Composed by Franz Liszt
with Leslie Howard
2. Die Zelle in Nonnenwerth (II), transcription for piano, S. 534/2 (LW A81b)
Composed by Franz Liszt
with Leslie Howard
3. Consolations (6), for piano (First Series), S. 171a (LW A111a/1) No. 1 in E major [First Version]
Composed by Franz Liszt
with Leslie Howard
4. Consolations (6), for piano (First Series), S. 171a (LW A111a/1) No. 2 in E major [First Version]
Composed by Franz Liszt
with Leslie Howard
5. Consolations (6), for piano (First Series), S. 171a (LW A111a/1) No.3 in C Sharp minor [Original]
Composed by Franz Liszt
with Leslie Howard
6. Consolations (6), for piano (First Series), S. 171a (LW A111a/1) No 4 in D Flat major [First Version]
Composed by Franz Liszt
with Leslie Howard
7. Consolations (6), for piano (First Series), S. 171a (LW A111a/1) No. 05 in E major [First Version]
Composed by Franz Liszt
with Leslie Howard
8. Consolations (6), for piano (First Series), S. 171a (LW A111a/1) No. 06 in E major [First Version]
Composed by Franz Liszt
with Leslie Howard
9. Die Zelle in Nonnenwerth (II), transcription for piano, S. 534/2 (LW A81b) Alternative Text
Composed by Franz Liszt
with Leslie Howard
10. Geharnischte Lieder (3), for piano, S. 511 (LW A207) Vor der Schlacht
Composed by Franz Liszt
with Leslie Howard
11. Geharnischte Lieder (3), for piano, S. 511 (LW A207) Nicht Gezagt!
Composed by Franz Liszt
with Leslie Howard
12. Geharnischte Lieder (3), for piano, S. 511 (LW A207) Es Rufet Gott uns Mahnend
Composed by Franz Liszt
with Leslie Howard
13. Rosario (3), for organ, S. 670 (LW E34) Mysteria Gaudiosa
Composed by Franz Liszt
with Leslie Howard
14. Rosario (3), for organ, S. 670 (LW E34) Mysteria Dolorosa
Composed by Franz Liszt
with Leslie Howard
15. Rosario (3), for organ, S. 670 (LW E34) Mysteria Gloriosa
Composed by Franz Liszt
with Leslie Howard
16. Schlummerlied im Grabe, for piano, S. 195a
Composed by Franz Liszt
with Leslie Howard
17. Entwurf der Ramann-Elegie, for piano, S. 196a
Composed by Franz Liszt
with Leslie Howard
18. Weimars Volkslied, for piano No. 2 in F Major, S. 542/2 (LW A191b)
Composed by Franz Liszt
with Leslie Howard
19. Kaiser Wilhelm!, national hymn for piano, S. 197b (LW A272)
Composed by Franz Liszt
with Leslie Howard
20. Fanfare zur Enthüllung des Carl-Augusts Monument, transcription for piano, S. 542b (LW A268b)
Composed by Franz Liszt
with Leslie Howard
21. Weimars Volkslied, for piano No. 1 in C Major, S. 542/1 (LW A191a)
Composed by Franz Liszt
with Leslie Howard
Liszt: Excelsior! and Other Rare Original Works,Franz Liszt,Leslie Howard,Hyperion,Chamber Music & Recitals,Character/Single-Movement/Miscellaneous Work for Keyboard,Classical,Classical Composers,Classical Music,Keyboard,Music for Keyboard,Music for Organ,Prelude for Keyboard,Suite/Partita for Keyboard,Transcription for Keyboard
Average customer rating:
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Liszt: Excelsior! and Other Rare Original Works
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003006 Release Date: 1995-11-21 |
Tracks:
- Excelsior! - Preludio, S500 (1874)
- Die Zelle in Nonnenwerth, S534bis (2nd vers.)
- No. 1 In E Major: CONSOLATIONS, S171a--No. 1 in E major
- No. 2 In E Major: CONSOLATIONS, S171a--No. 2 in E major
- No. 3 in C sharp minor: CONSOLATIONS, S171a--No. 3 in C sharp minor
- No. 4 in D flat major: CONSOLATIONS, S171a--No. 4 in D flat major
- No. 5 in E major: CONSOLATIONS, S171a--No. 5 in E major
- No. 6 in E major: CONSOLATIONS, S171a--No. 6 in E major
- Die Zelle in Nonnenwerth S534bis [alt. txt]
- GEHARNISCHTE LIEDER--Vor der Schlacht
- GEHARNISCHTE LIEDER--Nicht gezagt!
- GEHARNISCHTE LIEDER--Es rufet Gott uns mahnend
- ROSARIO, S670--Mysteria gaudiosa
- ROSARIO, S670--Mysteria dolorosa
- ROSARIO, S670--Mysteria gloriosa
- Schlummerlied im Grabe (Premiere Elegie 1st version)
- Entwurf der Ramann-Elegie (Zweite Elegie 1st draft)
- Weimars Volkslied (No. 2 in F major), S542a
- National Hymne: Kaiser Wilheml!, S197b
- Fanfare zur Enthullung des Carl-Augusts Monument
- Weimars Volkslied (No. 1 in C major), S542
Customer Reviews:
Liszt the Mystic.......2007-07-03
The opening piece "Excelsior! - Preludio" is the outstanding gem that gives the album its subtitle, "Excelsior! and other rare original works." As an introduction to his own cantata, The Bells of Strasbourg Cathedral, "Excelsior!" is compact, memorable, and full of evocative religiosity. Apparently Wagner found the theme of this piece substantial enough to use in Parsifal. According to Alan Walker, "the Latin word excelsior implies an incessant striving towards higher attainment, and it struck Liszt with force." Liszt achieves simplicity and nobility in his work, and it's worth lamenting that a piano version of the Bells of Strasbourg Cathedral is non-existent. Liszt's sense of the spiritual and melancholy prevails in the two versions of Die Zelle in Nonnenwerth, a piece that has received increasing recognition as a jewel. Liszt's melodic contours and piano-writing here often transcend the music to sublime depths of introspection.
The first versions of the six Consolations are, according to Howard, "a revelation in their generally less pristine view of the material." Interestingly, the third Consolation opens with the introduction to Liszt's First Hungarian Rhapsody. Howard gives assurance that "those familiar with the later set will find themselves constantly and delightfully deflected from their expectations by music which seems every bit as valid as the final conceptions." The Geharnischte Lieder or "Songs in Armor" are miniature tone-poems, apparently based on a poem "in which soldiers are called by God to the sacred battle." To my mind, Liszt is clearly successful in creating an atmosphere of battle and religious invocation. Although I won't comment on every individual piece, it should be noted that Liszt's first versions of the Elegies and his Weimars Volkslied are outstanding. And I must also direct my compliments to the three Rosario pieces. These short works are entitled "Mysteria," and with their meditative and pensive nature, they truly emanate a mystical sound.
Bottom line: Once again, the Hyperion Liszt series has delivered a fantastic addition to the Liszt discography. "Excelsior!" is a unique jewel for the piano, while the Consolations and the two versions of the Die Zelle in Nonnenwerth display Liszt's remarkable musical palette. The already precious line-up of music is further enhanced with the Rosario and Geharnischte Lieder, pieces that shine with imagination.
Music Review:
- Liszt: Missa Coronationalis
- Liszt: Responsories and Antiphons
- Liszt: Tanzmomente and Other Rare German Transcriptions
- Liszt: The Recitations with Piano
- Liturgy of Dohany Street Synagogue, Budapest
- Locatelli: Concerti & Introduttioni Teatrale, Opus 4
- Lute Concertos & Trios
- Maria Callas in Hamburg 1962 and the Rarest Material
- Maria Callas in Rehearsal , Dallas 1957
- Mendelssohn: Concerto Nos. 1 & 2
Music Review
Handel: Concerti Grossi, Op. 6, Vol. 3
"I Fiati all'Opera" / I Solisti della Scalla / Phillip Moll
Heart of the Matter [Import] [Original recording remastered]