Composed by Ludwig van Beethoven
Performed by Philharmonic Symphony Orchestra
2. A Midsummer Night's Dream, incidental music, Op. 61
Composed by Felix Mendelssohn
Performed by Philharmonic Symphony Orchestra
3. Die Lustigen Weiber von Windsor, opera
Composed by Otto Nicolai
Performed by Philharmonic Symphony Orchestra
4. Academic Festival Overture, for orchestra in C minor ("Akademische Festouvertüre"), Op. 80
Composed by Johannes Brahms
Performed by Philharmonic Symphony Orchestra
5. Ruslan and Lyudmila, "magic" opera in 5 acts, G. xiv
Composed by Mikhail Glinka
Performed by Philharmonic Symphony Orchestra
6. Prodaná nevesta (The Bartered Bride), overture to the opera
Composed by Bedrich Smetana
Performed by Philharmonic Symphony Orchestra
7. Carnival (Karneval), concert overture, B. 169 (Op. 92)
Composed by Antonin Dvorak
Performed by Philharmonic Symphony Orchestra
The Overtures Collection (Deluxe Edition),Ludwig van Beethoven,Johannes Brahms,Antonin Dvorak,Mikhail Glinka,Felix Mendelssohn,Otto Nicolai,Bedrich Smetana,Philharmonic Symphony Orchestra,Philharmonic Symphony Orchestra of New York,Sony Special Product,Classical,German/Austrian Romantic Opera,Opera,Orchestral,Romantic Overture for Orchestra,Russian Romantic Opera
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Arturo Toscanini Collection, Volume 51: Overtures
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003EY4 Release Date: 1992-09-15 |
Tracks:
- Zampa: Ov
- Hansel Und Gretel: Prld
- Colas Breugnon: Ov
- Die Zauberflote: Ov
- William Tell: Ov
- The Bartered Bride: Ov/Die Verkaufte Braut
- Mignon: Ov
- La Forza Del Destino: Ov
- Der Freischutz: Ov
Customer Reviews:
Interesting Overtures.......2006-02-01
Anyone who has listened to recordings of Toscanini's rehearsals (let alone witnessed them) can attest to how hard he worked even on shorter workers. A particularly good example is Naxos' release of the rehearsal of Debussy's rarely heard "Scottish March" from 1940; Toscanini spent a great deal of time on refining the NBC Symphony's performance, possibly because the work was less familiar to the musicians. Relatively few people have ever heard that remarkable, delightful work; however, it is treated with great precision in Toscanini's hands.
Conductor Charles Gerhardt, who was present at many Toscanini performances and recording sessions, cited the Maestro's performance of the overture to Herold's "Zampa." This is a frequently performed work, even if the opera itself is largely neglected. Toscanini managed to bring out the most exciting, lively, and brilliant playing from the NBC musicians in this 1952 "studio" recording from Carnegie Hall. It is a good example of how Toscanini strived for the best in ALL of the music he conducted.
The overture to Humperdinck's "Hansel und Gretel," also taken from a 1952 recording session in Carngie Hall, is another treasure. This music, too, is quite familiar and is given a fresh approach in Toscanini's hands. He truly brings out the Wagnerian influences in the music so that the spectacular use of brass is magnificent. The softer, tender passages, including the famous prayer, are handled with great sensitivity.
The first time I heard Toscanini's recording of Dmitri Kabalevsky's overture to his opera "Colas Breugnon," I was absolutely amazed. This is very challenging music; it requires great precision and energy from the musicians and, fortunately, Toscanini succeeded remarkably. The music is extremely syncopated, too. This piece was frequently played on his 1950 American tour with the NBC Symphony and was undoubtedly a delight for all who heard it.
The broadcast concert performance of the overture to Mozart's final opera, "The Magic Flute," is especially wonderful. It is a good demonstration of Toscanini's great love for the music of Mozart. There is an energy and enthusiasm that one rarely hears in this very familiar music. It is one of the better-sounding recordings taken from a broadcast in Studio 8-H.
Toscanini's 1953 recording of the famed overture to Rossini's "William Tell" became the gold standard for all conductors and orchestras who played it. Certainly Toscanini recognized that many associated the finale with "The Lone Ranger" on radio and television. (One reads of Toscanini's delight in sitting close to his television set and marveling at the early programs he watched with family and friends. He would shout "look!" whenever something caught his attention.) However, RCA included his 1939 Studio 8-H broadcast on this disc; as with many of his earlier recordings, this one truly excels with the precise, exciting playing of the storm and the chase music, while the introduction and the calm after the storm are again played with incredible sensitivity.
Smetana's "The Bartered Bride" is best known for its overture and dances. Toscanini's performance is particularly showy and delightful. There is a relentless energy in this performance.
The recording of Thomas' overture to "Mignon" originally appeared on a single 12-inch 78-rpm disc. It was recorded in Carnegie Hall, since producer Charles O'Connell felt it was a better venue for commercial recordings than Studio 8-H. The overture is a medley of familiar tunes from the opera, including the particularly difficult soprano solo. The NBC strings especially excel in this recording.
There are several recordings of the overture to Verdi's "La Forza Del Destino," including the OWI film that Toscanini made with the NBC Symphony in Studio 8-H in 1943 (one of the rare opportunities to SEE Toscanini conducting). This version, which was originally issued on a 78-rpm disc, is one of the best. There is more energy and excitement than in the later recording that was first issued on LPs.
Finally, there is a vibrant performance of the overture to "Der Freischutz." Although the sound is not up to the more familiar 1952 recording, this is certainly a very fine rendition. It is yet another chance to hear the NBC strings at their best. One person who had attended NBC broadcast concerts said that Toscanini, who had been a cellist, was especially good in building a strong string section and this is quite true. The wind section also excels in this recording.
An Amazing Collection of Unique Overture Performances!.......1998-11-17
Many of the recordings were re-done by Maestro in the early fifties: here the forties' 78s are included, though the earliest (William Tell, 1939) still sounds quite fine in the decent monaural transfers.
These would not all be my favorites of the versions conducted by Maestro that have appeared on LP and CD: the "Mignon" of Thomas makes a greater impact in the high-fidelity recording of 1952, as does the "Freischuetz" Overture. The Kabalevsky "Colas Breugnon" Overture, recorded here on a 78 rpm disk in 1946, does not have the passion, panache, and lively spirit of a broadcast of that same year, available on Dell'Arte. And I take issue with the inclusion of a rather scrappy, poorly played, and scratchy transcription disk from 1946 of the Smetana "Bartered Bride" Overture; an earlier NBC concert performance from 1939 (about to be issued by Naxos but not in the U. S.) has better sound and cleaner playing. One wonders why the Maestro approved this later and inferior performance.
However, the spectacular recording of the 1952 "Zampa" has never sounded better! It is nearly the equal of any recording made that year, by any record company! So much for the canard that "Toscanini records always sounded bad!" Nothing could be further from the truth!
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Telarc Collection, Vol. 1
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003D68 Release Date: 1992-01-28 |
Tracks:
- Fanfare For The Common Man
- From: Gone With The Wind & (From: Hollywood's Greatest Hits, Vol. 1): Tara's Theme
- From: Carmen: Aragonaise
- From: The Magic Flute: 'Der Voglfanger bin ich ja'
- From: Porgy & Bess: I Got Plenty O'Nuttin'
- From: The Firebird: Infernal Dance Of King Kastchei
- From: Trout Quintet: Scherzo: Presto
- From: Sonata In B Minor, Op.58: Scherzo: Molto vivace
- From: Requiem: Sanctus
- From: Symphony No. 33: Menuet: Trio
- From: Symphony No. 8, Op.88: Allegretto (Excerpt)
- From: The Deer Hunter: Cavatina
- From: Sonata No. 31, Op. 110: Allegro Molto
- From: The Three Cornered Hat: Miller's Dance
- From: Old Friends: Topsy
- From: Songbook For Orchestra, Orchestral Suites: Carousel (Excerpt)
- From: Lionel Hampton And The Golden Men Of Jazz Live At The Blue Note: Hamp's Boogie Woogie
- From: Pictures At An Exhibition: The Great Gate Of Kiev
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The Overtures Collection [Deluxe Edition]
Manufacturer: Sony Special Product ProductGroup: Music Binding: Audio CD ASIN: B000002YQA Release Date: 1995-10-10 |
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Rossini: Great Overtures
Manufacturer: The Classical Collection, Point Classics ProductGroup: Music Binding: Audio CD ASIN: B000DZAMIM |
Product Description
Barber of Seville, The Thieving Magpie, William Tell, The Italian Girl in Algiers, Semiramide, La Cenerentola (Aria), La Danza - Tarantella
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Romantic Works For Flute & Harp/A Contemporary Collection
Manufacturer: Collins Classics ProductGroup: Music Binding: Audio CD ASIN: B00000DRTJ Release Date: 1993-08-23 |
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Opera Overtures Collection - 6 CDs
ProductGroup: Classical Binding: Audio CD ASIN: B000MGLSF8 |
Product Description
6 CD collection includes: Rossini Overtures & Preludes Overtures Overtures & Preludes Most Famous Overtures Famous Classical Overtures Great Overtures
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J.S. Bach: Suites (Overtures), Vol. 1
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013N9 Release Date: 1992-06-30 |
Tracks:
- Suite No. 1 In C Major, BWV 1066: Overture
- Suite No. 1 In C Major, BWV 1066: Courante
- Suite No. 1 In C Major, BWV 1066: Gavotte I & II
- Suite No. 1 In C Major, BWV 1066: Forlane
- Suite No. 1 In C Major, BWV 1066: Menuet I & II
- Suite No. 1 In C Major, BWV 1066: Bourree I & II
- Suite No. 1 In C Major, BWV 1066: Passepied I & II
- Suite No. 2 In B Minor, BWV 1067: Ouverture
- Suite No. 2 In B Minor, BWV 1067: Rondeau
- Suite No. 2 In B Minor, BWV 1067: Sarabande
- Suite No. 2 In B Minor, BWV 1067: Bourr e I & II
- Suite No. 2 In B Minor, BWV 1067: Polonaise
- Suite No. 2 In B Minor, BWV 1067: Menuet
- Suite No. 2 In B Minor, BWV 1067: Badinerie
- Suite In G Minor: Prde
- Suite In G Minor: Allemande
- Suite In G Minor: Courante
- Suite In G Minor: Sarabande
- Suite In G Minor: Gavotte
- Prelude In B Minor
- Siciliano
- Wachet auf, ruft uns die Stimme
Customer Reviews:
Not really Bach, but entertaining nonetheless.......2005-03-13
Where the Capella Istropolitana version does score is that the Orchestral Suites are divided up into two CDs which are then complemented by some arrangements of other Bach music by composers/conductors from later centuries. This has little to do with Bach himself, of course, and could be considered anathema by purists, but the pieces do at least show how Bach’s music was received and understood during the next two centuries. Joachim Raff’s orchestral arrangement of Bach’s French Suite No. 3 is, from the point of view of an early music fan, sickly-sweet. Leopold Stokowski’s arrangement of a piece from the Well-Tempered Clavier is very un-Bach-like. Jaroslav Dvorak’s version of the siciliano from Bach’s Sonata for Violin and Harpsichord does at least have the merit of demonstrating very clearly what a “siciliano” is all about. And last but not least on this first of the two disks there is Bantock’s famous version of “Wachet auf, ruft uns die Stimme”, in which we get not only a lively version of the old German chorale but also a rather nice, somewhat jazzy opening that people of my generation may remember for its role in a commercial campaign for a certain brand of champagne! It is to listeners who are looking out for these rather out-of-the-way pieces that I would recommend this CD; if it is Bach himself you are looking for, then please go elsewhere.
Recording Stands On Its Own.......2001-12-30
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The Overtures Collection, Vol. 2
Manufacturer: Sony Special Product ProductGroup: Music Binding: Audio CD ASIN: B000002YR7 Release Date: 1995-12-01 |
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Arturo Toscanini Collection, Volume 71
Manufacturer: RCA ProductGroup: Music Binding: Audio CD ASIN: B000003EY9 Release Date: 1992-04-14 |
Tracks:
- Sym No.1, Op.21 in C: IV: Adagio; Allegro Molto E Vivace
- Sym No.5, Op.67 in c: IV: Allegro
- La Damnation De Faust: Rakoczy March
- L'Arlesienne Ste No.2: Farandole
- Carmen: Aragonaise (Act IV Entr'acte)
- Don Pasquale: Ov
- Gagliarda (No.2, Antiche Aire E Danze, Set I, After Vincenzo Galilei)
- Fete Boheme (No.4, Scenes Pittoresques)
- Scherzo
- A Midsummer Night's Dream: Wedding March
- Sym No.39, K.543 in E flat: Menuetto
- Sym No.39, K.543 in E flat: Finale
- Le Quai Du Porte De Famagouste (Act I Prld) (No.2, La Pisanelle Ste)
- Il Segreto Di Susanna: Ov
Customer Reviews:
Toscanini's first recordings.......2006-03-03
The Italian ensemble had been touring the U.S. and they took time out to make a series of 78-rpm acoustical discs in the "church" studio at Camden. Some of Enrico Caruso's later recordings also took place in this very large facility, which utilized a very large horn to pick up as much of the orchestra as possible. Sometimes, smaller horns were connected to the recording equipment to record principal players.
Admittedly, the acoustical process had limited frequence response. By 1920 and 1921, when these recordings were made, the process had reached its highest possiblities, so much more could be recorded. Already, however, Bell Laboratories was developing a new recording process that would use carbon microphones to pick up more sound; that process would be adopted by Victor in the spring of 1925 to record the Philadelphia Orchestra under Leopold Stokowski.
Despite the limited possibilities of acoustical recordings, they always had very good bass tones and they sounded quite good when played on a full size Victrola. Some of this can be approximated, however, through digital technology and it's actually possible to hear more today than was possible on vintage phonographs.
One good thing about Toscanini's acoustical discs is that they give us an idea of the remarkable energy he utilized in his earlier performances. There is is incredible playing by the Italian musicians in most of the recordings. A particularly good example is the overture to "Don Pasquale," which has virtually the same playing time as Toscanini's 1952 recording with the NBC Symphony Orchestra. The woodwinds are particularly excellent in this performance and, quite remarkably, one can even heard the tympani (rarely used in American acoustical recordings).
Overall, these are exciting glimpses of Toscanini in his "younger" years, long before the more famous NBC Symphony concerts and recordings. They are often very charming and very delightful. They certainly have historical value. Toscanini would not record again until 1926, when he made a single 78-rpm electrical recording for the Brunswick Company with the New York Philharmonic. But that's another story...
For Fanatics of Toscanini & Collectors of Very Old Records.......1998-09-17
Toscanini and his La Scala Orchestra worked like fiends before a large recording horn in Camden, New Jersey, in 1921 to accomplish these Red Seal sides, which were "state of the art" in the period before the microphone and electronics were wedded to the phonograph. But to today's ears, the results are peculiar and uningratiating: the balances strange, the instrumental timbres odd, the pickup close and claustrophobic. Yet the intensity and precision of these propulsive readings contrast dramatically with the cranky, clumsy, and affected recordings made by other maestros during the acoustical period that ended around 1925.
Violin and piano solos, and the singing voice, were taken down well by the acoustical process: we can still enjoy Caruso, Kreisler, Heifetz, or Rachmaninoff's old Red Seals. But most if not nearly all collectors "cut off" their interest in orchestral recordings made before about 1926 or '27, when the early electrical engineers learned how to record a fairly wide and natural dynamic range, and to pick up the acoustical ambience of a real recording hall.
Toscanini displays his severe precision, and is fully the man you would expect from his broadcasts of the thirties and forties: once, during the old NBC radio show "Toscanini - The Man Behind the Legend" in the sixties, a composite was made of the 1921 Beethoven 5th excerpts herein and the famous broadcast recording from 1952. Heard over transcontinental network AM radio, there wasn't too much audible difference in style, balance, and interpretation (not to mention sound); but audited today, from digitized transfers, there seem to be several orders of magnitude of difference. The old acoustic is merely a funky sounding oddity, while the 1952 audiotape of the radio/TV simulcast has exceptionally realistic, crisp high fidelity and accuracy (not significantly inferior in detail to any number of modern stereo all-digital recordings!)
At least this set provides the opportunity of hearing some unusual pieces under the Maestro's direction: the pleasant excerpt "Le quai du porte de Famagouste" from the "Pisanella" Suite by Pizzetti (recorded in stereo in the sixties by Gardelli on a superb Decca / London LP); the "Gagliarda" from one of Respighi's "Ancient Dances and Airs" suites; and the "Fete Boheme" from Massenet's "Scenes Pittoresques" Suite. I once owned a mint-condition copy of the last item on a single-sided Victor Red Seal 78 rpm disk, and I can testify that one cannot really do much to enhance the sound of an acoustical recording!
At least this issue is much better than the very highly compressed copy issued on a private LP by the Clyde Key / Toscanini Society in the sixties: so much audio limiting was done to squeeze all the recordings onto two sides of one LP that the transfers were vastly inferior to the relatively vital sound of the actual shellac disks; this "purist" authorized edition by RCA is much to be preferred.
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The Greatest Opera Collection (10 Cd Box Set)
Manufacturer: MASTERS MUSIC ProductGroup: Music Binding: Audio CD ASIN: B0007VAN1S |
Product Description
***THIS BOX SET CONTAINS THESE 10 FULL LENGTH CD'S*** Famous Opera Overtures Volumes 1, 2 & 3 / Most Beautiful Opera Choruses Volumes 1, 2 & 3 / Most Beautiful Opera - Arias Volumes 1 & 2 / Most Beautiful Love Duets Volumes 1 & 2Music Review:
- The Rimsky-Korsakov Collection, Vol. 2
- The Sibelius Collection
- The Tchaikovsky Collection, Vol. 2
- The Tchaikovsky Collection, Vol. 3
- The Tchaikovsky Collection, Vol. 4
- The Tchaikovsky Collection, Vol. 5
- The Waltz Collection
- The World of the Symphony, Vol. 2 (Box Set) [Box set]
- World's Most Beautiful Christmas Music: A Child Is Born
- World's Most Beautiful Christmas Music: Heaven and Nature Sing!
Music Review
Doctor Speedlove Presents: Chemical Warfare
Haydn: Symphonies 3, 11, 18, 19 & 20
My Country: Cycle of Symphonic Poems
Music for Romancing/Music for the Fireside [Import]