Modern

Editorial Reviews
Album Description
1999 release from one of the most important and influential punk bands ever. Featuring Pete Shelley and Steve Diggle. 14 new tracks all penned by Shelley or Diggle. Standard jewel case. --This text refers to the Audio CD edition.

Tracks:

It Could Happen to You
Isnt This A Lovely Day
How Insensitive
Exactly Like You
From This Moment On
I was Doing All Right
Little Girl Blue
Day In Day Out
Willow Weep For Me
Come Dance With Me
You Can Depend On Me

Amazon.com

This album appears in the footsteps of 2004's The Girl in the Other Room but doesn't sound like a follow-up. Whereas The Girl saw the pianist-singer abandon the Great American Songbook for more personal pastures, From This Moment On sees her working out on standards done in traditional arrangements. Although the tracks here are by the likes of Cole Porter, Jimmy Van Heusen and Sammy Cahn, and the Gershwins, Krall sounds more at ease than ever before; perhaps digging deep inside on The Girl loosened her up. Backed by the Clayton/Hamilton Jazz Orchestra on seven tracks, Krall sings off the big band with ease. On the title track, she keeps up with a galloping bass and explosive brass arrangements and even ventures into scatting toward the end of the song. Her voice has also acquired a wonderfully worn texture in the past few years, and it works wonders on the ballads (just listen to "Isn't This a Lovely Day" and "Little Girl Blue" for instance). When standards are done like this, there's just nothing like 'em. --Elisabeth Vincentelli

Album Description

From This Moment On is an 11-song collection that captures the Canadian-born sensation in full swing, in great company, and at the top of her game. It could also be called her strongest, most cohesive release to date. Krall--for the few still unknowing--is the 41-year old sensation whose cool, heavy-lidded vocals and strikingly sensitive piano-playing has helped her transcend barriers of genre to become a popular artist of the first order who has carved herself a permanent position at the top of the jazz charts. In songs, mood, and delivery, From This Moment On reveals Krall's personal ardor for that golden era of song-making, when Frank Sinatra, Ella Fitzgerald, and (especially) Nat "King" Cole were in their prime. It's musical territory that Krall has often explored, but this album was certainly not a case of simply repeating past formulas: Krall's A-team of support--producer Tommy LiPuma, engineer Al Schmitt, and arranger/bandleader John Clayton--were on hand to ensure that inspiration was kept on an edge, unhindered by the studio environment.

More Diana Krall

All for You: A Dedication to the Nat King Cole Trio
Live in Paris
Love Scenes

The Girl in the Other Room
Christmas Songs
Stepping Out

Customer Reviews:

Cover Artist.......2007-07-19

I listened Diana Krall live in concert tonight. I did not know much about her except that she is regarded as one of the greatest jazz artists of our generation which made me feel rather ignorant as I am a big fan of jazz. She played for an hour and a half tonight and she is obviously a talented musician. However, one thing struck me as odd ... for one of the shining lights of modern jazz, she sang one, ONE, original song. All of the music she played were covers of some of the greatest jazz music ever recorded. What became evident is that this talented woman bears a talent that is only skin deep. The one original song that she sang was horrendous, a lyrical disaster. I cringed each and every time the refrain was repeated. Granted the crowd, purveyors of insipid music one and all, ate it up. Her own music can't all be that bad can it? I walked away with the thought that music, as in fine arts, has simply become a playground for lazy artists to appeal to lazy fans who don't expect any more than rote regurgitation. Diana Krall is a cover artist. What galls me about her fame and fortune is that talent alone didn't make her famous. Is it because she's an attractive woman who can tickle the keys of a piano and sing in a sultry voice? There are multitudes of rock cover bands who get ridiculed for playing songs they didn't write. So, why does this woman get lauded for doing the same thing? Talented yes, but genius? ... to compare her to Cole Porter or Nat King Cole would be sinful.

Diana Krall Excells!.......2007-06-27

Diana has one of the greatest voices in the jazz biz. She plays a great piano, sings as a song bird, and is truly a marvelous performer.
(Cute too.)

Buy this one. If you like jazz, it is a Must in your portfolio/collection.

"From This Moment On" ~ Diana Krall.......2007-06-26

Listening to my CD of Diana Krall, "From This Moment On," is so relaxing.
Diana executes her songs with her strong, yet mellow voice.
The "back-up" band is a great asset to this CD, so between Diana singing and the band playing, you feel like you're "In Concert!"

Everyone HAS to hear it to believe it!

Mike

From This Moment On.......2007-06-10

From This Moment On~ Diana Krall is easy listening jazz at its best. Ms Kralls vocal skills are remarkable and she sings these traditional jazz tunes with conviction and fortitude of a grandmaster of jazz. The book-let is beautifull if a bit sparse. The photographs are simply put it amazing and she looks stunning. The production value is right on the money and I like it since it so easy to listen to even for jazz beginners such as myself. Highly recommended indeed and I easily give this album 5 out of 5 stars.

What went on with Ms. Krall?.......2007-05-24

Repertoire consists of rather expected standards. All broadly covered brilliantly by so many vocalists in the past. Ms. Krall and her arrangers adds nothing at all.

Singing offers no surprise than a mainstream singer would do.

Orchestra is currently the darling big band of the time being. Good players, rare good ideas, nothing impelling.

There is an original and beautiful arrangement here: for the track 'How Insensitive'.

And that's all. Let's wait for the next Krall album.

Average customer rating:

Great soundtrack
Great Blues
music is life
bluestastic
Wonderful Soundtrack!

Black Snake Moan

Manufacturer: New West Records
ProductGroup: Music
Binding: Audio CD

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Old School
Black Snake Moan
10 Days Out (Blues from the Backroads)/ (CD/DVD)
Death Proof
Grindhouse: Planet Terror

ASIN: B000L211NC
Release Date: 2007-01-30

Tracks:

Opening Theme / Scott Bomar
Ain't But One Kind Of Blues / Son House
Just Like A Bird Without A Feather / Samuel L Jackson
When The Lights Go Out / The Black Keys
Standing In My Doorway Crying / Jesse Mae Hemphill
Chicken Heads / Bobby Rush
Black Snake Moan / Samuel L Jackson
Morning Train / Precious Bryant
The Losing Kind / John Doe
Lord Have Mercy On Me / Outragious Cherry
Ronnie and Rae's Theme / Scott Bomar
The Chain / Scott Bomar
Alice Mae / Samuel L Jackson
Stack-O-Lee / Samuel L Jackson
Old Black Mattie / R.L. Burnside
That's Where The Blues Started / Son House
Mean Ol' Wind Died Down / North Mississippi Allstars

Amazon.com

This soundtrack to the film written and directed by Craig Brewer is as steeped in the Southern blues as his Hustle and Flow was in hip-hop. The biggest surprise here is how well actor Samuel L. Jackson (who seems to have a thing for "Snake" films) holds his own as a blues singer against selections from Son House and R.L. Burnside. He sounds like a throwback to the classic Delta bluesmen on "Just Like a Bird Without a Feather," does a convincing take on the Blind Lemon Jefferson title track, and rocks the juke joint on "Alice Mae" and a down-and-dirty recasting of "Stack-O-Lee." Produced by the Bo-Keys' Scott Bomar (who also scored Brewer's previous movie), the 17-cut soundtrack features a kaleidoscopic array of blues, from the primal throb of the Black Keys' "When the Lights Go Out" and the funk of Bobby Rush's classic "Chicken Heads" to the spiritual lilt of Precious Bryant's "Morning Train" and the North Mississippi Allstars' expansive finale, "Mean Ol' Wind Died Down." --Don McLeese

Album Description

Black Snake Moan, the latest film from Hustle And Flow director Craig Brewer, tells a tale of love, betrayal, sex and salvation. It stars Samuel L Jackson, Christina Ricci and Justin Timberlake. The film take place in Memphis, Tennessee and the local blues music from the area is a central part of the movie.

The soundtrack includes some classic and current blues artists including Son House, R.L. Burnside, North Mississippi Allstars and the singing debut of Samuel L Jackson.

While the Black Snake Moan soundtrack presents the best musical moments of the movie, as a stand-alone document, its seventeen tracks weave together a raw depiction of today's North Mississippi scene: a little bit country, and a little bit rock'n'roll, both built on a bedrock of primitive blues.

The Black Snake Moan soundtrack is a must have for fans of the film, the Blues, Samuel L Jackson or just a music fan looking for something very cool.

Customer Reviews:

Great soundtrack.......2007-07-22

This is an excellent soundtrack. I loved the movie and wanted to hear more of the music. It's a good mix of mostly blues, and Samuel Jackson sings on several tracks. Great swampy blues.

Great Blues.......2007-07-19

Saw the movie and loved the music, so had to have the soundtrack. Great traditional blues from the south!

music is life.......2007-07-14

The audio CD is not as good as the DVD.
Good story - the DVD translation to audio CD dissapoints as the soul feeling isn't there. Samuel Jackson could have a second career as he did pour his soul into the music [not evident on the audio CD of Black Snake Moan.] It's another way to make us pay more dollars for what technology doesn't want to deliver/share.

I like the DVD but if I want to listen to just the music -well you'll have to decide what is more relevant to you.

Old Mississippi blues, the heart of the soul. I'd rather have the soul.

bluestastic.......2007-03-19

This soundtrack to the excellent film was obviously put together by people who both know and feel a responsibility to the blues. Samuel L Jackson adds vocals to four tracks and does an admirable job; on 'Just like a Bird Without a feather' he more than holds his own alongside classic blues singers like RL Burnside and Jessie Mae Hemphill. John Doe--from the punk band X--adds a track as well that fits in much better than one might think.

Wonderful Soundtrack!.......2007-03-11

Watching the movie I was overwhelmed by the greatness of its soundtrack, and after purchasing this CD I was pleased to see that everything still seemed as wonderful. I am not a blues afficianado, but I do appreciate good music. I think that most anyone could enjoy this soundtrack.

Average customer rating:

Modern Times is a modern classic
As good as Dylan gets
Still the greatest of all time
Is It Rolling Bob? You Bet It Is!
I heard the deafening noise.

Modern Times
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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All the Roadrunning
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Highway Companion
Love
We Shall Overcome: The Seeger Sessions

ASIN: B000GFLAI0
Release Date: 2006-08-29

Tracks:

Thunder On The Mountain
Spirit On The Water
Rollin' and Tumblin'
When The Deal Goes Down
Someday Baby
Workingman's Blues #2
Beyond The Horizon
Nettie Moore
The Levee's Gonna Break
Ain't Talkin'

Amazon.com

At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter

Dylan Classics and Collections

The Freewheelin' Bob Dylan

The Times They Are A-Changin'

Bringing It All Back Home

Highway 61 Revisited

Blonde on Blonde

Blood on the Tracks

No Direction Home: The Soundtrack

Biograph (Box Set)

Bootleg Series 1-3: Rare 1961-1991 (Box Set)

Album Description

First new album in 5 years featuring 10 new songs

Customer Reviews:

Modern Times is a modern classic.......2007-07-14

Don't worry: no matter what the title may imply, Modern Times is not Dylan attempting to update his music to fit current trends. He has yet to do that. Instead, Modern Times is for the most part a bluesy album: he even rewrites a few blues classics ("Rollin' and Tumblin" becomes, well... "Rollin' and Tumblin'"; "Someday Baby" is a slightly different "Trouble No More" with the "Hip Shake"/"La Grange" riff, and "Levee's Gonna Break" is little more than a rewrite of "When the Levee Breaks"). "Rollin'" is energetic, but it's also probably the weakest moment on a generally strong record - original blues songs like the wrenching "Workingman's Blues #2" and hard-rockin' "Thunder on the Mountain" (love the guitar solo!) are the two indisputable highlights, and they're perfectly contrasted by jazzy country-blueses such as "Spirit on the Water", "Beyond the Horizon" and "When the Deal Goes Down". The country songs here are all among the greatest Dylan ever did in the genre, though to be fair none of them are "Lay, Lady, Lay" - "Horizon" is a bit too long, but only by about a minute or so. And while Dylan's melodies are normally nothing worth getting excited about, I love the melody (and the lyrics, and everything else) found on "Nettie Moore". In fact, I think "Nettie Moore" is my favorite song on this album - it hasn't gotten the hype of songs like "Thunder on the Water", "Workingman's Blues #2" or "Spirit on the Water", but it's a fabulous folk song and I will definitely stick up for it. Give it ten years; this'll be one of Dylan's classic songs. You see if it isn't. Oh yeah, and "Ain't Talkin'" has the best lyrics found on this album. And I really like the song's dark, doomy atmosphere too, with the violins and such. Plenty of albums by awful artists came out in 2006, and it's nice to hear Dylan (who's twice the age of most members of My Chemical Romance - third behind the Eagles and Green Day as the band I unnecessarily insult the most in my reviews, by the way) showing them all up. This is his best in a very long time.

As good as Dylan gets.......2007-07-12

Its a shame that so many folks become closed minded to new music at a certain age. This is as good as anything Dylan has ever done, but because of the above it won't be remembered as well.

Still the greatest of all time.......2007-07-10

At 23 years old I am not your typical Bobhead, I own all 30+ Dylan albums including bootlegs. I have been to several Dylan concerts over the last few years. Dylan has come out with 3 studio albums the last 10 years all critical successes. With Modern Times Dylan was the oldest artist to reach number one on the Billboard 200 chart. Out of the three this is my least favorite. I loved Love and Theft and liked Time Out of Mind. Love & Theft was loud, funny and all around great. Time Out of Mind was a little depressing but had amazing lyrics. Modern Times is a mix between the two albums. To be completely honest I only liked three songs on this album: Thunder on the Mountain, Spirit on the Water and Workingman Blues #2. Someday Baby gets better with every listen so maybe I will put that one on there too. But who cares? It's Dylan....get the cd already.

Is It Rolling Bob? You Bet It Is!.......2007-07-02

For 40+ years, Bob Dylan has spilled my heart, stripped bare my soul and rattled my complacent mind. Modern Times reassures and re-inspires. Aging we may be but still relevant: older, wiser, gentler, more tolerant and deeply clarified about the daily human commonalities that join us all. Just when fans think they have a handle on Bob Dylan, he shifts gears and opens his reach in a new direction letting us know that the rest of us can do the same. No other artist steps as unfailingly in rhythm with my generation as Bobby D. He knows where we are, who we are, and I hope, in the still of the night, I'll be with you, Bob, When the Deal Goes Down. Like Highway 61 Revisited and Blood on the Tracks, Modern Times calls us to A New Morning.

I heard the deafening noise........2007-06-26

This is Bob Dylan's 32nd studio album. Most of the songs are adaptations of older songs (mostly blues songs) with new lyrics by Dylan. The music has a rather "rootsy" feel to it, while still sounding modern. I won't get into a song by song analysis, because many more knowledgeable people than me have already done that. I'll just call it a damn good album of Dylan singing the blues and leave it at that.

Average customer rating:

also good for soundtracks
Earth-shattering Calm
Excellent
Ray LaMontagne
Of Course

Trouble
Ray LaMontagne
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Amos Lee
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O

ASIN: B0002S947K
Release Date: 2004-09-14

Tracks:

Trouble
Shelter
Hold You In My Arms
Narrow Escape
Burn
Forever My Friend
Hannah
How Come
Jolene
All The Wild Horses

Amazon.com

Some singer/songwriters (think Paul Westerberg and Elliott Smith) develop their world-weariness through the unforgiving trials of passing years and the heart-breaking grind of the music business. Others (Van Morrison, Neil Young) seem to have sprung from out of nowhere with the fully formed soul of a life well-lived. Ray LaMontagne belongs with the latter. On this, his debut, LaMontagne has crafted a handful of quietly devastating meditations on life and love--and delivered them with a raspy vocal all his own. The simple, mournful lyrics of "Burn," "Shelter" and the title track recall a Hank Williams ballad, and the reserved production by alt-country/americana genius Ethan Johns (the Jayhawks, Ryan Adams, Kings of Leon) make this a great disc for smoky Saturday nights, and rainy Sunday mornings. --Ben Heege

Customer Reviews:

also good for soundtracks.......2007-07-19

I know I've heard tracks from this record used on TV shows, and there's a good reason for that. Ray LaMontagne has a husky yet listenable voice, articulate lyrics, and a range of melodies. Taylor Hicks would do well to try to emulate his idol further.

Earth-shattering Calm.......2007-06-03

This album is soulful, deep and thick. His voice will melt your worries away.

Excellent.......2007-05-20

Buy this album! I received this album as a gift for my birthday and it has stayed in my CD player since. This is easily the best album I have in my collection and will continue to liten to it over and over and over again. You will not be disappointed if you want to hear great music.

Ray LaMontagne.......2007-04-10

Great songwriter and music! If you have a soul you will like this CD.

Of Course.......2007-03-09

An absolutely great sound to this relaxing artist... of course it is a 5.

10 Days Out (Blues from the Backroads)/ (CD/DVD)

Average customer rating:

Great music and a piece of blues history
Fantastic.
Blues greats, best of blues artists
Outstanding
Great!

10 Days Out (Blues from the Backroads)/ (CD/DVD)
Kenny Wayne Shepherd
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Freedom's Road
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In the Palace of the King

ASIN: B000IFQLSW
Release Date: 2007-01-23

Tracks:

Prison Blues
Potato Patch
Honky Tonk
The Thrill Is Gone
Tina Marie
Born in Louisiana
Chapel Hill Boogie
Tears Come Rollin' Down
Knoxville Rag
Big Daddy Boogie
U-Haul
Red Rooster
Sittin On Top Of The World
Spoonful
Grindin' Man

Amazon.com

This "back-to-the-roots" road-trip documentary CD/DVD from blues-rocking guitarist Kenny Wayne Shepherd can be viewed in two ways--it's either the culmination of a long-held desire to promote and play with some unheralded blues veterans before they pass away (as six had already done since the recording was made, 2½ years before its early 2007 release) or a way to regain the blues audience Shepherd all but alienated on his artistically and commercially disappointing 2004 hard-rock release, The Place You're In. Ultimately, it succeeds on both accounts. Regardless of the project's inspiration, the results by and large justify whatever the means might have been to get this show on the road--literally and figuratively. Shepherd hit the highway for a week and a half along with producer Jerry Harrison (ex-Talking Heads), a portable studio, and backup musicians including the rhythm section from Stevie Ray Vaughan's Double Trouble. He searched out blues artists both obscure (the late guitarist Etta Baker, who plays in her kitchen, is a highlight) and better known (Clarence "Gatemouth" Brown and B.B. King) for a series of acoustic and electric jams, all of which feature Shepherd--who, to his credit, generally keeps his hot-dogging tendencies in check. A closing concert featuring members of Howlin' Wolf and Muddy Waters' bands never quite generates the heat it should, but country bluesmen Cootie Stark, Neil Pattman, and harmonica ace Jerry "Boogie" McCain provide plenty of sparks. Shepherd seems sincere enough, but the real stars are the ageing musicians who have maintained their chops and intensity through a lifetime of performing music that clearly comes from the soul. --Hal Horowitz

Album Description

Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads, a CD+DVD package that features the guitarslinger and Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with Ten Days Out...Blues From The Backroads.

Customer Reviews:

Great music and a piece of blues history.......2007-07-19

This is a wonderful bit of blues history. I take my hat off to KWS for taking a back seat to these blues legends. The music is fantastic and the DVD/CD catalogs an art form that is loosing its greatest performers every day. If you are a blues fan or want to know a bit of its history you need to get this release. It is one of the best.

Fantastic........2007-07-18

Maybe it's the rythm section as well, but Kenny adds another layer to these old blues guys. I would like to see a lot more of these types of CDs before we lose some of this great music. Since the recording and the release, 5 of the players had died. What a shame for the loss, but thanks Kenny and company for exposing them to a greater audience. They all deserved it.

Blues greats, best of blues artists.......2007-07-07

Wonderful DVD/CD chronicling major historic blues artists - one of a kind album - a 'must have' for the blues enthusiast. Highly recommend!

Outstanding.......2007-07-04

I bought this CD/DVD AFTER seeing KWS in concert at Viejas here
in San Diego. What a treat to see and hear Pinetop Perkins and
Hubert Sumlin among others! My estimation of KWS as a performer
and good guy increased by a quantum leap after seeing the show.
He may be one the best guitarists I've ever seen live, and he
respectfully kept that fiece talent in check when the others were
stepping out. He seems a real gentleman as well as lover of the
music and the people.

The package is excellent, a real gem. The interviews and background
materials are touching, especially of the folks that have since passed.

BUY THIS CD. THESE GUYS ARE THE REAL DEAL. YOU WON'T BE SORRY!

Great!.......2007-07-04

This is actually my second purchase of this item. When I purchased one for myself and realized how good it was, I purchsed one as a gift for a friend. Highly recommend for anyone who loves the blues.

Average customer rating:

This one is a must have!!
As always....
Knock out!!
Just The Best Blues Guitar Around
Tab Never Disappoints

Power of the Pontchartrain
Tab Benoit
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000Q9OD1M
Release Date: 2007-06-26

Tracks:

Don't Make No Sense
Good To Ya, Baby
Shelter Me
Power Of the Pontchartrain
For What It's Worth
Midnight And Lonesome
Sac-au-lait Fishing
Somebody's Got To Go
I'm Guilty Of Lovin' You
Addicted
One Foot In the Bayou

Amazon.com

Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden gems. Julie Miller's "Midnight and Lonesome" is dragged into the murky swamps as a driving ballad with eerie qualities that live up to its name. Miller and husband Buddy are also credited with the righteous-yet-rugged gospel of "Shelter Me." "Somebody's Got to Go," originally by Lonnie Johnson, gets a crisp, frisky makeover, and even Buffalo Springfield's crusty "For What It's Worth" takes a swim in the muddy waters of Benoit's home state, with a little help of some altered, post-Katrina lyrics. The guitarist lets his Cajun influences fly on the bouncy rhythms of "Sac-Au-Lait Fishing," the album's only original, and shifts into pleading Otis Redding mode for the aching blues ballad "I'm Guilty of Lovin' You." The Chicago-by-way-of-the-Delta shuffle of "One Foot in the Bayou" is also an apt description of Benoit's approach. He touches on a variety of Americana styles, yet always keeps part of himself planted firmly in the wetlands of his roots. --Hal Horowitz

Customer Reviews:

This one is a must have!!.......2007-07-26

Once again Tab Benoit has outdone himself! His artistry shines on this album like never before! Gritty, haunting blues in Midnight And Lonesome, High steppin, foot tappin sounds in Sac Au Lait Fishing, and heartfelt pain in I'm Guilty of Lovin You. I have been a diehard fan of Tab Benoit for many years and must say this is one of his best efforts yet. Can hardly wait to see him live on stage again!

As always...........2007-07-22

Every time you buy a Tab Benoit's CD you can be sure that you will not be disappointed. And, as always, the brand new "Power of the Pontchartrain" confirms that rule. Excellent material played extremely well by Tab and the accompanying band. This time the "Louisiana's Leroux" are the supporting band and this is not irrelevant to the great final result. In fact the band spent several years, as explained in the linear notes, with one of the greatest Louisiana blues player of all time Mr. Clarence "Gatemouth" Brown. The album is really very good and I would take the risk to say that from my point of view this is Tab's best effort so far. Tab's voice sounds great as always and the guitar playing is absolutely fantastic throughout the entire CD. The excellent and clean production and sound of Telarc Blues deserve a mention too. All the eleven songs in the menu are very strong and you will not be tempted to use the skip bottom of your CD player at any time, however I believe that a special mention is deserved by the great cover of the Stephen Stills' classic "For what it's worth", by the deep blues "Midnight and lonesome" that for me is the best cut of the bunch, and by the two mid tempo "Somebody got to go" and "Addicted". Very highly recommended for all the blues lovers.

Knock out!!.......2007-07-16

Popped this into my CD player in the car the minute I got it and 5 minutes later was actually saying "Holy Smokes!!" outloud. Like all his music this CD is a knock your socks off collection of music. We saw him in person this summer and he is fabulous. Got called back for 2 encores and the crowd was screaming for more. He's the greatest guitar player I've heard since Stevie Ray Vaughn and he sings too!!

Just The Best Blues Guitar Around.......2007-07-15

Folks, if you haven't had the opportunity to hear and/or see Tab Benoit, then you're missing one of the greatest blues guitarist's in today's world. This man has IT! His music is as infectious as his love for the bayous of Louisiana and the blues greats he has played with and learned from. Treat yourself to some great music when you sit back and crank it up listening to Tab sing and just wear out that Fender of his that's shown on the allbum cover. Enjoy!!

Tab Never Disappoints.......2007-07-02

I never worry when I buy a Tab Benoit CD because his material is consistently good and his style doesn't change much over time. He is a superb rhythm guitarist and songwriter and a great live performer. His Louisiana style of blues is on display again with Power of the Pontchartrain. Besides the title cut, my favorite tune is Sac-Au-Lait Fishing, which makes you want to get up and dance. I also like One Foot in the Bayou. All in all, a great CD if you like a New Orleans style blues band.

Average customer rating:

Wonderful
Splendid
music to my ears
Beautiful, Engaging, but not Explosive
Une "entente cordiale" !

Metheny Mehldau Quartet
Pat Metheny , and Brad Mehldau
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free Jazz | Jazz | Styles | Music

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Metheny / Mehldau
Pilgrimage
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Back East
The Third Quartet

ASIN: B000MRNTKO
Release Date: 2007-03-13

Tracks:

A Night Away
The Sound of Water
Fear and Trembling
Don't Wait
Towards the Light
Long Before
En La Tierra Que No Olvida
Santa Cruz Slacker
Secret Beach
Silent Movie
Marta's Theme (from "Passagio per il Paradiso")

Amazon.com

New Age-leaning guitarist Pat Metheny and melancholic pianist Brad Mehldau have such distinctive, even rarified, sensibilities (each an acquired taste for some listeners), that their teaming may have looked like a one-time commercial ploy in the beginning. But having found rewarding common ground and a receptive audience through their shared love of pop, Brazilian music and Americana, they likely will work together again. Recorded at the same time as their first album, a duo effort, Quartet takes a satisfying step forward in featuring the Mehldau trio's first-rate bass and drum team, Larry Grenadier and Jeff Ballard, on most of the tracks. Ranging from rhapsodic reflections to full-tilt fusion fare to loping, Wes Montgomery-inspired tunes--and let's not overlook that Asian-tinged song featuring Metheny on 42-string guitar--the music is sometimes a bit soft at the core. But when the stars are aligned, as on the effortlessly flowing, co-written opener, "A Night Away," and Metheny's charming "En La Tierra Que No Olvida," their partnership glows. It will be interesting to hear where they go from here. --Lloyd Sachs

Album Description

Quartet expands upon the "dream pairing" - begun by guitarist Pat Metheny and pianist Brad Mehldau on their 2006 Nonesuch collaboration, Metheny/Mehldau. This time they incorporate the members of Mehldau's trio, bassist Larry Grenadier and drummer Jeff Ballard, into a breathtakingly eclectic set, which ranges from the airy, pastoral "Don't Wait" to straight-up rocking in the slowly building "Towards the Light." Last year, London's Evening Standard described Metheny and Mehldau as "graceful, lyrical improvisers...It's a duo performance that deserves to tour." Now the pair is indeed hitting the road, along with Mehldau's two band-mates, in March for a month of shows throughout North America in support of Quartet. The 11 tracks that comprise Quartet were cut during the week-length December 2005 session at Manhattan's Right Track that yielded Metheny /Mehldau, a recording date that, over time, will surely be considered a landmark in contemporary jazz. On Quartet, each artist contributes original solo compositions as well as their first co-written piece, "A Night Away." The group also reworks Mehldau's "Fear and Trembling," which originally appeared on House On Hill, Mehldau's final outing with his previous trio lineup. It also interprets Metheny's "Marta's Theme," from his score to the 1998 Italian film, A Passage to Paradise. Quartet is perhaps even more adventurous and just as rewarding as their first release; the exhilarating back and forth between Metheny and Mehldau continues with their eagerly awaited live dates.

Album Description

Quartet expands upon the extraordinary musical dialogue - or, as Amazon.com puts it, the "dream pairing" - begun by guitarist Pat Metheny and pianist Brad Mehldau on their 2006 collaboration, Metheny/Mehldau. This time they incorporate the members of Mehldau's trio, bassist Larry Grenadier and drummer Jeff Ballard, into a breathtakingly eclectic set, which ranges from the airy, pastoral "So Much Music Everywhere" to straight-up rocking in the slowly building "Towards The Light.'

Customer Reviews:

Wonderful.......2007-07-12

This album is second to Michael Brecker's Pilgrimage. The tunes are great, the players are great - great album. Their first album together teased us with two tunes that featured the quartet - the quartet album won't let any expectations down. Buy it.

Splendid.......2007-07-05

This is really a revelation of sorts, beautifully produced new-age jazz by Pat Metheny. I had liked some of his earlier efforts and lost patience after a while but he has managed to renew his approach quite a bit. The music is sonically perfect and the whole disc is exceptional not just one or two tracks, Beautiful. I may have to buy the first one also.

music to my ears.......2007-06-06

a musical delicacy of cold cut jazz. well balanced between slow and mellow songs and more upbeat numbers that simply jazzles your mind.
one down side, some of the numbers are to short, leave you wanting for more, well the whole cd creates this entire empty space that craves more of that jazzy jazz; some of the songs has the beautiful, slow evolution from downbeat tempo but every melodious moving toward some really funky stuff (not as in funk but funky as in phat)but ending all too soon.

Beautiful, Engaging, but not Explosive.......2007-05-30

Mehldau and Metheney have collaborated such that their work on this cd is continuous with their previous but separate efforts while still being a creative and enjoyable work. Most of the tracks have, as their foundation, Mehldau's incredible sense of balance between the complex and the simple. Mehldau's sense of when and how to fill--and not fill--in the spaces continues to be an incredible strength of his approach. Metheney's contribution is to ride this gentle wave with his usual mix of engaging accessibility. Metheny's use of a synthesizer effect allows him to explore two of the tunes more freely which provides the most satisfying tracks on the album (5 & 9). What the album lacks in explosiveness (check out Mehldau's version of "Solar" on the album Art of the Trio Vol IV) it makes up in subtle inventiveness.

Une "entente cordiale" !.......2007-05-26

"Recorded in the same all-originals sessions as last October's Metheny / Mehldau collaborative debut from guitarist Pat Metheny and pianist Brad Mehldau, "Quartet" picks up where the first disc left off, albeit on a slightly quieter note. While Metheny / Mehldau focused on the duo chemistry of the co-leaders (only two of 10 tracks featured Mehldau's trio teammates, bassist Larry Grenadier and drummer Jeff Ballard), the new set tips the scales in favor of the foursome (seven of 11). Again, simpatico chemistry is on exhibit as Metheny and Mehldau converse with intuitive sensitivity on such passionate dialogues as "Long Before," "So Much Music in the Air" and "Sound of Water," the last of which an impressionistic beauty graced by Metheny's 42-string guitar. Highlights include the easy-going, oblique "Santa Cruz Slacker" and "Towards the Light," charged with Metheny's synth guitar dynamics and a surging rhythmic chug in the midsection".( Billboard - Dan Ouellette).
This is the eagerly awaited sequel to an album that exposed an unexpectedly deep empathy between two very different jazz stars last year. Pianist Mehldau, so hyperactive and complex on his own, emerged as a remarkably supportive and creative accompanist, freeing guitarist Metheny's guitar and guitar-synth to take flight in their lightest, airiest way. This audience-friendly process now involves Mehldau's trio, with bassist Larry Grenadier and drummer Jeff Ballard, in seven of the 11 original songs.Metheny's change of guitars from electric to acoustic could perhaps jar the senses slightly, but here, rooted by the rhythm section these changes pay off and excite rather than confuse the listener. The pace is varied, there are constant flourishes and changes of tempo and tone to keep your attention and the standard of playing from all present is just incredible. These guys understand pacing and texture, they let a track build it's own internal drama and follow the tune all the way.
Tranquil ballads and serpentine dance-themes ride latin and swing beats in an absorbing package that goes on world tour this spring : this is just a fantastic album of incredible musicianship which never loses sight of the primacy of the melody. Neither intrument is allowed to dominate the other - neither tries to dominate - but instead both weave together in an almost symbiotic way.

Average customer rating:

Nice cuban music
Cubano Revisited
Ry Cooder With All Star Cuban Band
Buena Vista Social Club Classic
Absolutely fantastic!

Buena Vista Social Club
Ry Cooder , Ibrahim Ferrar , Ruben Gonzalez , Compay Segundo , and Omara Portuondo
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Cuba | Caribbean & Cuba | International | Styles | Music

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Introducing...Rubén González
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A Toda Cuba Le Gusta

ASIN: B000005J56
Release Date: 1997-09-16

Tracks:

Chan Chan
De Camino A La Vereda
El Cuarto De Tula
Pueblo Nuevo
Dos Gardenias
Y Tu Que Has Hecho
Veinte Anos
El Carretero
Candela
Amor De Loca Juventud
Orgullecida
Murmullo
Buena Vista Social Club
La Bayamesa

Amazon.com essential recording

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright

Customer Reviews:

Nice cuban music.......2007-03-15

I have had this album a number of years, and my enthusiasm is not quite as great as many of the viewers here, because although it is generally pleasant listening, I don't think there are really any outstanding tracks or personal favorites on here.

I should add that I speak Spanish fairly well and therefore understand the lyrics, and am generally an enthusiast of Hispanic culture and music. The story of this worthy project and how this was recorded are interesting and I suspect some reviewers are moved more by sentiment than just on the merits of the music, some of which seems very middle-of-the-road to me, albeit pleasant enough for casual listening.

Cubano Revisited.......2007-02-12

Ry Cooder did a good thing reassembling these wonderfully talented and forgotten stars of another period. Great album, wish it was a double, triple, a collection. I would buy it. Can't replace these icons of another era and their sound will be gone with them.

Ry Cooder With All Star Cuban Band.......2007-02-02

All done in Spainish, this excellent CD has a book included with translations and facts about the players. The music here oozes with atmosphere, taking you to the heart of Cuba. First rate musicianship and great songs all the way through. Ry leaves the vocals to various others, but his guitar work is unmistakably present. A good veiw indeed!

Buena Vista Social Club Classic.......2007-01-16

For those of you who are fans of the Buena Vista Social Club already, this is the masterpiece. A culmination of talented musicians, soul, love, and sultry afternoons with a cool drink getting ready to kick on into the night!

For those of you who have never listened to this style of music, don't just listen to it once as you could compare it to the first 3 olives you have ever eaten.

The first one shocks your taste with a layered complexity that is both sharp and mellow, leaving you with a look on your face that says "what just happened?".

The second takes you back to the memory of your first taste, and enjoying re-living the sensation, you start looking for more.

The third confirms your interests and instils an infatuation with something unique, powerful, and good for the heart and soul, that will be played over and over again.

Absolutely fantastic!.......2007-01-11

Michael Fletcher reviewed this CD spot-on. And I concur with the review that it is magical--it is indeed that. I can listen to it over and over at work or at home! It seems to suit almost any mood and simply nourishes the soul. I highly recommend for anyone who enjoys good music--you don't even need to be a fan of Cuban music. I certainly am not well versed in Latin music, but am a definite fan of this album!

Average customer rating:

This CD could be all you need...
Routine roundup
Not the best "Greatest Hits" album for SRV
Good, But Not Worthy of Stevie Ray Vaughn
Nice Compilation

Stevie Ray Vaughan - Greatest Hits
Stevie Ray Vaughan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002AOU
Release Date: 1995-10-31

Tracks:

Taxman
Texas Flood
The House Is Rockin'
Pride And Joy
Tightrope
Little Wing
Crossfire
Change It
Cold Shot
Couldn't Stand The Weather
Life Without You

Customer Reviews:

This CD could be all you need..........2007-05-19

I read another review that pretty much hit the mark. If you are not real heavy into SRV, this is a great CD to have. It has all his stuff you've heard on the radio plus a few other tasty cuts. On the other hand, there are a lot of really smokin tunes that are missing from this short collection. It's like a teaser - when it's over, you'll wish there was a disc number two.

Routine roundup .......2007-04-27

Okay, if you're starting a fan off, you'd want them to hear examples of Stevie's stunning guitar. Makes sense, right? That's the guy's claim to fame, after all. And yet they miss out on a few of his best solos. Where's Rivera Paradise? Where's Lenny? Where's Things (That) I Used to Do? Wheres Ain't Gone 'n' Give Up on Love? Love Struck Baby? Testify? Wall of Denial? Let Me Love You Baby? Or, if you want a bit of acoustic SRV, how about Life By the Drop? If you're looking for just Stevie's best known songs, this does contain Texas Flood, Pride and Joy, Couldn't Stand the Weather, Cold Shot, Life Without You and the cover of Little Wing. But this was a blown opprotunity to present the definitive Stevie Ray Vaughan overview. Stick to Essential if you're a newcomer, since it contains most of this album plus most the above tracks.

Not the best "Greatest Hits" album for SRV.......2007-03-02

Was a fan for many years of this man, and was extremely devastated upon his sudden death in the mid eighties. An artist such as SRV has many great songs as well as lesser-known gems. I like the songs on this album but the bad thing is that it is not remastered. For the money you cannot go wrong, but for a little more you can get a better compilation than this one, which came out in 1995. Groovy sounds and of course the Blues mystique is what you get here. Features hits like Taxman and one of my favorites in "Couldn't stand the weather". If you can pick up the 2002 release "The Essential Stevie Ray Vaughan and Double Trouble" then that is a better purchase in my opinion. Other great songs include "Pride and Joy" and the fun rocker "The House is rockin". The best thing for this artist would be to present fans with a boxed set that included all of the singles as well as some live performances. If you are new to SRV then this is not a bad place to start.

Good, But Not Worthy of Stevie Ray Vaughn.......2007-01-10

It's a shame that such an excellent artist is so under-represented in this compilation.

Nice Compilation.......2006-10-07

Of course with any Greatest Hits compilation by any artist, people are going to fuss about songs left out and/or included. I think everyone will agree that every song on here deserves its place, though personally I think that omitting "Look at Little Sister" and "Love Struck Baby" leaves a big vacuum. Still, this CD does what it intends to do: showcases the absolutely uncanny talent of SRV. The man plays with more than just a feel for the guitar, he plays like he's channeling a higher spirit. All you have to do is take one listen to "Little Wing" where he fleshes out the Hendrix' tune, runs with it, and makes it his own.
I'd recommend this CD to someone who isn't all that familiar with SRV and wants to just jump in where the waters fine, or to anyone who wants a plum (tho compact) compilation. (Another plus is the pamphlet which gives great insight to each song by those who know.)

Average customer rating:

RICK SHAQ GOLDSTEIN SAYS: "TINSLEY'S BLUES GUITAR SLINGING, IS AT THE TOP OF HIS GAME!"
MAY BE HIS BEST

Moment of Truth
Tinsley Ellis
Manufacturer: Alligator Records
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

Electric Blues Guitar | Blues | Styles | Music

Modern Blues | Blues | Styles | Music

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Katrina Was Her Name

ASIN: B000QEILK6
Release Date: 2007-06-26

Tracks:

Say Too Much
Somebody
Get To The Bottom
You're Gonna Thank Me
Tell The Truth
Too Much Of Everything
Bringin' Home The Bacon
Freeway Soul
I Take What I Want
Sleep On It
Stare At The Sun
Shadow Of Doubt

Album Description

MOMENT OF TRUTH is a giant leap forward in his career. Capturing all the power and energy of his legendary live performances, the new CD is the most guitar-driven, aggressive studio recording he has ever made. His vocals reach new heights of soulfulness and expressiveness; his guitar playing is ferocious and relentless, but when the mood calls for it, gentle and moving. But what really sets the album apart is the depth of Ellis' songwriting. The material deals in matters both personal and universal and runs the gamut of human emotions. MOMENT OF TRUTH is Ellis' most wide-ranging and inspired recording.

Customer Reviews:

RICK SHAQ GOLDSTEIN SAYS: "TINSLEY'S BLUES GUITAR SLINGING, IS AT THE TOP OF HIS GAME!".......2007-07-12

You'll never know, how happy I am to write this review on Tinsley's new CD. Tinsley, has until now, in my opinion, been a juke joint, club level, blues southern rock performer. But his performance on this CD, is first class, and in my eyes, Tinsley has now moved to center stage! As "Shaq's, The King Of The World Blues Reviewer's" loyal fans, know, I have described Stevie Ray Vaughan and Albert Kings, unique string play, as "bending the strings", and I have called Buddy Guy's "snapping the strings". Well, Tinsley's string work on this CD, is so powerful, that on some songs, it sounds like he's got rocket engines attached to his guitar! I am officially christening, Tinsley's string sound as: "HEAVY STRING BLUES REVERBERATION!" A number of months ago, I was complimented by a Boston reviewer, because I didn't just give away 5 star ratings, like they were going out of style. So believe me, this is a 5 star rating. As Shaq always says: "You can't get the blues in 3-4 minutes!" This CD is loaded with two 6 minute plus songs, four 5 minute plus songs, and three 4 minute plus songs. Another area that gives me additional pleasure, is when an artist performs songs that he has written himself. It just gives the song a little more feeling and meaning to me. Tinsley has written 10 of the 12 songs on this masterpiece. Total running time 59 minutes. (NOTE TO AMAZON: I think it would be a valuable addition to your listings if you listed the lengths of the songs and CD.) In summary: I recommend this highly, and I hope for Tinsley's benefit, and mine, and all his new fans, that this CD is going to create, that he keeps releasing many more CD's of this quality, in the very near future. Welcome to center stage Tinsley!

MAY BE HIS BEST.......2007-07-12

Before this offering, I thought that STORM WARNING was Tinsley's best. I may change my mind. I will have to listen to this one more. It is certainly his loudest: listen to the samples. But loud does not mean better. Now someone like Walter Trout sounds great with his metal blues/rock sound, but, I think it hurts Ellis' style: his past music has a lot of softer parts, like EARLY IN THE MORNING. You feel that they are trying too hard to, maybe, get the younger listeners interested. What I mean is that Tinsley's style is not heavy metal. But I am not complaining. Every song is very good to excellent. The material is typical Tinsley Ellis: Robert Cray soul blues, blues, and rock. TELL THE TRUTH, I first heard on Jonny Lang's first record. Maybe Ellis is returing the favor for Jonny using his outstanding song, A QUITTER NEVER WINS, although I don't know if Ellis wrote TELL THE TRUTH. A couple of numbers I remember liking on this disc are, BRINGING HOME THE BACON, and YOU'RE GONNA THANK ME. SHADOW OF DOUBT is acoustic, and reminds me of Alan Wilson of Canned Heat. The audio quality is outstanding, although a little on the dead side. Tinsley's guitar playing is excellent but he seems to be rushing his notes. With some promotion, this release could put Tinsley into the big time.

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