Mozart: Symphony Nos. 38 & 39

Amazon.com
You can tell that Mozart wasn't Karajan's favorite composer, because he only recorded this music in stereo twice, once for DG, and once for EMI (as opposed to four or five times for the composers he really liked). His EMI recordings generally feature more natural recorded sound than his DG efforts, and this allows a bit more detail to be heard in the wind parts, but this still isn't the best choice for this music. Try Böhm, Marriner, Klemperer, Végh, Walter, Szell--there's plenty to choose from. --David Hurwitz

Mozart: Symphony Nos. 38 & 39,Wolfgang Amadeus Mozart,Herbert von Karajan,Berliner Philharmoniker,EMI Records [All429],Classical,Classical Music,Classical Period Symphony,Orchestral & Symphonic,Symphonic

Average customer rating: NONE FINER! Excellent readings of the last six symphonies... Radiant performances! Wonderful Sound Quality and Precision Other than Bruno Walter's

Mozart: Symphonies Nos. 35-41 Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Beethoven: 9 Symphonies Mozart: The Great Piano Concertos, Vol. 1 Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra Mozart: The Great Piano Concertos, Vol. 2 Beethoven: Symphony No. 9 / Karajan, Berlin Philharmonic Orchestra ASIN: B000001GQB Release Date: 1996-01-23

Tracks:

1. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Allegro Con Spirito
2. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': (Andante)
3. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Menuetto - Trio
4. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Finale. Presto
5. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Adagio - Allegro Spiritoso
6. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Andante
7. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Menuetto - Trio
8. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Presto
9. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Adagio - Allegro
10. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Andante
11. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': (Finale.) Presto

Tracks:

1. Symphonie No. 39 Es-dur KV 543: Adagio - Allegro
2. Symphonie No. 39 Es-dur KV 543: Andante Con Moto
3. Symphonie No. 39 Es-dur KV 543: Menuetto. Allegretto - Trio
4. Symphonie No. 39 Es-dur KV 543: Finale. Allegro
5. Symphonie No. 40 g-moll KV 550: Molto Allegro
6. Symphonie No. 40 g-moll KV 550: Andante
7. Symphonie No. 40 g-moll KV 550: Menuetto. Allegretto - Trio
8. Symphonie No. 40 g-moll KV 550: Allegro Assai
9. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Allegro Vivace
10. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Andante Cantabile
11. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Menuetto. Allegretto - Trio
12. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Molto Allegro

Amazon.com essential recording

Karl Bohm was one of this century's great Mozart conductors--a fact that's apt to be forgotten in the flood of authentic instrument productions, many of them on DG's associated labels. He conducted Mozart with real love and affection, maintaining moderate tempos, allowing each work's gorgeous melodies a chance to sing and breathe. Mozart's symphonic music has its roots in the opera house, and so did Bohm. Listening to the witty woodwind interjections in the finale of Symphony No. 39, for example, you can readily imagine the witty exchanges of different characters in one of Mozart's comic operas. These beautifully recorded versions of Mozart's greatest symphonies belong in the collection of every fan of the composer. --David Hurwitz

Customer Reviews:

NONE FINER!.......2007-07-19

In the WHOLE recorded field of Mozart late symphonies, NONE shine like these. Karl Bohm, undoubtedly, ranks supreme as the finest Mozart interpreter of "our" generation. He simply KNEW, and HAD A WAY, with this music that remains unparalleled. And the Berlin, well, they, too, certainly can work their way through these scores like no other ensemble...likely because of the great master leading them here.

I originally had these on LP back in the 60's, and literally wore the set out, replacing it years later. Then, of course, with it's initial release on cd I repurchased it, but found it "shrill" to my ears. This new remastering is simply stunning, and first rate. Thanks DG (or Universal) for your loving care and attention in this re-release mastering.

Simply stated, this set of the final symphonies of Mozart, under Bohm, BELONG in EVERY COLLECTION as a cornerstone. Should you doubt me, please read on among the other reviews here, and be convinced. ~operabruin

Excellent readings of the last six symphonies..........2007-03-09

I was listening to these again last night and I have to say, Bohm knows his Mozart. Then again, so does the Berlin Philharmonic. Bohm always seems to pick the right tempo, never too fast but not too slow either. The perfect example is the opening of the 39th, where Bohm revels in creating a big engulfing sound during the slow introduction; however as soon as the allegro kicks in, tempi and tones have a spring in their step. For me, this is one of the great versions of the 39th, even in spite of a few sloppy moments in the latter movements. He submits an excellent 35th and 36th, again with moderate tempi but wonderfully Mozartean phrasing, somewhat surprising since when Bohm recorded these, "Period Instruments" weren't even a twinkle in Harnoncourt's eye, and "Romantic" readings were all the rage for Mozart. Bohm's steadiness with these interpretations is only matched by his ear for detail; better, say, than Marriner, who is unquestionably steady, but whose readings lack spontenaity, and more consistent than Szell, whose 40th is one of the great readings, but whose 39th falls flat and whose brass/woodwinds can't handle their increased role in the Jupiter symphony.
Considering the age of these recordings (early- to mid-60s), they also sound remarkably clean and clear, and all of the parts can easily be heard; although I would credit Bohm with some of this as he was always excellent at creating space and keeping all of Mozart's many layers exposed to the listener. I have a number of different accounts of Mozart's last six symphonies (Marriner, Bernstein, Karajan, Szell 35, 39-41, Mackerras), but pound for pound, this one is the best. If you still aren't happy with the versions you own, this set may be your stopping point.

Radiant performances!.......2007-02-03

The Symphony No. 41 in C major Kv 551 best known as Jupiter retakes and maintains the most representative epic spirit of Mozart like any one Symphony. It breaths liberty, Dionysian pleasure and that essential rapture so common in the masterpieces. And under Bohm's baton exudates full aristocratic sound.

In spite of the fact it has been recorded so many times, just a few directors have been able to extract and carve in relief the majestic splendor of this K.

On the other hand the version of the 38th Symphony is simply majestic and radiant. Bohm never abuses of excess of elegance and his pristine lyricism may be easily realized.

Karl Bohm was indeed, one of the most representative Ambassadors of the Mozart symphonic repertoire. The Berlin Philharmonic, fortunately still maintained the noble sound inherited from Furtwangler and then Fricsay and that was a decisive fact to his favor.

Wonderful Sound Quality and Precision .......2006-03-24

Precision. That is what comes to my mind when listening to a Karl Bohm interpretation of Mozart. Mozart's final symphonies are ageless masterpieces of music. Anyone can recognize the opening Allegro moto of Symphony No. 40 in G-Minor (one of Mozart's only symphonies in a minor key). Just finding a collection with these wonderful symphonies is a great find.

As to the sound quality, Deutsch Gramophone spent extra time and resources into reissuing these originally analog recordings. It is nice to be able to hear every woodwind in balance and the string sections in their glory. The sound does not seem forced or artificial and the quality is absolutely superb.

These recordings were completed during the height of Bohm's time as a conductor. His interpretations are truly "viennese" in that tempos and structure are very precise and meticulous. Some may think his tempi are slow or plodding, but they offer a very nice interpretation that perhaps was accepted in Mozart's era. The 35th, 39th, and 41st symponies in the set are my favorites.

I would also suggest looking at George Szell's performances with the Cleveland Orchestra, for they offer a different interpretation but are also superb.

Other than Bruno Walter's.......2006-01-21

Columbia SO recordings (NOT with the New York PO) , which are OOP, this Bohm is the one to have, the only one you need actually. As I've heard at least 6 other major conductors, Klemperer , Mackerraas, both Levine's etc etc.
The only 2 I kept are the Walter ,got mine from a used cd dealer in the UK online :-) and the Bohm, complete sym set, which is the way to go for Mozart fans. There's quite a few very good syms in the 1-34.
All that stuff you read about Bohm being a "kapplemiester" (germanic style/cold), old fashioned, tutonic, is very misleading. I hear nothing of the sort and wish these comments would stop.
Though I was forwarned about Bohm being off track in approach with his german orch, I sense there is some anti-german sentiments in these negative comments about Bohm. None of this criticism leveled against Bohm is factual, only a prejudice in their minds.

As to
Details, tempos, instrument quality, sound quality, orch size all are in perfect harmony with Mozart.
. Bohm and the Berlin show forth a understanding of Mozart that none except Walter can rival.
The Klemper/Philharmonia on TESTAMENT, not the EMI release(which are duds) are not too bad, but not in the same category as either Bohm or Walter.
I sat down one day and compred all 3, and concluded the Klemperer were not necessary , for sound issues and also not on par with Bohm's definitive recording.

EDIT: I should mention that i read on a forum recently, he recalled Bohm from his vinyl set that the performances were 'a bit dull". Bohm does not speed read. Any conductor that takes Mozart too fast is doing a disservice to these richly detailed scores. Mozart requires detailed attention, which is what Bohm brings. Yet the life is there, not dull at all.
EDIT on Feb 21/07...
Mackerras' Prague is not in the same league as the Berlin. Many of the soloists in this Berlin use instruments that bring out a chamber flaor, and also Bohm kept the orch smaller than many other orch's. This smaller chamber sound brings more to Mozart than many other recodings I;'ve heard. Even Walter's Columbia is "big sound", yet Walter's does present a "Mozartian" image. Bohm goes even further. Many other like conductors record Mozart with a "Beethovenian" sound. That us large orch/heavy/darker.

Paul Best
Baton Rouge

Average customer rating: A good bargain Great compilation of Mozart! Good collection Retrograde Mozart with undeniable heart Mozart: The Great Late Symphonies

Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41 Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Beethoven: The 9 Symphonies (Collectors Edition) Mozart: The Great Piano Concertos, Vol. 1 Mozart: The Six String Quintets Mozart: The Great Piano Concertos, Vol. 2 Mozart: Violin Concertos ASIN: B0000942LO Release Date: 2003-07-01

Tracks:

1. I. Allegro Con Brio
2. II. Andante
3. III. Menuetto-Trio
4. IV. Allegro
5. I. Allegro Moderato
6. II. Andante
7. III. Menuetto-Trio
8. IV. Allegro Con Spirito
9. I. Adagio-Allegro
10. II. Andante
11. III. Presto

Tracks:

1. I. Allegro Con Spirito
2. II. Andante
3. III. Menuetto-Trio
4. IV. Presto
5. I. Molto Allegro
6. II. Andante
7. III. Menuetto-Trio
8. IV. Presto
9. I. Molto Allegro
10. II. Andante
11. III. Menuetto: Allegretto-Trio
12. IV. Allegro Assai

Tracks:

1. I. Adagio-Allegro
2. II. Andante Cantabile
3. III. Menuetto: Allegretto-Trio
4. IV. Finale: Allegro
5. I. Allegro Vivace
6. II. Andnate Cantabile
7. III. Menuetto: Allegretto-Trio
8. IV. Molto Allegro

Customer Reviews:

A good bargain.......2007-07-11

A bargain set, which whilst quirkily performed (in places), is a never-the-less continually entertaining to re-visit.

Great compilation of Mozart!.......2007-01-12

If you want to get the best of Mozart with a fabulous composer than this cd is the one for you. I am not a music critic, just a biology major who studies well listening to these classics -- they really help keep me focused!! Awsome symphonies at a great price -- what could be better?!?!

Good collection.......2006-12-21

I particularly found Symphonies 25 and 40 to be very nice to listen to. The the rest of them I found to be ok, maybe since I am not a big fan of classical music. I bought this cd because I went to a symphony that played Mozart no. 25 which I enjoyed very much. Hence I decided to try out his other compositions.

Retrograde Mozart with undeniable heart.......2005-12-04

Leonard Bernstein thought that every composer was a romantic because he was. These big, heart-on-sleeve performances of Mozart's great late symphonies use the Vienna Phil. at almost full force--they could slip into the Brahms First without adding personnel. Bernstein lived long enough to theoretically be influenced by the period-instrument movement, but his allegiance never shifted. He belongs with Karajan and Bohm as the last conductors for whom Mozart should sound "important."

At its best, this approach yields romantic depth, perhaps not what Mozart intended but valid in its way. I would rather listen to Bernstein's Mozart symphonies than Karajan's (tending to be slick and glossy, although better than reputed) or Bohm's (brisk and faceless). A new listener should know in advance that the slow movements will be expressively drawn out and the minuets often slow and heavy-footed (these dancers are wearing boots). But Bernstein believes in this music, and he is always genuine. That ocunts for a lot with a composer who used to be played as if he were a porcelain doll and is now too often played as if his divine music were written by a Roccoco computer. Four stars.

Mozart: The Great Late Symphonies.......2004-06-16

What a great album we have here. Leonard Bernstein conducts the later symphonies of Mozart, which are considered to be his most mature and his greatest works for full orchestra. This album is worth the price and a treasure to own for your extensive classical music collection. If you appreciate classical music, you'll truly enjoy this album. Everyone knows that Leonar Bernstein ranks among one of the best conductors of the 20th century, right up there with the great names of Herbert Von Karajan, Bruno Walter, Sir Neville Marriner, all who have held their own when it comes to Mozart's music. Karajan I feel is not quite as good when it comes to Mozart's symphonic works. Bruno Walter and Sir Neville Marriner have long surpassed Karajan in the area of Mozart symphonies. Indeed, if you get the chance be sure to check out symphonies conducted by either Bruno Walter or Sir Neville Marriner. Marriner and the Acadamy Of Saint Martin In The Fields did mostly Mozart and provided the music of the 1984 Milos Forman film Amadeus.

The reason this album is so good is Leonard Bernstein conducting. As a conductor and a musically atuned soul, he seems to really interpret these symphonies perfectly. He gets Mozart. He has captured every note, every vibrato, roulade, flowing lines and bouncy but balanced joy in every allegro movement, such as the first movement of the Prague Symphony No. 38. For contrast, he understood the substance and darkness that seems to be written into the Allegro of the Symphony No. 25. The first movement is meant to sound furious, anguished and complex, and fast in a darker sort of mood. It's one of those rare moments in which Mozart foreshadows the Romantic Era that would begin with Beethoven. Mozart would also do this with the andante of his 21st piano concerto and the opening movement of the Piano Concerto No. 20. The last symphonies 40 and 41, "Haffner" and "Jupiter" are regarded as Mozart's most mature works for the symphony. The orchestra is more panoramic and produces a less lighter texture. The music is a fully developed Mozart in his later years. The Jupiter is his grandest. Its name conjures up the vastness of the planet Jupiter or the majesty of the Roman god Jupiter. Get this album if you're a fan of Mozart and a fan of the conductor Leonard Bernstein who aptly conducted the New York Philharmonic for many years and the Berlin Philharmonic towards the end of his life.

Average customer rating: Great symphonies and a great recording A Prague unlike any other A Jupiter unlike any other

Mozart: Symphonies Nos. 38 "Prague" & 41 "Jupiter" Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Schumann: Symphonies Nos. 2 & 4 (The Mahler Arrangements) Beethoven: Piano Concertos Nos. 1 & 3 Janine Jansen: Concertos & Romance Mahler: Symphony No. 3 Mozart: La Clemenza di Tito ASIN: B000L421NY Release Date: 2007-03-20

Tracks:

1. I. Adagio - Allegro
2. II. Andante
3. III. Finale. Presto
4. I. Allegro Vivace
5. II. Andante Cantabile
6. III. Menuetto. Allegretto - Trio
7. IV. Molto Allegro

Amazon.com

These lively, vital performances of two of Mozart's greatest symphonies are exquisitely detailed, quick, and filled with dark-light contrasts despite the small size (35 piece) of the Freiburger Barockorchester. Because the recording is so clear and the playing so crisp, we never get the feeling that Jacobs has "miniaturized" these works; indeed, the brass and drums sound out with particular triumph and brilliance, offering a truly grand sound. He approaches these late works the way he does the operas, with drama and as if a dialogue were taking place at all times. Aficianados will note some small embellishments here and there - in the winds particularly - and they are most welcome. The fugue at the close of the Jupiter is crystal clear and dizzyingly entertaining, just as it should be, and it's impossible to tune out at any point during these performances. Those who know these two works will hear brand new sonorities and subtleties and newcomers will be dazzled by their verve. Just remarkable, in every way. --Robert Levine

Customer Reviews:

Great symphonies and a great recording.......2007-06-07

This particular album was recommended by a newspaper reviewer, and he was right - this is a truly wonderful recording of two of the finest Mozart symphonies, the Prague and Jupiter.

A Prague unlike any other.......2007-05-01

The first movement of the Prague is 150% perfect, the second movement is 200% perfect, the third movement is 250% perfect. It just gets better and better. More and more exciting. This performance is unbelievably good, amazing, spectacular. I'll continue listening to this recording back-to-back day-after-day for awhile.

Now, for the Jupiter, it's less clean and less colorful and less imaginative than the Prague -- at least to my ears. It's a very lively and lovely performance/recording, definitely, absolutely. But it's lacking something, I find. It's very exciting, for sure.

i worship Rene Jacobs (as a conductor)... i love marc minkowski's recent mozart symphonies disc, which has my favorite gminor symphony (#40), but i found his jupiter missing a little something as well (though i like it more than jacobs)... this disc, Rene Jacobs, definitely has my favorite Prague.

my favorite Jupiter, hmm, probably Giulini/Berlin on DG -- a VERY hard to find disc.

A Jupiter unlike any other.......2007-04-12

The idiosyncratic style of Jacobs' Mozart opera series carries over into the Prague symphony with great effect, giving a wholly operatic reading of this great symphony that is in a league of its own. With the Jupiter, however, Jacobs takes us into the world of Schubert, specifically the 3rd and 6th symphonies. This is a Mozart less promethean than one who can dance and set us to dancing with him. An absolutely incredible reading that should be heard by any lover of Mozart, whether that love be with the Mozart of Bohm, Klemperer, Walter, Kertesz or the Mozart of Jane Glover, Hogwood, or Jap ter Linden. An absolute must.

Average customer rating: Pure Chemistry! Symphonic opera good alternative Great Music Mackerras never disappoints

Mozart: Symphonies Nos. 36 & 38 Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Mozart: Symphonies No.25, No.28 & No.29 Mozart: Symphonies Nos. 40 & 41 Mozart: Symphony No. 32; Symphony No. 35; Symphony No. 39 Mozart: Symphonies Nos. 31, 33, 34 Mozart: Symphonies 24, 26, 27, & 30 ASIN: B000003CUE Release Date: 2003-04-22

Tracks:

1. I. Adagio/Allegro Spiritoso
2. II. Poco Adagio
3. III. Menuetto: Trio
4. IV. Finale: Presto
5. I. Adagio/Allegro
6. II. Andante
7. III. (Finale) Presto

Amazon.com

Mozart's 36th and 38th symphonies are both named after the cities in which they were first performed: Linz and Prague, respectively. It's wholly appropriate, then, to have the Prague Chamber Orchestra in No. 38, although the truth is they do No. 36 just as well, of course. These effervescent performances offer a refreshing view of both works, and Telarc's sound is superb. Lovely. --David Hurwitz

Customer Reviews:

Pure Chemistry!.......2007-03-09

These are without a doubt the most envigorating and faithful interpretations of these two Mozart symphonies I've heard. It's hard to describe, but Sir Charles Mackerras and the Prague Orchestra share something intangible on this disc, a remarkable musical chemistry that you will only believe if you hear it! As with the other recordings in this Mozart cycle, the tempos may be faster than in other versions, but it just sounds so right and they are played with so much conviction. I highly recommend this disc to anyone who treasures Mozart and/or classical music in general.

Symphonic opera.......2004-12-14

I've heard several other versions of these two symphonies, and this CD still contains my favorite interpretations of both. Mozart wrote the "Prague" symphony for the city that loved his operas, and the spirit of opera buffa permeates both these works. This recording is not for those who like their Mozart to be polite--if anything, the spirit of these interpretations borders on raucousness. Yet it's welcome raucousness, as Mackerras displays his usual meticulous attention to detail, and the Prague Chamber Orchestra plays with an almost reverent precision (which stands to reason, since one of these symphonies is theirs in spirit and in name). Expect flowing, lyrical andantes (the slow movement of the Prague features some of the most tender playing I've yet heard from this orchestra and conductor), a spirited Linz minuet, and hearty, thrilling outer movements. By the end of the Linz symphony, you'll be grinning; by the end of the Prague, you'll be smiling from ear to ear. These two symphonies were obviously intended to be fun (albeit perfectly constructed, brilliantly inventive fun), and it's nice to have a recording that conveys that feeling. It'll be hard to go back to your old recordings once you've heard this one. Play it loud!

good alternative.......2004-08-27

mackerras is a good alternative to the big band readings of bohm, walter, etc. the prague orchestra plays with light, chamber orchestra-like textures that work well for mozart. as expected, the tempos are brisk and the music - especially the outer movements - is exciting. but the thing that surprised me was the slow movements. i've always found mozart's slow movements to be a little dull, but this disc opened my eyes to their beauty. maybe it was the faster tempos that did it. a good disc. highly recommended.

Great Music.......2003-06-10

This is one of the best CD of Mozart music I've ever heard. It is amazing how well the music was performed. Also, the music itself is great.

This is a must for everyone.

Mackerras never disappoints.......2000-01-14

I agree with the unidentified music fan below in his rave for this recording, particularly his comments about the Prague, which is the recording that first drew me to Mackerras' Mozart symphonies. The first movement of the Linz *is* slower than you might expect, given Mackerras' break neck tempi elsewhere (e.g., the last mvt of the Linz and the first of the Prague), but I wouldn't say the tempo is problematic in the least. In fact, the adagio introduction is a little on the quick side, while the subsequent allegro seems well-paced.

Mackerras' interpretations are crisp and contrapuntally clear; tempi are in general brisk -- in short everything you'd expect from a "period instrument" recording, except without the period instruments. Those who like "historically informed performance" (HIP) recordings will appreciate this and will not miss the authentic instruments. The bonus, and what makes these recordings rise above the burgeoning number of HIP Mozart recordings, is Mackerras' attention to phrasing and articulation.

A couple of examples: conductors seem to traditionally shy away from Mozart's sforzandi (e.g., Walter's recordings), perhaps thinking them too kitchy. Mackerras' and the Prague CO's sforzandi are always present, clear and expertly articulated. Also, Mackerras' clarity brings out details that are sometimes lacking in other recordings, like the moment in the Prague, in the minor inflected version of the second theme of mvmt 1 where the two bassoon answer the strings. The bassoons ring out clearly and are balanced with the rest of the orchestra such that they become almost soloists. Listen to Walter, Horenstein, Karajan, Bohm, even Hogwood -- all seem to consider this crucial moment to be "background", and the bassoons are balanced accordingly softly. But there are many other examples -- in every bar there seems to be a surprise.

Note that Mackerras' always observes the exposition repeat, where Mozart indicated one (there is none, e.g., in the Haffner), but he often repeats the 2nd half also (development through coda)! In this volume, this happens, e.g., in the last mvmt of the Linz and the first of the Prague. I like this, but it may not be to everyone's taste. I don't know what the scholarly rationale for this is, but I suppose there must be one. In the end, I don't care, though, because it seems to suit the music and to be so *right*.

The notes (can't remember if it's the notes to this volume or another volume in the set) claim a tradition in Prague of Mozart interpretation inherited in an unbroken line from Mozart's time in that city. I don't know whether this is true, but the Prague players seem to have Mozart's number, and this is some of the most memorable, natural, easy-flowing Mozart performance you will ever hear. Much of the praise I heap on this volume applies to the entire set, BTW. Apologies for being long-winded!

Average customer rating: The original, original instrument take The most complete set of Mozart symphonies ever recorded Indispensable Ok, but.... A milestone set, and worthy of all praise

Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood Wolfgang Amadeus Mozart , The Academy of Ancient Music , Christopher Hogwood , and Jaap Schroder Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Hogwood, Christopher | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Beethoven - The Symphonies / Augér, Robbin, Rolfe Johnson, Reinhart, AAM, Hogwood Mozart - Requiem / Kirkby · Watkinson · Rolfe Johnson · D. Thomas · AAM · Hogwood Mozart: The Piano Concertos Mozart - Clarinet Concerto & Oboe Concerto / Pay, Piguet, AAM, Hogwood Bach: Concertos ASIN: B000004CYS Release Date: 1997-06-24

Tracks:

1. Symphony No. 1 In E Flat Major, K.16: I. Allegro molto
2. Symphony No. 1 In E Flat Major, K.16: II. Andante
3. Symphony No. 1 In E Flat Major, K.16: III. Presto
4. Symphony No. 4 In D Major, K.19: I. Allegro
5. Symphony No. 4 In D Major, K.19: II. Andante
6. Symphony No. 4 In D Major, K.19: III. Presto
7. Symphony In F Major, K.19a-Anh.223: I. Allegro assai
8. Symphony In F Major, K.19a-Anh.223: II. Andante
9. Symphony In F Major, K.19a-Anh.223: III. Presto
10. Symphony No. 5 In B Flat Major, K.22: I. Allegro
11. Symphony No. 5 In B Flat Major, K.22: II. Andante
12. Symphony No. 5 In B Flat Major, K.22: III. Allegro molto
13. Symphony In D Major, K.32: I. Molto allegro
14. Symphony In D Major, K.32: II. Andante
15. Symphony In D Major, K.32: III. Menuetto & Trio
16. Symphony In D Major, K.32: IV. Finale
17. Symphony In D Major, K.81-K.783l: I. Allegro
18. Symphony In D Major, K.81-K.783l: II. Andante
19. Symphony In D Major, K.81-K.783l: III. Allegro molto
20. Symphony In D Major, K.97-K73m: I. Allegro
21. Symphony In D Major, K.97-K73m: II. Andante
22. Symphony In D Major, K.97-K73m: III. Menuetto & Trio
23. Symphony In D Major, K.97-K73m: IV. Presto

Tracks:

1. Symphony In D Major, K.95-K73n: I. Allegro
2. Symphony In D Major, K.95-K73n: II. Andante
3. Symphony In D Major, K.95-K73n: III. Menuetto & Trio
4. IV. Presto
5. Symphony No. 11 In D Major, K.84-K73q: I. Allegro
6. Symphony No. 11 In D Major, K.84-K73q: II. Andante
7. III. Allegro
8. Symphony No. 10 In G Major, K.74: I. Allegro - Andante
9. Symphony No. 10 In G Major, K.74: II. Rondo (Allegro)
10. Symphony In D Major, K.87-K74a: I. Allegro
11. Symphony In D Major, K.87-K74a: II. Andante grazioso
12. Symphony In D Major, K.87-K74a: III. Presto
13. Symphony In D Major, K.120-K.111-111a: I. Allegro assai
14. Symphony In D Major, K.120-K.111-111a: II. Andante grazioso
15. Symphony In D Major, K.120-K.111-111a: III. Presto
16. Symphony In C Major, K.96-K.111b: I. Allegro
17. Symphony In C Major, K.96-K.111b: II. Andante
18. Symphony In C Major, K.96-K.111b: III. Menuetto & Trio
19. Symphony In C Major, K.96-K.111b: IV. Allegro molto
20. Symphony No. 13 In F Major, K.112: I. Allegro
21. Symphony No. 13 In F Major, K.112: II. Andante
22. Symphony No. 13 In F Major, K.112: III. Menuetto & Trio
23. Symphony No. 13 In F Major, K.112: IV. Allegro molto

Tracks:

1. Symphony In C Major, K.35: Sinfonia: Allegro
2. Symphony In D Major, K.38: Intrada: Allegro
3. Symphony In D Major, K.200-K62a: I. Serenata: Allegro
4. Symphony In D Major, K.200-K62a: II. Menuetto &Trio
5. Symphony In D Major, K.200-K62a: III. Andante
6. Symphony In D Major, K.200-K62a: IV. Menuetto & Trio
7. Symphony In D Major, K.200-K62a: V. Allegro
8. Symphony No. 9 In C Major, K.73: I. Allegro
9. Symphony No. 9 In C Major, K.73: II. Andante
10. Symphony No. 9 In C Major, K.73: III. Menuetto & Trio
11. Symphony No. 9 In C Major, K.73: IV. Allegro molto
12. Symphony In D Minor, K.118-K74c: Overture: Allegro - Andante - Presto
13. Symphony In F Major, K.75: I. Allegro
14. Symphony In F Major, K.75: II. Menuetto & Trio
15. Symphony In F Major, K.75: III. Andantino
16. Symphony In F Major, K.75: IV. Allegro
17. Symphony No. 12 In G Major, K.110-K75b: I. Allegro
18. Symphony No. 12 In G Major, K.110-K75b: II. Andante
19. Symphony No. 12 In G Major, K.110-K75b: III. Menueto & Trio
20. Symphony No. 12 In G Major, K.110-K75b: IV. Allegro

Tracks:

1. Symphony No. 14 In A Major, K.114: I. Allegro moderato
2. Symphony No. 14 In A Major, K.114: II. Andante
3. Symphony No. 14 In A Major, K.114: III. Menuetto & Trio
4. Symphony No. 14 In A Major, K.114: IV. Molto allegro
5. Symphony No. 14 In A Major, K.114: V. Anhang: Menuett K.61g
6. Symphony No. 15 In G Major, K.124: I. Allegro
7. Symphony No. 15 In G Major, K.124: II. Andante
8. Symphony No. 15 In G Major, K.124: III. Menuetto & Trio
9. Symphony No. 15 In G Major, K.124: IV. Presto
10. Symphony No. 16 In C Major, K.128: I. Allegro maestoso
11. Symphony No. 16 In C Major, K.128: II. Andante grazioso
12. Symphony No. 16 In C Major, K.128: III. Allegro
13. Symphony No. 17 In G Major, K.129: I. Allegro
14. Symphony No. 17 In G Major, K.129: II. Andante
15. Symphony No. 17 In G Major, K.129: III. Allegro

Tracks:

1. Symphony No. 18 In F Major, K.130: I. Allegro
2. Symphony No. 18 In F Major, K.130: II. Andantino grazioso
3. Symphony No. 18 In F Major, K.130: III. Menuetto & Trio
4. Symphony No. 18 In F Major, K.130: IV. Molto allegro
5. Symphony No. 19 In E Flat Major, K.132: I. Allegro
6. Symphony No. 19 In E Flat Major, K.132: II. Andante
7. Symphony No. 19 In E Flat Major, K.132: III. Menuetto & Trio
8. Symphony No. 19 In E Flat Major, K.132: IV. Allegro
9. Symphony No. 19 In E Flat Major, K.132: Anhang: Andantino grazioso (substitute slow movement)
10. Symphony In D Major, K.185-K167a: I. Allegro assai
11. Symphony In D Major, K.185-K167a: II. Andante grazioso
12. Symphony In D Major, K.185-K.167a: III. Menuetto & Trio
13. Symphony In D Major, K.185-K167a: IV. Adagio - Allegro assai

Tracks:

1. Symphony No. 20 In D Major, K 133: I. Allegro
2. Symphony No. 20 In D Major, K 133: II. Andante
3. Symphony No. 20 In D Major, K 133: III. Menuetto And Trio
4. Symphony No. 20 In D Major, K 133: IV. Allegro
5. Symphony No. 21 In A Major, K 134: I. Allegro
6. Symphony No. 21 In A Major, K 134: II. Andante
7. Symphony No. 21 In A Major, K 134: III. Menuetto And Trio
8. Symphony No. 21 In A Major, K 134: IV. Allegro
9. Symphony In D Major, K 135: I. Molto allegro
10. Symphony In D Major, K 135: II. Andante
11. Symphony In D Major, K 135: III. Molto allegro
12. Symphony In D Major, K 161 - K 163 - K 141a: I. Allegro moderato
13. Symphony In D Major, K 161 - K 163 - K 141a: II. Andante
14. Symphony In D Major, K 161 - K 163 - K141a: III. Presto

Tracks:

1. Symphony No. 26 In E Flat Major, K 184 , K 161a: Molto presto - Andante - Allegro
2. Symphony No. 27 In G Major, K 199 , K 161b: I. Allegro
3. Symphony No. 27 In G Major, K 199 , K 161b: II. Andantino grazioso
4. Symphony No. 27 In G Major, K 199 , K 161b: III. Presto
5. Symphony No. 22 In C Major, K 162: I. Allegro assai
6. Symphony No. 22 In C Major, K 162: II. Andantino grazioso
7. Presto assai
8. Symphony In D Major, K 181, K 162b: I. Allegro spiritoso
9. Symphony In D Major, K 181, K 162b: II. Andantino grazioso
10. Symphony No. 24 In B Flat Major, K 181, K 162b: III. Presto assai
11. Symphony No. 24 In B Flat Major, K 182, K 173dA: I. Allegro spiritoso
12. Symphony No. 24 In B Flat Major, K 182, K 173dA: II. Andantino grazioso
13. Symphony No. 24 In B Flat Major, K 182, K 173dA: III. Allegro

Tracks:

1. Symphony No. 25 In G Minor, K 183, K 173dB: I. Allegro con brio
2. Symphony No. 25 In G Minor, K 183, K 173dB: II. Andante
3. Symphony No. 25 In G Minor, K 183, K 173dB: III. Menuetto And Trio
4. Symphony No. 25 In G Minor, K 183, K 173 dB: IV. Allegro
5. Symphony No. 29 In A Major, K 201, K 186a: I. Allegro moderato
6. Symphony No. 29 In A Major, K 201, K 186a: II. Andante
7. Symphony No. 29 In A Major, K 201, K 186a: III. Menuetto And Trio
8. Symphony No. 29 In A Major, K 201, K 186a: IV. Allegro con spirito

Tracks:

1. Symphony No. 30 In D Major, K 202 , K 186b: I. Molto allegro
2. Symphony No. 30 In D Major, K 202, K 186b: II. Andantino con moto
3. Symphony No. 30 In D Major, K 202, K 186b: III. Menuetto And Trio
4. Symphony No. 30 In D Major, K 202, K 186b: IV. Presto
5. Symphony In D Major, K 203, K 189b: I. Andante maetoso - Allegro assai
6. Symphony In D Major, K 203, K 189b: II. Andante
7. Symphony In D Major, K 203, K 189b: III. Menuetto And Trio
8. Symphony In D Major, K 203, K 189b: IV. Prestissimo

Tracks:

1. Symphony No. 28 In C Major, K 200, K 189k: I. Allegro spriritoso
2. Symphony No. 28 In C Major, K 200, K 189k: II. Andante
3. Symphony No. 29 In C Major, K 200, K 189k: III. Menuetto (Allegretto) And Trio
4. Symphony No. 28 In C Major, K 200, K 189k: IV. Presto
5. Symphony In D Major, K 121, K 207a: I. Allego molto
6. Symphony In D Major,K 121, K 207a: II. Andante grazioso
7. Symphony In D Major, K 121, K 207a: III. Allegro
8. Symphony In D Majr, K 204,K 213a: I. Allegro assai
9. Symphony In D Major, K 204, K 213a: II. Andante
10. Symphony In D Major, K 204, K 213a: III. Menuetto And Trio
11. Symphony In D Major, K 204, K 213a: IV. Andantino grazioso - Allegro

Tracks:

1. Symphony In C Major, K 208, K 213c: I. Molto allegro
2. Symphony In C Major, K 208, K 213c: II. Andantino
3. Symphony In C Major, K 208, K 213c: III. Presto assai
4. Symphony In D Jaor, K 250, K 249b (Haffner Serernade): I. Allegro maestoso - Allegro molto
5. Symphony In D Major, K 250, K 248b (Haffner Serenade): II. Menuetto galante And Trio
6. Symphony In D Major, K 250, K 248b (Haffner Serenade): III. Andante
7. Symphony In D Major, K 250, K 248b (Haffner Serenade): IV. Menuetto And 2 Trios
8. Symphony In D Major, K 250, K 248b (Haffner Serenade): V. Adagio - Allegro assai
9. Symphony No. 32 In G Major, K 318: I. Allegro spiritoso
10. Symphony No. 32 In G Major, K 318: II. Andante
11. Symphony No. 32 In G Majaor, K 318: III. Tempo primo

Tracks:

1. Symphony No. 33 In B Flat Major, K 319: I. Allegro assai
2. Symphony No. 33 In B Flat Major, K 319: II. Andante moderato
3. Symphony No. 33 In B Flat Major, K 319: III. Menuetto And Trio
4. Symphony No. 33 In B Flat Major, K 319: IV. Allegro assai
5. Symphony In D Major, K 320 (Posthorn Serenade): I. Adagio maestoso - Allegro con spirito
6. Symphony In D Major, K 320 (Posthorn Serenade): II. Andantino
7. Symphony In D Major, K 320 (Posthorn Serenade): III. Presto
8. Symphony No. 34 In C Major, K 338: I. Allegro vivace
9. Symphony No. 34 In C Major, K 338: II. Andante di molto piu tosto allegretto
10. Symphony No. 34 In C Major, K 338: III. Allegro vivace

Tracks:

1. March In D Major, K 408, No. 2, K 385a
2. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: I. Allegro con spirito
3. Symphony No. 25 In D Major, 'Haffner' (First Version), K 385: II. Andante
4. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: III. Menuetto And Trio
5. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: IV. Presto
6. Symphony No. 36 In Major, 'Linz', K 425: I. Adagio - Allegro spiritoso
7. Symphony No. 36 In C Major, 'Linz', K 425: II. Andante
8. Symphony No. 36 In C Major, 'Linz', K425: III. Menuetto And Trio
9. Symphony No. 36 In C Major, 'Linz', K 425: IV. Presto

Tracks:

1. Symphony No. 31In D Major, 'Paris' (First Version), K 297, K 300a: I. Allegro vivace
2. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: II. Andante
3. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: III. Allegro
4. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: I. Allegro con spirito
5. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: II. (Andante)
6. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: III. Menuetto And Trio
7. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: IV. Finale (Presto)
8. Symphony No. 38 In D Major, 'Prague', K 504: I. Adagio - Allegro
9. Symphony No. 38 In D Major, 'Prague', K 504: II. Andante
10. Symphony No. 38 In D Major, 'Prague', K504: III. Presto

Tracks:

1. Symphony No. 39 In E Flat Major, K 543: I. Adagio - Allegro
2. Symphony No. 39 In E Flat Major, K 543: II. Andante con moto
3. Symphony No. 39 In E Flat Major, K 543: III. Menuetto And Trio (Allegretto)
4. Symphony No. 39 In E Flat Major, K 543: IV. Finale (Allegro)
5. Symphony No. 40 In G Minor (First Version), K 550: I. Molto allegro
6. Symphony No. 40 In G Minor (First Version), K 550: II. Andante
7. Symphony No. 40 In G Minor (First Version), K 550: III. Menuetto And Trio (Allegretto)
8. Symphony No. 40 In G Minor (First Version), K 550: IV. Allegro assai

Tracks:

1. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: I. Allegro assai
2. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: II. Andante
3. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: III. Allegro
4. Symphony No. 41 In C Major, 'Jupiter', K 551: I. Allegro vivace
5. Symphony No. 41 In C Major, 'Jupiter', K 551: II. Andante cantabile
6. Symphony No. 41 In C Major, 'Jupiter', K 551: III. Menuetto And Trio (Allegretto)
7. Symphony No. 41 In C Major, 'Jupiter', K 551: IV. Molto allegro

Tracks:

1. Symphony In A Minor, 'Odense', K 16a, Anh. 220: I. Allegro moderato
2. Symphony In A Minor, 'Odense', K 16a, Anh. 220: II. Andantino
3. Symphony In A Minor, 'Odense', K 16a, Anh. 220: III. Rondo: Allegro moderato
4. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: I. Allegro maestoso
5. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: II. Andante
6. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: III. Molto allegro
7. Symphony In F Major, K 76, K 42a: I. Allegro maestoso
8. Symphony In F Major, K 76, K 42a: II. Andante
9. Symphony In F Major, K 76, K 42a: III. Menuetto And Trio
10. Symphony In F Major, K 76, K 42a: IV. Allegro
11. Symphony No. 6 In F Major, K 43: I. Allegro
12. Symphony No. 6 In F Major, K 43: II. Andante
13. Symphony No. 6 In F Major, K 43: III. Menuetto And Trio
14. Symphony No. 6 In F Major, K 43: IV. Allegro

Tracks:

1. Symphony In G Major, 'Neue Lambach': I. Allegro
2. Symphony In G Major, 'Neue Lambach': II. Andante un poco allegretto
3. Symphony In G Major, 'Neue Lambach': III. Menuetto And Trio
4. Symphony In G Major, 'Neue Lambach': IV. Allegro
5. Symphony No. 7 In D Major, K 45: I. Allegro
6. Symphony No. 7 In D Major, K 45: II. Andante
7. Symphony No. 7 In D Major, K 45: III. Menuetto And Trio
8. Symphony No. 7 In D Major, K 45: IV. Finale
9. Symphony In B Flat Major, K 45b, Anh. 214: I. Allegro
10. Symphony In B Flat Major, K 45b, Anh. 214: II. Andante
11. Symphony In B Flat Major, K 45b, Anh. 214: III. Menuetto And Trio
12. Symphony In B Flat Major, K 45b, Anh. 214: IV. Allegro
13. Symphony In D Major, K 51, K 46a: I. Molto allegro
14. Symphony In D Major, K 51, K 46a: II. Andante
15. Symphony In D Major, K 51, K 46a: III. Molto allegro
16. Symphony No. 8 In D Major, K 48: I. Allegro
17. Symphony No. 8 In D Major, K 48: II. Andante
18. Symphony No. 8 In D Major, K 48: III. Menuetto And Trio
19. Symphony No. 8 In D Major, K 48: IV. Allegro

Tracks:

1. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: I. Allegro
2. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: II. Andante
3. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: III. Menuetto And Trio
4. Symphony In B Flat Major, Anh. C11.03, Anh. 215, K 3 - 74g: IV. Allegro molto
5. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: I. Adagio maestoso - Allegro con spirito
6. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: II. Andante sostenuto
7. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: III. Finale (Allegro molto)
8. Symphony No. 40 In G Minor (Second Version), K 550: I. Molto allegro
9. Symphony No. 40 In G Minor (Second Version), K 550: II. Andante
10. Symphony No. 40 In G Minor (Second Version), K 550: III. Menuetto And Trio (Allegretto)
11. Symphony No. 40 In G Minor (Second Version), K 550: IV. Allegro assai

Amazon.com essential recording

This was the set that really got the "authentic instrument" craze going. It was a big, ambitious project that promised a fresh look at familiar music, as well as lots of exciting new discoveries. Christopher Hogwood tailored his forces to match what we know of the actual size and constitution of the orchestras of the period, and since Mozart wrote symphonies in every country in Europe, including England, France, Italy, Germany, Austria and Czechoslovakia, the result is practically a blueprint of 18th-century orchestral practice. Then everyone else got into the act, and these performances sort of fell off the musical map. Listening to them again, one finds they hold up rather well. There's still the sense of discovery, and of course the music itself is glorious. At budget price, this is history in sound. --David Hurwitz

Customer Reviews:

The original, original instrument take.......2007-05-03

A few months ago I bought the Trevor Pinnock Mozart Complete Symphonies (11 cds) and the 250th Anniversary Edition Mozart Symphonies (8 cds) that is not quite a complete symphony cycle. The Anniversary Edition features Harnoncourt on about 5 of the 8 discs. I also have his two CD twofers that cover the early symphonies. So, I more or less ended up with two complete renditions of Mozart's symphonies. I first bought the Harnoncourt early symphony 2fer and enjoyed it enough to buy volume two. This led me to buy the 250 Anniversay 8 cd set. I have not in the least regretted these purchases!

Harnoncourt is the most radical of these three original instrument takes on Mozart, especially in the late symphonies. For example, listen to symphony 29 by each of these three sets and compare them to the Karl Bohm benchmark 29th. Harnoncourt is Ricky Racer and Bohm is Mr. Serene and Majestic.

Obviously, price is only one of the factors in buying. The AAM costs more but has almost twice the music. The AAM set is probably the more collectable since they got there first. This set was issued in multiple lp boxes way back when and I recently watched just one of these boxes, unopened, go for over 80 bucks at EBAY.

There really is quite a sound difference between modern and original instruments. Rhapsody has the Mozart Horn Concertos posted by the AAM using an apparently valveless horn. Listen to this very squeaky rendition and compare it to Brain's to get a feel for the difference. They also have the Philips Complete Mozart Piano Concerto box that features a pianoforte on disc one of concertos 1 to 4. This instrument sounds more like a harpsichord than a piano and took some adjusting to get used to. The Smithsonian put out on vinyl (circa 1980) The Six Brandenburg Concerti by Bach on original instruments. The booklet gives quite a bit of info on the differences in instruments between modern and original. Here are a few snippets: "The brass instruments were, until the 19th century, valveless." This reduced the number of notes available. "The wind instruments of Bach's time had few keys--the transverse flute had one, the oboe two or three, and the bassoon three--calling for contrived fingerings to cover the full chromatic scale." "The music produced by a Baroque bow is characteristically tapered in shape, with great potential for a lively distinction between notes."

The bottom line for me is that Mozart, when well played, conducted, and recorded, sounds great--be it original instruments or modern. Having both modern and original choices is great. Life is wonderful with changes in flavor. I have only listened once to the AAM Mozart symphonies and have not done a compare and contrast between these and Pinnock's, etc. I was impressed by the consistency in performance and that being very good. It is really quite a feat to put out 19 cds and have them sound great from stem to stern. As an ADD recording, these give the DDDs a run for the money. The AAM Mozart Symphony cycle is posted at Rhapsody so you can look before you leap if you are in the market.

The most complete set of Mozart symphonies ever recorded.......2006-08-10

This massive 19 CD collection contains 71 symphonies!

Yes, all 41 of the usual symphonies are here, but another 27 symphonic works are presented, as well as alternative versions of symphonies Nos. 31, 35 & 40. The works are all recorded on period instruments (or modern copies of 18th century instruments) and the orchestra is accompanied throughout by harpsichord continuo. The sounds of the various sections of the orchestra are full of colour and character - the wind and brass players, in particular, make this set such a delightful one.

I also have the Pinnock recording, which contains only the standard 41 symphonies and it is every bit as good. I can really make up my mind which I prefer, although Pinnock's reading of symphony No. 40 is sublime - particularly in the beautiful slow movement. However, Hogwood and his Academy of Ancient Music play almost all these symphonies with great gusto and style. As another reviewer said, Hogwood allows his musicians to simply play the music and let Mozart's music live in a natural and "organic" way, with minimal interference from the conductor.

Each work tells a story and the recordings of these works remind us of the fact that Mozart wasn't some sort of proto-Beethoven, rather, his music was more like the culmination of many 18th century currents, trends and ideas - "Baroque music on steroids", even! ;-))

This is a set which is very close to my heart and I consider it one of the treasures in my home. I return to it often - at any time of the day or night.

Indispensable .......2004-11-13

This set is indispensable for anyone who seriously wants to have a complete Mozart collection. It contains every symphonic work written by Mozart, including second versions of certain late symphonies.

The playing is "alive" and fresh, the sound is full, warm and clear. What you get is not Hogwood's "interpretation"...but music and just the music, this guy understands Mozart and just lets these musicians play with joy, spontaneity, meaning and feeling. I didn't think they would be so good! There are times when you don't even notice that they're playing on period instruments.

This set is completely satisfying and I'm glad I own it. It's a pricy box set, but totally worth it...try to find it used and bask in the glory of Mozart.

Ok, but...........2004-06-30

I will qualify this review by saying that I have not by any means listened to every single symphony on this recording. I listened to several of the symphonies from this set for a conducting class, and spent a considerable amount of time comparing them with other recordings for phrase structure, dynamics, etc. My conclusion:

Overall, I am personally just not impressed by Hogwood. His handling of the phrases is rough, and the music just doesn't seem polished. Occasionally the balance is questionable (for example, several clarinet passages in the first movement of the 39th stick out), and at other points I get the impression that he put little planning into the organization of strong and weak bars. Perhaps it is mostly personal preference, but other conductors really do sound better.

I think that this recording has its place, as there are few boxed sets of all of Mozart's symphonies available, and certainly there was some groundbreaking period instrument work here. I would, however, strongly recommend that anyone considering purchasing this set actually obtain a copy first from a library to decide if this is really what they want.

A milestone set, and worthy of all praise.......2004-04-29

In the 1970s, the Hungarian conductor Antal Dorati recorded all of the 104 symphonies of Franz Joseph Haydn (Amazon asin # B0000042DP). The era of "epic" integral collections was ignited. Many thought the vast majority of Haydn's symphonies would be boring, cookie-cutter works rolled out in almost assembly-line fashion. But Dorati, with excellent help from the Haydn scholar H. C. Robbins Landon, would disprove all of that, and show that there is not a dud in the whole collection. And Dorati's readings have stood the test of time.

Dorati's achievement marked the beginning of an ea that in the next 2 decades would see complete integral sets of the works of every major composer, culminating ultimately in the 1980s with Phiips complete Mozart Edition.

Shortly after Dorati finished his massive project, the Academy of Ancient Music embarked on a complete traversal of all of the "symphonies" of Mozart on period instruments, the currently reviewed item. Not just the traditional 41, but also many lesser know works. More fascinating music was unearthed. But, the milestone of this set is not the discovery of forgotten masterpieces. That had become a common daily occurence. It was the period instrument movement instead that was set free by Hogwood's achievement. With this project, Hogwood did for period instruments what Dorati did for integral cycles of lesser known works. The period instrument movement had been around for a long time. But it never quite could hit "mainstream" until Hogwood made these recordings. And ever since, period instruments have flourished.

There are better recordings of many of the works in this set, both on period instruments and conventional instruments. But the consistency that runs through the set brings an appreciation for Mozart's Symphonies that is unparallelled.

The set is competitively priced, the sound is very good throughout, there is decent documentation.

Average customer rating: Maag finds Mozart revolutionary Maag and Mozart Maag did it better 35 years ago Fine performances by a Mozart expert.

Mozart: Symphonies Nos. 38 & 39 Manufacturer: Arts Music ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Mozart: Symphonies Nos. 31, 33, 34 Mozart: Symphonies Nos. 32, 35 & 36 Mozart: Symphpny No. 40; Symphony No. 41 "Jupiter" ASIN: B000005AR3 Release Date: 1997-05-13

Tracks:

1. Symphony No. 38 In D Major K.504 'Prague': I - Adagio - Allegro
2. Symphony No. 38 In D Major K.504 'Prague': II - Andante
3. Symphony No. 38 In D Major K.504 'Prague': III - Finale: Presto
4. Symphony No. 39 In E Flat Major K.543: I - Adagio - Allegro
5. Symphony No. 39 In E Flat Major K.543: II - Andante con moto
6. Symphony No. 39 In E Flat Major K.543: III - Menuetto
7. Symphony No. 39 In E Flat Major K.543: IV - Allegro

Customer Reviews:

Maag finds Mozart revolutionary.......2007-03-24

Wolfgang Amadeus Mozart (1756 - 1791): Symphonies No. 38 "Prague" K. 504 and No. 39 K. 543. Performed by the Orchestra di Padova e del Veneto, directed by Peter Maag. Recorded at the Auditorium Modigliani in Padua in February and March 1996. Released in 1996 as Arts 47364-2. Total time: 61'54".

Over the last decades it has been fashionable to come to Mozart via the Baroque and the galant style of the mid-18th century, playing his symphonies quite fast and with a light touch, emphasizing Mozart's playfulness and humour as well as his operatic genius. The late Peter Maag, a long-standing Mozart expert, returned to the recording business in his old age to repudiate this approach. He presents us here with a Mozart who is definitely a spiritual relative and precursor of Beethoven rather than a child of Empfindsamkeit. For we have here massive opening movements taken at a comparatively leisurely pace, dramatic outbursts from the winds and a transparency of texture that allows us to hear every detail of scores that Maag obviously finds revolutionary and, in places, daring. The Mozart we learn to love with Maag is not the playful childhood prodigy looking up to Johann Christian Bach, it is an earnest, self-confident composer of genius who in fact dares to think the unthinkable. Both the Prague and Symphony No. 39 impress here as works that are anything but light entertainment - they fully lead us to expect Beethoven's symphonies.

The production is, sound-wise, exemplary. Unfortunately, that cannot be said for the accompanying notes, at least in the edition I have, where the author reaches such "heights" as following statement: "The very fact of two versions of the Symphony K. 550 (with and without clarinets) is sufficient evidence of the fact that this piece was composed during the composer's lifetime." Did somebody suggest that he wrote it from the grave?

Interestingly, there is quite a considerable contrast between this version and the Naxos production made a few years earlier in the Slovakian capital Bratislava with the Capella Istropolitana, directed by Barry Wordsworth. The Naxos recording equipment cannot compare with this fine Arts production, but musically I still find Wordsworth's interpretation well worth hearing. Mozart: Symphonies Nos. 34, 35 & 39 Mozart: Symphonies Nos. 38, 29 & 30

Maag and Mozart.......2003-09-18

This is as fine a Mozart release as you're ever likely to find. Coming late in his career, Peter Maag's work with the orchestra of Padua and Venice resulted in a truly great Beethoven symphony cycle as well as four cds devoted to Mozart's later symphonies, all available on the Arts label. Expert direction (highly musical and well-informed historically), a very fine, classically balanced orchestra and excellent digital recording add up to a cd which every Mozart lover should investigate. Peter Maag was one of the more important conductors of his day and he has left us a fine and unexpected legacy of recordings. His Mozart is unbeatable. Hear it for yourself. Strongly recommended.

Maag did it better 35 years ago.......2002-02-27

This recording isn't bad. But Maag's best outing with the
Prague Symphony was that classic London Blueback from the mid-1960s with the London Symphony. It is still the best Prague I've ever heard, and I wish to GOD someone would re-release it. It's fantastic. This current outing doesn't compare, alas.

If you want a great Prague, try Charles Mackerras on Telarc. For stylish, unmannered modern-instrument performance, it's hard to beat. Until that classic Maag recording comes back.

Fine performances by a Mozart expert........2000-09-06

Peter Maag has been an outstanding Mozart conductor for four decades. He is quite possibly the finest Mozart conductor living today. The performances on this CD are consistent with Maag's long record of doing full justice to the music of one of music's greatest composers. No recording of these works by a "star" conductor with a big-name orchestra will contain finer performances of these two symphonies.

Average customer rating: Well-played and polished...maybe a little *too* polished Great music interpreted well

Mozart: Symphony Nos.25, 29, 38 & 40/Serenata Notturna In D Major Wolfgang Amadeus Mozart , English Chamber Orchestra , Cecil Aronowitz , Adrian Beers , Emanuel Hurwitz , Raymond Keenlyside , and Benjamin Britten Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Mozart: Symphonies Nos. 36 & 38 Mozart: Symphonies No.25, No.28 & No.29 Tschaikovsky: Ballet Suites / Rostropovich, Berlin Philharmonic Orchestra Mozart / Brahms: Clarinet Quintets Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner ASIN: B00000426O Release Date: 1995-04-11

Tracks:

1. Symphony No.25 In G Minor, K183: I. Allegro con brio
2. Symphony No.25 In G Minor, K183: II. Andante
3. Symphony No.25 In G Minor, K183: III. Menuetto e Trio
4. Symphony No.25 In G Minor, K183: IV. Allegro
5. Serenata Notturna In D Major, K239: I. Marcia: Maestoso
6. Serenata Notturna In D Major, K239: II. Menuetto e Trio
7. Serenata Notturna In D Major, K239: III. Rondo: Allegretto
8. Symphony No.29 In A Major, K201: I. Allegro moderato
9. Symphony No.29 In A Major, K201: II. Andante
10. Symphony No.29 In A Major, K201: III. Menuetto e Trio
11. Symphony No.29 In A Major, K201: IV. Allegro con spirito

Tracks:

1. Symphony No. 40 In G Minor, K550: I. Molto allegro
2. Symphony No. 40 In G Minor, K550: II. Andante
3. Symphony No. 40 In G Minor, K550: III. Menuetto: Allegretto
4. Symphony No. 40 In G Minor, K550: IV. Allegro assai
5. Symphony No.38 In D Major, K504 'Prague': I. Adagio - Allegro
6. Symphony No.38 In D Major, K504 'Prague': II. Andante
7. Symphony No.38 In D Major, K504 'Prague': III. Finale - Presto

Amazon.com

Britten's recordings of Mozart are among the treasures of the catalog, rare examples of an almost mystical bond between one composer-performer and another. These exquisitely beautiful accounts of four of Mozart's most remarkable symphonies date from the years 1968 to 1971 and were recorded in the cooperative acoustic of the Maltings, Snape. The playing of the ECO is wonderfully robust and animated, impeccably polished, and alive to every expressive nuance in this extraordinary music. With superb sound, the 1995 mid-price reissue belongs on the shelf of every Mozart lover. --Ted Libbey

Customer Reviews:

Well-played and polished...maybe a little *too* polished.......2004-07-18

This is an excellent all-around set, even if these aren't quite the definitive performances I'd hoped for. There's no doubt that Britten is a stylish conductor who gets the ECO to produce a gorgeous tone in some of Mozart's most pleasing symphonies--but sometimes it's all just a little too polished and prettified. Particularly in the "Great" G minor, I miss the tragedy, the drama. If you want to hear what I mean, listen to Furtwangler in this same work (if you can find it; a quick check seems to indicate it's out of print--pity). Plus there's something the Viennese sound--less "bright and smooth" and more introspective--that seems right for much of his music. In the slow movements of both G minor works, for example, there's just not the infusion of tragedy I look for. Vienna under Furtwangler is far less pretty, yet that os just what this music cries out for. Too much perfume and Mozart can be in danger of being a MUZAKy composer.

Not that these recordings aren't worth a listen, especially at the price. And it's nice to have some of Mozart's best symphonic works on one "double-decker" CD. But you definitely should supplement this set with many other conductors' interpretations: Furtwangler, Horenstein, Bernstein, Marriner, Szell (with the Concertgebouw more than Cleveland if you can find these rare recordings) and Blomstedt. And surely others I'm forgetting off the top of my head.

One sonic complaint: Symphony No. 40 is recorded so loud that the master tape appears to be satured, resulting in some static and distortion in the work's loudest passages. It's relatively minor, however.

Great music interpreted well.......2003-03-18

Britten has to be one of the most underrated interpreters of Mozart ever. Listen to this CD and enjoy the greatest music by one of the greatest composers interpreted by someone who really 'saw' the point in these works.

Average customer rating: Splendid The Ultimate Prague Symphony?

Mozart: Symphonies Nos. 38, 29 & 30 Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Mozart: Symphonies Nos. 34, 35 & 39 Mozart: Symphonies Nos. 40, 31 & 28 Mozart: Symphonies Nos. 15-18 Mozart: Symphonies Nos. 21-24 & 26 Mozart: Symphonies Nos. 19, 20 & 37 ASIN: B0000013KG Release Date: 1993-02-05

Tracks:

1. Adagio - Allegro
2. Andante
3. Finale: Presto
4. Allegro Moderato
5. Andante
6. Menuetto
7. Allegro Con Spirito
8. Molto Allegro
9. Andantino Con Moto
10. Menuetto
11. Presto

Amazon.com

Another fine entry in what would be a worthwhile Mozart series even if it weren't offered at budget price. Barry Wordsworth and his band of hardy Eastern Europeans offer performances strong on rhythmic point, admirably transparent, sensitive, yet unaffected. There's real character in the wind playing, along with a fine sense of the music's charm, as well as its occasional anxiety. Check these performances out. --David Hurwitz

Customer Reviews:

Splendid.......2004-10-02

Although the woodwind (flute!) on this recording is rather 'breathy' and the recorded sound not as spacious as, for example, the Peter Maag 'Prague' on Arts (as well being clearly in an empty hall with a certain amount of 'echo'), the total impression made is a very good one, with Barry Wordsworth motivating the Capella Istropolitana to a pep-filled performance in the faster movements and some pleasant quieter moments in the andantes. Obviously, it is the 'Prague' symphony which is the showpiece here, and it is given a splendid run, but symphonies 29 and 30 should not be underestimated: I, for one, was grateful that they were included on this CD as I might otherwise never have heard them. Doubtless, there may be higher-priced recordings that top this one, but as a budget-priced introduction to Mozart's symphonies this CD deserves at least four stars.

The Ultimate Prague Symphony?.......1999-12-18

First of all, it is my opinion that Mozart is the greatest of all composers, ever, period. His music is sheer beauty, crafted with an almost indefinable complexity that is equal parts joy, power, urgency and grace. No one has ever managed to duplicate his vision.

I also believe that Symphony No. 38 in D Major ("Prague") is arguably Mozart's greatest achievement. I have roughly 20 different versions of said symphony (Bohm, Marriner, Krips, etc.) -- and most of them are very fine, indeed.

Curiously, it is this particular recording that I keep coming back to when I want to hear "the" version of the Prague. Something very special has been captured on this immaculate sounding Naxos budget disc.

Barry Wordsworth conducts the Capella Istropolitana with the surety of a seasoned veteran. The playing is dramatic but never overstated, blissful without succumbing to cloying sweetness. There is a precise and satisfying punctuation to the symphony's resolving phrases that accentuates Mozart's genius for fitting elements together perfectly in his music.

I highly recommend this wonderful disc.

Average customer rating:

Mozart: The Last 6 Symphonies, Nos. 35,36,38,39,40,41 Manufacturer: Sony / Odyssey ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music ASIN: B00000DSDC Release Date: 1991-01-14

Average customer rating:

Mozart: Symphonien Nos. 38 "Prager" & 39 Mozart , Karl Bohm , and Vienna Philharmonic Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music ASIN: B00000E2WE Release Date: 1990-10-25

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