Bach: Choral Works

1. Magnificat in D major, BWV 243
Composed by Johann Sebastian Bach
Performed by London New Philharmonia Orchestra & Chorus with Dame Janet Baker , Thomas Hemsley , Anne Pashley , Lucia Popp , Robert Tear
Conducted by Daniel Barenboim

2. Matthäuspassion (St. Matthew Passion), BWV 244
Composed by Johann Sebastian Bach
Performed by South German Madrigal Choir & Consortium Musicum with Theo Altmeyer
Conducted by Wolfgang Gonnenwein

3. Johannespassion (St. John Passion), BWV 245
Composed by Johann Sebastian Bach
Performed by South German Madrigal Choir & Consortium Musicum with Brigitte Fassbaender
Conducted by Wolfgang Gonnenwein

4. Mass in B minor, BWV 232
Composed by Johann Sebastian Bach
Performed by Bavarian Radio Symphony Orchestra & Chorus Conducted by Eugen Jochum

5. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 Jesu Bleibet Meine Freude" (Jesu, Joy of Man's desiring)
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields , Cambridge King's College Choir Conducted by David Willcocks

Customer Reviews:

Deserves 10 stars.......2007-07-18

I've been an amateur classical music enthusiast for decades with over 1000 CDs in my collection. I have listened to ALL of the CDs in this box now at least once, many of them twice and some three times, with headphones, on my stereo at home or in the car. I found all the recordings to be excellent. A couple of the vocal CDs with ADD recording are old and one could hear some background hiss with headphones but this was not noticeable playing them over the home stereo. I loved the performances. The only "disadvantage" is that all the keyboard works are played on the harpsichord, and I do prefer Bach sometimes on the piano. And one could argue whether some famous musician's interpretation of a piece is "better" than the one found here, but it's a little like arguing whether the food is better at one 5 star restaurant compared to another--both meals are delicious, and which one you enjoy more is more dependent on the context of the meal--how you feel that moment, what's going on in your life, etc.--than the food itself. But bottom line, this box contains endless treasures at an incredible bargain price, and I can't recommend it strongly enough.

Excellent Bach Collection.......2007-07-05

I am a professional musician, composer and teacher. this collection is wonderful, recorded in Europe, and all that one would expect from talent in that part of the world (which on this set includes Nordic countries as well).
If you are into studying bach, euro recordings, musicology, this is a good purchase.
Only criticism is on a few recordings the balance/mix is not the best. However, it all sounds wonderfully recorded.

Wonderful way to enjoy all of Bach.......2007-06-28

One reason to buy this set is simply to acquire recordings of all Bach's surviving Cantatas. The only downside I've discovered so far is that I would have preferred his harpsichord music played on a piano.

Bach .......2007-06-08

Arrived in excellent condition -price was higher that I liked by a little bit

An Absolute Essential for any Classical Music Enthusiast.......2007-05-22

This comprehensive collection of all known Bach works is simultaneously the easiest and the most difficult set to review. "Easiest" because in a single set of some 150 CD's, one immediately has the entire Bach repertoire at one's hands, with the majority of individual recordings consisting of solid performances and good recording quality. "Difficult" because, due to the sheer number of performances, it would take many pages to individually and meaningfully write up a description that accurately conveys the range of entries within the set. But in a sense, this entirely misses the point. It is simply impossible to understate what Brilliant Classics has done for the classical music world with the release of a set like this. For the first time, one can own a comprehensive Bach collection for little more than the price of a single, good restaurant meal for two people. The fact can hardly be overstated: this set makes acquiring such a collection no longer the domain of only the wealthiest amongst us. This is most certainly the "democratization" of classical baroque music.

Over the years, I have certainly spent what often feels like exorbitant amounts of money on individual, and sometimes, box sets, of classical music. There is no denying the human skill possessed at the major recording labels, including experiential knowledge of the proper placement of microphones, the best mixing techniques, the optimal types of equipment selected for use, and then, of course, access to the world's greatest performers. We would never wish to lose that combination of talent, and there is no attempt here at minimizing either the value or the enjoyment that can be experienced through such endeavors. Quite the contrary. Such undertakings are both an art form and a technical skill that provides immense value to the world at large. And we should give kudos to those major labels who in recent years have begun to reissue classic records in box sets at much lower prices (Detusche Grammophon's "Collector's Editions" immediately comes to mind, as well as Philip's "Duo Series," and many others, not the least of which also includes Philip's recent reissue of the "Complete Mozart Edition.") But what we have here completely surpasses these in every respect, and opens up new possibilities for the average listener who does not have mountains of disposable income to put towards the acquisition of a classical music collection. There can be no question in my own mind that the people who put this set together did it far more for the sake of classical music as an art form rather than a money-making exercise. It is truly a meaningful contribution to the music world at large.

And what of the quality of the performances and the recordings? For the discs which I have already played, there are simply no real disappointments here. Some of the performances are on par with the "best of the best," and many of them are absolutely gorgeous. With a set this large, it is beneficial to read the multiple reviews individuals are posting to get a better sampling of the various sections of the overall set, but I've been quite pleased with what I've heard so far. I will likely update this post with more specific comments over time, but for now, let me just say that you should BUY THE THING BEFORE IT DISAPPEARS. You won't regret it, will probably be increasingly pleased over the years that you did, and hopefully will receive many years of enjoyment from the collection. Ten stars out of five, but even more important than that, a genuine "Thank you" to Brilliant Classics for what they have done for all of us here.

Average customer rating:

Bedtime Beats: The Secret to Sleep
Not exactly....
Not what I expected.
Excellent relaxing music and sleep aid
nice try...

Bedtime Beats: The Secret to Sleep

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Classical Album in the World...Ever!
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ASIN: B000GH3PQ8
Release Date: 2006-09-12

Tracks:

Vivaldi: Concerto in D Major, "Largo" -- Sharon Isbin
Ravel: Piano Cto. in G Major, "Adagio Assai" -- Anne Queffelec
Vaughan Williams: Greensleeves -- Davis/BBC Symphony Orchestra
Satie: Gymnopedie No. 1 & 3 -- Sado/Orchestre Des Concerts Lamoureux
Beethoven: Piano Cto. No. 5, "Adagio Un Poco Mosso" -- Pierre-Laurent Aimard
Ravel: Pavane Pour Une Infante Defunte -- Nagano/lyon National Opera Ochestra
Puccini: Chrysamthemums -- Helsinki Strings
Mozart: Adagio for Violin and Orchestra in E Major -- Thomas Zehetmair
Chopin: Piano Cto. No. 2, "Larghetto" -- Maria-Joao Pires
Resighi: Villanella -- Scimone/I Solisti Veneti
Faure: In Paradisum -- Corboz/Berne Symphony Orchestra

Tracks:

J.S. Bach: Goldberg Variations, "Aria" -- Jill Crossland
Tchaikovsky: Andante Cantabile -- Alexander Kniazev
Debussy: The Girl With The Flaxan Hair -- Lily Laskine
Mozart: Piano Cto. No. 21, "Andante" -- Karl Engel
Chopin: Nocturne In E flat Major -- Elisabeth Leonskaja
J.S. Bach: Harpsichord Cto. In F Minor, "Adagio" -- Sharon Isbin
Mozart: Clarinet Quintet, "Larghetto" -- Karl Leister
Saint-Saens: The Swan -- Gennadi Rojdestvenski
Albinoni/Giazotto: "Adagio" -- Sharon Isbin
Faure: Pavane Pour Orchestre -- Jordan/Orchestre De Chambre De Lausanne
Beethoven: Piano Sonata No. 14, Moonlight "Adagio Sostenuto" -- Nikolai Lugansky

Album Description

Created to meet the needs of more than 40 million sleep sufferers and light-eyars beyond lullabies, Bedtime Beats: The Secret To Sleep is the first classical music collection available as a true sleep remedy, an effective alternative to medication and sleepless nights. Carefully programmed in accordance with recent research from Case Western Reserve University--which discovered that classical and soft jazz music played at 60-80 beats per minute induces sound sleep.

Customer Reviews:

Bedtime Beats: The Secret to Sleep.......2007-07-23

I love listening to soothing sounds to help me sleep at night. This CD is expecially relaxing to play when turning in at the end of the day. I would recommend this to anyone who wants to be lulled off to peaceful slumber.

Not exactly...........2007-05-14

This cd wasn't exactly what I was looking for, it does not really help you fall asleep. Some of the music can be annoying and it could have been more soothing.

Not what I expected........2007-04-26

I should have paid attention to the two negative reviews. This CD doesn't put me to sleep at all--in fact, it keeps me awake. I find myself listening to the music instead of going to sleep.

One of the pieces has irritating and dissonant passages mingled with relaxing, soothing passages. Also the music changes tempo and volume quite often, which would wake me up if I did start to drift off.

Since I expected something that would put me to sleep, listening to this is upsetting, because I wasted my money.

However, since it works well for most reviewers, I figure I must hear things differently, or have a harder time falling asleep than most. Maybe if I listened to it enough to get used to it, it might work better.

I would like to find something totally soothing and relaxing--maybe I need actual recordings of water or rain, but I prefer music. Any suggestions?

Excellent relaxing music and sleep aid.......2007-04-10

This CD collection is so effective that I still have not made it through the first CD to listen to the second one. It's very relaxing music and helps me fall asleep every night.

nice try..........2007-02-06

but no silver bullet. FOR ME. Lovely selection of tunes, and I find them quite enjoyable and relaxing, but they just don't "knock me out". I own a variety of "sleep CD's" but real music seems to be just too stimulating when I am having trouble sleeping. I do better with guided imagery. Yesterday, though, I brought it over to my mom's place and laid down to listen to it with her, because she was so stressed out. She was asleep before the third number!

Average customer rating:

The Best Compilation of the Man on 2 Discs! Great Sound Quality Too!
Relaxing and Enticing to the Ear
A little something for everybody

The Ultimate Guitar Collection

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Guitarist
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ASIN: B0007TFH52
Release Date: 2005-03-29

Tracks:

Suite Espanola, Op.47: Asturias (Leyenda)
Cavatina From The Deer Hunter
Lute Suite No.4 In E Major, BWV 1006a: Prelude
Triangular Situations
Recuerdos De La Alhambra
Romance
Dance From La Vida Breve
Sonata In E Major, K 380
Como Llora Una Estrella (Valse-Cancion)
The Mission
El Colibri
Gymnopedie No.3
Courante
La Catedral
El Condor Pasa
Salut D'Amour
Malinke Guitars
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The Entertainer

Tracks:

Concierto De Aranjuez: II. Adagio
El Diablo Suelto (Valse)
Preludio En Do Menor (In C Minor)
Suite Espanola, Op.47: Sevilla (Sevillanas)
Gnossienne No.1
Cueca
Schindler's List
Lute Suite No.4 In E Major, BWV 1006a: Gavotte
Nkosi Sikelel'i Afrika
Pavane
Trio For Violin, Lute (Guitar) And Basso Continuo In C Major, R.82: III. Allegro
Sunburst
The Godfather
Scherzino Mexicano
Aeolian Suite For Guitar And Small Orchestra: I. Aeolian Chant
3 Blues For Classic Guitar: Spanish Guitar Blues
3 Blues For Classic Guitar: Blues For Felix
3 Blues For Classic Guitar: Swing 59
The Black Decameron: The Flight Of The Lovers Through The Valley Of The Echoes
Una Limosna Por El Amor De Dios
Saltarello
12 Piezas Caracteristicas, Op.92: No.12 Torre Bermeja (Serenato)

Customer Reviews:

The Best Compilation of the Man on 2 Discs! Great Sound Quality Too!.......2006-04-21

The title very aptly describes this great classical guitar album showcasing some of the best ever works of John Williams on 2 discs. The track selections are great as they span the centuries from the Baroque greats of Bach and Vivaldi to the modern day composers such as Stanley Myers and York. John even flirts with Blues and Jazz-style pieces and they actually sound very good. In addition, they did a much better mastering job on this version than on the single disc, "Classic John Williams" album that was released a few years earlier and so the sound quality is much better. John Williams' playing is without peer and his technique is superior to the vast majority of the exponents of classical guitar that are out there. I've heard recordings of many others who have tried to play "Cavatina" for example and they have never come close to the natural and flowing version that John plays. If you are a fan of this type of music or of John Williams' work, this is the best compilation that you can get that's out there. Highly recommended!

Relaxing and Enticing to the Ear.......2006-01-26

The first song on this set is why I bought the whole album. It blows you away listening to the precise picking and the gorgeous way it is done. Not robotic like some freaks out there. This is true beautiful music. Runs together like a long summer drive in the country. It is just a perfect album to listen to at home or on the go.

A little something for everybody.......2005-06-15

First, this is gorgeous guitar playing by someone who knows what he's doing. John Williams (not to be confused by the film score composer of the same name) is a superb classical guitarist. Many of these pieces are *classical* in nature, while a few are more *popular*. Many are solo, the rest in small chamber groups. Some will get your toes tapping, some will start you daydreaming, and some will make you cry with their beauty. All of it is magnificent.

Average customer rating:

more wonderous with each passing year
Pinnacle
The Perfect Storm
Parkening Play Bach and Plays Him Stunningly!
Masterpiece

Christopher Parkening plays Bach

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RNJ
Release Date: 1990-10-25

Tracks:

Canata 147: Jesu, Joy Of Man's Desiring
Sonata VI For Violin, E Major Partita: Gavotte
The Well-Tempered Clavier: Prelude I
The Well-Tempered Clavier: Prelude VI
The Well-Tempered Clavier: Prelude IX
Cantata 208: Sheep May Safely Graze
Prelude, Fugue And Allegro In E Flat Major For Clavier, Original For Lute): Prelude and Allegro
Cello Suite V: Gavotte I And II
Cello Suite VI: Gavotte I And II
Cantata 140: Sleepers, Awake
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Sarabande And Variations
Samson: Minuet in D
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Giga
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Passacaglia
Ordres, Book II: Les Barricades mysterieuses
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Preambulo And Allegro vivo

Customer Reviews:

more wonderous with each passing year.......2006-11-13

Most of the reviewers have said (and better than I can) what makes this album so special. I remember having this on cassette and wearing it out. People who have no interest (and sometimes I can't blame them...) in classical music might grow fond of this if they give it a try. You don't need any kind of background or knowledge, just a willingness to open your heart and ears to something so sublime it is beyond words. Bach is our true musical spiritual leader!

Pinnacle.......2005-10-24

I can't over-exaggerate the impact this album had on me when my Dad played it for me when I was about 6. It encouraged me to become a guitarist, and hearing it was my first truly profound musical experience that I can remember.

I love all kinds of music, but nothing has touched me like this album in the 19 years since then. Parkening's reading of Bach arranged for the classical guitar is flawless on this recording; no one, not even his mentor has matched it.

"Jesu, Joy of Man's Desiring", "Sheep May Safely Graze" and especially "Sleepers Awake" are the best renditions of these songs that I've heard, regardless of the arrangement. His control and dynamics are just staggering.

I can't explain where this album or music came from. It's my absolute favourite album. It's part of human evolution and the continually unfolding Great Work.

The Perfect Storm.......2005-04-07

The are times when the musician, the composer, and the instrument just match perfectly; this disc is an example of that.

Nevermind that Bach never wrote a single note for the guitar, many of his pieces actually work better on the guitar than they would the clavier. The guitar provides much more opportunity for the musician to impart emotion by varying volume and tone. And Parkening capitalizes on that opportunity beautifully.

His playing is clean, thoughtful, and competent. This is, in my opinion, clearly Parkening's best recording. I highly recommend it. (I also recommend his In the Spanish Style, another of my favorites).

Parkening Play Bach and Plays Him Stunningly!.......2005-02-18

I have loved this recording for over 20 years. I had it on vinyl and was thrilled when it was released in 1985 onto CD along with 6 extra cuts. Originally a Bach interpretive LP of 10 tracks, the CD release added 6 compositions from Couperin, Handel, Weiss, Scarlatti and Visee.

This is now a rare recording, so get it while you can. It's peaceful, highly skilled and simply Christopher Parkening, playing bare and alone, and shining like the sterling musician he is!

Masterpiece.......2003-09-24

The music of J. S. Bach seems to bring out the best in Christopher Parkening. Mr. Parkening understands Bach, and plays his music with grace, intelligence and sensitivity. He displays those qualities magnificently on this collection.

The selections here represent a wide variety of Bach pieces: portions of cantatas, solo cello works, and pieces from the Well-Tempered Clavier. All of the pieces are transcribed skillfully for solo guitar, and every track flows naturally into the next. Standouts among the Bach pieces include "Sheep May Safely Graze" and "Sleepers Awake"--two meditative cantata selections which were so brilliantly arranged and performed that you'd almost think they were originally written for guitar.

And the additional baroque works presented here are not just "filler." Mr. Parkening gives stunning performances of great pieces composed by baroque giants like Handel, and he closes the recording in great style, with a passionate performance of Scarlatti.

Tracks:

Introduction
1712 Overature
Introduction
Bach Portrait
Introduction
Capriccio La Pucelle De New Orleans (The Maid Of New Orleans)
Introduction
Minuet Militaire
Introduction
Prelude To Einstein On The Fritz
Introduction
I. Prologue (Bottomless Sorrow; Topless Gaiety)
II. The Lamentations Of Jerry Maja
III. Finale: Special Deliverance

Customer Reviews:

The funniest Schickele piece ever!.......2006-05-23

My experience with the 1712 Overture is similar to Victoria's (in another review). I was listening to the car radio when I heard the dissonant pile-up halfway through, and almost drove off the Interstate.

It should be noted that the Amazon listing is incorrect. The 1712 Overture is in reality conducted by "Walter Bruno" who is actually David Zinman. It is most assuredly not conducted by Bruno Walter (can you imagine that?), who died in 1962.

Highly recommended.

P D Q on form again.......2005-07-20

P D Q has quite a cult following among the 'cognoscenti', and others may know some of his works without being aware of it or why. Much of this is fun listening if you have that kind of mind &/or background, and has the virtual ring of period authenticity.
Classical music, like any living corpus of cultural tradition (eg religion, sport & politics) should be well capable of laughing at itself. Others have done so successfully (Hoffnung, Spike Jones, the Comedy Harmonists et al.) and PDQ follows in a worthy & rollicking tradition!

beware of the organ cadenza!.......2005-05-18

This is my favourite PDQ Bach collection. The 1712 Overture alone is worth the price of admission. The use of the motif from 'I Ain't Got No Home' is inspired and the skewering of 'Day Tripper' reduces me to helpless giggles every time.

Einstein on the Fritz is a tonic to anyone sick of the pretentious meanderings of Philip Glass, Taverner et al. And Cappricio La Poucelle de New Orleans (engineered by Burt Bach, a living direct decendant of JS Bach) is frighteningly intense, as well as hysterical. These musicians are also terrific - the pieces wouldn't work at all otherwise. And who couldn't love the rapturous intro to The Preachers of Crimetheous - featuring the most incredible percussion playing since Ginger Baker's 'Toad'.

All in all, this is a completely ridiculous delight!

Another assault to your funny bone!.......2004-04-12

P Schickele does it yet again! He successfullly skewers the classics again. My personal fave is Einstein On The Fritz, where he does a wonderful job of spoofing Philip Glass.....Only the Prof. is so twisted as to be able to sneak in 'Three Blind Mice" in the middle of a Glassian composition!

PDQ Bach at his best (worst).......2001-11-13

Mr. Schickele is a genius, he's taken music history and disgraced it, apocryphally!
the 1712 overture pokes fun at just about every type of music out there, and what the 1712 doesn't defile, the rest of the tracks on this CD pick up the slack.

This incredibly irreverent album is a must for music lovers everywhere!

Tracks:

Allegro
Adagio
Allegro Assai
Sarabande
Gigue
Aria Variata In A Minor (Italian Variations) BWV 989
Gigue From Violin Partita No.3 BWV 1006
Allegro
Largo
Allegro
Allegro
Largo
Presto
Bist Du Bei Mir From The Anna Magdalena Notebook BWV 508
Allegro
Larghetto
Allegro Ma Non Tanto
Badinerie From Orchestral Suite No.2 BWV 1067
Agnus Dei From Mass In B Minor BWV 232

Amazon.com

Alison Balsom's Bach is a spirited romp through various works of the master arranged for trumpet solo and a changing cast of colleagues. Orchestral works are done in a chamber reduction, with the trumpet taking the solo violin part; solo works, like two movements from Bach's Cello Suite No. 2, are played in arrangements for trumpet. Transpositions abound, the net result being vaguely familiar music sounding fresh and different. In general, Balsom is most effective in faster, more outgoing movements and pieces where her bright tone, technical mastery, and sprightly tempos carry the day. The Italian-based works, Bach's Italian Variations, and his own arrangements from Vivaldi and Marcello fit this pattern, and so does the Trio Sonata arrangement from an organ work, where Balsom's trumpet interacts with violin and basso continuo to strike sparks. Least effective are the arrangements of movements from Bach's unaccompanied violin and cello masterpieces, in part because the inherent brightness of her trumpet is at odds with the warmth and nuances of a stringed instrument. The Badinerie from Bach's Orchestral Suite No. 2, whose melody and its association with the flute are indelibly imprinted on music lovers, comes off as a spectacular accomplishment on Balsom's far more unwieldy instrument. Excellent playing by the assisting musicians helps make this foray into a modernized version of Bach's music an enjoyable experience. --Dan Davis

Customer Reviews:

Excellent CD, beautiful playing.......2007-07-23

Of course you can only go wrong with Bach when playing is suspect or the sound quality is bad.

Neither are issues here as Balsom plays with technical command and beautiful phrasings. Also, as I learned in the liner notes, Balsom has studies with Hakan Hardenberger which is certainly great bona fides.

I'm not familiar with many other trumpet interpretations of these pieces, so the CD is an excellent addition to the catalog.

Beautiful and Boring.......2007-01-19

Ms. Balsom plays with exquisite technique throughout this disc. But her approach is so gentle that it seems to lack guts. The music sounds lifeless - devoid of personality and energy. I agree with the above reviewer who explains that she makes no real artistic statement.

Great new sound.......2007-01-14

Alison brings a feminine touch to the trumpet tone as I have never heard. Her transcriptions are well picked and flawlessly executed. I would highly recommend this cd to any instrumentalist.

great find.......2006-10-12

great music really enjoy this album and hope to hear more from this artist

a magnificent player, but not yet artistically mature.......2006-09-08

Balsom delivers an attractive disc here, with her impressive technical skill and a sophisticated seriousness of purpose in her programming, but there's something important missing from this album. Balsom plays with magnificent virtuosity, but she presents no message, no artistic voice, no aesthetic philosophy, no unique understanding of or approach to these works of J.S. Bach. I think she's overly preoccupied with proving herself. There's a Carnival of Venice sort of character to this disc: bars and bars of sixteenth notes flow effortlessly from her trumpet, and then bars and bars more, but for all that you get no sense of a distinct musical personality. (Her tone is very French as well: focused and bright. You can hear that she's been taking Håkan Hardenberger pills. Personally I'm not fond of this sort of trumpet sound, but I understand that it's a matter of taste.)

I have an album of Bach oboe concerti, played by Heinz Hollinger, that's similar to Balsom's effort here: flawlessly even, rapid-fire delivery of difficult lines is emphasized. But what Hollinger communicates that Balsom doesn't is a certain idiosyncrasy, a sense that only Hollinger could play those pieces quite like that, even if another oboist were to match his tempos. Even Wynton Marsalis -- who was often criticized for being mechanical and stylistically daft in his classical recordings of the '80s -- evinced an amiable flair and attitude that Balsom here lacks.

Listen, for example, to the slow, lyrical movements: the sarabande from the D minor cello suite, say. This is the sort of music through which an instrumentalist of consummate artistry -- a Milstein, or a Fournier -- could explore his own aesthetic vision while at same time revealing to us the sublime depth and breadth of Bach's artistry. With Balsom, though, there's no insight... it's all very pretty and she really means it, but you can't say much more about her reading. Not having hundreds and hundreds of notes to keep track of in this movement, she seems a bit unsure of exactly where to direct her energies.

Even so, I think that a musician must be of immense skill to merit this sort of criticism at all. Lesser players delight for being very good; Balsom here disappoints just a bit because her playing hints at true greatness but isn't quite there. Balsom is a magnificent player lacking a distinct voice, and if she develops one she will become one of the most important instrumentalists on the scene.

Average customer rating:

Still amazing after all these years...
Bill Goes 'Symphonic'
A Gem Among Bill's Recordings
One for the Ages
a stunning fusion of classical and jazz

Bill Evans Trio with Symphony Orchestra

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Tracks:

Granadas
Valse
Prelude
Time Remembered
Pavane
Elegia (Elegy)
My Bells
Blue Interlude

Amazon.com

Throughout his career, pianist-composer Bill Evans successfully melded Bud Powell's fiery bop-paced technique with the lyricism and harmonic language of the French impressionists Ravel and Debussy. So it was only natural that he would record a session that combines the jazz and classical traditions.

Released in 1965, this date features Evans's trio with drummer Larry Bunker, who, three decades later, guest-starred on Diana Krall's When I Look in Your Eyes, and the sensitive bassist Larry Bunker. They're augmented by the azure-tinged arrangements by the famed conductor Claus Ogerman, who worked his magic with artists from Antonio Carlos Jobim to Frank Sinatra. The result of this union is a swinging and seamless interplay in which improvisation becomes spontaneous composition, and vice versa. The linearity and logic of Evans's lines erase centuries of musical distance from the works of Bach, Chopin, Granados, Fauré, and Scriabin, with the trio's trademark telepathy expressed in 4/4 and 3/4 time signatures and light Latin tinges. Evans's haunting compositions, "My Bells" and "Time Remembered," imbued by Ogerman's ethereal strings, are the jewels of this delightful recording, whose brilliance has increased with time. --Eugene Holley Jr.

Customer Reviews:

Still amazing after all these years..........2007-07-23

Dumb luck... I was given my first copy of this album in the mid-1960's 'cause the program director of a radio station I was working for "didn't play jazz."
It was "kismet." Now I have multiple CD's of Bill Evans with Symphony Orch. - one for each car, and one for home. In spite of some minor technical flaws, this is an absolutely wonderful album to relax to. The orchestral parts are lush and well brought off, and the trio's playing is exceptional. If you have one oar in jazz and another in classical, please do yourself a favor and buy this CD. "You'll thank me later..."

Bill Goes 'Symphonic'.......2004-06-10

This is an unusual Bill Evans recording, as it combines his trio with a "symphony orchestra" playing arrangements by Claus Ogerman of several "classical" themes along with two of Evans's most haunting originals: "Time Remembered" and "My Bells". Not that there's much of a classical feel to the orchestrations: apart from the Vaughan Williams/Shostakovich overtones of Ogerman's "Elegy", the orchestral music is more reminiscent of a glossy 1960s/70s film score. There's some attractive woodwind and french horn, but on some of the tracks the large string section might be a bit too lush for some tastes. Fortunately, on most tracks the orchestra confines itself to stating the theme at the opening and in a few places playing a fairly discreet accompanying role, but generally keeping out of the way of Evans's improvisations. So the main "fusion" interest lies in what Evans does with the themes in his solos.

One of the minor oddnesses of the album is the way in which, on some tracks, the beginning of Evans's solo launches into a very different tempo and mood from the one just established in the orchestra's theme statement. Sometimes - as on Faure's Pavane - this creates a musically effective contrast; elsewhere - as on "Granados" - it leaves you feeling too sharply aware of the incongruity rather than empathy between the different musical worlds being brought together. Maybe that's partly why the most satisfying of the "classical" tracks are the Bach Sicilienne and "Blue Interlude" (on Chopin's C minor Prelude): each solo seems to grow organically out of its theme and both themes inspire Evans to some excellent improvisation. Listen, for example, to the way in which he exploits the "bluesy" aspect of the Chopin as his solo builds to its climax. Evans's own "My Bells" is another high spot of the album - an attractively nostalgic modal theme tastefully arranged for the orchestra, leading to a gently swinging solo and a rubato restatement of the theme by Evans before a wistful coda.

There's certainly a lot of absorbing, beautiful playing from the Evans trio here, including a high level of melodic invention and incomparable rhythmic subtlety from the pianist. But the appeal of the album will largely depend on what you think of the orchestra's part in the proceedings. It's probably one to try before you buy.

A Gem Among Bill's Recordings.......2002-06-25

This recording is a gem of Bill's playing. Simple, clean lines, and a beautiful background by Claus Ogerman. I listen to this recording over and over. I was a fan of Bill Evans and Claus Ogerman before I listened to this CD. But this exceeded my expectations of the two artists.

One for the Ages.......2001-08-09

"The Bill Evans Trio with Symphony Orchestra" was one of the first recordings I ever heard...EVER. My Mon used to play the LP while she was carrying me so I really do mean first. With that in mind it has never been far from my CD player for as long as I can remember. From all reports this was a troubled recording session with the arranger and conductor of record, Claus Ogerman having trouble controlling all the elements specifically the pick up orchestra and vocal soloist. Sometimes great things come out of great conflict to paraphrase an old saying. Because, despite all of this this is one of the most glorious recordings ever produced. The Ogerman arrangements are lush and beautiful to the point of distraction. Evans chose the perfect composers to compliment his style and that of his trio. Listen to his rendition of Faure's Pavane or Granados' Granadas. And Ogerman and Evans have also composed two of the tracks themselves. Gorgeous. Lie back on your sofa, turn the volume up, open a bottle of Pinot Noir and let this music take you away.

a stunning fusion of classical and jazz.......2001-05-03

There's nothing like having your expectations completely blown away - this recording is a revelation. I've set my cd player to repeat and listened to this cd for hours at a time. If you're looking for a fresh interpretation of jazz, look no further.

Michael Murray At The Cathedral Of St. John The Divine: Works By Franck, Widor, Dupré, Bach and Others

Average customer rating:

Vibrant sound and Performance, some questionable interpretetations
Good, but not the best ever
Highly recommended

Michael Murray At The Cathedral Of St. John The Divine: Works By Franck, Widor, Dupré, Bach and Others

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Wanamaker Legacy
The Willis Organ at Salisbury Cathedral
Great Toccatas
Organ Spectacular
An Organ Blaster Sampler

ASIN: B000003CUX
Release Date: 1990-10-25

Tracks:

Agincourt Hymn
The Emperor's Fanfare
Psalm 19
Trumpet Tune
Finale
Prelude And Fugue In E Minor, BWV 533, 'Cathedral'
Meditation
Prelude
Chorale No. 2 In B Minor
Cortege And Litany, Op. 19, No. 2
Final

Customer Reviews:

Vibrant sound and Performance, some questionable interpretetations.......2006-05-29

This particular michael murray recording makes up for the lack of recordings of the magnificent organ in St. John Divine. It is perhaps one of the greatest and largest American organs, notably the very powerful state trumpet stop located underneath one of the rose windows (This is one of the few stops of its kind in existence). The Agincourt Hynm really shows off what this stop is capable of. There is some good variety in this recording, although sometimes I felt that the State Trumpet was used in excess (it became annoying at points, simply because it was so powerful and overused). The biggest downfall of this recording is the interpretation of the Widor Symphony VI Finale. I felt the tempo was extremely too slow, and due to this, was lacking the excitment of this wonderful piece (For a more exciting, no holds-barred recording of the Widor 6th, check out David M. Patrick's recording). Overall, this recording is very powerful and really shows off what this famous, yet, not so very often recorded organ can do.

Good, but not the best ever.......1999-11-08

This disc has on it one of America's foremost organists playing one of the largest organs ever constructed. The result is a mix of good music well played with some rather irritating bits. Firstly, the Dunstable and the Purcell (actually by Jeremiah Clarke) make use of the incredible State Trumpet stop; whilst this makes for an excellent first track, in which it appears briefly at the start and end in a sort of fanfare motif, the use of this stop in the Trumpet Tune becomes ear-splitting and tiresome. Murray also has an apparent predilection for slower speeds (though in the main there is nothing wrong with that). Perhaps the most annoying thing is the second Vierne track (the Prelude in D major)- the sleeve notes make a clear point that "any music can be played on this organ", but whether as a result of the recording equipment or the gigantic acoustic or the instrument, it is as if this track was recorded through thick cotton wool from a distant room in the Cathedral. However, even with all these points, this is an interesting programme rendered with genuine sensitivity on a challenging instrument. Worth listening to.

Highly recommended.......1999-06-27

I bought this CD several years ago, and I never get tired of listening to it. Michael Murray gives his usual brilliant rendition of some of the world's greatest organ music in a setting with vibrant accoustics as St. John the Divine is one of the largest churches in the US. This should be required listening for any organ enthusiast.

Average customer rating:

Witty and Charming

Ill-Conceived PDQ Bach Anthology

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Percussion | Instruments | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Miscellaneous | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

The Wurst of P.D.Q. Bach
1712 Overture & Other Musical Assaults
Music for an Awful Lot of Winds and Percussion
P.D.Q. Bach: The Short-Tempered Clavier
P.D.Q. Bach in Houston - We Have a Problem!

ASIN: B00000FDBK
Release Date: 1998-11-24

Tracks:

This Is Professor Pete
1712 Overture (S. 1712)
Introduction
II. Aria With Chorus: 'Howdy There'
Recitative: 'It Wasn't Long'
III. My Heart
Recitative: 'When Oedipus Heard'
VI. Chorale And Finale
Introduction
Love Me
WTWP Station ID
Oo-La-La Introduction
Oo-La-La: Cookin' French Like The French Cook French - Dana Krueger
Introduction: The Musical Sacrifice (S. 50% Off)
I. Fuga Meshuga - Susan Palma
Introduction
Classical Rap (S. 1-2-3) - Grandmaster Flab
Introduction
I. C Major - Christopher O'Riley
Introduction
II. Simply Grand Minuet
Introduction
Little Bunny Hop Hop Hop
Introduction
Minuet Militaire
Enough Already

Customer Reviews:

Witty and Charming.......2000-08-15

This CD is fun and action packed as much as you could hope for in a CD. He uses quotes from many famous folk and classical songs and implements them into his own compositions with a bit of a twist. For example, in Classical rap, where he raps about being the best rapper in the world with terrific brass interludes between the verses. The orchestra plays a clip from Vivaldi's "Spring" and then he twists it into a record "wicky-wicky" to the same tune. He introduces every peice before it is played in a hilarious manner in which he talks about the peice and something else that was going on in the composers mind as he wrote the peice. Starting at the begining-

This is Professor Pete- Peter Schickele introduces himself as well as P.D.Q.

1712 Overture- A takeoff of the 1812 overture of course, with snatches of some famous folktunes thrown in here and there.

Oedipus Tex- A parady of the Greek Myth Oedipus Rex where he murders his father who is the King. Oedipus Tex lives a life like his brother but in Texas style.

The next tracks are more comedy than exactly music like the WTWP station giving options over the phone about how you would like to hear a certain peice of music. Cooking French... is a woman cooking a French gourmet meal but flubbing up the entire time.

Tracks:

Sub Tuum Praesidum - Monks & Choir Of Downside Abbey
Miserere Mei, Deus - Gerald Finley
Veni Sancte Spiritus - Hilliard Ensemble
O Nata Lux - Choir Of King's College
Verbum Caro Factum Est - CLERKES OF OXENFORD
Buccinate In Neomenia Tuba - Barry Rose
O Magnum Mysterium - Choir Of King's College, Cambridge
Ave Verum Corpus - Choir Of King's College, Cambridge
Tu Es Petrus - Choir Of King's College, Cambridge
Kyrie - Hilliard Ensemble
Gloria - Choir Of St. John's College, Cambridge
Credo - Choir Of King's College, Cambridge
Sanctus - Hilliard Ensemble
Agnus Dei - Hilliard Ensemble
Absalon, Fili Mi - Hilliard Ensemble
Hosanna To The Son Of David - Choir Of King's College, Cambridge
Spem In Alium - Paul Nicholson

Tracks:

Gloria In Excelis Deo - Deborah Norman
Laudamus Te - Deborah Norman
Magnificat Anima Mea - Choir Of King's College, Cambridge
For Unto Us A Child Is Born - Ambrosian Singers
Bereite Dich, Zion - Janet Baker
Zadok the Priest (Coronation Anthem) - Choir Of King's College, Cambridge
Cum Sancto Spiritu - Chor Des Bayerischen Rundfunks
Et Incarnatus Est - Chor Des Bayerischen Rundfunks
Chorale Prelude BWV622 - Peter Hurford
Zion Hort Die Wachter Singen - South German Madrigal Choir
Erbarme Dich, Mein Gott - Stephanie Blythe
Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
Thou Knowest, Lord (Funeral Music For Queen Mary) - Choir Of King's College, Cambridge
Hear My Prayer, O Lord - Choir Of King's College, Cambridge
O Sacred Head, Sore Wounded (Passion Chorale) - Choir Of King's College, Cambridge
Crucifuxus A 8 - Choir Of King's College, Cambridge
I Know That My Redeemer Liveth - Ambrosian Singers
Hallelujah Chorus - Ambrosian Singers

Tracks:

Introit: Requiem Aeternam - Felicity Lott
Kyrie - Felicity Lott
Lacrimosa Dies Illa - Felicity Lott
Laudate Dominum - Barbara Hendricks
Regina Coeli - Kolner Kammerchor
Laudams Te - Kiri Te Kanawa
Benedictus - Julia Hamari
Alleuluia - Lucia Popp
Ave Verum Corpus K618 - Swedish Radio Chorus
With Verdure Clad - Arleen Auger
The Heavens Are Telling - Arleen Auger
Kyrie - Carolyn Watkinson
Gloria In Excelsis Deo - Carolyn Watkinson
Kyrie - Janet Baker
Die Ehre Gottes Aus Der Natur (Nie Himmel Ruhmen) Op.48 No.4 Orch. Mottl - New Philharmonia Chorus
Gloria - Waltraud Meier