Bach: Brandenburg Concertos Nos. 5 & 6

On this CD:

1. Brandenburg Concerto No. 5 in D major, BWV 1050
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields Conducted by Neville Marriner

2. Brandenburg Concerto No. 6 in B flat major, BWV 1051
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields Conducted by Neville Marriner

3. Suite for orchestra No 1 in C major, BWV 1066
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields Conducted by Neville Marriner

Product Description

Amazon.com
This is one of those irritating collections put together to satisfy a record company's special needs rather than the consumer's. These are the orchestral recordings Anne-Sophie Mutter made for EMI during an interlude in her ongoing relationship with Deutsche Grammophon. Aside from the LP length of each CD, though, it's hard to complain about any of the material. Mutter's Bach (with a strong assist from Salvatore Accardo) is stylish and touching; ditto her Mozart; and the Romantic showpieces (the Lalo in its complete edition) are outgoing and passionate. It may be hard to figure out where to file this set, but all the contents are worth hearing. --Leslie Gerber

Bach: Brandenburg Concertos Nos. 5 & 6,Johann Sebastian Bach,Neville Marriner,Academy of St. Martin-in-the-Fields,Angel Records,Baroque Suite/Partita for Orchestra,Classical,Classical Music,Concerto,Concerto Grosso,Orchestral
The Violinist
Average customer rating: 4 out of 5 stars
  • Mostly Magnificent Menuhin, with a Few Reservations
The Violinist
Yehudi Menuhin , Johann Sebastian Bach , Bela Bartok , Ludwig van Beethoven , Alban Berg , Johannes Brahms , Max Bruch , Arcangelo Corelli , Edward Elgar , Franz Joseph Haydn , Edouard Lalo , Felix Mendelssohn , Wolfgang Amadeus Mozart , Carl Nielsen , Niccolo Paganini , Camille Saint-Saens , Jean Sibelius , Pyotr Il'yich Tchaikovsky , Michael Tippett , Henri Vieuxtemps , Antonio Vivaldi , William Walton , Alberto Lysy , Anatole Fistoulari , Antal Dorati , Anthony Bernard , Gaston Poulet , John Pitchard , Mogens Woldike , Pierre Boulez , and Rafael Frühbeck de Burgos
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven: The Complete Symphonies and Piano Concertos
  2. Beethoven - The Complete String Quartets / Alban Berg Quartet
  3. The Glory of Rostropovich: 80th Birthday Tribute
  4. Schubert: 8 Symphonies
  5. Heifetz Showpieces

ASIN: B0000BWTKJ
Release Date: 2003-11-04

Tracks:

  1. I. Allegro
  2. II. Affettuoso
  3. III. Allegro
  4. I. Allegro
  5. II. Andante
  6. III. Allegro Assai
  7. I. Allegro
  8. II. Adagio
  9. III. Allegro Assai
  10. I. Vivace
  11. II. Largo Ma Non Tanto
  12. III. Allegro

Tracks:

  1. Rhapsody No. 2 (Lassu [Moderato] - Friss [Allegro Moderato])
  2. I. Allegro Non Troppo
  3. II. Andante Tranquillo
  4. III. Allegro Molto
  5. I. Andante
  6. I. Allegretto (Scherzando)
  7. II. Allegro
  8. II. Adagio

Tracks:

  1. Romance No. 1 In G Major
  2. I. Allegro Ma Non Troppo (Cadenza: Kreisler)
  3. II. Larghetto
  4. III. Rondo (Allegro) (Cadenza: Kreisler)
  5. I. Allegro Moderato
  6. II. Adagio
  7. III. Finale (Allegro Energico)

Tracks:

  1. Romance No. 2 In F Major, Op. 50
  2. I. Allegro Non Troppo (Cadenza: Kreisler)
  3. II. Adagio
  4. III. Allegro Giocoso, Ma Non Troppo Vivace - Poco Piu Presto
  5. I. Allegro Molto Appassionato
  6. II. Andante
  7. III. Allegretto Non Troppo - Allegro Molto Vivace

Tracks:

  1. I. Allegro
  2. II. Andante
  3. III. Allegro Molto
  4. I. Andante Tranquillo
  5. II. Presto Capriccioso Alla Napolitana & Trio (Canzonetta)
  6. III. Vivace

Tracks:

  1. I. Allegro Moderato (Cadenza: Menuhin)
  2. II. Adagio Molto
  3. III. Finale (Presto) (Cadenza: Menuhin)
  4. I. Allegro
  5. II. Andante Cantabile
  6. III. Rondo (Andante Grazioso - Allegro Ma Non Troppo)
  7. I. Allegro Maestoso
  8. II. Andante
  9. III. Presto

Tracks:

  1. I. Allegro Non Troppo
  2. II. Scherzando (Allegro Molto)
  3. III. Intermezzo (Allegretto Non Troppo)
  4. IV. Andante
  5. V. Rondo (Allegro)
  6. I. Allegro Non Troppo
  7. II. Andantino Quasi Allegretto
  8. III. Molto Moderato E Maestoso - Allegro Non Troppo
  9. Introduction & Rondo Capriccioso, Op. 28
  10. Havanaise, Op. 83

Tracks:

  1. I. Allegro Maestoso (Cadenza: Emile Sauret)
  2. II. Adagio Espressivo
  3. III. Rondo (Allegro Spiritoso)
  4. I. Andante - Moderato - Cadenza
  5. II. Adagio Religioso
  6. III. Scherzo (Vivace) & Trio
  7. IV. Finale (Allegro)
  8. I. Allegro Non Troppo
  9. II. Cadenza
  10. III. Adagio
  11. IV. Allegro Con Fuoco

Tracks:

  1. Serenade Melancolique
  2. I. Allegro Moderato
  3. II. Adagio Di Molto
  4. III. Allegro Ma Non Tanto
  5. I. Praeludium (Largo)
  6. I. Allegro Cavalleresco
  7. II. Intermezzo (Poco Adagio)
  8. II. Rondo (Allegretto Scherzando)

Tracks:

  1. I. Allegro
  2. II. Largo
  3. III. Allegro
  4. I. Allegro Non Molto
  5. II. Adagio
  6. III. Presto
  7. I. Allegro
  8. II. Adagio
  9. III. Allegro
  10. I. Allegro Non Molto
  11. II. Largo
  12. III. Allegro
  13. I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante
  14. II. Allegro
  15. III. Grave - Andante Largo - Allegro
  16. Fantasia Concertante On A Theme Of Corelli

Customer Reviews:

4 out of 5 stars Mostly Magnificent Menuhin, with a Few Reservations.......2004-01-06

The recent trend toward classical box sets focusing on the performer instead of the composer (see my reviews of the various DG/Decca "Original Masters" sets) continues with EMI's new "Yehudi Menuhin - The Violinist." Sure EMI's past sets have showcased individual performances by Samson Francois, Eugen Jochum and Rudolf Kempe to name a few, but it was always under the heading of a given composer's works, and in the cases mentioned above, to Chopin's piano pieces, Bruckner's Symphonies and Strauss' Orchestral Works respectively. Therefore, this Menuhin collection is the first of EMI's "Budget Box Sets" to showcase a performer playing the works of a variety of composers.

As Menuhin was an EMI recording artist for an incredible 68 years (1931-99), his performances for the label number in the hundreds. With so much music from which to choose, this 10-disc set aims "to highlight some of those alternative versions, including recordings that have not been easily available since the days of LP and others that have never previously appeared on CD." Therefore, the obvious mainstream, easily attainable recordings are omitted here -- for example, the Beethoven/Mendelssohn VCs with Furtwangler, the Elgar VC with the composer conducting, and the Bruch/Mendelssohn VCs with Susskind and Kurtz.

However, a lot of this material has been on disc before on titles which the serious collector most likely already owns. Most of the Bach is currently available as part of the Bach "Budget Box Series" title. The Bruch, Mendelssohn, Brahms and Vivaldi VCs were all available in the now out-of-print 2CD EMI Seraphim series. The Elgar and the Walton are still available in the "British Composers" series. And perhaps most annoyingly, the previously unpublished Beethoven VC and Tchaikovsky "Serenade melancolique" (available as a single disc), and the Beethoven Romance No. 2 (available on an EMI Encore title) were both reissued just a few months back.

But let's focus on the positive, which are the other rare performances, the most significant being the never before reissued 1954 performance of Mozart's Violin Concerto No. 4 with John Pritchard and the Philharmonia. Other elusive recordings include Viuextemps and Paganini VCs with Fistoulari, Lalo and Saint-Saens works with Goossens, and excellent Berg and Bartok accounts with Boulez. Though I'm delighted at their inclusion, of lesser importance is a 1965 Bartok VC No. 2 with Dorati -- his mono EMI with Furtwangler and an earlier account with Dorati on Mercury Living Presence are far superior. Also, neither the Sibelius (Boult, 1955) nor Nielsen (Woldike, 1952) Concertos are truly Menuhin's cups of tea.

My last complaint has to do with the packaging. I know I'm being rather trite but it seems that EMI has taken the "slim" out of slim, paper-sleeved box sets with their latest batch of releases. Both this title and the new box of Liszt Orchestral Works by Masur are noticeably thicker than previous EMI sets featuring a similar number of discs. A minor point, but us serious classical collectors need every centimeter of space on our increasingly crowded CD shelves, not to mention the amount of wasted packaging.

Overall though, despite the fact that "Yehudi Menuhin - The Violinist" is not as essential a reissue as its counterparts in the "Original Masters" series, it is a delightful set that most collectors will thoroughly enjoy.
Bach: Brandenburg Concertos Nos. 5 & 6; Orchestral Suite No. 2
Average customer rating: 5 out of 5 stars
  • A worthy "sequal" to #1-4
Bach: Brandenburg Concertos Nos. 5 & 6; Orchestral Suite No. 2

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach: Brandenburg Concertos Nos. 1-4
  2. Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano

ASIN: B00000IOM6
Release Date: 1999-04-20

Tracks:

  1. Brandenburg Concerto No. 5 in D, BWV 1050: Allegro
  2. Brandenburg Concerto No. 5 in D, BWV 1050: Affettuso
  3. Brandenburg Concerto No. 5 in D, BWV 1050: Allegro
  4. Brandenburg Concerto No. 5 In B Flat, BWV 1051: Allegro
  5. Brandenburg Concerto No. 5 In B Flat, BWV 1051: Adagio ma non troppo
  6. Brandenburg Concerto No. 5 In B Flat, BWV 1051: Allegro
  7. Orchestral Suite No.2 In B Minor, BWV 1067: Grave - Allegro
  8. Orchestral Suite No.2 In B Minor, BWV 1067: Rondo (Allegro)
  9. Orchestral Suite No.2 In B Minor, BWV 1067: Sarabande
  10. Orchestral Suite No.2 In B Minor, BWV 1067: Bourree I - Bourree II
  11. Orchestral Suite No.2 In B Minor, BWV 1067: Polonaise (Moderato)
  12. Orchestral Suite No.2 In B Minor, BWV 1067: Menuet (Allegretto) - Badinerie (Allegro)

Customer Reviews:

5 out of 5 stars A worthy "sequal" to #1-4.......2000-01-11

So, here we have the 5th and 6th Brandenburg concertos. This is acutally a "sequal" to #1-4 (also by Schwarz and the LA Chamber Orchestra) which makes me wonder why this wasn't made as a 2CD set. But that's the only minor drawback besides the rather unusual track numbering on the movements. So why not get BOTH CDs and you'll have a fine budget set of Brandenburg Concertos on modern instruments (it's worth twice the price, too!). The Orchestral Suite #2 is a fine addition to the set. I wonder if they also did the other 3 suites...
Baroque Festival
Average customer rating: 3.5 out of 5 stars
  • Excellent Baroque collection - everyone should have this!
  • Entry level baroque
Baroque Festival

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003QWD
Release Date: 1994-10-18

Tracks:

  1. Fanfare ('Masterpiece Theatre' Theme)
  2. Canon In D Major
  3. The Four Seasons, Op. 8 'The Spring' In E Major, No. 1: Allegro
  4. The Four Seasons, Op. 8 'The Spring' In E Major, No. 1: Largo e pianissimo sempre
  5. The Four Seasons, Op. 8 'The Spring' In E Major, No. 1: Allegro: Rustic Dance
  6. The Four Seasons, Op. 8 'The Summer' In G Minor, No. 2: Allegro non molto
  7. The Four Seasons, Op. 8 'The Summer' In G Minor, No. 2: Adagio: Presto
  8. The Four Seasons, Op. 8 'The Summer' In G Minor, No. 2: Presto: Impetuous Summer Storm
  9. The Four Seasons, Op. 8 'The Fall' In F Minor, No. 3: Dancing &Singing Of The Peasants: Allegro
  10. The Four Seasons, Op. 8 'The Fall' In F Minor, No. 3: The Sleeping Drunkards: Adagio
  11. The Four Seasons, Op. 8 'The Fall' In F Minor, No. 3: The Hunt: Allegro
  12. The Four Seasons, Op. 8 'The Winter' In F Minor, No. 4: Allegro non molto
  13. The Four Seasons, Op. 8 'The Winter' In F Minor, No. 4: Largo
  14. The Four Seasons, Op. 8 'The Winter' In F Minor, No. 4: Allegro
  15. Toccatta And Fugue In D Minor, BMV 565
  16. Xerxes: Largo
  17. Oboe Concerto In D Minor: Andante e spiccato
  18. Oboe Concerto In D Minor: Adagio
  19. Oboe Concerto In D Minor: Presto
  20. Gigue

Tracks:

  1. 'Brandenburg' Concerto No. 2 In F Major, BWV 1047: (Allegro)
  2. 'Brandenburg' Concerto No. 2 In F Major, BWV 1047: Andante
  3. 'Brandenburg' Concerto No. 2 In F Major, BWV 1047: Allegro assai
  4. 'Brandenburg' Concerto No. 3 In G Major, BWV 1048: (Allegro)
  5. 'Brandenburg' Concerto No. 3 In G Major, BWV 1048: Allegro
  6. 'Brandenburg' Concerto No. 5 In D Major, BWV 1050: Allegro
  7. 'Brandenburg' Concerto No. 5 In D Major, BWV 1050: Affettuoso
  8. 'Brandenburg' Concerto No. 5 In D Major, BWV 1050: Allegro
  9. Jesu, Joy of Man's Desiring
  10. 'Messiah': Overture
  11. 'Messiah': Comfort ye
  12. 'Messiah': Every Valley
  13. 'Messiah': And The Glory Of The Lord
  14. 'Messiah': Glory To God
  15. 'Messiah': Hallelujah!
  16. 'Messiah': And The Trumpet Shall Sound

Tracks:

  1. 'Water Music' Suite: Overture
  2. 'Water Music' Suite: Adagio
  3. 'Water Music' Suite: Allegro; Andante; Allegro
  4. 'Water Music' Suite: Minuet
  5. 'Water Music' Suite: Air
  6. 'Water Music' Suite: Minuet
  7. 'Water Music' Suite: Bourree
  8. 'Water Music' Suite: Hornpipe
  9. 'Water Music' Suite: Allegro moderato
  10. Royal Fireworks Music: Overture
  11. Royal Fireworks Music: Bourree
  12. Royal Fireworks Music: 'The Peace:' Largo alla Sicillana
  13. Royal Fireworks Music: La Rejouissance: Allegro
  14. Royal Fireworks Music: Minuet
  15. Royal Fireworks Music: Minuet
  16. Rondeau
  17. Tune In D major
  18. Arioso for Brass
  19. Allegro for Brass
  20. Prelude And Fugue In C Major, BWV 846
  21. Sleepers, Wake

Tracks:

  1. Trumpet Voluntary
  2. Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture
  3. Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau
  4. Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande
  5. Orchestral Suite No. 2 in B minor, BWV 1067: Bourree
  6. Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise: Lentement
  7. Orchestral Suite No. 2 in B minor, BWV 1067: Menuet
  8. Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie
  9. Orchestral Suite No. 1 In C Major, BWV 1066: Ouverture (Grave; Allegro)
  10. Orchestral Suite No. 1 In C Major, BWV 1066: Courante
  11. Orchestral Suite No. 1 In C Major, BWV 1066: Gavotte
  12. Orchestral Suite No. 1 In C Major, BWV 1066: Forlane
  13. Orchestral Suite No. 1 In C Major, BWV 1066: Menuet
  14. Orchestral Suite No. 1 In C Major, BWV 1066: Bourree
  15. Orchestral Suite No. 1 In C Major, BWV 1066: Passepied
  16. Air For The 'G' String
  17. Symphony from 'The Fairy Queen' Act Four: Allegro marziale
  18. Symphony from 'The Fairy Queen' Act Four: Canzona
  19. Symphony from 'The Fairy Queen' Act Four: Largo
  20. Symphony from 'The Fairy Queen' Act Four: Allegro maestoso
  21. Symphony from 'The Fairy Queen' Act Four: Adagio
  22. Symphony from 'The Fairy Queen' Act Four: Allegro maestoso
  23. 'A Hero's Music': La Vaillance
  24. 'A Hero's Music': La Grace
  25. 'A Hero's Music': L'Armenet
  26. Joy To The World

Customer Reviews:

5 out of 5 stars Excellent Baroque collection - everyone should have this!.......2002-06-18

This is a remarkable collection of Baroque music. I've heard a lot of Baroque music and I am very discriminating about performance and sound quality. This set is a winner and a fantastic bargain... Somehow they've managed to choose what is truly "best" from the period (for example I've always felt Bach's Brandenburg Concertos # 2, 3, 5 were the best of the six, while 1,4,6 were relatively weaker - and lo and behold this collection includes 2,3,and 5) while missing very little if anything that "should have" been here (of course a 10 or 12 CD collection would have been even better, but you have to stop somewhere).

The performances here are excellent, and the recording quality is very high. I disagree with the person who claims this isn't "audiophile quality", because I don't think it could get much better unless it were on another medium such as SACD. I didn't particularly notice coughing on Handel's "Messiah" but Messiah fans would likely prefer a complete performance of that particular work anyway (the excerpts from Messiah here are complete pieces, but this set doesn't include the entire 2 hour or whatever Messiah). These do not sound like "outtakes", what kind of a comment is that? Somebody worked very hard to put this collection together, and they did a fantastic job (and I have zero affiliation with this, I just feel the truth as I see it should be told).

Vivaldi's "Four Seasons" is presented in it's entirety (ok, it's not the entire Vivaldi Opus 8, but it is the entire Four Seasons as normally found on any "Four Seasons" CD). There are so many great works here, which a lot of people will recognize even if they didn't know the actual piece or composer (or even that it was from the Baroque era). There's even the Mouret fanfare made famous as the "Masterpiece Theater" theme music. Yes this is a great "introduction" at a great price - which might get people to explore Baroque music further, but it's also a fairly complete collection which will suit a lot of people as such (i.e. for everyone who appreciates most any type of music these works should be "essential", but also the 4 CD collection might be all that a casual listener would "need" from the Baroque era). I feel that most people would be thrilled with this set; about the only way it might have been better would be to include information about each piece and about the Baroque era in general (there is no "text" at all with this set).

2 out of 5 stars Entry level baroque.......2001-01-11

Nice cheap way to get into Baroque music. Unfortunately it's not the best recording you can get but it should be adequate enough for a non-audiophile. I've been unable to bring myself to listening to it again since I noticed that someone coughs in the background (very noticeably) during Handel's Messiah. Wonder if this is an outtakes CD.
J.S. Bach: Brandenburg Concertos Nos. 2, 3, 5 & 6
Average customer rating: 4.5 out of 5 stars
  • Beautiful!
  • Excellent performance by the Amsterdam Trio
  • Overall good quality music.
J.S. Bach: Brandenburg Concertos Nos. 2, 3, 5 & 6

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Vivaldi: The Four Seasons

ASIN: B000003EPU
Release Date: 1990-10-25

Tracks:

  1. Con No.6 in B-Flat, BWV 1051: Allegro Moderato
  2. Con No.6 in B-Flat, BWV 1051: Adagio Ma Non Tanto
  3. Con No.6 in B-Flat, BWV 1051: Allegro
  4. Con No.3 in G, BWV 1048: Allegro
  5. Con No.3 in G, BWV 1048: Adagio
  6. Con No.3 in G, BWV 1048: Allegro
  7. Con No.5 in D, BWV 1050: Allegro
  8. Con No.5 in D, BWV 1050: Affetuoso
  9. Con No.5 in D, BWV 1050: Allegro
  10. Con No.2 in F, BWV 1047: Allegro Moderato
  11. Con No.2 in F, BWV 1047: Andante
  12. Con No.2 in F, BWV 1047: Allegro Assai

Customer Reviews:

5 out of 5 stars Beautiful!.......2003-08-08

If you like Bach - and you like good guitar music - you'll love this CD. The Amsterdam Trio are a very talented group. It's beautiful!

4 out of 5 stars Excellent performance by the Amsterdam Trio.......1999-01-27

The whole CD is well performed. However, the 5th concerto suffers from a balance problem. When the harpsicord plays the other instruments dissapear into the background. This would have easily been a five star recording if that was addressed.

Any serious Bach or Brandenburg enthusiast, or someone desiring a some good night music/background music should have this album in their collection.

4 out of 5 stars Overall good quality music........1998-12-27

All 3 movements of Bradenburg Concerto #6 lends itself very well to rendition with guitar. Listening to it is a pleasure. Movement #1 of concerto #5 is a disappointment. It is a great piece of music but is not well rendered by guitar. The other concertos fall somewhere in between. Overall, I think that this a very good quality CD and is well worth the purchase.
Bach: Brandenburg Concertos Nos. 4, 5, 6
Average customer rating: 5 out of 5 stars
  • The perfect gift
  • Suberb Recording of Masterpiece Brandenburg Concertos
Bach: Brandenburg Concertos Nos. 4, 5, 6

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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  1. Bach: Brandenburg Concertos Nos.1, 2 & 3
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  5. Mozart: The Great Piano Concertos, Vol. 2

ASIN: B0000040VN
Release Date: 1990-10-25

Tracks:

  1. Brandenburg Con No.4 in G, BWV 1049: 1. Allegro - Szeryng/Petri/Selin
  2. Brandenburg Con No.4 in G, BWV 1049: 2. Andante-3. Presto - Szeryng/Petri/Selin
  3. Brandenburg Con No.5 in D, BWV 1050: 1. Allegro - Szeryng/Rampal/Malcolm
  4. Brandenburg Con No.5 in D, BWV 1050: 2. Affettuoso - Szeryng/Rampal/Malcolm
  5. Brandenburg Con No.5 in D, BWV 1050: 3. Allegro - Szeryng/Rampal/Malcolm
  6. Brandenburg Con No.6 in B-flat, BWV 1051: 1. - Shingles/Best/Nesbitt/Sansom/Toll/Vigay
  7. Brandenburg Con No.6 in B-flat, BWV 1051: 2. Adagio, ma non tanto - Shingles/Best/Nesbitt/Sansom/Toll/Vigay
  8. Brandenburg Con No.6 in B-flat, BWV 1051: 3. Allegro - Shingles/Best/Nesbitt/Sansom/Toll/Vigay

Amazon.com

This first-rate set of Brandenburg Concertos (with its companion containing Concertos 1, 2, and 3) offers stylish, mostly modern-instrument performances that remain faithful to the spirit of Bach's scores--recorders are used in No. 4, harpsichord in No. 5, and viols in No. 6--while exploiting the brilliant timbre of 20th century strings. In 1980, Sir Neville Marriner was one of the gods of Baroque and classical period music, and this disc shows why. --David Vernier

Customer Reviews:

5 out of 5 stars The perfect gift.......2006-03-19

I had the record sent as a gift to my daughter who had never heard any of the Brandenburg Concerti--and considered Bach "square." I received an ecstatic long e-mail after she heard this performance. "I'm in love!" she wrote. "I absolutely love this record. I listen to it over and over. It sounds like bells and birds!I didn't understand that Bach's music was like this."

5 out of 5 stars Suberb Recording of Masterpiece Brandenburg Concertos.......2004-01-24

This CD is one of the best recordings I have heard of the Brandenburg Concertos, and I have heard many. Masterful! Sir Neville Marriner has one of the most distinguished careers in classical music, and my experience is that his CD's are almost always an excellent choice.

Also, Brandenburg concerto #3 on the companion CD is just astonishing.
J.S. Bach - Brandenburg Concertos Nos. 4,5,6 & Organ Concerto
Average customer rating: 5 out of 5 stars
  • Sparkling performances of Bach concerto's
J.S. Bach - Brandenburg Concertos Nos. 4,5,6 & Organ Concerto
Johann Sebastian Bach , Roy Goodman , Ton Koopman , and Amsterdam Baroque Orchestra
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005E4V
Release Date: 1996-10-29

Tracks:

  1. Brandenburg Concerto No. 4 - G major - BWV 1049: Allegro
  2. Brandenburg Concerto No. 4 - G major - BWV 1049: Andante
  3. Brandenburg Concerto No. 4 - G major - BWV 1049: Presto
  4. Brandenburg Concerto No. 5 - D major - BWV 1050: Allegro
  5. Brandenburg Concerto No. 5 - D major - BWV 1050: Affettuoso
  6. Brandenburg Concerto No. 5 - D major - BWV 1050: Allegro
  7. Brandenburg Concerto No. 6 - B flat major - BWV 1051: Allegro Moderato
  8. Brandenburg Concerto No. 6 - B flat major - BWV 1051: Adagio Ma Non Tanto
  9. Brandenburg Concerto No. 6 - B flat major - BWV 1051: Allegro
  10. Organ Concerto BWV 1059 - No. 8 - D minor: Sinfonia
  11. Organ Concerto BWV 1059 - No. 8 - D minor: Aria
  12. Organ Concerto BWV 1059 - No. 8 - D minor: Sinfonia: presto

Amazon.com

After about half a dozen years in limbo, Ton Koopman's marvelous 1983 readings with the Amsterdam Baroque Orchestra are back on the shelf at mid-price, though still on two single discs. The accent in these elegant, flowing performances is on variety--in the texture, in the ornamentation, and in matters of phrasing and articulation. The executants' voicing of the counterpoint is quite effective, as is their pointing of rhythm, which underscores the fact that so much of this music comes from the dance. Erato's sound is quite appealing, though the discs have been mastered at a rather high level. --Ted Libbey

Customer Reviews:

5 out of 5 stars Sparkling performances of Bach concerto's.......2000-06-27

When I wanted a CD version of these concerto's I listened to three versions: Koopman, Il Giardino Armonico and Hogwood. All of them have some pro's and cons. Il Giardino gives some crisp performances (particular in concert no. 3). Hogwood is interesting, as he and his band play earlier versions of some concertos, but if you do not already have a CD with these concerts it will not be the most obvious choice. In particular since you miss the lengthy candenza of no. 5.

The overall most satisfying version was for me Koopman and his ABO. His performances are very alive and his continuo playing is imaginative. The soloist, including Koopman himself and other well known baroque specialist, are excellent What made me above all choose this version is the way he performs the cadenza in no. 5, one of the most dramatic accounts I have heard. Here he really leaves behind Il Giardino, as its harpischordist plays the solo rather unfocused.

There are of course other good versions on the market and I have not heard them all, but Koopman is a very good choice and probably for a price the best you can get. The recording sound is excellent.
J.S. Bach: Brandenburg Concertos Nos. 2 & 5; Wedding Cantata
Average customer rating: Not rated
    J.S. Bach: Brandenburg Concertos Nos. 2 & 5; Wedding Cantata

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
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    ASIN: B000EHQ8CI
    Release Date: 2006-03-28
    Bach: The Brandenburg Concertos Nos. 4-6; Orchestral Suite No.4
    Average customer rating: 5 out of 5 stars
    • High marks for Casals' Bach
    • THE VIRILE, RICH-BLOODED BACH!
    • The best recordings I've ever heard of the Brandeburg
    • Authentic recordings
    • refreshingly intimate and musical performances
    Bach: The Brandenburg Concertos Nos. 4-6; Orchestral Suite No.4

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    5. Voice of the Violin

    ASIN: B00000275R
    Release Date: 1990-10-10

    Tracks:

    1. Branden Concerto No. 4 In G Major, BMV 1049: I: Allegro
    2. Brandenburg Concerto No.4 In G Major, BWV 1049: II: Andante
    3. Brandenburg Concerto No.4 In G Major, BWV 1049: III: Presto
    4. Brandenburg Concerto No. 5 In D Major, BMV 1050: I: Allegro
    5. Brandenburg Concerto No.5 In D Major, BWV 1050: II:Affettuoso
    6. Brandenburg Concerto No.5 In D Major, BWV 1050: III: Allegro
    7. Brandenburg Concerto No. 6 In B-Flat Major BMV 1051: I: (Allegro)
    8. Brandenburg Concerto No.6 In B-Flat Major, BWV 1051: II: Adagio ma non tanto
    9. Brandenburg Concerto No.6 In B-Flat Major, BWV 1051: III: Allegro
    10. Orchestral Suite No.4 In D Major, BWV 1069: I: Ouverture
    11. Orchestral Suite No.4 In D Major, BWV 1069: II: Bouree I; Bouree II
    12. Orchestral Suite No.4 In D Major, BWV 1069: III: Gavotte
    13. Orchestral Suite No.4 In D Major, BWV 1069: IV: Menuet I; Menuet II
    14. Orchestral Suite No.4 In D Major, BWV 1069: V: Rejouissance

    Customer Reviews:

    5 out of 5 stars High marks for Casals' Bach.......2005-08-21

    I give Pablo Casals' recordings of Bach's BRANDENBURG CONCERTOS the highest marks - 5 stars - for great playing, sensible tempos, soul and passion. Nothing is overdone, and this is a real antidote to the sanitized, prissy performances of these works so popular today, largely by the period instrument crowd.

    For my thoughts on Casals' Bach, see my review for ORCHESTRAL SUITES 2 and 3 by Casals/Marlboro Festival Orchestra. The same applies here: highest recommendation.

    5 out of 5 stars THE VIRILE, RICH-BLOODED BACH!.......2005-01-31


    J. Sebastian Bach was a very virile, full-blooded man who worked all his life, had two wives, and sired about 20 children. Casals' realizations of Bach's music illustrate Bach's virility and vivacity. Casals conducts the Bach Concerti & Suites as he [Casals] plays the Bach Sonatas: with vim, vigor, and vitality; with rhythm, color, and accent; with dash, esprit, and intellect. In short, these are the very best realizations of the Brandenburgs available--or will ever again be available.

    By the way, in these sessions and at rehearsals, Casals conducted sitting down with his cello on which he illustrated the tempi, accents and inflections he wanted for the orchestra, and used his cello bow as a baton. This is as real as it gets!

    The soloists are wonderful. The recorded sound is bright and clear. The price is incredibly cheap. What are you waiting for?

    5 out of 5 stars The best recordings I've ever heard of the Brandeburg.......2000-03-25

    I love Bach, and I particularly love the Brandeburg Concertos, and I've never heard a recording of them as good as this one. The sound quality is also first rate. Even if you already own a recording of the Brandenburg Concertos you owe it to yourself to buy this one.

    5 out of 5 stars Authentic recordings.......1999-11-06

    Forget about Harnoncourt, Herreveghe, Norrington etc. The Casals recordings are more authentic than any of the recent versions. You don't know your Bach if you haven't listened to these perfomances, conducted by the maybe greatest musicien of the 20th century, Pau Casals.

    5 out of 5 stars refreshingly intimate and musical performances.......1999-06-18

    These recordings were all made at the Marlboro festive in the 1950s. The emphasis at the festival is very much on considered rehearsal and on thinking and talking about the music being played. Only after the performers felt this process to have achieved as much as it was going to is a work performed or recorded. This very much comes through in the recordings here. Every phrase is beautifully played and articulated and the overall impression is of deeply cerebral performances. Serkin's account of the keyboard part in the 5th concerto has incredible poise and lyricism.
    Classics Explained: Brandenburg Concertos 4 & 5
    Average customer rating: 4.5 out of 5 stars
    • Great series
    • Well done, but narrow.
    Classics Explained: Brandenburg Concertos 4 & 5

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    5. Life & Works of Bach

    ASIN: B0000666A9
    Release Date: 2002-07-16

    Tracks:

    1. The Brandenburgs As Concerti Grossi
    2. Introduction: Melody, Theme And Motif; Bach's Opening Gambit
    3. Onwards And Upwards: Motif No.2 And Its Function
    4. The Two Elements Of Motif No.2 And The Effect Of Their Combination
    5. The 'Motto' Rhythm Hidden Even Within The Opening Bar
    6. Motif No.3, Introduced By The Two Recorders, Has A Kind Of 'Hovering' Character; It's Repetition In Rising Sequences
    7. Motif No.3, Repeated For A Second, 'Directed' Listen
    8. Bach Reminds Us Of The Opening
    9. Motif No.4 - A Steadily Rising Derivative Of Motif No.1
    10. Motif No.5, A Lovely, Bouncy, Syncopated Flourish, In Which All The Instruments Join
    11. Opening Ritornello (Complete)
    12. Episode 1 Begins With Virtuoso Entry Of The Solo Violin, Made Up Of Alternating Arpeggios And Rising Scale-Steps
    13. Motif No.3 Returns, Courtesy Of The Recorders, Recently Sidelined By The Violin, Which Now Accompanies, With 'Motto' Motif
    14. Ritonello 2, A Varied Repeat Of Ritornello 1, Arrives After Much Harmonic Movement, This Time In E Minor.
    15. Episode 2, Part 1, Preceded By The 'Fanfare' Motif From Which Its First Them Derives
    16. Episode 2 Continued, With More Bravura Dazzle From The Solo Violin; Key Shifts From A Minor To C Major
    17. Repeat Of Section For Purposes Of Hearing The Harmonic Movement
    18. Ritornello 3, With The Prominent Participation Of The Soloists
    19. Episode 3 Prove Retrospective, Featuring Transposed Repeats Of Earlier Material
    20. Ritornello 4, Not Altogether What It Might Seem; Solo Violin Takes 'Motto' Motif, Orchestral Violins Take Motif No.4
    21. Episode 4. Cue To Part 1, Focusing On 'Soloistic' Counterpoint Provided By The Continuo
    22. Return To Ritornello 4 To Hear Sources Of Episode 4, Part 2
    23. Episode 4 Continued, With Emphasis Placed On Conversational Interchanges Between Orchestral Violins And The Recorders
    24. Return To Opening Ritornello In Order To Enhance Awareness Of The Contrast Between G Major And B Minor
    25. Ritornello 5, Beginning
    26. Ritornello 5 Continued, With Emphasis On The Determined Banishment Of B Minor
    27. Cue To Complete Performance Of First Movement
    28. First Movement (Complete)
    29. Introduction: Rhythmic Motif Provides Basis For Whole Movement; The Kernel From Which Much Of The Movement Derives
    30. The Melody Not Much To Write Home About; Nor Is The Meek 'Answer' Offered By The Soloists
    31. Putting The Two Together, Thereby Establishing A Relationship
    32. Contrast And Syncopation - Their Relationship In Opening Section
    33. Listening From The 'Bottom Up'
    34. The Intertwining And Alteration Of Solo And Orchestra; The Irregularity Of Metrical Groupings
    35. The Next Orchestral Phrase; Slowing The Pace But Not The Tempo
    36. The First Section (Complete)
    37. The Next Section; Foreground Symmetry And Background Variety
    38. The Central Section's Groupings Are Hugely Asymmetrical
    39. Cue To Second Movement As A Whole
    40. Second Movement (Complete)
    41. Introduction To The Third Movement...
    42. Fugue Subject
    43. First Counter-Subject
    44. Second Counter-Subject
    45. Bass Entry Of The Subject
    46. Exposition (Complete)
    47. First Episode; The Us Of Fragmentary Derivatives
    48. The Difference A Detail Can Make!
    49. Harmonic Rhythm Defined; Back To The Beginning To Find The Seed...
    50. ...And Now The Blossom
    51. The First Solo Episode; A Confusion Of Terms; Onwards, To The Introduction Of The Solo Episode, Then To The Episode Itself
    52. Ritornello 2 Complete
    53. Solo Episode 2 Dominated by Thrilling Virtuosity From The Solo Violin
    54. Ritornello 3: Highly Contrapuntal And Dominated By Subject-Derivatives, With Much Harmonic Fluidity
    55. Ritornello 3 Continues: Engine Of Harmonic Motion Repeated At Higher Pitch
    56. More On Ritornello 3: The Use Of Long, Sustained, Slightly Syncopated Notes In Upper Strings And Recorders
    57. Ritornello 3 (Complete)
    58. Solo Episode 3 - Less Solo Than Earlier Ones, What With (Albeit Very Discreet) Orchestral Accompaniment
    59. The Two Recorders Converse In Canon, Accompanied For Six Exhilarating Bars By Cello 'Continuo'
    60. Finishing Solo Exposition 3: Orchestral Cellos Introduce What Sounds Like It's Going To Be The Complete Fugue Subject But Isn't
    61. Approaching The Final Ritornello; Stretto Explained
    62. Cue To Final Ritornello, Noting Tension-Building 'Pedal Point' In Cellos And Double Bass
    63. Coda - The 'Tail-Piece', With Its Surprising 'Hammer Strokes'
    64. Cue To Third Movement
    65. Third Movement (Complete)

    Tracks:

    1. Opening Music; Analysis And Phony Analysis; Shaw Quote; Music: Motif No.1
    2. Music, Energy And Relationship
    3. The Outlines Of A Melody Emerge
    4. The Opening Bar Again
    5. Motif No.2: Ta/Dee-Ya, Dee-Ya, Dee-Ya
    6. Motif No.3, And An Important Feature Of Its Rhythm
    7. Beethoven Fifth Symphony (Opening)
    8. Motif No.4
    9. Motif No.5
    10. Motif No.6
    11. Episode 1: A 'Love Duet'
    12. Episode 1 Continued; Violin And Flute Reverse Direction Of Their Theme; The 'Love Song' Motif Answered
    13. 'False' Ritornello; Soloists Interrupt; Rising 'Sighing' Motif; Harpsichord Continues Downwards
    14. Four Things Going On At Once, In Violin, Flute, Harpsichord Right Hand, Harpsichord Left Hand
    15. The Orchestra Returns, Picking Up At Exactly The Spot Where It Was Interrupted
    16. The Harpsichord Intervenes With Derivative Of Motif 4; Key Shifts From A Major To B Minor
    17. The Orchestra Returns To Foreground And Brings This Section To An End
    18. Harpsichord Emerges As Virtuoso; A Series Of Expectations Are Frustrated
    19. A Backwards Look; Blurred Distinctions Between Soloists And Orchestra; 'Mozartian' Development
    20. Out Of The Twilight Zone; A Sequence Of Surprises
    21. The Epoch-Making Harpsichord Cadenza And The Final Ritornello
    22. Cue To First Movement
    23. First Movement (Complete)
    24. Introduction; The Opening Ritornello
    25. The First Bar; The First Main Building Block
    26. The Flute Motif
    27. Opening Of The First Solo Episode
    28. An Important Motif; The Second Main Building Block
    29. The Second Main Theme
    30. Ritornello 2; Violin And Flute As 'Orchestra'
    31. Episode 2; Inversion Of Original Motifs
    32. More On Episode 2
    33. Episode 1 And Episode 2 Compared
    34. Episode 2; Key Shifts From D Major To F Sharp Minor
    35. Ritornello 3: An Exact Transposition Of Ritornello 1
    36. Episode 3 Contrasted With Episode 1
    37. Episode 3 Described In Detail
    38. Rotornello 4; Second Main Theme's First Appearance In A Ritornello
    39. Episode 4: Dominated By Inversions
    40. Cue To Second Movement
    41. Second Movement (Complete)
    42. Introduction: Ritornello 1
    43. The Fugue Subject: Close Juxtaposition Of Contrasting Elements
    44. Flute Takes The 'Answer', With Countersubject In The Violin
    45. Contrary Motion As A Contrapuntal Device
    46. Contrary Motion As A Listening Aid; A New Theme
    47. Playing With The Counter-Subject; A Musical Game Of Tag
    48. Hidden Rhythms: Background Variety Behind Foreground Uniformity
    49. Fugal Writing And The Compatibility Of Parts; The Exposition
    50. Episode 1, Taken By Soloists, Contains Importand 'Seeds'
    51. The Orchestra Enters At Last, But By Stealth
    52. Stretto And Musical Football
    53. Key Changes To B Minor, Introducing Extensive Middle Section
    54. The Middle Section A Precursor Of The Mozartian 'Development'
    55. The Fugue Subject Out In Force: First Four Immediately Consecutive Entries Yet
    56. Ambiguity Of Mode And A Scottish Twist
    57. Middle Section Continued; Harpsichord Dominates
    58. Cue To Last Movement
    59. Last Movement (Complete)

    Customer Reviews:

    5 out of 5 stars Great series.......2006-06-13

    I own a couple of these Naxos "classics explained" series, and I really enjoy them. They really go in-depth -- it's basically a bar-by-bar analysis of the piece. The booklet that accompanies the CD's is also very worthwhile.

    One piece of advice: if you are going to listen to these tapes, I highly recommend that you also get a copy of the full score. Most scores (including the Brandenburgs) are now available for free on the internet. It's a lot easier to understand the CD's if you're also following along in the score.

    4 out of 5 stars Well done, but narrow........2005-02-22

    This Introduction to Bach involves a close analysis of each movement of Brandenburgs 4 and 5 using brief selections from the movements, followed by listening to the complete movement. The analysis is almost entirely a matter of narrating the events of each movement. I found the analysis helpful in pointing out what to listen for in the music and in recognizing the structure of the movements, but it seemed a bit dry and narrowly focused.

    The lengthy and attractive booklet contains a transcript of the analysis and other chapters about Bach's life, the 18th century, listening to music, etc. I would also recommend the Life and Works of Johann Sebastian Bach (ASIN: B0000666A8), also by Naxos, which includes selections from most of Bach's major works and a biography of Bach.

    Well done and a good value.
    Bach: Brandenburg Concertos Nos. 1-6
    Average customer rating: 3 out of 5 stars
    • Inconsistent
    • Skip this one
    • A triumphant passionate recording
    • IT'S A MESS
    • Warm-hearted renditions
    Bach: Brandenburg Concertos Nos. 1-6

    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

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    4. Panorama: Franz Schubert
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    ASIN: B000000UUW
    Release Date: 1995-06-20

    Tracks:

    1. Brandenburg Concerto No. 1 in F, BWV.1046: Allegro
    2. Brandenburg Concerto No. 1 in F, BWV.1046: Adagio
    3. Brandenburg Concerto No. 1 in F, BWV.1046: Allegro
    4. Brandenburg Concerto No. 1 in F, BWV.1046: Menuett I - Trio I - Menuett II - Polonaise - Menuett III - Trio II - Menuett IV
    5. Brandonburg Concerto No. 2 In F, BWV.1047: Allegro
    6. Brandonburg Concerto No. 2 In F, BWV.1047: Andante
    7. Brandonburg Concerto No. 2 In F, BWV.1047: Allegro assai
    8. Brandonburg Concerto No. 3 In G, BWV.1048: Allegro
    9. Brandonburg Concerto No. 3 In G, BWV.1048: Adagio
    10. Brandonburg Concerto No. 3 In G, BWV.1048: Allegro

    Tracks:

    1. Concerto No. 4 In G Major, BWV.1049: Allegro
    2. Concerto No. 4 In G Major, BWV.1049: Andante
    3. Concerto No. 4 In G Major, BWV.1049: Presto
    4. Concerto No. 5 In D Major, BWV.1050: Allegro
    5. Concerto No. 5 In D Major: Affettuoso
    6. Concerto No. 5 In D Major: Allegro
    7. Brandenburg Concerto No.6 in B flat . BWV: Allegro
    8. Brandenburg Concerto No.6 in B flat . BWV: Adagio ma non tanto
    9. Brandenburg Concerto No.6 in B flat . BWV: Allegro

    Customer Reviews:

    3 out of 5 stars Inconsistent.......2006-03-16

    Since this recording is only available on the Amazon Marketplace or possibly Ebay, I would not make the effort to purchase it. The performances are very uneven. Nos. 1 and 5 are really dull and the playing is sloppy. The rest are fine and there is real passion in 6 but look elsewhere for a complete set.

    2 out of 5 stars Skip this one.......2002-08-16

    There must be at least 15-20 complete versions of the Brandenburgs currently available and many are far better than this.
    The sound on this 1959 recording is alternately muddy and shrill,and the playing seems half-hearted and flaccid.Even at a low price this set is no bargain.
    There are a slew of fine Brandenburg recordings including the Boston Baroque,Tafelmusik(period instrument),Il Giardino Armonico and Harnoncourt and Leonhardt's period performances.Two of the best bargains are I Musici on a Philips 2 for 1 set and The Orchestra of the Age of Enlightenment on the excellent Virgin Veritas series.

    4 out of 5 stars A triumphant passionate recording.......2001-12-30

    Whatever this 1959 recording is lacking by today's technical standards, it makes up for in sheer passion. Menuhin was an artist capable of bringing his audiences to exuberant joy or inexplicable weeping. This delightful recording is a real bargain at this price!

    2 out of 5 stars IT'S A MESS.......2000-09-15

    The performace seemed sloppy overall. Solos are best described as anemic and tentative. Even the low price doesn't redeem this recording.

    4 out of 5 stars Warm-hearted renditions.......2000-02-01

    For fans of Menhuin, this recording is a must. While there are many delightful recordings of the Brandenburgs, few come as inexpensively as this one (the set by Schwarz on this label is less satisfying), and as satisfying.

    The sound is a little dry, which can seem to over-emphasize slight blemishes in ensemble. However, a small price to pay for joyful performances, with Menhuin's elegant (if sometimes less than perfect) playing. I especially enjoy numbers 1, 2, and 6 on these discs. If you are unfamiliar with these works, these discs make a fine introduction.

    Music Review:

    1. Bach: Orchestral Suites Nos. 2-4
    2. Beethoven: Missa solemnis; Choral Fantasia
    3. Beethoven: Piano Concerto No. 5; Overtures
    4. Beethoven: Piano Sonatas Nos. 1-15
    5. Beethoven: Piano Sonatas Nos. 16-32
    6. Beethoven: String Quartets Nos.14 & 15
    7. Beethoven: String Quartets, Opp.127 & 135
    8. Beethoven: Violin Sonata Nos. 5 & 9
    9. Berlioz: Les nuits d'été, etc
    10. Bernstein: Candide Overture; Fancy Free; Facsimile; On the Town

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