Composed by Maurice Ravel
2. Bagatelle for piano in A minor ("Für Elise"), WoO 59
Composed by Ludwig van Beethoven
3. Vesperae solennes de confessore for soloists, chorus, & orchestra, K. 339 Laudate Dominum
Composed by Wolfgang Amadeus Mozart
4. Symphony No. 4 in A major ("Italian"), Op. 90 III Movement
Composed by Felix Mendelssohn
5. Waltzes (16) for piano, 4 hands (or piano), Op. 39 Waltz in A flat
Composed by Johannes Brahms
6. Symphony No. 6 in F major ("Pastoral") Op. 68 II Movement
Composed by Ludwig van Beethoven
7. Symphony No. 5 in B flat major, D. 485
Composed by Franz Schubert
8. Symphony No. 94 in G major ("Surprise"/"The Drumstroke"/"Mit dem Paukenschlag"), H. 1/94 II Movement
Composed by Franz Joseph Haydn
9. Suite for orchestra No 2 in B minor, BWV 1067 Badinerie
Composed by Johann Sebastian Bach
10. Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 Anitra's Dance
Composed by Edvard Grieg
11. Symphony No. 3 in F major, Op. 90 III Movement
Composed by Johannes Brahms
12. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions)
Composed by Pyotr Il'yich Tchaikovsky
13. Impromptus (4) for piano, D. 935 (Op. posth. 142) No 02 in Ab
Composed by Franz Schubert
14. Liebesträume, notturno for piano in A-flat major No. 3 (O Lieb, so lang du lieben kannst), S. 541/3 (LW A103/3)
Composed by Franz Liszt
15. Clair de lune ("Votre âme est un paysage choisi"), song for voice & piano, L. 32
Composed by Claude Debussy
16. Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
Composed by Claude Debussy
17. Suite for orchestra No 3 in D major, BWV 1068 Air on the G String
Composed by Johann Sebastian Bach
18. Carmen, opéra-comique in 4 acts Flower Song
Composed by Georges Bizet
19. Work(s) Cantata
Composed by Johann Sebastian Bach
20. Prelude for piano No. 15 in D flat major, Op. 28/15, CT 180 "Raindrops" Prelude
Composed by Fryderyk Chopin
21. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
22. Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2
Composed by Ludwig van Beethoven
23. La fille aux cheveux de lin ("Sur la luzerne en fleur"), song for voice & piano, L. 33
Composed by Claude Debussy
24. Nutcracker, ballet, Op.71 Dance of the Sugar Plum Fairy
Composed by Pyotr Il'yich Tchaikovsky
25. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) II Movement
Composed by Antonin Dvorak
26. Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 Morning
Composed by Edvard Grieg
27. Romance for violin & orchestra No. 1 in G major, Op. 40
Composed by Ludwig van Beethoven
28. An den Frühling (To Spring), lyric piece for piano, Op. 43/6
Composed by Edvard Grieg
29. Violin Concerto ("La Primavera", The Four Seasons) for violin, strings & continuo in E ("Il cimento" No. 1), Op.8/1, RV 269
Composed by Antonio Vivaldi
30. Greensleeves, English folk song
Composed by English Traditional
31. Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467
Composed by Wolfgang Amadeus Mozart
32. Violin Concerto ("L'autunno", The Four Seasons), for violin, strings & continuo in F major ("Il cimento" No. 3), Op.8/3, RV 293
Composed by Antonio Vivaldi
33. Work(s) Adagio for Clarinet & Orchestra
Composed by Research Composer
34. Scherzo for piano No. 2 in B flat minor, Op. 31, CT 198
Composed by Fryderyk Chopin
35. Romance for violin & orchestra No. 2 in F major, Op. 50
Composed by Ludwig van Beethoven
36. Symphony No. 6 in F major ("Pastoral") Op. 68 I Movement
Composed by Ludwig van Beethoven
37. Flute Concerto No. 2 in D major, K. 314 (K. 285d) Concerto for flute & orchestra in D
Composed by Wolfgang Amadeus Mozart
38. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Adagio
Composed by Antonin Dvorak
39. Les Contes d'Hoffmann, opera in 4 acts Barcarolle
Composed by Jacques Offenbach
40. Valse Triste, for orchestra (from Kuolema), Op. 44/1 Valse Triste
Composed by Jean Sibelius
41. Liebesträume, notturno for piano in A-flat major No. 3 (O Lieb, so lang du lieben kannst), S. 541/3 (LW A103/3)
Composed by Franz Liszt
42. String Quintet in E major, Op. 11/5, G275 Minuet
Composed by Luigi Boccherini
43. Oboe Concerto in D minor, BWV 1059r Excerpt
Composed by Johann Sebastian Bach
44. Piano Sonata No. 8 in C minor ("Pathétique") Op. 13 II Movement
Composed by Ludwig van Beethoven
45. Cavalleria rusticana, opera in 1 act Intermezzo
Composed by Pietro Mascagni
46. Christmas Oratorio, BWV 248 Sinfonia
Composed by Johann Sebastian Bach
47. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6)
Composed by Franz Schubert
48. Horn Concerto No. 3 in E flat major, K. 447 II Movement
Composed by Wolfgang Amadeus Mozart
49. Kinderszenen (Scenes from Childhood) for piano, Op. 15 No 07, Träumerei
Composed by Robert Schumann
50. Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 Ase's Death
Composed by Edvard Grieg
51. Serse (Xerxes), opera, HWV 40 Largo
Composed by George Frideric Handel
Nature's Symphonies,Johann Sebastian Bach,Ludwig van Beethoven,Georges Bizet,Luigi Boccherini,Johannes Brahms,Fryderyk Chopin,Claude Debussy,Antonin Dvorak,Edvard Grieg,George Frideric Handel,Franz Joseph Haydn,Franz Liszt,Pietro Mascagni,Felix Mendelssohn,Wolfgang Amadeus Mozart,Jacques Offenbach,Maurice Ravel,Research Composer,Franz Schubert,Robert Schumann,Jean Sibelius,Pyotr Il'yich Tchaikovsky,English Traditional,Antonio Vivaldi,Delta,20th/21st Century Orchestral Music,20th/21st Century Tone Poem/Symphonic Poem,Bagatelle for Keyboard,Ballet,Baroque Suite/Partita for Orchestra,Chamber,Character/Single-Movement/Miscellaneous Work for Keyboard,Choral,Classical,Classical Music,Classical Period Symphony,Concerto,Flute Concerto,French Horn Concerto,French Romantic Opera,Impromptu for Keyboard,Italian Baroque Opera,Italian Romantic Opera,Keyboard,Keyboard Work with Descriptive or Unclassified Title,Miscellaneous,Miscellaneous Music,Music for Four Hands at One Keyboard
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Dvorák: The Symphonies
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041WV Release Date: 1992-02-11 |
Tracks:
- Symphony No. 1 In C Minor 'Zlonicke zvony': I: Allegro
- Symphony No. 1 In C Minor 'Zlonicke zvony': II: Adagio molto
- Symphony No. 1 In C Minor 'Zlonicke zvony': III: Allegretto
- Symphony No. 1 In C Minor 'Zlonicke zvony': IV: Finale - Allegro animato
- Symphony No. 2 In B Flat Major, Op. 4: Allegro con molto
Tracks:
- Symphony No. 2: II: Poco adagio
- Symphony No. 2: III: Scherzo: Allegro con brio
- Symphony No. 2: IV: Finale: Allegro con fuoco
- Symphony No. 3 In E Flat Major, Op. 10: I: Allegro moderato
- Symphony No. 3 In E Flat Major, Op. 10: II: Adagio molto
- Symphony No. 3 In E Flat Major, Op. 10: III: Finale: Allegro vivace
Tracks:
- Symphony No. 4 In D minor, Op. 13: I. Allegro
- Symphony No. 4 In D minor, Op. 13: II. Andante sostenuto e molto cantabile
- Symphony No. 4 In D minor, Op. 13: III. Allegro feroce
- Symphony No. 4 In D minor, Op. 13: IV. Allegro con brio
- Symphony No. 5 In F Major, Op. 76 (Beginning): I. Allegro ma non troppo
- Symphony No. 5 In F Major, Op. 76 (Beginning): II. Andante con moto
- Symphony No. 5 In F Major, Op. 76 (Beginning): III. Scherzo: Allegro scherzando
Tracks:
- Symphony No. 5 (Conclusion): IV. Finale: Allegro molto
- Symphony No. 6 In D Major, Op. 60: I. Allegro non tanto
- Symphony No. 6 In D Major, Op. 60: II. Adagio
- Symphony No. 6 In D Major, Op. 60: III. Scherzo (Furiant): Presto
- Symphony No. 6 In D Major, Op. 60: IV. Finale: Allegro con spirito
- 'V prirode', Op. 91: In Nature's Realm
Tracks:
- Symphony No. 7 In D Minor, Op. 70: I. Allegro maestoso
- Symphony No. 7 In D Minor, Op. 70: II. Poco adagio
- Symphony No. 7 In D Minor, Op. 70: III. Scherzo: Vivace - poco meno mosso
- Symphony No. 7 In D Minor, Op. 70: IV. Allegro
- Symphony No. 8 In G Major, Op. 88: I. Allegro con brio
- Symphony No. 8 In G Major, Op. 88: II. Adagio
- Symphony No. 8 In G Major, Op. 88: III. Allegretto grazioso
- Symphony No. 8 In G Major, Op. 88: IV. Allegro ma non troppo
Tracks:
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': I. Adagio - Allegro molto
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': II. Largo
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': III. Molto vivace
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': IV. Allegro con fuoco
- 'Karneval' Overture, Op. 92
- Scherzo capriccioso, Op. 66
- 'Domov muj' Overture, Op. 62
Amazon.com essential recording
For decades, there were only three complete collections of Dvorák's symphonies: this one; Rowicki's with the same orchestra; and Kubelik's with the Berlin Philharmonic. Kertész offers the most rustic, gutsy interpretations of all. Famous for his dislike of rehearsals, he allows the London Symphony to make a much rougher sound than his colleagues tolerate, and though not the last word in polish, the results have a spontaneous charm that's pretty hard to resist. More to the point, Dvorák's early symphonies (Nos. 1 to 5) remain sadly neglected, and each one of them is full of gorgeous tunes cloaked in mellifluous orchestration. At budget price, this set now costs less than it did on LP in the 1960s. How can you do better than that? --David HurwitzCustomer Reviews:
Heartfelt, passionate versions.......2007-06-23
Great Recording.......2007-06-03
Great set of music!.......2007-05-24
Kertesz or Kubelik in the Dvorak symphonies?.......2006-05-03
Now both sets are offered at basically the same price on 6 mid-line discs, with deep discounts on the used market. The difference between the two is quite marked musically, however. Kertesz comunicates the thrill of discovery in the early symphhonies. Amazingly, he had never conducted them before, and their vibrancy and inner life lift my spirits every time I hear them. The LSO didn't know these pieces, either, but play with rousing commitment and vivacity.
By comparison, Kubelik sounds rather correct and staid. He often chooses marginally slower tempos, and his enthusiasm for letting the dance rhytyms become exciting is limited. The Berlin Phil. seems not to catch on to the Slavonic folk idiom, which gets played far too straight (Dvorak had the same problem with Greman orchestras in his lifetime and was only accepted in Vienna and Berlin at first as a kind of naive, folk-flavored Brahms). As to sonics, the Decca set holds up well, being a bit bright at times but otherwise detailed and forward. DG, unforunately, gave Kubelik's later symphonies (#7-9) harsh, glaring sound that makes his readings sound brash; there's an unpleasant sting to the sound at higher volumes. This problem seems less in the earlier symphonies (the cycle was recorded over a longer period than Kertesz's and thus has more variable sound). I do not know if the current re-issue also includes remastering.
It's regrettable that in the interest of economics Decca has cut out several of Kertesz's most interesting fillers, such as the Hussite Over., though they can be found on other CDs from him. We get the Carnival Over. on both sets, after which Kertesz gives us the "My Homeland" and "In Nature's Realm" Over., while Kubelik offers the Scerzo capriccioso and The Wild Dove tone poem, both performed by his Bavarian State Orchestra rather than the Berliners.
As msut be obvious by now, I don't feel the two sets are competitive artistically. Kubelik was a major conductor and dedicated to Dvorak, but his best work isn't here. Kertesz, though not native born to the composer as Kubelik was, found a special affinity for Dvorak, and his cycle is one of the small miracles of Sixties recording. Perhaps not so minor considering that no one has bettered him in the early symphonies for forty years.
Amazing performances.......2005-03-28
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Dvorák: Symphonies Nos. 1-9; In Nature; Serenade for Winds; Serenade for Strings, etc.
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A6T2KI Release Date: 2005-09-06 |
Customer Reviews:
Great value!.......2007-06-01
I can't find any review of this set of CDs online, so I did some research after I bought it.
It is the first CD release of Sir Andrew Davis's complete Dvorak's symphonies.
These recordings were made between 1978-1982 by CBS. (ADD/DDD)
SONY DSD remaster eliminated most of the early digital sound problems.
PO players produced warm and dramatic sounds.
The still young Andrew Davis did a great job adding his personal reading of the scores. I like his slower tempo treatment of Symphony No. 9.
Symphony no.1,3 and the Carnival overture are also great.
Only down side is the linear notes is too short, and lack of detail.
Dvorak's music always bring me the love for life. I hope you will enjoy it too.
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Sibelius: The Complete Symphonies & Tone Poems
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MIZT Release Date: 2001-11-20 |
Tracks:
- I: Andante, Ma Non Troppo - Allegro Energico
- II: Andante (Ma Non Troppo Lento)
- III: Scherzo: Allegro
- IV: Finale (Quasi Una Fantasia): Andante - Allegro Molto
- I: Allegretto
- II: Tempo Andante, Ma Rubato
- III: Vivacissimo - Lento E Suave - Tempo Primo - Largamente -
- IV: Finale: Allegro Moderato
Tracks:
- I: Allegro Moderato
- II: Andantino Con Moto, Quasi Allegretto
- III: Moderato - Allegro (Ma Non Tanto)
- I: Tempo Molto Moderato, Quasi Adagio
- II: Allegro Molto Vivace - Doppio Piu Lento
- III: Il Tempo Largo
- IV: Allegro
Tracks:
- I: Tempo Molto Moderato - Largamente - Allegro Moderato
- II: Andante Mosso, Quasi Allegretto
- III: Allegretto Molto - Un Pochettino Largamente
- I: Allegro Molto Moderato
- II: Allegretto Moderato - Poco Con Moto
- III: Poco Vivace
- IV: Allegro Molto - Allegro Assai - Doppio Piu Lento
Tracks:
- Adagio -
- Un Pochettino Meno Adagio - Vivacissimo -
- Poco Rallentando Al Adagio - Allegro Molto Moderato - Allegro Moderato - Vivace -
- Presto - Adagio - Largamente Molto - Affettuoso
- Cantata: Oma Maa, Op.92: 'Our Own Land'
- Tulen Synty, Op.32: The Origin Of Fire
Tracks:
- I: Introductione: Allegro Moderato
- II: Kullervo's Youth: Grave
- III: Kullervo And His Sister: Allegro Vivace
- IV: Kullervo Goes To Battle: Alla Marcia
- V: Kullervo's Death: Andante
Tracks:
- The Oceanides, Op.73
- I: Intermezzo
- III: Alla Marcia
- I: All'overtura: Grave - Allegro/II: Scena: Tempo Di Menuetto - Allegro Moderato/III: Festivo: Tempo Di Bolero
- Tapiola, Op.112
- Finlandia, Op.26
- Serenade No.1 in D, Op.69a
- Serenade No.2 in g, Op.69b (Lento Assai)
Tracks:
- Luonnotar, Op.70
- Pohjola's Daughter, Op.49
- En Saga, Op.9
- I. Nocturne
- II. Elegie
- III. Musette
- IV. Serenade
- V. Ballade
- The Bard, Op.64
Tracks:
- Spring Song, Op.16
- III. The Swan Of Tuonela
- IV. Lemminkainen's Return
- I. At The Castle Gate
- II. Melisande
- IIa. By The Seashore
- III. A Spring In The Park
- IV. The Three Blind Sisters
- V. Pastorale
- VI. Melisande At The Spinning-wheel
- VII. Entr'acte
- VIII. The Death Of Of Melisande
- Valse Triste
- Scene With Cranes
- II. The Harp
- III. The Maidens With Roses
- IV. Listen, The Robin Sings
- VI. Swanwhite And The Prince
Customer Reviews:
5 stars for the syms.......2006-03-18
3 Stars for the Bourgemouth on the poems.
But truth be told, no matter how EMPHATIC statements that his syms are not programmatic, that is fall into a logical step by step order, they are just that, very predictible.
I've given these syms 30 yrs, and lately I've lost interest.
While Schonberg, Berg, Webern, Varese were scoring creative new atonal/poloytonal works of new genius, here was Sibelius struggling with old forms, that fail to deliver anything really new. And he knew it, and bothered him to no end.
I feel there is way too much Beethoven/Bruckner(I like neither) influence in the syms for me to become a fan of the syms. I like the 1st sym "somewhat" that is I never listen to it, and small parts of the 4-7 syms. But I'm afraid I only like Sibelius pre 1905, the Kullervo, VC, tone poems. Here is where the genius of Sibelius truly lies.
The syms long ago held some interest, but lately i've moved on to Schnittke and Pettersson.
I also much prefer Vaughan Wialliams syms to all of Sibelius.
Sibelius was a genius in his element, that of representing the folk ideas of his land. His syms are like a string of ideas that lack the connective passages. IOW the whole is less than the few interesting parts.
Beautiful and comprehensive compilation of Sibelius works.......2005-09-29
I was immediately captured by the haunting clarinet solo that begins the first symphony. All of the symphonies, performed by the Helsinki Orchestra, are recorded in very clear digital sound -- so the solo and the pecussion accompanyment were perfectly captured. I was hooked by the first symphony, but all of the symphonies are presented clearly and with outstanding interpretations. The Helsinki Philharmonic has always had a strong affiliation with Sibelius's music, and Paavo Berglund is a renowned Sibelius conductor who has recorded three separate symphony cycles (once with the Bournemouth Symphony orchestra, the 2nd time with these recordings, and a third time with the Chamber Orchestra of Europe). The commitment felt by the conductor and orchestra comes through in these performances.
In addition to the complete symphony cycle, there are a number of other treasures. A fine version of Finlandia is accompanied by a number of truly delightful tone poems such as Tapiola, the haunting Swan of Tuonela and Lemminkainen's Return (from the Lemminkainen Suite). These tone poems were inspired by the Finnish Kalevala. Other tone poems such as the Oceanides and Spring Song were inspired by Sibelius's love of nature. All receive strong performances by Berglund conducting the Bournemouth Symphony (in analog sound that is still quite good). The violin serenades (especially no. 2) were unexpected delights. The version of Kullervo is magnificent, as is the singing in Luonnotar and Oma maa. This set is a treasure trove of Sibelius treats!
excellent collection.......2004-06-28
Even so there are his incidental musics: Pelleas et Melisande, Swanwhite, Kuolema and King Christian II.
Especially Pelleas and Kuolema (which includes ever famous Valse triste) are the most beautifuls. Pelleas et Melisande is a very impressive music, and the best "Pelleas" music with Debussy's Pelleas (opera).
Kullervo is symphony-cantata for two soloists, men-chorus and orchestra, which be constitued in 5 movements, comparable in artistically with Mahler's 2nd Symphony "Resurrection". Especially the last movement "Kullervo's Death" is very effective, pathetique.
And one more a vocal work, a tone poem for soprano and orchestra: Lounnutar. This is based on Kalevala again, and Luonnotar is creator of nature in this poem. It is a very radical work, like his darkful 4th Symphony and The Bard. I think, The Bard is one of the best works of the composer, with it's harmonis, dark colours, contemplative mood. Still, this was written in tragic E-flat minor. It is based on a mythologic creature which plays an harp, like lyre in Greek mythology. And in the last minutes there is a dramatic climax and then music slowly fades out.
And there is the best Tapiola recording, I've ever heard (with Petri Sakari's version at Naxos). This is based on Kalevala, again. Tapio is the name of the forest god, according story. There are very impressive contrasts between hypnotic, a little hesitated, light colours and dramatic darkful colours. The orchestration is marvellous again. Especially, in last minutes there is a terrific storm scene and it's very spine chilling. Climaxes (which played by brass) are very powerful...
This is a very good addition to collectors of Sibelius fans and any classical music lovers. Highly recommended.
A must for Sibelius lovers.......2003-01-07
This set consists of most of Sibelius's major orchestral music, with the notible exceptions of Night Ride and Subrise, the first two sections of the Lemmenkainen Suite, and the Violin Concerto. It also contains such rarities as Origin of Fire, Our Own Land, and excepts from Swan White.
Berglund, I believe, was the first to fully record a complete cycle of Sibelius symphonies. The recordings here are not from his first set (which I have not heard), but the second cycle recorded in the mid-80s. The symphonies and two canatas mentioned above are recorded in digital, while the rest is analog. It's all in very good sound, though not perfect. That they wanted to keep the D and A recodings on seperate discs is the only possible reason I can see for why they left out the Violin Concerto (there's plenty of room on disc 4).
Now of course, contents are one thing, but what really matters is performance. And suffice it to say, they for the most part shine. This has easily the finest Symphony 1 I've heard, and the finale of Symphony 5 (truly one of the greatest works of the 20th century) shines with brillance. Symphony 3 makes its mark nicely, and Symphony 2, while perhaps a bit on the fast side, is certainly up to par. The only disappointment is Symphony 7, which falls totally flat compared to Davis/BSO.
The two cantatas are wonderful rarities, but its disc 5 where the choral aspect is full played out -- Kullervo. If you've never heard this piece, it's a 75 minute long programatic symphony (to use to term losely) with many ups and downs. This was the first ever recording, and most say it hasn't been topped.
The final three discs contain shorter works. Especially noteable are the absolutely beautiful Serenade #2 for Violin and Orchestra, the hauntingly lovely Luonnotar, a very rousing version of Lemminkainen's Return, and a passionate Pelleas and Mellsande.
Of course, it's almost impossible to have this big a set without some disapointments. Beyond the aformentioned Symphony 7, there's also not overly convincing Finlandia, and a WAY too slow Karelia Intermezzo. Thankfully, the rest of the set makes up for it. It's a great deal at only about $7 a disc retail, and if you're like me, on you'll keep coming back to.
A terrific and near-perfect set.......2002-04-05
The Bournemouth recordings are legendary, especially the Kullervo, which belongs in every classical music library. There is a real warmth to these readings, which charms me into letting the minor flaws in playing pass. The sound is pretty good, though slightly muddy at times (particularly in Tapiola), and the selections have been excellently remastered.
The Symphonies, recorded with the Helsinki Philharmonic in superb digital sound, are a real peak in the discography. Berglund doesn't play his Sibelius lukewarm; his readings are sharp, neo-classical and very powerful. You won't confuse these recordings with those of Colin Davis to be sure. Very comparable to Maazel's earlier readings with the Vienna Philharmonic, but with less over-dramatization. His First, Second, Third, Sixth and Seventh are as good as any, and his reading of the Fourth, while rather bleak for my taste (I like the idea of some kind of softening at the end) is a coherent vision, almost harsh in it's execution.
I really like Maazel's Pittsburgh Fifth, and Berglund's recording in no way comes close to Maazel's splendor or power as a total conception. But, Berglund's middle movement is the best I've heard by far; the obsessively repeated melody seems to weave in and out of the orchestral fabric very seductively. Berglund's knack for architecture is spot on here.
All in all a wonderful set. An easy first choice for newcomers to Sibelius and a necessary addition for confirmed fans.
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Sibelius: The Symphonies; Tone Poems; Violin Concerto
Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008CLIG Release Date: 2003-10-14 |
Tracks:
- (Cd 1) Symphony No.1 Symphony No4
- (Cd 2) Symphony No.2 Finlandia . Karelia Suite
- (Cd 3) Symphony No.3 Symphony No.6 . Tapiola
- (Cd 4) Symphony No.5. Symphony No.7. En Saga
- (Cd 5) Violin Concerto* 2 Serious Melodies*
Customer Reviews:
The performances aren't first rate, but the recordings are.......2006-09-27
Even so, the general thrust of Ashkenazy's readings is vigorously energetic, so I prefer hi to latter-day Colin Davis, and the Philharmonia plays much better than the various Scandinavian orchestras that produce most Sibelius recordings today. If you want to be thrilled by sheer sound, this bargain set--all the cheaper on the used market--can't be beat.
Fire and ice ..........2006-01-31
But if you love this, I urge you to sample the (recent) Sibelius cycle by the Helsinki Philharmonic Orchestra conducted by Leif Segerstam (on Ondine). These lively, fresh but sturdy and full-bodied, romantic interpretations by Segerstam and the orchestra that premiered many of Sibelius' works under the composer's own direction, are simply revelatory (well, certainly to the ears of this particular amateur listener) and at least as well played - helped by a typical (for Ondine) crystal clear, perfectly balanced soundpicture.
Great Sibelius among much great Sibelius.......2005-11-11
No such emotions when it comes to the cool Sibelius symphonies. Wouldn't be prudent. Too much good stuff is out there... and even if it were not the necessary top choice, few lovers of Siblius would claim not to be able to live with any of the three Colin Davis cycles or Osmo Vanska's or the almost-complete Karajan cycle on DG or Berglund's EMI traversal. Some English people might even accept the Rattle cycle as sufficient - and only a few people would sneer at the Barbirolli set of Sibelius' 7... although that's already one step out of the mainstream.
I personally hold Vanska in the highest regards - but Vladimiar Ashkenazy makes a good point in his recordings for those who claim he's a better conductor than a pianist. Indeed, if price is to play an issue, too, I'd place his cycle at the very top of my list. He's improved as a conductor over the years, but in this one he was already ahead of himself. It is solidly played throughout all the symphonies and then some. Not as 'safe' as Jaervi in either of his two cycles, not quite as all-out as Vanska. Cool but with northern fire. Excellent attacks and a lyrical side. In the reissue Decca threw in the tone poems and the violin concerto - all at a great price. These performances might be supplemented in individual symphonies according to ones own taste and preference - but they leave little to desire and I can only wish that I would have had them as my first and basic Sibelius set instead of Maazel. (No offense, Lorin!)
Very much recommended.
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Nature's Symphonies: Surf & Sea
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001V5L Release Date: 1994-05-03 |
Tracks:
- Surf & Sea: Pavane For A Dead Princess
- Surf & Sea: Fur Elise
- Surf & Sea: Laudate Dominum
- Surf & Sea: Italian Symphony, 3rd Movement
- Surf & Sea: Waltz In A Flat
- Surf & Sea: Pastoral Symphony, 2nd Movement
- Surf & Sea: Symphony #5
- Surf & Sea: 'Surprise' Symphony #94, 2nd Movement
- Surf & Sea: Badinerie
- Surf & Sea: Anitra's Dance
- Surf & Sea: Symphony #3, 3rd Movement
- Surf & Sea: Fantasy Overture From Romeo & Juliet
- Surf & Sea: Impromptu A Flat Major 142
- Surf & Sea: Love Dream #3
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Dvorak: Symphonies 1-9 / Orchestral Works
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z34H Release Date: 2001-04-10 |
Tracks:
- The Wild Dove, Op.110
- Sym No.1 in c: I. Allegro
- Sym No.1 in c: II. Adagio Molto
- Sym No.1 in c: III. Allegretto
- Sym No.1 in c: IV. Finale: Allegretto
Tracks:
- Sym No.2 in B flat, Op.4: I. Allegro Con Moto
- Sym No.2 in B flat, Op.4: II. Poco Adagio
- Sym No.2 in B flat, Op.4: III. Allegro Con Brio
- Sym No.2 in B flat, Op.4: IV. Finale: Allegro Con Fuoco Alla Breve
- My Home (Domov Mui) Ov, Op.62: Andante/Maestoso/Quasi Andante/Allegro Vivace
Tracks:
- Sym No.3 in E flat, Op.10: I. Allegro Moderato
- Sym No.3 in E flat, Op.10: II. Adagio Molto, Tempo Di Marcia
- Sym No.3 in E flat, Op.10: III. Finale (Allegro Vivace)
- Scherzo Capriccioso, Op.66
- Carnival Ov, Op.92
Tracks:
- Othello, Op.93: Ov
- Sym No.4 in d, Op.13: I. Allegro
- Sym No.4 in d, Op.13: II. Andante Sostenuto E Molto Cantabile
- Sym No.4 in d, Op.13: III. Scherzo: Allegro Feroce
- Sym No.4 in d, Op.13: IV. Finale: Allegro Con Brio
Tracks:
- Czech Ste, Op.39: I. Allegro Moderato
- Czech Ste, Op.39: II. Allegro Grazioso
- Czech Ste, Op.39: III. Allegro Giusto
- Czech Ste, Op.39: IV. Andante Con Moto
- Czech Ste, Op.39: V. Presto
- Sym No.5 in F, Op.76: I. Allegro Ma Non Troppo
- Sym No.5 in F, Op.76: II. Andante Con Moto
- Sym No.5 in F, Op.76: III. Scherzo: Allegro Scherzando
- Sym No.5 in F, Op.76: IV. Finale: Allegro Molto
Tracks:
- In Nature's Realm Ov, Op.91: Allegro, Ma Non Troppo
- Sym No.6 in D, Op.60: I. Allegro Non Tanto
- Sym No.6 in D, Op.60: II. Adagio
- Sym No.6 in D, Op.60: III. Scherzo
- Sym No.6 in D, Op.60: IV. Finale: Allegro Con Spirito
Tracks:
- Sym No.7 in d, Op.70: I. Allegro Maestoso
- Sym No.7 in d, Op.70: II. Poco Adagio
- Sym No.7 in d, Op.70: III. Scherzo: Vivace
- Sym No.7 in d, Op.70: IV. Finale: Allegro
- Sym No.8 in G, Op.88: I. Allegro Maestoso
- Sym No.8 in G, Op.88: II. Poco Adagio
- Sym No.8 in G, Op.88: III. Scherzo: Vivace
- Sym No.8 in G, Op.88: IV. Allegro Ma Non Troppo
Tracks:
- American Ste, Op.98b: I. Andante Con Moto
- American Ste, Op.98b: II. Allegro
- American Ste, Op.98b: III. Moderato (Alla Polacca)
- American Ste, Op.98b: IV. Andante
- American Ste, Op.98b: V. Allegro
- Sym No.9 in e, Op.95 'From The New World': I. Adagio - Allegro Molto
- Sym No.9 in e, Op.95 'From The New World': II. Largo
- Sym No.9 in e, Op.95 'From The New World': III. Scherzo (Molto Vivace)
- Sym No.9 in e, Op.95 'From The New World': IV. Allegro Con Fuoco
Customer Reviews:
ambitious and comprehensive.......2007-01-26
An astonishing bargain on the used market.......2006-07-29
Then I noticed that on the used market this whole set sells for under $10--bargain alert. One could easily live with thwese readings and enjoy them al the more at such a steal.
Hard to beat.......2002-11-23
As a set of the complete symphonies it competes with Gunzenhauser (Naxos), Kertesz (Decca), Kubelik (DG), Jaarvi (Chandos) and Rowicki (Philips) In the UK this set is the cheapest way to buy a complete Dvorak cycle (there is a compilation box from Brilliant slightly cheaper but has the performances split unsuccessfully between three conductors : Paavo Jarvi, Kosler and Menuhin). However, in reviewing the set I took no account of price because, quite simply this set stands up well against all of the above.
First a note on the works. Dvorak's early symphonies are rarely performed and until recently hard to find on record. They dont reflect the maturity of style and understanding of symphonic form that one associates with 7, 8 and 9 but amongst them there are some real gems that it is a pity to neglect. Most notable is how clear Dvorak's orchestral voice is right from the start. Apart from strong and very obvious early influences from Wagner, Brahms and Beethoven what one hears most are pre-echoes of orchestral techniques used more successfully in the later works. Listening to the symphonies chronologically one is aware of the gradual maturing of form with the occasional marked change in approach such as from 4 - 5 when Dvorak's friendship with Brahms has clearly had effect. Needless to say, all the symphonies are orchestrally rich, colourful and dynamic with passages of great excitement and moments of sublime beauty.
Pesek's cycle alternates between his two favorite orchestras, 1,3,7,8 & 9 performed with the Royal Liverpool Philharmonic (of whom he is currently conductor in residence) and 2,4, 5 & 6 the Czech Philharmonic (of whom he used to be conductor in residence). This alternation of orchestras adds an extra dimension to the cycle that I found quite refreshing. Pesek's approach has always been to let the orchestra have the freedom to express what he calls its "invisible spirit". "..you can hardly come to any orchestra and make them only play your way - it's a mutual exchange of experience..". Indeed this cycle gives one the chance to contrast the "invisible spirits" of the RLPO and CPO whilst still being aware of a unifying approach from Pesek.
The first 3 symphonies suffer perhaps from having too many ideas jostling for attention. It seems as if Dvorak is so excited with the infintie range of colours his orchestral paintbox can offer that he cant help but try out as many original and unusual scorings as possible. There are also many and frequent changes of dynamic, resulting in a kind of "crescendo-fatigue" Where Jaarvi tries hard to bring out an overall architecture that quite simply isnt there, Pesek, instead, revels in the many different textures and contrasting dynamics spotlighting certain passages for the inherent beauty they contain. I can think of no better approach for these early symphonies. With the fourth symphony however, Pesek now brings out the emerging sense of form as Dvorak reduces his orchestral palette in favour of more thematic development.
With Kertesz and Kubelik (and even the old Neumann on Supraphon) I was always aware of the shortcomings of the "middle" symphonies (5 & 6) feeling that they were "almost there but not quite". Under Pesek however, these symphonies exhibit a depth and maturity that gives me new respect. There is a relaxed confidence in his approach that makes us wonder why these works arent more played. There is much good music here and certainly I would put these particular performances at the top of my list.
When it comes to the "big three" (7, 8 and 9) there is so much competition in the catalogue that it would be impossible to pull out any one version and label it the best. Everyone has their own favorites (mine are Szell for 7, Kertesz for 8 and Barbirolli for 9). All I can say is the performances here are superb and cannot be criticised. Everything I look for in each performance Pesek has in spades. I may prefer Szell's third movement of the seventh or Barbirolli's opening to the ninth but this is countered by other aspects of the Pesek performances that are better in different ways. Most satisfying of all, having listened to Pesek guide me through the earlier symphonies, following his interpretation through into the last ones provides an insight and sense of completeness that any individual performance cannot achieve.
Finally a note on the recording. The CPO recordings (House of Artists, Prague) have slightly more ambience than the RLPO (Philharmonic Hall, Liverpool) which perhaps reinforces their "Czech" sound (memories of Supraphon!) but although the acoustic results in a slightly "fuller" sound it does not muddy the overall clarity of the excellent recording. The CPO recording of Symphony no 2 though was recorded in the Dvorak Hall, Prague and here there is slightly more reverberation. It's still within tolerable limits though. Overall the sound quality is excellent.
This is, all in all, great value for money and if the only Dvorak you know is the "New World" I suggest you go mad and buy this. You also get excellent performances of the Czech and American Suites, Othello, Wild Dove, My Home and Carnival Overtures and Scherzo Capriccioso thrown in as fillers!
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Sibelius: The Complete Symphonies
Manufacturer: Sbme Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008PW43 Release Date: 2003-05-12 |
Tracks:
- Symphony No.1 In E Minor, Op.39
- Symphony No.1 In E Minor, Op.39
- Symphony No.1 In E Minor, Op.39
- Symphony No.1 In E Minor, Op.39
- Symphony No.3 In C Major, Op.52
- Symphony No.3 In C Major, Op.52
- Symphony No.3 In C Major, Op.52
- Symphony No.2 In D Major, Op.43
- Symphony No.2 In D Major, Op.43
- Symphony No.2 In D Major, Op.43
- Symphony No.2 In D Major, Op.43
- Luonnatar, Op.70
- Pohjola's Daughter, Op.49
- Symphony No.4 In A Minor, Op.63
- Symphony No.4 In A Minor, Op.63
- Symphony No.4 In A Minor, Op.63
- Symphony No.4 In A Minor, Op.63
- Symphony No.5 In E-Flat Major, Op.82
- Symphony No.5 In E-Flat Major, Op.82
- Symphony No.5 In E-Flat Major, Op.82
- Symphony No.5 In E-Flat Major, Op.82
- Symphony No.6 In D Minor, Op.104
- Symphony No.6 In D Minor, Op.104
- Symphony No.6 In D Minor, Op.104
- Symphony No.6 In D Minor, Op.104
- Symphony No.7 In C Major, Op.105
Album Details
4CD Box set. Columbia Legends series.Customer Reviews:
best complete sibelius symphonies.......2006-01-30
Amazing Sibelius Symphonies!!.......2005-01-02
Each symphony in this 4-disc set is presented in amazing remastered sound quality displaying full dynamic range and sharpness. The beauty of this music is definitely readily apparent from the opening notes through the very end.
In addition, the CD booklet includes a brief but highly informative essay in which the history behind each symphony is explained in just enough detail to understand its genesis.
All in all, this is a fantastic set of Sibelius's masterful symphonies wonderfully executed by the baton of Mr. Bernstein. Applause also must be given to Sony Music for compiling these symphonies into one complete set. Bravo.
It doesn't get much better than this.
Highly recommended!!
A sincere tribute!.......2004-07-08
The best achievements in the set are the four and the sixth . I've never heard a sixth so well made ; the woodwinds , the strings give that atmosphere that demands this complex work. The fourth is unforgettable , but there's a performance of Beecham in the fifties with the Royal Philarmonic literally unique. The seventh is OK, but there are other options.
The fifth is weak , and my favorite versiona are two: Segerstam and Koussevitzki.
Anyway I bought this set eight years ago under The Royal Edition. I recommend you this set , Maazel Vienna , Segerstam and all you can get from Koussevitski.
If you request me by Anthony Collins - London Symphony (out of stock in the most of stores) I must confess, Collins has no equals in the Second .
The best first to me is Victor de Sabata (New York Philarmonic)(See my review about De Sabata)
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Nature's Symphonies: Thunder in the Dark
Various Artists Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000007QJB Release Date: 1998-05-19 |
Tracks:
- Approaching Storm
- Evening Fireworks
Average customer rating: |
Nature's Symphonies: Tropical Rainforest
Various Artists Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000007QJD Release Date: 1998-05-19 |
Tracks:
- Amazon Morning
- Evening Concert
Average customer rating:
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Nature's Symphonies: Amazon Concert
Various Artists Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000007QJG Release Date: 1998-05-19 |
Tracks:
- Jungle Fantasy
- Exotic Bird Concerto
Customer Reviews:
The Ultimate Bubble Bath CD.......2000-07-02
Music Review:
- Plaisir D Amour
- Psalms from St. Paul's, Vol. 1: Psalms 1-17
- Psalms from St. Paul's, Vol. 3: Psalms 30-40
- Psalms from St. Paul's, Vol. 6: Psalms 69-78
- Rachmaninoff: the Liturgy of St. John Chrysostom
- Rejoice! (Messiah Highlights)
- Roberta [Cast Recording]
- Romantic Moments (Box Set) [Box set]
- Schumann: Carnaval Op9; Fantasie in C Op17
- Sentimentale
Music Review
Setting Sun [Extra tracks] [Import]
Very Best of Classic Rock [Box set] [Import]
Wardance of the Alien Sex Fiend
What IS So Funny About Peace Love & Understanding?
Uncovered: Interveiw [Import] [Limited Edition]
Ultimate Rave Album [Box set] [Import]
Private Party Collectors Edition
Babe: Pig In The City - Music From And Inspired By The Motion Picture