Mozart: Arias from "Così Fan Tutte" and "Don Giovanni"

1. Così fan tutte, opera, K. 588 La mia Dorabella
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Jozef Spacek , Peter Oswald
Conducted by Oliver von Dohnanyi

2. Così fan tutte, opera, K. 588 Una bella sernata
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Jozef Spacek , Peter Oswald
Conducted by Oliver von Dohnanyi

3. Così fan tutte, opera, K. 588 Vorrei dir
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Jozef Spacek
Conducted by Oliver von Dohnanyi

4. Così fan tutte, opera, K. 588 In uomini, in soldati
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus Conducted by Oliver von Dohnanyi

5. Così fan tutte, opera, K. 588 Smanie implacabili
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Ida Kirilova
Conducted by Oliver von Dohnanyi

6. Così fan tutte, opera, K. 588 Rivolgete e lui lo guardo
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus Conducted by Oliver von Dohnanyi

7. Così fan tutte, opera, K. 588 E voi ridete?
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Jozef Spacek , Peter Oswald
Conducted by Oliver von Dohnanyi

8. Così fan tutte, opera, K. 588 Rezitativ, temerai... come scoglio
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Eva Seniglova
Conducted by Oliver von Dohnanyi

9. Così fan tutte, opera, K. 588 Una donna a quindici anni
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus Conducted by Oliver von Dohnanyi

10. Così fan tutte, opera, K. 588 Un' aura amorosa
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Peter Oswald
Conducted by Oliver von Dohnanyi

11. Così fan tutte, opera, K. 588 Donne mie, la fate a tanti
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus Conducted by Oliver von Dohnanyi

12. Così fan tutte, opera, K. 588 Dorabella-E amore un ladroncello
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus Conducted by Oliver von Dohnanyi

13. Don Giovanni, opera, K. 527 Overture
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus Conducted by Oliver von Dohnanyi

14. Don Giovanni, opera, K. 527 Ah pietà, Signori miei
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Jozef Spacek
Conducted by Oliver von Dohnanyi

15. Don Giovanni, opera, K. 527 Rezitativ, Il mio tesoro
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Peter Oswald
Conducted by Oliver von Dohnanyi

16. Don Giovanni, opera, K. 527 Rezitativ, In quali eccessi
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Helena Kaupova
Conducted by Oliver von Dohnanyi

17. Don Giovanni, opera, K. 527 Ah, chi mi dice mai
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Richard Haan , Jozef Spacek , Helena Kaupova
Conducted by Oliver von Dohnanyi

18. Don Giovanni, opera, K. 527 Vedrai, carino
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Bozena Berkyova
Conducted by Oliver von Dohnanyi

19. Don Giovanni, opera, K. 527 Metà di voi qua vadano
Composed by Wolfgang Amadeus Mozart
Performed by Bratislava Opera Orchestra & Chorus with Richard Haan
Conducted by Oliver von Dohnanyi

Mozart: Arias from "Così Fan Tutte" and "Don Giovanni",Wolfgang Amadeus Mozart,Oliver von Dohnanyi,Bratislava Opera Orchestra & Chorus,Bozena Berkyova,Eva Seniglova,Helena Kaupova,Ida Kirilova,Jozef Spacek,Martin Babiak,Peter Oswald,Richard Haan,Ent. Media Partners,Classical,Classical Vocals,German/Austrian Classical Period Opera,Opera

Average customer rating: Lively and comforting CD! Baby loves this music! Baby Mozart great gift - thank you Great music for baby AND mom

Baby Mozart Various Artists Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD General | Arias | Opera & Vocal | Styles | Music General | Children's Music | Styles | Music CDs Under $7 | Children's Music | Today's Deals in Music | Formats | Music All Bargain Titles | Children's Music | Today's Deals in Music | Formats | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music CDs | Music & Video | Products | Similar Items: Baby Einstein: Lullaby Classics Baby Beethoven Baby Bach Baby Neptune Baby Einstein: Playtime Music Box ASIN: B000065VCG Release Date: 2002-05-07

Tracks:

1. Tune Up And Fanfare Based On Themes From 'The Magic Flute'
2. Piano Sonata In C, K545, 1st Movement
3. Piano Sonata In C, K330, 1st Movement
4. Variations On 'Ah Vous Dirai-je, Maman,' No. 1, 8, And 11, K265/300e
5. Piano Sonata In D, K576, 3rd Movement
6. Concerto For Flute And Harp In C, K299, 1st Movement
7. Piano Sonata In A, K331, 3rd Movement
8. Piano Sonata In C, K545, 2nd Movement
9. Sonata In D For Two Pianos, K448, 1st Movement
10. Piano Sonata In C, K330, 3rd Movement
11. Divertmento No. 17 In D
12. Piano Sonata In B Flat, K570, 3rd Movement
13. Piano Sonata In F, K533, 3rd Movement
14. The Magic Flute, K620, Papageno Arias No. 2 And 20
15. Symphony No. 41 In C, K551, 4th Movement

Product Description

Recipient of the National Parenting Center's Seal of Approval, Baby Mozart music CD is a 15-track, 28-minute collection designed as a playful introduction to the genius of Mozart, the child prodigy from Salzburg. Bring to life the Classical Period (1750-1830) with the brilliance and grace of classical music by Wolfgang Mozart and enrich your child's life by exposing them to melody, harmony in this audio journey of some of Mozart's best work. Re-orchestrated for little ears, this collection is sure to bring joy to your little one's playtime or bedtime. Tracks from this delightful CD are featured on our Baby Mozart video and DVD.Musical Selections:1. Tune up and fanfare based on themes from ?Ç£The Magic Flute?Ç¥2. Piano Sonata in C, K545, 1 st movement3. Piano Sonata in C, K330, 1st movement4. Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, No. 1, 8 and 11, K265/300e5. Piano Sonata in D, K576, 3rd movement6. Concerto for Flute and Harp in C, K299, 1st movement7. Piano Sonata in A, K331, 3rd movement8. Piano Sonata in C, K545, 2nd movement9. Sonata in D for Two Pianos, K448, 1st movement10. Piano Sonata in C, K330, 3rd movement11. Divertmento No. 17 in D12. Piano Sonata in B flat, K570, 3rd movement13. Piano Sonata in F, K533, 3rd movement14. The Magic Flute, K620, Papgeno Arias No. 2 and 2015. Symphony No. 41 in C, K551, 4th movementAge: birth +Product Award: Billboard Magazine Top Midline Classical Albums (#1) - 2004

Amazon.com

Of all the reasons you'll click the Add to Shopping Cart button next to Baby Einstein's Baby Mozart--and there are many--the best one is that playing this record for babies doesn't feel weird. Instead of subjecting tiny, tender ears to the kind of Mozart that can make adult classical fans wilt when tackled by a maestro who means business, this is Mozart lite, mixed and mastered by a dad, Bill Weisbach, who's clearly hung around for his share of crib-side cooing. The slightly tinny sound of a child's piano sweeps the sting out of Piano Sonata in B Flat's third movement; the first movement of Concerto for Flute and Harp in C floats by, birdlike; variations on "Ah vous dirai-je, Maman" translate to a fancy-sounding (but adorable) "Twinkle, Twinkle"; and Piano Sonata in F's third movement snuggles so deeply into its childlike setting that if you close your eyes, you'll see a pastel parade of animals floating by overhead. Other pieces (more aptly called fragments, since only one track stretches beyond the three-minute mark), like Symphony No. 41's fourth movement, wander into more robust Mozart territory, but it's here the claims about classical music enhancing young kids' abstract reasoning skills and spatial intelligence crystallize. Babies strapped in for a roller coaster of sounds that gracefully dips, swerves, and high-jumps like this version, do have to process what they're hearing somehow (and a case could be made that the instruments Weisbach's chosen--the vibraphone, glockenspiel, and music box among them--make it more appealing for them to do so). Followers of Julie Aigner-Clark's Baby Einstein empire, many of whom opted out of the fan club once Disney bought the company in 2001, won't trip over a single Mickey Mouse-ified sound here. This is pure, plugged in, and muted Mozart, and if it doesn't make your baby smarter, it'll at least sound awfully sweet issuing from your nursery's speakers. --Tammy La Gorce

Customer Reviews:

Lively and comforting CD!.......2007-06-12

This CD is inspiring and comforting! I have listened to it a lot since I got it and will continue to share it with junior when he arrives.

Baby loves this music!.......2007-02-17

Puts our 6-week old daughter to sleep. What more could you ask for!

Baby Mozart.......2007-02-14

Although the selection of music was good, I was disappointed at the synthesized sounds of the music. I have heard much of the "Mozart Effect" for stimulating learning in young minds, but why market it this way? Just turn on your radio to your local classical music station and give your child the benefit of the real thing without having to put more money in Disney's pockets.

great gift - thank you.......2007-01-18

thankyou - I gave this as a gift - they loved it

Great music for baby AND mom.......2006-04-18

I bought this CD with a gift card, because I wanted some soothing music for my daughter's naptime. In looking at the titles of the pieces, I didn't recognize very many, but in listening to the CD I found that I recognize much of the music. I was pleased at how calming it was and found myself humming various pieces throughout the day.

I would recommend this CD, and plan to purchase other Baby Einstein music!

Average customer rating: Beautiful music Andrea Bocelli-Sacred Arias An "experience" of sacred arias more than "listening" of sacred arias amazing talent Perfect arias for the perfect voice

Andrea Bocelli - Sacred Arias / Myung-Whun Chung George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Bocelli, Andrea | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Italy | Continental Europe | Europe | International | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Bocelli, Andrea | A to B | Featured Performers, A-Z | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Similar Items: Romanza Andrea Bocelli - Amore Sogno Cieli di Toscana Andrea Bocelli - The Opera Album ~ Aria ASIN: B00002ND9N Release Date: 1999-11-09

Tracks:

1. Caccini/Mercurio: Ave Maria
2. Mascagni: Sancta Maria
3. Gounod: Ave Maria
4. Schubert: Ave Maria
5. Franck: Panis Angelicus
6. Rossini: Cuius animam
7. Verdi: Ingemisco
8. Mozart: Ave verum
9. Wagner: Der Engel
10. Handel: Ombra mai fu
11. Niedermeyer: Pieta signore
12. Rossini: Dominus Deus
13. Schubert/Mercurio: Mille Cherubini in coro
14. Gruber/Mercurio: Silent Night
15. Wade: Adeste Fideles
16. Gloria a te, Cristo Ges

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May

Customer Reviews:

Beautiful music.......2007-01-12

This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.

Andrea Bocelli-Sacred Arias.......2006-08-25

Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.

An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28

I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.

amazing talent.......2006-03-25

worth the price the songs are breathtaking and talent is indescribable

Perfect arias for the perfect voice.......2006-03-04

These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.

I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?

Average customer rating: A spiritual experience

Sacred Arias [Special Edition with Bonus DVD] Andrea Bocelli , Giulio Caccini , Cesar Franck , Charles Gounod , Franz Xaver Gruber , George Frideric Handel , Jean-Paul Lecot , Eric Levi , Steven Mercurio , Wolfgang Amadeus Mozart , Louis Niedermeyer , Gioachino Rossini , Franz Schubert , Giuseppe Verdi , John Francis Wade , Richard Wagner , Myung-Whun Chung , and Santa Cecilia National Academy Orchestra Rome Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Bocelli, Andrea | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Italy | Continental Europe | Europe | International | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Similar Items: Andrea Bocelli - Amore Romanza Sentimento: Andrea Bocelli with Lorin Maazel and the London Symphony Orchestra [Limited Edition w/ Bonus Track] Andrea Bocelli - The Opera Album ~ Aria Cieli di Toscana ASIN: B0000CE9VO Release Date: 2003-10-14

Tracks:

1. Ave Maria
2. Sancta Maria
3. Ave Maria
4. Ave Maria
5. Panis Angelicus - Norbert Balatsch
6. Cujus Animam
7. Ingemisco
8. Ave Verum Corpus
9. Der Engel
10. Frondi Tenere... Ombra Mai Fu
11. Pieta, Signore - Norbert Balatsch
12. Domine Deus
13. Mille Cherubini In Coro - Norbert Balatsch
14. Silent Night
15. Adeste Fideles (O Come, All Ye Faithful) - Norbert Balatsch
16. Gloria A Te, Cristo Gesu (The Hymn Of The Great Jubilee)
17. Agnus Dei
18. I Believe

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. This new special edition includes two bonus tracks on a CD enhanced with a picture gallery as well as a full-length DVD of Bocelli in concert filmed at the Basilica of Santa Maria sopra Minerva in Rome. --Thomas May

Album Description

Special Edition includes enhanced CD with bonus tracks and concert DVD.

Customer Reviews:

A spiritual experience.......2003-11-27

The DVD is the full 77 minute concert with two featurettes previously released alone. The CD is the full 72 minute concert previously released alone, except that two bonus tracks have been added. The audio quality of each one is quite good. (If you have a Dolby Digital stereo, then you must go into the setup menu on the DVD to select Dolby Digital sound. The default music track is the stereo 2.0 sound.) The video quality of the DVD is astonishing.

The DVD gives the feeling that you are in the church with the other worshippers. It literally sends chills up and down my spine. I highly recommend this CD/DVD combination Special Edition while it is still available.

Average customer rating: Sublime Mozart singing - Sandrine Piau sings with perfect classical style The divine Sandrine! Bravo! Heavenly This CD is on 'repeat' wonderful singing

Mozart: Opera Arias Gottfried von der Goltz , Sandrine Piau , Wolfgang Amadeus Mozart , and Freiburger Barockorchester Manufacturer: Astree ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Similar Items: Sandrine Piau - Handel Opera Seria Debussy: Mélodies Vivaldi: In furore, Laudate pueri e concerti sacri Vivaldi Edition: Arie d'Opera Handel - Arie e duetti d'amore / Piau, Banditelli, Europa Galante, Biondi ASIN: B00005UEBE Release Date: 2002-05-14

Tracks:

1. Lucio Sillia: In un istante oh come
2. Lucio Sillia: Parto, m'affreto
3. Die Zauberflote: Ach, ich fuhl's
4. Il re pastore: oh Dio mi vedi
5. Mitradite, re di Ponto: Grazie ai numi parti
6. Mitradite, re di Ponto: Nel grave tormento
7. Die Entfuhrung aus dem Serail: Welcher Wechsel
8. Die Entfuhrung aus dem Serail: Traurigkeit ward mir zum Lose
9. Lucio Sillia: Vanne, t'affretta
10. Lucio Sillia: Ah se il crudel periglio
11. La clemenza di Tito: S'altro che lagrime
12. Mitradite, re di Ponto: Al destin, che la minaccia
13. Die Entfuhrung aus dem Serail: Ach, ich liebte, war so glucklich
14. Zaide: Ruhe sanft, mein holdes leben

Amazon.com

French soprano Sandrine Piau's voice is small, beautiful, light, and perfectly focused, and it's absolutely even from top (often, repeated high Ds) to bottom. She focuses thoroughly on the text and exclaims important, dramatic phrases with a natural emphasis that helps her avoid the sameness that high coloraturas can be so guilty of, especially on disc. Her breath control is stupendous (in Giunia's "Ah se il crudel periglio" from Lucio Silla, she launches one wildly embellished half-minute run after another effortlessly), the tone absolutely centered. Aside from the embroidered pieces here from Silla and Mitridate, we get a taste of Pamina, and while a fuller voice is (almost) needed for "Ach, ich fuhls," the manner in which Piau handles dynamics offers us enough. The same can be said for Konstanze's "Ach ich liebte" and "Traurigkeit," the latter sung as movingly as we're probably ever going to hear it. This is great singing. --Robert Levine

Customer Reviews:

Sublime Mozart singing - Sandrine Piau sings with perfect classical style.......2005-12-31

Sandrine Piau's voice is beautiful - that goes almost without saying. It has a limpid clarity that also contains a delicacy and warmth. She has clearly articulated coloratua and a lovely legato when she needs it - and certainly one needs it with Mozart!

This recording delighted me enormously when I first purchased it. Mozart is notorious for singers - one must have true beauty in the voice, because Mozart leaves the voice dangerously exposed. What looks easy on the page is not quite that easy to sing well. Thankfully, Sandrine Piau demonstrates perfectly how to sing Mozart soprano arias, and she does a wonderful job of incorporating the lyrical and the bedazzling - the intimate and the grand.

Her rendition of "Ach, ich fühl's" is well nigh perfect, and who could listen to her "Ruhe sanft" without sighing with pleasure? Ms Piau sings with impeccable phrasing and superb support, allowing the tone to fill the space without going too far. The danger in "Ruhe sanft" is for the singer to become swoony and droopy, swooping up to notes or holding on for too long - but no such faux pas occurs in this rendition. Just beautiful, beautiful sound and very lovely emotional interpretation that NEVER strays beyond the genuine classical style.

The faster arias - for instance, "Al destin, che la minaccia" - are spun with wonderful articulation and in perfect control. Lovely to listen to - impressively maintained energy-wise - and it makes one long to hear Ms Piau in a major Mozartian role requiring that lovely blend of grace, charm and coloratura.

Finally, I cannot possibly end this review without mentioning the very fine performance of "Traurigkeit ward mir zum Lose" on this CD. Once again, the sense of genuine emotion well controlled makes this a stunning rendition. The role of Konstanze is not that of a vocal battleship, but impeccable Mozart style, magnificently controlled coloratura, a beautiful and blooming tone, the required range, and the stamina of a steel butterfly - that is what is required. And that is precisely what Ms Piau gives us.

Wonderful singing, gorgeous arias... This is my favourite recording of Sandrine Piau - in my opinion, it's finer than her more recent Handel recording. It may well be a desert island disc.

The divine Sandrine! Bravo!.......2005-06-11

I have nothing but complete and utter praise for this superb recording by this wonderful and talented singer and the great period instrument orchestra backing her.

Sandrine Piau has always impressed me - I think I first noticed her in a big way in William Christie's wonderful recording of Jean-Philippe Rameau's opera Les Indes Galantes, made with his Les Arts Florissants ensemble.

Sandrine Piau brings much beauty, colour, expression, style and intelligence to anything she sings. I love her voice.

Her Mozart is divine. Listen to "Ah se il crudel periglio" from Lucio Silla and you will buy this album!

5 stars? I'd give it 10 if I could!

Now that you own this disc, you should immediately consider buying Natalie Dessay's collection of Mozart Arias - "Mozart Heroines", made with The Orchestra of the Age of Enlightenment.

Both ladies bring many different things to Mozart. I like both of them very much. Piau sings the arias which require pathos with great skill and feeling. Dessay's command of coloratura is powerful and impressive. Of course, Piau handles coloratura with skill, too, and Dessay can break your heart in the slower and more pathetique arias.

Buy Sandrine Piau's Mozart or buy Natalie Dessay's Mozart ... what the hell! Do as I did - buy both!

Heavenly.......2004-04-21

If you've ever wondered what perfection sounds like, search no further. Sandrine Piau has the voice of an angel. The combination of her voice and Mozart's music reaches the very heights of sublimity.

This CD is on 'repeat'.......2003-01-21

High, light, focused voice singing impeccable coloratura, passionate legato. Mozart wrote some of this music when he was 14 years old; what an incredible talent. Ms. Piau made it sound easy. This CD is on 'repeat' in my car's player, helping me learn. Sandrine, where is your next CD?

wonderful singing.......2003-01-12

As the editorial reviewer pointed out, this is indeed gorgeous singing. Her voice is passionate yet balanced, never compromising vocal acuity for heart-on-sleave emotion. Piau is a very promising singer whom we will probably hear much more of soon. However, at times this album does give the impression of being more of a exhibition of virtuosity than a recital (even they are usually the same).

Average customer rating: Certainly not the best Fleming Mozart, Mozart, Mozart! a pleasure a pleasure Rare and well-known Mozart

Renée Fleming - Visions of Love ~ Mozart Arias / Mackerras Wolfgang Amadeus Mozart , Orchestra of St. Luke's , Sir Charles Mackerras , Renée Fleming , and Krista Bennion Feeney Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Fleming, Renee | C to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti Renée Fleming - The Schubert Album Renée Fleming Renée Fleming: Bel Canto ASIN: B00000429M Release Date: 1996-09-17

Tracks:

1. Le nozze di Figaro: Giunse alfin il momento ... Deh, vieni
2. Don Giovanni: In quali eccessi ... Mi tradi
3. Die Entfuhrung Aus Dem Serail: Ach, ich liebte, war so glucklich
4. Il re pastore: / L'amero saro costante
5. Die Zauberflote: Ach, ich fuhl's, est ist verschwunden
6. La finta giardiniera: Geme la tortorella
7. La finta giardiniera: Crudeli, fermate, crudeli, oh Dio! fermate -
8. La finta giardiniera: Ah, dal pianto, dal sighiozzo
9. Zaide: Ruhe sanft
10. Il sogno di Scipione: Lieve son al par del vento
11. Le nozze di Figaro: Giunse alfin il momento ... Al desio
12. Concert Aria, K383: Nehmt meinen Dank

Customer Reviews:

Certainly not the best Fleming.......2007-02-02

I do not understand why this disc chooses to record the 'remote' Mozart arias, No. 1.
I do not understand why Ms. Fleming failed to impress listeners as a Mozartian in this disc, No. 2.
A singer of her reputation should be more discerning in her discography.
Not that the rarer or earlier Mozart is any less good than Cosi fan tutte or Don Giovanni.
But if you have listened to recordings of all Mozart's earlier opera (to which I have), you would be bound to admit that Ms. Fleming did not fare well in those pieces she had chosen here. And even in her Donna Elvira on this disc, she is not in best form.

Mozart, Mozart, Mozart!.......2006-05-22

'Visions of Love, Mozart Arias' sung by one of our leading operatic sopranos, Renee Fleming, is a nice listen more for the fact that it is Mozart than the fact that it is being done by Renee Fleming. But then, if you happen to be a Renee Fleming fan, you can have your cake and eat it too.

I confess I have been influenced in my overall rating by one of the other reviewers, who obviously has much more experience with recordings of Mozart arias. But from my point of view, someone who just likes to listen to female operatic and art song vocals, this is a great change from the recordings of French chansoms and German Lieder, which all start to sound like variations of Shubert's 'Ave Maria'.

Here, we get the orchestrations of that all time greatest master of the 18th century opera, the utterly incomparable Wolfgang, for those of us who don't have the patience to sit through, or even do garden weeding through a complete performance of Don Giovanni (although I am partial to complete recordings of Die Zauberflote, The Magic Flute).

This is probably not the best album with which to sample Fleming for the first time. As this is the first of her albums I have reviewed, I'll let you know as soon as I find it.

Meanwhile, if you can get this one at a good discount, you will enjoy the Mozart!

a pleasure.......2003-07-03

Her "turtledovish",creamy, slightly gruffy voice is perfect in Mozart. All are very lovey/dovey romantic songs. I Love the repetive nature of vocal lines in Mozart's music. It's very different from later Italian composers. This music is more charming and sometimes meant to be a little comical. Thay all have a certain rhythm pattern, typical of Mozart. After a while you start to pick up on it and get the gist of the style. Then you can hear an unknown piece and single it out as Mozart. She does an incredible effort at maintaining that creamy richness, roundness, and that beauty of tone that is so necessary in Mozart ,when she is singing at high tessitura or when she is singing in pure head voice or "in the mask". I think Mozart vocal music is the most difficult to do, but also the most fun.

a pleasure.......2003-07-03

Her "turtledovish",creamy, slightly gruffy voice is perfect in Mozart. All are very lovey/dovey romantic songs. I Love the repetive nature of vocal lines in Mozart's music. It's very different from later Italian composers. This music is more charming and sometimes meant to be a little comical. Thay all have a certain rhythm pattern, typical of Mozart. After a while you start to pick up on it and get the gist of the style. Then you can hear an unknown piece and single it out as Mozart. She does an incredible effort at maintaining that creamy richness, roundness, and that beauty of tone that is so necessary in Mozart ,when she is singing at high tessitura or when she is singing in pure head voice or "in the mask".

Rare and well-known Mozart.......2003-06-24

Renee Fleming's Mozart CD is a collection of beautiful arias, gorgeously sung. Rare Mozart gems are presented along with more popular arias from FIGARO, DON GIOVANNI, DIE ENTFUHRUNG, and DIE ZAUBERFLOTE -- a wise programming choice on Fleming's part, since EVERYONE sings the popular arias. Fleming's lush yet agile tone is perfect for the long lines of "L'amero, saro costante" from IL RE PASTORE and the similar "Geme la torturelle" from LA FINTA GIARDINIERA. She has the coloratura flexibility for "Ach, ich leibte" from DIE ENTUHURUNG and the amazing "Lievi son," an aria Mozart wrote when he was only sixteen years old! It is also interesting to hear Fleming give an outstanding performance of Donna Elvira's "Mi Tradi," since her more usual role in DON GIOVANNI is Donna Anna. But my favorite track is the first one, "Deh vieni, non tardar" from FIGARO; I believe this is one of the very finest pieces of singing Fleming has ever recorded.

Average customer rating: Glorious Moffo and Mozart One of the Finest Available Mozart Recitals A Glorious Mozart Recital Primo Moffo Anna Moffo's "Mozart Arias"

Mozart: Arias Manufacturer: Testament UK ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Moffo, Anna | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Arias Opera Arias [Hybrid SACD] La Bohème Puccini: Madama Butterfly / Leinsdorf, Moffo, Valletti, Elias Verdi: La Traviata ASIN: B00004T00W Release Date: 2000-07-11

Amazon.com

The American lyric soprano Anna Moffo, who retired in the mid-'70s (and is still very much alive), was a beautiful woman, a good actress, and an intelligent, sensitive singer, and she possessed natural charm. The voice was a pure lyric, with a succulent bloom at the top, good coloratura ability (she was a successful Lucia and Gilda), and a sometimes useful upper extension. Moffo was a fine communicator as well--all of which is evident on this CD, which was recorded in her early prime (in 1958). The Figaro excerpts show her as a boyish, impetuous Cherubino and a telling, in-control-and-sensuous Susanna, while Despina's two arias from Cosi give us something a bit sassier--just as it should be. Moffo's "Ach ich liebte" from Abduction is acrobatically valid as well as poised. Zerlina's arias vary between coy and knowing--again just the right combination. "Ach ich fühls" starts out a bit flat; Moffo and her unworthy (throughout) conductor Alceo Galliera indulge in some simply wrong rubato, but the last third of the aria, with its melting, high pianissimi, is a knockout. The aria from Il re pastore is beautifully sung--trills and all--and so is the concert aria "Misera, dove son?" The two soprano solos from Mozart's Great Mass (K. 427) find Moffo stretching for the low notes, albeit never unattractively, but they, and the "Alleluia" from "Exsultate, jubilate" are suitably virtuosic. This CD is a real pleasure. Highly recommended. --Robert Levine

Customer Reviews:

Glorious Moffo and Mozart.......2007-03-28

Ahhhhh....that's what one will say after hearing the fabulous Anna Moffo with her rosy voice and elegant phrasing lend her talent to Mozart's beloved arias. Mozart himself would probably have agreed. So many standout songs here including "misera, dove son", "non so piu", "vedrai carino", "l'amero saro costante", "aich ich fuhls", etc. Moffo singing arias from "Le Nozze di Figaro" as Cherubino are very enjoyable too.
Moffo was one of the few sopranos who could successfully sing diverse compositions from Verdi, Mozart, Schubert, etc. Kathleen Battle is another wonderful singer following in Moffo's footsteps. Also listen to "Kathleen Battle Sings Mozart" conducted by Andre Previn with Royal Philharmonic. For Mozart, these two divas cannot be surpassed.

One of the Finest Available Mozart Recitals.......2003-11-22

Anna Moffo was outstanding in a wide variety of music, but her warm, radiant, and flexible lyric soprano was particularly well-suited to Mozart. This collection, recorded in 1958, is exceptional; with Cecilia Bartoli's "Mozart Portraits" and Renee Fleming's all-Mozart disc, it is one of the finest available recitals of Mozart's soprano/mezzo-soprano arias. Moffo's is my favorite rendition of Pamina's "Ach, ich fuhls" from DIE ZAUBERFLOETE. Her ability to maintain a smooth legato (even at Galliera's slow tempo) and to "color" her tone to suggest the pallor of death is amazing (just listen to the final phrase, "So wird ruhe im Tode sein" -- "I must find my peace in death"). I love Moffo's Mozart so much that I plan to acquire the recording of LE NOZZE DI FIGARO in which she sings the role of Susanna. Judging from the rendition of Susanna's "Deh vieni, non tardar" heard here, it should be quite a lovely performance.

A Glorious Mozart Recital.......2002-02-11

This is definitely one of the best Mozart aria albums to date. Moffo's Ach, ich fühls is superb. Her Ach, ich liebte is one of the best performances of this aria, and her Et in carnatus est from the Great Mass is transcendant.

Primo Moffo.......2000-08-04

This is wonderful singing. Like all of my favorite Mozart singers, she maintains clarity of line, intonation and rhythm, sustaining drop-dead beautiful tone throughout. Her coloratura on Exaltate Jubilate is crystal clear. This is a thoughful compilation as well, including arias that the Angel CD left out. The only reason I didn't give this 5 stars is the conducting of Alceo Galliera--in general lacking rhythmic momentum and clarity. Too bad she didn't partner with Giulini on this one since they achieved such stunning results in Le Nozze di Figaro.

Anna Moffo's "Mozart Arias".......2000-07-23

I have waited over 30 years for this CD and I am not disappointed in it. Moffo is magnificent!

Thank you, Testament, for the bonus tracks!

There is no "crooning" here. That did not take place until the late 70's, when she began to experience vocal problems. And in 1976, she picked herself up, dusted herself off, and re-started her operatic career!

Average customer rating: Jewel Song 20 Great Soprano Arias Sutherland, Battle, Te Kanawa.....Need I say More? A good selection A few real jewels with a couple of paste ones mixed in... Very Nice

Jewel Song ~ 20 Great Soprano Arias / Crespin, Freni, Te Kanawa, Sutherland, Jo, Tebaldi, Cotrubas, Caballé, Cerquetti... Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The #1 Soprano Album Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco... The Most Famous Opera Duets Ten Top Sopranos Mad About Sopranos ASIN: B000024581 Release Date: 2000-09-12

Tracks:

1. Dove Sono: Le Nozze di Figaro
2. Un Bel Di: Madama Butterfly
3. Merce, Dilette Amiche (Bolero): I Vespri Siciliani
4. Deh Vieni, Non Tardar: Le Nozze di Figaro
5. Ebben? ... Ne Andro Lontana: La Wally
6. Suicidio! La Gioconda
7. Signore, Ascolta! Turandot
8. Convien Partir! La Figlia del Reggimento
9. Chi il Sogno di Doretta (Doretta's Dream): La Rondine
10. Morro, Ma Prima In Grazia: Un Ballo in Maschera
11. O Dieu! Que de Bijoux! (Jewel Song) Faust
12. Vissi d'Arte: Tosca
13. O Mio Babbino Caro: Gianni Schicchi
14. Si. Mi Chiamano Mimi: La Boheme
15. Mesicku na Nebi Hlubokem (O Silver Moon): Rusalka
16. Quando m'en Vo (Musetta's Waltz Song): La Boheme
17. Tu Che di Gel Sei Cinta: Turandot
18. Welch Wonne, Welche Lust: Die Entfuhrung Aus Dem Serail
19. Du Bist der Lenz: Die Walkure
20. Der Holle Rache: Die Zauberflote

Customer Reviews:

Jewel Song 20 Great Soprano Arias.......2006-06-26

Recording quality excellent
A must for the soprano voice lover

Sutherland, Battle, Te Kanawa.....Need I say More?.......2005-12-30

This truly is a marvellous recording of the top Soprano's of our time in their prime. The Album starts with Kiri Te Kanawa singing Mozart's "Dove Sono", in which she captures the true essence of a wife questioning her marriage that has disintegrated over the years. And her phrasing in this song is heavenly. Battle's version of "Welche Wonne" is the best I've heard to date. I've listened to numerous other recordings of this aria and still havent found one that measures up to this one. Sutherland pulls off gounod's "O dieu, que di bijoux" excellently, with the greatest of ease. I could go on and on, but I'll end my review with this: These are excellent recordings of excellent singers at their very best, singing music by the masters. It would be worth your money.

A good selection.......2004-11-04

I rate this as a very valuable sampler. It gives the listener not only a reasonable introduction to various operatic works and styles (though there is a prominent Puccini verissimo presence) but a good introduction to the different artists. I like the fact that some operas feature more than one work on the CD because there's less of a chance you'll fall in love with one aria and go buy the entire opera, only to discover that the aria is nearly all that you enjoy.

As for the sopranos... I adored nearly all of them. I have listened to many of their recordings and I can vouch for these arias as good indicators of their outstanding talent....the few exceptions will follow, however.

I make special mention of some sopranos. Leontyne Price's Tosca, is the first. Her Aida has been her crown jewel but I would place her Tosca as a very strong rival. Also, the Turandot recording with Monsterrat Caballe is perhaps the finest on CD, and her Liu here shows why: she is blessed with a heart-melting upper register. Pilar Lorengar's Russalka was a very pleasant surprise...I wish I could find a complete recording of her singing the title role. I believe we will just have to contend with this however. I'd never heard of Virginia Zeani prior to this CD but I loved the secure purchase and `sanguine tinge' of her voice...I'll be on the look out for her in the future. Of course, we get a reliable performance from Mirella Freni: touching and delicate as usual, but never weak. Kathleen Battle proves why she can get away with her notoriously despicable attitude: she really was the golden voice of the Met! Sumi Jo's technically perfect and stunning aria (again a good indicator of what you can generally expect from her) is the perfect, exciting end to this compilation.

The exceptions? I found Graziella Sciutti's tone to be too `heady'... if you'll forgive the crude term. I imagined the sound to come from an old woman. This will be a matter of preference. Renata Tebaldi is a touchy subject for some people because of some petty bashing that sometimes takes place. While I'm no `basher,' I never found her voice aesthetically appealing. I find her tone metallic and hard. Here, however, is the best I've heard her (I've heard her Cavaleria Rusticana, her La Wally and her Turandot). While her La Rondine here is not bad, Angela Georghiu's interpretation is one example of a soprano who is vastly superior in my opinion. Finally, the `immortal' Kirsten Flagstad performs "Du bist der Lenz" from Die Walkure in Wagner's Ring cycle. The old sound quality aside, I would not have enjoyed her Sieglinde, `full-throated' as it was. I wrote this off immediately as an idiosyncrasy for Flagstad fans. Apologies if anyone is offended (and this is sincere) but the whole musical effect is that of some lumbering leviathan...this is the stereotypical tedium that people ascribe to Wagner. All-in-all, however, I found the experience invaluable. I certainly am more aware of recordings that I'm not likely to enjoy and so have avoided making mistakes. When saying so, however, these sopranos are truly legendary. But as in all things, preferences will vary and so I have stated mine.

A few real jewels with a couple of paste ones mixed in..........2004-11-04

Most aria/song compilations suck. That's just the nature of compilations in general - It's hard to get a good mix of singers, arias and performances that will appeal to a broad audience.

This one mostly succeeds with a few exceptions. The singers are, over-all, excellently selected. Most of the performers are excellent singers, and their respective selections show them at the highest level of their careers. This was a treat to realize, because quite often, compilations fall back on using poorer quality artists.

There are a few, however, that don't match up to the performances of some of the other soprani on the album. That's not to say that they don't have their own talent and value, but it's hard to appreciate their lesser stars when faced with the brilliance of Caballe, L. Price & other similar talents.

The selection of arias was also not to my taste. I personally could live in peace the rest of my days without hearing another "O Mio Babbino Caro," but personal taste aside, it would have been nice to hear some of the greater, but less frequently performed arias, as well as some of the commonly done but more appealing arias, too.

Out of all the music written by Mozart and Wagner, the best they could do was Welche Wonne, welche Lust & Du bist der Lenz?

This probably isn't a great album to introduce newbies to opera in general, but there is some good listening on it - particularly Caballe's Signore, Ascolte & Tebaldi's Che il bel sogno di Doretta.

Very Nice.......2002-09-01

As a big fan of the many "Top such and such sopranos" type CDs, I found this to be one of the best yet. It exemplifies the highlights of each sopranos career...and leaves you with a great impression of them all.

Also, the CD is quite enjoyable, for it varies from heavy, matured sopranos..to those younger, more glittering and creamy. I found this to truly be money well spent, for it a wonderful addition to my "opera hits" collection. One point off for the rather stereotypical selection fo arias and such ...otherwise...Enjoy!

Average customer rating: A captivating stage performer doesn't register as dramatically on disc Goerne Excellent in Familiar and Unusual Repertory

Matthias Goerne - Arias Wolfgang Amadeus Mozart , Richard Wagner , Robert Schumann , Engelbert Humperdinck , Richard Strauss , Erich Wolfgang Korngold , Alban Berg , Matthias Görne , Dorothea Röschmann , Manfred Honeck , and Swedish Radio Symphony Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Berg | Berg, Alban | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Schumann Lieder Matthias Goerne - Bach Cantatas / Albrecht Mayer · Camerata Academia Salzburg · Sir Roger Norrington Matthias Goerne · Vladimir Ashkenazy ~ Schumann - Dichterliebe · Liederkreis op. 24 Matthias Goerne ~ Schubert Lieder - Goethe - ASIN: B000055X2Q Release Date: 2000-12-12

Tracks:

1. Die Zauberflote: Der Vogelfanger bin ich ja
2. Die Zauberflote: Bei Mannern, welche Liebe fuhlen
3. Die Zauberflote: Ein Madchen oder Weibchen
4. Le nozze di Figaro: Hai gia vinta la causa !
5. Le nozze di Figaro: Crudel ! perche finora
6. Don Giovanni: Deh, vieni alla finestra
7. Tannhauser: Blick ich umher in diesem edlen Kreise
8. Tannhauser: Wie Todesahnung...O du mein holder Abendstern
9. Szenen aus Goethes Faust: Ein Sumpf zieht am Gebirge hin
10. Konigskinder: Verdorben! Gestorben!... Ihr Kindlein, sie sind gefunden
11. Ariadne auf Naxos: Harlekinlied
12. Die tote Stadt: Mein Sehnen, mein Wahnen
13. Wozzeck: Wir arme Leut!
14. Wozzeck: Dort links geht's in die Stadt...Du sollst da bleiben, Marie

Amazon.com

Possessor of one of today's most beautiful baritone voices, Matthias Goerne has been associated, on stage and disc, more with lieder than with opera. Listeners who were spellbound by the emotional impact of his performances of Schubert's great song cycles were amazed at the comic perfection of his Papageno in his Metropolitan Opera debut. This recording, on which he creates and impersonates nine vastly different characters from operas spanning three centuries, is an even bigger surprise. Using--but never abusing--an extraordinary range of vocal and expressive color and inflection, he captures Papageno's humor, Count Almaviva's malicious cunning, Don Giovanni's seductiveness, Wolfram von Eschenbach's inward, chaste devoutness, and Wozzek's yearning desperation and madness, with equally total involvement and conviction. Along the way there are also rarities: the Minstrel's heartbreaking lament from Humperdinck's Die Königskinder--unjustly neglected if the rest of the opera is indeed as beautiful as this aria--Harlekin's ironic ditty from Strauss's Ariadne; the Pierrot's sensuous dream-song from Korngold's Die tote Stadt; and the final, heroically dramatic section of Schumann's Scenes from Faust. Soprano Dorothea Röschmann, his partner in four duets, also takes on several greatly varied roles with admirable flexibility. A children's chorus and a women's chorus participate in one aria to lovely effect, and the orchestra is excellent. --Edith Eisler

Customer Reviews:

A captivating stage performer doesn't register as dramatically on disc.......2005-09-24

Georne's picture on the cover of this CD implies an edgy, even angst-ridden interpreter, but the singing one finds inside is good average baritone work. I hear no musical revelations here, and although Goern'es voice is instantly recognizable, his characterization is rather faceless. If you think Hermann Prey or Theo Adam is a great baritone, I guess you'll think Goerne is one, too. Compared to a similar baritone recital on Sony with Bo Skovhus, I'd give the edge to Skovhus. Thomas Hampson, Thomas Quasthoff, and Dmitri Hvorostovsky have nothing to fear; maybe even Nathan Gunn has nothing to fear. All in all, I expected more from a singer who reputation is flying high.

Goerne Excellent in Familiar and Unusual Repertory.......2003-10-10

Many baritones record Papegano's first aria ("Die Vogelfanger bin ich, ja"), Don Giovanni's serenade, and Wolfram's Evening Star Song. But when was the last time you saw Count Almaviva's aria ("Vedro, mentr'io sospiro") from LE NOZZE DI FIGARO, Wolfram's "Blick, ich umher," or the murder scene from WOZZECK excerpted on a recital disc? Matthias Goerne's "Arias" CD includes all of these items and more, all sung with beauty, feeling, and musicality by one of the most intelligent and charismatic male singers of today. Goerne is joined in three duets ("Bei Mannern" from DIE ZAUBERFLOTE, "Crudel, perche finora" from FIGARO, and the WOZZECK scene) by soprano Dorothea Roschmann, whose sound isn't quite to my taste (it's a bit lacking in warmth) but who is as musical and as sensitive as her partner. The conductor, Manfred Honeck, is also an ideal match both for Goerne and for the music. Matthias Goerne's "Arias" is an indispensable disc for admirers of German music, the baritone voice, or Goerne himself -- or for those who would just like to hear an interestingly programmed aria recital.

Average customer rating: Good coloratura work by Elizabeth Futral At Last a Solo Recital on CD An Interesting display

Great Operatic Arias Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Diana Montague Sings Great Operatic Arias, Vol. 2 Christine Brewer: Great Operatic Arias Sweethearts Pasión! The Very Best of Régine Crespin ASIN: B00009AQMF Release Date: 2003-06-24

Tracks:

1. Come Take Me In Your Arms
2. My Soul Is Filled With Love For You
3. What Are These Tears And Sighs
4. How I Loved Him!
5. A Maiden Adorning
6. He Has Come Back
7. See Here, Dorabella
8. Ah! Let me Live In This Dream
9. He's The God Of Youth And Springtime
10. The Silver Moon Was Shining
11. Ain't It A Pretty Night!
12. Take Me Away To The One I Adore
13. Oh Sleep, Why Dost Thou Leave Me?

Customer Reviews:

Good coloratura work by Elizabeth Futral.......2007-05-27

This is an interesting CD from soprano Elizabeth Futral. The theme of this is a set of operatic arias sung in English, not in the original French or Italian or. . . . I'm not sure how sold I am on the concept, but, after all, it's the singing and musicality that is most important. And, by that measure, Elizabeth Futral does very nicely.

The accompanying booklet begins by noting that (page 8) "The voice of the light soprano has enchanted listeners for centuries." Futral's singing is characteristic of this type of voice.

In this era, any coloratura soprano has two challenges: first, to compare with the past generation's astonishingly talented practitioners, well exemplified by Joan Sutherland and Beverly Sill. Second, though, there are some wonderful coloratura sopranos today against whom others will be compared, with Natalie Dessay and Sumi Jo among the most adept. Thus, Futral will almost automatically be compared with such exemplars. I do not think one could say she is the equal of those four just mentioned, but she does not compare badly either.

From the Wikipedia: "In musical notation, the Italian word staccato (literally detached, plural staccatos or staccati) indicates that notes are sounded in a detached and distinctly separate manner, with silence making up the latter part of the time allocated to each note. The rhythm is not affected. Notes identified as staccato should be played or sung abruptly and short." This is worthy of comment, since the "Bell Song" from "Lakme," one of the selections on this CD, features many such notes. Futral sings them well. Her performance in this work is well done (although it is somewhat jarring, again, to hear it sung in English). She begins with a nice high note and a bang up following trill. She displays good agility and features nice technique on staccato notes. Overall, this is well done. Toward the end, which calls for great ornamentation, she seems a bit hesitant at time, but she concludes with a nicely sung high note.

Other examples of her singing. From Handel's "Alcina," she sings "Come take me in your arms." Her voice is a light, standard coloratura voice (although not all coloratura sopranos have such a voice, of course). She displays considerable agility, a decent trill, and good ornamentation. There is a bit of harshness on a high note toward the close, but hardly fatal to the overall positive effect of her singing.

From Donizetti's "Linda di Chamounix," there is "My soul is filled with love for you" (otherwise known as "O luce di quest'anima"). Her version is not too shabby when compared with such greats as Sutherland and Jo. The cabaletta shows off, again, her agile voice. Good staccato high notes. Nice trills and a well nailed final high note.

Then there is the charming "Son vergin vezzosa" from Bellini's "I Puritani," here entitled "A maiden adorning." Again, nice agility, good trills, well done florid singing technique. While there is some harshness in the penultimate high note, overall, well done.

In short, Futral adds to a currently rich supply of coloratura sopranos, and compares well with the best of them.

At Last a Solo Recital on CD.......2005-03-19

Elizabeth Futral is one of those rare sopranos who seems to put pacing of her career, care of the voice, and commitment to repertoire range ahead of the too early media blitz that can hamper a singer's career. Clearly she has it all - beauty of voice, beauty of physical presence, fine acting skills, intelligence, and interpretive insights.

Having seen her Cleopatra in LA Opera's GUILIO CESARE and in SF Opera's production of Previn's STREETCAR NAMED DESIRE put her high on the list of important new sopranos. This rather strange recording gives samples of her foray's into all styles from Handel to Previn and does a fine job in capturing the beauty of her phrasing and quality of her seamless soprano voice. It is somewhat distracting to place a first recital recording before the public being sung entirely in English, especially for those who are unfamiliar with Futral's gifts. But credit Chandos with the courage to try something different, something that may introduce new audiences to the opera field.

Surely after the recent successes of Futral performances in the opera houses more recordings will follow. Meanwhile this is a tasty sampler of just how versatile - and special - Elizabeth Futral is. Grady Harp, March 05

An Interesting display.......2003-07-23

Coloratura-soprano Elizabeth Futral is a remarkable artist with a beautiful instrument and a most impressive technique. Her appearences in record stores are mostly on lesser known and up and coming labels such as Opera Rara and CHANDOS; with a few performances on DG.

This CD has an unusual semi-personal package. Duets, trios and quartets are featured. The title of the program is called Great Operatic Arias which seems rather broad for a soprano recital disc.

Futral sings well as always, however the content seems to lack a bit of intricacy and polish. Each aria, duet etc leaves you wondering whether or not a bit more time could have been put into this. The arias range from baroque to 20th century; covering four languages.

The entire program is performed in English and this is interesting... Although some of the arias just sound plain strange in English! It is a very nice thing to actually completely and instantly understand what is being sung. I was most impressed with the CHANDOS Lucia di Lammermoor. Futral probably gave her best performance on record in that role. She is astonishingly good on that recording. Her mad scene is awesome!

Overall this is a pleasing recording and Futral dazzles her listeners with her crystal clear high notes and vibrant tone. I look forward to more recordings of her. Hopefully she'll have a chance to record some more opera in its original language. I think that its time for a new Puritani or Sonnambula. Wouldn't she be the perfect candidate?

Average customer rating: A Mozartian Unsurpassed Since.

Mozart: Opera Arias Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Schwarzkopf, Elisabeth | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Similar Items: The Very Best of Elisabeth Schwarzkopf Schubert: 24 Lieder Strauss: Four Last Songs/12 Orchestral Songs Bach: Cantatas & Arias Great Recordings Of The Century - Elisabeth Schwarzkopf Sings Operetta / Ackermann ASIN: B000AQACVQ Release Date: 2005-09-13

Tracks:

1. L'amero, Saro Costante
2. Zeffiretti Lusinghieri
3. Welcher Kummer...Traurigkeit
4. Martern Aller Arten
5. Non So Piu Cosa Son
6. Porgi, Amor
7. Voi Che Sapete
8. Dove Sono I Bei Momenti
9. Giunse Alfin Il Momento...Deh, Vieni, Non Tardar
10. Batti, Batti, O Bel Masetto
11. Vedrai, Carino
12. In Quali Eccessi...Mi Tradi Quell' Alma Ingrata
13. Crudele?...Non Mi Dir
14. Ach, Ich Fuhl's

Customer Reviews:

A Mozartian Unsurpassed Since........2007-02-15

These arias were recorded when ES was still quite young.
What a voice! What singing! What devotion!
It is interesting to have ES singing Cherubino as well as Susanna and the Countess Rosina in Le Nozze di Figaro.
Her Donna Elvira is always a killer.
But my greatest admiration in this album goes to her aria from Il re Pastore, the great Rondo of Aminta.
The great beauty of her singing - a duet with the solo violin, with well-controlled coloraturas, well-paced tempo supported by seamless breathing - her performance is simply unsurpassed, not even by Joan Sutherland in the other recording of the same aria, and certainly not by others available (like Renee Fleming or Ann Murray). ES never over-did those coloraturas like Cecilia Bartoli does these days, and that in itself is a big 'pro' in the enjoyment level of her Mozart arias.
Although the recordings are old and not really in state-of-the-art accoustics, the sheer beauty of ES's singing makes up for any lack that there may be in the sound.

Music Review:

1. Mozart: Early Symphonies, Vol. 2 [Box set]
2. Mozart: Exsultate, Jubilate K158; Mass No16
3. Mozart: Piano Concerto No. 23; The Magic Flute: Overture; Eine kleine Nachtmusik
4. Mozart: Piano Concertos Nos. 20 & 26 "Coronation"
5. Mozart: Piano Concertos Vol 3 - nos 20 & 27 / Holtmann
6. Mozart: Quartets for Flute & String Trio / Divertimento No. 15
7. Mozart: Salzburg Symphony Nos. 1 & 2/Symphony Nos. 16, 18, & 22
8. Mozart: Violin Concertos Nos. 1, 3 & 5 [Import]
9. Mozart: Violin Concertos Nos. 6 & 7
10. Nessun Dorma [Import]

Music Review

music review

Music Review

Wild Anthems [Import]

Brahms: Piano Quartets Nos. 1 & 3

Electric Brass

Gratitude

Chicken Rhythms + Singles

Autentico

Gospel Shining Stars

Bruckner: Symphony No.5

Country Heat Classic [Import]

Distorted [Explicit Lyrics]

Empress

Canta Italiano [Import]

Dub Plates V.3 [Import]

Horse & Carriage

San Francisco Sessions