Strauss: Also Sprach Zarathustra,Op.30/Ein Heldenleben,Op.40

1. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 Sunrise
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

2. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 Of Those at the Back of the World
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

3. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 Of the Great Longing
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

4. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 Of Joys and Passions
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

5. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 The Dirge
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

6. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 Of Science
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

7. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 The Convalescent
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

8. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 The Dance Song
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

9. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 The Night Song: the Night Wanderer's Song
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

10. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 The Hero
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

11. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 The Hero's Adversaries
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

12. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 The Hero's Companion
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

13. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 The Hero's Battlefield
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

14. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 The Hero's Works of Peace
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

15. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 The Hero's Retreat from the World and Fulfilment
Composed by Richard Strauss
Performed by Boston Symphony Orchestra with Joseph Silverstein
Conducted by Seiji Ozawa

Tracks:

Sunrise - Fritz Reiner
Of The People Of The Unseen World - Fritz Reiner
Of The Great Longing - Fritz Reiner
Of Joys And Passions - Fritz Reiner
Dirge - Fritz Reiner
Of Science - Fritz Reiner
The Convalescent - Fritz Reiner
Dance Song And Night Song - Fritz Reiner
Night Wanderer's Song - Fritz Reiner
The Hero - John Weicher
The Hero's Adversaries - John Weicher
The Hero's Companion - John Weicher
The Hero's Battlefield - John Weicher
The Hero's Works Of Peace - John Weicher
The Hero's Retreat From The World And Fulfillment - John Weicher

Customer Reviews:

When Musicans were Musicians alas gone forever.......2007-07-10

Wonderfull zara,Musicanship beyond reproach.HSACD Analogue off the charts.Now my Gripe Heldenleben,along with Tod Und Verklarung Strauss's Greatest Orch Works,The Damn Trumpets and high Strings are blasting out too much.They Obscure all of the woderful canonic and Countrapuntal weaving of RS's themes(in this leitmotif heavy work)going on with the Horns,WW's and low strings,espically in the Hero's Battlefield(RS's greatest Orch acheivement).Kempe blends and balances this whole double coda section so marvelously and with more warmth,passion and musicality.Granted i'm hearing some things i've not heard in other versions,which is why i like many readings of a work.And on that basis plus for zara and the hsacd sound.. i recomend this CD.But i have to agree with the other reviews,that Reiner features the big dramatic over the top(sometimes cold)gesture over warmth and balance.Kempe is still the best for Tod and Heldenleben.

Great music!.......2007-06-13

Downloaded to my pc. Then ripped some
tunes for my MP3, which I use in the
gym. Good way to exercise listening
to good music. Quality is great!

WHAT A PERFORMANCE!.......2007-03-08

I couldn't agree with Mark or Larry less. I don't consider myself a Reiner cultist, but I found these performances of Strauss's bombastic hits driven and compelling. Frankly, I bought this CD to hear what an SACD release of a 50-year old recording would sound like and was quite impressed with the sound as well as the performance. In quiet passages, especially on the Heldenleben recording, there was audible hum (the reason for my 4-star vs. 5-star rating of this performance) but the clarity of the recording- even the violins, which are always the achilles heel of an orchestral recording, was remarkable given the vintage of the performance. Without considering the sound, however, this is a performance worth having and I'm glad I ]spent the ridiculously low price of less than $8 to own and enjoy it. I wouldn't hesitate recommending this recording.

Best Ein Heldenleben I have ever heard.......2007-01-22

Many people would be more interested in Zarathustra but I bought if for Heldenleben. I heard it on a streaming radio station and it was spectacular. The sound quality is amazing not to mention the performance.

I recommend it to anyone who likes R. Strauss as I do (my favorite classical composer).

I guess I just don't get the whole Reiner-worship cult.......2006-12-09

Let's see, I've owned these recordings on LP, cassette and at least 3 prior CD incarnations. I've dumped them all off in the past because I have never heard what so many others hear in these recordings. Where most hear demonstration-class recordings of a virtuosic band in a top-ranked interpretation, I hear a shallow, brittle and depth-less recording of a decent orchestra with less-than-sterling technical execution in a rather perfunctory interpretation by a fabled conductor.

Being so far off in my assessment when compared to received opinion, I've come to believe that there is something wrong with my ears. With that in mind, I picked up this recording/mastering for $5 at the Tower close-out yesterday, hoping to have my reaction to these recordings changed. Sorry to say I'm again gravely disappointed in these recordings on every level (as mentioned above).

If you really want to hear Richard Strauss in all his glory - both sound-wise and interpretively - than I suggest you turn to Karajan's non-digital DG recordings, Mehta's set with the LA Phil or Kempe's recordings on EMI (though I'm not fond of Kempe's Alpine Symphony).

I think I'm finally ready to give up on these over-rated recordings.

Average customer rating:

Outstanding performances
Reviving a Lost Love
Not for beginners...
One of the very best of all EMI sets! The 2nd coming for all Straussians!
terrible, awful, hideous, lousy

Strauss: Orchestral Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Debussy, Ravel: Orchestral Works
Bruckner: The Complete Symphonies
Sibelius: The Complete Symphonies & Tone Poems
Liszt: Works for Piano and Orchestra
Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead

ASIN: B000026D4K
Release Date: 1999-11-16

Tracks:

Horn Concerto No. 1 In E Flat Major, Op. 11: I: Allegro
Horn Concerto No. 1 In E Flat Major, Op. 11: II: Andante
Horn Concerto No. 1 In E Flat Major, Op. 11: III: Allegro
Horn Concerto No. 2 In E Flat Major: I: Allegro
Horn Concerto No. 2 In E Flat Major: II: Andante con moto
Horn Concerto No. 2 In E Flat Major: III: Rondo (Allegro molto)
Oboe Concerto In D Major: I: Allegro moderato
Oboe Concerto In D Major: II: Andante
Oboe Concerto In D Major: III: Vivace
Duett-Concertino: I; Allegro moderato
Duett-Concertino: II: Andante
Duett-Concertino: III: Rondo (Allegro ma non troppo)

Tracks:

Burleske
Parergon zur Sinfonia Domestica, Op. 73
Panathenaenzug, Op. 74

Tracks:

Till Eulenspiegels lustige Streiche, Op. 28
Don Juan, Op. 20
Ein Heldenleben, Op. 40: The Hero
Ein Heldenleben, Op. 40: The Hero's Adversaries
Ein Heldenleben, Op. 40: The Hero's Wife
Ein Heldenleben, Op. 40: Certainty Of Victory
Ein Heldenleben, Op. 40: The Hero's Battlefield
Ein Heldenleben, Op. 40: War Fanfares
Ein Heldenleben, Op. 40: The Hero's Work Of Peace
Ein Heldenleben, Op. 40: The Hero's Withdrawl From The World
Ein Heldenleben, Op. 40: Renunciation

Tracks:

Violin Concerto in D minor, Op. 8: I: Allegro
Violin Concerto in D minor, Op. 8: II: Lento
Violin Concerto in D minor, Op. 8: III: Rondo
Sinfonia Domestica, Op. 53: Bewegt - Thema I - Thema II - Thema III
Sinfonia Domestica, Op. 53: Scherzo (Munter)
Sinfonia Domestica, Op. 53: Wiegenlied - Massig langsam
Sinfonia Domestica, Op. 53: Adagio - (Langsam)
Sinfonia Domestica, Op. 53: Finale (Sehr lebhaft)

Tracks:

Also sprach Zarathustra, Op. 30
Tod und Verklarung, Op. 24
Der Rosenkavalier, Op. 59

Tracks:

Salome, Op. 54: Dance Of The Seven Veils
Le Bourgeois Gentilhomme - Suite, Op. 60: Overture
Le Bourgeois Gentilhomme - Suite, Op. 60: Jourdain - Minuet
Le Bourgeois Gentilhomme - Suite, Op. 60: The Fencing Master
Le Bourgeois Gentilhomme - Suite, Op. 60: Entrance and Dance of the Tailors
Le Bourgeois Gentilhomme - Suite, Op. 60: Minuet of Lully
Le Bourgeois Gentilhomme - Suite, Op. 60: Courante
Le Bourgeois Gentilhomme - Suite, Op. 60: Entry Of Cleonte
Le Bourgeois Gentilhomme - Suite, Op. 60: Intermezzo (Prelude To Act 2)
Le Bourgeois Gentilhomme - Suite, Op. 60: The Dinner
Schlagobers, Op. 70: Waltz
Josephslegende, Op. 63: Symphonic Fragment

Tracks:

Metamorphosen: Study For 23 Solo Strings
Eine Alpensinfonie, Op. 64: Night
Eine Alpensinfonie, Op. 64: Sunrise
Eine Alpensinfonie, Op. 64: The Ascent
Eine Alpensinfonie, Op. 64: Entering The Forest
Eine Alpensinfonie, Op. 64: Strolling By The Stream
Eine Alpensinfonie, Op. 64: By The Waterfall
Eine Alpensinfonie, Op. 64: Apparition
Eine Alpensinfonie, Op. 64: In Flowery Meadows
Eine Alpensinfonie, Op. 64: In A Mountain Pasture
Eine Alpensinfonie, Op. 64: Lost In The Thickets And Undergrowth
Eine Alpensinfonie, Op. 64: On The Glacier
Eine Alpensinfonie, Op. 64: Dangerous Moments
Eine Alpensinfonie, Op. 64: On The Summit
Eine Alpensinfonie, Op. 64: Vision
Eine Alpensinfonie, Op. 64: Mists Rise Up
Eine Alpensinfonie, Op. 64: The Sun Grows Dark
Eine Alpensinfonie, Op. 64: Elegy
Eine Alpensinfonie, Op. 64: Quiet Before The Storm
Eine Alpensinfonie, Op. 64: A Thunderstorm - Descent
Eine Alpensinfonie, Op. 64: Sunset
Eine Alpensinfonie, Op. 64: Conclusion
Eine Alpensinfonie, Op. 64: Night

Tracks:

Aus Italien, Op.16: I: Andante
Aus Italien, Op.16: II: Allegro molto con brio
Aus Italien, Op.16: III: Andantino
Aus Italien, Op.16: IV: Finale (Allegro molto)
Macbeth, Op. 23: Symphonic Poem

Tracks:

Don Quixote, Op. 35: Introduktion (Massiges Zeitmass)
Don Quixote, Op. 35: Massig (Don Quixote)
Don Quixote, Op. 35: Maggiore (Sancho Panza)
Don Quixote, Op. 35: Variation I: The adventure with the windmills
Don Quixote, Op. 35: Variation II: The battle with the sheep
Don Quixote, Op. 35: Variation III: Discourse between knight and squire
Don Quixote, Op. 35: Variation IV: The adventure with the pilgrims
Don Quixote, Op. 35: Variation V: The knight's vigil
Don Quixote, Op. 35: Variation VI: The meeting with Dulcinea
Don Quixote, Op. 35: Variation VII: The ride through the air
Don Quixote, Op. 35: Variation VIII: The voyage in the enchanted boat
Don Quixote, Op. 35: Variation IX: The combat with the two magicians
Don Quixote, Op. 35: Variation X: The defeat of Don Quixote
Don Quixote, Op. 35: Finale (Sehr ruhig)
Dance Suite from harpsichord pieces by Francois Couperin: I: Entree and stately round
Dance Suite from harpsichord pieces by Francois Couperin: II: Courante
Dance Suite from harpsichord pieces by Francois Couperin: III: Carillon
Dance Suite from harpsichord pieces by Francois Couperin: IV: Sarabande
Dance Suite from harpsichord pieces by Francois Couperin: V: Gavotte
Dance Suite from harpsichord pieces by Francois Couperin: VI: Tourbillon - Wirbeltanz
Dance Suite from harpsichord pieces by Francois Couperin: VIII: Allemande
Dance Suite from harpsichord pieces by Francois Couperin: VIII: March

Amazon.com essential recording

When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion.

Back in the 1970s, EMI was able to capitalize on this association when it reunited the Staatskapelle with Rudolf Kempe--a native of Dresden, one of the master conductors of the 20th century, and an absolutely authoritative Straussian--for an integral recording of Strauss's orchestral works and concertos. The cycle was warmly received when it was originally released on LP, and it has become one of the treasures of the CD catalog since EMI reissued it whole, in three volumes, in 1992. With this latest repackaging, the whole impressive enterprise becomes available in one box.

Across the board, Kempe and the Dresdeners give magnificent readings of the music. Their Zarathustra is imposing and grand; their Heldenleben suitably heroic and quite smashingly played; their Till Eulenspiegel and Don Juan delightfully brisk, characterful, and exultant (the latter is dispatched in a blazing 16:06, and receives as ardent and exhilarating a reading as you are ever likely to encounter on disc). One of the finest of all the offerings is the account of Eine Alpensinfonie, a Kempe favorite and still a sonic knockout after nearly three decades.

The less familiar orchestral works are here, as well, including the early tone poems Aus Italien and Macbeth and the admittedly rather frothy ballet scores Josephslegende and Schlagobers. Of special value are the accounts of all Strauss's concerted works, from the early Violin Concerto (played by Ulf Hoelscher) and Burleske for piano and orchestra (with Malcolm Frager as soloist), through Don Quixote (featuring Paul Tortelier in magisterial form) and the two horn concertos, to the Oboe Concerto of 1946 and the final Duett-Concertino for clarinet and bassoon.

It's hard to imagine any label tackling such a project in today's bottom-line environment, or coming up with such definitive readings from today's performers. All the more reason to celebrate the appearance of this compendium. --Ted Libbey

Customer Reviews:

Outstanding performances.......2007-05-13

Rudolf Kempe's interpretations of Richard Strauss orchestral works (almost complete - one miss the orchestral songs) have been classic recordings since they first appeared on record in the early seventies (1970-75).

Especially fine are his interpretations of the core works, e.g., the symphonic poems Also sprach Zarathustra, Ein Heldenleben, Eine Alpensinfonie, Tod und Verklärung, Don Juan, Till Eulenspiegel, Don Quixote. All these are given first rate interpretations.

Furthermore, you get outstanding interpretations of Strauss' two horn concertos as well, with Peter Damm's superb horn playing, and an outstanding performance of Metamorphosen.

There is simply no rival to this collection of "core works of Richard Strauss".

In addition, this box collects also Strauss less interesting orchestral works - see Amazon's listing above. These minor works receive fine interpretations and performances too, but the main attraction is of course the core works above.

Sound quality is very fine - just excellent analogue stereo - and the orchestra, Staatskapelle Dresden, was one of the top orchestras in the world when these sessions were put on record.

Warmly recommended!

Reviving a Lost Love.......2006-08-07

The highest praise for any conductor must be that he rekindles enthusiasm and love for music that had been recently abandoned. In his autobiography, the conductor Felix Weingartner confesses that he had grown out of touch with Strauss' music; until hearing this set, I had felt the same, with only a few exceptions. But Rudolf Kempe and his really great Staatskapelle Dresden have won me back to Richard's orchestral music. So far, I have only heard part of the set: Zarathustra, Heldenleben, Till, Tod und Verklaerung, Der Buerger als Edelmann, Don Juan, Burleske, and Sinfonia Domestica, but my appetite is whet for more. Because of the refined, subtle, and yet intense conducting of Kempe, what used to strike me as cheap and taudry now strikes me as profound and moving. And the sheer musical skill of Strauss in thematic invention and counterpoint never ceases to amaze. Kempe was truly, in my not so humble opinion, the greatest conductor of the German classics following Furtwaengler; Karajan was empty and shallow by comparison. Kempe brings to this music the same passion and dignity that he brought to Beethoven, Brahms, Wagner, Schumann, and other of "his" composers. To make just one comparison, Reiner's Zarathustra, once hallowed by me as by most listeners, now sounds like overripe, rotting fruit as compared to the passionate yet thoughtful quality that Kempe brings to it. The Staatskapelle Dresden, by the way, sounds like the greatest orchestra in the world, only matched by the Berlin Philharmonic under Kempe or Furtwaengler, an orchestra that produces incidentally beautiful sounds but whose main goal is the projection and characterization of the music. No virtuosity for its own sake, just musicianship, musicianship, and more musicianship. EMI's sound is the very epitome of how to record an orchestra: Impactful, yet smooth and detailed, with natural perspectives and no spotlighting. This set belongs in every music lover's library.

Not for beginners..........2006-07-16

Most boxed sets have their ups and downs because no conductor is equally sympathetic to all of a composer's works. Kempe is no exception to this rule.

The masterpieces, Zarathustra, Heldenleben, and Quixote, are superb here. Kempe clarifies Strauss' complex textures in a way that other conductors like Karajan don't. Most of the time, I prefer to hear these works Karajan's way, but it's nice to hear what Kempe does with them, too. No one does Sinfonia Domestica the way Kempe does it...with such gentleness and humor. I listened to Reiner's recording for years, but I put it up for sale on amazon after I heard the Kempe. With all four of these large tone poems, Kempe and Karajan are all I really need.

The Don Juan is just about the best I've ever heard. It is so vital and exciting! Better than Karajan or any other I know. It is hard to imagine that Macbeth will ever be done better than this either. Macbeth is one of the reasons I own this set, but it's hardly one of Strauss' masterpieces. Speaking of non-masterpieces, I also treasure Kempe's recordings of Strauss' strange works for piano and orchestra. The Burleske has more poetry but less excitement than the classic Byron Janis/Reiner recording.

Kempe's recordings of the Horn Concertos are truly awful. Listen to the weak, watery tones of the first-chair horn player stepping into the solo spotlight. One listen to the mono recordings of Dennis Brain conducted by Sawallisch shows what is missing: bold, ringing tone and lots of excitement. If I only knew Kempe's recordings, I wouldn't even care about these pieces.

The bad news continues with the Oboe Concerto (weak oboist) and the charming Duet Concertino (weak bassoon).

Kempe misses the raucous fun that charges the best recordings of Till Eulenspiegel. This is a limp dishrag of a performance (until the last few minutes). At the very start of the performance, you will hear a familiar sound -- our weak horn player from the concertos playing a solo -- and you will long to stop the CD and reach for a different recording.

Metamorphosen is one of my favorite pieces by Strauss. Kempe, as is his wont, tries mightily to clarify Strauss' dense counterpoint here, and I appreciate the effort. I hear things here that I miss in other recordings. But this reading does not move me the way others have. Ormandy, to name just one. Death and Transfiguration is another one that Ormandy did better. Kempe is too fast at times! Really fast!

My greatest disappointment with this set is a recording that has been acclaimed by many as one of the greatest Strauss recordings ever made...Kempe's take on Eine Alpensinfonie. I have lived for many years with the Karajan recording, and I must say that Kempe misses many of the moments that I have come to treasure in Karajan's version. One example would be those 20 horns playing! Karajan makes this absolutely thrilling, which I'm sure is what Strauss intended. With Kempe, this telling touch by Strauss passes by unremarkably. The slow, quiet passage at the summit lacks magic. The apotheosis at the top of the mountain is certainly thrilling in Kempe's hands, but he misses too much on the way up. By the way, his cowbells sound almost comically bad. He certainly does bring out the beauty of the closing sections of the work, though.

If you are really serious about getting to know Strauss' music, this is a necessary purchase for the rarities that will probably never be done better like the Violin Concerto and the pieces I've already mentioned. If you just want Strauss' most famous works, this is a waste of your money (no matter how cheap it is!)because there's a lot of stuff here that either isn't very good or that you probably won't want to listen to that often. You would be better off buying Karajan's recordings (the 1970s recordings, not the remakes from the 80s) of the big three tone poems and then filling in the smaller ones as your interests dictate. Casual listeners will never need to hear pieces like Macbeth or the piano works that make this set so vital to Strauss-aholics like me!

One of the very best of all EMI sets! The 2nd coming for all Straussians!.......2006-02-10

The great Strauss tone poems soar to the highest level imaginable! With Kempe's genius, the lesser works become great! Kempe resists all temptation to be banal or bombastic. He directs the Staatskappele Dresden with a silken, burnished tone yet with restraint that has a radiant glow that never sacrifices the inherent capacity of the music to thrill, deeply move, or elevate to another plain. Each work played is in itself the guide: conductor and orchestra let the works deliver their own brilliance. The Don Juan and Dead and Transfiguration are soul piercing, along with Ein Heldenleben, and....... The Staatskapelle Dresden has always been an inspired ensemble and in Kempe's hands they are simply put, magnificent, delivering one thrilling performance after another. Like Wagner and Faith, you get Strauss or you don't. If you do get it, this set is beyond self recommendation; Buy this set before it disappears from the shelves. Classical Cd shelves these days have hidden boomerangs. One minute here, next minute.....boing going gone)...! The concert hall may never hear greater performances of Strauss' orchestral works as we hear on these nine disks. The sound is nothing short of a rich, full timber as Kempe leads then with inspired and interpretive genius . This all may sound over the edge but I don't think so and I don't think you will be disappointed. Strauss has been served in splendor by the Dresden musicians under Kempe's baton. [Although in an aside I must say that Raphael Fruhbeck de Burgos and the Tanglewood Music Center Orchestra's performance this past summer of Don Juan and the Rosenkavalier suite were superb.] Then I think of the BSO with Levine...., their Strauss should be something else. Bravo and kudos to all for bringing us this gift. Booklet is very well done with one exception. There is not a word in the booklet about Rudolf Kempe and/or the orchestra itself. 10 stars anyway!!

terrible, awful, hideous, lousy.......2005-04-22

The problem with the "classics" is that too many hacks have hacked them to pieces. My opinion of these recordings, for whatever it is worth, is that they simply do not do justice to Strauss's magnificent music.

There is a reason they are a "bargain". I would avoid this set.
Sometimes a boxed set is a good deal, but this one is not. I find the entire set unspeakably dull and literally unlistenable.

In any event, this is merely my opinion. The majority of the other reviewers think its terrific.

Average customer rating:

first-rate interpretations, second-rate recorded sound
Not worth it!!!!!!!
Wonderful Interpretation throughout.

Strauss: Tone Poems

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Similar Items:

Schumann Piano Works
Strauss: Salome
Schumann: The Four Symphonies; Genoveva & Manfred Overtures
Schubert: 8 Symphonies
Mendelssohn: 5 Symphonies; 7 Overtures

ASIN: B00002DF9N
Release Date: 2001-03-13

Tracks:

An Alpine Symphony, Op.64: Night - Sunrise - Berliner Philharmoniker
An Alpine Symphony, Op.64: The Ascent - Berliner Philharmoniker
An Alpine Symphony, Op.64: Entering The Wood - Berliner Philharmoniker
An Alpine Symphony, Op.64: Wandering By The Brook - By The Waterfall - Apparition - Berliner Philharmoniker
An Alpine Symphony, Op.64: Flowery Meadows - On The Mountain Pasture - On The Wrong Track Through Thickets And Undergrowth - On The Glacier - Berliner Philharmoniker
An Alpine Symphony, Op.64: Precarious moments - On The Summit - Vision - Berliner Philharmoniker
An Alpine Symphony, Op.64: Rising Mists - The Sun Gradually Dims - Elegy - Berliner Philharmoniker
An Alpine Symphony, Op.64: Calm Before The Storm - Berliner Philharmoniker
An Alpine Symphony, Op.64: Thunderstorm, Descent - Berliner Philharmoniker
An Alpine Symphony, Op.64: Sunset - Berliner Philharmoniker
An Alpine Symphony, Op.64: Epilogue - Night - Berliner Philharmoniker
Don Juan, Op.20: Tone Poem After Nikolaus Lenau - Berliner Philharmoniker
Waltzes From Act III - Berliner Philharmoniker

Tracks:

Thus Spake Zarathustra, Op.30: Introduction - Michel Schwalbe
Thus Spake Zarathustra, Op.30: Of The Backworldsmen - Michel Schwalbe
Thus Spake Zarathustra, Op.30: Of The Great Longing - Michel Schwalbe
Thus Spake Zarathustra, Op.30: Of Joys And Passions - Michel Schwalbe
Thus Spake Zarathustra, Op.30: The Song Of The Grave - Michel Schwalbe
Thus Spake Zarathustra, Op.30: Of Science - Michel Schwalbe
Thus Spake Zarathustra, Op.30: The Convalescent - Michel Schwalbe
Thus Spake Zarathustra, Op.30: The Dance Song - Michel Schwalbe
Thus Spake Zarathustra, Op.30: Song Of The Night Wanderer - Michel Schwalbe
Festival Prelude, Op.61 - Wolfgang Meyer
Till Eulenspiegel's Merry Pranks, Op.28 - Berliner Philharmoniker
Salome, Op.54: Dance Of The Seven Veils - Berliner Philharmoniker

Tracks:

A Hero's Life, Op.40: The Hero - Erich Muhlbach
A Hero's Life, Op.40: The Hero's Adversaries - Erich Muhlbach
A Hero's Life, Op.40: The Hero's Companion - Erich Muhlbach
A Hero's Life, Op.40: The Hero's Battlefield - Erich Muhlbach
A Hero's Life, Op.40: The Hero's Works Of Peace - Erich Muhlbach
A Hero's Life, Op.40: The Hero's Retirement From The World And Fulfilment - Erich Muhlbach
Death And Transfiguration, Op.24 - Staatskapelle Dresden

Customer Reviews:

first-rate interpretations, second-rate recorded sound.......2006-07-30

What admirable interpretations from Böhm! He breathes so much character into each of the musical "paragraphs" in these readings. Each theme is given its own distinct tempo, chosen with exceptional judgement to emphasize its idiosyncracies and expressive character; and Böhm can turn his orchestra on a dime when a good deal of contrast is called for between the end of one paragraph and beginning of the next. There's also enourmous dynamic range and contrast, form the softest pianissimi to thundering fortissimi. These are readings that really bring out the broad ebb and flow of these long pieces, emphasizing the structure, the architecture of them. They're really fantastic.

Do be warned, though, that the recorded sound is very dated: generally it's rather one-dimensional and the resolution is not very high, so that you mostly hear only the most prominent voices of the ensemble at any given time. It's at its worst in the Alpine Symphony, which sounds like a scratchy, screechy 1930's film soundtrack. In the rest of the pieces it ranges from good to serviceable; but if there's any repertoire that really benefits from today's high-fidelity recording technology, massive post-Romantic orchestral scores like these are certainly a front-runner. Buy this set for the marvellous interpretations, but you'll want to explore other, better-recorded readings as well to really hear the full depth and resonance of the orchestral sound.

Not worth it!!!!!!!.......2006-07-19

This seems like a great deal with the amount of material and the price, but the truth is "cheap price, cheap recordings" . I highly suggest if you want to get the most of Richard Strauss's tone poems you should buy different recordings. The main thing I was disappointed with on this box set was the recording of An Alpine Symphony. The recording of the alpine symphony was too old and weak, sloppy and loud (only at times),and just ok overall. The alpine symphony is on the first cd so I after I listened to that, I had a bad attitude about the rest of it. Even though, all of the other recordings are pretty good or ok.

Personally, I would suggest Karajan and the Berlin Philharmonic when it comes to Richard Strauss's tone poems.

Wonderful Interpretation throughout........2006-01-01

This collection is a wonderful package in that it brings together one of Strauss's life friends and largest advocates (Karl Bohm) with two incredible GERMAN orchestras playing their own nationalistic music.

These recordings rank among my most cherished and loved. Highlights (for me) include the climax of sunrise in the Alpine Symphony, the huge reverberations as the massive sound of the fff chords carry over into silence in Heldenleben, and the wicked-crazy horns as they rip through the Waltz from Rosenkavalier.

These are prime interpretations (better, I feel than any other -- and I mean ANY - sorry Karajan fans!!!). And these two wonderful forces play their musical heritage with passion and brilliance.

As another reviewer pointed out, the sound quality leaves something to be desired, however it is not quite as bad as they would have us believe. What we first must take into account is that Strauss' huge tone poems put enormous demands on the recording equipment of its day that could not be met. Also, Bohm was stressed above all else that "the melody be prominent". Yes - as a result the recording really kicks out the melody line.

Okay - take that into account and listen to these with some imagination. I assure you that you will be able to hear the detail of Strauss' music - but more importantly the style and idea of it. Listen like you would look at a black and white photo. While the B&W leaves more for your imagination, you still "get the picture" - and sometimes the B&W reveales more! It's exactly the same with this incredible box of Strauss.

The interpretation is absolutely stunning and revealing. Bohm nailed this on the head and truly captured the essence of this music. I feel this is a wonderful place for you to start if you know little Strauss - and if you know much about Strauss, this is a great place for you to hear a different, but seemingly perfect interpretation of Strauss.

Average customer rating:

Good job
Masterful!
Great CD of Classical music's power pieces!

Time Life Presents: Classical Thunder

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

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Thunderous Classics
Thunder & Lightning
25 Thunderous Classics
Classical Thunder II: Time Life Library of Classical Favorites
Heavy Classix

ASIN: B00081U6XC
Release Date: 2005-04-26

Tracks:

Introduction
Ride Of The Valkyries
Mars, The Bringer Of War
Montagues And Capulets
Sabre Dance
William Tell Overture (Conclusion)
In The Hall Of The Mountain King
The Hut On Fowl's Legs
The Great Gate At Kiev
Fanfare For The Common Man
Allegro Con Brio
Marche Au Supplice (March To The Scaffold)
Sacrificial Dance (The Chosen One)
Circus Maximus
Les Toreadors
Finlandia, Op.26
1812 Overture, Op.49 (Conclusion)

Tracks:

Procession Of The Nobles
Rakoczy March
Ritual Fire Dance
The Hero's Battlefield
Pines Of The Appian Way
Dies Irae
Allegro Con Brio
Allegretto
Air Et Danse Bacchanale
Farandole
Infernal Dance Of King Kastchei
O Fortuna
The Wedding Of Kije
Hurricane
Marche Slave, Op.31

Customer Reviews:

Good job.......2005-08-26

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

Masterful!.......2005-06-15

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

Great CD of Classical music's power pieces!.......2005-06-07

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.

Richard Strauss: Also sprach Zarathustra; Ein Heldenleben

Average customer rating:

Great Virtuosity, but For the Music, Get Kempe!
Historic stereo recordings of Richard Strauss
An outstanding event of incalculable transcendence!
This music? Garbage? You've got to be kidding.
Not Garbage at all

Richard Strauss: Also sprach Zarathustra; Ein Heldenleben

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Hovhaness: Mysterious Mountain
Strauss: Don Quixote; Don Juan

ASIN: B000003FE9
Release Date: 1993-03-09

Tracks:

Also Sprach Zarathustra, Op. 30: Sunrise
Also Sprach Zarathustra, Op. 30: Of The People Of The Unseen World
Also Sprach Zarathustra, Op. 30: Of The Great Longing
Also Sprach Zarathustra, Op. 30: Of Joys And Passions
Also Sprach Zarathustra, Op. 30: Dirge
Also Sprach Zarathustra, Op. 30: Of Science
Also Sprach Zarathustra, Op. 30: The Convalescent
Also Sprach Zarathustra, Op. 30: Dance Song And Night Song
Also Sprach Zarathustra, Op. 30: Night Wanderer's Song
Ein Heldenleben, Op. 40: The Hero
Ein Heldenleben, Op. 40: The Hero's Adversaries
Ein Heldenleben, Op. 40: The Hero's Companion
Ein Heldenleben, Op. 40: The Hero's Battlefield
Ein Heldenleben, Op. 40: The Hero's Works Of Peace
Ein Heldenleben, Op. 40: The Hero's Retreat From The World And Fulfillment

Amazon.com essential recording

RCA Victor's 1954-vintage stereophony has scarcely aged, all to the better of these ageless performances, heard in their finest transfers yet. Fritz Reiner's Ein Heldenleben fuses drama, poetry, scrupulous balances, bracing rhythm, and purposeful detail into a cogent whole. Much the same holds true for Reiner's Zarathusatra from the same year. Yes, the organ is foully out-of-tune, and a few exposed tympani notes are similarly suspect. Some may prefer Reiner's less flashy, more internalized 1960 Zarathustra remake, although it doesn't quite make the sonic impact of its hallowed predecessor. May this disc never be deleted. --Jed Distler

Amazon.com

This recording was the hi-fi demo disc of the 1950s. On CD, it still sounds pretty incredible; an achievement as remarkable technically as it is musically. And what playing! Fritz Reiner sadistically enjoyed driving his players to despair. There's a famous story about principal trumpeter Adolph (Bud) Herseth, who played his tricky little fanfare at the beginning of the second half of Zarathustra so perfectly so many times that even Reiner finally gave up. Most critics and Strauss lovers consider Reiner's performance of A Hero's Life to be the best ever committed to disc, and I'd be the last one to disagree. This is one of those recordings where everything just went right. --David Hurwitz

Amazon.com

Ein Heldenleben can occasionally sound like 30 minutes of real music with a 15-minute violin concerto placed in its middle; it requires an interpreter with grip and a long view of the score to hold the piece together. Fritz Reiner was just that, and his 1954 account of Heldenleben is still on the top of the pile. It is a formidable reading--huge, massive, yet with an Old World expressiveness in the strings and gloriously transparent textures. Reiner's interpretation of Zarathustra, recorded at the same time, is equally impressive. Stunning is the only word to describe the remastering job RCA has done with the original recordings: the richness of sound is staggering for documents now more than 40 years old. --Ted Libbey

Customer Reviews:

Great Virtuosity, but For the Music, Get Kempe!.......2006-08-07

This issue will appeal to those who find in Richard Strauss a great orchestrator. But if you pass this by and get the Kempe recordings on EMI with the Staatskapelle Dresden, you will find Strauss the Great Composer.

Historic stereo recordings of Richard Strauss.......2006-03-28

Fritz Reiner (1888-1963) and the Chicago Symphony Orchestra were among the first musicians in the U.S. to make commercial streophonic recordings, in March 1954 in Chicago's historic Orchestra Hall. (A few stereo recordings were made by Thor Johnson and the Cincinnati Symphony in 1953 by Remington and given some limited release on tapes and discs.)

In 1954, RCA Victor taped two extended masterpieces by the German composer Richard Strauss (1864-1949), using a pioneering triple-track stereo tape system. RCA used separate equipment at the recording sessions in Orchestra Hall, one for the conventional monaural recordings and one for the stereo recordings. Intended to be experimental recordings, the stereo versions first appeared on home reel-to-reel tapes within a year. With the advent of the Westrex stereo cutting system, the recordings were first issued on discs in 1958 as part of RCA's highly-acclaimed "Living Stereo" series.

Reiner had the advantage of clearly understanding Richard Strauss and his music because the two musicians were close friends and corresponded until shortly before Strass died in late 1949. Strauss, who himself made some experimental high fidelity recordings of his major works in 1944 with the Vienna Philharmonic, greatly admired what Reiner achieved. He would have certainly applauded these definitive, first stereo recordings of two of his extended symphonic poems.

"Also sprach Zarathustra" was based on the writings of Friedrich Nietzsche and is a very deep, intense, often melancholy work with several very spectacular musical sequences, including a hypnotic waltz sequence. Scored for very large orchestra, the symphonic poem runs continuously and was often "ruined" by LP recordings because it was necessary to split the music near the halfway point. The CD version does not have this annoying interruption. Instead, we can thoroughly enjoy this very exciting performance, superbly played by the Chicago musicians. It is always a treat, too, to hear what happens AFTER the famous opening minutes of the work, which became so famous when Stanley Kubrick used it in his 1968 science fiction epic "2001: A Space Odyssey."

We know that Fritz Reiner was a perfectionist and he sought very high standards. Arturo Toscanini was known for occasional outbursts when musicians failed to play their best; Toscanini admired Reiner and invited him to guest conduct the NBC Symphony Orchestra. Reiner, however, could absolutely terrify musicians as he sought the highest standards in playing; sometimes he used anger and other times he used biting sarcasm. The excellence which both Reiner and Toscanini sought from their orchestras are quite apparent in the numerous outstanding recordings they made.

Toscanini did not particularly enjoy making recordings, especially before the invention of magnetic tape. On the other hand, Reiner readily embraced recording and determined to leave lasting documents of the high standards he sought. This is quite apparent in "Also sprach Zarathustra." The recording still amazes us, both for its remarkably high quality sound and the intensity of the performance.

A similar treasure is realized in Strauss' "Ein Heldenleben" or "A Hero's Life." Filled with quotes from earlier Strauss works, this is an intense, powerful, and dramatic work that seems something of an ego trip for the composer since he is clearly the "hero" of the story. However, Strauss may actually be celebrating his accomplishments and achievements, often as he sought to please his wife Pauline, who clearly expected nothing but the best from her husband.

The terrifying battle sequence remains a high point of this extended work and, fortunately, we can hear it without the annoying interruption that often occurred on LPs in the middle of the spectacular music with its heavy use of percussion. Once again, the music is continuous and did not lend itself to the 33-1/3 rpm discs. Reiner's powerful performance compares well with the much-admired performances by Willem Mengelburg and the New York Philharmonic (1928 for Victor) and Sir Thomas Beecham and the Royal Philharmonic (1958 for Capitol).

An outstanding event of incalculable transcendence!.......2005-11-14

Orchestra Hall, Chicago March 8, 1954. Fritz Reiner would conduct the most famous of all his recordings ever made. Strauss Also sprach Zaratustra will be performed with such electrifying flair, mercurial rapture, vibrating intensity and delirious apotheosis as possibly has been made.

This is in few words the meaning of this historic legacy. The astonishing fact that features the edification of a supreme masterpiece is precisely not being conscious about it. This surprising element works out without a logic support. It is the happy result of a sum of fortunate details, the passionate conveyance, ardent conviction, astonishing exactitude and marvelous meticulousness that the 110 members of the Chicago Symphony brought that historic date.

This evening the whole Universe was a silent witness of a work in progress.

This music? Garbage? You've got to be kidding........2005-04-04

I strongly disagree with AaLii. This music is not overblown, pretentious, and cacophonous pieces of garbage, but melodic, timeless, and harmonious works of music. Fritz Reiner has been overshadowed in recent years by Sir Georg Solti when it comes to the CSO, but in my opinion, was just as good a conductor. I like his recording of Zarathustra even better than Solti's, and his Ein Heldenleben is excellent, too. Of course, Solti did excellent Strauss with the CSO, but this disc is very special.

It's hard to believe that these recordings were made over 50 years ago because they sound like they were recorded just yesterday! I take my hat off to the engineers at RCA for their brilliant restoration work to keep this in the permanent catalogue. Don't ever let it be deleted!

Not Garbage at all.......2005-02-24

No need to repeat what so many other writers have said about these classic recordings, they are simply magnificent and the music is wonderful. One writer called the music garbage. Nonsense. It may not be Beethoven but it is unique and makes your sound system sound so wonderful. Another great recording of Also Sprach is by Sir Charles Mackerras and the Royal Philharmonic on their label. I believe it is no longer available but I was very lucky and bought it at Big Lots for only $3.00. The playing of the Royal Philharmonic is outstanding.

Average customer rating:

Truly great Strauss conducting from Haitink
5 grandes poemas y una hermosa suite
Get this for the wonderful Heldenleben.
Zarathustra said "nevermore"
Just onde for Jochum?

Richard Strauss: 5 Great Tone Poems

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra

ASIN: B000004198
Release Date: 1994-08-16

Tracks:

Don Juan, Op. 20
Ein Heldenleben, Op. 40 -: Der Held
Ein Heldenleben, Op. 40 -: Des Helden Widersacher
Ein Heldenleben, Op. 40 -: Des Helden Gefahrtin
Ein Heldenleben, Op. 40 -: Des Helden Walstatt
Ein Heldenleben, Op. 40 -: Des Helden Friedenswerke
Ein Heldenleben, Op. 40 -: Des Helden Weltflucht und Vollendung
Les joyeuses plaisanteries de Till l'Espiegle: Till Eulenspiegels lustige Streiche, Op.28

Tracks:

Also sprach Zarathustra, Op. 30: (Sonnenaufgang)
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern
Also sprach Zarathustra, Op. 30: Von der grossen Sehnsucht
Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
Also sprach Zarathustra, Op. 30: Das Grablied
Also sprach Zarathustra, Op. 30: Von der Wissenschaft
Also sprach Zarathustra, Op. 30: Der Genesende
Also sprach Zarathustra, Op. 30: Das Tanzlied
Also sprach Zarathustra, Op. 30: Das Nachtwandlerlied
Mort et transfiguration: Tod und Verklarung, Op. 24
Der Rosenkavalier, Op.59: First Suite of Waltzes
Der Rosenkavalier, Op.59: Second Suite of Waltzes

Customer Reviews:

Truly great Strauss conducting from Haitink.......2005-09-18

Philips outdid itself with wonderfully warm, clear, detailed sonics for Haitink's Also Sprach Zarathustra, and he obliged the engineers with a super-detailed reading that is riveting in every way. There is not a touch of Solti's vulgarity, and although I never thought I'd say it, this recording sounds better and comes off more dramatically than even Karajan's. Let's call it a tie. Everything else is wonderful as well.

5 grandes poemas y una hermosa suite.......2004-11-30

Bernard Haitink gano los mas pretigiosos premios con su serie de grabaciones de los poemas sinfónicos de Liszt y siguio su marcha de espectacular interpretacion con estos poemas sinfónicos verdaderamente notables.
Muerte y transfiguración, vida de heroe, don Juan y la siempre reducida a la introduccion Asi hablo Zaratustra son obras musicales que permaneceran como muchas en lo mas alto de la composición clasica y Haitink entre sus interpretes mas sobresalientes.
Este es un Cd de colección con obras grandiosas, geniales, llenas de emocion y magia, de sentimentalismo y plenas de innovadora genialidad.
Suma a esta maravillosa coleccion una sublime pieza de gran belleza, la suite del Caballero de la Rosa es notable y ademas en la soberbia direccion de Eugen Jochum, quien tomando a su cargo la orquesta del concertgebouw (patrimonio de Haitink) nos deslumbra y hace que la elección sea mas que satisfactoria, verdaderamente irresistible.

Get this for the wonderful Heldenleben........2003-08-25

The star of this Duo set is the Heldenleben, which alone is enough to justify the money spent. Hermann Krebbers plays the violin solos magnificently and Haitink gives a strongly expansive reading. However, the same expansive approach does not work too well in "Zarathustra" and "Tod", which have a certain Brucknerian stodginess. You will be left wishing for a bit more pace and brio in the playing. "Don Juan" and "Till Eulenspiegel" are excellently paced and played however. They are among the best performances I have ever heard.

Zarathustra said "nevermore".......2001-02-04

I thought it was impossible for any conductor or orchestra to screw up the introduction to "Also Sprach," but Haitink and the Concertgebouw prove it can be done. I will mainly focus on this introduction, as I am rarely able to listen to any more after hearing such an abomination right away. The orchestra leaves spaces in the passages wide enough to drive a truck through, and at the finale there is enough time to get up for some coffee between each chord. For anyone who saw 2001 and wanted a really good recording of the intro, plus some other good works, do not buy this album. It merely leaves you cold and angry that anyone would treat a piece of such majesty so. It's choppy, aimless, and infuriating. You can bet I will never again purchase any album that features the name Haitink.

Just onde for Jochum?.......2000-07-18

excelent music, lots of listening time and...why just one op. for Jochum?

Average customer rating:

Solti cracks the whip
Good, but..
A problematic set
Awesome performances
if you like the big sound, this CD is hard to beat

Richard Strauss Concert

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Strauss: Four Last Songs / Karajan, Berlin Philharmonic Orchestra
Tchaikovsky Symphonic Poems / Manfred Symphony

ASIN: B00000422Q
Release Date: 1994-10-11

Tracks:

Ein Heldenleben, Op. 40: Der Held - The Hero
Ein Heldenleben, Op. 40: Des Helden Widersacher - The Hero's Enemies
Ein Heldenleben, Op. 40: Des Helden Gefahrtin - The Hero's Companion
Ein Heldenleben, Op. 40: Des Helden Walstatt - The Hero's Deeds Of War
Ein Heldenleben, Op. 40: Des Helden Friedenswerke - The Hero's Works Of Peace
Ein Heldenlbean, Op. 40: Des Helden Weltflucht und Vollendung - The Hero's Retirement From The World
Also sprach Zarathustra, Op. 30: Einleitung - Introduction
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern - Of The Backworldsmen
Also sprach Zarathustra, Op. 30: Von der grossen Sehnsucht - Of The Great Longing
Also sprach Zarathustra, Op. 30: Von den Freuden - und Leidenschaften - O Joys And Passions
Also sprach Zarathustra, Op.30: Das Grablied - Dirge
Also sprach Zarathustra, Op. 30: Von der Wissenschaft - Of Science
Also sprach Zarathustra, Op. 30: Der Genesende - The Convalescent
Also sprach Zarathustra, Op. 30: Das Tanzlied - Dance Song
Also sprach Zarathustra, Op. 30: Nachtwandlerlied - Night-Wanderer's Song

Tracks:

Don Juan, Op. 20
Till Eulenspiegles lustige Streiche, Op. 28
Eine Alpensinfonie, Op. 64: Nacht - Night
Eine Alpensinfonie, Op. 64: Sonnenaufgang - Sunrise
Eine Alpensinfonie, Op. 64: Der Ansteig - The Ascent
Ein Alpensinfonie, Op. 64: Eintritt in den Wald - Entry Into The Wood - Wanderung neben dem Bach - Wandering By The Brook
Ein Alpensinfonie, Op. 64: Am Wasserfall - At The Waterfall
Ein Alpensinfonie, Op. 64: Erscheinung - Apparitioin
Ein Alpensinfonie, Op. 64: Auf blumigen Wiesen - On Flowering Meadows
Ein Alpensinfonie, Op. 64: Aurf dem Alm - On Alpine Pasture
Eine Alpensinfonie, Op. 64: Durch Dickicht und Gestrupp auf Irrwegen
Eine Alpensinfonie, Op. 64: Auf dem Gletscher - On The Glacier
Eine Alpensinfonie, Op. 64: Gefahrvolle Augenblicke - Dangerous Moments - Auf dem Gipfel - On The Summit
Eine Alpensinfonie, Op. 64: Vision
Eine Alpensinfonie, Op. 64: Nebel steigne auf - Mists Rise
Eine Alpensinfonie, Op. 64: Die Sonne verdustert sich allmahlich - The Sun IS Gradually Obscured
Eine Alpensinfonie, Op. 64: Elegie - Elegy
Eine Alpensinfonie, Op. 64: Stille vor dem Sturm - Calm Before The Storm
Eine Alpensinfonie, Op. 64: Gewitter nd Sturm Abstieg - Thunder And Tempest, Descent
Eine Alpensinfonie, Op. 64: Sonnenuntergang - Sunset
Eine Alpensinfonie, Op. 64: Ausklang - Fading Tones
Eine Alpensinfonie, Op. 64: Nacht - Night

Customer Reviews:

Solti cracks the whip.......2005-09-18

These were spectacular readings sonically in their day, although they sound shrill and wiry on this CD set...I don't know what hapened here. As interpretations, it's Solti in high gear all the way, with lots of drive but no refinement or even a bit of relaxation here and there. Breathless, dynamic readings for Solti fans only.

Good, but.........2001-08-07

Most of the performances on this CD are very exciting and satisfying from a musical standpoint. The CSO in the 70's combined with Solti produce energy in their readings that in my experience is rare either on recording or in live performance. It is worth it to point out that in the recording of Till, there is a huge blunder by the orchestra: in the passage leading up to the final death scene of the hero, a passage of very fast and difficult notes for the players, the orchestra actually gets lost, and for several bars, only a true cacophony of sound is heard. In a world of "perfect" recordings where every note is corrected, sometimes at the expense the musical integrity, such a passage would typically have been replaced with another take. However, the performers seem to have achieved rare heights of excitement, and aparently prefered to hear the music performed with enthusiasm even with errors rather than a conservative and unremarkable reading. Ultimately there is no single definitive recording of a piece, and we seek work of very high musical AND technical value. In the case of this recording, it's worth owning simply to hear performances of a rare kind.

A problematic set.......2000-07-20

Yes, Solti's Ein Heldenleben is powerful indeed and has merit on all fronts: tempo, power, sound...and the Zarathustra ranks up there as well...but I must disagree with Solti's interpretation of the Alpensinfonie. I was disturbed by the rushed approach, especially through some of the most beautiful legato passages and with his use of such an intrusive wind machine. The whiny sound of that machine really put me off, especially when it drowned out the orchestra. It didn't have all the punch and sublimnity that I know lies in this work, and for that, I would whole-heartedly recommend the Karajan on DG available in the Karajan Gold series sounding as sumptuous as ever. Solti for me has produced some of the most amazing recordings of the lp era (Rheingold, Gotterdammerung, Salome, Elektra, etc) but I find much of his work "streaky." When he is on, he is fantastic. When he is rushed and "off", it is a huge disappointment.

This set has its merits. Be advised that these readings are quirky, and should not be taken as definitive. There is a whole world of other recordings out there that would serve the music scores better. I recommed this set as a complement to other recordings, just to give an idea of what Sotli was (or was not) able to do with the various scores and different orchestras.

The price is a huge bonus for this set.

Awesome performances.......2000-07-13

I agree with the last reviewer: the recording of Till, Zaratustra and Don Juan are excellent, as usual for any CSO/Solti work. The sound is magnificent and I've hardly heard a better performance of Till. Even more surprising and impressive is the Alpinesinfonie by the Bavarian Rudfunk. I think this performance is much better than the Karajan/BPO one.

if you like the big sound, this CD is hard to beat.......2000-06-23

Most potential buyers of this CD will want to hear the Heldenleben with the VPO and the Zarathustra, Don Juan and Till with the CSO. It might be fair to say the most interesting item of all in this collection would be the Alpensinfonie done with the Bavarian RSO in the Herkulessaal in Munich. All of the above were originally recorded in the 1970s and this last item might have the best recording quality. It would be hard to create more amplitude than this, and the playing is as distinguished as that afforded under the direction of Richard Strauss himself when he recorded it in the 1940s with the same orchestra. All the items show Solti at his extrovert best, with excellent playing, and for many these performances are close to definitive, depending upon one's taste. I think they can be recommended alongside - but not in preference to - Karajan and Kempe, in the same period. Very appropriate packaging and presentation with fine documentation. At bargain price, this can be strongly recommended.

Average customer rating:

To Previn or not to Previn?
Mostly Essential R. Strauss

The Essential Richard Strauss

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D1V
Release Date: 1995-06-20

Tracks:

Don Juan, Op.20 - Rainer Kuchl
Introduction/Variation I/Variation II/Variation III/Variation IV/Variation V/Variation VI/Variation VI/Variation VII/Variation VIII/Variation IX/Variation X/Finale - Rainer Kuchl

Tracks:

Introduction/Of The Dwellers In The World Beyond/Of The Great Yearning/Of Joys And Passions/Funeral Song/Of Science/The Convalescent/Dance Song/Sight Wanderer's Song
Largo/Allegro Molto Agitato/Meno Mosso/Etwas Breiter/Appassionato/Tempo 1. Sehr Breit/Tempo Der Einleitung/Allegro, Molto Agitato/Moderato/Tranquillo - Vienna Philharmonic Orchestra

Tracks:

Nacht/Sonnenaufgang/Der Aufstieg/Eintritt In Den Wald/Wanderung Neben Dem Bache/Am Wasserfall/Erscheinung/Auf Blumigen Wiesen/Auf Der Alm/Durch Dickicht Und Gestrupp Auf Irrwegen/Auf Dem Gletscher/Gefahrvolle Augenblicke/Auf Dem Gipfel/Vision/Nebel....

Tracks:

A Hero's Life: The Hero/The Hero's Adversaries/The Hero's Helpmate/The Hero's Battlefield/The Hero's Works Of Peace/The Hero's Retreat From The World And Fulfillment
Fruhling (Hesse)
September (Hesse)
Beim Schlafengehen (Hesse)
Im Abendrot (Eichendorff)

Customer Reviews:

To Previn or not to Previn?.......2005-10-18

The attraction here is twofold: the magnificent Vienna Philharmonic and the equally magnificent Telarc sound. If both appeal to you so much that you don't need to worry about Previn's conducting, this set is self-recommending. But there are many great recordings of all these Strauss tone poems, along with the Four Last Songs, and therefore the question of whether to buy them in a box set under Andre Previn will be important to many listeners.

Let me give a thumbnail for each work:

Also Sprach Zarathustra (1987): Nobody ever labelled Previn a volatile conductor, and here he is at his most comfortable and middle-of-the-road (his overall timing is almost 35 min. compared to Reiner's 32 min. with the Chicago Sym. on RCA). There are no startling thwacks on the timpani, searing trumpets or ear-floodig organ in the famous opening. Previn quickly finds fairly slow tempos and a relaxed sense of phrasing that diminishes the impact of this work quite a bit. On the other hand, the orchestra is to the manner born in Strauss, and the sonics are big and natural. To find a competitive version of Zarathustra with Vienna, one would have to go back to the Karajan performance on Decca/London from 1959--probably his greatest Strauss CD.

Coupled with he Zarathustra is a fairly lusty Death and Transfiguration (1987)that has a few patches of slack phrasing but is on the whole quite good.

Alpine Symphony (1989): Probably the very best thing in the whole set, this performance is caught in even better sound, more detailed than the Zarathustra. Previn isn't as stirring as Karajan with Berlin (DG) or Blomstedt with San Francisco (Decca), and he doesn't have a great feeling for mountain atmopshere, but in this case the playing by the Vienna Phil. is so glorious that simply staying out of their way, as Previn does, makes for a thrilling musical experience. Karajan excels in this work as an interpreter but is plagued with shrill early digital sound that is improved on the latest reissue by DG without becoming beautiful, as the sound for Previn certainly is.

Ein Heldenleben (1988): The story is getting familiar by now. This is a large-scaled, gorgeously played reading, with Previn supplying a generalized approach. Still, he avoids bombast, and this potentially embarrassing bit of self-glorfication on Struass's part sounds like real music. Previn takes 46 min., in line with Karajan, but of course Karajan finds much more to say.

The coupling is a lovely Four Last Songs with Arleen Auger in radiant voice. Her light lyric soptano probably wouldn't carry over the orchestra in a live setting, unlike Jessye Norman or Kirsten Flagstad, who premiered the work. On a CD that's no problem, and Auger is considerably more human than Janowitz for Karajan and less self-conscious than Renee Fleming. There are lots of great versions of this sublime song cycle; hers is one of the most natural and appealing. Previn takes his time compared to Ackermann or Szell in the two classic Schwarzkopf recordings for EMI, and the engineers sometimes swamp the singer, making it hard to udnerstand her words. But Auger isn't paying that much attention to the poetry anyway, just to producing gorgeous, sensitive sounds. Overall, this CD is almost as satisfying as the one with the Alpine Symphony.

Don Quixote (1990): It's refreshing when conductors pull their cello and viola soloists from the orchestra for this work rather than importing a celebrity cellist who inevitably uses the part of Don Quixote as a personal showpiece. The Vienna Phil., needless to say, is gifted with first-desk musicians who embody every ounce of Viennese style. That's certainly true here. The unanimity between soloists and orchestra is remarkable, and even though Previn makes a warm bath of the accompaniment and misses a lot of Strauss's scene painting, this Don Quixote emerges with genuine feeling, from wistful to satiric, ending in sweet melancholy. If you don't need excitment in this work, Previn's aproach is satisfying.

The coupling here is Don Juan, which starts off terrifically but lapses into Previn's familiar easy-going phrasing and lack of dramatic tension. I would rate this CD behind the Alpine Symphony and Heldenleben. There are much more dynamic readings of both pieces to be had, especially from Karajan, Szell, and Reiner.

I hope this overview wasn't an exercise in futility--Previn doesn't reveal any major triumphs or failures here, and the orchestra and sonics don't change much from year to year. As a Strauss conductor in the mid-price range, Previn is nowhere as bland as Ormandy or Sawallisch, and I prefer him to the brusque Karl Bohm. On the other hand, Haitink is excellent in Strauss, far more imaginative than Previn, and he's given excellent sound by Philips--he's a very good direct competitor if you don't demand the Vienna Phil. In terms of having the best readings all around, Karajan is sitll my favorite by quite a bit, but Telarc's set has its own virtues.

Mostly Essential R. Strauss.......2000-02-19

With the exception of a few other "must have" orchestral pieces, this box set does represent the essential Richard Strauss---as far as orchestral music goes. I wish that Metamorphosis was on this set. Regardless, this box set is a fine set of recordings. Previn is considered by many critics to be one of the best living R. Strauss interpreters. Teamed up with the Vienna Philharmonic, great performances are produced. Listening to Don Juan, it is detectable that he takes the piece a little faster than Herbert von Karajan, but the results are incredible. In this set, Arlene Auger sings the four last songs. I have to wonder if this is her best performance. Her voice is perfect for these songs. Subtle, sublime, full of passion and feeling, and great control. These are the true highlights of the package but by no means the only thing great. It is a highly recommendable compilation. The performances are great, and the sounds is spectacular. All recorded in digital Telarc sound, this set is a welcome addition to anyone's R. Strauss collection.

Lorin Maazel - Richard Strauss / Bavarian Radio Symphony Orchestra

Average customer rating:

Kempe Vs. Maazel is closer than one would think
Very Good But Not Great Richard Strauss from Maazel
boring and over rated
Overall, the recordings well worth it!

Lorin Maazel - Richard Strauss / Bavarian Radio Symphony Orchestra
Richard Strauss , Bavarian Radio Symphony Orchestra , and Lorin Maazel
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000IYO1
Release Date: 1999-05-18

Tracks:

Sinfonia Domestica - Thema I (Bewegt)
Sinfonia Domestica - Thema II (Sehr lebhaft)
Sinfonia Domestica - Thema III (Ruhig)
Sinfonia Domestica - Scherzo (Munter)
Sinfonia Domestica - Massig langsam (Wiegenlied)
Sinfonia Domestica - Adagio (Langsam)
Sinfonia Domestica - Finale (Sehr lebhaft)
Tod und Verklarung (Death and Transfiguration)
Thus Spake Zarathustra, Op.30: Night Wanderer's Song
Rosenkavalier Ste, Op.59
Don Juan, Op.20

Tracks:

Also sprach Zarathustra (Thus Spake Zarathustra) - Einleitung (Introduction)
Zarathustra - Von den Hinterweltlern (Of the People of the Unseen World)
Zarathustra - Von der grossen Sehnsucht (Of the Great Longing)
Zarathustra - Von den Freuden und Leidenschaften (Of Joys and Passions)
Zarathustra - Das Grablied (Dirge)
Zarathustra - Von der Wissenschaft (Of Science)
Zarathustra - Der Genesende (The Convalescent)
Zarathustra - Das Tanzlied (Dance Song)
Zarathustra - Das Nachtwandlerlied (Night Wanderer's Song)
Rosenkavalier Suite
Don Juan

Tracks:

Till Eulenspiegels lustige Steiche (Till Eulenspiegel's Merry Pranks)
Ein Heldenleben (A Hero's Life) - Der Held (The Hero)
Heldenleben - Des Helden Widersacher (The Hero's Adversary)
Heldenleben - Des Helden Gefahrtin (The Hero's Companion)
Heldenleben - Des Helden Walstatt (The Hero's Battlefield)
Heldenleben - Des Helden Friedenswerke (The Hero's Works of Peace)
Heldenleben - Des Helden Weltflucht und Vollendung (The Hero's Flight from Reality and Fulfillment)

Tracks:

Eine Alpensinfonie (An Alpine Symphony) - Nacht (Night)
Alpensinfonie - Sonnenaufgang (Sunrise)
Alpensinfonie - Der Anstieg (Ascent)
Alpensinfonie - Eintritt in den Wald (Entrance into the Forest)
Alpensinfonie - Wanderung neben dem Bache (Walking by the Brook)
Alpensinfonie - Am Wasserfall (At the Waterfall)
Alpensinfonie - Erscheinung (Vision)
Alpensinfonie - Auf blumige Wiesen (To flowery Meadows)
Alpensinfonie - Auf der Alm (At the Alpine Meadow)
Alpensinfonie - Durch Dickicht und Gestrupp auf Irrwegen (Wandering through Thicket and Undergrowth)
Alpensinfonie - Auf dem Gletscher - On the Glacier
Alpensinfonie - Gefahrvolle Augenblicke (Dangerous Moments)
Alpensinfonie - Auf dem Gipfel (At the Summit)
Alpensinfonie - Vision
Alpensinfonie - Nebel steigen auf (Rising Mist)
Alpensinfonie - Die Sonne (The Sun)
Alpensinfonie - Elegie (Elegy)
Alpensinfonie - Stille vor dem Sturm (Calm before the Storm)
Alpensinfonie - Gewitter und Sturm, Abstieg (Thunderstorm, Descent)
Alpensinfonie - Sonnenuntergang (Sunset)
Alpensinfonie - Ausklang (Conclusion)
Alpensinfonie - Nacht (Night)
Macbeth - Allegro, un poco maestoso; Presto
Macbeth - Moderato maestoso
Macbeth - Allegro, un poco maestoso

Amazon.com

Richard Strauss's gift for evocative musical description was uncanny, to the point where it was joked he could set even a grocery list or a pint of beer to music. In fact, his various tone poems--the form with which he first gained fame as a composer--actually develop an orchestral vocabulary to depict topics ranging from Nietzsche's Superman to a fierce storm on the Alps and a day in the life of a nuclear family. This set gathers Lorin Maazel's interpretations from the last few years (with perhaps the greatest tone poem of the whole canon, Don Quixote, still to come in a planned future recording). Maazel--currently music director of the Orchestra of the Bavarian Radio, an ensemble of high-powered soloists modeled on Toscanini's famous NBC orchestra--is returning to some of these works for his third take, and his vision seems to have clarified in particular for the vistas of Ein Heldenleben and the Alpine Symphony as for the idealistic poetry of Death and Transfiguration and Don Juan.

While these accounts don't achieve the degree of narrative thrust of Kempe's indispensable versions or the astonishing ensemble opulence of Karajan's Strauss, Maazel highlights his orchestra's solo prowess at every possible moment, and textures are often given a marvelous clarity. The feeling such technical perfection imparts can be distant, as in what should be the most fevered passages of Zarathustra. But Maazel brings a loving touch to the much-dismissed Domestic Symphony as well as conviction to the early Macbeth. And the orchestra's wizardry--particularly the winds--gives much pleasure, especially in the deftly humored account here of Till Eulenspiegel. Both Zarathustra and the Sinfonia Domestica are still available as single-CD issues, as well. --Thomas May

Customer Reviews:

Kempe Vs. Maazel is closer than one would think.......2005-10-02

There are two competing sets at mid-to-budget price of the major orchestral works of Richard Strauss, this RCA set and the much more complete one from Kempe on EMI. Although the Kempe has been a darling of critics for decades, he wasn't in truth a major interpreter of these works, just a solid, unintrusive Kapellmeister type. None of his readings, with the possible exception of Don Quixote with Paul Tortelier as collo soloist, would rank as a first choce, but none are eccentric, either. Kempe's specialty was to find delicacy and refinement in works that often come off blantantly.

With Maazel we have a very intrusive interpreter who is ocnstantly fiddling with the details of Strauss's writing and who is apt at any moment to deliver a little shock by turning a phrase unexpectedly. At first I found this intrusiveness irritating, but Maazel is quite a technician. There is no doubt that he has ideas, agree with them or not. His Bavarian forces sound to me about as virtuosic as the Dresden Staatskepelle for Kempe. Maazel's set is in much better sound than Kempe's, demonstration quality, in fact. That counts for a lot in these splashy works. If only Maazel had given his musicians free rein to go over the top in climaxes, but the orgiastic isn't his style; being in total control is.

In the end, as the owner of both sets, I find about equl rewards in them, even though critics greatly favor the Kempe, a choice that doesn't seem completely valid to me unless you happen to want all the esoterica of Strauss's output.

Very Good But Not Great Richard Strauss from Maazel.......2002-12-28

Perhaps I'm a bit jaded, having heard exceptional accounts of some of Strauss's tone poems from the likes of Karajan and Sawallisch, but Maazel's Strauss tone poem cycle is simply a very well recorded, brilliantly performed set that offers few new insightful thoughts into either Strauss's musical intentions or Maazel's. Maazel does a great job emphasizing the rich orchestral textures of Strauss's scores, but rarely is it played with much conviction and warmth; notable exceptions include brilliant performances of Ein Alpensinfonie - although among the best, I still prefer Solti's glistening account with the Bavarian Radio Symphony - and Macbeth. However, fans of the Bavarian Radio Symphony Orchestra will not be disappointed by their exquisite playing that is just as splendid as their peers in Berlin and Vienna. Yet if you are interested in profound, riveting accounts of Strauss's scores, I recommend listening to recordings by Previn and the Vienna Philharmonic, and Blomstedt and the San Francisco Symphony Orchestra, as well as those from Sawallisch and Karajan.

boring and over rated.......2000-05-11

I am a Lorin Maazel fan. I had no idea, however, that his R. Strauss tempi and balances were so boring. I was completely let down by these recordings. the only bonus was the recording technology they chose to employ, but overall, it was a total waist of time and money.

Overall, the recordings well worth it!.......1999-12-17

Lorin Maazel is not a neurotic conductor (nor was Richard Strauss the composer). Strauss had a tremendous gift of imaginative invention, vividness, and portrayal of the subjects and the heroes behind his symphonic poems. There's no doubt that Strauss took the ideas of Franz Liszt (the father of symphonic poems) and developed the genre further.

Lorin Maazel and the Bavarian Radio Symphony Orchestra managed to achieve the balance in their performances and they sound as if they played the works out of admiration rather than anything else. Vividness, excitement, and commitment are all present in these recordings, especially of Eine Alpinesinfonie.

However, Strauss, though not a neurotic, was a composer of drama. Therefore, performances with drama will tend bring out more effectively the vividness, imaginative, and the descriptive ever so characteristic aspects of Strauss symphonic poems (and his operas). Maazel and the Bavarian were able to bring out those aspects of Strauss' works to some effectiveness. Their main drawback included too much emphasis on balance and not much on daringness. The climax of Death and Transfiguration, for example lacks the element of surprise Rudolf Kempe or Herbert von Karajan were able to portray. It is as if Maazel's performance with the Bavarian, though distinguished, conscientously tried to ignore the ruggedness so much a part of Strauss' tone poems (such as Ein Heldenlaben). Forget the meticulousness for a while, just tell us the story that will keep us awake and excited.

Tracks:

Intro
Con for Orch
Hungarian March
Romeo et Juliet
Symphonic Fantastique
Symphony No. 7
An American in Paris
Symphonic Metamorphosis
The Planets
SympNo. 1
Sym No. 5
SymNo. 6
Pictures at an Exhibition
Romeo and Juliet
Sym No. 5
Fountains of Rome
Also Sprach Zarathustra
Ein Heldenleben
Til Eulenspiegel
Petrouchka
Ein Faust Ov
Prelude Act III, Lohengrin
Die Meistersinger
Ride of the Valkyries

Customer Reviews:

tubadude.......2004-12-29

AMAZING
i did not purchase this from amazon, but rather on a recent trip to new york city, to see the new york philharmonic, after which i got
inspired to be better and then saw this cd, and bought it.
Wow, this is worth every cent! hearing how it "should" sound is immensely helpfull, and the advice with each track is outstanding.
A must-have for anyone considering a serious career in tuba!

Gene Pokorny=Pimp.......2000-03-31

This man is an awesome musician. The spoken commentary is a bit bland, but still informative. Plus he totally tears these excerpts apart and it is fun to try to play along.

A must for the serious orchestral tuba player!!!.......1999-01-10

Mr. Pokorny has created a superior CD of orchestral tuba parts. His spoken comments are insightful and his playing is top notch. As a prospective orchestral tuba player, I have found this CD extremely helpful in my preparation for orchestral auditions. This is a must for the serious tuba player!!!

Matthew Wilson

Music Review: