Composed by George Gershwin
with Dieter Goldman
2. Concerto in F, for piano & orchestra
Composed by George Gershwin
Performed by Slavonica Philharmonia with Dieter Goldman
Conducted by Henry Adolph
3. Rhapsody in Blue for piano & orchestra (orchestral version by F. Grofé)
Composed by George Gershwin
with Dieter Goldman
Rhapsody in Blue/American in Paris,George Gershwin,Henry Adolph,Philharmonia Slavonica,Dieter Goldman,Dieter Goldmann,Ent. Media Partners,20th/21st Century Tone Poem/Symphonic Poem,American Popular Song,Classical,Classical Composers,Classical Vocals,Concerto,Modern Composition,Orchestral,Piano Concerto
Average customer rating:
|
Gershwin: Rhapsody In Blue/An American In Paris
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025MH Release Date: 1990-10-25 |
Tracks:
- Rhapsody in Blue
- An American in Paris
Customer Reviews:
Gershwin/Bernstein: Rhapsody In Blue and American In Paris.......2007-01-16
A glorious tribute!.......2006-11-22
To my mind, there just have been five pianists who have surmounted this peak: Oscar Levant, Jesus Maria Sanroma, Eugene List, Earl Wild and Leonard Bernstein.
So, under any pretext you should miss this invaluable musical gem.
A Truly Great Performance.......2006-08-19
GLORIOUS!.......2006-07-21
Well, how can you go wrong when Leonard Bernstein, with the help of the Columbia Symphony Orchestra and the New York Philharmonic, conducts(and performs brilliantly on piano)these two George Gershwin greats.You just can't. Even the quality of the CD is excellent.
Rhapsody will carry you away to some other place for a while. From that very first bluesy note, Bernstein and Orchestra will have you wrapped up in all it's jazzy glory. It's music that defines the word greatness and it's THE song I would pick (if I could only pick one) that exemplifies the masterfulness of American composers.
An American In Paris is wonderful. The feeling of a tourist on the loose in Paris is expertly portrayed through this recording. The highs, the lows and all the delights. I felt a part of it all(and I'm a long way from Paris!)
Now, if you have read any of my other CD reviews, you know that right about here is where I complain ,and sometimes even take a star off of my rating, when a CD is too short(considering how easy it is to get music elsewhere these days). But I have to say, even though the total time on this CD is only about 35 minutes, what a glorious 35 minutes it is.
Rhapsody a wonderful 16:26 and American In Paris a Yummy 18:22.
It's music that never gets old. It stands the test of time, and many repeated playings.
So you may want to keep a copy of this in your car. A great way to start your day. Listen on the way to work, and you'll have that "what? me worry?" attitude. Also fabulous for destressing on the way home from a long days work.It just seems to make everything okay.
As I said the CD has a nice quality. It also has a booklet with some notes on how Gershwin came to compose these songs.
Gershwin performed by Bernstein..it was meant to be!
Enjoy it...Laurie
The Definitive Version and Good Sound Quality!.......2006-06-06
Average customer rating:
|
Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00012QLSW Release Date: 2003-12-09 |
Tracks:
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Tracks:
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble
Tracks:
- Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
- Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
- Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
- Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
- Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
- 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky
Tracks:
- Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Tracks:
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Overture Coriolan Op.62 - Dresdner Philharmonic
- Overture Leonore No.2, Op.72 - Dresdner Philharmonic
Tracks:
- Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
- Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd
Tracks:
- Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Tracks:
- Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
- Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
- Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch
Tracks:
- Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
- Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
- Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
- Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
- Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
- Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic
Tracks:
- Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Tracks:
- Rustle of Spring Op.32, No.6 - Jennd
- Novelette in F Major Op.21, No.1 - Jennd
- Songs Without Words: E Major Op.19, No.1 - Jennd
- Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
- Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
- Songs Without Words: G Major Op.62, No.1 - Jennd
- Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
- Intermezzo in a Major, Op.76, No.6 - Jennd
- Intermezzo in a Minor Op.76, No.7 - Jennd
- Intermezzo in a Major Op.118, No.2 - Jennd
- Intermezzo in E Flat Minor Op.118, No.6 - Jennd
- Lyric Pieces: Arietta Op.12, No.1 - Jennd
- Lyric Pieces: Folkevise Op.12, No.5 - Jennd
- Lyric Pieces: Butterfly Op.43, No.1 - Jennd
- Lyric Pieces: To Spring Op.43, No.6 - Jennd
- Lyric Pieces: Notturno Op.54, No.4 - Jennd
- Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
- Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
- Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
- Melody in F Op.3, No.1 - Jennd
- Humoresque in G Flat Major Op.101, No.7 - Jennd
Tracks:
- Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
- Impromptu in B Flat Major D.935, No.3: Pito - Jennd
- 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
- 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
- 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
- 4 Impromptus D.899: No. 1 in C Minor - Jennd
- 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
- 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
- 4 Impromptus D.899: No. 4 in a Flat Major - Jennd
Tracks:
- Sonata in a Major D.959: Allegro - Michael Endres
- Sonata in a Major D.959: Andantino - Michael Endres
- Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
- Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
- Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
- Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
- Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
- Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Tracks:
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra
Tracks:
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
- Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
- Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
- Fantasy on Weber's FreischVilmos Fischer
Tracks:
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Gnomus. Sempre Vivo
- Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
- Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
- Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
- Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
- Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
- Pictures at an Exhibition: Promenade. Tranquillo
- Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
- Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
- Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
- Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
- Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
- Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
- Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
- Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
- Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
- Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
- Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
- Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
- Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
- Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
- Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)
Tracks:
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Tracks:
- Prde Op.3, No.2 - Margarete Babinsky
- Mdie Op.3, No.3 - Margarete Babinsky
- Polichinelle Op.3, No.4 - Margarete Babinsky
- Moment Musical Op.16, No.3 - Margarete Babinsky
- Moment Musical Op.16, No.5 - Margarete Babinsky
- Variations on a Theme by Corelli Op.42 - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Prde Op.23, No.5 - Margarete Babinsky
Tracks:
- Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Album Description
This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.Customer Reviews:
Ultimate music for every time of day and every mood.......2007-07-03
Would give 5 stars if sound quality where better.......2007-06-30
Great collection for a great price.......2007-06-27
20 Fabulous Discs.......2007-06-08
Average customer rating:
|
Gershwin Plays Gershwin: The Piano Rolls
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J1I Release Date: 1993-11-09 |
Tracks:
- Sweet And Lowdown
- Novelette In Fourths
- That Certain Feeling
- So Am I
- Rhapsody In Blue
- Swanee
- When You Want 'Em, You Can't Get 'Em...
- Kickin' The Clouds Away
- Idol Dreams
- On My Mind The Whole Night Long
- Scandal Walk
- An American In Paris
Customer Reviews:
Wonderfully American.......2007-05-14
When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.
"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.
A Gersh-winner.......2007-01-07
The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.
The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.
Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.
TOTAL RUNNING TIME -- 60:36
Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14
This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!
I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.
Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.
Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.
Gershwin's playing overated.......2006-04-09
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.
The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23
Average customer rating:
|
Gershwin: Rhapsody in Blue/Cuban Overture/Porgy and Bess Suite/An American in Paris
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GEK Release Date: 1993-06-15 |
Tracks:
- Rhapsody In Blue
- Cuban Overture
- 'Porgy and Bess' Suite
- An American In Paris
Customer Reviews:
As good as any Rhapsody.......2006-11-11
Everybody gives you "American in Paris" with the Rhapsody, but, come on, Porgy & Bess AND the Cuban Overture vs. Grofe's Grand Canyon Suite or the Piano Concerto in C? No contest!
Good intro to Gershwin - Great gift.......2006-08-05
In short, it's a nice performance of some of Gershwin's best work. Very enjoyable.
Outstanding performance and sound engineering.......2005-10-24
In addition to the freshness and immediacy of the sound, the playing of both the orchestra and of Levine as the piano soloist in Rhapsody in Blue are the best that I have heard amongst my various recordings of this work. I had never heard James Levine as a pianist before, only as a conductor, and was very pleasantly surprised at the excellence of his performance. There is a real joyful dynamic energy on this CD, together with a quality that is not apparent on the other recordings I own of Rhapsody in Blue - a feeling of playfulness, and even humor. I got the distinct feeling as I listened to this CD (several times, and always with great pleasure) that the orchestra and conductor/pianist were thoroughly enjoying themselves. All of the selections on this CD radiate with outstanding musicianship coupled with tremendous energy and love of life. This is one of my desert island CDs. I give it my highest recommendation.
The Finest Recordings of These Four Selections.......2004-03-13
In the wake of Gershwin's untimely death, many of his works underwent a facelift of sorts, with various composers reworking the material in an effort to give it more snob appeal: the original arrangements were touched up, retoned, and in general fiddled with--and today it is almost impossible to find a recording of a Gershwin piece recorded as originally written. But here Chicago Symphony conductor James Levine accomplishes the impossible, restoring four major Gershwin pieces to either original or near-original condition.
The great reason to purchase this CD is "Rhapsody in Blue," which will come as a revelation to listeners accustomed to hearing the piece awash in strings, for here it is returned to all the sharp edged, strident, and jazzy glory of the original 1924 Ferde Grafe arrangement for the Paul Whiteman orchestra. And it is stunning, clean, a true period jewel that is ultimately the definitive musical statement of the Deco era; hearing it performed in this stripped-down original version is akin to seeing a beautiful gemstone purged of a vulgar setting and restored to true brilliance.
Also notable are "Cuban Overture" and "Catfish Row," both of which are performed essentially as Gershwin created them. "Cuban Overture" has never been one of Gershwin's most popular concert pieces--but listening to it here one is hard pressed to know why; certainly less melodic than other Gershwin constructions for orchestra, it is nonetheless a magical thing that combines a sense of ocean and tropical flavors to tremendous effect. "Catfish Row," of course, is drawn from Gershwin's opera "Porgy and Bess"--but should not be confused with the various suites typically heard, for it was actually arranged by George Gershwin himself and offers a pleasing (and to my mind far superior) variation on these oft-heard themes.
Unfortunately, not all of the original arrangements survive. (Liner notes indicate that even "Cuban Overture" is slightly effected in this regard.) The arrangements for "An American in Paris" received an overhaul around 1947; the originals have been lost forever, and it is performed here very much as we are accustomed to hearing it. Still, Levine and company give it tremendous style and substance in execution, and without knowing what the original arrangements were like we would be hard pressed to fault them in the performance.
Whatever the case, when it comes to these four selections, and particularly so re the legendary "Rhapsody in Blue," this is the recording to have. Everything here is flawless--and very often unlike anything you've previously heard when approaching these works. Strongly recommended.
GFT, Amazon Reviewer
Gershewin is the Master of Mixing Jazz and Big Band.......2001-12-26
Average customer rating:
|
Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
George Gershwin , Pittsburgh Symphony Orchestra , and André Previn Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000040WS Release Date: 1990-10-25 |
Tracks:
- 'Rhapsody In Blue'
- 'An American In Paris': I. Allegretto grazioso
- 'An American In Paris': II. Andante ma con ritmo deciso
- Piano Concerto In F: I. Allegro
- Piano Concerto In F: II. Adagio
- Piano Concerto In F: III. Allegro agitato
Customer Reviews:
Rhapsody in Blue.......2007-02-25
Album will put a little hop in your steps.......2006-03-17
No posturing...this is 'pure' Gershwin.......2005-12-30
It is dynamic, exciting and robust conducting that the Pittsburgh responded to with 100% brio. When I listen to Rhapsody, I don't have time to criticize Gershwin's lack of 'structure'...because I am swimming in his 'American style' of music that didn't need to cowtow to the dictates of European composers or classicists.
I defy you to listen to the Adagio of "Concerto in F," and not feel yourself at 3 in the morning, walking alone down a silent NYC street, and wondering how you got that way. This is what Gershwin wanted to do...make you feel the things he felt and saw in his life. Previn gets out of the way, and lets Gershwin do the talking.
If you haven't treated yourself to this masterful series of performances, it is time to do so.
An American in Paris.......2005-10-22
His 'Like Young' got him on the radio, but this kind of music was by far his best achievement. He was a grand conductor, but I never could see what he saw in Mia Farrow (after Frank Sinatra and before Woody Allen). I'm glad he went to Pittsburgh, one of my favorites places , to lose someone.
Rhapsody in Blue is the Bomb!!.......2004-05-08
Average customer rating:
|
George Gershwin: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A1T Release Date: 1994-08-09 |
Tracks:
- Strike Up The Band
- Rhapsody In Blue
- Prelude No. 1
- Piano Concerto In F
- An American In Paris
- Prelude No. 3
- Medley From Porgy And Bess
- Fascinating Rhythm
- Lullaby
- Promenade (Walking the Dog)
- Cuban Overture
Customer Reviews:
Muffled.......2006-11-03
If I wanted good, dynamic background music, I'd do this. If I wanted to really listen to the music, I'd pick another version.
Somewhat disappointing........2003-09-10
Gershwin At His Best in Hearts!.......2003-03-19
On this wondrous CD there are historic names like Bernstein, Kostelanez, John Williams and Michael Tilson Thomas, Conductors. Andre Previn, Yo-Yo Ma and Sarah Vaughan as Soloists. I would have a hard time choosing which may be called my favorite! It would depend on the day they are playing in my car... traveling to Columbia Seminary classes or GA Diagnostic Prison for lunch with Chaplain friends! I often sing along with the Rhapsody as I did in 1949 when Oscar Levant soloed with Chattanooga Orch. My very young wife was playing in the first violin section! Still today I am totally wiped out when anyone as intensely romantic as Sarah Vaughan sings "Summertime" or "I Loves You, Porgy!"
Is it not amazingly wondrous that someone could create so much enjoyable music in his short lifetime of 39 years? I never wish to part with this all-time favorite 10-Star Recording!
Retired Chaplain Fred W Hood
The best America has to offer!!.......1999-03-09
Average customer rating:
|
Gershwin: Rhapsody in Blue; Concerto in F; An American in Paris
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002DD5UM Release Date: 2004-07-13 |
Tracks:
- Rhapsody In Blue - Michael Tilson Thomas
- An American In Paris
- Allegro
- Adagio
- Allegro Agitato
Customer Reviews:
WOW!!!.......2007-03-15
Had me smiling all the way through, and the sound is great too.
Gershwin would have approved.
Lively and Jazzy.......2006-11-03
Bonding with Gershwin.......2006-09-24
Now you are hopeful that this CD will finally explain Gershwin to you so that you can fully assimilate this piece of Americana.
You will definitely recognize the brilliant sections of this CD, as well as its originality. This is why you are giving it five stars! However, this performance will also challenge your musical thinking and it will frustrate your musical instincts. But who said that education is easy!
You like the poetic, although nervous, "Rhapsody in Blue".
The "American in Paris" is a manic-depressive performance, you feel, with the wild contrasts in tempo. The American is not strolling in Paris, but trying to get the hell out of there! His homesickness is a full-blown depression, in which the tempo comes to a virtual halt. The orchestral fireworks are executed with a super-human nano-second precision. You wish for the smoother, more relaxing, rhythmic edges.
You definitely like Garrick Ohlsson's performance of the piano concerto. He takes a steady tempo and moves nicely. First you feel that the nervous, over-expressive and sometimes too loud orchestra should match Mr. Ohlsson's clean style, but then you find a certain attraction in this yin-yang combination. In some sections violins are standing out too much with their velvety vibrato. Mr. Ohlsson performs beautifully, and you really enjoy this concerto.
You still have a long way to go to completely bond with Mr. Gershwin, but this is a good beginning!
. . . but a subpar Concerto in F.......2006-08-22
Unfortunately, the version recorded here has a terrible fatal flaw in that the horns are so imbalanced that they overwhelm everything in the three big climaxes where the "major seven" theme is played by the full orchestra (twice in the first movement and once in the last movement). The important instruments here are the piano and the strings; the horns should be secondary. Sadly, Thomas has them blasting away as if Mahler were whispering in his ear. Because these climaxes are the crux of the concerto (certainly there are other sweet spots; the sultry and dreamy slow movement and the amazing and surprising syncopation in the finale of the first movement) the overall effect of the piece is ruined.
With due respect to the reviews below, Ohlsson's playing is wooden and Thomas' tempos are akin to metronomic. The playing does not need to be jazzy (this piece is not jazz) but the uptempo sections need to push hard, just as the slow sections need to be constantly pulled back.
For me, the disc was a huge disappointment because there seem to be so few modern recordings of this piece. One might think owning this disc is worth it to have the obviously improved audio quality offered by a modern recording, but I cannot recommend this disc due to the weaknesses of the Concerto in F and the inclusion of the two Gershwin war horses. Now, if the disc included the Second Rhapsody (which was actually orchestrated by Gershwin) it might be worth the investment. As it is, look elsewhere if you are interested in a really good recording of the Concerto in F.
Best American in Paris, better than Bernstein.......2005-01-21
Garrick Ohlsson's Concerto is just as marvelous. The orchestra is in top form, giving a wonderfully convincing reading of the American Concerto. Ohlsson's playing isn't as jazzy as others, but it is still lively and exciting.
The Rhapsody is presented in its original "big Band" form with Thomas at the keyboard. The New World Symphony gives a wonderful accompaniment to the maestro in this all too neglected rendition of the Rhapsody. Although I do prefer Groffe's orchestral version, this recording is hard to resist! Highly recommended.
Average customer rating:
|
Gershwin Plays Rhapsody in Blue
Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000098ZSS Release Date: 2003-05-13 |
Tracks:
- Rhapsody In Blue
- An American In Paris
- Swanee
- Walkin' The Dog
- Let's Call The Whole Thing Off
- Somebody Loves Me
- Our Love Is Here To Stay
- S'Wonderful
- Embraceable You
- Oh, Lady Be Good
Customer Reviews:
Let the Buyer Beware.......2007-01-12
Historical and Pristine.......2006-12-22
"An American in Paris" is also a concert work that did not achieve the widespread adoration that the Rhapsody has garnered. It was intended by the composer to capture the emotions of a tourist visiting Paris, and was purportedly auto-biographical. It was performed in 1928 at New York's Carnegie Hall with Walter Damrosch conducting the New York Philharmonic. It received mixed reviews at the time but remains a favorite of Gershwin's classical works. Like the "Rhapsody," the version included here is a piano adaptation of the original orchestral work.
The remaining works on the CD are those of a popular composer, the flipside of Gershwin's career. No other American composer (or any for that matter) has strattled these two different fields of music with the success with which George Gershwin did. And the popular songs, among them, "Embraceable You," "Let's Call the Whole Thing Off," and "Love is Here to Stay" have achieved enormous pop culture penetration and secure Gershwin's place in history as a master of popular song composition. Notably missing from this CD, however, are Ira Gershwin's contributions, i.e. the words, which add an element important to these songs' true place in history. Along with Ira's contributions come the countless Gershwin vocal interpreters who helped to realize these songs' true significance and their dispersion throughout the American popular music idiom.
On these versions, it is simply Gershwin playing his works (albeit the recordings are taken from his piano rolls, not an actual live recording). In these arrangements, the melodies are incorporated into lush and often convoluted harmonic accompaniment, in which the melody often becomes lost (i.e., the bridge or B section of "Oh, Lady Be Good!"). However, the opportunity to hear the composer express the harmonic possibilities of these disguisingly "simple" American tunes is truly a valuable one. The particular bouncing style with which Gershwin jumps from chord to chord to accompany his melodies is clearly apparent on many of these tunes, and that is an aspect borrowed from Ragtime that contributes to Gershwin being labeled as a uniquely "American" styled composer. The idiosyncracy of his composition and playing are tied together and come to life on this CD. The harmonic statements are sophisticated and evasive to the common ear, and the rhythmic precision and prolificity are legendary. Together with the melody, these elements of the musical composition on which Gershwin demonstrates mastery come together to produce a truly quintessential and essential Gershwin compilation.
"Rhapsody In Blue".......2006-07-12
Today, July 11, 2006, marks the 69th death anniversary of one of America's most versatile songwriters, George Gershwin. The birth of one of my favorite jazz-infused-classical pieces, "Rhapsody In Blue" in 1924 made Mr. Gershwin an overnight and sensational star and had gained him a worldwide recognition. He had been my late parents' (and mine, too) favorite composer along with Irving Berlin, Jerome Kern and Cole Porter. His harmonious collaboration with his brother, Ira Gershwin, had produced the most beautiful songs of all-time. They were the most prolific team of songwriters and their compositions have been recorded countless times by famous interpreters of Great American Songbook such as Frank Sinatra, Ella Fitzgerald, John Coltrane, Tony Bennett, Miles Davis, Oscar Peterson, Joe Pass, Michael Feinstein, Natalie Cole, Linda Ronstadt, Rod Stewart, Steve Tyrell, Diana Krall, John Pizzarelli, Michael Bublé and Chris Botti, among many others.
This CD is a musical treasure and one that I would strongly recommend not only to any Gershwin enthusiast but also to any new fan for this includes the original recording of "Rhapsody In Blue" from rare Piano Rolls. The sound quality is just terrific. It highlights two of his major works - "Rhapsody In Blue" (1924) and "An American In Paris" (1928). It also features some of his well-known popular songs and favorites of mine, my parents' theme songs "Our Love Is Here To Stay" and "Embraceable You." It has been said that Mr. Gershwin functioned best and had written his very best compositions at 3 o'clock in the morning and when he finish eight bars that he likes, he can finish a chorus in a few minutes, like the songs "`S Wonderful" and "Let's Call The Whole Thing Off." This recording also includes "Swanee," "Walkin' The Dog," "Somebody Loves Me," and "Oh, Lady Be Good."
It's so amazing that he composed frequently and never run out of inspirations for writing melodic tunes that are so pleasing to the ears. He can write three to five songs in a single afternoon. When he completed the melody of a song, he gives it to Ira to write words to it. He was such a genius and played the piano by ear after a fashion, tapping out the tunes with a finger.
Not known to many, Mr. Gershwin had tried his hand at painting. I've seen a portrait of himself that he painted a year before his death from brain cancer, and I would say, it's a beautiful work of art, almost like a work of a professional painter. He could have been a great painter.
George Gershwin will always be remembered as one of the greatest 20th Century composers and his music will always linger in the hearts of music lovers like me who truly appreciate and enjoy fine music.
Average customer rating:
|
Bernstein Century - Gershwin: Rhapsody in Blue, etc
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029XJ Release Date: 1997-10-28 |
Tracks:
- Rhapsody In Blue
- An American In Paris
- Grand Canyon Suite: l. Sunrise
- Grand Canyon Suite: ll. Painted Desert
- Grand Canyon Suite: lll. On The Trail
- Grand Canyon Suite: lV. Sunset
- Grand Canyon Suite: V. Cloudburst
Amazon.com
Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, clear recording venue, Brooklyn's Hotel St. George. However, Bernstein's tempo extremes tax the cohesion of Rhapsody in Blue. And Grofé's Grand Canyon Suite receives a sympathetic performance, though the acoustics of the Lincoln Center recording venue are so cavernous and diffuse you'd think it was recorded in the location of the title. --David Patrick StearnsCustomer Reviews:
Two Great Gershwin Recordings.......2007-06-27
Gershwin fan.......2007-04-01
Sorry - it's not the best........2007-03-13
Sorry - there are better out there.
Two of LB's quintessential recordings.......2007-01-09
Brilliant is the word!.......2006-11-29
So, Gershwin may be very grateful because of that because for the posterity , the future newcomers in music will have the chance to analyze, scrutinize and explore all the factors that made possible this testimonial.
Totally recommended.
Average customer rating:
|
Great Recordings Of The Century - Gershwin: Rhapsody in Blue, Concerto in F, American in Paris / Previn, London SO
Andre Previn Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IGWV Release Date: 1999-03-09 |
Tracks:
- Rhapsody In Blue
- Rhapsody In Blue: An American In Paris
- Piano Concerto In F: I. Allegro
- Piano Concerto In F: II. Adagio - Andante con moto
- Piano Concerto In F: III. Allegro agitato
Amazon.com
The best Gershwin pianists are able to fuse a solid classical technique with an innate feeling for jazz timekeeping. André Previn is ideal in both respects. He knows that Gershwin's lyrical musings need not be distended, as one might do in a Tchaikovsky or Liszt concerto. Previn also accents syncopated figures without overemphasizing them, or beating them into the ground. On the other hand, Previn can't help monkeying around with the text, but many Gershwin pianists have done worse. The London Philharmonic matches their soloist-conductor in verve and swagger. Fine as the concerted works are, An American in Paris takes the cake in a performance that truly evokes a wide-eyed tourist swept up in the bustle and allure of any vibrant city. The 1971 sonics haven't aged a bit, and EMI's newly minted transfer will please the most exacting audiophile. --Jed DistlerCustomer Reviews:
Wonderful Syncopation.......2007-05-21
Grrr....boring........2004-11-22
The most important problem is that this is NOT the original "jazz band" version of Rhapsody in Blue - the version originally performed. This is the "monkeyed around with 30 years later" version, and the distinction is important because the jazz band version is smaller (in terms of orchestra size), funner, far jazzier - and it includes the saxophone! This CD, however, has the full orchestra bit, which dulls the fun and removes the edge, and doesn't have the saxophone (which is my second favorite instrument in the Rhapsody after the piano).
The pieces are played without flair and, as one other reviewer put it, unjazzily. Previn's pretty good on the piano, actually, but the LSO doesn't swing like it should. I used to like the Piano Concerto, but now I avoid listening to it and consider it scummy, mildewy, tired, and irritating.
Actually, this disc sent me into an anti-Gershwin mania for some months. I figured the guy was overrated; whereas everyone says he's so much fun, I thought it wasn't any fun at all. 'Tis a good thing I got the James Levine/CSO version - that REALLY swings. It's a barrel of fun. It's the original version of Rhapsody in Blue. And, in DDD, it all sounds a lot better.
Buy Levine - it's just divine;
But avoid this disc - it's boring and uninspired. I don't know what some people seem to see in it.
P.S. Also disappointed with the music selection here. They had 14 minutes left on the CD, but didn't throw in a good Cuban Overture, which is one of the funnest things George ever wrote. Too bad.
This disc just isn't fun.
Superb performances of lightweight works........2004-05-01
It is when one gets to Gershwin's excursions into orchestral music that problems arise, at least in my opinion. Don't get me wrong--there are many wonderful things about "Rhapsody in Blue," "An American in Paris," and the Piano Concerto in F. At their best, they abound in melodic invention and a swaggering jazzy charm.
Unfortunately, it must be said that they also have a tendency to meander in search of where to go next, and to rely on heavy doses of bombastic horn sforzandos and quick scalar piano runs in place of real ideas or development. For this listener, Gershwin's penchant for compensating for a lack of ideas with noise proves very tiresome, and weighs down the positive qualities of his concert music.
As far as the performances on this disc, you cannot do better than Andre Previn and the LSO. Previn's background as a jazz pianist and Hollywood orchestrator and arranger is ideally suited to the music at hand, and both the pianism and orchestral playing are outstanding. They are, indeed, as good as this music deserves.
The LSO ain't a great jazz ensemble.......2001-10-10
Overrated interpretation/performance.......2001-09-24
The orchestra, particularly the brass, is sloppy and frequently downright inappropriate-- bombastic percussion, weak horns, and so on. As for interpretation, from beginning to finish Previn-- both as conductor and as pianist-- seems perpetually rushed, as though Gershwin's music were merely a means to a higher end. I found this interpretation devoid of profundity in any emotional realm; thoroughly un-groovin' and un-movin'. Don't bother.
Music Review:
- Romantic Interludes
- Russian Orchestral Music
- Schubert: Symphony Nos. 5 & 8
- Schumann: Piano Concerto/Carnaval
- Schumann: Sonata for Piano; Songs for an Early Hour
- Sibelius, Prokofiev: Violin Concertos
- Strauss: Music from Vienna, Vol. 1
- Strauss: Music from Vienna, Vol. 2
- Strauss: Music from Vienna, Vol. 3
- Tchaikovsky: Symphony No. 1/Capriccio Italien
Music Review
Elgar: Cockaigne Overture Op. 40; Symphony No. 1
Have I Told You Lately That I Love You? [Import]