Beethoven: The Piano Sonatas, Vol. 1

On this CD:

1. Piano Sonata No. 1 in F minor, Op. 2/1
Composed by Ludwig van Beethoven
with Robert Taub

2. Piano Sonata No. 13 in E flat major ("Quasi una fantasia") Op. 27/1
Composed by Ludwig van Beethoven
with Robert Taub

3. Piano Sonata No. 24 in F sharp major ("A Thérčse") Op. 78
Composed by Ludwig van Beethoven
with Robert Taub

4. Piano Sonata No. 21 in C major ("Waldstein") Op. 53
Composed by Ludwig van Beethoven
with Robert Taub

5. Piano Sonata No. 2 in A major, Op. 2/2
Composed by Ludwig van Beethoven
with Robert Taub

6. Piano Sonata No. 9 in E major, Op. 14/1
Composed by Ludwig van Beethoven
with Robert Taub

7. Piano Sonata No. 10 in G major, Op. 14/2
Composed by Ludwig van Beethoven
with Robert Taub

8. Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2
Composed by Ludwig van Beethoven
with Robert Taub

Product Description

Amazon.com
Some hits, some misses, no errors, and little enlivenment characterize Robert Taub's first Beethoven cycle installment. How prosaic and matter-of-fact his slow movements of Op. 2, Nos.1 and 2, seem next to the eloquence of pianists Murray Perahia and Artur Schnabel, for example. And Taub's leisurely amble through No. 13's Scherzo is hardly the allegro molto vivace that Beethoven specifies. The pianist fares better with supple and flowing readings of the little Op. 14 sonatas, and his tempo fluctuations in the Moonlight opening evoke the composer's sobriquet--Sonata quasi una fantasia--without losing grip of the bigger picture. His Waldstein comes alive in the first movement's development and the bravura finale, while the rest is excellent note playing. Beautifully recorded sound. --Jed Distler

The Dallas Morning News
"This is the freshest Beethoven from a young pianist in a long time."

Beethoven: The Piano Sonatas, Vol. 1,Ludwig van Beethoven,Robert Taub,Vox (Classical),Classical,Classical Composers,Classical Music,Keyboard,Romantic Sonata/Sonatina for Keyboard
Alfred Brendel Plays Beethoven Piano Sonatas, Vol. 2
Average customer rating: 5 out of 5 stars
  • Five stars for the performance, 2 stars for the product
  • Bought on referral - everything promised and more!
  • HE HAS THE TOUCH!
  • remarkable playing
  • This is Beethoven as Beethoven would have played it.
Alfred Brendel Plays Beethoven Piano Sonatas, Vol. 2

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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  4. Beethoven: The Late Piano Sonatas
  5. Beethoven: Variations & Vignettes

ASIN: B000001K2S
Release Date: 1992-11-04

Tracks:

  1. Sonata No. 23 In F Minor, Op. 57 'Appassionata': I. Allegro assai
  2. Sonata No. 23 In F Minor, Op. 57 'Appassionata': II. Andante con moto
  3. Sonata No. 23 In F Minor, Op. 57 'Appassionata': III. Allegro ma non troppo
  4. Sonata No. 22 In F Major, Op. 54: I. In tempo d'un Menuetto
  5. Sonata No. 22 In F Major, Op. 54: II. Allegretto
  6. Sonata No. 26 In E-Flat Major, Op.81a 'Les Adieux': I. Les Adieux: Adagio-Allegro
  7. Sonata No. 26 In E-Flat Major, Op.81a 'Les Adieux': II. L'Absence: Andante espressivo
  8. Sonata No. 26 In E-Flat Major, Op.81a 'Les Adieux': III. Le Retour: Vivacisimamente
  9. Sonata No. 16 In G Major, Op.31, No. 1: I. Allegro vivace
  10. Sonata No. 16 In G Major, Op.31, No. 1: II. Adagio grazioso
  11. Sonata No. 16 In G Major, Op.31, No. 1: III. Rondo: Allegretto

Tracks:

  1. Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': I. Largo-Allegro-Adagio
  2. Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': II. Adagio
  3. Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': III. Allegretto
  4. I. Allegro
  5. Sonata No. 18 In E-Flat Major, Op. 31 No. 3: II. Scherzo: Allegretto vivace
  6. Sonata No. 18 In E-Flat Major, Op. 31 No. 3: III. Minuetto: Moderato e grazioso
  7. Sonata No. 18 In E-Flat Major, Op. 31 No. 3: IV. Presto con fuoco
  8. Sonata No. 21 In C, Op. 53 'Waldstein': I. Allegro con brio
  9. Sonata No. 21 In C, Op. 53 'Waldstein': II. Introduzione: Adagio molto
  10. Sonata No. 21 In C, Op. 53 'Waldstein': III. Rondo: Allegretto moderato-Prestissimo
  11. Sonata No. 19 In Gm, Op. 49 No. 1: I. Andante
  12. Sonata No. 19 In Gm, Op. 49 No. 1: II. Rondo: Allegro

Customer Reviews:

4 out of 5 stars Five stars for the performance, 2 stars for the product.......2007-05-18

These CDs contain typical Alfred Brendel; somewhat workmanlike but technically brilliant performances of some wonderful works.

But when you put the CDs in your PC and click on a track, you don't hear what is labelled. The listings seem to be a little off. The discs contain all the music, but not in the same order listed on your computer screen. It's a pain to fix, but once it's fixed, these CDs are a bargain.

5 out of 5 stars Bought on referral - everything promised and more!.......2007-04-11

Hujgh Nissenson's book, Days of Awe, inspired me to buy this particular recording of the Waldstein - it is fully "as advertised" in his novel - Brendel brought me back to Beethoven.

5 out of 5 stars HE HAS THE TOUCH!.......2005-02-07

On the Vox 2-CD collections - vols. 1&2:
Alfred Brendel is the one.
He can illuminate even the Hammerklavier Sonata of Beethoven. That one being so difficult, with so many runs, trills, and effects I can't even name. But A.B. plays with such light, agile fluidity that the piece makes sense. He communicates it by - somehow - taking his time; being in control, being on top of the situation. The complication of LVB now makes sense - I imagine it's become easy for A.B. (after the years of practice, his gift is to render LVB's music as just "a snap.") He reanimates it with such clarity of mind and lightspeed of finger that we can hear our way into it. A resonant sound - all brought within hearing distance by a player who knows how to pause and how to get soft at the right moments in any complex piece.
Some of the most exciting and beautiful music available. Highly recommended.
- - -

5 out of 5 stars remarkable playing.......2004-04-25

Beethoven the Titan (as described by radio commentator Karl Haas) is played by Brendel with many, many good characteristics. There is something very transcendant and seminal about Brendel and this composer. You can tell that Brendel is very, very attentive when he practices. Every note (just about) is cared for very lovingly. I think Brendel tries to play every note true to the overall scheme of the piece, as well as the individual phrase in which it lies. For example, it's exhilarating to hear Brendel go at "full steam" during the last movement of the "Appassionata" combining an awe-inspiring technique, clarity, tempo, expressivity, dynamism, and intelligence.

I dont know how Brendel's later recordings sound compared to this youthful one, but this one is simply terrific.

5 out of 5 stars This is Beethoven as Beethoven would have played it........2003-04-12

These Brendel recordings of Beethoven are powerful, sensitive, poignant, subtle, clear, clean, and transparent. The phrasing, tempo, volume, peddling, and legato are perfect. The sound quality leaves nothing to be desired. I find myself comparing all other performances of Beethoven sonatas to the Brendel recordings, and have heard none better. In my mind, this is the standard. I'm buying the entire set.
Alfred Brendel Plays Beethoven Piano Sonatas, Vol. III
Average customer rating: 4.5 out of 5 stars
  • AMONG THE BEST!
  • Brendel plays Bethoven in his own way
  • early Beethoven played sweetly
Alfred Brendel Plays Beethoven Piano Sonatas, Vol. III

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  4. Beethoven: Variations & Vignettes
  5. Beethoven: The Late Piano Sonatas

ASIN: B000001K34
Release Date: 1992-11-04

Tracks:

  1. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement I: Allegro
  2. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement II: Adagio
  3. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement III: Minuetto-Allegretto
  4. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement IV: Prestissimo
  5. Sonata No. 25 In G Major, Op. 79: Movement I: Presto alla tedesca
  6. Sonata No. 25 In G Major, Op. 79: Movement II: Andante
  7. Sonata No. 25 In G Major, Op. 79: Movement III: Vivace
  8. Sonata No. 5 In C Minor, Op. 10, No. 1: Movement I: Allegro molto e con brio
  9. Sonata No. 5 In C Minor, Op. 10, No. 1: Movement II: Adagio molto
  10. Sonata No. 5 In C Minor, Op. 10, No. 1: Movement III: Finale, Prestissimo
  11. Sonata No. 6 In F Major, Op. 10, No. 2: Movement I: Allegro
  12. Sonata No. 6 In F Major, Op. 10, No. 2: Movement II: Allegretto
  13. Sonata No. 6 In F Major, Op. 10, No. 2: Movement III: Finale, Presto
  14. Sonata No. 9 In E Major, Op. 14, No. 1: Movement I: Allegro
  15. Sonata No. 9 In E Major, Op. 14, No. 1: Movement II: Allegretto
  16. Sonata No. 9 In E Major, Op. 14, No. 1: Movement III: Rondo; Allegro commodo

Tracks:

  1. Sonata No. 10 In G Major, Op. 14, No. 2: Movement I: Allegro
  2. Sonata No. 10 In G Major, Op. 14, No. 2: Movement II: Andante
  3. Sonata No. 10 In G Major, Op. 14, No. 2: Movement III: Scherzo: Allegro assai
  4. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement I: Andante-Allegro-Andante
  5. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement II: Allegro molto vivace
  6. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement III: Adagio
  7. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement IV: Finale: Allegro vivace
  8. Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': Movement I: Adagio sostenuto
  9. Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': Movement II: Allegretto
  10. Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': Movement III: Presto agitato
  11. Sonata No. 15 In D Major, Op. 28 'Pastoral': Movement I: Allegro
  12. Sonata No. 15 In D Major, Op. 28 'Pastoral': Movement II: Andante
  13. Sonata No. 15 In D Major, Op. 28 'Pastoral': Movement III: Scherzo: Allegro vivace-Trio; Movement IV: Rondo: Allegro non troppo

Customer Reviews:

5 out of 5 stars AMONG THE BEST!.......2006-05-08

One man's viewpoint: Brendel again shows his wonderful, steady sense of rhythm. The miracle is that he can keep it rock-steady or slow it a bit for dramatic effect - only if he wants to. He has control and a clarity of vision/purpose with each piece. So of course he transmits this to us. I also notice the lightness of touch he has. And his limber agility (hard-won, no doubt).
I suggest picking up on all four of Mr. Brendel's Vox recordings of the LVB sonatas. Absolutely wonderful stuff. Also consider his fine, fine Diabelli Variations on Vox. Also I suggest checking out John O'Conor's set. Fantastic! Also Claude Frank has a highly praised set; I may buy this one next (a real bargain).
There are many fine players, so enjoy the search through these piano pieces of such incredible character, nobility, beauty, and boldness. They help develop a love of sound and the fine arts.

5 out of 5 stars Brendel plays Bethoven in his own way.......2006-02-24

He may not have a lyricism of Gilels or force and precision of Sokolov, but along these greatest I love the way he plays No.10 G Major and NO. 15 D Major "Pastoral" and others from this album

4 out of 5 stars early Beethoven played sweetly.......2004-04-25

Brendel always seems to have a penchant for never over-doing things. He's never too loud, never too soft, never too harsh (even with this composer). In all the lyrical sections of these early sonatas, I find this disciplined sense of moderation to be soothing yet intense. For example in the first movement of the "Moonlight" Sonata, the soft and double soft marking are observed with assiduousness. It's subtle and not overly dramatic.

Brendel's technique is more than adequate. I wonder why he is not more of a perfectionist when he plays (as he has said about his playing- "I am not a perfectionist.")

All the dynamic and phrasing markings are observed diligently. He's very true to the intentions of the composer even in the little pieces such as these. And as always, he puts the composer before himself when playing.
Alfred Brendel plays Beethoven Piano Sonatas, Vol. 1
Average customer rating: 4 out of 5 stars
  • A huge dissapointment
  • Underrated Early Brendel
  • lukewarm
  • Best Bang for the Buck
  • Great Value, Great Performances
Alfred Brendel plays Beethoven Piano Sonatas, Vol. 1

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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  4. Beethoven: Variations & Vignettes
  5. Beethoven: The Late Piano Sonatas

ASIN: B000001K2I
Release Date: 1992-11-04

Tracks:

  1. I. Allegro
  2. II. Scherzo
  3. III. Adagio Sostenuto
  4. IV. Largo; Allegro Risoluto
  5. I. Maestoso; Allegro Con Brio E Appassionato
  6. II. Arietta: Adagio Molto, Semplice E Cantabile

Tracks:

  1. I. Allegretto Ma Non Troppo
  2. II. Vivace Alla Marcia
  3. III. Adagio Ma Non Troppo Con Affetto; Presto
  4. I. Vivace Ma Non Troppo; Adagio Espressivo
  5. II. Prestissimo
  6. III. Tema Con Variazioni
  7. I. Moderato Cantabile, Molto Espressivo
  8. II. Allegro Molto - III. Adagio Ma Non Troppo
  9. Fuga: Allegro Ma Non Troppo
  10. I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
  11. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen

Customer Reviews:

2 out of 5 stars A huge dissapointment.......2006-11-10

I am big fan of Brendel. However, these CDs are a huge dissapointment. The sounds is very metallic and high pitched, whether it is due to the recording or the piano, I do not know. Brendel's interpretation is nowhere near the the subtlety, perfection and beauty I am used to. This is probably due to the fact that the recording was made in the early 60' when Brendel was still young and his play not as mature and experienced as it became later. i deeply regret purchasing these CDs (and Vol 2 too!).

5 out of 5 stars Underrated Early Brendel.......2006-10-30

I think that Brendel's early Beethoven recordings are underrated and have not been given the credit they deserve. Some of the bad reviews here at Amazon are unwarranted. Brendel's playing here is excellent. I compared these recordings with Goode's "Late Sonatas" CD and found Goode to be lacking in every respect. Brendel has a wonderful understanding of all the nuances of the score, and contrary to what Brendel's detractors say, his playing is not cold and aloof. To the contrary, I found his playing lively and great attention to detail is seen throughout this entire cycle. The numerous shifts in tone and feel that Beethoven put into each peice are picked up by Brendel. The sound is very good also. The mic is close to the piano and there is hardly any echoing, which means the sound is clear and direct. Everyone may not like this set, but I am very happy with it and I believe it is one of the best Beethoven cycles around.

3 out of 5 stars lukewarm.......2005-01-14

For late Beethoven piano sonatas, Pollini and Solomon far excel Brendel, although Solomon's recordings are often of terrible sound quality. But Brendel's playing of Beethoven verges on urbane. Perhaps his predisposition to Mozart slightly infected his interpretation of other composers. Indeed, Brendel is best for Mozart and Schubert, not for Beethoven.

4 out of 5 stars Best Bang for the Buck.......2000-12-10

The question is what you are after. If it's bang for the buck you are after, look no further. If it's the bang that you are after, read on. These 1962 recordings of Beethoven's late sonatas are Brendel's first. He was already a great pianist but what he learned since then is immeasurable! Since then he recorded Beethoven's late sonatas 2 more times; in the seventies (which I have not listen to) and then in December of 1995 (by Philips). His 1995 recording is the closest to perfection you would ever get. A great pianist is one who never stops learning. Brendel is exactly that.

5 out of 5 stars Great Value, Great Performances.......2000-07-03

I have all 3 volumes in this cycle of Beethoven Sonatas recorded in the early 60's by Brendel. They are truly an exceptional value as each package contains 2 discs worth of music. The sound is very good overall and the performances are masterful. This particular volume offers Beethoven's late Sonata's along with the tour-de-force Hammerklavier. The riches unfold with each hearing and the performances of all these great works is at a very high level. A great purchase!
Beethoven: Piano Sonatas, Vol. 1
Average customer rating: 4.5 out of 5 stars
  • lyrical pianist
  • Incredibly Accurate and Precise
Beethoven: Piano Sonatas, Vol. 1

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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  5. Beethoven: Piano Sonatas, Vol. 5

ASIN: B000003CTQ
Release Date: 1990-10-25

Tracks:

  1. I. Grave - Allegro Di Molto E Con Brio
  2. II. Adagio Cantabile
  3. III. Rondo: Allegro
  4. I. Adagio Sostenuto
  5. II. Allegretto
  6. III. Presto
  7. I. Allegro Assai
  8. II. Andante Con Moto
  9. III. Allegro Ma Non Troppo

Amazon.com

There are more famous pianists around, some flashier, some more visible, but none performs Beethoven's sonatas with more stylistic acuity or technical facility--or understanding of how to play these three mainstays of the piano repertoire. John O'Conor's Hamburg Steinway is a phenomenal instrument, and his recording team captures its every color and dynamic nuance like no one else. --David Vernier

Customer Reviews:

5 out of 5 stars lyrical pianist.......2001-11-20

John O'Conor is a lyrical pianist who plays with beautiful tone. He is not so aggressive as some other pianists and has made a beautiful recording of Beethoven piano sonatas. He keeps strict tempo. It is a wonderful introduction to Beethoven and John O'Conor. He has also recorded all of the sonatas in a complete set. But this single CD is a good introduction and not so expensive as the whole set.

4 out of 5 stars Incredibly Accurate and Precise.......1999-07-22

I'm just an amateur pianist, but O'Conor is the most flawless I've ever heard on the Appasionata, particularly the 3rd movement. He also does well with expression, but Vladimir Ashkenazy is much more exciting in that sense.
Beethoven: Die Verliebte - Sonatas Op 7; Op 10 Nos 1-3 (Complete Works for Solo Piano Vol 3) /Brautigam
Average customer rating: 5 out of 5 stars
  • Another winner from Brautigam's Beethoven sonata series
Beethoven: Die Verliebte - Sonatas Op 7; Op 10 Nos 1-3 (Complete Works for Solo Piano Vol 3) /Brautigam

Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

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ASIN: B000H4VVPM
Release Date: 2006-08-29

Customer Reviews:

5 out of 5 stars Another winner from Brautigam's Beethoven sonata series.......2006-10-12

Just a superb collection of early Beethoven sonatas by Brautigam on fortepiano. I don't think I have ever heard Op.7 played better. I can almost visualize Beethoven banging away on a fortepiano when listening to this mezmerizing performance. I can't wait for the Op.31 sonatas, hopefully next in the series.
Les Introuvables de Pierre Fournier
Average customer rating: 4 out of 5 stars
  • Fantastic Fournier
Les Introuvables de Pierre Fournier

Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Pierre Fournier: Aristocrat of the Cello [United Kingdom]
  2. Bach: 6 Suiten für Violoncello solo
  3. Beethoven: Complete Works for Cello & Piano
  4. Shafran: Russian Archives
  5. Beethoven: The Music for Cello and Piano

ASIN: B0000241DO
Release Date: 2002-08-05

Tracks:

  1. Cello Concerto No. 2 In D Major, H. 7b Op. 101
  2. Cello Concerto In A Minor, Op. 129
  3. Phantasiestke (3 Fantasy Pieces) For Clarinet (Or Cello Or Violin) & Piano, Op
  4. Variations On A Rococo Theme, For Cello & Orchestra (Or Cello & Piano) In A Majo
  5. Sonata For Cello & Piano No. 1 In F Major, Op. 5/1
  6. Sonata For Cello & Piano No. 2 In G Minor, Op. 5/2
  7. Sonata For Cello & Piano No. 3 In A Major, Op. 69
  8. Sonata For Cello & Piano No. 4 In C Major, Op. 102/1
  9. Sonata For Cello & Piano No. 5 In D Major, Op. 102/2
  10. Sonata For Arpeggione & Piano In A Minor, D.821
  11. Pieces For Children Big And Small For Piano, 4 Hands Op. 85
  12. Feldeinsamkeit ("Ich Ruhe Still Im Hohen Gren Gras"), Song For Voice & Piano,
  13. Romance For Cello & Piano, Op. 69
  14. Shylock, Incidental Music And Suite For Tenor & Orch., Op. 57
  15. Mavra, Opera Buffa In One Act
  16. Nocturne For Violin (Or Flute) & Piano
  17. Melody In F, Various Arrangements, Op. 3/1
  18. Introduction & Polonaise Brilliante For Cello & Piano In C Major, Op. 3
  19. Song Without Words For Cello & Piano In D Major, Op. 109
  20. Le Coq D'or (The Golden Cockerel; Zolotoy Petushok), Concert Suite For Orchestra
  21. The Tale Of Tsar Saltan, Op. 57
  22. Carnival Of The Animals, Zoological Fantasy For 2 Pianos & Ensemble
  23. Berceuse, For Violin & Piano (Or Orchestra) In D Major, Op. 16
  24. Tonadillas Al Estilo Antiguo, Songs (10) For Voice & Piano, H. 136
  25. Goyescas (Serenata Goyesca; Dusk), For Piano, H. 63
  26. La Gitana For Violin & Piano (After An 18th Century Arabo-Spanish Gypsy Song)
  27. Papillon, For Cello & Piano, Op. 77
  28. L' Enfant Prodigue, Sce Lyrique For Voices & Orchestra, L. 57
  29. Pie En Forme De Habanera, For Solo Instrument & Keyboard (Arr.)
  30. Kaddisch, Song For Voice & Piano (Modie Hraue No. 1)
  31. O Mensch, Bewein' Dein' Sde Gross, Chorale Prelude For Organ (Orgel-Bhlein N
  32. Herzlich Tut Mich Verlangen, Chorale Prelude For Organ, Bwv 727 (Bc K109)
  33. Ich Ruf Zu Dir, Herr Jesu Christ (I), Chorale Prelude For Organ (Orgel-Bhlein
  34. Nun Komm Der Heiden Heiland (I), Chorale Prelude For Organ (Orgel-Bhlein No. 1
  35. Sonata For Cello & Continuo In C Major, G. 6 (Six Sonatas No. 2)

Customer Reviews:

4 out of 5 stars Fantastic Fournier.......2004-02-16

On this 4CD EMI Import, the great cellist Pierre Fournier performs a variety of orchestral and chamber recordings, recorded primarily in mono from the 1940s and early 50s. There are three orchestral works -- Haydn's 2nd Concerto (Kubelik/Philharmonia, 1951), Schumann's Concerto (Sargent/Philharmonia, 1956 in stereo), and Tchaikovsky's Rococo Variations (Bigot/Lamoureux, 1941). Disc two, and half of disc three, contain Beethoven Cello Sonatas with the great Artur Schnabel, while the fourth disc features a variety of pieces, from Bach and Boccherini to Debussy and Ravel, with pianist Gerald Moore. I'm withholding a fifth star because the collection contains mostly historical recordings, though it certainly captures one of history's greatest cellists in his prime. With that being said, "Les Introuvables de Pierre Fournier" is a must buy for cello entusiasts.
Beethoven: Piano Sonatas, Vol. 1 - Nos, 1-3, 5-10, 12-14
Average customer rating: 3.5 out of 5 stars
  • A joke
  • worth a listen but there are better recordings
  • Very Interesting
  • Gould Realizes Beethoven...
  • no 'original intent'
Beethoven: Piano Sonatas, Vol. 1 - Nos, 1-3, 5-10, 12-14

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. The Glenn Gould Edition: Ludwig Van Beethoven Piano Sonatas, Volume II
  2. Beethoven: Piano Sonatas Nos. 24 "À Thérèse" & 29 "Hammerklavier"
  3. Mozart: The Complete Sonatas; Fantasias, K397 & K475
  4. Glenn Gould Edition: Chopin / Mendelssohn / Scriabin / Prokofiev
  5. Beethoven: The 5 Piano Concertos

ASIN: B0000028NX
Release Date: 1994-04-19

Tracks:

  1. Sonata No.1 In F Minor, Op.2, No.1: I. Allegro
  2. Sonata No.1 In F Minor, Op.2, No.1: II. Adagio
  3. Sonata No.1 In F Minor, Op.2, No.1: III. Menuetto. Allegretto
  4. Sonata No.1 In F Minor, Op.2, No.1: IV. Prestissimo
  5. Sonata No.2 In A Major, Op.2, No.2: I. Allegro vivace
  6. Sonata No.2 In A Major, Op.2, No.2: II. Largo appassionato
  7. Sonata No.2 In A Major, Op.2, No.2: III. Scherzo. Allegretto
  8. Sonata No.2 In A Major, Op.2, No.2: IV. Rondo. Grazioso
  9. Sonata No. 3 In C Major, Op.2, No.3: I. Allegro con brio
  10. Sonata No. 3 In C Major, Op.2, No.3: II. Adagio
  11. Sonata No. 3 In C Major, Op.2, No.3: III. Scherzo. Allegro
  12. Sonata No. 3 In C Major, Op.2, No.3: IV. Allegro assai

Tracks:

  1. Sonata No.5 In C Minor, Op.10, No.1: I. Allegro molto e con brio
  2. Sonata No.5 In C Minor, Op.10, No.1: II. Adagio molto
  3. Sonata No.5 In C Minor, Op.10, No.1: III. Finale. Prestissimo
  4. Sonata No.6 In F Major, Op.10, No.2: I. Allegro
  5. Sonata No.6 In F Major, Op.10, No.2: II. Allegretto
  6. Sonata No.6 In F Major, Op.10, No.2: III. Presto
  7. Sonata No.7 In D Major, Op.10, No.3: I. Presto
  8. Sonata No.7 In D Major, Op.10, No.3: II. Largo e mesto
  9. Sonata No.7 In D Major, Op.10, No.3: III. Menuetto. Allegro
  10. Sonata No.7 In D Major, Op.10, No.3: IV. Rondo. Allegro
  11. Sonata No.12 In A-Flat Major, Op.26: I. Andante con Variazioni
  12. Sonata No.12 In A-Flat Major, Op.26: II. Scherzo. Allegro molto
  13. Sonata No.12 In A-Flat Major, Op.26: III. Marcia funebre sulla morte d'un Eroe
  14. Sonata No.12 In A-Flat Major, Op.26: IV. Allegro

Tracks:

  1. SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': I. Grave - Allegro di molto e com brio
  2. SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': II. Adatio cantabile
  3. SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': III. Rondo. Allegro
  4. Sonata No.9 In E Major, Op.14, No. 1: I . Allegro
  5. Sonata No.9 In E Major, Op.14, No. 1: II. Allegretto
  6. Sonata No.9 In E Major, Op.14, No. 1: III. Rondo. Allegro comodo
  7. Sonata No.10 In G Major, Op.14, No.2: I. Allegro
  8. Sonata No.10 In G Major, Op.14, No.2: II. Andante
  9. Sonata No.10 In G Major, Op.14, No.2: III. Scherzo. Allegro assai
  10. Sonata No.13 In E-Flat Major, Op.27, No.1: I. Andante - Allegro - Tempo I. - attacca:
  11. Sonata No.13 In E-Flat Major, Op.27, No.1: II. Allegro molto e vivace - attacca:
  12. Sonata No.13 In E-Flat Major, Op.27, No.1: III. Adagio con espressione - attacca:
  13. Sonata No.13 In E-Flat Major, Op.27, No.1: IV. Allegro vivace
  14. Sonata No.14 In C-Sharp Minor, Op.27, No.2 'Moonlight': I. Adagio sostenuto - attacca:
  15. Sonata No.14 In C-Sharp Minor, Op.27, No.2 'Moonlight': II. Allegretto - attacca:
  16. Sonata No.14 In C-Sharp Minor, Op.27, No.2 'Moonlight': III. Presto agitato

Customer Reviews:

2 out of 5 stars A joke.......2005-07-15

Glenn Gould fans have got to be the most annoying people on the planet. As for the sonatas, I don't even know why they are stretched out over three disc, they could've compressed them down to one with no quality loss.

Everything you will get out of listening to these can be gotten from the Amazon.com preview samples. Listen, have a laugh, and save yourself some money.

3 out of 5 stars worth a listen but there are better recordings.......2005-06-21

This is actually a review for vols. I and II. Just in general, Gould's style is fantastic for some of the sonatas but is really inappropriate for others.
His portamento (detached) presto/prestissimo playing makes the "Tempest" sonata the best version I've ever heard but really makes the "Pathetique" seem rushed and totally without feeling.
I mostly bought vol. II for the last 3 sonatas (op. 109, 110 and 111). I figured the most unusual and most "un-Beethovanic" of the sonatas deserved the most unusual interpretation, and I wasn't disappointed. They are clear and with good "diction", fast where appropriate but also slow and legato where melodic and flowing. Even in the most technically difficult sections Gould, in typical contrapunctal style, weaves the different voices in and out of the melody holding to his philosophy that "Every voice is important".
Probably the most disappointing of all the recordings on these 2 sets is the "Appassionata". Playing it through at practice speed does nothing for the passion, depth and beauty of this piece and only serves to exemplify Gould's hatred for it. (Typically, if Gould hated a piece, he would play it through either blindingly fast and without regard for dynamics or lethargically slow to heighten its inferiority and "boringness".
The "moonlight" seems a little fast, esp. the first movement, but it might be Gould's literal interpretation of 2/2 time. The 3rd movement is at breakneck speed that some people might like.
I actually prefer the romantic-style playing of R. Serkin, Brendel and Horowicz for this piece.
Listen to the 2nd movement of the #13 where the left and right hands are playing parallel arpeggios. In the 1st section the notes are played together but in the second section the hands are staggered by an 8th (the left hand plays the note 1/8th before the right). I have never heard a piano make that kind of ethereal echoing sound and, I suppose, it probably cannot be reproduced without the kind of fast detached playing that only Gould could do.
So, no one recording artist has the best performance of all the Beethoven sonatas. With Gould, you'll get excellent interpretations of some of the lesser known works and less adherence to the romantic style of the better known "named" sonatas.

5 out of 5 stars Very Interesting.......2005-04-01

This is one of the most interesting CD's I've ever listened to. Gould's playing is unique; sometimes he makes Beethoven sound almost as if he had lived in Bach's days.

I'd recommand that you compare Gould's first movement of the first sonata to that of any good "conventional" pianist (Goode, Kovacevich, Brendel, Kempff, Ashkenazy, to name a few; too bad Gilels died before he could record it). Some of you might find Gould's approach worthy indeed.

5 out of 5 stars Gould Realizes Beethoven..........2005-01-17

These are great recordings. Gould realizes Beethoven: he sees what's there, not merely playing the notes, but understanding the vision. He takes some movements very briskly; others, he expands to a heavenly length.

Frequently, these earlier works of Beethoven are marginalized by his later, greater works; still, these pieces are works of pure art, and Gould sees this and brings them to vivid life.

About the sound: these tracks were recorded over a 15-year period. Sony has done a wonderful job with its "Super Bit Mapping" techne; still, there are a few quirks embedded in the recordings which cannot be removed: specifically, a little "ticking" from Gould's Steinway on the '60s tracks. At that time, Gould was tinkering with his piano to achieve a certain feel to the keys--a kind of immediacy and tactile ease of stroke--by removing the bushings which padded the key mechanism. As a result, he got the feel he wanted, but was also stuck with "ticking" keys. This doesn't bother me, as the results speak for themselves: an aesthetic vision of unparalleled ecstasy. Nevertheless, the "ticks" are audible sometimes: it's part of the art and vision.

5 out of 5 stars no 'original intent'.......2004-05-02

Gould's interpretations compliment the complaints I've read, about 'original intent' by introducing his own - one that has worked itself thru the entirety of Modernism and that seems to have maintained momentum, even past death...into OUR present. The digits march to our more open sense of time - space is a suspension, like in a Ran Blake cd - these are Beethoven Sonatas that Babbitt or Bartok could have composed at a minimalist cafe`.
Beethoven: Piano Sonatas, Vol. 4
Average customer rating: Not rated
    Beethoven: Piano Sonatas, Vol. 4

    Manufacturer: G.M. Recordings
    ProductGroup: Music
    Binding: Audio CD

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    1. Beethoven: Piano Sonatas, Vol. 5

    ASIN: B00001O2XY
    Release Date: 1999-09-14

    Tracks:

    1. Son No.10 in G, Op.14, No.2: Allegro
    2. Son No.10 in G, Op.14, No.2: Andante
    3. Son No.10 in G, Op.14, No.2: Scherzo: Allegro Assai
    4. Son No.13 in E flat, Op.27, No.1: Andante-Allegro-Andante
    5. Son No.13 in E flat, Op.27, No.1: Allegro Molto E Vivace
    6. Son No.13 in E flat, Op.27, No.1: Adagio Con Espressione
    7. Son No.13 in E flat, Op.27, No.1: Allegro Vivace
    8. Son No.14 in c#, Op.27, No.2 'Moonlight': Adagio Sostenuto
    9. Son No.14 in c#, Op.27, No.2 'Moonlight': Allegretto
    10. Son No.14 in c#, Op.27, No.2 'Moonlight': Presto Agitato
    11. Son No.26 in E flat, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux)-Adagio-Allegro
    12. Son No.26 in E flat, Op.81a 'Les Adieux': Abwesenheit (L'Absence)-Andante Espressivo...
    13. Son No.26 in E flat, Op.81a 'Les Adieux': Das Wiedersehn (Le Retour)-Vivacissimamente...

    Tracks:

    1. Son No.5 in c, Op.10, No.1: Allegro Molto E Con Brio
    2. Son No.5 in c, Op.10, No.1: Adagio Molto
    3. Son No.5 in c, Op.10, No.1: Finale: Prestissimo
    4. Son No.11 in B flat, Op.22: Allegro Con Brio
    5. Son No.11 in B flat, Op.22: Adagio Con Molto Espressione
    6. Son No.11 in B flat, Op.22: Menuetto
    7. Son No.11 in B flat, Op.22: Rondo: Allegretto
    8. Son No.18 in E flat, Op.31, No.3: Allegro
    9. Son No.18 in E flat, Op.31, No.3: Scherzo: Allegretto Vivace
    10. Son No.18 in E flat, Op.31, No.3: Menuetto: Moderato E Grazioso
    11. Son No.18 in E flat, Op.31, No.3: Presto Con Fuoco
    Beethoven: Piano Sonatas, Vol. 2
    Average customer rating: 5 out of 5 stars
    • Richter plays Beethoven!
    • Richter is King of Beethoven
    • Brilliant performances
    • Phenomenal
    • incredible
    Beethoven: Piano Sonatas, Vol. 2

    Manufacturer: Melodiya
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000001HCQ
    Release Date: 1997-03-11

    Tracks:

    1. Piano Sonata No. 8 In C Minor, Op. 13 - Pathetique: 1 Grave - Allegro di molto e con brio
    2. Piano Sonata No. 8 In C Minor, Op. 13 - Pathetique: 2 Adagio cantabile
    3. Piano Sonata No. 8 In C Minor, Op. 13 - Pathetique: 3 Rondo. Allegro
    4. 8 Bagatelles: in F Major,Op.33 No.3 (Allegretto)
    5. 8 Bagatelles: in C Major,Op.33 No.5 (Allegro ma non troppo)
    6. 8 Bagatelles: in C Major,Op.119 No.2 (Andante con moto)
    7. 8 Bagatelles: in C Major,Op.119 No.7(Allegro,ma non troppo)
    8. 8 Bagatelles: in A Minor,Op.119 No.9 (Vivace moderato)
    9. 8 Bagatelles: in G Major,Op.126 No.1 (Andante con moto catabile e compiacevole)
    10. 8 Bagatelles: in B Minor,Op.126 No.4 (Presto)
    11. 8 Bagatelles: in E-flat Major,Op.126 No.6 (Presto - Andante amabile e con moto)
    12. Piano Sonata No. 23 in F Minor, Op. 57 - Appassionata: 1 Allegro assai
    13. Piano Sonata No. 23 in F Minor, Op. 57 - Appassionata: 2 Andante con moto
    14. Piano Sonata No. 23 in F Minor, Op. 57 - Appassionata: 3 Allegro ma non troppo - presto
    15. Fantasy For Piano, Chorus And Orchestra In C Minor, Op. 80: Adagio
    16. Fantasy For Piano, Chorus And Orchestra In C Minor, Op. 80: Finale.Allgro
    17. Fantasy For Piano, Chorus And Orchestra In C Minor, Op. 80: Allegretto ma non troppo,quasi Andante con moto

    Amazon.com

    This live Appassionata, from a Moscow recital of 1960, is one of the most thrilling piano performances ever recorded. Sviatoslav Richter fills every moment of the first movement with intense drama, creates the illusion of total repose in the central variations, and then takes off in the finale with an exhibition of musical virtuosity and ever-increasing tension that becomes almost unbearably intense (and unbelievably fast and accurate). The studio Pathétique is quite fine, and the Fantasy (sung in Russian!) well performed by all but still rather quaint in its effect. But don't miss that Appassionata! --Leslie Gerber

    Customer Reviews:

    5 out of 5 stars Richter plays Beethoven!.......2005-10-11

    The original treatment given by Richter to the "Pathetique" is worthy to remark. It is absolutely interesting. The opening bars sound marked Beethovenian but in Russian mood; dry and authoritative; that is a good signal because must never sound romantic, but rough. The harmonies must be dissonant. The Adagio is noble and sublime but the last movement is a pleasant surprise: Richter, before the coda makes a fabulous retard, that brief decrease of intensity prepares us for the following arpeggios with magnificent results.
    The 8 Bagatelles know best interpreters: I dislike this approach. The tempos are too fast and inexpressive. I rather choose Glenn Gould or Wilhelm Kempff, just to name two Greats.
    Through the years I have realized that "Appassionata" Sonata is measure by measure the most complete and heroic piano work ever written in the keyboard' s history. This Op. 57 gives us a very close idea about the player 's temperament and personality of the performer. Richter makes a superb reading about it, and in my personal ist of the great performances about this piece, I would name just five: The First choice is the legendary and unexplainable not released yet on CD of Paul Badura Skoda in 1978 in vinyl, recording that fortunately I converted digitally; this work maintains its own feature that seems to be improving through the years. The second choice goes for a superb version of Rudolf Serkin in a live recording (available in CD) Lugano 1957; my third choice would incline by a recital given in a Castle room by Daniel Barenboim in 1984; fierceness and wildness. My fourth pronouncement goes to this version and the Fifth is William Murdoch a not so well known Australian pianist in the late twenties (available in CD).
    The Fantasy is terrific. Richter was inflamed by a Dionysian rage and this work needs it. Far from being a contemplative work; this work deserves to be played with more frequency by the most of pianists. Emotive, expressive, energetic and mercurial.
    A glorious choice in case you decide to acquire it as I did it in 1995.


    5 out of 5 stars Richter is King of Beethoven.......2002-01-13

    I must say that in my opinion Sviatoslav Richter is the finest interpreter of Beethoven this century. This disc is a perfect example with which to support my case. It couples two of Beethoven's greatest piano sonatas, the Pathetique and Appassionata, with some charming bagatelles, and the underrated Choral Fantasy. The Pathetique is a studio version from the 50s in mono sound (if you need a reference the whole disc is mono but sounds slightly clearer than Gould's famous 1955 Goldberg Variations), and it is simply the best performance of this famous sonata that I've ever heard. Unlike so many other pianists, Richter actually plays the first movement at a correct tempo, with it's slow opening turning into a rather fast burst of pianistic energy. Too often you hear a recording of this sonata that starts of Grave and moves to an allegretto. Thankfully, Richter actually plays the movement allegro as specified. The famous second movemtent is without a doubt the most perfect and moving I've ever heard. The rondo is also simply amazing. Richter has the incredible ability to play a rondo as light, yet emotional music at the same time. It seems like a paradox, but this amazing one of a kind pianist is able to pull it off. The Appassionata is hands down the best piano performance available on disk. It's a live recording and showcases Richter in his prime. It's simply the most emotionally stirring piano performance I've ever heard. Words fail to describe the power that Richter conjures from Beethoven's keyboard masterpiece. It's is a must hear. The fillers are the bagatelles and the choral fantasy, and even though they may just be there to fill the rest of the disk, they are quite simply stunning. The bagatelles, small dance works that were greatly popularized by Beethoven, come off sounding like the masterpieces they are. Too often they're thrown off as light music, perhaps given to a piano student as a learning tool. Basically they're not taken as seriously as they should. Luckily, Richter believed them to be miniature masterpieces, and it shows in his playing. The Choral Fantasy is in russian, translated from the original german, and may sound odd if you've heard other versions, but sanderling and his orchestra and chorus along with Richter's amazing talents make another one of Beethoven's neglected masterpieces shine as bright as it should. This disc is full of absolutely amazing performances and at an incredible price. It showcases Richter's amazing talent, and supports the belief of many, including myself, that he is THE Beethoven interpreter. Even though the sound is mono, the quality is still relatively good. Excellent performances and better than average mono sound at a bargain price make this CD an essential.

    5 out of 5 stars Brilliant performances.......2001-06-02

    This is a fantastic CD for lovers of Beethoven's piano works and Richter both. In particular, Richter's version of the "appassionata" is without parallel in fiery virtuosity. He approaches many of these pieces in a much different way than many modern performers. This is not a CD to play in the background, this is a CD that commands your full attention, both intellectually and emotionally.

    5 out of 5 stars Phenomenal.......2001-04-08

    I agree with the other reviewer. This disk is incredible. Simply incredible. Take any person off the street and sit then down with this disk, and play them the Appassionata. If they are not breathtaken, the only explanation is they are deaf. This is one of the most powerful performances of anything I have ever heard in my life. Beethoven himself would have had an climax if he heard this. The rest of the disk is first rate as well. If you aren't familiar with the Bagatelles, or the Choral fantasy, this is a good pace to get hooked.

    5 out of 5 stars incredible.......2001-01-01

    I don't write a lot of amazon.com reviews, but this CD needs more exposure.. This was one of the first Richter disks I bought (I now have ~40), and is still my favorite. The 'Appassionata' is the best among all existing recordings (even if you have Richter's Praga or RCA performances, you have to hear this one). Every little bit of this sonata makes perfect sense in the context of the whole piece; it is always pushing forward toward the finale, which is more exciting than anything else ever put on tape. You shouldn't be able to listen to anything else for a few hours after it's over. So, this alone should be enough... But the other works on this CD--the bagatelles, the 'Pathetique' sonata, and especially the choral fantasy--are just as worthy of praise. I like the 'Pathetique' more than Gilels', and the Fantasy is beautiful.

    Finally -- this disk is part of the 10-CD Richter Edition. The whole set is great, but if you cannot afford it right now -- this is what you ought to buy. And then you should buy a copy for your friends, especially those who don't listen to classical music yet.

    Hope this helps.
    Beethoven: Early Vienna Sonatas - Sonatas Op. 2, Nos. 1-3; Op. 29, Nos. 1-2 (Complete Works for Solo Piano Vol 2) /Brautigam
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      Beethoven: Early Vienna Sonatas - Sonatas Op. 2, Nos. 1-3; Op. 29, Nos. 1-2 (Complete Works for Solo Piano Vol 2) /Brautigam

      Manufacturer: Bis
      ProductGroup: Music
      Binding: Audio CD

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