Mahler: Symphony No.4/Adagietto from Symphony No.5

1. Symphony No. 4 in G major
Composed by Gustav Mahler
with London Philharmonic Orchestra , Lucia Popp
Conducted by Klaus Tennstedt

2. Adagietto, for orchestra (from the Symphony No.5) Adagietto. Sehr langsam
Composed by Gustav Mahler
with London Philharmonic Orchestra , Lucia Popp
Conducted by Klaus Tennstedt

Mahler: Symphony No.4/Adagietto from Symphony No.5,Gustav Mahler,Klaus Tennstedt,London Philharmonic Orchestra,Lucia Popp,Angel Records,Classical,Classical Music,Miscellaneous Music,Orchestral,Romantic Symphony,Symphonic

Average customer rating: The Most Relaxing Classical Album In the World Eveer, Volume II Great music listein to while you read in bed A must buy for the non-snobbish classical music fan. A bliss of spirit. Boring

The Most Relaxing Classical Album In the World Ever, Volume II Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music All Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. 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Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: The Most Relaxing Classical Album in the World...Ever! The Most Relaxing Classical Music in the Universe The Most Relaxing Piano Album in the World...Ever! Mozart for Relaxation Best of the Millennium: Top 40 Classical Hits ASIN: B00002439O Release Date: 2003-03-11

Tracks:

1. Sheep May Safely Graze - Sir Neville Marriner
2. Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
3. Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
4. Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
5. Miserere Mei, Deus - Stephen Cleobury
6. Schindler's List - Tasmin Little
7. Traumerei - Dame Moura Lympany
8. Dance Of The Sylphs - Sir Neville Marriner
9. Water Music - Berlin Philharmonic Orchestra
10. Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
11. Jean De Florette - Toots Thielemans
12. Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
13. Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
14. Waltz No.15 In A Flat - Dame Moura Lympany
15. Romance - Piers Lane
16. Pavane - Maurice Handford
17. Woodbrook - Micheal O Suilleabhain
18. Time To Say Goodbye - Orchestra

Tracks:

1. The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
3. Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
4. Prelude No.7 In A Op.28 No.7 - Tzimon Barto
5. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
6. The Lark Ascending - Hugh Bean
7. 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
8. Pie Jesu - Choir Of King's College, Cambridge
9. Salut D'Amour - Richard Hickox
10. La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
11. The Coventry Carol - Medeval Babes
12. Pavane For A Dead Princess - New Philharmonia Orchestra
13. Liebestraum No.3 In A Flat - John Ogdon
14. Panis Angelicus - Elisabeth Schwarzkopf
15. Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
16. Agnus Dei - Peter Barley
17. Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
18. My Heart Will Go On - Orchestra

Customer Reviews:

The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !

Average customer rating: very romantic to make love by Great Mood Music

Most Romantic Classical Music in the Universe Gabriel Faure , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Fryderyk Chopin , Franz Liszt , Erik Satie , Robert Schumann , Antonin Dvorak , Gustav Mahler , Sergey Rachmaninov , Leos Janacek , Cesar Franck , George Frideric Handel , Jules Massenet , Sergey Prokofiev , Catalan Traditional , and Various Artists Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Janácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: More of the Most Romantic Classical Music in the Universe The Most Relaxing Classical Music in the Universe More Of The Most Relaxing Classical Music In The Universe The Most Relaxing Classical Album in the World...Ever! The Most Relaxing Classical Album In the World Ever, Volume II ASIN: B00011V890 Release Date: 2004-01-13

Tracks:

1. BIZET Aragonaise from Carmen
2. DEBUSSY Clair de Lune
3. SAINT-SAS The Swan
4. BEETHOVEN Moonlight Sonata, Adagio
5. TARREGA Recuerdos
6. FAURE Aprun rrie
7. ,MENDELSSOHN Song without Words Op. 19 #6
8. TCHAIKOVSKY Serenade for Strings, Elegia, Larghetto elegaico
9. CHOPIN Ballade No. 1
10. LISZT Liebestraume
11. SATIE Gymnopedies No. 1
12. SCHUMANN Abendlied
13. MENDELSSOHN Song without Words Op. 62 #5
14. DVORAK Serenade for Strings, Larghetto
15. BEETHOVEN Fse

Tracks:

1. MAHLER Symphony No. 5, Adagietto
2. RACHMANINOFF Piano Concerto No. 2, Adagio
3. JANACEK Idyll for Strings, Adagio
4. FRANCK Violin Sonata, Recitativo-Fantasia
5. HANDEL Largo from Xerxes
6. CHOPIN Etude in E Major
7. TCHAIKOVSKY Swan Lake (excerpt)
8. MASSENET Meditation from "Tha
9. PROKOFIEV Romeo & Juliet
10. TRADITIONAL Nocturne in F
11. TCHAIKOVSKY Nocturne in F
12. RACHMANINOFF Prelude

Customer Reviews:

very romantic to make love by.......2007-06-11

The music is seductive and promotes an atmosphere of feeling uninhibited when you are making love.

Great Mood Music.......2006-08-11

This is a great CD to compliment any romantic situation. A meal by candle light, champagne on the veranda, or a Jacuzzi for two! Very soothing.

Average customer rating: Groundbreaking but partly outdated Outstanding Mahler Compilation Bernstein or Tennstedt: read on.... Comparing the two Bernstein Mahler cycles Mahler complete symphonies.

Mahler: The Complete Symphonies Dame Janet Baker , Jennie Tourel , Lili Chookasian , Martha Lipton , Israel Philharmonic Orchestra , New York Philharmonic , Hans Vollenweider , Adele Addison , Dame Gwyneth Jones , Erna Spoorenberg , Lee Venora , Lucine Amara , Reri Grist , John Mitchinson , and Richard Tucker Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Classical | Box Sets | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Mendelssohn: 5 Symphonies; 7 Overtures Schubert: 8 Symphonies Bruckner: The Complete Symphonies Johannes Brahms: The Symphonies Dvorák: The Symphonies ASIN: B0000589BP Release Date: 2001-01-30

Tracks:

1. Sym No.1 in D 'Titan': Movt I: Langsam. Schleppend. Wie Ein Naturlaut - New York Phil/Leonard Bernstein
2. Sym No.1 in D 'Titan': Movt I: Immer Sehr Gemachlich - New York Phil/Leonard Bernstein
3. Sym No.1 in D 'Titan': Movt I: Sehr Gemachlich - New York Phil/Leonard Bernstein
4. Sym No.1 in D 'Titan': Movt I: Vorwats Dragend - New York Phil/Leonard Bernstein
5. Sym No.1 in D 'Titan': Movt II: Kraftig Bewegt - New York Phil/Leonard Bernstein
6. Sym No.1 in D 'Titan': Movt II: Trio. Recht Gemachlich - New York Phil/Leonard Bernstein
7. Sym No.1 in D 'Titan': Movt II: Tempo Primo - New York Phil/Leonard Bernstein
8. Sym No.1 in D 'Titan': Movt III: Feierlich Und Gemessen, Ohne Zu Schleppen - New York Phil/Leonard Bernstein
9. Sym No.1 in D 'Titan': Movt III: A Tempo. Ziemlich Langsam - New York Phil/Leonard Bernstein
10. Sym No.1 in D 'Titan': Movt III: Sehr Einfach Und Schlicht Wie Eine Volksweise - New York Phil/Leonard Bernstein
11. Sym No.1 in D 'Titan': Movt III: Weider Etwas Bewegter, Wie Im Anfang - New York Phil/Leonard Bernstein
12. Sym No.1 in D 'Titan': Movt IV: Sturmisch Bewegt - New York Phil/Leonard Bernstein
13. Sym No.1 in D 'Titan': Movt IV: Sehr Gesangvoll - New York Phil/Leonard Bernstein
14. Sym No.1 in D 'Titan': Movt IV: Wieder Wie Zu Angang. Sturmisch Bewegt - New York Phil/Leonard Bernstein
15. Sym No.1 in D 'Titan': Movt IV: Sehr Langsam - New York Phil/Leonard Bernstein
16. Sym No.1 in D 'Titan': Movt IV: Wieder Vorwarts Drangend - New York Phil/Leonard Bernstein
17. Sym No.10, 'Adagio': Andante - New York Phil/Leonard Bernstein
18. Sym No.10, 'Adagio': Andante Come Prima - New York Phil/Leonard Bernstein
19. Sym No.10, 'Adagio': A Tempo (Fliessend) - New York Phil/Leonard Bernstein
20. Sym No.10, 'Adagio': Measure 104 - New York Phil/Leonard Bernstein
21. Sym No.10, 'Adagio': Measure 194 - New York Phil/Leonard Bernstein
22. Sym No.10, 'Adagio': A Tempo - New York Phil/Leonard Bernstein

Tracks:

1. Sym No.2 in c 'Resurrection': Movt I: Allegro Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
2. Sym No.2 in c 'Resurrection': Movt I: Sehr Massig Und Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
3. Sym No.2 in c 'Resurrection': Movt I: Schnell - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
4. Sym No.2 in c 'Resurrection': Movt I: Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
5. Sym No.2 in c 'Resurrection': Movt I: Tempo Sostenuto - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
6. Sym No.2 in c 'Resurrection': Movt II: Andante Moderato - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
7. Sym No.2 in c 'Resurrection': Movt II: Energisch Bewegt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
8. Sym No.2 in c 'Resurrection': Movt II: Wieder In's Tempo Zuruckgehen. Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
9. Sym No.2 in c 'Resurrection': Movt III: In Ruhig Fliessender Bewegung - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
10. Sym No.2 in c 'Resurrection': Movt III: Vorwarts - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
11. Sym No.2 in c 'Resurrection': Movt III: Zum Tempo I. Zuruckkehren - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan

Tracks:

1. Sym No.2 in c 'Resurrection': Movt IV: ' Urlicht' - Sehr Feierlich, Aber Schlicht - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
2. Sym No.2 in c 'Resurrection': Movt IV: Etwas Bewegter - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
3. Sym No.2 in c 'Resurrection': Movt V: Im Tempo Des Scherzos. Wild Herausfahrend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
4. Sym No.2 in c 'Resurrection': Movt V: Langsam - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
5. Sym No.2 in c 'Resurrection': Movt V: Im Anfang Sehr Zuruckgehalten - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
6. Sym No.2 in c 'Resurrection': Movt V: Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
7. Sym No.2 in c 'Resurrection': Movt V: Wieder Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
8. Sym No.2 in c 'Resurrection': Movt V: Sehr Langsam Und Gedehnt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
9. Sym No.2 in c 'Resurrection': Movt V: Langsam. Misterioso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
10. Sym No.2 in c 'Resurrection': Movt V: Etwas Bewegter 'O Glaube' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
11. Sym No.2 in c 'Resurrection': Movt V: Mit Aufschwung, Aber Nicht Eilen 'O Schmerz!' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
12. Sym No.2 in c 'Resurrection': Movt V: Piu Mosso 'Sterben' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
13. Sym No.5 in c#: IV. Adagietto. Sehr Langsam - New York PO/Leonard Bernstein
14. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Veni, Creator Spiritus! - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
15. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Imple Superna Gratia - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
16. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
17. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Tempo I. (Allegro, Etwas Hastig) - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
18. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
19. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Accende Lumen Sensibus - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
20. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Qui Paraclitus Deceris - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
21. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Gloria Patri Domino - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...

Tracks:

1. Sym No.3 in d, Part One: Movt I: Kraftig. Entschieden - John Ware
2. Sym No.3 in d, Part One: Movt I: Langsam. Schwer - John Ware
3. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
4. Sym No.3 in d, Part One: Movt I: A Tempo - John Ware
5. Sym No.3 in d, Part One: Movt I: Immer Dasselbe Tempo (Marsch). Nicht Eilen - John Ware
6. Sym No.3 in d, Part One: Movt I: Im Alten Marschtempo (Allegro Moderato) - John Ware
7. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
8. Sym No.3 in d, Part Two: Movt II: Tempo Di Menuetto. Sehr Massig - John Ware
9. Sym No.3 in d, Part Two: Movt II: A Tempo - John Ware
10. Sym No.3 in d, Part Two: Movt II: Ganz Plotzlich Gemachlich. Tempo Di Menuetto - John Ware
11. Sym No.3 in d, Part Two: Movt III: Comodo. Scherzando. Ohne Hast - John Ware
12. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlilch, Wie Zu Anfang - John Ware
13. Sym No.3 in d, Part Two: Movt III: Etwas Zuruckhaltend - Sehr Gemachlich - John Ware
14. Sym No.3 in d, Part Two: Movt III: Tempo I. Mit Geheimnisvolles Hast! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
15. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlich, Beinahe Langsam - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
16. Sym No.3 in d, Part Two: Movt IV: Sehr Langsam. Misterioso. Durchaus Ppp - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
17. Sym No.3 in d, Part Two: Movt IV: Piu Mosso Subito - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
18. Sym No.3 in d, Part Two: Movt V: Lustig Im Tempo Und Keck Im Ausdruck - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...

Tracks:

1. Sym No.3 in d, Part Two: Movt VI: Langsam. Ruhevoll. Empfunden - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
2. Sym No.3 in d, Part Two: Movt VI: Nicht Mehr So Breit - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
3. Sym No.3 in d, Part Two: Movt VI: Tempo I. Ruhevoll! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
4. Sym No.3 in d, Part Two: Movt VI: A Tempo (Etwas Bewegter) - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
5. Sym No.3 in d, Part Two: Movt VI: Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
6. Sym No.3 in d, Part Two: Movt VI: Langsam. Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
7. Three Ruckert Songs: Ich Atmet Einen Linden Duft - Jennie Tourel
8. Three Ruckert Songs: Ich Bin Der Welt Abhanden Gekommen - Jennie Tourel
9. Three Ruckert Songs: Um Mitternacht - Jennie Tourel
10. Des Knaben Wunderhorn: Das Irdische Leben - Jennie Tourel
11. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Jennie Tourel
12. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Jennie Tourel
13. Kindertotenlieder: Wenn Dein Mutterlein - Jennie Tourel
14. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Jennie Tourel
15. Kindertotenlieder: In Diesem Wetter! - Jennie Tourel

Tracks:

1. Sym No.4 in G: Movt I: Bedachtig. Nicht Eilen - Reri Grist
2. Sym No.4 in G: Movt I: Tempo I - Reri Grist
3. Sym No.4 in G: Movt I: Wieder Wie Zu Anfang. Sehr Gemachlich, Behaglich - Reri Grist
4. Sym No.4 in G: Movt I: Wieder Plotzlich Langsam Und Bedachtig - Reri Grist
5. Sym No.4 in G: Movt II: In Gemachlicher Bewegung. Ohne Hast - Reri Grist
6. Sym No.4 in G: Movt II: Nicht Eilen - Reri Grist
7. Sym No.4 in G: Movt III: Ruhevoll - Reri Grist
8. Sym No.4 in G: Movt III: Viel Langsamer - Reri Grist
9. Sym No.4 in G: Movt III: Anmutig Bewegt - Reri Grist
10. Sym No.4 in G: Movt III: Andante - Reri Grist
11. Sym No.4 in G: Movt III: Vorwarts. Poco Piu Mosso - Reri Grist
12. Sym No.4 in G: Movt IV: Sehr Behaglich - Reri Grist
13. Sym No.4 in G: Movt IV: Wieder Lebhaft - Reri Grist
14. Sym No.4 in G: Movt IV: Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss - Reri Grist

Tracks:

1. Sym No.5 in c#: Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - New York Phil/Leonard Bernstein
2. Sym No.5 in c#: Part I: II. Sturmisch Bewegt. Mit Grosster Vehemenz - New York Phil/Leonard Bernstein
3. Sym No.5 in c#: Part II: III. Scherzo. Kraftig, Nicht Zu Schnell - James Chambers
4. Sym No.5 in c#: Part III: IV. Adagietto. Sehr Langsam - New York Phil/Leonard Bernstein
5. Sym No.5 in c#: Part III: V. Rondo-Finale. Allegro - New York Phil/Leonard Bernstein

Tracks:

1. Sym No.6 in a 'Tragic': I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) - New York Phil/Leonard Bernstein
2. Sym No.6 in a 'Tragic': II. Scherzo. Wuchtig - New York Phil/Leonard Bernstein
3. Sym No.6 in a 'Tragic': III. Andante Moderato - New York Phil/Leonard Bernstein
4. Sym No.6 in a 'Tragic': IV. Finale. Allegro Moderato - Allegro Energico - New York Phil/Leonard Bernstein

Tracks:

1. Sym No.7 in e: Movt I: Langsam (Adagio) - Raymond Sabinsky
2. Sym No.7 in e: Movt I: Nicht Schleppen - Raymond Sabinsky
3. Sym No.7 in e: Movt I: Allegro Risoluto, Ma Non Troppo - Raymond Sabinsky
4. Sym No.7 in e: Movt I: A Tempo (Sempre L'istesso) - Raymond Sabinsky
5. Sym No.7 in e: Movt I: Subito Allegro I. Ziemlich Ruhig - Raymond Sabinsky
6. Sym No.7 in e: Movt I: Adagio (Tempo Der Einleitung) - Raymond Sabinsky
7. Sym No.7 in e: Movt I: Maestoso. Allegro Come Prima - Raymond Sabinsky
8. Sym No.7 in e: Movt II: Nachtmusik I. Allegro Moderato - Raymond Sabinsky
9. Sym No.7 in e: Movt II: Sempre L'istesso Tempo. Nicht Eilen, Sehr Gemachlich - Raymond Sabinsky
10. Sym No.7 in e: Movt II: Tempo - Raymond Sabinsky
11. Sym No.7 in e: Movt III: Scherzo. Schattenhaft, Fliessend, Aber Nicht Zu Schnell - Raymond Sabinsky
12. Sym No.7 in e: Movt III: Trio - Raymond Sabinsky
13. Sym No.7 in e: Movt III: Wieder Wie Zu Anfang (Nicht Eilen) - Raymond Sabinsky
14. Sym No.7 in e: Movt IV: Nachtmusik II. Andante Amoroso - Raymond Sabinsky
15. Sym No.7 in e: Movt IV: (Figure 197) - Raymond Sabinsky
16. Sym No.7 in e: Movt V: Rondo-Finale. Tempo I (Allegro Ordinario) - New York Phil/Leonard Bernstein
17. Sym No.7 in e: Movt V: Gemessen! Nicht Schnell! Tempo II (Allegro Moderato Ma Energico) - New York Phil/Leonard Bernstein
18. Sym No.7 in e: Movt V: Tempo I (Halbe Wie Die Viertel Des Tempo I) - New York Phil/Leonard Bernstein
19. Sym No.7 in e: Movt V: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein

Tracks:

1. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Janet Baker
2. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Janet Baker
3. Kindertotenlieder: Wenn Dein Mutterlein - Janet Baker
4. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Janet Baker
5. Kindertotenlieder: In Diesem Wetter! - Janet Baker
6. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Veni, Creator Spiritus! - LSO/Leonard Bernstein
7. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Imple Superna Gratia - LSO/Leonard Bernstein
8. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
9. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Tempo I. (Allegro, Etwas Hastig) - LSO/Leonard Bernstein
10. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
11. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Accende Lumen Sensibus - LSO/Leonard Bernstein
12. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Qui Paraclitus Diceris - LSO/Leonard Bernstein
13. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Gloria Patri Domino - LSO/Leonard Bernstein

Tracks:

1. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Poco Adagio - LSO/Leonard Bernstein
2. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Piu Mosso. (Allegro Moderato) - LSO/Leonard Bernstein
3. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Waldung, Sie Schwankt Heran - Leeds Festival Chor/London Sym Chor
4. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ewiger Wonnebrand - Vladimir Ruzdjak
5. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Wie Felsenabgrund Mir Zu Fussen - Donald McIntyre
6. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Gerettet Ist Das Edle Glied - Leeds Festival Chor/London Sym Chor/Highgate School Boys Choir
7. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jene Rosen, Aus Den Handen - Leeds Festival Chor/London Sym Chor
8. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Uns Bleibt Ein Erdenrest - Leeds Festival Chor/London Sym Chor
9. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ich Spur' Soeben - Leeds Festival Chor/London Sym Chor
10. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hier Ist Die Aussicht Frei/Freudig Empfangen Wir - John Mitchinson
11. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hochste Herrscherin Der Welt - John Mitchinson
12. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jungfrau, Rein Im Schonsten Sinne - John Mitchinson/Leeds Festival Chor/London Sym Chor
13. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Aussert Langsam. Adagissimo - LSO/Leonard Bernstein
14. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Dir, Der Uberuhrbaren/Du Schwebst Zu Hohen - Gwyneth Jones
15. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Der Liebe, Die Den Fussen - Erna Spoorenberg
16. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Bronn, Zu Dem Schon Weiland - Anna Reynolds
17. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Hochgeweihten Orte - Norma Procter
18. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Die Du Grossen Sunderinnnen - Erna Spoorenberg/Anna Reynolds/Norma Procter
19. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Neige, Neige, Du Ohnegleiche - Gwyneth Jones
20. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Er Uberwachst Uns Schon - Highgate School Boys Chor
21. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Vom Edlen Geisterchor Umgeben - Gwyneth Jones
22. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Komm! Hebe Dich Zu Hohern Spharen! - Gwenyth Annear
23. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Blicket Auf Zum Retterblick - John Mitchinson
24. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Alles Vergangliche - Leeds Festival Chor/London Sym Chor

Tracks:

1. Sym No.9 in D: Movt I: Andante Comodo - New York Phil/Leonard Bernstein
2. Sym No.9 in D: Movt I: Etwas Frischer - New York Phil/Leonard Bernstein
3. Sym No.9 in D: Movt I: Tempo I Subito - New York Phil/Leonard Bernstein
4. Sym No.9 in D: Movt I: Mit Wut. Allegro Risoluto - New York Phil/Leonard Bernstein
5. Sym No.9 in D: Movt I: Schattenhaft - New York Phil/Leonard Bernstein
6. Sym No.9 in D: Movt I: Wie Von Anfang - New York Phil/Leonard Bernstein
7. Sym No.9 in D: Movt I: Plotzlich Bedeutend Langsamer (Lento) Und Leise - New York Phil/Leonard Bernstein
8. Sym No.9 in D: Movt I: Schon Ganz Langsam - New York Phil/Leonard Bernstein
9. Sym No.9 in D: Movt II: Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb - New York Phil/Leonard Bernstein
10. Sym No.9 in D: Movt II: Poco Piu Mosso Subito (Tempo II) - New York Phil/Leonard Bernstein
11. Sym No.9 in D: Movt II: Tempo III - New York Phil/Leonard Bernstein
12. Sym No.9 in D: Movt II: A Tempo II - New York Phil/Leonard Bernstein
13. Sym No.9 in D: Movt II: Tempo I - New York Phil/Leonard Bernstein
14. Sym No.9 in D: Movt II: Tempo II - New York Phil/Leonard Bernstein
15. Sym No.9 in D: Movt II: Tempo I Subito - New York Phil/Leonard Bernstein
16. Sym No.9 in D: Movt III: Rondo - Burleske. Allegro Assai. Sehr Trotzig - New York Phil/Leonard Bernstein
17. Sym No.9 in D: Movt III: L'istesso Tempo - New York Phil/Leonard Bernstein
18. Sym No.9 in D: Movt III: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein
19. Sym No.9 in D: Movt III: Nicht Eilen - New York Phil/Leonard Bernstein
20. Sym No.9 in D: Movt III: Piu Stretto - New York Phil/Leonard Bernstein
21. Sym No.9 in D: Movt IV: Adagio. Sehr Langsam Und Noch Zuruckhaltend - New York Phil/Leonard Bernstein
22. Sym No.9 in D: Movt IV: Plotzlich Wieder Langsam (Wie Zu Anfang) Und Etwas Zogernd - New York Phil/Leonard Bernstein
23. Sym No.9 in D: Movt IV: Molto Adagio Subito - New York Phil/Leonard Bernstein
24. Sym No.9 in D: Movt IV: A Tempo (Molto Adagio) - New York Phil/Leonard Bernstein
25. Sym No.9 in D: Movt IV: Stets Sehr Gehalten - New York Phil/Leonard Bernstein
26. Sym No.9 in D: Movt IV: Fliessender, Doch Durchaus Nicht Eilend - New York Phil/Leonard Bernstein
27. Sym No.9 in D: Movt IV: Tempo I. Molto Adagio - New York Phil/Leonard Bernstein
28. Sym No.9 in D: Movt IV: Adagissimo - New York Phil/Leonard Bernstein

Amazon.com

For many of us, Leonard Bernstein's first Mahler cycle for CBS (compiled here, remastered and cheaper than ever) has stood the test of time since it initially came out on LP in the late 1960s. Upon completing this traversal of nine symphonies (and the "Adagio" movement from the unfinished 10th), Lenny and the New York Philharmonic achieved something no one else had and proved that Mahler was, simply put, worth recording in the first place. It's still a marvelous set of recordings that belongs in every record collection.

Using the same budgeted design as on their (surprisingly pricey) Original Jacket series of box sets, Sony has unleashed a true bargain here: 12 CDs that average a little over five bucks a pop. Lenny's second cycle for Deutsche Grammophon may boast greater sonics, plenty of wonderful moments, and the complete song cycles, but it costs more than twice as much. Here, we get a younger Lenny, sounding fresh and expressive and delivering still-unparalleled interpretations of the First, Third, Seventh, Eighth, and Ninth, and pretty great performances of the rest. The intensity on these discs is infectious and the price can't be beat. A must-have. --Jason Verlinde

Customer Reviews:

Groundbreaking but partly outdated.......2007-03-26

Recorded 1960-67, this is the first complete cycle of Mahler's numbered symphonies (1-9 + no. 10 Adagio), and, as such, an essential purchase. Add Bernstein's 1966 classic recording of Das Lied von der Erde (Decca), and you get a piece of recording history: the development of the Mahler boom in the sixties.

How do these recordings stand today? The interpretations of the third, fourth, and seventh are very fine, even exceptional, and, despite their age, the recordings are sonically impressive as well. NYPO plays marvellously. The seventh, in particular, is a reference disc.

The remaining recordings are not really for the desert island, however. The fifth, for instance, is very unsuccessful and badly recorded too. Bernstein's later account on DG is clearly an improvement. The same holds for the second symphony, which you also find on DG in a later, much improved and moving interpretation. But here we have also a crowded field of classic performances, such as Klemperer's second (EMI) and Walter's fifth (SONY). Both are preferable to Bernstein's recordings, old or new.

The first, sixth, eight and ninth are quite good but not exceptional. No one beats Kubelik's first (DG). Mitropoulos (BMG Great Conductors) and Barbirolli (EMI) own the sixth. The eight - well, here we have Horenstein (BBC) and Mitropoulos (Orfeo) as classic, first choices. And for the ninth, Ancerl (Supraphon), Barbirolli (EMI), Klemperer (EMI) and Walter (SONY) sound far more attractive and fresh than Bernstein's mannered account.

If you're a collector this box is of course essential - regardless all critical considerations. But if you just look for an excellent and consistent Mahler box, go for Gary Bertini's cycle on EMI, which you get for a super-bargain price. It's a contemporary and future classic.

Thus I recommend a pick of individual Bernstein SONY CDs: the third, the fourth and the seventh. Add his fifth and second from his DG recordings, and his 1966 Das Lied von der Erde (Decca). These recordings are what I take to be the "essentials" of the Bernstein Mahler legacy.

Outstanding Mahler Compilation.......2007-01-29

I think is very important for a Mahler Fan to hear carefully all his work. This compilation allows you to enjoy that experience. A better sound quality for some symphonies could be a great plus, but you have to consider that this is a remasterized old record.

Leonard Bernstein just express the true passion that Mahler put on his work. It's incredible that (using the 8ve Symphony as an example) with fewer instruments than in the Abbado version, the feeling is even better. Simply outstanding.

Great price, great compilation. Lot of Mahler.

Bernstein or Tennstedt: read on...........2006-07-12

If the only way you could obtain the Mahler Symphonies was by buying a box containing them all by one conductor, then this would be my second choice, or my first!; my first (or second)would be the Tennstedt set. It's a close call thoughout - a 'swings and roundabouts' situation, but if Bernstein's was the one and only then I would be happy enough. Actually if you want a truly satisfying Mahler Symphonies collection then the two sets together sitting side by side on your CD shelf would be pretty well ideal, as I believe that the legacy of recordings by these two great men are nowhere surpassed (save Horenstein in the Fourth, Barbirolli in the Sixth and Rudolf Schwarz in the Fifth). As to comparisons between individual symphonies, the following would be my first choice:

No. 1 Bernstein. More poetic and earthy than T and my very first choice out of the dozens of others I've heard.
2 Bernstein. Simply the greatest Mahler 2; T is earthbound by comparison.
3 Tennstedt. Actually this is a tougher one to decide as B is marginally better in the first movement and he produces the best sixth movement of any version I've heard. Overall T has it, partly due to the excellent sound quality.
4 Overall B is better but there are so many points of comparison to take into consideration that it's a tough one to decide. T has the better soloist in the finale. My far-and-away first choice in the Fourth is Horenstein on EMI/CfP.
5 Tennstedt. Bernstein's CBS Fifth was the weakest link. However, Rudolf Schwarz (Everest) produces the very finest Fifth:
I always maintain that you can tell pretty much straight away when a Mahler conductor gets it right and Schwarz gets it 100%
6 Tennstedt. From the angry crunching heavy tread of the opening through to the nightmare ending, this is a very dark view of the Sixth, but it works. Barbirolli on EMI is my definite first choice in the Sixth. Bernstein's quick-march approach sounds like parody.
7 Bernstein. Nobody has produced a better Seventh and probably never will. T's version is very good though and I think he out-performs all other competition.
8 This one is the hardest of all to separate, but in the end I opt for Bernstein as his version as the feel of a live performance and the recording is almost as good as T's digital one.
9 Bernstein. Again my favourite version. T's weakest link of his whole set.
So Bernstein scores more points, but take into account the generally better sound of the Tennstedt set (especially in nos. 3,5,6) and things are evened up slightly. My advice overall? Go for both sets; at the asking prices you will have a superb Mahler Symphonies collection which will last you a lifetime. But don't forget those other versions of 4, 5 and 6. A point about sound quality: most of the above are analogue recordings, made many years ago, but across the board they are in almost every way superior to most modern digital ones (though to be fair one or two are not so great). I have a very good stereo system which reproduces very neutral sound; what goes in at the CD player end comes out unchanged at the loudspeaker end and so what I hear is the 'real thing'. For example Bernstein's 2 is stunning. One of the very best is the oldest of them all - Schwarz's Fifth, made in 1958. Maybe the art of recording has been replaced by science (and not for the better)? In the final analysis, to my mind the above versions render most of the rest of the Mahler symphonies discography redundant and surplus to requirements.

Comparing the two Bernstein Mahler cycles.......2006-06-27

Most buyers aren't in the market for a complete Mahler cycle by a single conductor, but if they were, the two from Bernstein contain many great performances. I've reviewed the contents of this Sixties cycle on Sony and the later one from the Eighties (contianing many live performances) on DG, taking them one symphony at a time. But it's worthwhile to give a sense of the strongest and weakest parts of each set.

Cycle #1:

By general consensus the performance of Sym. #3 is one of the glories of this cycle and perhaps the most inspired Mahler condcuting Bernstein did on disc. It has all the freshness of discovery--LB was new to Mahler in 1961. Sony's 20-bit remastering makes the original analog sound quite good. In fact, there's no need to fear the sound quality of these NY Phil. recordings, none of which are bad. Expect the deep sound stage and wide stereo separation that Columbia Records favored at the time.

Bernstein also put his stamp on Sym. #7 in such a way that no one would ever hear it the same again. Previously, 'The Song of the Night,' as this work was dubbed, had almost no life either on disc or the concert stage (a Mahler champion as prominent as Bruno Walter never performed it). Not only did LB prove that this was coherent music, he made an unforgettable drama out of the Seventh. This is his signature recording of the work.

Two other great performances stand out: Sym. #2 and #4, each rendered with amazing imagination and a huge range of emotions. The accusation that LB went over the top in the Second is unjustified--he is often tender and delicate--but there's no doubt that he takes an apocalyptic view of the finale. Whatever you think about his approach, he single-handedly revolutionized the way that the Resurrection Sym. was played. In Sym. #4 the classic recording was by Bruno Walter, but LB added more depth, imaginaiton, and excitement. Lyric soprano Reri Grist has come in for a good deal of criticism in the vocal finale, but I think she fits beautifully into LB's overall conception.

In the middle of the pack, as it were, we get LB's readings of Sym. #1 and #9. He went on to conduct greater readings of both works, especially the Ninth. In person LB's First was a real showpiece, but somehow Sony's sonics are not up to the conductor's vision. In the cse of the Ninth, the NY version would qualify as an outstanding performance if there weren't so many truly great ones from Karajan, Bruno Walter, James Levine, and Barbirolli, among others. Bernstein himself would add two of the greatest, both on DG.

I find a few problems wiht Sym. #5, #6, and #8 in the first cycle. For many critics all three are great recordings. For some reason, I have never warmed up to either of LB's versions of Sym. #5, where for once he does manipulate and exaggerate to the point that the spirit of the work seems lost in histrionics. Sym. #6 is too brisk in the first movement to let the music expand to its visionary potential, and in the other movements Bernstein seems less expressive than he could be. The Eighth is unmathced in the excitement and joyousness of Part 1, and for some listeners the whole symphony remains on that exalted level. I find that LB is too studied in Part 2, and my attention wasn't held. He does elicit very beautiful singing and playing, however. It should be noted that this performance is with the London Sym. and a host of fine English singers.

To the end of his life Bernstein resisted Deryck Cooke's completion of the Tenth Sym., agreeing to conduct only the shattering Adagio. which Mahler had essentially finished in full score. Bernstein's reading with the NY Phil. is one of the most searing accounts this magnificent fragment has ever received, equaled by his later live reading with the incomparable Vienna Phil.

Cycle #2:

It should be said right off that DG's digital sonics are in a different league from what LB got in New York. Even though several venues were involved (Vienna, Amsterdam, New York), and many recordings were under live concert conditions, the DG engineers triumphed. They favor closer mike posiitons, solo highlighting, and a vivid sound stage compared to their predecessors in New York. As to the interprettions, with a few exceptions--the most prominent being Sym. #6--Bernstein did not drastically change his views from the first cycle, and in some cases the readings feel almost identical (Sym. #2 and #7, for example).

The most interest centers on the works where LB clearly outdoes his younger self. At the top of the list I would put Sym. #6 and #9. In the former he achieved one of the classic Mahler reacordings of the modern era. His Sixth has slowed down by 2 min. in the first movement, giving the music room to expand properly. The Andante is heartbreaking and heartwarming at the same time. The finale is an explosion of genius on Mahler's part that LB resonates with perfectly. Almost the same can be said of the Ninth, where the conducting reaches deeply moving areas of expression. The finale is drastically slow (as is Levine's, to similar devastating effect), which some critics find excessive. But it's a truism that no tempo is right or wrong; everything depends upon being drawn into the world of the music. LB achieved a great Ninth but would surpass himself with a live performance from Berlin in 1979, also on DG.

Almost as great is Sym. #1, which on DG receives a flawless performance packed with excitement. I'm not sure that LB's reading actually changed, but the superlative sonics and the spine-tingling playing of the Concertgebiuw weren't matched in New York.

The next thing to ask is where Bernstein fell short of his earlier versions. The Sym. #2, #3, and #4 from New York were one of a kind, representing LB's early and most exciting explorations of Mahler's world. Their counterparts on DG are also strong, but I don't think they rise to the heights he achieved earlier. The only sharp criticism I have is with the use of a boy soprano in the finale of the Fourth; musical as he is, a boy is too undeveloped to capture what Mahler intended. It should be said, however, that if the earlier NY versions didn't exist, these would be outstanding performances.

I feel much the same about Sym. #7, where LB's first recording set a standard that only two or three rivals have come close to, but his DG remake, which was a return to the NY Phil. in oncert from Lincoln Center(as are Sym. #2 and #3), feels fractionally less overwhelming. It's in better sound, however. The one symphony I can't compare is the Fifth, which doesn't satisfy me in either cycle. The DG version with the Vienna Phil. convinces many listeners, and some critics call in unsurpassable, but I am not on its wavelength.

That leaves Sym. #8, which Bernstein didn't live to record for commercial release. DG reached into its vaults for a live 1975 radio tape from Vienna, and although it has flaws in execution, including some rough singing in Part 2, LB's conducting is superlative, more ocmpelling than his version from London. Paired with this symphony is a 1974 reading of the Adagio from Sym. #10, also with the Vienna Phil. As you'd expect, it's an inspired, searing reading, just like the NY version.

How ot sum up? If money were no object, I'd own both cycles for the pleasure of Bernstein's unqiue inspiration. If I had to pick and choose, I'd take Sym. #2, #3, and #4 from New York, Sym. #8 from London, and the rest form the DG cycle.

Mahler complete symphonies........2006-02-24

"Mahler was an altogether great man" -One who also knows a thing or two.

Average customer rating: If You Love Classical Music, This CD Is For You Probably Decca's best "Adagios" set One of the best CDs you'll ever own Sublime! GREAT MUSIC

Movie Adagios Manufacturer: Decca ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Cleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Baltimore Symphony Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Hollywood Bowl Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Romantic Adagios Evening Adagios Violin Adagios Cello Adagios Guitar Adagios ASIN: B00005OC0D Release Date: 2001-10-09

Tracks:

1. Platoon: Adagio For Strings - Baltimore Symphony Orchestra/David Zinman
2. Elvira Madigan: Piano Concerto No.21 In C Major, K.467 - Radu Lupu/English Chamber Orchestra/Uri Segal
3. A Room With A View: O Mio Babbino Caro (Gianni Schicchi) - Renata Tebaldi/Orch Del Maggio Musicale Fiorentino/Lamberto Gardelli
4. Dangerous Moonlight: Warsaw Concerto - Cristina Ortiz/Royal Philharmonic Orchestra/Moshe Atzmon
5. Dances With Wolves: John Dunbar Theme - Hollywood Bowl Orchestra/John Mauceri
6. Raging Bull/Godfather III: Intermezzo (Cavalleria Rusticana) - National Philharmonic Orchestra/Gianandrea Gavazzeni
7. Brief Encounter: Piano Concerto No.2 In C Minor: Adagio Sostenuto (Excerpt) - Jean-Yves Thibaudet/The Cleveland Orchestra/Vladimir Ashkenazy
8. The Mission: Gabriel's Oboe - Prague Philharmonia/Nick Ingman
9. The Piano: The Heart Asks Pleasure First - Jean-Yves Thibaudet
10. The Gadfly: Romance - Alexander Kerr/Royal Concertgebouw Orchestra/Riccardo Chailly
11. Amadeus: Serenade In B Flat Major, K.361 'Gran Partita': Adagio - Members Of The Academy Of St. Martin In The Fields/Neville Marriner
12. Sunday, Bloody Sunday: Soave Sia Il Vento (Trio) (Cosi Fan Tutte) - Lucia Popp/Brgitte Fassbaender/Tom Krause/Vienna Haydn Orchestra/Istvan Kertesz
13. Diva: Ebben?...Ne Andro Lontana (La Wally) - Renee Fleming/London Philharmonic Orchestra/Charles Mackerras
14. Hannah And Her Sisters: Keyboard Concerto No.5 In F Minor, BWV 1056: Largo - Andras Schiff/Chamber Orchestra Of Europe
15. Immortal Beloved: Piano Sonata No.14 In C Sharp Minor 'Moonlight': Adagio Sostenuto - Vladimir Ashkenazy
16. Carrington: String Quintet In C Major, D956: Adagio (Excerpt) - Weller Quartet
17. Amadeus: Lacrimosa (Requiem) - John Alldis Choir/BBC Symphony Orchestra/Colin Davis

Tracks:

1. Billy Elliot: Scene (Opening Of Act 2) (Swan Lake) - Orchestre Symphonique De Montreal/Charles Dutoit
2. Life Is Beautiful (La Vita E Bella): Barcarolle (The Tales Of Hoffmann) - L'Orchestra De La Suisse Romande/Richard Bonynge
3. Dead Poets Society/Picnic At Hanging Rock: Piano Concerto No.5 In E Flat Major, Op.73 'Emperor'... - Vladimir Ashkenazy/The Cleveland Orchestra
4. Hilary And Jackie: Cello Concerto, Op.85: Adagio - Moderato (Excerpt) - Julian Lloyd Webber/Royal Philharmonic Orchestra/Yehudi Menuhin
5. Out Of Africa: Clarinet Concerto In A Major, K.622: Adagio - Jack Brymer/London Symphony Orchestra/Colin Davis
6. Children Of A Lesser God: Concerto In D Minor For 2 Violins, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson/Academy Of St. Martin In The Fields/Neville Marriner
7. Frankie And Johnny: Clair De Lune - Eastman-Rochester Pops Orchestra/Frederick Fennell
8. Cinema Paradiso: Nuovo Cinema Paradiso - Prague Philharmonia/Nick Ingman
9. Death In Venice: Symphony No.5: Adagietto - Chicago Symphony Orchestra/Sir Georg Solti
10. Seven: Suite No.3 In D Major, BWV 1068: Air - Stuttgarter Kammerorchestra/Karl Munchinger
11. The Shawshank Redemption: Che Soave Seffiretto (Letter Duet) (The Marriage Of Figaro) - Kiri Te Kanawa/Lucia Popp/London Philharmonic Orchestra/Sir Georg Solti
12. Fatal Attraction: Un Bel Di (Madama Butterfly) - Renee Fleming/London Philharmonic Orchestra/Charles Mackerras
13. Ordinary People: Canon In D Major - Stuttgarter Kammerorchester/Karl Munchinger
14. Truly, Madly, Deeply: Cello Sonata In G Minor, BWV 1029: Adagio (Excerpt) - Janos Starker/Gyorgy Sebok
15. Shine: Prelude In C Sharp Minor, Op.3 No.2 - Vladimir Ashkenazy
16. On Her Majesty's Secret Service: We Have All The Time In The World - Prague Philharmonia/Nick Ingman

Customer Reviews:

If You Love Classical Music, This CD Is For You .......2007-01-10

This compilation of movie themes is one of the most pleasurable CD's you'll ever own.

Probably Decca's best "Adagios" set.......2006-07-26

I say "probably," since it's hard to outdo its "Beethoven Adagios" set. I've only bought a few of these "Adagios" sets because, looking over the track listings of so many, there's just so much overlap. Here, you get the best single collection of the bunch. Here, I was introduced to Addinsell's "Warsaw Concerto," and for that alone it was worth the price. But let's not forget a significant number of other gorgeous classic adagios: Beethoven's "Emperor" concerto (used in a gorgeous film, "Picnic at Hanging Rock"), Bach's "Air on a G String," Mahler's Adaghietto from Symphony no. 5, some obligatory Mozart, the Barber adagio, Debussy's Claire de lune, and - oh lovely! - Schubert's String Quintet in C. Then there are much-appreciated entries (Cinema Paradiso, Gabriel's Oboe) from a personal favorite composer, Ennio Morricone, one of the actual official film composers (as distinct from long-dead composers whose music was used in film) used for this collection, along with a couple from another personal favorite, John Barry. (You'd really need to get Barry's own set of "adagios," titled "Moviola," to get his best, e.g., the title theme to "Out of Africa" and to "Somewhere in Time." For Morricone, the master of the romantic adagio in the past century, go with "Itinerary of a Genius" or individual soundtracks like "Legend of 1900," "Lolita," "Once Upon a Time in America," "Once Upon a Time in the West," and others.)

A couple drawbacks to this set: (1) The adagio from Rachmaninov's 2nd is truncated to a mere 4 minutes. For this, one is well advised to purchase a CD with the entire concerto, or get a full version of just the adagio elsewhere (Decca does include a full version on its "Romantic Adagios" collection). (2) So much from so many composers is included, that there is too little room for more Beethoven. I'd prefer the adagio from the "Pathetique" sonata to the "Moonlight" one which was included here. For Beethoven adagios, you need the "Beethoven Adagios" set as an accompaniment (where you get, among other things, adagios for the op. 130 string quartet, the 6th symphony, the violin concerto, piano concerto no. 3, the 7th symphony, and the romance for violin no. 2, op. 50). If you're a fan of Mozart music often used in the movies, there's the "Mozart Adagios" set and/or the "Amadeus" soundtrack.

I'm a "purist" as to a few works; I'd rather hear the entirety of the "Emperor" concerto than merely the adagio, for instance. In plenty of other cases, an adagio movement is heard just fine as a stand-alone work; plenty of the most beautiful music is used for adagio movements, as these sets make clear enough.

One of the best CDs you'll ever own.......2003-03-23

This is an excellent selection of music. I listen to it every chance I get. It is great just to put in your CD player on "repeat" and allow it to soothe and inspire you for a few hours, for an evening, or an for entire day.

One reason I chose it was that I was looking for music that could simply be a nice background noise for when I'm working on things that require reading and concentration. I wanted music that would not be a distraction, and this does a good job. It is also great to listen to when doing almost anything, like even cleaning the house or doing laundry. I will admit though, that listening to the selection from Swan Lake might make you want to dance around the living room.

Also, besides the obvious ones that everybody knows (Beethoven's 5th, or Canon in D, etc.) I do not know enough to distinguish specific songs from their composers, which is why I was hesitant to buy a classical CD soley of one artist because once I got it I may not have liked it or been familiar with any of the songs. That is why I picked Movie Adagios because I knew it would be a selection of some of the best classical music from the movies, which it is.

Sublime!.......2002-09-08

Of course, I'm nuts for classical music and classic movies, so this compilation of music featured in some of the most famous movies ever made is an absolutely ideal CD.

Filmmakers have been raiding the classical music files since the days of the silents in order to heighten the mood of a scene and provide a greater emotional impact. Barber's Adagio for Strings has been used not only in "Platoon", as this CD lists, but also in "The Elephant Man". While there's only a small snippet of Rachmininoff's Piano Concerto No. 2 here, it's worth remembering that the entire piece is used throughout the magnificent "Brief Encounter" to heighten the impact of the romance. Mozart's Trio (Cosi fan tutte) was brilliantly used in "Sunday, Bloody Sunday" to comment on a complex romantic triangle.

There are also 5 pieces written directly for the screen, two by Ennio Morricone (the haunting Gabriel's Oboe from "The Mission" and the exquisite Nuovo Cinema Paradiso from "Cinema Paradiso"), two by John Barry (a lovely version of We Have All the Time in the World from the James Bond classic "On Her Majesty's Secret Service" and the elegiac John Dunbar Theme from "Dances With Wolves") and one by Michael Nyman (The heart asks pleasure first from "The Piano").

I love this CD, to relax with, to read with, and just immerse myself in the spectacular sounds of genius.

GREAT MUSIC.......2001-12-03

This is a great classical piece for the lovers of classical, as well as the ones who may hate it. These Adagios CDs get beter and better each time there is a new release. I must warn you there some good as well as some bad ones. There is a certain Adagio flavor for everyones. At the present I have others, but the ones I truly enjoy are Violin Adagios, The Piano Adagios and this one. This compilation is great for reading. Furthermore this CD can be great evening music... for sleeping.

Those of you who have not got on board with the ADAGIOS, please get on board the next time you go to your favorite music store. You may be surprised at how you have enriched yourselves with great music for your listening pleasure.

You may want to check other reviews here at Amazon under my section in the customers reviews.

Thanks

TRIPP

Average customer rating: Nice Mood Setting Music This CD stays in my car player Beautiful interpretations great music! not so great sound variations! A great, great collection!

Romantic Adagios Manufacturer: Decca ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Cleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Baltimore Symphony Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Harrell, Lynn | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Rogi, Pascal | ( R ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Movie Adagios Evening Adagios Romantic Adagios 2 Violin Adagios Cello Adagios ASIN: B00004C8TG Release Date: 2000-06-13

Tracks:

1. Adagio For Strings: Barber: Adagio for Strings
2. Meditation (Thais): Massenet: Meditation (Thais)
3. Piano Concerto No. 2 In C Minor, Op. 18: Rachmaninoff: Piano Concerto No. 2 in C minor, op. 18
4. Gymnopedies 1 and 3: Satie: Gymnopedies 1 and 3
5. Clarinet Concerto In A Major, K622: Mozart : Clarinet Concerto in A Major, K622
6. Adagio of Spartacus and Phrygia (Spartacus): Khachaturian: Adagio of Spartacus and Phrygia
7. Sonata in C Sharp Minor, Op. 27 No. 2 'Moonlight': Beethoven : Sonata in C Sharp Minor, Op. 27 No. 2 'Moonlight'
8. Kol Nidrei: Bruch: Kol Nidrei
9. Nimrod (Enigma variations): Elgar: Nimrod (Enigma variations)
10. Symphony No. 5 In C Sharp Minor: Mahler: Symphony No. 5 in C Sharp Minor

Tracks:

1. Piano Concerto No. 21 in C major, K467: Mozart: Piano Concerto No. 21 in C major, K467
2. Andante cantabile (String quartet No. 1): Tchaikovski: Andante cantabile (String quartet No. 1)
3. Violin Concerto No. 1 in G Minor: Bruch: Violin Concerto No. 1 in G minor
4. Symphony No. 9 in E minor ' From the New World': Dvorak: Symphony No. 9 in E minor ' From the New World'
5. Rhapsody On A Theme Of Paganini: Rachmaninov: Rhapsody on a Theme of Paganini
6. Intermezzo (Cavalleria Rusticana): Mascagni: Intermezzo (Cavalleria rusticana)
7. Clair de Lune: Debussy: Clair de lune
8. Concierto de Aranjuez: Rodrigo: Concierto de Aranjuez - Adagio
9. The Carnival Of The Animals: Saint-Saens: The Swan
10. Piano Concerto No. 2 In F Major, Op. 102: Shostakovich: Piano Concerto No. 2 in F major, op. 102 - Andante
11. Pavane, op 50: Faure: Pavane, op 50

Customer Reviews:

Nice Mood Setting Music.......2007-05-25

This is a very nice cd to listen to and sip red wine in one's back yard while reading a good book. Well worth to add to your collection.

This CD stays in my car player.......2005-07-25

This CD is one that I think even non-classical music lovers would like. It isn't too "classical" and some of the songs are the kind that keep going though your head until you can't help but play the disc again. It is a two disc set and priced no higher than most singles.

Beautiful interpretations.......2004-01-25

I agree with a previous reviewer on the minor problem
of variations in volume. Beyond that, I find every
piece beautiful. This interpretation of Barber's
Adagio is the most passionate I have ever heard. I also
find the Faure selection very touching. I love the
vocals. I recommend this set to anyone, if for no
other reason than the Barber piece.

great music! not so great sound variations!.......2003-07-07

The selections and the arrangements are truly excellent. There are some hard to find (on the same CD) pieces and adagios--Spartacus ; Rodrigo's Concierto de Aranjuez; Mascagni's Intermezzo from Cavelleria...
But, better turn up the sound and then get away from the speakers. Parts of the selections are played so very softly that, when you turn up the volume to hear them, you will get blasted by those sections that have cresendos, or just plain louder sections. Too bad!
Very hard to enjoy in a car--or, even at home. if this problem did not exist, this is a 5 star plus!

A great, great collection!.......2001-10-01

I was stunned to see only two and a half stars for romantic adagios. I don't know how much you get to know by listening to only one "song" out of so many in this collection, but in my opinion this CD collection deserves a lot of credit. I had heard of Samuel Barber's Adagio for strings many times before and I was impressed but this was the first time that I was completely mesmerized. I highly recommend to any Barber fans to listen to this interpretation by David Zinman which is incredible. There seems to be so much passion and emotion! Also others such as Adagio of Spartacus and Clarinet Concerto just make the collection even better.

Average customer rating: a terrific compilation for beginners "Classical heartbreakers" broke my heart A Fantastic Compilation

Classical Heartbreakers Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Voice of the Violin ASIN: B0000B09Z9 Release Date: 2004-01-13