Composed by Bedrich Smetana
Performed by Vienna Symphony Orchestra
2. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) Andante not tanto
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Philharmonic Orchestra
3. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) quasi Moderato
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Philharmonic Orchestra
4. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) Allegro
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Philharmonic Orchestra
5. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) Molto meno mosso
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Philharmonic Orchestra
6. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) Allegro giusto
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Philharmonic Orchestra
7. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) Moderato assai
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Philharmonic Orchestra
8. Les Préludes, symphonic poem for orchestra, S. 97 (LW G3)
Composed by Franz Liszt
Performed by Vienna Symphony Orchestra
9. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
Performed by Hungarian National Philharmonic Orchestra
10. Gayane Suite No.3, for orchestra Sabre Dance
Composed by Aram Khachaturian
Performed by Hungarian State Symphony Orchestra
11. La Gioconda, opera in 4 acts Dance Of The Hours
Composed by Amilcare Ponchielli
Performed by Budapest Philharmonic Orchestra
12. Il barbičre di Siviglia (The Barber of Seville), opera Temporale (Storm Music)
Composed by Gioachino Rossini
Performed by Budapest Philharmonic Orchestra
13. Eugene Onegin, opera, Op. 24 Waltz
Composed by Pyotr Il'yich Tchaikovsky
Performed by Dresden Staatskapelle
14. The Tale of Tsar Saltan (Skazka o Tsare Saltane), opera in 4 acts with a prologue Flight Of The Bumble Bee
Composed by Nikolay Andreyevich Rimsky-Korsakov
Performed by Budapest Philharmonic Orchestra
15. Damnation de Faust, La, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24) Danse des Sylphes
Composed by Hector Berlioz
Performed by Hungarian State Symphony Orchestra
16. Eugene Onegin, opera, Op. 24 Polonaise
Composed by Pyotr Il'yich Tchaikovsky
Performed by Dresden Staatskapelle
17. Damnation de Faust, La, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24) Arabian Dance
Composed by Hector Berlioz
Performed by Vienna Symphony Orchestra
18. Coppélia, ballet Festive Dance
Composed by Leo Delibes
Performed by Berlin Radio Symphony Orchestra
19. La Gioconda, opera in 4 acts Waltz Of The Hours
Composed by Amilcare Ponchielli
Performed by Berlin Radio Symphony Orchestra
20. Orphée aux enfers (Orpheus in the Underworld), operetta Hell's Gallop
Composed by Jacques Offenbach
Performed by Cologne West German Radio Orchestra
21. Coppélia, ballet Czardas
Composed by Leo Delibes
Performed by Berlin Radio Symphony Orchestra
22. Slavonic Dance No. 8 for orchestra in G minor B. 83/8 (Op. 46/8)
Composed by Antonin Dvorak
Performed by Vienna Symphony Orchestra
23. Prodaná nevesta (The Bartered Bride), opera, JB 1:100 Polka
Composed by Bedrich Smetana
Performed by RTL Symphony Orchestra
24. Prodaná nevesta (The Bartered Bride), opera, JB 1:100 Furiant
Composed by Bedrich Smetana
Performed by RTL Symphony Orchestra
25. Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7)
Composed by Antonin Dvorak
with Budapest Strings
26. Melodies (2) for piano, Op 3 No 1, Melody In F
Composed by Anton Rubinstein
with Budapest Strings
27. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6)
Composed by Franz Schubert
with Budapest Strings
28. String Quintet in E major, Op. 11/5, G275 Minuet
Composed by Luigi Boccherini
with Budapest Strings
29. String Quartet in F major ("Serenade"), Op. 3/5, H. 3/17 (spurious, possibly by Hoffstetter) Andante cantabile (Serenade)
Composed by Franz Joseph Haydn
with Budapest Strings
30. Waltzes (16) for piano, 4 hands (or piano), Op. 39 Waltz, Op. 39 No. 15
Composed by Johannes Brahms
with Budapest Strings
31. Work(s) Minuet
Composed by Ludwig van Beethoven
with Budapest Strings
32. Jeg elsker dig (I Love Thee), song transcription for piano, Op. 41/3
Composed by Edvard Grieg
with Budapest Strings
33. Piano Sonata No. 11 in A major ("Alla Turca") K. 331 (K. 300i) Alla Turca
Composed by Wolfgang Amadeus Mozart
with Budapest Strings
34. Songs my mother taught me (Als die alte Mutter), song for voice & piano (Gypsy Melodies), B. 104/4 (Op. 55/4)
Composed by Antonin Dvorak
with Budapest Strings
35. Romance for violin & orchestra in G, Op 26
Composed by Johan Svendsen
with Budapest Strings
36. Song without Words for piano No. 30 in A major ("Frühlingslied"), Op. 62/6
Composed by Felix Mendelssohn
with Budapest Strings
37. Waltz for strings (arr. from Waltzes, B. 101/1) in A major, B. 105/1
Composed by Antonin Dvorak
with Budapest Strings
38. Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 Träumerei
Composed by Robert Schumann
with Budapest Strings
39. Moments musicaux (6) for piano, D. 780 (Op. 94) Moment Musical
Composed by Franz Schubert
with Budapest Strings
40. Work(s) Serenade (Ständchen)
Composed by Franz Schubert
with Budapest Strings
41. Serse (Xerxes), opera, HWV 40 Largo
Composed by George Frideric Handel
with Budapest Strings
42. Ave Maria for voice & orchestra (or piano) (after Bach)
Composed by Charles Gounod
with Budapest Strings
Bolero (Box Set),Ludwig van Beethoven,Hector Berlioz,Luigi Boccherini,Johannes Brahms,Leo Delibes,Antonin Dvorak,Charles Gounod,Edvard Grieg,George Frideric Handel,Franz Joseph Haydn,Aram Khachaturian,Franz Liszt,Felix Mendelssohn,Wolfgang Amadeus Mozart,Jacques Offenbach,Amilcare Ponchielli,Maurice Ravel,Nikolay Andreyevich Rimsky-Korsakov,Gioachino Rossini,Anton Rubinstein,Franz Schubert,Robert Schumann,Bedrich Smetana,Johan Svendsen,Pyotr Il'yich Tchaikovsky,Adam Fischer,Andras Korodi,Hans Vonk,Heinz Fricke,Laurence Gordon Siegel,Leopold Hager,Pinchas Steinberg,Yuri Akhronovich,Yuri Arhronovitch,Budapest Strings,Berliner Rundfunk-Sinfonie-Orchester,Budapest Philharmonic Orchestra,Dresden Staatskapelle,Hungarian National Philharmonic Orchestra,Hungarian State Symphony Orchestra,Kölner Rundfunkorchester,London Philharmonic Orchestra,RTL Symphony Orchestra,Cologne (West German Radio Orchestra) Westdeutschen Rundfunk-Orchester,Wiener Symphoniker,Delta,20th/21st Century Ballet,20th/21st Century Orchestral Music
Average customer rating:
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Mi Sueño
Ibrahim Ferrer Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVHWLG Release Date: 2007-04-24 |
Tracks:
- Dos Almas
- Si Te Contara
- Melodia del Rio
- Cada Noche un Amor
- Deuda
- Uno
- Convergencia
- Quiereme Mucho
- Perfidia
- Copla Guajira
- Quizas, Quizas
- Alma Libre
Amazon.com
When Grammy-winning Buena Vista Social club lead vocalist Ibrahim Ferrer died in August 2005 at the age of 78, he was within a few weeks of accomplishing a lifelong ambition: to record an album of suave, sexy, elegant Cuban boleros. The first acknowledged tune of the genre, "Tristezas," was composed in Santiago by Pepe Sánchez during the late 1800s. The form was descended from a Spanish waltz-like dance of the same name, which in turn evolved from the French contradanse and, even earlier on, from English rural styles. Strangely, Ferrer had repeatedly been told that his voice was not sufficiently "manly" for these leisurely, achingly romantic ballads. But judging by the present tracks--and despite the inevitable depredations of age, which only give his interpretations an added, rueful vulnerability--this is demonstrably untrue. The singer's reedy tenor, in some cases rescued from high-quality demos with instrumentals recorded posthumously, touches places in a listener's soul that no power-popster with an umpteen-octave range and mud-slides of melisma could remotely approach. Ferrer is joined by BVSC band-mates Rubén González (piano) and Omara Portuondo (vocals) on one tune each and is accompanied by the soulfully rinky-tink piano of Roberto Fonseca, Orlando "Cachaíto" López's sinuous, resonant acoustic bass and Manuel Galbán's sensitive guitar, with Ramses Rodrigues and Emilio del Monte manning trap drums and percussion. Overall, Mi Sueño ("My Dream") has a late-night feeling, as though captured amid an after-hours jam in a smoky, malt-scented Havana nightclub, long after sleeves have been pushed up and chairs piled on the tables. --Christina RodenAlbum Description
Mi Sueno is essential listening. Ferrer brings warmth, ease, humor and poignancy to his vocals, where romance is looked back on fondly and still longed for passionately. Featuring "Uno" and "Perfidia," Mi Sueno is a dream everyone can share.Customer Reviews:
Like fine wine.......2007-07-24
Ibrahim sweet for your ears........2007-07-21
True Cuban Music... .......2007-07-03
The Cuban Nat King Cole.......2007-05-31
Soulful.......2007-04-26
Average customer rating:
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Buena Vista Social Club Presents Ibrahim Ferrer
Ibrahim Ferrer Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J7IL Release Date: 1999-06-08 |
Tracks:
- Bruca Manigua
- Herido De Sombras
- Marieta
- Guateque Campesino
- Mami Me Gusto
- Nuestra Ultima Cita
- Cienfuegos Tiene Su Guaguanco
- Silencio
- Aquellos Ojos Verdes
- Que Bueno Baila Usted
- Como Fue
Amazon.com's Best of 1999
Picking up where Buena Vista Social Club left off, BVSC Presents Ibrahim Ferrer soothes with the hushed romanticism of Cuba's yesteryear while boasting the talents of one of its greatest singers, Ibrahim Ferrer. Again there's an all-star lineup of musicians led by pianist Rubén González and singer Omara Portuondo creating music at the renowned Egrem studios, whose live room brings the slow lucidity and intense vigor of the Cuban classics to life. --Karen K. HuggAmazon.com
It should never cease to amaze how spry and dramatically potent a force is the Buena Vista Social Club. The group--really a gaggle of aging Cuban maestros brought together for stunning all-star performances--keeps its footing in Cuban dance music at the same time as it revels in the lax tempo of layered hand percussion and traditional rhythms. Ibrahim Ferrer stepped to the international fore as the vocalist on the eponymous BVSC CD in 1997 and here furthers his already-obvious command of everything from sultry, horn-swaying ballads to gritty son tunes like "Mamí Me Gustá." Ferrer's tattered vocal inflections shape the more rollicking tunes so their texture is palpable, especially when belted in antiphonal give-and-takes with the rest of the huge band he totes along here. A 15-member-strong string section steps forward on the bolero tracks, which send off a smoldering passion that's startling in light of the BVSC's heightened, horn-charged charts. But the rich string passages color songs in wide brush strokes, which is to say that they heighten the passion to no end. Ferrer's debut might come in his twilight years, but it's a majorly luminous event. --Andrew BartlettCustomer Reviews:
Excelente!!!!.......2007-06-12
I LIKE A SPICY CUBAN DISH (In A Little Black Dress).......2007-03-19
[*I first became conscious of the strange phenomenon when I was about 15 years old: I ordered something to eat in a little fast food Mexican joint on Venice Boulevard in West Los Angeles. Unbeknownst to the young Latinas working behind the counter, the very next person to place his order was my Pa, and when he joined me at a table, he related to me how one girl said to her co-worker after I walked away, "That guy was cute," and the other agreed.*]
Good Friend Melanie gave me the IBRAHIM FERRER album of Cuban Jazz as a gift the Christmas before last. (I had mentioned beforehand that I have more music than time to hear it, but she listened to me about like men listen to women. No one's to blame for the communication disconnect between the genders, really, because we have such disparate origins: A woman is from Venus and a man is from a woman's "Monologue.")
[*Including my ENTIRE life, I can count on two fingers how many White, Black, or Asian women have had me and the "Mystery Dance" occupying the same thought in their mind. But Hispanic women have always found me to be irresistible, and I don't know why. I am a very ordinary looking, but extremely analytical individual who tends to mentally dissect everything in order to comprehend why and how such and such is so. But I've yet to concoct even the most rudimentary theory to explain the Latin woman's attraction to me.*]
I almost gave up on the IBRAHIM FERRER recording because I just couldn't seem to warm up to it for the longest time. At one point, I considered posting a Two-Star review on this website which I thought to title, "I'LL HAVE THE NUMBER THREE COMBINATION PLATE AND A MARGARITA, PLEASE." The music just made me feel like I was sitting in a booth at a Mexican restaurant. "Not that there's anything wrong with that", but tunes for home listening? And since Good Friend Melanie wasn't too crazy about Bright Size Life - the Pat Metheny disc I had given to her - we even considered trading, and each of us keeping the item we had purchased.
[*The brilliant and world-renowned South American sociologist, Yoey O'Dogherty, once observed that, "Hispanic women are especially drawn to the warm magnetism of masculine intensity, just as conversely, snowmen are drawn to frigid climates." And in my youth I was sometimes known by the nickname, "Mister Intense." Perhaps this accounts for why Latinas are so susceptible to the energy of my aura?*]
I finally decided that I would play nothing but IBRAHIM FERRER whenever writing on my computer until either my ears became educated enough to enjoy it, or until I could stand it no longer and gave it away to Lupe, the waitress at Abuelo's Mexican Food Embassy who always gives me extra guacamole and a wink.
[*You know how women can give men "the once over" without tipping their hand to the guys, while men just ogle openly? Well, these spicy Hispanic gals sometimes lose their highly refined skills around me, unable to extinguish the hungry flames in their orbs. Even at my advanced age of 47, wearing spectacles, and with plenty of grey cohabitating with the brown on my scalp and in my goatee, I still sometimes catch `em eyeing me.*]
Well, to my great surprise, I not only eventually came to differentiate between all of these melodies, but came to embrace them as if they were part of my own culture. The tremendous blasts of brass; the lively, intricate percussion work; the sparse but soulful guitar touches of Ry Cooder; and the emotional and romantic Spanish vocals really move me ... and they make my writing move, too. I've found that IBRAHIM FERRER puts some added zest into my words - really gets the creative juices flowing. (Can't you tell?) Because of its dancing rhythms, it's become maybe my very favorite disc to play as background music while writing anything.
[*I once had a sweet and shy Mexican girl tell me about a week before her wedding that all along it was me she had been hoping to catch. And less than twelve months ago, this 18-year-old hot Hispanic thang let it be known that she was interested in me. (She went by Wendy, but I'm pretty sure her Mama named her Maria.) She was a real cutie and had an absolutely OUTRAGEOUS body to go with that face: all the curves in just the right places and very well pronounced like: "The rain in Spain stays mainly in the plain!" To borrow from The Commodores, she was truly built like a "Brick OWse!" The night I had to turn her down, pointing out that at my age I was nearly old enough to be her grandpa, I drove home gnawing on my knuckles and chanting over and over again, "There had better be a Heaven! There had better be a Heaven!"*]
As if the music alone wasn't reason enough to purchase IBRAHIM FERRER, the song MARIETA contains one of the funniest lyrical passages ever. Translated into English it says: "My wife was suffering from an illness of the heart in Havana. So the doctor came one morning to examine her. He took off her dress, her p*nties, too. And her slip. But when I saw that indecency I said: This isn't good; I really don't think my wife's heart is that far down." Imagine that, a song about a doctor "playing doctor."
[*So, you're wondering why I told you how attractive Latinas find me? Well, it just so happens that I wasn't talking to you, Dude; I was trying to send a discreet message to your hot, Hispanic girlfriend. But you know what? To heck with subtlety: Hola guapa, llamame cuando tu novio esta fuera.*]
Good........2007-02-14
Ibrahim.......2007-02-12
May he live forever.......2007-01-10
Average customer rating:
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Canta en Español
Eydie Gorme Y Trio Los Panchos Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002DFR Release Date: 1990-02-05 |
Tracks:
- Nosotros
- Piel Canela
- Y...
- Sabor A Mi
- Noche De Ronda
- Caminito
- Cuando Vuelva A Tu Lado
- Di Que No Es Verdad
- La Ultima Noche
- Historia De Un Amor
- Media Vuelta
- Amor
Customer Reviews:
Great Album.......2007-07-01
I can genuinely say this album in its' LP glory is one of my greatest treasures.
How Divine!.......2007-05-21
Eydie Gorme in all her glory!.......2007-04-01
Although she's best-known for her collaborations with husband Steve Lawrence, Miss Eydie Gorme also enjoyed a rich and popular partnership with the Los Panchos, and they recorded a few albums together; the best probably being 'Canta En Espanol'.
On this album (remastered in stereo for the very first time), Eydie Gorme gets to wrap her sensuous, velvet voice around such pieces as "Amor", "Sabor A Mi", "Noche de Ronda", and "Historia de un Amor".
Gorme's phrasing and accents are absolutely spot-on, and the arrangements from Los Panchos are very lush, suiting Gorme's vocals perfectly. For fans of Eydie Gorme, this would be a fine title.
[Sony/CBS International CD-80193]
Absolutely Wonderful!.......2007-03-12
Wonderful!.......2007-01-30
Average customer rating:
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Moulin Rouge 2
Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YW4Z Release Date: 2002-02-26 |
Tracks:
- Your Song
- Sparkling Diamonds [Original Film Version]
- One Day I'll Fly Away
- The Pitch (Spectacular Spectacular) [Original Film Version]
- Come What May [Original Film Version]
- Like a Virgin [Original Film Version]
- Meet Me in the Red Room [Original Film Version]
- Your Song
- The Show Must Go On [Original Film Version]
- Ascension/Nature Boy (From the Death and...)
- Bolero (Closing Credits) [Original Film Version]
Amazon.com
There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulleyAlbum Details
Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'Customer Reviews:
Wow........2007-01-15
The highlights of the album are:
-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)
In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!
If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!
Love this CD.......2006-07-04
I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.
Could it get any better?.......2006-03-02
Moulin rouge tried to fill up the GAP.......2006-02-12
Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.
One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.
To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.
ahahahahaha.......2006-02-01
Average customer rating:
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Buena Vista Social Club Presents Omara Portuondo
Omara Portuondo Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SVHO Release Date: 2000-05-09 |
Tracks:
- La Sitiera
- He Perdido Contigo
- Donde Estabas Tu?
- Mariposita De Primavera
- Canta Lo Sentimental
- Ella Y Yo
- No Me Vayas A Enganar
- No Me Llores Mas
- Veinte Anos
- El Hombre Que Yo Ame (The Man I Love)
- Siempre En Mi Corazon
Amazon.com
While she came to global prominence as the female singer on the Buena Vista Social Club album and in the film, Omara Portuondo has a career that--like the other participants--stretches back many years. She puts her experience to good use on this record, sounding for all the world like a Cuban Billie Holiday, smoky and quietly tragic, with a history of lost love. The lush arrangements, which often sound transplanted straight from 1950s Havana, frame her voice exquisitely while guests such as Ibrahim Ferrer, Compay Segundo, and Rubén González add their inimitable talents to the mix. Her reading of "The Man I Love" ("El Hombre Que Yo Ame") is also a microcosm of the disc--slightly jazzy, with a yearning vocal that's emotive without ever being overwrought. There's little doubt that Portuondo is a world-class singer, and this is the ideal showcase for her extraordinary talents. --Chris NicksonCustomer Reviews:
What a voice!.......2007-05-13
Omara Sears my Synapses. Let her Blister yours, too.. .......2006-10-27
This is the best of all the Buena Vista Social Club productions, IMAO. And whatever that woman up in one of the featured reviews means in saying that this music isn't danceable, I have no idea. Maybe she's in traction or something and can't move. I mean, I barely can myself. It takes something special to bring whatever rhythm I have out of me, but Omara does it every time. No drum machines or thumping bass, true- she's much more potent than that. It's much more a Billie Holiday slow burn, but in Spanish, y el espanol es una idioma mas proximo al corazón que ingles.
El fuego va consumirle.
Sorry about that. Soy el asesino del espanol. But it is still one of el gitano's axioms that if he can break his excreble Spanish down on a lady, then the repartee is practically over. And Omara is one of his very most secret weapons. Loose her, and the party or date will- how to say this - improve. Coulé, coupé, touché.
It happens every time. This album comes with el gitano's seal of guarantee. Buy it, use it with judicious abandon, and enjoy..
Excellent representation of this genre.......2005-10-06
beautiful music.......2004-05-14
Builds on a great foundation.......2004-04-27
Average customer rating:
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At The Movies
Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001HAGPG Release Date: 2004-03-23 |
Tracks:
- Love Theme - Romeo and Juliet
- Lara's Theme / Somewhere My Love - Dr. Zhivago
- My Heart Will Go On - Titanic
- The Second Waltz - Eyes Wide Shut
- Heigh-Ho - Snow White
- Moonriver - Breakfast at Tiffany's
- Sirtaki / Zorba's Dance - Zorba the Greek
- Main Title - The Godfather
- Bolero - "10"
- John Dunbar's Theme - Dances with Wolves
- The Windmills of Your Mind - The Thomas Crown Affair
- Edelweiss - The Sound of Music
- True Love - High Society
- Stranger in Paradise - Kismet
- Romance - The Gadfly
- Main Title - Once Upon a Time in the West
Customer Reviews:
At The Movies by Andre Rieu.......2007-05-20
very beautiful.......2007-01-09
Refreshing Music.......2006-11-03
from texas--AND FROM A MUSIC LOVER.......2006-08-30
Andre Rieu - Music for the masses.......2006-08-10
Average customer rating:
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Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004GOZA Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason VerlindeCustomer Reviews:
Waste of money.......2006-01-12
Ken
Great Music Compilation.......2005-08-15
If you like classical music don't buy this CD........2005-03-11
A must for anyone wanting the staples of classical music.......2005-02-23
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
Average customer rating:
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Beverly Sills
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000FCKP Release Date: 1998-11-24 |
Tracks:
- Parlez-moi d'amour
- Ouvre ton coeur
- Oh, quand je dors
- Waltz From Mireille
- Si tu le veux
- Les filles de le Cadiz
- Les chemins de l'amour
- Plaisir d'amour
- Villanelle
- Goyescas: Interludio
- Goyescas: La maja y el ruisenior
- Estrellita
- La morena de mi copla
Customer Reviews:
Point of Information.......2007-07-06
For me, the initial main attraction here was the Granados, and it was a hallelujah moment when I spotted this CD in the bins almost 10 years ago. While this disc represents the commercial first release of the *Goyescas* selections, they received limited issue around December 1963 on a holiday-bonus LP ("The Sound of Genius 1963") from the Columbia Record Club.
That LP was my introduction to Sills, and it made me fall in love with her voice. It was always a special treat to play her vocal track for those who had no idea it existed and watch their astonishment as Beverly's voice floated through sonic space like the very nightingale she sings about. It is simply some of the loveliest, most haunting singing I've ever heard. To get two additional tracks from the same recordings sessions -- especially "Estrellita" -- was an unexpected blessing.
So get this CD for the last three tracks, if nothing else (track 10 is purely orchestral). They capture Sills at a magical moment. Even if you like nothing else on the disc (and I think you'll like much more), you can claim these three special treasures for a mere pittance. How much more precious are they, now that she has gone on to sing, we pray, in other realms.
Estrellita.......2006-12-07
Estrellita is not a Spanish song as claimed by some commentators, but a Mexican one, whose author is the late Manuel M. Ponce.
Ugly.......2004-05-20
Carmen.......2004-04-26
Excellent disc.......2004-03-21
Sills DID sing Carmen. She sang it on tour in the 1950s.
Average customer rating:
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In the Mood for Love (2000 Film)
Various Artists - Soundtracks Manufacturer: Higher Octave OmTown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000050G51 Release Date: 2000-11-06 |
Tracks:
- Yumeji's Theme - Umebayshi Shigeru
- Mo-wan's Dialogue - In The Mood For Love ST
- Angkor Wat Theme I - Michael Galasso
- ITMFL I - Michael Galasso
- Aquellos Ojos Verdes - Nat King Cole
- Shuang Shuang Yan - Deng Bai Ying
- ITMFL II - Michael Galasso
- Radio Zhou Xuan Announcement/Hua Yang De Nian Hua - Zhou Xuan
- Perhaps, Perhaps, Perhaps - Nat King Cole
- Bengawan Solo - REBECCA PAN
- ITMFL III - Michael Galasso
- Si Lang Tan Mu - Tan Xin Pei
- Shuang Ma Hui - Zhang Yun Xian/Hou Li Jun
- Blue - Michael Galasso
- Hong Niang Hui Zhang Sheng - Zheng Jun Mian/Li Hang
- Li-zhen's Dialogue/Te Quiero Dijiste (Magic Is The Moonlight) - Nat King Cole
- Angkor Wat Theme II - Michael Galasso
- Yue Er Wan Wan Zhao Jiu Zhou - Chiu Wai Ping
- Casanova's Flute - Michael Galasso
- Yumeji's Theme/Li-zhen's Dialogue - Umebayasi Shigeru
- Angkor Wat Theme Finale - Michael Galasso
Amazon.com
Soundtracks are a mixed bag at best. Some are little more than an assortment of pieces, but others hang together effectively on their own, like this one. The idea of Chinese music--both popular and operatic--juxtaposed with the sounds of Nat King Cole performing Latin music might seem bizarre, but it works beautifully, sustaining a lush, romantic mood created both by the strings and the '40s Chinese music, itself a tinkling Hollywood pastiche. But as atmospheric as all this is, one track stands out above the others: "Blue," actually a version of the classic "St. James' Infirmary," takes on another dimension in Chinese hands. While familiar but completely alien at the same time, the slithering Asian sonorities mesh perfectly with the African-American form to create something evocative but with a sadness that goes beyond blues. The movie is of a time and place; the soundtrack is of a mood and yearning. Listen at night, with someone you love close by. --Chris NicksonCustomer Reviews:
Awsome Instrumental Music.......2007-03-09
The Bing Crosby songs are very good but...........2006-07-17
AMAZING! Hauntingly beautiful..........2006-05-09
A great soundtrack for a lover of WKW films.......2006-03-22
as gorgeous as the film!.......2006-02-11
Happily, this soundtrack is absolutely faithful to the film, and it is masterfully interwoven with dialogue excerpts from the film which complement and build on the music instead of being obtrusive. I don't understand a word of Chinese but still enjoyed listening to the actors' voices, and also liked the bits of traditional Chinese music as well. There are some tracks that I don't remember from the film but they are not throw-away filler in any way, just beautiful extras in the same vein.
Average customer rating:
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Mas Canciones
Linda Ronstadt Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002H9Z Release Date: 1991-11-19 |
Tracks:
- Tata Dios
- El Toro Relajo
- Mi Ranchito
- La Mariquita
- Gritenme Piedras Del Campo
- Siempre Hace Frio
- El Crucifijo De Piedra
- Palomita De Ojos Negros
- Pena De Los Amores
- El Camino
- El Gustito
- El Sueno
Customer Reviews:
Linda or Lola?.......2007-05-26
The sad fact, though, is that the fidelity of most of Lola's albums is very low...they sound like they were recorded on a home tape recorder. And since she has now passed away, there will never be any new recordings.
Mas Canciones.......2005-09-07
Authentic Mexican.......2005-03-10
I am not a Mexican, but I have circulated for years in the Mexican parts of Los Angeles, and I have travelled throughout Mexico, enjoying the native musicians on street corners and in parks and cafes. I have always wondered about those who praise Lola Beltran as the "great" Mexican singer. She sounds too urbane and too international to me--in the manner of Catarina Valente. I always thought the real spirit of Mexican music was better represented by such as Las Hermanas de Alba. And now Linda Ronstadt carries on the true Mexican tradition in her later work. Whatever else she may have sung in her career, I find in Linda's Mexican singing the authentic flavor of Old Mexico.
Update 17 May 2006
Last night as I was browsing the reviews of this record, I got curious about the various comparisons to Lola Beltran. Not having listened to Lola for quite some time, I went through a stack of stuff from both Linda and Lola to refresh my ear.
My conclusion. Lola is good, but Linda is better.
Linda has a much broader emotional range. With all of her musical excelence, Lola has a dreadful sameness from song to song--even songs which should be handled quite differently. For example, It is quite disconcerting to hear Lola back to back on "Ya No" and "Me equivoque contigo"--songs which should be very different in emotional tone sound all too similar. As it happens, I heard the latter song on the radio a few days ago by a male artist. His rendition shoots Lola's down the drain.
By contrast, Linda's emotional range is both subtle and immense. For example, from her "Tata Dios," which wrenches me to tears every time I hear it, to the mock seriousness of her "El toro relajo," which is always worth a good laugh. After reviewing a batch of Lola's work this morning, I can't imagine her ever having such an effect on me. Lola still strikes me as a city person trying to sing country. Whatever else Linda may have done in her life, she somehow manages to dig her toes into the true country soil of Old Mexico.
Viva Linda!
Let the sun shine in..........2005-01-13
MAS CANCIONES.......2004-09-02
Music Review:
- Charles Gerhardt Conducts Mozart, Schubert, Brahms and others
- Chopin - Complete Waltzes
- Christmas Encores
- Classical Blockbusters
- Classical Favorites, Vol. 2 (Box Set) [Box set]
- Dances & Waltzes [Box set]
- Dream Melodies, Vol. 1-5 (Box Set) [Box set]
- Dream Melodies, Vols. 6-10 (Box Set) [Box set]
- Elena Ulyanova - Caldine Performs Liszt Works for Piano
- Goin' For Baroque
Music Review
Make up Your Mind [CD-single] [Import]
Ravel: Daphnis et Chloe / Sheherazade / Ma Mere L'Oye Suite / La Valse / Munch / Ansermet / Beer
Repertoire for Women's Voices Vol. 3
The Eminent Jay Jay Johnson, Vol. 1 [Original recording remastered]
Raw Porking Power: Best of [Import]
Sings Canadian History [Import]