Darius Milhaud (1892-1974)
Symphonie No. 3
Concerto for 2 pianos
Concerto for violin No. 2
Les quatre saisons
Geneviève Joy
Claire Bernard
Darius Milhaud
Milhaud, who in the 20s had written six ‘little’ symphonies for small combinations, waited until he was nearly 50 before embarking in 1939 on a series of 12 symphonies for full orchestra (the Third has a choral finale).
There can be few active musicians able to remember a time when Milhaud’s name was not familiar, fewer still who can claim knowledge of the vast quantity of work produced during a long career by this incessantly prolific and versatile composer. Milhaud’s musical training began in his native city. At the age of 17 he went to the Paris Conservatoire. His teachers were Dukas, Leroux and Gédalge. Among his friends were Auric and Honegger. Of equal if not greater importance were literary friendships with, for example, Jammes and Claudel, two of the great influences (Gide was the third) on the early years of Milhaud’s career.
MILHAUD : Symphonie No. 3 - Concertos 2CD,Darius Milhaud,Darius Milhaud,Accord
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MILHAUD : Symphonie No. 3 - Concertos 2CD
Darius Milhaud Manufacturer: Accord ProductGroup: Music Binding: Audio CD  Classical
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ASIN: B000ALJ9CY Release Date: 2005-07-25 |
Tracks:
- Dramatique
- Lent et sombre
- Emport
- Concertino de printemps (Spring), for violin and chamber orchestra
- Concertino d' (Summer), for alto solo and nine instruments
- Concertino d'automne (Fall) , for two pianos and eight instruments
- Concertino d'hiver (Winter), for trombone and string orchestra
- Balanc
- Dramatique
- Joyeux
Product Description
Darius Milhaud (1892-1974)
Symphonie No. 3
Concerto for 2 pianos
Concerto for violin No. 2
Les quatre saisons
Geneviève Joy
Claire Bernard
Darius Milhaud
Milhaud, who in the 20s had written six ‘little’ symphonies for small combinations, waited until he was nearly 50 before embarking in 1939 on a series of 12 symphonies for full orchestra (the Third has a choral finale).
There can be few active musicians able to remember a time when MilhaudÂ’s name was not familiar, fewer still who can claim knowledge of the vast quantity of work produced during a long career by this incessantly prolific and versatile composer. MilhaudÂ’s musical training began in his native city. At the age of 17 he went to the Paris Conservatoire. His teachers were Dukas, Leroux and Gédalge. Among his friends were Auric and Honegger. Of equal if not greater importance were literary friendships with, for example, Jammes and Claudel, two of the great influences (Gide was the third) on the early years of MilhaudÂ’s career.
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