The Overtures Collection (Deluxe Edition)

On this CD:

1. Leonore Overture No. 2 in C major, Op. 72a
Composed by Ludwig van Beethoven
Performed by Philharmonic Symphony Orchestra
2. A Midsummer Night's Dream, incidental music, Op. 61
Composed by Felix Mendelssohn
Performed by Philharmonic Symphony Orchestra
3. Die Lustigen Weiber von Windsor, opera
Composed by Otto Nicolai
Performed by Philharmonic Symphony Orchestra
4. Academic Festival Overture, for orchestra in C minor ("Akademische Festouvertüre"), Op. 80
Composed by Johannes Brahms
Performed by Philharmonic Symphony Orchestra
5. Ruslan and Lyudmila, "magic" opera in 5 acts, G. xiv
Composed by Mikhail Glinka
Performed by Philharmonic Symphony Orchestra
6. Prodaná nevesta (The Bartered Bride), overture to the opera
Composed by Bedrich Smetana
Performed by Philharmonic Symphony Orchestra
7. Carnival (Karneval), concert overture, B. 169 (Op. 92)
Composed by Antonin Dvorak
Performed by Philharmonic Symphony Orchestra

The Overtures Collection (Deluxe Edition),Ludwig van Beethoven,Johannes Brahms,Antonin Dvorak,Mikhail Glinka,Felix Mendelssohn,Otto Nicolai,Bedrich Smetana,Philharmonic Symphony Orchestra,Philharmonic Symphony Orchestra of New York,Sony Special Product,Classical,German/Austrian Romantic Opera,Opera,Orchestral,Romantic Overture for Orchestra,Russian Romantic Opera
Arturo Toscanini Collection, Volume 51: Overtures
Average customer rating: 4 out of 5 stars
  • Interesting Overtures
  • An Amazing Collection of Unique Overture Performances!
Arturo Toscanini Collection, Volume 51: Overtures

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003EY4
Release Date: 1992-09-15

Tracks:

  1. Zampa: Ov
  2. Hansel Und Gretel: Prld
  3. Colas Breugnon: Ov
  4. Die Zauberflote: Ov
  5. William Tell: Ov
  6. The Bartered Bride: Ov/Die Verkaufte Braut
  7. Mignon: Ov
  8. La Forza Del Destino: Ov
  9. Der Freischutz: Ov

Customer Reviews:

4 out of 5 stars Interesting Overtures.......2006-02-01

This RCA Victor compilation is indeed quite interesting. While it includes some familiar recordings that had been included on various RCA LPs, including the Victrola series in the late 1960s, there are a few recordings that had previously only been available on the original 78-rpm issues. Generally, the performances are all top-notch.

Anyone who has listened to recordings of Toscanini's rehearsals (let alone witnessed them) can attest to how hard he worked even on shorter workers. A particularly good example is Naxos' release of the rehearsal of Debussy's rarely heard "Scottish March" from 1940; Toscanini spent a great deal of time on refining the NBC Symphony's performance, possibly because the work was less familiar to the musicians. Relatively few people have ever heard that remarkable, delightful work; however, it is treated with great precision in Toscanini's hands.

Conductor Charles Gerhardt, who was present at many Toscanini performances and recording sessions, cited the Maestro's performance of the overture to Herold's "Zampa." This is a frequently performed work, even if the opera itself is largely neglected. Toscanini managed to bring out the most exciting, lively, and brilliant playing from the NBC musicians in this 1952 "studio" recording from Carnegie Hall. It is a good example of how Toscanini strived for the best in ALL of the music he conducted.

The overture to Humperdinck's "Hansel und Gretel," also taken from a 1952 recording session in Carngie Hall, is another treasure. This music, too, is quite familiar and is given a fresh approach in Toscanini's hands. He truly brings out the Wagnerian influences in the music so that the spectacular use of brass is magnificent. The softer, tender passages, including the famous prayer, are handled with great sensitivity.

The first time I heard Toscanini's recording of Dmitri Kabalevsky's overture to his opera "Colas Breugnon," I was absolutely amazed. This is very challenging music; it requires great precision and energy from the musicians and, fortunately, Toscanini succeeded remarkably. The music is extremely syncopated, too. This piece was frequently played on his 1950 American tour with the NBC Symphony and was undoubtedly a delight for all who heard it.

The broadcast concert performance of the overture to Mozart's final opera, "The Magic Flute," is especially wonderful. It is a good demonstration of Toscanini's great love for the music of Mozart. There is an energy and enthusiasm that one rarely hears in this very familiar music. It is one of the better-sounding recordings taken from a broadcast in Studio 8-H.

Toscanini's 1953 recording of the famed overture to Rossini's "William Tell" became the gold standard for all conductors and orchestras who played it. Certainly Toscanini recognized that many associated the finale with "The Lone Ranger" on radio and television. (One reads of Toscanini's delight in sitting close to his television set and marveling at the early programs he watched with family and friends. He would shout "look!" whenever something caught his attention.) However, RCA included his 1939 Studio 8-H broadcast on this disc; as with many of his earlier recordings, this one truly excels with the precise, exciting playing of the storm and the chase music, while the introduction and the calm after the storm are again played with incredible sensitivity.

Smetana's "The Bartered Bride" is best known for its overture and dances. Toscanini's performance is particularly showy and delightful. There is a relentless energy in this performance.

The recording of Thomas' overture to "Mignon" originally appeared on a single 12-inch 78-rpm disc. It was recorded in Carnegie Hall, since producer Charles O'Connell felt it was a better venue for commercial recordings than Studio 8-H. The overture is a medley of familiar tunes from the opera, including the particularly difficult soprano solo. The NBC strings especially excel in this recording.

There are several recordings of the overture to Verdi's "La Forza Del Destino," including the OWI film that Toscanini made with the NBC Symphony in Studio 8-H in 1943 (one of the rare opportunities to SEE Toscanini conducting). This version, which was originally issued on a 78-rpm disc, is one of the best. There is more energy and excitement than in the later recording that was first issued on LPs.

Finally, there is a vibrant performance of the overture to "Der Freischutz." Although the sound is not up to the more familiar 1952 recording, this is certainly a very fine rendition. It is yet another chance to hear the NBC strings at their best. One person who had attended NBC broadcast concerts said that Toscanini, who had been a cellist, was especially good in building a strong string section and this is quite true. The wind section also excels in this recording.

4 out of 5 stars An Amazing Collection of Unique Overture Performances!.......1998-11-17

Only Toscanini at his most intense could inspire an orchestra to such an outpouring of passion as can be heard here in evergreens like the "William Tell" overture, the Verdi "Forza del Destino" overture, and Herold's "Zampa".

Many of the recordings were re-done by Maestro in the early fifties: here the forties' 78s are included, though the earliest (William Tell, 1939) still sounds quite fine in the decent monaural transfers.

These would not all be my favorites of the versions conducted by Maestro that have appeared on LP and CD: the "Mignon" of Thomas makes a greater impact in the high-fidelity recording of 1952, as does the "Freischuetz" Overture. The Kabalevsky "Colas Breugnon" Overture, recorded here on a 78 rpm disk in 1946, does not have the passion, panache, and lively spirit of a broadcast of that same year, available on Dell'Arte. And I take issue with the inclusion of a rather scrappy, poorly played, and scratchy transcription disk from 1946 of the Smetana "Bartered Bride" Overture; an earlier NBC concert performance from 1939 (about to be issued by Naxos but not in the U. S.) has better sound and cleaner playing. One wonders why the Maestro approved this later and inferior performance.

However, the spectacular recording of the 1952 "Zampa" has never sounded better! It is nearly the equal of any recording made that year, by any record company! So much for the canard that "Toscanini records always sounded bad!" Nothing could be further from the truth!
Telarc Collection, Vol. 1
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    Telarc Collection, Vol. 1

    Manufacturer: Telarc
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    ASIN: B000003D68
    Release Date: 1992-01-28

    Tracks:

    1. Fanfare For The Common Man
    2. From: Gone With The Wind & (From: Hollywood's Greatest Hits, Vol. 1): Tara's Theme
    3. From: Carmen: Aragonaise
    4. From: The Magic Flute: 'Der Voglfanger bin ich ja'
    5. From: Porgy & Bess: I Got Plenty O'Nuttin'
    6. From: The Firebird: Infernal Dance Of King Kastchei
    7. From: Trout Quintet: Scherzo: Presto
    8. From: Sonata In B Minor, Op.58: Scherzo: Molto vivace
    9. From: Requiem: Sanctus
    10. From: Symphony No. 33: Menuet: Trio
    11. From: Symphony No. 8, Op.88: Allegretto (Excerpt)
    12. From: The Deer Hunter: Cavatina
    13. From: Sonata No. 31, Op. 110: Allegro Molto
    14. From: The Three Cornered Hat: Miller's Dance
    15. From: Old Friends: Topsy
    16. From: Songbook For Orchestra, Orchestral Suites: Carousel (Excerpt)
    17. From: Lionel Hampton And The Golden Men Of Jazz Live At The Blue Note: Hamp's Boogie Woogie
    18. From: Pictures At An Exhibition: The Great Gate Of Kiev
    The Overtures Collection [Deluxe Edition]
    Average customer rating: Not rated
      The Overtures Collection [Deluxe Edition]

      Manufacturer: Sony Special Product
      ProductGroup: Music
      Binding: Audio CD

      All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B000002YQA
      Release Date: 1995-10-10
      Rossini: Great Overtures
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        Rossini: Great Overtures

        Manufacturer: The Classical Collection, Point Classics
        ProductGroup: Music
        Binding: Audio CD
        ASIN: B000DZAMIM

        Product Description

        Barber of Seville, The Thieving Magpie, William Tell, The Italian Girl in Algiers, Semiramide, La Cenerentola (Aria), La Danza - Tarantella
        Romantic Works For Flute & Harp/A Contemporary Collection
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          Romantic Works For Flute & Harp/A Contemporary Collection

          Manufacturer: Collins Classics
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B00000DRTJ
          Release Date: 1993-08-23
          Opera Overtures Collection - 6 CDs
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            Opera Overtures Collection - 6 CDs

            ProductGroup: Classical
            Binding: Audio CD

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            ASIN: B000MGLSF8

            Product Description

            6 CD collection includes: Rossini Overtures & Preludes Overtures Overtures & Preludes Most Famous Overtures Famous Classical Overtures Great Overtures
            J.S. Bach: Suites (Overtures), Vol. 1
            Average customer rating: 3.5 out of 5 stars
            • Not really Bach, but entertaining nonetheless
            • Recording Stands On Its Own
            J.S. Bach: Suites (Overtures), Vol. 1

            Manufacturer: Naxos
            ProductGroup: Music
            Binding: Audio CD

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            1. J.S. Bach: Suites (Overtures), Vol. 2

            ASIN: B0000013N9
            Release Date: 1992-06-30

            Tracks:

            1. Suite No. 1 In C Major, BWV 1066: Overture
            2. Suite No. 1 In C Major, BWV 1066: Courante
            3. Suite No. 1 In C Major, BWV 1066: Gavotte I & II
            4. Suite No. 1 In C Major, BWV 1066: Forlane
            5. Suite No. 1 In C Major, BWV 1066: Menuet I & II
            6. Suite No. 1 In C Major, BWV 1066: Bourree I & II
            7. Suite No. 1 In C Major, BWV 1066: Passepied I & II
            8. Suite No. 2 In B Minor, BWV 1067: Ouverture
            9. Suite No. 2 In B Minor, BWV 1067: Rondeau
            10. Suite No. 2 In B Minor, BWV 1067: Sarabande
            11. Suite No. 2 In B Minor, BWV 1067: Bourr e I & II
            12. Suite No. 2 In B Minor, BWV 1067: Polonaise
            13. Suite No. 2 In B Minor, BWV 1067: Menuet
            14. Suite No. 2 In B Minor, BWV 1067: Badinerie
            15. Suite In G Minor: Prde
            16. Suite In G Minor: Allemande
            17. Suite In G Minor: Courante
            18. Suite In G Minor: Sarabande
            19. Suite In G Minor: Gavotte
            20. Prelude In B Minor
            21. Siciliano
            22. Wachet auf, ruft uns die Stimme

            Customer Reviews:

            3 out of 5 stars Not really Bach, but entertaining nonetheless.......2005-03-13

            The Slovakian chamber orchestra “Capella Istropolitana” obviously made some great strides during its Naxos period, and their 1989 recordings of Bach’s Orchestral Suites or Overtures are, although definitely not “early music” in the now-used sense, a lot better than their versions of both Vivaldi and Handel recorded a year earlier. Perhaps that is the result of the change of conductor from Jozef Kopelman to Jaroslav Dvorák, himself an accomplished musician and composer who arranged one of the additional pieces on this CD himself. At any rate, the tempi here are anything but “lame-duckish” (my comment on the Handel Concerti Grossi) and compare quite favourably with other recordings of the same repertoire. As the recording quality is more than adequate and the playing of the orchestra accomplished, the result is an entertaining hour of listening (total time 67’22”). Of course, for Bach’s Orchestral Suites there are any number of more historical alternatives, both on modern and on period instruments, and this recording cannot even begin to match the versions by, for example, the English Concert, directed by Trevor Pinnock, or by Reinhard Goebel’s Musica Antiqua Köln (both on Deutsche Grammophon). Even Naxos have re-recorded the Orchestral Suites in more historical garb (but still on modern instruments) with the Cologne Chamber Orchestra directed by Helmut Müller-Brühl, and I suspect that if it is just the Naxos price you are looking for, you should take that superb version, which has been praised by the critics and awarded prizes.

            Where the Capella Istropolitana version does score is that the Orchestral Suites are divided up into two CDs which are then complemented by some arrangements of other Bach music by composers/conductors from later centuries. This has little to do with Bach himself, of course, and could be considered anathema by purists, but the pieces do at least show how Bach’s music was received and understood during the next two centuries. Joachim Raff’s orchestral arrangement of Bach’s French Suite No. 3 is, from the point of view of an early music fan, sickly-sweet. Leopold Stokowski’s arrangement of a piece from the Well-Tempered Clavier is very un-Bach-like. Jaroslav Dvorak’s version of the siciliano from Bach’s Sonata for Violin and Harpsichord does at least have the merit of demonstrating very clearly what a “siciliano” is all about. And last but not least on this first of the two disks there is Bantock’s famous version of “Wachet auf, ruft uns die Stimme”, in which we get not only a lively version of the old German chorale but also a rather nice, somewhat jazzy opening that people of my generation may remember for its role in a commercial campaign for a certain brand of champagne! It is to listeners who are looking out for these rather out-of-the-way pieces that I would recommend this CD; if it is Bach himself you are looking for, then please go elsewhere.

            4 out of 5 stars Recording Stands On Its Own.......2001-12-30

            This is the first Naxos disc I ever purchased and it left enough of an impression on me to persuade me to continue purchasing with this label. The performance is good but not particularly great. Nothing really stands out but sometimes that can be a good thing. Certainly purchase this cd if you are looking to try Bach for the first time. If you're already a Bach follower I can still recommend this recording because it costs about as much as a gallon of milk and sounds pretty good to boot.
            The Overtures Collection, Vol. 2
            Average customer rating: Not rated
              The Overtures Collection, Vol. 2

              Manufacturer: Sony Special Product
              ProductGroup: Music
              Binding: Audio CD

              BalletsBallets | Ballets & Dances | Classical | Styles | Music
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              ASIN: B000002YR7
              Release Date: 1995-12-01
              Arturo Toscanini Collection, Volume 71
              Average customer rating: 3 out of 5 stars
              • Toscanini's first recordings
              • For Fanatics of Toscanini & Collectors of Very Old Records
              Arturo Toscanini Collection, Volume 71

              Manufacturer: RCA
              ProductGroup: Music
              Binding: Audio CD

              All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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              ASIN: B000003EY9
              Release Date: 1992-04-14

              Tracks:

              1. Sym No.1, Op.21 in C: IV: Adagio; Allegro Molto E Vivace
              2. Sym No.5, Op.67 in c: IV: Allegro
              3. La Damnation De Faust: Rakoczy March
              4. L'Arlesienne Ste No.2: Farandole
              5. Carmen: Aragonaise (Act IV Entr'acte)
              6. Don Pasquale: Ov
              7. Gagliarda (No.2, Antiche Aire E Danze, Set I, After Vincenzo Galilei)
              8. Fete Boheme (No.4, Scenes Pittoresques)
              9. Scherzo
              10. A Midsummer Night's Dream: Wedding March
              11. Sym No.39, K.543 in E flat: Menuetto
              12. Sym No.39, K.543 in E flat: Finale
              13. Le Quai Du Porte De Famagouste (Act I Prld) (No.2, La Pisanelle Ste)
              14. Il Segreto Di Susanna: Ov

              Customer Reviews:

              4 out of 5 stars Toscanini's first recordings.......2006-03-03

              Many famous conductors had already been making recordings for several years when Arturo Toscanini was finally persuaded by the Victor Talking Machine Company in Camden, New Jersey, to make some orchestral recordings with the Scala Orchestra in 1920-21.

              The Italian ensemble had been touring the U.S. and they took time out to make a series of 78-rpm acoustical discs in the "church" studio at Camden. Some of Enrico Caruso's later recordings also took place in this very large facility, which utilized a very large horn to pick up as much of the orchestra as possible. Sometimes, smaller horns were connected to the recording equipment to record principal players.

              Admittedly, the acoustical process had limited frequence response. By 1920 and 1921, when these recordings were made, the process had reached its highest possiblities, so much more could be recorded. Already, however, Bell Laboratories was developing a new recording process that would use carbon microphones to pick up more sound; that process would be adopted by Victor in the spring of 1925 to record the Philadelphia Orchestra under Leopold Stokowski.

              Despite the limited possibilities of acoustical recordings, they always had very good bass tones and they sounded quite good when played on a full size Victrola. Some of this can be approximated, however, through digital technology and it's actually possible to hear more today than was possible on vintage phonographs.

              One good thing about Toscanini's acoustical discs is that they give us an idea of the remarkable energy he utilized in his earlier performances. There is is incredible playing by the Italian musicians in most of the recordings. A particularly good example is the overture to "Don Pasquale," which has virtually the same playing time as Toscanini's 1952 recording with the NBC Symphony Orchestra. The woodwinds are particularly excellent in this performance and, quite remarkably, one can even heard the tympani (rarely used in American acoustical recordings).

              Overall, these are exciting glimpses of Toscanini in his "younger" years, long before the more famous NBC Symphony concerts and recordings. They are often very charming and very delightful. They certainly have historical value. Toscanini would not record again until 1926, when he made a single 78-rpm electrical recording for the Brunswick Company with the New York Philharmonic. But that's another story...

              2 out of 5 stars For Fanatics of Toscanini & Collectors of Very Old Records.......1998-09-17

              There are no other acoustical recordings available of standard repertoire classical orchestral pieces quite like these unique disks!

              Toscanini and his La Scala Orchestra worked like fiends before a large recording horn in Camden, New Jersey, in 1921 to accomplish these Red Seal sides, which were "state of the art" in the period before the microphone and electronics were wedded to the phonograph. But to today's ears, the results are peculiar and uningratiating: the balances strange, the instrumental timbres odd, the pickup close and claustrophobic. Yet the intensity and precision of these propulsive readings contrast dramatically with the cranky, clumsy, and affected recordings made by other maestros during the acoustical period that ended around 1925.

              Violin and piano solos, and the singing voice, were taken down well by the acoustical process: we can still enjoy Caruso, Kreisler, Heifetz, or Rachmaninoff's old Red Seals. But most if not nearly all collectors "cut off" their interest in orchestral recordings made before about 1926 or '27, when the early electrical engineers learned how to record a fairly wide and natural dynamic range, and to pick up the acoustical ambience of a real recording hall.

              Toscanini displays his severe precision, and is fully the man you would expect from his broadcasts of the thirties and forties: once, during the old NBC radio show "Toscanini - The Man Behind the Legend" in the sixties, a composite was made of the 1921 Beethoven 5th excerpts herein and the famous broadcast recording from 1952. Heard over transcontinental network AM radio, there wasn't too much audible difference in style, balance, and interpretation (not to mention sound); but audited today, from digitized transfers, there seem to be several orders of magnitude of difference. The old acoustic is merely a funky sounding oddity, while the 1952 audiotape of the radio/TV simulcast has exceptionally realistic, crisp high fidelity and accuracy (not significantly inferior in detail to any number of modern stereo all-digital recordings!)

              At least this set provides the opportunity of hearing some unusual pieces under the Maestro's direction: the pleasant excerpt "Le quai du porte de Famagouste" from the "Pisanella" Suite by Pizzetti (recorded in stereo in the sixties by Gardelli on a superb Decca / London LP); the "Gagliarda" from one of Respighi's "Ancient Dances and Airs" suites; and the "Fete Boheme" from Massenet's "Scenes Pittoresques" Suite. I once owned a mint-condition copy of the last item on a single-sided Victor Red Seal 78 rpm disk, and I can testify that one cannot really do much to enhance the sound of an acoustical recording!

              At least this issue is much better than the very highly compressed copy issued on a private LP by the Clyde Key / Toscanini Society in the sixties: so much audio limiting was done to squeeze all the recordings onto two sides of one LP that the transfers were vastly inferior to the relatively vital sound of the actual shellac disks; this "purist" authorized edition by RCA is much to be preferred.
              The Greatest Opera Collection (10 Cd Box Set)
              Average customer rating: Not rated
                The Greatest Opera Collection (10 Cd Box Set)

                Manufacturer: MASTERS MUSIC
                ProductGroup: Music
                Binding: Audio CD
                ASIN: B0007VAN1S

                Product Description

                ***THIS BOX SET CONTAINS THESE 10 FULL LENGTH CD'S*** Famous Opera Overtures Volumes 1, 2 & 3 / Most Beautiful Opera Choruses Volumes 1, 2 & 3 / Most Beautiful Opera - Arias Volumes 1 & 2 / Most Beautiful Love Duets Volumes 1 & 2

                Music Review:

                1. The Rimsky-Korsakov Collection, Vol. 2
                2. The Sibelius Collection
                3. The Tchaikovsky Collection, Vol. 2
                4. The Tchaikovsky Collection, Vol. 3
                5. The Tchaikovsky Collection, Vol. 4
                6. The Tchaikovsky Collection, Vol. 5
                7. The Waltz Collection
                8. The World of the Symphony, Vol. 2 (Box Set) [Box set]
                9. World's Most Beautiful Christmas Music: A Child Is Born
                10. World's Most Beautiful Christmas Music: Heaven and Nature Sing!

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                Haydn: Symphonies 3, 11, 18, 19 & 20

                My Country: Cycle of Symphonic Poems

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                Lost for Words Far from... [Import]

                Golden Hits Exitos de Siempre

                Love Lifted Me [Import]

                Lohio

                Live: Number Tres [Live]

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                Inside the Sphere [Import]

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                Love Is Blue