Composed by Christoph Willibald Gluck
with Barbara Hendricks , Catherine Malfitano , Huguette Tourangeau
Conducted by Hans Vonk
2. Rinaldo, opera, HWV 7 Pompe vane
Composed by George Frideric Handel
with Huguette Tourangeau
3. Rinaldo, opera, HWV 7 Dove sei
Composed by George Frideric Handel
with Huguette Tourangeau
4. Rinaldo, opera, HWV 7 Vivi, tiranno
Composed by George Frideric Handel
with Huguette Tourangeau
5. La Molinara, opera la Rossellina
Composed by Giovanni Paisiello
with Huguette Tourangeau
6. Il Ratto di Proserpina Paga fui
Composed by Peter Winter
with Huguette Tourangeau
7. Rodelinda, regina de' Langobardi, opera, HWV 19 La Rondinella
Composed by George Frideric Handel
with Huguette Tourangeau
8. Rodelinda, regina de' Langobardi, opera, HWV 19 Dove sei
Composed by George Frideric Handel
with Huguette Tourangeau
9. Le Soir for voice & piano
Composed by Charles Gounod
with Huguette Tourangeau
10. Regrets!
Composed by Leo Delibes
with Huguette Tourangeau
11. Tristesse d'Odalisque, for voice & piano
Composed by Felicien David
with Huguette Tourangeau
12. Reviens, reviens, for voice & piano
Composed by Felicien David
with Huguette Tourangeau
13. Oh! quand je dors (I & II), song for voice & piano, S. 282 (LW N11)
Composed by Franz Liszt
with Huguette Tourangeau
14. Comment, disaient-ils, song for voice & piano (3 versions), S. 276 (LW N12)
Composed by Franz Liszt
with Huguette Tourangeau
15. La Nuit, song for voice & piano (Seize mélodies, authorship uncertain)
Composed by Georges Bizet
with Huguette Tourangeau
16. Nuit d'Espagne, for voice & piano
Composed by Jules Massenet
with Huguette Tourangeau
17. On dit, for voice & piano
Composed by Jules Massenet
with Huguette Tourangeau
18. Elle s'en est allée, for voice & piano
Composed by Jules Massenet
with Huguette Tourangeau
19. Chanson de Florian
Composed by Benjamin Godard
with Huguette Tourangeau
20. Aimons-nous, for voice & piano
Composed by Reynaldo Hahn
with Huguette Tourangeau
21. La Périchole, operetta O mon cher amant
Composed by Jacques Offenbach
with Huguette Tourangeau
22. La Périchole, operetta Ah, quel diner
Composed by Jacques Offenbach
with Huguette Tourangeau
Gluck - Orfeo ed Euridice / Tourangeau, Marfitano, Hendricks, Vonk,Christoph Willibald Gluck,George Frideric Handel,Giovanni Paisiello,Peter Winter,Charles Gounod,Leo Delibes,Felicien David,Franz Liszt,Georges Bizet,Jules Massenet,Benjamin Godard,Reynaldo Hahn,Jacques Offenbach,Hans Vonk,Huguette Tourangeau,Catherine Malfitano,Barbara Hendricks,Gala,Classical,Opera / Operetta / Oratorio,Opera/Operetta
Average customer rating:
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Gluck - Orfeo ed Euridice / Tourangeau, Marfitano, Hendricks, Vonk
Christoph Willibald Gluck , George Frideric Handel , Giovanni Paisiello , Peter Winter , Charles Gounod , Leo Delibes , Felicien David , Franz Liszt , Georges Bizet , Jules Massenet , Benjamin Godard , Reynaldo Hahn , Jacques Offenbach , Hans Vonk , Huguette Tourangeau , Catherine Malfitano , and Barbara Hendricks Manufacturer: Gala ProductGroup: Music Binding: Audio CD ASIN: B000001XNQ Release Date: 2000-06-06 |
Tracks:
- Orfeo ed Euridice: Overture
- Orfeo ed Euridice: Act One, Scene One - Ah, if around this tomb (Chorus - Ofreo)
- Orfeo ed Euridice: Enough, my friends! (Orfeo)
- Orfeo ed Euridice: Ballet
- Orfeo ed Euridice: Ah, if around this tomb (Chorus)
- Orfeo ed Euridice: Thus I call my love (Orfeo)
- Orfeo ed Euridice: Gods! Barbarous gods! (Orfeo)
- Orfeo ed Euridice: Act One, Scene Two - Amor will help you! (Amore, Orfeo)
- Orfeo ed Euridice: Restrain your glances (Amore)
- Orfeo ed Euridice: What was that he said? (Orfeo)
- Orfeo ed Euridice: Act Two, Scene One - Ballet - Who can it be, who
- Orfeo ed Euridice: Ah, make your peace (Orfeo, Chorus)
- Orfeo ed Euridice: Wretched youth! (Chorus)
- Orfeo ed Euridice: Noisome shades! Countless afflictions (Orfeo)
- Orfeo ed Euridice: Ah, what unfamiliar (Chorus, Orfeo)
- Orfeo ed Euridice: Act Two, Scene Two - Ballet
- Orfeo ed Euridice: How pure the sky! (Orfeo, Chorus)
- Orfeo ed Euridice: You are in the kingdom of rest (Chorus)
- Orfeo ed Euridice: In these calm and placid meadows (Euridice)
- Orfeo ed Euridice: Fortunate spirits (Orfeo, Chorus)
- Orfeo ed Euridice: Be reunited, fair one (Chorus)
- Orfeo ed Euridice: Act Three, Scene One - Come, follow my steps (Orfeo)
- Orfeo ed Euridice: Come, to please your husband! (Orfeo, Euridice)
- Orfeo ed Euridice: What sort of life is this (Euridice)
- Orfeo ed Euridice: What a terrible moment (Euridice)
- Orfeo ed Euridice: A new torment! (Orfeo, Euridice)
Tracks:
- Orfeo ed Euridice: Act Three, Scene One - Alas! What have I come to? (Orfeo)
- Orfeo ed Euridice: What shall I do without Euridice?
- Orfeo ed Euridice: Ah, if around this tomb (Chorus)
- Rinaldo: Rinaldo: Pompe vane
- Rinaldo: Rinaldo: Dove sei
- Rinaldo: Rinaldo: Vivi, tiranno
- La Molinara: La Molinara: la Rossellina (La Raccalina)
- Il Ratto Di Proserpina: Il Ratto Di Proserpina: Paga fui
- Rodelinda: Rodelinda: La Rondinella
- Rodelinda: Rodelinda: Dove sei
- Le Soir
- Regret
- Tristesse d'Odalisque
- Reviens, reviens
- Oh, quand je dors
- Comment diait - elle
- La Nuit
- Nuit d'Espagne
- On dit
- Elle s' en est allee
- Chanson de Florian
- Aimons-nous
- La Perichole: La Perichole: O mon cher amant
- La Perichole: La Perichole: Ah quer diner
Customer Reviews:
From an Orfeo collector..........2006-07-05
Regarding this recording: I was not expecting much. I had only heard Tourangeau in secondary roles with Sutherland as the lead Soprano previously. However, I was intrigued by novelty.
And I was blown away. Tourangeau has a deep and visceral voice I never heard in her Adalgisa & company. She sings the music with an ear for musicality that astonished me -- perfectly appropriate ornamentation and phrasing, emotion welling in her voice, and outstanding cooperation with the orchestra.
Malfitano and Hendricks are in equal form throughout. The recording quality is relatively flawless. And yes, it IS the original, early Italian version of the opera. The only major cave to the 1774 remake in French (or at least it's Alto transposition) are the F's at the end of "Che faró senza Euridice."
Finally, the recital pieces of Tourangeau's at the end are well appreciated in getting to know the artist better. In all, this is a recording well worth the price.
good music, but with too much background noise .......2006-02-10
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