Rejoice! (Messiah Highlights)

1. And the Glory of the Lord Shall Be Revealed - London Philharmonic Chorus, London Philharmonic Orchestra

2. Comfort Ye My People/Every Valley Shall Be Exalted - London Philharmonic Orchestra

3. For Unto Us a Child Is Born - London Philharmonic Chorus, London Philharmonic Orchestra

4. Pastoral Symphony - London Philharmonic Orchestra

5. He Shall Feed His Flock Like a Shepherd/Come Unto Him, All Ye That Labo - London Philharmonic Orchestra

6. And He Shall Purify - London Philharmonic Chorus, London Philharmonic Orchestra

7. Behold the Lamb of God - London Philharmonic Chorus, London Philharmonic Orchestra

8. He Was Despised - London Philharmonic Orchestra

9. Trumpet Shall Sound - London Philharmonic Orchestra

10. I Know That My Redeemer Liveth - London Philharmonic Chorus

11. Hallelujah Chorus - London Philharmonic Chorus, London Philharmonic Orchestra

Tracks:

Ave Maria
Jesu bleibet meine Freude
Dank sei dir, Herr
Ave Maria, D839
Laudamus te
Panis Angelicus
Air: "He shall feed his Flock"
Simple Song
Pie Jesu
Domine Deus
Laudate Dominum omnes gentes
Air: Rejoice greatly, o daughter of Zion
Abends will ich schlafen gehn
L'Adieu des bergers
Mariiegenlied, Op.76/52
Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Rejoice, Dear Hearts!/Kick Thy Own Self [2 on 1]

Average customer rating:

One of a kind humorist from the 60's
Dave Gardner
Origins of "different" humor
Rejoice dear hearts / Kick thy own self
Rich in Southern Humor, this CLASSIC is Timeless!

Rejoice, Dear Hearts!/Kick Thy Own Self [2 on 1]
Brother Dave Gardner
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

General | Miscellaneous | Styles | Music

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Similar Items:

The Very Best of Brother Dave
Brother Dave Gardner
Ain't That Weird?
Did You Ever?
I GUAR-RON-TEE

ASIN: B0000064F6
Release Date: 1998-04-21

Tracks:

Part 1: A. I'm Sitting On Top Of The World/B. Swanee
Part 2: A. What Am I Living For/B. White Silver Sands
Part 1: A. When You're Smiling (The Whole World Smiles With You)/B. You're My Everything
Part 2: A. Lover

Amazon.com

Brother Dave Gardner contains multitudes. For starters, this Southern comedian was also an ordained Baptist minister as well as being a drummer and a singer. Judging from this pair of albums from 1959 and 1960, his live shows were amazing performance pieces. His truly expansive routines included Shakespeare parodies, swinging musical passages, and funny digressions. There's also room here for cool-cat philosophizing, riffs on outer space, and preacherlike inflections. Brother Dave can spellbind the listener with his freewheeling rambles one minute and tell a riveting story the next. The routines feature countless hilarious voices and characters, not to mention jaw-dropping vocal sound effects. Incredible charisma and warmth imbue the entire CD. Brother Dave was an artist who was liable to draw from just about everything and anything and somehow make it all work. It's hard to imagine what '50s audiences made of this hipster from Tennessee. Country music legend Chet Atkins produced both of the original records. --Fred Cisterna

Customer Reviews:

One of a kind humorist from the 60's.......2007-05-12

It was gift for my Father. He saw Brother Dave in person several times years ago. Dad enjoyed the gift, for the old LP's he had were so scratched from wear, one could barely understand them. Brother Dave came along at a time when segregation was still in vogue and political correctness wasn't heard of. His stories might offend some, but there is no cursing and no one is a target of tastless humor.

Dave Gardner.......2007-04-11

Brother Dave is one of the best comedians ever. His humor is a little deep but is still the best. If you want good clean humor, this is the man to get.

Origins of "different" humor.......2007-01-16

Takes me back to the times my family spent listening to comedy that was, unknown to them, over the kid's heads.

Rejoice dear hearts / Kick thy own self.......2005-09-05

I was a fan of "Brother Dave", back when he was plying the clubs. I owned most, if not all of his "ROCA Alblims" that over time disappeared. I was happy to get these CD's and have enjoyed them greatly. I look forward to getting others that are available. His humor, imagination, sense of reality and use of our language is not equaled by today's crop of comedians.

Rich in Southern Humor, this CLASSIC is Timeless!.......2004-01-11

Having not heard a Brother Dave recording in many, many years, I was delighted to run across this CD. WOW!!! Amazingly STILL FUNNY, this guy was truly an original. His rich southern humor was on the cutting edge in the late 50's, yet it remains timeless. Had me actually laughing out loud. The characters he created, the weird sounds he made, the "think about it" jokes should tickle most everyone's funny bone...even if they "ain't from the south"!

Average customer rating:

Mad about Baroque
The beauty of the songs brings tears to my eyes
Brilliant
Be Welcome then, great Sirs (and Mesdames).
Brilliant Purcell Disc

Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Purcell: The Fairy Queen
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
Purcell: Full Anthems & Organ Music

ASIN: B000002ZDU
Release Date: 1995-04-10

Tracks:

Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
The Choir Of The King's Consort: Hear My Prayer, O Lord
Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
Complete Anthems And Services Vol.3: Hosanna To The Highest
Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
Complete Anthems And Services Vol. 11: An Evening Hymn
Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven

Average customer rating:

Excellent option at good price
It Touches the Soul
Performance is fine, but recording and liner notes are poor
Inexpensive marvel from naxos
Is like being in Heaven!

Russian Divine Liturgy
Alexander Andreyevich Arkhangel'sky , Russian Orthodox Chant , Alexander Tikhonovich Grechaninov , Ledkovsky , Alexei Fydorovich Lvov , P. Mironositsky , Apostol Nikolaev-Strumsky , Stepan Smolensky , Igumen Mitrofan , and Novospassky Monastery Choir
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Russian Chant for Vespers
Russian Medieval Chant
Chants de la Liturgie Slavonne
Orthodox Chants from Russia
Russia's Beautiful Religious Songs

ASIN: B000053W45
Release Date: 2001-02-20

Tracks:

Meeting And Vesting Of Bishop
Eis Polla Eti, Despota
Great Litany
Bless The Lord, O My Soul
The Only Begotten Son
Come, Let Us Worship And Fall Down Before Christ
The Trisagion
Prokeimenon
Alleluia
Cherubic Hymn
The Nicene Creed
A Mercy Of Peace
The Hymn To The Theotokos
Praise The Lord From The Heavens!
Psalm CXX (Mironisitsky)
Blessed By the Name Of The Lord, Henceforth And For Ever More
Great Doxology

Customer Reviews:

Excellent option at good price.......2007-03-25

Ortodox liturgic music is sometimes as difficult as it can be considering the fact it belong to a very different liturgy no matter how christian it is.
This little gem can be helpful to understand not only this very important part of russian music but the soul of russian religiosity, guided by the superb performance of Novospassky Monastery Choir, that reminded me other great effort in the same way: the Choir of Santo Domingo de Silos Monastery.
Not always Naxos is the best choice, but in this case is definitely a must for those interested on religious music.
Five stars.

It Touches the Soul.......2005-05-02

This cd is balanced with the melodic strains of the choir, and the rich, deep solos above it. It is an inspiration and I highly recommend it.

Performance is fine, but recording and liner notes are poor.......2004-10-13

RUSSIAN DIVINE LITURGY is a performance by the Novospassky Monastery Choir of the Russian Orthodox liturgy celebrated by a bishop. The music of the Russian Orthodox liturgy consists only of the human voice singing in the Russian Church Slavonic language (a redaction of Old Church Slavonic made easier for speakers of Russian to pronounce). No instrumentation is included.

There is a great deal of passion in this performance as in the "Trisagion". There is also grace and sweetness, as in the "Great Litany" or the recitation of the Nicene Creed. This recording portrays those aspects of Orthodox worship which have wowed members of other denominations with their beauty and profound sincerity.

Though the performance was fine, the sound quality of this recording is unimpressive. Though a DDD studio recording, the engineers did not really explore the space of the venue and the voices are often muddled and indistinguishable. This probably would have sounded better in a church than in a studio with these engineers.

The liner notes are also of rather poor quality, as is unfortunately quite common with Naxos discs. There is no libretto, just excepts from several of the portions and descriptions. Church Slavonic text is missing entirely. The names of the Ukrainian cities Kyiv and Lviv are spelled according to the (often considered offensive) Russian manner of Kiev and L'vov. The commentary, which do not appear professionally edited, are uncredited.

If you are interested in Church Slavonic liturgy in music, I would recommend Arvo Part's setting of the "Kanon Pokajanen" penitence text. The disc released by ECM New Series features a detailed libretto with the Church Slavonic, fine translations, and an essay about this portion of Orthodox liturgy. Naxos has released here an authentic and sincere performance of the liturgy, but the poor liner notes and sound quality do little to recommend it.

Inexpensive marvel from naxos.......2003-07-16

As someone new to choral sacred music, the price of this CD allowed me to experiment without risking to much financially.
I have never heard Russian Orthodox music before. It is more exuberant in many ways than western massesbut also has moments of serenity. This CD contains an amalgam of music from different cenuries which all fits together surprisingly well. The choir sings powerfully from start to fini. Highly recommended to anyone interested in the music of other cultures.

Is like being in Heaven!.......2003-06-29

Beautiful version of the Orthodox Liturgy. If you aren't Orthodox, this might convert you. If you already are, it will bring tears of joy to your eyes.

Mistletoe and Wine: A Seasonal Collection

Average customer rating:

buy this one first
Great introduction to Mediaeval Baebes
Great choral versions of ancient songs
A pleasing tone
A "best of", not really a Christmas record

Mistletoe and Wine: A Seasonal Collection

Manufacturer: Nettwerk Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Mirabilis
The Rose
Worldes Blysse
Undrentide
Salva Nos (Save Us)

ASIN: B0000AM6O4
Release Date: 2003-11-04

Tracks:

The Holly & The Ivy
Gaudete
L'Amour De Moi
Salva Nos
Glass Window
There Is No Rose of Swych Vertu
Kinderly
In Dulce Jubilo
Love Me Broughte
I Am Eve
Quan Vey La Lauzeta
The Coventry Carol
Undrentide
Ecce Mundi Gaudium
Blow Northern Wind

Customer Reviews:

buy this one first.......2006-06-29

This is not really a Christmas, or even a seasonal, album, more of a best of the Babes. yYs, they lead off with "The Holly and the Ivy" (and do it beautifully) but do not buy this as a "holiday music album"... or do... you won't regret buying it whatever your reasons!
This was my introduction to this band and I was absolutely floored. It lived in my car CD player for 2 months straight, and still is in the first section of my CD storage unit.... a rare honor for *any* Cd. It is also responsible for causing me to go out and try to buy every other CD the band has out, and I have not been disapointed in any of the ones I have gotten so far.
Speaking as a former music major, religious student, and medieval re-creationist, I know I can be pretty nit picky when it comes to "medieval" music; all too often it is neither medieval, nor (in my opinion) music! This is one of those rare exceptions that can manage to get you out of a chair to dance, while singing at the top of your lungs in Olde Englishe, Latin, or whatever. There isnt a bad voice in the lot (although some of the harmonies can be a bit odd if you arent used to medieval music) and the instrumental backings are pure gold.

Great introduction to Mediaeval Baebes.......2006-02-27

This CD has many songs from previous albums and a few new songs. It is a great introduction to Mediaeval Baebes music and serves as "best of" type of collection. It is billed as a "holiday" collection but I listen to it year round and quite often. The Mediaeval Baebes have a very unique and wonderful sound.

Great choral versions of ancient songs.......2005-11-19

I first heard the Mediaeval Baebes on a UK double CD (Best carols in the world ever) featuring three of their trackss (Guadete, Coventry carol, Adam lay ibounden), all of which can also be found on their debut album, but my curiosity only became aroused when that UK double CD was updated and repackaged with a different title (Best Christmas carols ever) and all the Mediaeval Baebes tracks were omitted with other choirs replacing them. My research showed that they have become an established group (albeit with line-up changes) and are now very successful in their chosen style, which some may regard as classical but (since they sing with their natural voices rather than operatic voices) seems more like traditional folk music to me.

This is not a Christmas album in the true sense of the word although there are some recognizable Christmas carols here - rather it is a compilation of music taken from their earlier albums together with a couple of re-recordings and two completely new recordings. I would have liked some liner notes giving some detailed information about the songs but very little information is actually provided. Apparently, much more information can found in the booklets provided with the original album releases. Still, it's the music that counts and, when it comes to choral music, this is as good as it gets.

The set opens with The holly and the ivy, set to the tune that everybody is familiar with. I seem to remember reading somewhere that this tune, although old, is not the original tune written for the song. This is where liner notes would be useful - and as this is one of the new recordings, their original albums won't help. Given that the Mediaeval Baebes aim to re-record very old songs, it would have been nice to hear them sing it to its original tune if it really was different from the current one. I suppose it doesn't matter since they sing the song superbly anyway.

Other Christmas carols that you are likely to recognize are Gaudete (revived most famously by folk-rockers Steeleye Span), In dulce jubilo (a new recording for this album, it was recorded in the seventies by Mike Oldfield, who had a UK hit with his instrumental version) and The Coventry carol. The other songs are unfamiliar to me but the group perform them all brilliantly. The other song of theirs on that UK carols compilation (Adam lay ibounded) is not included, but there's plenty else to make up for that omission.

The instruments used to back the group (mostly played by members of the group) are interesting. They include a zither, a hurdygurdy, a citern, a glockenspiel, an astrowheel and three different types of recorder - not the kind of instruments to be heard regularly on pop and rock albums. I was particularly pleased to find the recorders here. Like many Brits of my generation, I was forced to learn to play the recorder at school (I did so very badly) and so the recorder has never had a great reputation, but when played well and in the right setting (as here), it sounds wonderful.

This is a fine compilation in many ways but it may be that one of the original albums (which apparently have detailed liner notes) will provide an even better introduction to the music of the Mediaeval Baebes. Despite my reservations, this is still (easily) a five-star album and I'll certainly listen to more of their music eventually.

A pleasing tone.......2004-12-02

This is probably one of my new favorite Christmas albums. It is an absolute gem. It isn't an over-powering album with new or different things but they have recorded a few lesser known Latin Carols that are not given much attention anymore. Gaudete was one that stood out. The arrangement is rather simple and beautiful and the song itself is melodic in an unusual way. I have found that this CD has appealed to a fairly wide spectrum of people and would make a great album to play in the background during the Holidays. I think this would be the perfect thing to put on in the late afternoon in December while curling up with a good book or wrapping presents.

A "best of", not really a Christmas record.......2004-03-27

Potential purchasers should bear that in mind. As with the Medieval Baebes debut album it contains a small proportion of `holiday season' material, but most of it can be listened to without embarrassment at any time of the year. (In my experience, all of it can - even on a warm spring afternoon I can't bring myself to program out `In Dulci Jubilo', `The Holly...' etc).

Another thing potential purchasers should bear in mind - this compilation winds up being a better "best of" than the album of that name.

It's more representative - career-spanning and able to demonstrate the increasing ambition and complexity of the arrangements, and of Katharine Blake's compositions. (Of course, some of their experiments with modern instrumentation on the `Undrentide' album didn't work, but they don't appear here).

It's also more enjoyable on a basic musical level - there are no over-repetitive pieces, no odd song-fragments...nothing that drags. Or maybe there are a couple of weak spots - "I Am Eve" which goes on a little too long, and Audrey Evans's rendition of "L'amour de moi" which is suprisingly weak, and no substitute for the original featuring the much-missed Dorothy Carter - but these are easily forgiven.

Tracks:

Miserere
Stabat Mater
Spem In alium
Sancte Deus
Ave verum corpus
Gloria in D Major, RV 589: Gloria in excelsis deo
Gloria in D Major, RV 589: Et in terra pax
Gloria in D Major, RV 589: Laudamus te
Gloria in D Major, RV 589: Gratias agimus tibi
Gloria in D Major, RV 589: Propter magnam gloriam
Gloria in D Major, RV 589: Domine Deus
Gloria in D Major, RV 589: Domine Fili unigenite
Gloria in D Major, RV 589: Domine Deus, Agnus Dei
Gloria in D Major, RV 589: Qui tollis peccata mundi
Gloria in D Major, RV 589: Qui sedes
Gloria in D Major, RV 589: Quoniam tu solus Sanctus
Gloria in D Major, RV 589: Cum Sancto Spiritu

Tracks:

This Is The Record Of John
Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Jesu, Priceless Treasure
Motet: Jesu, Priceless Treasure, BWV 227: Chorus: So There Is Now No Condemnation
Motet: Jesu, Priceless Treasure, BWV 227: Chorale: In Thine Arm I Rest Me
Motet: Jesu, Priceless Treasure, BWV 227: Trio: Thus Then, The Law Of The Spirit Of Life In Christ Abiding
Motet: Jesu, Priceless Treasure, BWV 227: Chorus: Death, I Do Not Fear Thee
Motet: Jesu, Priceless Treasure, BWV 227: Chorus: Ye Are Not Of The Flesh
Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Hence With Earthly Treasure
Motet: Jesu, Priceless Treasure, BWV 227: Trio: If Therefore Christ Abide In You
Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Fare Thee Weel That Errest
Motet: Jesu, Priceless Treasure, BWV 227: Chorus: If By His Spirit
Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Hence All Fears And Sadness
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Zadok The Priest
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: My Heart Is Inditing
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Kings' Daughters
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Upon They Right Hand
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Kings Shall Be Thy Nursing Fathers
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Let Thy Hand Be Strengthened
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Let Justice And Judgement
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Alleluia
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: The King Shall Rejoice
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Exceeding Glad Shall He Be
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Glory And Great Worship... Thou Hast Prevented Him
The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Alleluia

Average customer rating:

Wondrous gentle music
hauntingly beautiful
The voice of the soul
Divinely Joyous
Breathtaking!!!

Isabel Bayrakdarian ~ Joyous Light
Armenian Anonymous , Sahag Bartev , Khacadour Vartabed of Daron , Mekhitar Vartabed of Ayrivank , St. Gregory of Nareg , Gomidas Vartabed , Raffi Armenian , Isabel Bayrakdarian , and Elmer Iseler Chamber Orchestra
Manufacturer: Cbc
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
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A Long Journey Home

ASIN: B00005S6VZ
Release Date: 2002-04-16

Tracks:

Where Are You, O Mother
You Are A Profound Mystery
Trisagion - Isabel Bayrakdarian
We Celebrate
Chosen Of God
Joyous Light - Isabel Bayrakdarian
My Heart Trembles
Lord Have Mercy - Isabel Bayrakdarian
Entrance To The Tabernacle
The Fowl
The Mother Of The Lord
Open For Us, Lord - Isabel Bayrakdarian
Be Delighted, O Holy Church
Rejoice, O Holy Church - Isabel Bayrakdarian
You Are The Only Holy One
Doxology
O Gardener
The Lord's Prayer

Customer Reviews:

Wondrous gentle music.......2007-01-10

I first saw Isabel on an SBS programme and was amazed at the glorious sounds she was producing. This album is great, relaxing, full of strength and beauty. My only word of caution would be that unless you are in the right mood it can sound a bit repetitive by the time you get to the end of the album. However, I am very glad that I bought it.

hauntingly beautiful.......2006-08-22

Very beautiful melodies and a gorgeous voice - doesn't vary as much though as a whole cd -
can get monotonous after a few songs

The voice of the soul.......2006-01-01

Growing up in the Armenian church, it was impossible not to be powerfully moved by the music. Isabel Bayrakdarian was clearly also moved in the same way. Her singing is so flawless, yet it conveys the depths of her spiritual feelings. It is wonderful that people who have not been exposed to this music will have a chance to experience its power and beauty.

Divinely Joyous.......2005-09-28

Isabel Bayrakdarian is a certified classical music diva today, an excellent Mozartian, Handelian, songs and lieder recitalist and overall a very bright star in the current line-up of young sopranos. And this is how she started her recorded career- with a disc of Armenian liturgical music.
For me it is actually very refreshing to listen to songs in language that I don't understand at all- and a nice break from the usual Latin, German, and my native ones- but at the same time, knowing that they are sung by someone who understands the texts and has a spiritual connection to them is a nice bonus. (And if you want to explore the meaning behind the sounds, the original Armenian texts and translations are included in the CD booklet...) It's also a new musical experience to my ears- I am used to certain melismatic forms of Indian music, and Soeur Marie Keyrouz records of Byzantine chants, yet this music still sounds quite exotic to me. And, at all times, very beautiful.
Like Gregorian chant in its pure form, it would get somewhat monotonous, if it wasn't for Bayrakdarian's heartfelt delivery. I find that the opening song is my favourite and often end up listening to it over and over again, but the whole album is very addictive. Not all the songs have the same joyous rapture feel- some are melancholy tinged, some are both at the same time. You need to listen to this music to appreciate its strange charms. It's beautiful and deeply spiritual, all in one. It is certainly Sacred Joy for my ears.

Breathtaking!!!.......2002-08-14

This is a stunning recording. Isabel Bayrakdarian's voice is a wonderful clear soprano, rich and warm throughout its range and free of any roughness. Her long familiarity with this repertoire lets her shape each phrase beautifully and, apparently, effortlessly.

The disk derives from a concert that took place in Toronto in September, 2001 commemorating 1700 years of Christianity in Armenia. It consists of 18 pieces of liturgical music. In some Bayrakdarian sings a capella, but in most she is supported by a chamber orchestra. One is aware that this is not western music, but the modes in which it is written are just unusual enough to European ears to be a little exotic while remaining entirely accessible. It's not quite melodic, but not quite chant either. Bayrakdarian's melismas are always sensitive and subtle. The whole effect is soaring, haunting, ethereal, transporting, utterly wonderful.

Tracks:

Zadok The Priest: Zadok The Priest
Zadok The Priest: And All The People Rejoic'd
Zadok The Priest: God Save The King
Let Thy Hand Be Strengthened: Let Thy Hand Be Strengthened
Let Thy Hand Be Strengthened: Let Justice And Judgment
Let Thy Hand Be Strengthened: Alleluia!
The King Shall Rejoice: The King Shall Rejoice
The King Shall Rejoice: Exceeding Glad Shall He Be
The King Shall Rejoice: Glory And Worship
The King Shall Rejoice: Thou Hast Prevented Him
The King Shall Rejoice: Alleluia!
My Heart Is Inditing: My Heart Is Inditing
My Heart Is Inditing: Kings' Daughters
My Heart Is Inditing: Upon Thy Right Hand
My Heart Is Inditing: Kings Shall Be Thy Nursing Fathers
Ode For The Birthday Of Queen Anne: Eternal Source Of Light Divine
Ode For The Birthday Of Queen Anne: The Day That Gave Great Anna Birth
Ode For The Birthday Of Queen Anne: Let All The Winged Race With Joy
Ode For The Birthday Of Queen Anne: Let Flocks And Herds Their Fear Forget
Ode For The Birthday Of Queen Anne: The Day That Gave
Ode For The Birthday Of Queen Anne: Let Rolling Streams Their Gladness Show
Ode For The Birthday Of Queen Anne: Kind Health Descends On Downy Wings
Ode For The Birthday Of Queen Anne: The Day That Gave Great Anna Birth
Ode For The Birthday Of Queen Anne: Let Envy Then Coneal Her Head
Ode For The Birthday Of Queen Anne: United Nations Shall Combine
Ode For The Birthday Of Queen Anne: the Day That Gave

Customer Reviews:

INDITING OF A GOOD MATTER.......2006-07-08

For many years I've been looking for my ideal version of Handel's great Zadok the Priest, and I'm somewhere near it at last. So far as this performance goes, I may actually have got there, all I miss in this account is a little more vividness in the recorded sound. As far as the rest of the disc goes, I have no complaints or reservations at all. The four coronation anthems are given this time in the sequence Zadok, Let thy hand be strengthened, The King shall rejoice and My heart is inditing. Opinions vary as to the appropriate order for them, but obviously if you take a different view of the matter it is very simple to sequence them however you think best. The balance of the disc is taken up with an earlier work, a birthday ode for Queen Anne, probably composed for that monarch's 48th birthday in 1713.

Back to Zadok. Please forgive a possible appearance of dogmatism if I say that the tempo is absolutely right. Cleobury's speed here is much as I remember it from the recording of the coronation of Queen Elizabeth II. It may be faster than one is used to, but there is a very good reason for it. Even at this speed, that spine-tingling orchestral introduction takes a full minute and 20 seconds to reach the great choral chords, and it measures out the tread of the monarch and consort, one stately pace to every four notes, as they advance towards the altar steps in Westminster Abbey, the choral outburst coming as they arrive at them. The choral tone here is very full and grand. I would have been interested to know whether Cleobury has used a larger chorus at this point than later - on one occasion Handel is known to have had 500 performers in Zadok. There are certainly not 500 here, and Handel's choral writing can convey an impression of multitudes even with a smallish choir. From this point on the chorus is appropriately small, clear in its diction and even, to my delight, producing a trill on `ever'. The other three anthems are beautifully done and beautifully recorded. There are various Alleluias in the first three including Zadok, and here, as in the great chorus in Messiah, Handel scans the word sometimes as All-e-LU-ia and sometimes as All-eh-EH-lu-IA. He learned the latter way of doing it from Purcell, and 150 years after Handel's anthems Brahms uses it again in his great Triumphlied celebrating the battle of Sedan.

The words to the birthday ode are by Ambrose Phillips. They are the usual sycophantic rubbish, but `twas ever thus. In days of old such toweringly great poets as Horace and Pindar had turned out equally wince-making sentiments, they just expressed them a lot better. The music is another matter, being simply exquisite. I have been familiar with these three soloists in Handel for a couple of years now, and what a pleasure it is to listen to such perfect singing and perfect sense for the composer's style. The opening number is a heavenly duet for counter-tenor and trumpet. I was very let down at not seeing the trumpeter credited in the liner. It may be Crispian Steel-Perkins (it's good enough to be him) but we are not told. The choir of King's, the Academy of Ancient Music and the director need no introduction by now, and are at their superlative best throughout.

The liner-note, by Anthony Hicks, is helpful, informative and readable, and is given in German and French as well as in English, as are the texts to the music. The recording is really very good too, except that I was eager for just that last ounce of `presence' at the start of Zadok that would have made this disc absolutely perfect for me. The set dates from 2001 I see, so perhaps it will be reissued sometime with a little remastering, fulfilling one of my remaining aspirations in this life.

Stellar.......2006-03-09

As a Handel enthusiast, I can't think of any way this recording could be less than perfect. As another reviewer has noted, this disc features a brilliantly-executed Ode for Queen Anne's Birthday in addition to the four Coronation anthems. The tempo for "Zadoc the Priest" is the fastest I've heard, and that speed heightens the drama of Handel's score. That Cleobury and company can perform it thus without losing any richness of tone or color -- indeed, excelling in those very areas -- testifies to the quality of this recording.

Crowning Achievement.......2005-09-30

If you only have room for one recording of the Coronation Anthems in your collection, this CD will do splendidly. It's pure, lively and 100% fresh Baroque and the chorus really gets into the act. The heavenly harmonies of "My heart is igniting..." and "Upon Thy Right Hand..." are royal pleasure. But as if this wasn't enough, this disc also contains the Ode for Queen Anne, and with it, the most perfect version of Eternal Source of Light Divine I have heard to date. This is one of Handel's most beautiful pieces, but it is not an easy one to nail; it was written for a countertenor, plus you need a great trumpet player- it is a trumpet-voice duet after all. While I enjoyed James Bowman's spirited rendition, I cringed while listening to many versions recorded by high, warbling sopranos- in particular, Kathleen Battle and Edita Gruberova have transposed this one up and out beyond recognition. But here we have Robin Blaze, a countertenor previously unknown to me, giving us an Eternal Source that is truly ethereal, sunlit and sung by a voice that is outstanding by itself and perfectly blended with that trumpet. And, after a beginning like that, the rest of the Ode actually lives up to the high standard.
King shall rejoice and so shall anybody who listens to this CD.

Professionalism.......2005-07-20

This CD of Handel's Coronation Anthems shows the Choir of King's College Cambridge at its true professional height. The music is lively and tuned to perfection. This recording allows both serious and amateur listeners the chance to experience Handel's music as it should be heard.

Simply Amazing!.......2004-03-16

While I am no monarchist, I am entranced by the heavenly beauty of this version of Handel's Coronation themes.

As a music piece the selections from this compilation should be deservidly included with other masterpieces such as Mahler's Resurection, and Bach's Brandenburg Concertos.

Tracks:

Medley: Good Christian Men - Rejoice - Silent Night - Patapan - O Come - All Ye Faithful
It Came Upon The Midnight Clear
O Come, O Come, Emmanuel
Shepherd's Carol
Go, Tell It On The Mountain
Medley: O Sanctissima - Joy To The World - Away In A Manger - Fum, Fum, Fum - March Of The Kings
I Wonder As I Wander
We Three Kings
My Dancing Day
Medley: What Child Is This? - Hark! The Herald Angels Sing - Bring A Torch - Jeanette - Isabella - Angels We Have Heard On High
Coventry Carol
God Rest You Merry, Gentlemen
Lo, How A Rose E'er Blooming
Carol Of The Bells
Medley: Break Forth - O Beauteous Heavenly Light - The First Nowell - O Little Town Of Bethlehem - I Saw Three Ships - Deck The Halls With Boughs Of Holly

Customer Reviews:

Traditional Christmas Music .......2007-01-24

If you love traditional Christmas music, done in traditional style (i.e., no rock or jazz influence), this CD is for you. The Robert Shaw Chorale, the "gold standard" of quality choral music, sings much loved carols, with some lesser-known pieces as well. Some are a cappella; some include a full orchestral accompaniment. My favorites on this CD are "We Three Kings," "Bring a Torch, Jeannette Isabella," and "I Saw Three Ships."

The quintessential Christmas recording.......2005-12-09

This recording seems to elicit universal and heartfelt praise. Who am I to dispute that? The performance is terrific, just as described by the other Amazon reviewers, no doubt about it.

However, I do have one bone to pick with this recording. There just isn't enough of it. With material as good as this, that is a real loss!

A Top List Christmas CD.......2004-12-28

I bought this cd long ago, and have enjoyed it immensely each year. It is the perfect blend of celebration and meditation. Orchestra and choir combine in four distinct groupings, and a capella arrangements complete the masterful collection. The orchestral arrangements will make the hairs on your neck stand up, and your stomach quiver with all the excitement you ever felt as a child at Christmas. Adeste Fidelis is performed as few other ensembles have ever come close. The a capella arrangements will all, without exception, be on your yearly list of must-hear holiday arrangements. Truly a top list Christmas CD, essential for every family who celebrates this feast.

The best.......2004-01-02

I own approximately 35 Christmas choral CDs - including choirs and groups such as the Cambridge Singers and the King Singers. I also own two Christmas albums with Robert Shaw and the Atlantic symphony. This performance with the Robert Shaw Chorale is old but it is still my favorite. The arrangements are magnificent, the sound is brilliant, and the choir and orchestra are precise with wonderful volume control. Buy and enjoy!

How do you describe perfection?.......2003-12-14

This is my favorite Christmas CD. Nothing comes close. I thoroughly enjoyed learning much of the music in high school choir over 30 years ago. The music has never left me. The four medleys are the arrangements of Robert Russell Bennett titled "The Many Moods of Christmas". The arrangements seem to have a freshness about them even after listening numerous times.

Interspersed with the medleys are a cappella carols.

All of this music is wonderfully performed by the Robert Shaw Chorale, the a cappella selections recorded in 1957 and the medleys in 1963.

Four decades have proven that this is the standard in choral music. The clarity of text, the richness of tone, the beauty of harmony combine to present the message of Christmas in the manner that only music can do.

Tracks:

Deck The Halls With Broughs Of Holly
Lo, How A Rose E're Blooming
Bring A Torch, Jeanette, Isabella
The First Nowell
Angels We Have Hard On High
We Three Kings Of Oreint Are
O Come, All Ye Faithful
O Sanctissima
O Tannenbaum
O Come, O Come, Emmanuel
Good King Weceslas
Silent Night, Holy Night
Joy To the World
The Twelve Days Of Christmas
Conventry Carol
God Rest Ye Merry, Gentlemen
Hark! The Herald Angels Sing
It Came Upon A Midnight Clear
Good Christian Men Rejoice
O Holy Night
What Child Is This?
Wassial Song
O Little Town Of Bethlehem
Away In A Manger
We Wish You A Merry Christmas

Customer Reviews:

Nice music but..........2007-03-08

I liked the music and the performances a lot, but there is no booklet to depict the performers, nor analyse the music or the arrangements, which are superb

Great CD.......2007-02-16

This is a great holiday CD. We used it for several holiday dinners this year.

A Noble and Festive Christmas.......2007-01-21

This is the best Christmas album you could ever get. It is the most stable as you do not have to think about it. This is the album you really sing along to. Brass makes everything festive, grand and noble; so will your Christmas! A gem for every year!

Meat and Potatoes.......2007-01-18

Since the release of this fine recording in 1967 there have been many fine
brass groups:The Canadian Brass, the Empire Brass, just to name a few.
Whereas these latter groups have all resorted to "gimmicks" such as unique arrangements to sell their albums this group of brass players from the Philadelphia Orchestra give us an album of good old "meat and potatoes" playing spiced with fine tone,good ensemble playing, and good tempos.

Totally Awesome.......2007-01-12

I love listening to this cd at christmas. The brass is so crisp, almost like being right there. You have to add this to your holiday collection, and for those of you who like brass, you will love it. I play the french horn and I esp. love hearing the french horn in it.

Music Review:

Music Review

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