Composed by Igor Stravinsky
Performed by Leningrad Philharmonic Orchestra
2. Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version)
Composed by Igor Stravinsky
Performed by Leningrad Philharmonic Orchestra
Stravinsky: L'Oiseau De Feu/Petrouchka,Igor Stravinsky,Leningrad Philharmonic Orchestra,Eclipse Music Group,20th/21st Century Ballet,Ballet,Classical,Orchestral,Suite for Orchestra
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Stravinsky: Le Sacre du printemps/L'Oiseau de feu/Jeu de cartes/Petrouchka/Pulcinella
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GYI Release Date: 1997-07-15 |
Tracks:
- L'Adoration de la terre: Introduction
- L'Adoration de la terre: Les Augures printaniers - Danses des adolescents
- L'Adoration de la terre: Jeu du rapt - Game of Abduction
- L'Adoration de la terre: Rondes printanieres - Spring Round Dances
- L'Adoration de la terre: Jeux des cites rivales - Games of the Rival Tribes
- L'Adoration de la terre: Danse de la terre - Dance of the Earth /Le Sacrifice - The Sacrifice
- Le Sacrifice: Introduction
- Le Sacrifice: Cercles mysterieux des adolescentes - Mystical Circles of the Young Girls
- Le Sacrifice: Glorification de l'Elue - Glorification of the Chosen Victim
- Le Sacrifice: Action rituelle des ancetres - Ritual of the Elders
- Le Sacrifice: Danse sacrale (L'Elue) - Sacrificial Dance (The Chosen Victim)
- L'Oiseau De Feu: Introduction
- L'Oiseau De Feu: Variation de l'Oiseau de feu - Variation of the Firebird
- L'Oiseau De Feu: Ronde des Princesses - The Princesses' Round
- L'Oiseau De Feu: Danse infernale du roi Kachtchei - Infernal Dance of King Kahchei
- L'Oiseau De Feu: Berceuse - Lullaby
- L'Oiseau De Feu: Final - Finale
- Jeu de cartes: Premiere donne
- Jeu de cartes: Deuxieme donne
- Jeu de cartes: Troisieme donne
Tracks:
- Petrouchka: Fete populaire de la semaine grasse - The Shrovetide Fair
- Petrouchka: Danse russe - Russian Dance
- Petrouchka: CHez Petrouchka - Petruschka's Room
- Petrouchka: CHez la Maure - The Moor's Room
- Petrouchka: Valse: La Ballerine et le Maure - Waltz: The Ballerina and the Moor
- Petrouchka: Fete populaire de la semaine grasse - The Shrovetide Fair (towards evening)
- Petrouchka: Danse des nounous - Dance of the Nursemaids
- Petrouchka: L'ours et un paysan - The Bear and the Peasant
- Petrouchka: Un marchand fetard avec deux tziganes - The Jovial Merchant with Two Gypsy Girls
- Petrouchka: Danse des cochers et des palefreniers - Dance of the Coachmen and Grooms
- Petrouchka: The Masqueraders
- Petrouchka: La rixe: Le Maure et Petrouchka - The Fight: The Moor and Petrushka
- Petrouchka: Mort de Petrouchka - Death of Petrushka
- Petrouchka: La police et le charlatan - The Police and the Showman
- Petrouchka: Apparition du double de Petrouchka - Apparation of Petrushka
- Pulcinella: Ouverture: Allegro mederato
- Pulcinella: Serenata: Larghetto
- Pulcinella: Scherzino: Allegro
- Flaminio, Act III, Checca's Canzona: Poco piu vivo
- Pulcinella: Allegro
- Pulcinella: Andantino
- Pulcinella: Allegro
- Pulcinella: Allegretto
- Pulcinella: Allegretto assai
- Pulcinella: Allegro
- Pulcinella: Largo (Trio), Allegro, Presto
- Pulcinella: Allegro - alla breve
- Pulcinella: Tarantella
- Pulcinella: Andantino
- Pulcinella: Allegro
- Pulcinella: Gavotta con due variazioni
- Pulcinella: Vivo
- Pulcinella: Tempo di minuetto
- Pulcinella: Allegro assai
Amazon.com
This is an excellent Stravinsky collection on all counts. Claudio Abbado's recordings with the London Symphony Orchestra represent the high-water mark of his career, and DG captured the partnership in generally fine sound. This recording of the complete Pulcinella, with the songs included, set an entirely new standard for the work, and its excellence has worn very well in the couple of decades since its initial release. The performance of Jeu de Cartes (Card Game) also should win many new friends for this entertaining late work. As to the Big Three ballets, all of them were among the most recommendable versions when they first came out, and they still are. --David HurwitzCustomer Reviews:
Abbado's Stravinsky from his LSO period is very fine.......2006-09-22
Petrushka gets another vivid recording and lots of commitment from the LSo; it also finds Abbado at his most involved. But the main attraction here isn't the most familiar works but Abbado's complete Pulcinella and the Balanchine-commissioned Jeu de Carte (Hurwitz mistakenly calls it a late work. with Stravinsky, late means the 1950-71, not 1937, when this ballet was premiered). Abbado's approach is classical and balanced, but there's a good deal of inner life, which Stravinsky's 'white' ballet music desperately needs if it's to connect with a concert audience.
I especially like the Pulcinella, which is an oddly difficult work to bring off. Abbado plays it lightly, with refined textures and attacks that aren't as dry and sharp as we usually expect, articularly from the composer himself. Purists may find Abbado too mellifluous, but he's never rough and vulgar. He's lucky in his prestige vocalists (Berganza, Shirley-Quirk, and Davies), who struggle just a bit in songs that often defeat lessert singers.
All in all, there's stiff competition in these pieces, but Abbado gives ue the best omnium gatherum of all five.
Phenomenal Firebird.......2006-09-14
Practically Perfect.......2006-03-15
Wonderful.......2005-03-18
Great Interpretations of Stravinsky From Abbado.......2002-03-27
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Stravinsky: Petrouchka; Firebird Suite [Hybrid SACD]
Manufacturer: Vanguard Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001IN0EO Release Date: 2004-04-27 |
Tracks:
- The Shrove-Tide Fair
- Petrouchka's Room
- The Moor's Room
- Shorve-Tide Fair (Toward's Evening)
- Danse Infernale Du Roi Kastchei
- Berceuse
- Finale
- Bonus Track 1
- Bonus Track 2
- Bonus Track 3
- Bonus Track 4
- Bonus Track 5
- Bonus Track 6
- Bonus Track 7
- Bonus Track 8
- Bonus Track 9
Customer Reviews:
Performance A+, Original Mastering A+, This Remaster D-.......2007-04-13
Mackerras, LSO, Stravinsky: Musical Magic in Surround Sound.......2006-05-20
I first obtained this recording in the ancient days of LP vinyl. Immediately I realized that this was one of the best played and recorded editions available. So I hung onto it, until my LP collection was destroyed in a shipping accident. Then, one day I found it on regular 16-bit CD, and scooped it up as quickly as possible. The coupling was a tremendous, top-notch performance of Mussorgsky-Ravel's Pictures at an Exhibition, with Mackerras leading the New Philharmonia (London). (Now also available in SACD transfer, and standing equally high as sound demo and as musical performance on my play list.)
That regular CD still sits on the fav shelf; but the moment I encountered a SuperAudio version of the Mussorgky-Ravel Pictures, I began to look for an SACD version of the Petrouchka. My particular treasure hunt ended at a local store; but yours may take you along other paths. No matter, look for this wherever you can obtain it.
The SACD provides a surround remix of the original 8-track master tapes, and the result is simply stunning as music, and as high resolution system display piece. (I'm going full tilt on five Def Tech floor speakers, plus a Velodyne sub, powered by Bryston amps, with a Pioneer omni-player feeding a B&K Ref 30 preamp.) Of course, Stravinsky's brilliant orchestration is rooted in the Late Romantic lexicons of Berlioz and Rimsky-Korsakov, and carried forward in a hybrid manner that imports the keyboard athletics of what would otherwise be a concerto genre. The fact that conductor and band are playing the original 1911 scoring, later reduced and streamlined by the composer to fit a more linear, modern sensibility, only emphasizes the flash, fire, and balletic energy of this performance. The London Symphony play it all to the absolute tens, and thanks to the multi-track master, every harmonic nuance and virtuoso soloist's riff is present and then some. In the surround SACD, the instruments have been allocated to the back and front channels, which isn't anything at all like a live auditorium performance would be. It took some getting used to, every time the back channel performers kicked in. That said, if any music in the classical repertoire can take this sort of sonic treatment and still come out music, the Stravinsky Petrouchka has to be on that list.
Since the SACD comes in a hybrid version with a regular CD layer, you get value either way, depending on what kind of player you have at the moment. Also it may serve consumers with regular DVD players to recall that Silverline Classics is releasing the Vanguard/Artemis catalogue in DVD Audio 5.1 remixes, too, that also play in regular Dolby Digital 5.1 format on ordinary movie players. You may eventually get this outstanding performance in that high-resolution format, and enjoy it even if you haven't upgraded to SACD yet.
In any case, grab this one. It appears in the catalogue, but disappears rather more quickly than its excellence might suggest. This SACD is mid-price in some locations, but there is nothing compromised about its sonic and musical value.
Truly five bright stars, and very highly recommended.
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Stravinsky: Petrouchka; The Firebird Suite; Scherzo à la Russe
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008GENY Release Date: 2003-03-25 |
Amazon.com
Any temptation to ignore yet another release of the ubiquitous Petrouchka and the Firebird Suite should be resisted, for these performances are really special. Petrouchka pulses with life; Järvi and his excellent orchestra put you right in the middle of Stravinsky's surrealistic carnival, rendering the dances with vibrant energy and the slower narrative sections with command of mood and atmosphere, as in the menacing In the Moor's Room or in the scene of Petrouchka's death. It's as if conductor and musicians determined they'd play the score as if it was newly-minted; it has the freshness of discovery. The Firebird Suite shares that quality too, and the early little Scherzo makes for a nice filler. Along with Järvi, the heroes of this disc are the orchestra, which plays with razor-sharp accuracy and polish, its soloists, who contribute innumerable virtuoso passages full of character, and the engineers who capture it all in stunningly vivid sonics. --Dan Davis
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Petrouchka / Firebird Suite / Scherzo
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A4GE0 Release Date: 2003-07-22 |
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Stravinsky: The Firebird; Rite of Spring; Petrouchka; Scherzo fantastique
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD ASIN: B000006CRW Release Date: 1998-03-17 |
Tracks:
- Petrouchka - Tableau 1: The Shrovetide Fair
- Petrouchka - Tableau 1: The Magic Trick
- Petrouchka - Tableau 1: Russian Dance
- Petrouchka - Tableau 2: Pouchka's Room
- Petrouchka - Tableau 3: The Moor's Room
- Petrouchka - Tableau 3: Dance of the Ballerina
- Petrouchka - Tableau 3: Waltz (The Ballerina and the Moor)
- Petrouchka - Tableau 4: The Shrovetide Fair (evening)
- Petrouchka - Tableau 4: Dance of the Coachmen and the Grooms
- Petrouchka - Tableau 4: The Mummers
- Feu D'artifice Op. 4: Fireworks
- The Rite of Spring - Adoration Of The Earth: Introduction
- The Rite of Spring - Adoration Of The Earth: The Augurs of Spring
- The Rite of Spring - Adoration Of The Earth: Ritual of Abduction
- The Rite of Spring - Adoration Of The Earth: Spring Rounds
- The Rite of Spring - Adoration Of The Earth: Ritual of the Two Rival Tribes
- The Rite of Spring - Adoration Of The Earth: Procession of the Sage
- The Rite of Spring - Adoration Of The Earth: The Kiss of the Earth
- The Rite of Spring - Adoration Of The Earth: The Dancing Out of the Earth
- The Rite Of Spring - The Sacrifice: Introduction
- The Rite Of Spring - The Sacrifice: Mystic Circles of the Young Girls
- The Rite Of Spring - The Sacrifice: Glorification of the Chosen One
- The Rite Of Spring - The Sacrifice: Evocation of the Ancestors
- The Rite Of Spring - The Sacrifice: Ritual Action of the Ancestors
- The Rite Of Spring - The Sacrifice: Sacrifical Dance
Tracks:
- The Firebird: Introduction
- The Firebird: Kashchei's Enchanted Garden
- The Firebird: Appearance of the Firebird
- The Firebird: Dance of the Firebird
- The Firebird: Ivan Tsarevich captures the Firebird
- The Firebird: Supplication of the Firebird
- The Firebird: Appearance of the Thirteen Enchanted Princesses
- The Firebird: The Princesses' Game with the Golden Apples
- The Firebird: Sudden Appearance of Ivan Tsarevich
- The Firebird: The Princesses' Round Dance
- The Firebird: Daybreak, Ivan Tsarevich enters Kashchei's Palace
- The Firebird: Magic Carillon, Capture of Ivan Tsarevich
- The Firebird: Arrival of Kashchei the Immortal
- The Firebird: Appearence of the Firebird
- The Firebird: Dance of Kashchei's Retinue
- The Firebird: Infernal Dance
- The Firebird: Lullaby (Firebird)
- The Firebird: Kashchei's Death
- The Firebird: Disappearence of the Palace and Dissolution of Kashchei's Enchantments, General Thanksgiving
- Scherzo Fantastique, Op. 3: Pour Grand Orchestra
Customer Reviews:
In my opinion..........2006-02-12
First off, with Le Sacre du Printemps, the introduction is more organic than usual, which gives a creepier and more sophisticated look of what's to come in the later segments. "The Augurs of Spring" and "Ritual of Abduction" disappoint. The pace is dragged and there isn't much energy to produce a full effect of what Stravinsky intended. "Ritual of the Two Rival Tribes" and "Procession of the Sage" will make you forget about the slowness of the recent two segments with its cackling willpower. The moaning tubas and the menacing trumpets are in good quality here. "The Dancing out of the Earth" is flawed because the solo trumpet is overpowered by the low woodwinds and fast strings. The second half of Sacre is by practical definition of the words Profound and Unforgettable. "Introduction" and "Mystic Circles of the Young Girls" will give you goose-bumps for sure. "Glorification of the Chosen One" is nearly faultless; its vigor isn't brought down by slower tempi, and the brass and strings are in top form. "Ritual Action of the Ancestors" is, as usual, devilish, and the loud "Sacrificial Dance" will make your skin crawl.
The Firebird, in its original 1910 manuscript, does not lack the charm when taken seriously by the conductor. From "Introduction" to "Supplication of the Firebird," the darkness of the first ten minutes of this piece has been given a slow swiftness, and that makes it a good thing. It makes you imagine the deep forests of Russia as a symbol of fear and not wildness. The Thirteen Princesses sequences are splendid; the lightness and dynamism have the perfect volume (not that soft and not that loud). The Round Dance is a relaxing trance that is interrupted by the terrifying equally ferocious appearances of Ivan Tsarevich. "Infernal Dance" is at its best in Inbal's hands. The tempo is perfect in this kind of situation, the resonance of the brass and woodwinds are not obscured by the strings that are given secondary importance here, and the percussion incredibly delivers with its clang and bang and clunk and thud. The "Lullaby" is a tearjerker when it comes to the bassoon's buoyancy and the strings' lovely dictions. The "General Thanksgiving" is slightly marred by the somewhat quick pace, but the brass and timpani in their 7/4 time signature are played with all their might and finishes this ballet with a humongous bang.
Inbal's rendition of Petrushka may not be satisfying to those who have heard of this piece before. Tableau 1 (The Shrovetide Fair, the Magic Trick, and Russian Dance) is only mediocre because of lack of tension. Tableau 2 (Petrushka's Room) is better with clear articulation from the woodwinds and brass. Though devoid of expression, it gives off a sparkling flow with its sheer lovingness. Tableaus 3 and 4 fail in many levels. The tempi is off, the tension is heard nowhere, the finale doesn't give out a smooth ebb with its finishing touch, and the strings don't seem to follow the conductor correctly. The trumpet solo in the "Dance of the Ballerina" sounds nice, though.
With two memorable fillers, Fireworks and Scherzo Fantastique, this set is part of the love-it-or-leave-it variety. I personally love it because of its firm handling of The Firebird and Le Sacre du Printemps. There are better recordings of Petrushka that are out there, like the Neeme Jarvi version. All in all, this is a good buy. Unfortunately, Amazon didn't have the nerve to collect more stock for this item, so you should find it somewhere else. At mid-price, you won't want to miss out on this one.
yeah right!.......2000-07-27
Outstanding "Rite", Good Firebird, Disappointing Petrushka.......2000-03-29
Under the baton of conductor Eliahu Inbal, this disk of Stravinsky marks their return to the world stage as a top-notch ensemble: exciting brass, tight ensemble playing, and strong individual woodwind performances. The recording of the Rite of Spring stands out as powerful as I have heard it anywhere. The raw bestiality of Stravinsky's score comes through with a vengeance--it is easy to see why this work evoked such outrage upon its premiere. Inbal provides strong direction and lets the colorful orchestration shine. The performance is so overwhelming you will want to play it to the limit your speakers (and neighbors) can tolerate.
The recording of the 1911 score of Petrushka, however, is a bit more disappointing. While there are many excellent individual performances among the musicians in the orchestra, it appears as though the work is under rehearsed. Petrushka requires the musicians to alternately sound like a full orchestra or a small chamber ensemble; the latter passages often lack rhythmic cohesion amongst the soloists. It is also a playful piece, but that character seems to have been somewhat missed in this performance.
The Firebird is heard here in its complete version. Fans of the suite extracted from this ballet will discover (not unexpectedly) that the suite encompasses the best passages of the entire work, and that the additional music makes the complete version into a rather clumsy composition. Nonetheless, the Philharmonia Orchestra performs valiantly: the Infernal Dance is energetic and exciting, the Lullaby beautiful, and the Finale grandiose (albeit the ensemble occasionally loses its cohesion here also).
Despite some drawbacks in the Petrushka, this 2-CD set is a good buy (it also includes the shorter Fireworks and Scherzo Fantastique) and has excellent sound quality.
SORPRENDENTE.......2000-03-23
Fuertemente recomendado.
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Stravinsky's Greatest Hits
Manufacturer: Proarte ProductGroup: Music Binding: Audio CD ASIN: B000009KWK Release Date: 1996-03-04 |
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Stravinsky: L'Oiseau de feu; Petrouchka
Manufacturer: Eclipse Music Group ProductGroup: Music Binding: Audio CD ASIN: B000002XF7 Release Date: 1997-10-23 |
Customer Reviews:
There are better choices.......2001-11-14
If, however, you are interested in getting a couple of excellent recordings of outstanding performances, may I suggest the Firebird on Sony Classics' "Bernstein Century" series. This CD also has one of the most electrifying performances of the Rite of Spring I have heard on it as an extra bonus. Your best bet for Petrouchka is the Deutsche Grammophone recording of the London Symphony under Abbado.
Stravinsky deserves better treatment than this. They couldn't even spell his name right, apparently.
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Stravinsky: L'Oiseau de feu; Petrouchka
Manufacturer: Solstice ProductGroup: Music Binding: Audio CD ASIN: B000003VOP Release Date: 1998-02-03 |
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Stravinsky: Petrouchka / L'Oiseau de feu
Manufacturer: Fioretti Classics ProductGroup: Music Binding: Audio CD ASIN: B00005MLZ2 Release Date: 2001-06-12 |
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Petrouchka / Firebird (Hybr)
Stravinsky , Mccabe , Mackerras , and Lso Manufacturer: Vanguard Classics ProductGroup: Music Binding: Audio CD ASIN: B000066TXT Release Date: 2002-06-04 |
Customer Reviews:
Robin McCabe steals the show.......2004-01-10
Petrushka - An SACD showpiece?.......2003-02-26
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