the end of the Romantic era.
The first volume in this trilogy,
The Romantic Approach: A Special Collection of 20th Century American Music may have surprised listeners who felt that contemporary America has produced very little Romantic art. The diverse roster of this century's finest composers also reflects the diversity in the music, from jazz influence to classical. This collection of works echo the lyrical, tonal style of European classical music of the nineteenth and early twentieth centuries.
The Romantic Approach, Volume Two: A Special Collection of Classical Music from Italy and France showcases the very heart of Romantic literature. Of all the countries in the world, France and Italy have been those most associated with things romantic; even the sounds of their languages are musical, and that songlike quality has certainly colored much of the music of these two countries. Some of the works and composers on this volume will be familiar to opera lovers, a central part of the musical life of these countries. It is rounded out with unjustly neglected masterpieces from several gifted French and Italian composers.
The Romantic Approach, Volume Three: Classical Music from Germany takes us back to the origin of the Romantic movement - to Germany - and to the emotional works of its greatest composers. These composers could move their listeners without having to resort to painting a particular image in sound. This is music that can speak to the emotions without dictating which emotion you should feel; in fact, it can evoke a different vision or story in each listener.
Album Details
A Mix of French, Italian and American Styles all which Explore the Origin of Musical Romanticism. Features Such Well Known Artists as George Gershwin, Leonard Bernstein and More.
Music Review:
- Allen Shawn: Sextet And Other Works
- Amy Beach, Arthur Foote: Music for Piano
- Antonio Vivaldi: Famous Flute Concerti
- Arthur Foote: Chamber Music
- Arthur Sullivan Sesquicentenial, Vol.2
- Bach: Sinfonias & Orchestral Movements from Cantatas
- Balada: Torquemada and Other Works
- Beethoven: Piano Sonatas, Vol.6
- Beethoven: The Piano Sonatas, Vol. 7
- Brahms: Symphony in Em No4, Op98; Academic Festival Overture in Cm Op80
Music Review
music review
Music Review
Mix Trax, Vol. 4 [Import]
Poems to Music
Schubert: Piano Sonatas in a Major & B Flat Major, Fantasia in F Minor for Piano [Import]
Soular Energy [SACD]
Soft Rock Classics
Midnite Confessions, Chapter 1
Soul Inspiration
Songs From Northern Britain
Real 80's: Country
Recuerdos
Shepherd's Symphony
Primeiro Compasso Classico [Import]
Repetition & Nonsense
Urban Funk Breaks
Doin' Something