LeiseLaute: Elektroakustische Musik

Track Listings

 
1. Sirenes
2. Unácrès
3. Leiselaute
4. Canto del Aria
5. Prayer Meeting: Eo
6. DH2
7. Changes
8. Silicea - Gerard Behles,
9. Südlich Von Alexandreia - Lutz Glandien,

LeiseLaute: Elektroakustische Musik,Various Artists,Cybele,Classical,Classical Composers,Electronic & Computer
Orff-Schulwerk Volume 1: Musica Poetica
Average customer rating: 5 out of 5 stars
  • Natural rhythm, but what is this black soul stuff..
  • Children Love this Music
  • True Musica: Orff v. Zimmer, "Badlands" v. "True Romance"
  • Orff-Schulwerk Vol. 1: Musica Poetica
  • Black Soul? I Hardly Think So...
Orff-Schulwerk Volume 1: Musica Poetica

Manufacturer: Celestial Harmonies
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Orff-Schulwerk, Volume Three: Piano Music
  2. Orff-Schulwerk, Volume Two: Musik für Kinder
  3. True Romance: Motion Picture Soundtrack
  4. Badlands
  5. Carl Orff: Carmina Burana

ASIN: B0000007Y8
Release Date: 1995-06-30

Tracks:

  1. Vier Stucke Fur Xylophon: Gassenhauer nach Hans Neusiedler - Gunild Keetman
  2. Vier Stucke Fur Xylophon: Allegro - Gunild Keetman
  3. Vier Stucke Fur Xylophon: Allegretto - Gunild Keetman
  4. Vier Stucke Fur Xylophon: Sempre rubato - Gunild Keetman
  5. Funf Kleine Kanons: Erster Kanon - Gunild Keetman
  6. Funf Kleine Kanons: Zweiter Kanon - Gunild Keetman
  7. Funf Kleine Kanons: Dritter Kanon - Gunild Keetman
  8. Funf Kleine Kanons: Vierter Kanon - Gunild Keetman
  9. Funf Kleine Kanons: Funfter Kanon - Gunild Keetman
  10. Vier Tanzstucke: Tanz - Carl Orff
  11. Vier Tanzstucke: Hirtentanz - Carl Orff
  12. Vier Tanzstucke: Tanz - Carl Orff
  13. Vier Tanzstucke: Tanz - Carl Orff
  14. Lieder Und Spielstucke: Andante - Carl Orff
  15. Lieder Und Spielstucke: Con moto - Carl Orff
  16. Lieder Und Spielstucke: Heiia Popeia - Carl Orff
  17. Lieder Und Spielstucke: Rondo - Carl Orff
  18. Lieder Und Spielstucke: Tun ma gehn, Rosserl bschlagn - Carl Orff
  19. Drei Stucke Fur Flote Und Schlagzeug: Ruhig - Gunild Keetman
  20. Drei Stucke Fur Flote Und Schlagzeug: Lebhaft - Gunild Keetman
  21. Drei Stucke Fur Flote Und Schlagzeug: Ruhig fliessend - Gunild Keetman
  22. Lieder Und Tanze: Schwalbenlied - Carl Crff
  23. Lieder Und Tanze: In kleinstem Raum - Carl Crff
  24. Lieder Und Tanze: Tanz - Carl Crff
  25. Lieder Und Tanze: Ruhiger Tanz - Carl Crff
  26. Lieder Und Tanze: Der Lirendreier - Carl Crff
  27. Lieder Und Tanze: Ekstatischer Tanz - Carl Crff
  28. Zwei Taktwechseltanze Fur Violine Und Violoncello: Tanz 1 - Carl Orff
  29. Zwei Taktwechseltanze Fur Violine Und Violoncello: Tanz 2 - Carl Orff
  30. Sieben Volkstanze: Marmotte - Carl Orff
  31. Sieben Volkstanze: Tanz 1 - Carl Orff
  32. Sieben Volkstanze: Tanz 2 - Carl Orff
  33. Sieben Volkstanze: Tanz 3 - Carl Orff
  34. Sieben Volkstanze: Tanz 4 - Carl Orff
  35. Sieben Volkstanze: Tanz 5 - Carl Orff
  36. Sieben Volkstanze: J'ai vu le loup - Carl Orff
  37. Musik Zur Nacht: Melodie - Gunild Keetman
  38. Musik Zur Nacht: Abendsegen - Carl Orff
  39. Musik Zur Nacht: Wiegenlied - Carl Orff
  40. Musik Zur Nacht: Sizilliano - Carl Orff
  41. Musik Zur Nacht: Das Marchen von Klein-Flohchen und Klein-Lauschen - Carl Orff
  42. Musik Zur Nacht: Die arme Bettelfraau singt ihr Kind in Schlaf - Carl Orff

Amazon.com

Lovers of Carmina Burana, here's the flip side of Carl Orff. Similar methods--simple material repeated in intricate patterns--but an entirely different outcome. Schulwerk, a collection of teaching pieces begun in 1930 and further extended in the 1950s, is a collaboration between Orff and colleague Gunild Keetman that celebrates the primacy of rhythm and pulse in our musical makeup and shows that educational music need never be dull. This disc, the first of a series that appeared in the centennial year of Orff's birth (1995), features performers who worked with the composer during his lifetime. The renditions can be considered definitive. --Ted Libbey

Album Description

Coinciding with the 100th anniversary of Carl Orff's birth, Orff-Schulwerk Volume 1: Musica Poetica is the first release of a five-volume collection in celebration of the composer's lifetime of monumental work. Many of the works included in this series have been unavailable on recordings for decades. Furthermore, this collection marks an unprecedented addition to the worldwide music catalogue: it is the first comprehensive collection of the Orff-Schulwerk to be digitally recorded, and has been produced with the cooperation of the composer's widow, his daughter Godela Orff (who also performs on this recording), and the artistic executor of his estate, Wilfried Hiller.

Musica Poetica presents a cross-section of the great pedagogical work, Orff-Schulwerk. As prototypes for experimentation, the pieces of the Schulwerk have an openness to creativity which invites the performer to have fun while creating music. Orff believed that by speaking to a child's most natural musical instincts to clap or sing or keep a beat, these pieces would awaken the musical talent which lies in everyone.

In addition to hand-clapping and finger-snapping, Orff incorporated rattles inspired by the Indonesian gamelan tradition and by African musical cultures. Drawing on the knowledge of his friend Kurt Sachs and instrument-maker Karl Maendler, Orff developed his own set of instruments for the Schulwerk, including all sizes of xylophones, glockenspiels, kettledrums, tambourines, sleigh-bells and triangles.

Although the pieces of Orff-Schulwerk are prototypical in nature, the work reaches far beyond simple pedagogical exercise. The quality of movement, and the same scenic and pictorial elements which would later influence Orff's great stage works, are apparent in even the shortest pieces of the Schulwerk. Schulwerk runs the gamut from the fleeting, changing miniature to grand, ecstatic movement music. It encompasses parade music, folk, dance, children's songs and musical fairy tales. This collection offers a refreshing approach to music, for young and old alike.

Customer Reviews:

5 out of 5 stars Natural rhythm, but what is this black soul stuff.........2006-05-31

Orff is a white man with natural rhythm. So what. The music stands on its own as what it was meant to be: Studies and practice in rhythm for young children. But it is so complex and sophisticated that one never tires of it, with new aspects of its complexity showing themselves each time.

5 out of 5 stars Children Love this Music.......2005-12-12

My two boys love this cd. When my first child was a mere 8 months, I could instantly calm him down by putting this in and playing it for less than a minute.

I think it is a must for every parent's music library.

4 out of 5 stars True Musica: Orff v. Zimmer, "Badlands" v. "True Romance".......2004-12-11

Carl Orff fans must read the jewel in this CD's booklet found at the bottom of the 6th page from the back in "THE RECORDING" section. It relates the "unwanted merriment on the occasion of Orff's 75th birthday" concerning a performance of the first (and most famous) song in this collection. This recording is great and commences with a rich rendition of the "Badlands" theme "Gassenhauer" ("Streetsong") on track 1. Unfortunately, there never was a soundtrack album produced for "Badlands". I can not find any of the other "Badlands" songs from Musica Poetica on this CD and none are on the companion CD "O-S Vol. 2 / Musik fur kinder". "The Best Of Carl Orff", BMG 75605 51357 2, 1999 has the original "Gassenhauer" plus one of the other "Badlands" songs from Musica Poetica - Passion (house fire music). All Badlands Orff/Keetman songs can, however, be found on the 1994 BMG release (RCA Victor Red Seal) 6-CD box set version of the original Orff/Keetman recordings done between 1963 & 1975 on 10 LPs. There are at least 4 other "Badlands" pieces on CDs 2, 3, 4 & 6!

Now for the truth: The main theme "Gassenhauer" was composed by Orff's associate Gunild Keetman BASED ON A 1536 WORK FOR LUTE BY HANS NEUSIEDLER! Keetman also did half of the other 4 mentioned above, Orff the other 2. Orff's stated goal for the Schulwerk: "Improvisations which encourage further improvisation". This is precisely what Hans Zimmer did when he PRODUCED (no writing credits on soundtrack CD) 3 pieces loosely based on "Gassenhauer" for the film "True Romance", written by Quentin Tarantino as his tribute to the movie "Badlands": "You're So Cool", "Stars At Dawn", & "Amid The Chaos Of The Day". These are a fine & fitting tribute to Malick, Keetman/Orff, and, yes, especially Nuesiedler - Zimmer did NOT "rip off Orff". Is not imitation the sincereist form of flattery?

5 out of 5 stars Orff-Schulwerk Vol. 1: Musica Poetica.......2003-07-04

Most people's first taste of Carl Orff comes from his grand sweeping, 'Carmina Burana' score but few often hear some of his more delicate and simple works. Orff-Schulwerk is literally music that Orff composed for students. The compositions are broken up by the particular instrument they were written for and are simple, brief, and quite and enjoyable listen. If you are of German descent you will appreciate this even more as Orff incorporates German folk music in to some of the compositions.

Brief Trivia: The first track was used in the Terrence Malick's, "Badlands".

5 out of 5 stars Black Soul? I Hardly Think So..........2003-01-21

What is this about "Black Soul" in reference to Herr Orff's masterwork? Such vile attempts to debase the pure and the immortal fail horribly above... Silence would have been a far superior review than proof of inexcusable stupidity. It is apparent that no one here has the slightest understanding of the man's life, work, and passion. For good or for ill, however, there shall always exist true creative forces in this world which are forever subject to misunderstanding and slander by the petty minds of the age. Between we the conscious, and you the unconscious, lies an ocean, deep and wide; ready and yearning to devour the unlearning-- best you stay there on your side.

Glory To Those Who Understand!
Glory To Those Who Stand Apart!
Cello Adagios
Average customer rating: 5 out of 5 stars
  • really like it
Cello Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001WU1QK
Release Date: 2004-05-11

Tracks:

  1. Carnival Of The Animals - Bruno Canino
  2. Vocalise, Op.34 No.14 - Lynn Harrell
  3. Thais - Julian Lloyd Webber
  4. Adagio - Janos Starker
  5. Apres Un Reve - Bruno Canino
  6. Adagio - Julian Lloyd Webber
  7. Ave Maria - Julian Lloyd Webber
  8. Adagio - Julian Lloyd Webber
  9. Traumerei (Dreaming) - Bruno Canino
  10. Notturno: Andante - Julian Lloyd Webber
  11. Sicilienne - Bruno Canino
  12. An Die Musik, D547 - Bruno Canino
  13. Reverie - Julian Lloyd Webber
  14. Prayer - Bruno Canino
  15. Ebben? Ne Andro Lontana - Bruno Canino
  16. Salut D'amour, Op.12 - Bruno Canino
  17. Valse Sentimentale, Op.15 No.6 - Samuel Sanders
  18. Kol Nidrei, Op.47 - Julian Lloyd Webber

Tracks:

  1. Air (Air On A G String) - Julian Lloyd Webber
  2. Clair De Lune - Julian Lloyd Webber
  3. Elegie, Op.24 - Jullian Lloyd Webber
  4. Andante - Heinrich Schiff
  5. Romance In D Minor, Op.62 - Julian Lloyd Webber
  6. Beau Soir - Bruno Canino
  7. Sicilienne, Op.78 - Bruno Canino
  8. Panis Angelicus - Julian Lloyd Webber
  9. Nocturne In E Flat Major, Op.9 No.2 - Julian Lloyd Webber
  10. Cantabile - Samuel Sanders
  11. Liebesleid - Samuel Sanders
  12. Adagio Ma Non Troppo - Janos Starker
  13. Bereuse - Julian Lloyd Webber
  14. Cantilena - Julian Lloyd Webber
  15. Melodie, Op.20 No.1 - Julian Lloyd Webber

Customer Reviews:

5 out of 5 stars really like it.......2007-03-05

This is the first classical cd I have ever bought. The two-disc album was a great price. I really love the performance of Lynn Harrell. I like the collection of Adagios because they are perfect to fall asleep to or study to.
Schubert: 24 Lieder
Average customer rating: 4.5 out of 5 stars
  • A "Regular People" Review
  • Epitome of Lieder singing
  • This elevates my mood!
Schubert: 24 Lieder
Franz Schubert , Elisabeth Schwarzkopf , Geoffrey Parsons , Gerald Moore , and Edwin Fischer
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001O3YCQ
Release Date: 2004-04-06

Tracks:

  1. Die Vogel
  2. Liebhaber In Allen Gestalten
  3. An Die Musik
  4. Im Fruhling
  5. Wehmut
  6. Ganymed
  7. Dans Lied Im Grunen
  8. Gretchen Am Spinnrade
  9. Nahe Des Geliebten
  10. Die Junge Nonne
  11. An Silvia
  12. Auf Dem Wasser Zu Singen
  13. Nachtviolen
  14. Der Musensohn
  15. Litanei
  16. Ungeduld
  17. Heidenroslein
  18. Der Jungling And Der Quelle
  19. Der Einsame
  20. Die Forelle
  21. Liebe Schwarmt Auf Allen Wegen
  22. Seligkeit
  23. An Mein Klavier
  24. Erlkonig

Customer Reviews:

5 out of 5 stars A "Regular People" Review.......2007-02-17

In my opinion this is the most solid disc of Lieder I have heard. The music and the performance are great. I would definitely go for this if your new to Lieder and want to get your feet wet. And maybe next you'll want to try Brahms' Deutche Volkslieder, which I think takes a little more effort to get into, but is great none the less.

5 out of 5 stars Epitome of Lieder singing.......2006-07-26

It really amazed me to learn from the booklet that Elisabeth Schwarzkopf was never totally confident in taking on the songs of Schubert, mostly due to the fact that a lot of them are simply based on poems with a man being the character. With her wonderful tone, fastidious attention to detail and the true German spirit, she would have been able to perform them much more extensively. Whatever the case, the 24 songs featured on this disc are a true delight from start to finish. The CD starts with the joyful atmosphere of the songs "Die Vogel" and "Liebhaber in allen Gestalten " which obviously were recorded very early on in Schwarzkopf's career, showcasing her in carefree, simple and amazingly fresh mood. Then comes the core of the CD-the classic recital with Edwin Fischer at the piano. Nothing really needs to be said here. Schwarzkopf shines throughout with beautiful tone, flawless diction. She may be mannered, yes, but she also does justice to the poetry like I never heard from anyone before, of course with the exception of Fischer-Dieskau. Edwin Fischer plays with taste, bringing out all the demanded atmosphere: from the serenity of Im Fruhling to the intensity of Die Junge Nonne. The sound is pretty old but the balance is perfect and both Schwarzkopf and Fischer are caught in a great day. The other items on the disc are recorded later on in Schwarzkopf's career, when her tone has darkened, thinned down a bit but always radiant and the fastidiousness and artistry even more significant; and Gerald Moore and Geoffrey Parsons are delightful pianists. The remaining songs include a high-spirited Die Forelle and Seligkeit, a wonderfully introspective Der Einsame and a moving and gorgeous An mein klavier (although she seems to miss a breath for a tiny fraction of a second at the beginning of the 2nd verse). The final "Erlkonig", one of her most favorite recordings, is a track that will knock you off your seat with its intensity. Parsons's playing is adequately intense, and Schwarzkopf's "mannerisms" which the Schwarzkopf bashers love to hate, are deadly powerful in pointing out all the 4 characters of the demanding lied. Be warned, the cry of "gewalt" by the end of the lied will cause your heart to miss one beat! Sound recording gets better throughout the CD, from acceptable mono of the first 2 songs to the crystal-clear stereo of the final items.
Highly recommended. Masterful singing from the queen of German lieder.

4 out of 5 stars This elevates my mood! .......2005-09-08

Although i do not understand each word it sings, i m just happy to hear it till the last song finishes. I feel content.
The Story of Schubert
Average customer rating: 5 out of 5 stars
  • inspired performance !!!
The Story of Schubert

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001KCT
Release Date: 1994-02-28

Tracks:

  1. Rosamunde, D. 797: Overture
  2. Mozart: String Quartet In B-Flat Major, K. 172
  3. Marche Militaire, D. 733, No. 1
  4. Hark, Hark, The Lark!, D. 889
  5. Mass No. 5 In A-Flat Major, D. 678: Credo
  6. Symphony No. 5 In B-Flat Major, D. 485: Allegro
  7. Symphony No. 4 In C Minor, D. 417 'Tragic': Finale: Allegro
  8. Moment Musicaux No. 3 In F Minor, D. 780
  9. Piano Sonata In A Minor, D. 845: Moderato
  10. The Erl King, D. 328
  11. Symphony No. 2 In B-Flat Major, D. 125: Allegro
  12. Symphony No. 6 In C Major, D. 589 'Little': Andante
  13. Symphony No. 6 In C Major, D. 589 'Little': Scherzo
  14. To Music, D. 547
  15. The Trout, D. 550
  16. Piano Quintet In A Major, D. 667 'Trout': Theme And Variations
  17. Octet In F Major, D. 803: Finale
  18. Impromptu In B-Flat Major, D. 935 No. 3
  19. String Quintet In C Major, D. 956: Allegro ma non troppo
  20. Wanderer Fantasy In C Major, D. 760
  21. Symphony No. 8 In B Minor, D. 759 'Unfinished': Allegro moderato
  22. Symphony No. 9 In C Major, D. 944 'Great': Andante-Allegro ma non troppo
  23. Mass No. 6 IN E-Flat Major, D. 950: Gloria
  24. String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': Andante con moto
  25. Symphony No. 8 In B Minor, D. 759 'Unfinished': Andante
  26. Ave Maria, D. 839
  27. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro
  28. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Andante con moto
  29. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Menuetto: Allegro molto
  30. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro vivace

Customer Reviews:

5 out of 5 stars inspired performance !!!.......2001-09-02

this collection deserves more than 5 stars.peter maag and the philharmonica hungarica are in top form.this is the best ever of schubert's fifth and eigth i have ever listened to.it is not karl bohm or leonard bernstein or george szell or lorin maazel.
truly the hungarians inspired by maag easily beat all the other top orchestras.
the orchestral texture is transparent with a perfect balance among the string sections ,the woodwind and the brass sections.peter maag obviously loves this music and brings out the heavenly beauty ,the pathos and the monumental dramatic quality of these works.
just listen to schubert's fifth second movement which ends with a heart rending cello phrase.
it is a shame that the well established record companies have not thought it fit to record more of peter maag.in my opinion he is one of the greatest ever conductors.
i will not exchange these performances for any other!
Happy Birthday
Average customer rating: 4.5 out of 5 stars
  • A well chosen album title
  • Happy Birthday by Gidon Kremer
  • A perfect birthday gift
  • Jest with Zest
  • I want to play the variations myself!
Happy Birthday
Gidon Kremer , and Kremerata Baltica
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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  1. Kremerland
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  3. From My Home: Music from the Baltic Countries
  4. Silencio
  5. After Mozart

ASIN: B00006JP2B
Release Date: 2003-01-28

Tracks:

  1. Polka
  2. Thema
  3. Variation Nach Joseph Haydn
  4. Variation Nach Wolfgang Amadeus Mozart
  5. Variation Nach Ludwig Van Beethoven
  6. Variation Nach Johannes Brahms
  7. Variation Nach Robert Schumann
  8. Variation Nach Antonin Dvorak
  9. Polka/Valse
  10. Variation Im Stil Von Filmmusik
  11. Ragtime
  12. Tango
  13. Czardas
  14. Adagio
  15. Allegretto
  16. Ad Libitum
  17. Allegro. Presto
  18. Variations Brillantes Et Concertantes Sur L'air 'God Save The King,' Op.38
  19. Elegy
  20. McMozart's Eine Kleine Bricht Moonlicht Nicht Musik
  21. I. Eine Kleine Nichtmusik
  22. II. Moonlight Concerto
  23. III. Chaconne A Son Gout
  24. IV. Hommage To Shostakofiev
  25. Souvenir

Amazon.com

To celebrate its sixth anniversary as an ensemble, Kremerata Baltica presents a light, loving, and musically interesting confection. After an opening polka by Schnittke (who knew he could be so frothy?), we get 11 variations on the song "Happy Birthday" by Peter Heidrich, à la Haydn, Mozart, Beethoven, and Brahms, and some dance movements. Delightful. Elsewhere, Franz Waxman's Variations on "Auld lang syne" are as clever as they are unexpected and charming. More variations--this time on "God save the King" by the 19th century composers Ghys and Servais--afford Kremer and cellist Marta Sudraba a fine time, and Teddy Bor's brief riff on Mozart's omnipresent "Eine kleine nachtmusik" is a hoot. There's more, but the point is made: Classical music can be fun and sophisticated, and Kremer and his group remain virtuosi, one and all. --Robert Levine

Album Description

These young Baltic musicians possess a vivid spectrum of string color, thoroughly polished execution, and a direction of effort in service to the composer... There is no violinist with greater versatility and commitment to musical truth than Kremer. Slipcase. Nonesuch. 2003.

Customer Reviews:

2 out of 5 stars A well chosen album title.......2007-01-10

I was desperately looking through the internet for a tango "happy birthday" and the tune was there, in this album. After I purchased the cd, I read the booklet included and there I found mentioned that "the album's title is not merely a reference to the popular tune, but a celebration of the ensemble's anniversary". So, I was happy to have finally found a tango "happy birthday" but I was also disappointed because this was not the playful album I was looking forward to listen to.
But this is a bit unfair for this excellent orchestra.
If what you are looking for is innovations on the romantic classicals... well this could be it. The point is that this is an album for listeners who know their way into classical music.
Other than that I should suggest that innovation regarding any classical music "playful" album would be to capture the listener's interest with more daring ways than that.

5 out of 5 stars Happy Birthday by Gidon Kremer.......2007-01-09

This is a nice "classic" touch for any birthday celebration--great musical treatment of a most familiar tune!

5 out of 5 stars A perfect birthday gift.......2006-01-26

I bought it out of my own devotion to Gidon Kremer and another one for a food friend's birthday. Kremer never let me down. This is another outstanding CD and a perfect birthday gift, even for non-classical lovers. However, to be very honest, I am not totally satisfied with all the tracks but still it's highly recommended. I would say it is an almost-must-have for your CD shelf. The variation of the traditional 'Happy Birthday' is fantastic if not too commercial.

5 out of 5 stars Jest with Zest.......2005-11-26

If you enjoy parodies, this will be the perfect album for you. The jokes played on the various composers are amusing and refreshing, especially for music students who bore their brains out analysing these composers. Take a fresh view and enjoy! Even though they may seem meaningless initially, they grow onto you soon enough; and you will start asking - why not?

5 out of 5 stars I want to play the variations myself!.......2004-07-22

My God...I will be too grateful to anyone who can show me where I can get the printed music of the "Happy Birthday" variation ....
The Very Best of Elisabeth Schwarzkopf
Average customer rating: 4.5 out of 5 stars
  • Fine anthology but still prefer her "Four Last Songs" recording
  • RIP DAME ELIZABETH (1915-2006)
  • SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY
  • ¡PERFECT!
  • PERFECTA INTERPRETACIÓN
The Very Best of Elisabeth Schwarzkopf

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Mozart: Lieder & Concert Arias

ASIN: B0000AF1SC
Release Date: 2003-09-02

Tracks:

  1. Ach War Ich Schon (Fidelio)
  2. Non So Piu (Le Nozze Di Figaro)
  3. Porgi, Amor (Le Nozze Di Figaro)
  4. E Susanna Non Vien!...Dove Sono (Le Nozze Di Figaro)
  5. Mi Tradi Quell'Alma Ingrata (Don Giovanni)
  6. Come Scoglio (Cosi Fan Tutti)
  7. Leise, Leise, Fromme Weise (Der Freischutz)
  8. Dich, Teure Halle (Tannhauser)
  9. Einsam In Truben Tagen (Lohengrin)
  10. Wie Fremd Und Tot (Die Verkaufte Braut)
  11. Bruderchen, Komm, Tanz Mit Mir (Hansel Und Gretel)
  12. Da Geht Er Hin (Der Rosenkavalier)
  13. Es Gibt Ein Reich (Ariadne Auf Naxos) - Richard Strauss
  14. Das War Sehr Gut (Arabella)

Tracks:

  1. Jauchzet Gott In Allen Landen
  2. Bist Du Bei Mir
  3. Ridente La Calma
  4. An Die Musik
  5. Der Musensohn
  6. Nachtviolen
  7. Der Musensohn
  8. Auch Kleine Dinge
  9. Mein Liebster Ist So Klein
  10. Verschling' Der Abgrund
  11. Ich Hab' In Penna
  12. Wiegenlied Im Sommer
  13. Mausfallenspruchlein
  14. In Dem Schatten Meiner Locken
  15. Mignon (Kennst Du Das Land?)
  16. Gsatzli (Swiss Folksong)
  17. Fruhling
  18. Im Abendrot
  19. Muttertandelei
  20. Zueignung
  21. Klange Der Heimat (Die Fledermaus)
  22. Es Lebt'Eine Vilja (Die Lustige Witwe)
  23. Im Chambre Separee (Der Opemball)
  24. Wien, Du Stadt Meiner Traume

Amazon.com

Elisabeth Schwarzkopf was certainly one of the greatest singers of her own, or indeed any other time. An obsessive perfectionist, her flawless technique and intonation over a huge range, vocal flexibility, breath control, phrasing, stylistic versatility, and above all her focused, radiantly beautiful sound were matchless and incomparable. All these are on full display on this generous 2-CD set, which features over a dozen arias, songs by Schubert, Wolf and Richard Strauss, and some lighter fare. The recordings were made between 1950 and 1967, and the singing becomes better and better, the voice richer and more varied, the expression deeper and more immediate. Not surprisingly, the peaks come in the arias from her signature roles in Mozart's Figaro, Don Giovanni, and Cosi fan tutte; Richard Strauss' Ariadne, Rosenkavalier, and Arabella, which rise to real ecstasy; and arias from Weber's Freischütz and Smetana's Bartered Bride, which are wonderfully intimate and touching. She is less convincing in roles she never sang on stage, and the "childish" voice she cultivated especially for Hänsel and Gretel is unnatural and contrived. The same is true of the last two "popular" numbers, which sound condescending and artificial. The songs, however, have all her customary finesse and inwardness; the Wolf group, perhaps chosen for its gentle humor, is charming, while Strauss' "Four Last Songs" (represented by two) shimmer and soar. Schwarzkopf's singing had instantly recognizable characteristics: a tendency to hold back both vocally and emotionally, giving a sense of noble restraint, but also of cool detachment; excessive use of color and nuance, creating a fussy, calculated and somewhat artificial air. Only rarely does she "let go" with full voice and spontaneous feeling. However, as these recordings show, she invariably inspires admiration and captures ear and heart through the inimitable, glorious beauty of her voice. --Edith Eisler

Customer Reviews:

4 out of 5 stars Fine anthology but still prefer her "Four Last Songs" recording.......2006-11-06

The engineering and audio quality of these 1960's performances are surprisingly good. The songs are wonderfully peformed and cover a range of periods and styles, but I find myself returning to her recording (also re-released on CD) of Strauss' "Four Last Songs", which I would give 6 stars -- my favorite recording of all time.

4 out of 5 stars RIP DAME ELIZABETH (1915-2006).......2006-08-04

This set is a fine tribute to this extraordinary singer and musician. I was saddened to read about her passing. She had a long life (90 years) and inspired a whole generation of singers and music lovers throughout the world.

5 out of 5 stars SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY.......2006-01-29

Elisabeth Schwarzkopf's career is what legends are made of. She is every bit as fundamental to classical singing in the twentieth century as is Maria Callas. Schwarzkopf sang with refinement, polish, beauty of voice, and meticulous articulation. She was the greatest Mozart and Strauss soprano of her day; her ability to sing the operetta music of Lehar, Suppe', and Johann Strauss has not been equalled; she performed with distinction orchestral compositions of Mahler, Brahms, Bach, and Handel; her Schubert, Schumann, Wolf, and Mahler lieder were exemplary. She sang many operatic roles, far more than many people realize, and was certainly the definitive Marshallin in "Rosenkavalier" throughout the 1950's and 1960'. I saw her many times in recital in Chicago, and even at the time of her farewell (which I was fortunate enough to see), she was sublime. All of the superlative qualities of Schwarzkopf are generously demonstrated throughout these two wonder CD's. Virtually every item is magnificent (though obviously some will prefer some to others) and has the detailed Schwarzkopf imprint stamped right into the music. This CD, great as it is, represents only a very small part of the greatness of Schwarzkopf. I already own tons of her operas and recitals, from which many of the items here come from. But for the sake of completeness, I will probably add it. A person who loves great singing can never have too much of the art of Elisabeth Schwarzkopf. She's a vocal icon.

5 out of 5 stars ¡PERFECT!.......2005-02-10

I only want to say that you can hear, in this double cd, one of the great singers of all time. Elisabeth Schwarzkopf. Why? Because she sings all the arias and lieder with pure of tone, brilliance, perfect inflexion, modulation, excellent control breath, measured vibrato, and, all above, great emision of colours. She is master in this art.

5 out of 5 stars PERFECTA INTERPRETACIÓN.......2005-02-09

La mejor recopilación de la discografía de Elisabeth Schwarzkopf. Su belleza de voz, la impecable hilación de frases, y, sobre todo, su expresiva interpretación son algunas de las sorpresas que se podrán escuchar en estos dos discos. Sin duda, UNA DE LAS MEJORES SOPRANOS DEL SIGLO XX.
The Very Best of Janet Baker
Average customer rating: 5 out of 5 stars
  • The Very Best of Janet Baker is simply the very best!
  • Grace Incarnate
  • A Rare & Glorious Singer
The Very Best of Janet Baker

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005UUOW
Release Date: 2002-04-09

Tracks:

  1. Christmas Oratorio: Bereite Dich, Zion
  2. Messiah: He Was Despised
  3. Elijah: O Rest In The Lord
  4. Alto Rhapsody
  5. Ich Bin Der Welt Abhanden Gekommen
  6. L'Invitation Au Voyage
  7. Pie Jesu (From The Requieum Op.9)
  8. Sea Pictures Op.37: I. Sea Slumber-Song
  9. Sea Pictures Op.37: II. In Haven
  10. Sea Pictures Op.37: III. Sabbath Morning At Sea
  11. Sea Pictures Op.37: IV. Where Corals Lie
  12. Sea Pictures Op.37: V. The Swimmer
  13. The Angel's Farewell - Ambrosian Singers

Tracks:

  1. Linden Lea
  2. A Boy Was Born, Op.3: Corpus Christi Carol
  3. Pretty Ring Time
  4. Prison
  5. Soir
  6. Clair De Lune
  7. Ave Maria (Ellens Gesang III)
  8. Gretchen Am Spinnrade
  9. Wiegenlied (Schlafe, Schlafe)
  10. Die Forelle
  11. Auf Dem Wasser Zu Singen
  12. An Die Musik
  13. An Sylvia
  14. Nacht Und Traume
  15. Heidenroslein
  16. Du Bist Die Ruh'
  17. Auf Flugeln Des Gesanges
  18. Liederkreis, Op.39: Mondnacht
  19. Frauenliebe Und -Leben Op.42: Du Ring An Meinem Finger
  20. Geistliches Wiegenlied
  21. Befreit
  22. Morgen!

Amazon.com

While it is impossible to really squeeze The Very Best of Janet Baker onto just two CDs, this two and a half hour anthology is a fine portrait of the British mezzo-soprano. Central to CD 1 is Elgar's Sea Pictures, a definitive account with the London Symphony Orchestra conducted by Sir John Barbirolli. While other British music is represented by Vaughan Williams's "Linden Lea," Britten's "Corpus Christie Carol," and Warlock's "Pretty Ring Time," CD 2 balances the program with 10 Schubert songs accompanied at the piano by either Gerald Moore or Geoffrey Parsons, which range from "Ave Maria" to Shakespeare. The set lends equal weight to orchestral and more intimate song, as well as to works in English--a very moving reading of Handel's "He was despised" from Messiah--and European landmarks, including Mendelssohn's On Wings of Song and Brahms's Alto Rhapsody, the latter with a superlative London Philharmonic Orchestra under Sir Adrian Boult. In an age of technically dazzling but sometimes bland singers, this release is a reminder of emotionally intense musicianship that retains vocal clarity and commitment to the composer's intentions over superstar ego. The word great is often used all too easily, but it could not be more appropriate for this outstanding collection of a great singer. --Gary S. Dalkin

Customer Reviews:

5 out of 5 stars The Very Best of Janet Baker is simply the very best!.......2005-02-09

This cd and this amazing musician are an absolute must have for any music lover or music snob alike! Her voice is amazing!

5 out of 5 stars Grace Incarnate.......2002-09-02

If there is one singer who has ever truly been able to master the singer's art of interpretation, this is her. She is a gift to music, I truly believe this. A few words, or glowing adjectives could not accurately describe the singing of a woman who epitomizes art. And music. Grace and beauty.
Each track on this cd is a perfect union of poetry, melody and technicality. Dame Janet Baker fully immerses herself into each piece, and delivers highly commited, intelligent & emotional performances.

5 out of 5 stars A Rare & Glorious Singer.......2002-06-10

This is a pretty good cross-section of Dame Janet's output from the prime of her career. There are few if any singers like her around today. There are many mezzos who can sing beautifully, with great articulation and finesse, but they lack the moral and musical integrity Dame Janet always brought to her singing. The voice is ardent, seeking, yearning, finding, exulting. Listen to the excerpt from "Dream of Gerontius" or the third of the "Sea Pictures" to see what I mean.
She does not sing to show off. She sings to enlighten, to illuminate, to reveal, to enter into. Her voice carries us off, near to Heaven.
Dame Janet has been neglected of late. This recording shows us why, in these perilous times, we need her more than ever.
Behind the Musik (A Boy Named Jonah)
Average customer rating: 4.5 out of 5 stars
  • Christian rap
  • My sons favorite
  • Rap with a msg
  • If you like DC Talk and TobyMac
  • KJ Did Another Good Job
Behind the Musik (A Boy Named Jonah)
KJ-52
Manufacturer: Bec Recordings / Emd
ProductGroup: Music
Binding: Audio CD

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ASIN: B00076ONKA
Release Date: 2005-02-01

Tracks:

  1. Dad: 'That's How You Got Your Name' (Intro)
  2. Fivetweezy
  3. Are U Real?
  4. Rock With It
  5. God
  6. Behind The Musik
  7. Mom 'Sitting In The Puddle' (Interlude)
  8. Thank You
  9. Jesus
  10. Right Here
  11. Video Games
  12. Plain White Rapper
  13. Dad 'Ybor City' (Interlude)
  14. Things I Like
  15. Life After Death
  16. Never Look Away
  17. For The Ladies
  18. Mom 'I Wanted To Call You Sky' (Interlude)
  19. I Can Call On You
  20. Cry No More
  21. One
  22. He Is All
  23. Dad 'It Was God Working In Your Life'

Customer Reviews:

3 out of 5 stars Christian rap.......2007-06-08

Okay, I think kids like. I thought this was the one with "A coke and a fry and acheeseburger" on it...not. It was really hard to find this specific info out on line since it is a hidden track on the CD.

5 out of 5 stars My sons favorite.......2007-01-10

My son received 3 Christian hip hop CD's for Christmas and this was his favorite.

5 out of 5 stars Rap with a msg.......2006-09-06

KJ-52 is a man who we can all relate to. His words are true and his message is clear. No goofin' around here. You will know the truth after one spin around. So if you hear this CD, you are now "without excuse"!

5 out of 5 stars If you like DC Talk and TobyMac.......2006-05-30

This was my introduction to KJ-52. It was reccomended because I enjoy DC Talk and TobyMac. What a great album!

4 out of 5 stars KJ Did Another Good Job.......2006-01-10

First of all, here's a little background on KJ-52:
Jonah, aka KJ-52, although commonly believed, is not a rip-off of Eminem. He recorded his first album (7th Avenue) in 1998, before Eminem even came onto the scene (he speaks of this on his "Ask KJ" podcast from May 23, 2005. You can find it on the iTunes podcast page by searching for "KJ-52" or "KJ52"). I won't get into this here, but let you hear KJ's side of the story.

As to the album:

Jonah brought back his trademark craziness, as well as his deep and serious material in this album. He did a great job of combining the two, making this an above-average album. I wouldn't call this "the best album ever" in the history of white rappers, but I do believe it is his best work so far. As he says in the back of the insert, this album came from many years of hard work and is the most rewarding for him to date.

Although there are a couple of problems on the disc (such as lyrics not synching perfectly to the beat), they are greatly outweighed by the variation of material on this disc, both lyrically and musically. Jonah included some deep, deep stuff (Life After Death, a more rap-core song), and some more funky stuff (Video Games, throwing in everything from John Madden to Dig Dug), making it a very balanced album.

Overall, I give it 4 Stars. Good job, KJ!

God bless, y'all.
Musik Fur Streichinstrumente
Average customer rating: 5 out of 5 stars
  • Must-have recording
  • Outstanding performances of important contemporary quartets
  • dark, rich and splendid!
  • New Music which Dares to make an Impact
  • Directly to the bottom
Musik Fur Streichinstrumente

Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
ECM ClassicalECM Classical | ECM Records | Amazon.com Label Stores | Stores | Music
ECM Jazz & WorldECM Jazz & World | ECM Records | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. György Kurtág: Signs, Games and Messages
  2. Kurtag: Jatekok / Marta and Gyorgy Kurtag
  3. Kafka-Fragmente Op. 24
  4. György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet
  5. Kaija Saariaho: Du Cristal...À la Fumée; Sept Papillons, Nymphéa

ASIN: B000024R1O
Release Date: 2000-02-01

Tracks:

  1. Aus der Ferne III
  2. Officium breve in memoriam Andrezervzky
  3. Ligatura - Message to Frences-Marie (The answered unanswered question)
  4. Quartetto per archi op.1 / I Poco agitato
  5. ' II Con moto
  6. ' III Vivacissimo; Lento
  7. ' IV Con spirito
  8. ' V Molto ostinato
  9. ' VI Adagio
  10. Hommage ih Andr 12 Mikroludien / I
  11. ' II
  12. ' III
  13. ' IV Presto
  14. ' V Lontano, calmo, appena sentito
  15. ' VI
  16. ' VII
  17. ' VIII Con slancio
  18. ' IX Pesante, con moto / Leggiero
  19. ' X Molto agitato
  20. ' XI
  21. ' XII Leggiero, con moto, non dolce
  22. Ligatura - Message to Frances-Marie (The answered unanswered question)

Customer Reviews:

5 out of 5 stars Must-have recording.......2006-12-27

I heard the Boston Symphony play an orchestral piece of Kurtag's several years ago. I was impressed by the piece, and frankly have no idea why it took me so long to purchase this CD. There are a great many noteworthy string quartets of the last hundred years, and Kurtag's in some ways are the most unusual. While formidable technique and discipline are required to play them, the overall effect is not highly virtuosic, as you might remark about say, Bartok. The overall effect is more darkly contemplative, although there are certainly moments of great drama. Harmonically, they're quite wonderful, with much of the harmony in very low registers. The sparseness of the writing may bring Webern to mind, but the resemblance is only superficial. Kurtag speaks with his own distinct voice.
The reading by the Keller Quartet is excellent. It is both restrained and emotional. The quality of the recording is excellent, as one would expect from ECM.

5 out of 5 stars Outstanding performances of important contemporary quartets.......2004-01-07

Having released several discs featuring his music, ECM have played a major role in the in the recent buzz surrounding the Hungarian composer György Kurtág. This disc of his three string quartets--all key works in the composer's oeuvre--by the outstanding Keller Quartet may well be the finest of all these recordings.

The String Quartet, opus 1, was written in 1959, when Kurtág was 33. (It is perhaps a sign of the composer's lack of conventional self-confidence that none of his previous works had merited an opus number.) Written in six movements, it is composed in a language that is very obviously derived from Bartók and Webern, though even here (unlike, say, in the earlier Viola Concerto) Kurtág is clearly his own composer. The first movement is a brief, ambivalent exposition, the second plays with vigorous ostinati and the third is almost a conventional scherzo (though with slower passages interrupting). The fourth movement is perhaps a negation of the third: it is a slow movement with vigorous outbursts fragmenting the flow; while the fifth movement mirrors the second in its ostinato writing. The slow finale takes the material of the opening but extends it to more than four times the length of the first movement.

If the String Quartet was an assured debut, the Twelve Microludes, opus 13, written in 1977 and 1978, demonstrate how much Kurtág was to grow as a composer in the next two decades. Even more miniaturised than the Quartet (its twelve movements last a mere ten minutes), it also contains a much greater variety of expression. The music includes several chorale-like movements and some that play with ostinati as in the Quartet, but the heart of the work is surely the fifth movement, whose haunting folk-like melody is heard as from afar, garlanded by fragmentary motifs on the other instruments.

Officium breve, opus 28, is an instrumental requiem for the Hungarian composer Andre Szervánszky, written in 1988 and 1989. The work is in fifteen movements--which play without a break--and exhibits something of a collage form. The two linchpins of the work are an incomplete quotation from Szervánszky's Serenade for Strings and the remarkable canon that ends Webern's Second Cantata (a transcription for string quartet of which is the tenth movement of the quartet). Two movements, the third and the twelfth, both based on the Szervánszky quote, are transcribed directly from Szervánszky homages in the piano collection Játékok. The work ends with ferociously dissonant varations on the Szervánszky quote that lead directly into the final movement, which is nothing more than that quote itself. This luminously tonal, Romantic music provides a sudden peripeteia, and sheds unexpected new light on what had come before.

The disc also includes two miniatures. Aus der Ferne III, a homage to Paul Sacher on his 90th birthday, has appeared in a number of versions (two violins, piano four-hands) before this string quartet version. The Answered Unanswered Question (Homage-Message à Frances-Marie) is heard twice on this disc. Commemorating Frances-Marie Uitti and her bizarre double-bowing cello technique, this brief work, for two violins, two cellos and celesta, features the composer playing the celesta part.

Both Officium breve and the Twelve Microludes strike me as amongst the finest of post-war quartets, and they deserve the strongest possible advocacy. Happily, the playing of the Keller Quartet is quite outstanding, and gets to the heart of the music in a way that the rival version from the Arditti Quartet cannot match. Even with the rather short (less than 50 minutes) playing time, this is an essential recording for anyone interested in postwar music.

5 out of 5 stars dark, rich and splendid!.......2001-07-28

This is an exquisite recording of some of the best in modern music. The three major pieces are Kurtag's String Quartet (op. 1) of 1959, the second quartet, 12 Microludes (op. 13), of 1977-78, and the third quartet, Officium Breve (op. 28) of 1988-89. Three shorter pieces are included as well, including two versions of Ligatura, with Kurtag on celesta. Kurtag clearly fuses Webern and Bartok, producing dark, rich music that is never exhausted through repeated listening.

How does this 1996 KQ/ECM recording compare to the 1990 recording by the Arditti Quartet of Kurtag's three string quartets on Montaigne, supervised by Kurtag? (see my review) The KQ takes the tempos slightly slower, and this produces a suitably dramatic effect. The tempo difference is likely one chief cause of the difference in affect -- the AQ sounds more anguished overall, whereas the KQ is slightly more restrained, more stoic. Of course the KQ is treated to Manfred Eicher's patented production, with its noticeable resonance, and this produces a darker tone, it seems. The Montaigne production of the AQ is more natural, with a clean, clear surface. The KQ adds three short Kurtag pieces for an all-Kurtag set, while the AQ adds Lutoslawski's 25-minute quartet (his only one), and the 10-minute Second Quartet by Gubaidulina. ECM's graphics and packaging are stunning, as usual, with black-and-white photography.

It is fascinating to hear the alternative interpretations, and Kurtag's works certainly warrant more! But if you hear only one, the Keller Quartet's recording is outstanding.

5 out of 5 stars New Music which Dares to make an Impact.......2001-01-11

As a member of a professional string quartet, I'm always on the lookout for new repertoire for my group to perform. I'd noticed that several Kurtag pieces had been performed (by the Emerson and Orion quartets, most recently) and wanted to see what all the buzz was about. Turns out, it was worth the purchase of this fine CD. I've always been a fan of Webern and Ligeti, and Kurtag seems to me to embody the best of these two composers' styles, while remaining very much his own distinct musical personality. The Keller Quartet plays these pieces with great virtuosity, but not at the expense of passion and what I can only describe as a "avant garde bel canto". If you have any interest in new music, and especially new music which is extraordinary, look no further than this disc.

5 out of 5 stars Directly to the bottom.......2000-08-17

The words expressed by the Spanish fan music (in Barcelona) resume the feelings Kurtag evokes.

The intensity of the emotions provoked by Kurtag's music on me are also based on the contrast with my Mediterranean personality and values, what demonstrates the inmense power of music: there are no nations, no races, no room to disagreement when listening to the language of the bottom.
Signum
Average customer rating: 5 out of 5 stars
  • Romantic Medieval Dancing / Festive Music
  • Medieval
Signum

Manufacturer: Dancing Ferret
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
GeneralGeneral | New Age | Styles | Music
MeditationMeditation | New Age | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Goth & IndustrialGoth & Industrial | Alternative Rock | Styles | Music | Goth | Industrial
Similar Items:
  1. Best Of Corvus Corax
  2. Irfan
  3. Illuminate
  4. Renaissance
  5. IV: Ozymandias

ASIN: B0009IOS24
Release Date: 2007-07-16

Tracks:

  1. Al jorn - alonso
  2. A voi gente
  3. Trotto
  4. Audite
  5. Alle psallite
  6. Razon
  7. Owe war sint verswunden
  8. Sine nomine
  9. Al jorn - carceres
  10. Non e gran cousa
  11. Cry de la mort
  12. Quen na virgen
  13. Estampie VIII
  14. Non devemos
  15. Bona condit
  16. Al jorn - triana

Album Description

Authentic medieval languages, songs and over fifteen instruments take the listener on an hour-long journey back through time. Lush, beautiful female vocals, sometimes in contrast with choral arrangements, deliver a harmonious and warm feel throughout the album. This captivating yet comforting sound belies the often dark subject matter of the lyrics (all in Latin save one piece in medieval German), which focus primarily on medieval man's concept of the apocalypse.

Customer Reviews:

5 out of 5 stars Romantic Medieval Dancing / Festive Music.......2006-08-26

About the Band:
Estampie is a German medieval band named after a style of dance from the Middle Ages which involved lots of hopping and stomping of the feet. For those of you not familiar with this style of music, simply think of music you might associate with a castle (think Lord of the Rings). True to the name, Estampie provides joyful and energetic music that you'll want to skip to. Featuring an ensemble of talented musicians, with key members including Syrah (Sigrid Hausen) and Michael Popp of Qntal and Ernst Schwindl, Estampie can be characterized by their exclusive use of an extensive array of traditional instruments (no electronics) including harps, various pipes and flutes, an array of drums, and numerous stringed instruments.

About the Album:
Long before I bought Signum, I've heard Estampie on many middle ages (or mittlealters in German) compilations. The album is nearly a full hour in length and an absolute joy to listen to. Most of the tracks feature multiple vocalists, which though typical of heavenly voices and neo-medieval music, is always a treat. Various percussion instruments are used to establish a welcoming beat, while the pipes and/or stringed instruments used build out a romantic melody.

Recommended Tracks:
- A Voi Gente
- Alle Psallite
- Razon
- Al Jorn - Carceres
- Cry del la Mort

If you enjoy bagpipes, then you'll love Sine Nomine. Sometimes I've been able to talk DJs into playing Estampie at goth / industrial clubs, but I must point out that the band is appropriately named, as tracks like Sine Nomine are so fast that you will be tempted to dance estampie style (skip and hop). However, in contrast to the fast paced tracks, the Signum also features slower and calm choral tracks such as Al Jorn - Carceres (which tend to be my favorites).

Finally I must point out that Signum features both male and female vocals, often sung together. It is a rare treat to pull so many talented vocalists and musicians together in one period band.

Similar Artists:
- Corvus Corax
- Irfan
- Qntal
- Love Is Colder Than Death
- Moon Far Away
- Das Zeichen

5 out of 5 stars Medieval.......2005-05-31

Estampie, the musical collaboration of singer Sigrid Hausen (Syrah) and mastermind Michael Popp (Qntal), is deemed to be the leading medieval music act. Their haunting interpretations of old music found fans in many countries, amongst aficionados of Classical music as well as within the world music and independent music scenes. Estampie always spearheaded the popular medieval scene and are referred to as a source of inspiration by a lot of bands playing medieval music. Their eighth album titled "Signum" offers again music from the 12th to the 15th Centuries rife with insistent mysticism and stirring drive with technical perfection. The ambitious arrangements are a result of a long lasting dealing with this kind of music and are crowned with choirs and particularly with Syrah`s transcendental voice. A one-of-a-kind listening pleasure!

Music Review:

  1. Mahler: Symphony No.4/Adagietto from Symphony No.5
  2. Mendelssohn: Midsummer Night's Dream Op61; Symphony No4
  3. Most Famous Overtures
  4. Mozart: All the Works for Flute
  5. Mozart: Eine Kleine Nachtmusik; Pachelbel: Canon
  6. Mozart: Four-Hand Piano Works
  7. Mozart: Serenade No10; Serenade No12
  8. Mozart: Serenades Nos. 4-7 & 9
  9. Mozart: Serenata Notturna/Divertimento No.15
  10. Mozart: Symphonies Nos. 24-27 & 32

Music Review

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Beethoven: Bearbeitungen für Bläser

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