Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
2. Die Unterscheidung ("Die Mutter hat mich jüngst gescholten"), song for voice & piano, D. 866/1 (Op. 95/1)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
3. Die Männer sind méchant ("Du sagtest mir es, Mutter"), refrain song for voice & piano, D. 866/3 (Op. 95/3)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
4. Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
5. Szene aus Goethe's "Faust" ("Wie anders, Gretchen"), song for voice & piano (two versions), D. 126
Composed by Franz Schubert
with Thomas Hampson , Graham Johnson , Marie McLaughlin
6. Gretchen ("Ach neige..."), song for voice & piano (fragment), D. 564
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
7. Shilric und Vinvela ("Mein Geliebter ist ein Sohn..."), song for voice & piano, D. 293
Composed by Franz Schubert
with Thomas Hampson , Graham Johnson , Marie McLaughlin
8. Ein altschottische Ballade ("Dein Schwert, wie ist's"), song for voice & piano (two versions), D. 923 (Op. 165/5)
Composed by Franz Schubert
with Thomas Hampson , Graham Johnson , Marie McLaughlin
9. Lied der Anne Lyle (Wärst du bei mir"), song for voice & piano, D. 830 (Op. 85/1)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
10. Gesang der Norna ("Mich führt mein Weg"), song for voice & piano, D. 831 (Op. 85/2)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
11. Normans Gesang ("Die Nacht bricht bald herein"), song for voice & piano, D. 846 (Op. 52/5)
Composed by Franz Schubert
with Thomas Hampson , Graham Johnson
12. Ellens Gesang I ("Raste, Krieger!"), song for voice & piano, D. 837 (Op. 52/1)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
13. Ellens Gesang II ("Jäger, ruhe von der Jagd"), song for voice & piano, D. 838 (Op. 52/2)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
14. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6)
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
15. Marie ("Ich sehe dich in tausend Bildern"), song for voice & piano, D. 658
Composed by Franz Schubert
with Graham Johnson , Marie McLaughlin
Product Description
There's some prime Schubert in this 13th volume of Hyperion's survey of the complete songs. Marie McLaughlin turns her delightful soprano voice to poetry by Goethe and Sir Walter Scott, including several famous numbers from Faust--Gretchan at the Spinning Wheel, and, assisted by Thomas Hampson, a substantial Scene from Faust. A lovely program, all the way through. --David Hurwitz
The Hyperion Schubert Edition 13 / Marie McLaughlin, Graham Johnson,Franz Schubert,Marie McLaughlin,Graham Johnson,Hyperion,Classical,Classical Composers,Classical Music,Miscellaneous Vocal Music,Romantic Music for Voice and Keyboard,Vocal
Average customer rating:
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The Hyperion Schubert Edition - "A Voyage of Discovery", a selection from the first 27 volumes
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZDZ Release Date: 1997-02-10 |
Tracks:
- Der liebliche stern
- Am See
- Mein! (From Die schone Mullerin)
- Auflosung
- Lied eines schifers An Die Dioskuren
- An Silvia
- An die Sonne
- Die Unterscheidung
- Die Allmacht
- Am Strome
- An Emma
- Als ich sie erroten sah
- Sehnsucht
- Lob der Tranen
- Elkonig
- Lied
- Der Jungling an der Quelle
- Blondel zu Marien
- Trost im Tranen
- Ruckweg
- Alinde
- Standchen
- Romanze
- Seufzer
- An den Fruhling
- Am Bach im Fruhling
Customer Reviews:
Beware Mislabeling!.......2007-04-20
Whoever tags items has a great responsibility to consumers to do so very carefully. I got my copy from someone listing off this site. Because the original is mislabeled, so are all the new/used offerings linked to this site.
Amazon employees, please fix the problem and remove the desgnation "34" before the next unsuspecting consumer buys something she doesn't want.
Discovering the Schubert Songs.......2005-07-02
There are many ways to approach Schubert's songs and a multitude of choices on CD of both historical and contemporary recordings. The CD under discussion "A Voyage of Discovery" bids fair to be the best place to start for a newcomer. This CD is part of a monumental project, consisting of 37 CDs, to record Schubert's entire song output on Hyperion, a British label. The project was conceived by pianist Graham Johnson who is the accompanist throughout the series. Each CD in the Hyperion series comes with an extensive booklet including the texts of the songs and great detail about the poetry, Schubert's life, and the music. Each CD is also performed by one of the great singers of our day, beautifully accompanied by Johnson. But each of these CDs, alas, is expensive. And all but devoted listeners might be intimidated by 37 CDs of song.
Thus, this sampler is valuable because it is culled from the first 27 CDs in the series and includes selections by 24 outstanding singers such as Peter Schrier, Lelicity Lott, Ian Bostridge, Brigette Fassbaender, Elly Ameling, and many more. The CD was obviously prepared to encourage the listener to explore the Hyperion series further, buy it also serves as an outstanding introduction to Schubert. The songs on this CD are among Schubert's masterworks, and each is performed by a different artist. Thus the listener receives a rare opportunity to hear an introductory selection of Schubert performed by many singers in different styles. (Most samplers feature the work of only a single artist or two.) And the disk is much less expensive than its companions in the Hyperion series.
The works flow and sing, and the best way to approach this CD is to sit back, listen and enjoy. The CD encourages this approach because there is little in the way of program notes and song texts are not provided -- not even the names of the poets. But the music is lyrical and of immediate appeal. My favorites pieces here include Peter Schreier singing "Der Liebiche Stern"; Dame Felicity Lott singing "Am See"; Ian Bostridge's inspired rendition of "Mein!" from Schubert's song-cycle "Die Schone Mullerein"; John Mark Ainsley's rendition of Shakspeare's "An Silvia", Adrian Thompson's "Trost im Tranen", and Elly Ameling singing " An den Fruhling". I also enjoyed Arleen Auger's singing of a Schubert "Romanze" which features a part for the clarinet and Sarah Walker singing a version of "Standchen" with an accompaning chorus. But the entire CD is moving, lovely music.
This CD is a joy in itself for those listeners who can be satisfied with a basic exposure to the Schubert songs. But it is also a good place to begin for listeners who want to hear more of Schubert -- either on the Hyperion series or on the many other CDs of the songs that are readily available to be explored and enjoyed.
Robin Friedman
FOUR-AND-TWENTY SINGERS.......2004-05-24
A few minor quibbles apart, this is my idea of a perfectly heavenly record, outstandingly well engineered. The selection is a judicious mix of familiar and unfamiliar. Who Is Sylvia is here, as are the Erlking and Mein from the Mill songs. Special favourites of my own are Der Allmacht and Mayrhofer's Aufloesung, both superb opportunities for a big voice, and the works cover all of Schubert's short career with Deutsch numbers ranging from 113 to 920. I think I would have liked Elizabeth Connell to hit Der Allmacht just a little harder. At the start I thought that Johnson might have been using a little too much pedal, but when I felt that most in the Sailor's Song to the Dioscuri he immediately delighted me with a lively and bouncing accompaniment in the next number Who Is Sylvia. My one real reservation concerns Erlkoenig, sung by Sarah Walker. For me, this is just not a song for a woman. Three of the four parts - father, child and the Erlking himself -- are explicitly male, and I imagine one takes the narrator to be male as well. Even more, for the one and only time on the entire disc I'm not happy with the performers' concept of the song. The tempo is too fast for my liking - the father is galloping rapidly, but any suggestion of panic ought to be reserved for the end. I also like a clean drumming sound in the piano right hand with a good strong accent on each of the four beats, clearly suggesting the hoofbeats of the horse, and too much pedal spoils it for me. What is also lost is the wonderful way the tension should relax without loss of pace before the Erlking's first song, and there is no sinister quality to the Erlking's tone as there needs to be. Fischer-Dieskau and Moore are not supplanted in my affections here.
And that's about it by way of criticisms. A disc featuring Schreier, Lott, Bostridge, Fassbaender, Allen, Baker, Mathis, Rolfe Johnson, Auger, Ameling and Varcoe to name but some can be expected to be a bit of a celebration, and that's exactly what it is. The liner booklet is even more than usually inadequate with no texts. It does not tot up the playing time either, but for me this recital was over almost as soon as it began, so much did it keep me in raptures. Strongly recommended.
Average customer rating: |
The Hyperion Schubert Edition 13 / Marie McLaughlin, Graham Johnson
Franz Schubert , Marie McLaughlin , and Graham Johnson Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZF7 Release Date: 1992-10-26 |
Tracks:
- Das Marienbild, D. 623
- Die Unterscheidung, D. 866/1
- Die Mer sind mant, D. 866/3
- Gretchen am Spinnrade, D. 118
- Szene aus Faust, D. 126
- Gretchens Bitte, D. 564
- Shilrik und Vinvela, D. 293
- Percy's Reliques: Eine altschottische Ballade, D. 923
- Lied der Anna Lyle, D. 830
- Gesang der Norna, D. 831
- Norman's Gesang, D. 846
- Ellens Gesang I, D. 837
- Ellens Gesang II, D. 838
- Ellens Gesang III, D. 839
- Marie, D. 658
Amazon.com
There's some prime Schubert in this 13th volume of Hyperion's survey of the complete songs. Marie McLaughlin turns her delightful soprano voice to poetry by Goethe and Sir Walter Scott, including several famous numbers from Faust--Gretchan at the Spinning Wheel, and, assisted by Thomas Hampson, a substantial Scene from Faust. A lovely program, all the way through. --David HurwitzMusic Review:
- The Hyperion Schubert Edition 19 - Complete Songs / Felicity Lott
- The Hyperion Schubert Edition 28 - An 1822 Schubertiad / Ainsley, Koningsberger
- The Hyperion Schubert Edition 3 / Ann Murray, Graham Johnson
- The Hyperion Schubert Edition 4 / Philip Langridge, Graham Johnson
- The Hyperion Schubert Edition 8 / Sarah Walker, Graham Johnson
- The Immortal Hour
- The Piano Virtuoso
- The Songmakers' Almanac Schubertiade
- Trumpet, Corno Da Caccia And Organ
- Violin Concertos by Fiorillo & Viotti
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