The Mozart Collection, Vol. 4

1. Symphony No. 36 in C major ("Linz"), K. 425
Composed by Wolfgang Amadeus Mozart
Performed by Philharmonic Symphony Orchestra
2. Symphony No. 35 in D major ("Haffner"), K. 385
Composed by Wolfgang Amadeus Mozart
Performed by Philharmonic Symphony Orchestra

Tracks:

Prelude In C Sharp Minor, Op. 3, No. 2
Liebestraum No. 3 In A Flat
'Harmonious Blacksmith' Vars
Prelude No. 1 In C, Op. 28, No. 1
Etude No. 1 In C, Op. 10, No. 1
Norwegian Bridal Procession, Op. 19, No. 2
Finale: Perpetuum Mobile
Fantasy-Impromptu In C Sharp Minor, Op. 66
La Cam-panella
Etude No. 20 In D Flat, Op. 25, No. 8
Etude No. 21 In G Flat, Op. 25, No. 9
Etude No. 5 In G Flat, Op. 10, No. 5
Prelude
Fugue
Etude No. 18 In G Sharp Minor, Op. 25, No. 6
Etude No. 13 In A Flat, Op. 25, No. 1
Etude In E Flat Minor, Op. 10, No. 12
First Movement (Abridged)
Third Movenment (Abridged)
Novelette No. 7 In E, Op. 21, No. 7
Waltz No. 11 In G Flat, Op. 70, No. 1
Waltz No. 14 In E Minor, Op. Posth.
Waltz No. 5 In A Flat, Op. 42
Polka In F
Sonata In F, L. 188 (Kk. 525)
Sonata In G, L. 490 (Kk. 523)
Etude No. 7 In C, Op. 10, No. 7
Waltz No. 6 In D Flat, Op. 64, No. 1
Moment Musical No. 3 In F Minor, Op. 94, No. 3
Hark! Hark! The Lark!

Tracks:

Hungarian Rhapsody No. 2 (Abridged)
Polka In F
Naila Waltz
Polonaise No. 6 In A Flat, Op. 53 (Abridged)
Caprice Espagnol, Op. 37
Don Juan Seranade
Widmung
Liebestraum No. 3 In A Flat
Waltz No. 5 In A Flat, Op. 42
Variations On A Theme Of Paganini, Op. 35, Book I
Variations On A Theme Of Paganini, Op. 35, Book II
Berceuse In D Flat, Op. 57
Moment Musical No. 3 In F Minor, Op. 94, No. 3
Traumeswirren, Op. 12, No. 7
Scherzo
Triana, No. 6
Don Juan Serenade

Amazon.com

Backhaus was among the giants of 20th-century keyboard artists, renowned for his solid--some would say stolid--Beethoven and Brahms interpretations. The younger Backhaus was a more overtly virtuosic pianist with a wide repertory. This invaluable Pearl set covers his British recordings, starting in 1908 when he was only 24, and it includes composers and works he abandoned in later years when he pared his programs down to essential masterworks. So we get his only recordings of Rachmaninoff, whom he admired as the greatest among living piano composers, along with Bach, Scarlatti, and others. Backhaus's dazzling virtuosity can be heard in his abridged Brahms Paganini Variations, the Liszt, La Campanella, with its marvelously even runs, and the Weber, Perpetuum Mobile, with precise articulation at fast speeds, among many other examples. Some of his early electrical recordings fill out disc two, sounding fresher than most of the acoustics. Seth Winner's transfers on both well-filled discs are uniformly fine. Collectors of historical recordings will want these rarities. --Dan Davis

Sergei Rachmaninoff: The Complete Recordings

Average customer rating:

Save some $ money! Get the newer January 2006 reissue set instead.
6, or Even 7 Stars!
A must have for Piano and classical music lovers
Ah, Rachmaninoff, brilliant star of music, how we adore you
Review from a spoiled modern listener

Sergei Rachmaninoff: The Complete Recordings

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Beethoven: 29 Piano Sonatas / Gilels
Rachmaninov Plays Rachmaninov--Ampico Recordings (1919-29)
Liszt: Piano Works
Shostakovich: The String Quartets
Rachmaninoff Plays Rachmaninoff

ASIN: B000003FB7
Release Date: 1992-09-15

Tracks:

Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve

Tracks:

Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
Concerto No. 1, Op, 1 In F Sharp Minor: Andante
Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Largo
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso

Tracks:

Isle Of The Dead, Op. 29
Vocalise, Op. 34, No. 14
Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
Symphony No.3, Op. 44 In A Minor: Allegro

Tracks:

Sonata, Op. 30, No. 3 In G: Allegro assai
Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
Sonata, Op. 30, No. 3 In G: Allegro vivace
Sonata D. 574 In A: Allegro moderato
Sonata D. 574 In A: Scherzo: Presto; Trio
Sonata D. 574 In A: Andantino
Sonata D. 574 In A: Allegro vivace
Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
Sonata, Op. 45 In C Minor: Allegro animato

Tracks:

Partita No. 4, BWV 828: Sarabande
Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
Sonata, K. 331: III: Turkish March
32 Variations, WoO 80 In C Minor: Thema: Allegretto
32 Variations, WoO 80 In C Minor: Variation I
32 Variations, WoO 80 In C Minor: Variation II
32 Variations, WoO 80 In C Minor: Variation III
32 Variations, WoO 80 In C Minor: Variation IV
32 Variations, WoO 80 In C Minor: Variation V
32 Variations, WoO 80 In C Minor: Variation VI
32 Variations, WoO 80 In C Minor: Variation VII
32 Variations, WoO 80 In C Minor: Variation VIII
32 Variations, WoO 80 In C Minor: Variation IX
32 Variations, WoO 80 In C Minor: Variation X
32 Variations, WoO 80 In C Minor: Variation XI
32 Variations, WoO 80 In C Minor: Variation XII
32 Variations, WoO 80 In C Minor: Variation XIII
32 Variations, WoO 80 In C Minor: Variation XIV
32 Variations, WoO 80 In C Minor: Variation XIX
32 Variations, WoO 80 In C Minor: Variation XXII
32 Variations, WoO 80 In C Minor: Variation XXIII
32 Variations, WoO 80 In C Minor: Variation XXIV
32 Variations, WoO 80 In C Minor: Variation XXV
32 Variations, WoO 80 In C Minor: Variation XXVI
32 Variations, WoO 80 In C Minor: Variation XXVII
32 Variations, WoO 80 In C Minor: Variation XXVIII
32 Variations, WoO 80 In C Minor: Variation XXXI
32 Variations, WoO 80 In C Minor: Variation XXXII
Return Home
Polish Songs: The Maiden's Wish
Die schone Mullerin: Das Wandern
Schwanengesang: Serenade
Polonaise No. 2 In E
Songs Without Words, Op. 67: Spinning Song
Impromptu, Op. 90, No. 4 In A Flat
Concert Etude No. 2: Gnomenreigen
Orfeo ed Euridice: Melodie
Etude, Op. 104b, No. 2 In F
Etude, Op. 104b, No. 3 In A Minor
Spanisches Liederspeil: The Smuggler
Minuet, Op. 14, No. 1 In G
Liebesfreud

Tracks:

Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
Sonata No. 2, Op. 35 'Funeral March': Scherzo
Sonata No. 2, Op. 35 'Funeral March': Marche funebre
Sonata No. 2, Op. 35 'Funeral March': Presto
Carnaval, Op. 9: Preambule
Carnaval, Op. 9: Pierrot
Carnaval, Op. 9: Arlequin
Carnaval, Op. 9: Valse noble
Carnaval, Op. 9: Eusebius
Carnaval, Op. 9: Florestan
Carnaval, Op. 9: Coquette
Carnaval, Op. 9: Replique
Carnaval, Op. 9: Sphinxes
Carnaval, Op. 9: Papillons
Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
Carnaval, Op. 9: Chiarina
Carnaval, Op. 9: Chopin
Carnaval, Op. 9: Estrella
Carnaval, Op. 9: Reconnaissance
Carnaval, Op. 9: Pantalon et Colombine
Carnaval, Op. 9: Valse allemande
Carnaval, Op. 9: Pganini (Intermezzo)
Carnaval, Op. 9: Aveu
Carnaval, Op. 9: Promenade
Carnaval, Op. 9: Pause
Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
Nocturne, Op. 9, No. 2 In E Flat
Waltz, Op. 64, No. 2 In C Sharp
Waltz, Op. 64, No. 3
Ballade No. 3, Op. 47 In A Flat
Mazurka, Op. 68, No. 2
Waltz, Op. Posth. In E Minor

Tracks:

Partita No. 3, BWV 1006: Preludio
Partita No. 3, BWV 1006: Gavotte
Partita No. 3, BWV 1006: Gigue
A Midsummer Night's Dream: Scherzo
Liebersfreud
Die schone Mullerin: The Brooklet
Polka de V.R.
Etude-tableau, Op. 39, No. 6 In A Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Sorochintsy Fair: Hopac
Lullaby, Op. 16, No.1
Tsar Saltan: Flight of the Bumblebee
The Ruins Of Athens: Turkish March
Scherzo In A Flat
The Seasons: November: Troika
Prelude No. 8, Op. 11, No. 8 In F Sharp
One Lives But Once
Powder and Paint
Polka italienne (Piano 4 Hands)

Tracks:

Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Prelude, Op. 23, No. 10 In G Flat
Prelude, Op. 32, No. 3 In E Major
Prelude, Op. 32, No. 7 In F Major
Prelude, Op. 32, No. 6 In F Minor
Etude-tableau, Op. 33, No. 2 in C Major
Etude-tableau, Op. 33, No. 7 In E Flat
Daisies, Op. 38, No. 3
Oriental Sketch
Melodie, Op. 3, No. 3 in E
Serenade, Op. 3, No. 5 In B Flat
Humoresque, Op. 10, No. 5 In G
Lilacs, Op. 21, No. 5
Moment Musical, Op. 16, No. 2 In E Flat

Tracks:

Mazurka, Op. 63, No. 3 In C Sharp Minor
Nocturne, Op. 15, No. 2 In F Sharp
Waltz, Op. 18 'Grande valse brilliante' In E Flat
Waltz, Op. 34, No. 3 'Valse brilliante' In F
Waltz, Op. 64, No. 1 'Minute'
Waltz, Op. 69, No. 2 In B Minor
Waltz, Op. 70, No. 1 In G Flat
Scherzo No. 3, Op. 39 In C Sharp Minor
Waltz, Op. 64, No. 1 'Minute' In D Flat
Le coucou
L'Arlesienne Suite No. 1: Minuet
Carnival Of The Animals: The Swan
Songs Without Words, Op. 67: Spinning Song
Waltz
Lyric Pieces, Op. 12: Elfin Dance
Etude, Op. 28, No. 6 In F Minor
If I Were a Bird
La jongleuse
Dr. Gradus ad Parnassum
Children's Corner: Golliwogg's Cakewalk
The Seasons: November: Troika
Humoresque, Op. 10, No. 2 In G
Waltz, Op. 40, No. 8 In A Flat

Tracks:

Prelude, Op. 23, No. 5 In G Minor
Prelude, Op. 32, No. 12 In G Sharp Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Prelude, Op. 32, No. 5 In G
Serenade, Op. 3, No. 5 In B Flat
Lilacs, Op. 21, No. 5
Polichinelle, Op. 3, No. 4 In F Sharp Minor
Polka de V.R.
Liebesleid
Hungarian Rhapsody No. 2
Pastorale In E Minor
Theme and Variations
Waltz, Op. 42 'Two - Four' In A Flat
Waltz, Op. 64, No. 3 In A Flat
Polka de V.R.
Bacarolle, Op. 10, No. 3 In G Minor
Prelude, Op. 3, No. 2 In C Sharp Minor

Amazon.com

We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie Gerber

Customer Reviews:

Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17

At the time of this review, whenever you search for a phrase such as "Rachmaninoff Complete", amazon's search engine always lands on this out-of-print recording (ASIN: B000003FB7) . It's also no fun to see that it costs more than a hundred bucks! But if you type "B000A2AD2S" in the search box, you'll see the new reissued set for half the price. It's the exact same 10 CDs. Just the cover art is different.

Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.

For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.

To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.

(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)

6, or Even 7 Stars!.......2005-06-04

Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.

While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.

Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.

Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...

His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!

The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!

A must have for Piano and classical music lovers.......2005-04-04

To respond to a review about the sound quality-for those people who have no experience with historical performances i.e cortot-hofmann-etc these discs are for the most part much better recorded. There are the inevitable pops and hisses but if these things disturb you, or you cant get past them, then you shouldnt be listening to this kind of thing anyway. the importance here is in the playing, and the playing is extra ordinary. I you want to buy a disc for the reperatoire then i can think of hundreds of performances that will satisfy, but only people with a true interest to hear and study these pieces will be beyond satisfied. I know that may not sound like a lot of fun, but these discs are fun, great, and for me, almost too good to be true. Again, if sound disturbs you, then you may be listening to the music for the wrong reasons. Take from it the playing, the revelations that Rach provides to his pieces, and how fortunate we are that it sounds as good as it does.

Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14

The music of Rachmaninoff is beyond words, furthermore, beyond imagination. He was a genius, no doubt, and nobody will ever understand how incredibly lucky we are to be blessed with his compositions. Furthermore, it is truly astonishing to hear Rachmaninoff play his own work. There is nothing so beautiful on this earth and there never will be.

Review from a spoiled modern listener.......2003-07-13

I'll admit that I'm a spoiled modern listener, accustomed to having the bang and hiss edited out of a recording, and it took me a while to warm to these. Rachmaninoff's performances are splendid, but if you can hardly hear them over the cacophony of background noise, what's the use? His performance of his own, often overlooked Concerto No. 4 finally made me sit up and listen, even though I've owned two versions of this piece for a number of years (Ashkenazy & Wild).

Average customer rating:

Lullaby Classics

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

General | Children's Music | Styles | Music
ASIN: B0002H2R4S
Release Date: 2004-08-24

Tracks:

Clair De Lune - Ulster Orchestra
Andante - London Mozart Players
Aquarium - David Owen Norris
Lullaby - Eric Parkin
Gymnopedie No.1 - John Anderson
From Foreign Lands And People - Howard Shelley
Julia Florida - Craig Ogden
Le Dernier Sommeil De La Vierge - BBC Philharmonic
Idylle - Susan Milan
Air - Adrian Shepherd
Preghiera - Detroit Symphony Orchestra
The Holy Boy - English Chamber Orchestra
Culy Locks - BBC Philharmonic
Lullaby - London Symphony Orchestra
Berceuse - BBC Philharmonic
Allegretto Grazioso - Luba Edlina
Recuerdos De La Alhambra - Craig Ogden
Pied-En-L'Air - Bournemouth Sinfonietta

Tracks:

Dance Of The Sugar-Plum Fairy - Scottish National Orchestra
Canticle - Craig Ogden
Noel - Craig Ogden
The Swan - I Musici De Montreal
Eventide - Bournemouth Sinfonietta
Pastoral - City Of London Sinfonia
Lento - Janet Hilton
Canon In D Major - Adrian Shepherd
Sheep May Safely Graze - BBC Philharmonic
Largo - Ronald Thomas
No.3 - John Lill
Slumber Song - Peter Wallfisch
Serenade - Bournemouth Sinfonietta
Summertime - John Anderson
The Mother's Son - Craig Ogden
Allegro - London Philharmonic
Mother - I Musici De Montreal
Melodie-Elegie - Peter Dixon
Child Falling Asleep - Howard Shelley
Air - City Of London Sinfonia
Fantasia On Greensleeves - BBC Philharmonic
La Fille Aux Cheveux De Lin - Miceal O'Rourke

The Segovia Collection, Vol. 5: Five Centuries of the Spanish Guitar

Average customer rating:

5 centuries of Spanish guitar and 2 decades of Segovia...
A perfect portrait of a superb musician
Great For Neophytes And Aficionados Alike

The Segovia Collection, Vol. 5: Five Centuries of the Spanish Guitar

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

The Segovia Collection, Volume 9: The Romantic Guitar
Segovia Collection (Vol. 1): The Legendary Andres Segovia in an All-Bach Program
The Segovia Collection, Vol. 3: My Favorite Works
The Segovia Collection, Vol. 2
The Segovia Collection, Vol. 6: Manuel Ponce Sonatas

ASIN: B000002PGY
Release Date: 1991-07-01

Tracks:

Pavana No. 1
Pavana No. 6
Pavana No. 3
Pavana No. 5
Pavana No. 2
Pavana No. 4
Cancion Del Emperador
Variations On 'Guardame Las Vacas'
Gallardas
Espanoletta
Minuet In E, Op. 32
Minuet In G
Minuet In E, Op. 11, No. 10
Variations On A Theme By Mozart
Romanza De Los Pinos
Spanish Dance In E Minor
Anta
Prbulo And Sardana
Suite Compostelana: I. Preludio
Suite Compostelana: II. Coral
Suite Compostelana: III. Cuna
Suite Compostelana: IV. Recitativo
Suite Compostelana: V. Cancion
Suite Compostelana: VI. Muneira
Nana
Intermezzo

Amazon.com essential recording

When Segovia first began playing guitar at the beginning of the 20th century, the instrument was regarded with some suspicion in Spanish music circles as belonging to the "lower classes" of society, at least compared to the Spanish lute, or vihuela. So Segovia had something to prove when he began playing the great classics of the Spanish Baroque vihuela composers on the guitar, and his conviction certainly comes across in this excellent recital. As many of his other recordings demonstrate, Segovia really responded to Baroque music's intricacy, style, and wit. If fact, much of this music was almost completely unknown until Segovia got his hands on it, and we can all be thankful that he did. --David Hurwitz

Customer Reviews:

5 centuries of Spanish guitar and 2 decades of Segovia..........2003-11-10

Andrés Segovia never disappoints. His playing is impeccable and evokes emotions and feelings that others only seem able to touch upon. This CD spans a vast array of Spanish guitar music history, from the 16th century compositions by Luis Milán to the 20th century works of María Esteban de Valera. The recordings themselves date from 1956 to 1968, with a mixture of mono and stereo. Not a single dud fouls the brew. The quality of the songs and recordings never wavers from astounding. 68 minutes of history, amazing guitar playing, and singular interpretation. One of the best volumes of the Segovia collection, along with one of the best covers (an aged Segovia in an idyllic setting by mountains and water). If guitar even vaguely interests you, buy this collection.

A perfect portrait of a superb musician.......2001-03-08

This compilation involves compositions from spanish baroque and renaissance periods to the first half of 20th century. I like particularly ancient compositions, such as those from Luis de Narváez and Luis Milan, and when this CD reached my hands (the very first Segovia album I got),I discovered a superb performance of Granados' Spanish Dance No. 5 in E. I must confess I've never heard such an emotive tune for that work anymore. Without derating any guitar player, no one could get the spanish mood of this particular piece than Maestro Segovia. A highly recommendable albm for those spanish guitar lovers.

Great For Neophytes And Aficionados Alike.......2000-09-20

Volume Five of the Segovia Collection, "Five Centuries Of The Spanish Guitar," is a great place for rock and even jazz/blues fans to get into classical. First, it's a solo guitar album, so whether you're a fan of Eric Clapton, B.B. King or Wes Montgomery, it will sound familiar and you will undoubtedly appreciate Segovia's virtuosity. Second, as the title indicates, the disc covers compositions spanning nearly five hundred years, so you can get your feet wet in styles ranging from Baroque to Modern 20th Century. I personally found the 20th Century pieces by Granados, Cassado, Mompou, and Valera quite accessible, originally coming from a rock and jazz background, and they started me on the road to discover other Segovia volumes. Third, the music played is of Segovia's native country, which will appeal to music fans who enjoy authentic "wporld music" recordings. Finally, while this is a compilation of recordings, it is the definitive CD of this material. There is nothing worse than getting into jazz, classical or another type of music that is new to you, buying a greatest hits-type disc, then having to replace it with the original recording when you discover it's something you like. But enough for the neophytes, this recording is also essential for advanced classical listeners. Much of this material would not be known today, particularly the Milan and Narvaez, had it not been for Segovia's recordings. Speaking of which, the quality of these recordings is excellent - all are in stereo, with the exception of three mono tracks from '52 and '56 which sound terrific (no noticeable hiss or distortion). In all, this is a fantastic recording for the classical neophyte and aficionado alike.

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The Harold Wayne Collection, Vol.11

Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B000009JSI
Release Date: 1994-09-01

Average customer rating:

The Harold Wayne Collection, Vol. 15

Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B000009K3L
Release Date: 1994-09-01

Andres Segovia: The Early Recordings, Vol. 1&2

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Andres Segovia: The Early Recordings, Vol. 1&2

Manufacturer: Classica D'oro
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B00005A8CA
Release Date: 2001-04-03

Tracks:

Vc Ste No.3 in C, BWV 1009: Courante
Prld in c, BWV 999
Lt Ste in e, BWV 996: Allemande
Vn Son No.1 in g, BWV 1001: Fuga
Partita No.3 in E, BWV 1006: Gavotte En Rondeau
Vc Ste No.1 in G, BWV 1007: Prld
Gigue
Var On A Theme Of Mozart, Op.9
Sarabande
Bourree
Menuet
Str Qt No.1: Canzonetta
Sonatina in A: Allegretto
Ste Castellana: Fandanguillo
Prld
Nocturno
Recuerdos De La Alhambra
Etude in a
Danza Espanola No.10 'Melancolica'
Danza Espanola No.5 'Andaluza'

Tracks:

Ste Espanola No.1, Op.47: Granada
Ste Espanola No.1, Op.47: Sevilla
Son Boccherini, Op.77: Vivo
Ser Espanola
Fandanguillo, Op.36
Vars & Fugue On 'Folias De Espana'
Ste in a: Prld: Allemande
Ste in a: Gavotte
Ste in a: Sarabande
Ste in a: Gigue
Son No.3: Movt No.1
Son No.3: Movt No.2 'Cancion'
Mazurka
Valse
Postlude

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Rubinstein's First Time Around

Rubinstein Collection, Vol. 9

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Rubinstein Collection, Vol. 11
Rubinstein Collection, Vol. 27
Rubinstein Collection, Vol. 22
Rubinstein Collection, Vol. 8
Rubinstein Collection, Vol. 1

ASIN: B000051W3L
Release Date: 2001-07-10

Tracks:

Pno Con No.23 in A, K.488: Allegro
Pno Con No.23 in A, K.488: Adagio
Pno Con No.23 in A, K.488: Allegro Assai
Pno Con No.4 in G, Op.58: Allegro Moderato
Pno Con No.4 in G, Op.58: Andante Con Moto
Pno Con No.4 in G, Op.58: Rondo: Vivace
Rhap On A Theme Of Paganini, Op.43: Intro
Rhap On A Theme Of Paganini, Op.43: Var I
Rhap On A Theme Of Paganini, Op.43: Tema
Rhap On A Theme Of Paganini, Op.43: Var II
Rhap On A Theme Of Paganini, Op.43: Var III
Rhap On A Theme Of Paganini, Op.43: Var IV
Rhap On A Theme Of Paganini, Op.43: Var V
Rhap On A Theme Of Paganini, Op.43: Var VI
Rhap On A Theme Of Paganini, Op.43: Var VII
Rhap On A Theme Of Paganini, Op.43: Var VIII
Rhap On A Theme Of Paganini, Op.43: Var IX
Rhap On A Theme Of Paganini, Op.43: Var X
Rhap On A Theme Of Paganini, Op.43: Var XI
Rhap On A Theme Of Paganini, Op.43: Var XII
Rhap On A Theme Of Paganini, Op.43: Var XIII
Rhap On A Theme Of Paganini, Op.43: Var XIV
Rhap On A Theme Of Paganini, Op.43: Var XV
Rhap On A Theme Of Paganini, Op.43: Var XVI
Rhap On A Theme Of Paganini, Op.43: Var XVII
Rhap On A Theme Of Paganini, Op.43: Var XVIII
Rhap On A Theme Of Paganini, Op.43: Var XIX
Rhap On A Theme Of Paganini, Op.43: Var XX
Rhap On A Theme Of Paganini, Op.43: Var XXI
Rhap On A Theme Of Paganini, Op.43: Var XXII
Rhap On A Theme Of Paganini, Op.43: Var XXIII
Rhap On A Theme Of Paganini, Op.43: Var XXIV

Customer Reviews:

Rubinstein's First Time Around.......2001-09-09

Volume 9 of RCA's complete Rubinstein Collection contains the pianist's first recordings of three concertos from his substantial repertoire.

W. A. Mozart's Piano Concerto, K. 488 was no newcomer to Rubinstein's repertoire when he recorded it in 1931. In 1900, the then 13 year old pianist made his debut with this piece, which would remain in his active repertoire until his retirement in 1976. Rubinstein's view of this work changed over the years, as evidenced by his three official recordings of the work. While his stereo version is beautiful in an autumnal way, this early recording is probably closer to what Mozart intended. What most pianists, especially Mozart "specialists," fail to grasp these days, is that Mozart considered his Concertos virtuoso works, and designed them to "make the performer sweat." While Rubinstein never drives the music too hard, there is more tension in this recording than in the later more relaxed versions. This is especially so in the finale, taken at a breathtaking tempo. It's also nice to hear the second movement played at a listenable tempo--most pianists drag the tempo interminably here. There is, however, a small cut in the score after the first movement cadenza, which was made to fit the first movement onto two 78RPM sides. John Barbirolli, Rubinstein's favorite collaborator in those early years, leads the London Symphony Orchestra in a fine accompaniment. Purists, however, will be driven up the wall by Barbirolli's liberal use of string portamento.

Rubinstein was not as fond of Sir Thomas Beecham. In his memoirs, the pianists recalls that Beecham snubbed him during a rehearsal at the Hollywood Bowl. In an act of humorous revenge, Rubinstein offered to drive him home--peeling out of the parking lot as he informed the conductor "You're the first person I've given a ride to. I just got my license today!" Given Rubinstein's tendency to tell tall tales, this story may have been apocryphal. Nevertheless, their one recorded collaboration yielded excellent results. This is my favorite of Rubinstein's four official recordings of Beethoven's Fourth Concerto. The first movement coheres better than in later versions, the dialogue between the piano and orchestra during the Andante is strikingly caught. The finale sparkles, and there is less of Rubinstein's annoying tendency to "splash" trills here than in later versions. Rubinstein plays Saint-Saëns' rarely used and very effective cadenzas here--a welcome diversion.

Rubinstein knew Rachmaninoff casually, and heard him play numerous times. While he considered Rachmaninoff one of the greatest pianists he had ever heard, he was ambivalent about his compositions. (He recorded only the Second Concerto, the C# minor Prelude, and the Paganini Rhapsody.) This 1947 performance is more lively, flexible, and at times demonic than Rubinstein's more well known stereo remake. It is also better pianistically, with more sensitive mixing of inner voices, and cleaner passage work--all the more astonishing for being made before the era of tape editing. Although the later recording boasts far better sound, this is the version I prefer on musical terms. It almost equals the composer's own version, although my favorite recording remains the Kapell/Reiner version.