Hail, Hail [CD-single] [EP] [Import]

Editorial Reviews
Album Description
Japanese edition of single for hit from 'No Code'. It's backed with 'Black, Red, Yellow'. Slimline jewel case. The artwork on the CD resembles a dart board. 1997 Sony release.

Tracks:

2 + 2 = 5
Sit down. Stand up.
Sail to the Moon.
Backdrifts.
Go to Sleep.
Where I End and You Begin.
We suck Young Blood.
The Gloaming.
There there.
I will.
A Punchup at a Wedding.
Myxomatosis.
Scatterbrain.
A Wolf at the Door.

Amazon.com

Filling the gulf between OK Computer's epic progressive rock and Kid A's skittering electronic theatrics, Hail to the Thief borrows equally from each. Its title implies that this will be a collection filled with songs of anger and dissent, but Radiohead no longer howl at the moon like they did on 1995's The Bends. Instead, they use eloquent metaphors and complicated arrangements to express the uncertainty, fear and anger arising from the 2000 U.S. presidential election and a post-9/11 world. There's no doubt about where Thom Yorke and company stand; the prog-rock break on "2 + 2 = 5" and Yorke's terror at the thought of being "put in a dock" make that immediately clear. But there's a prevailing sense of powerlessness here. The tinkling piano behind the cold sonic surface of "Backdrifts" and the brief, swooping melody in the middle of "Sail to the Moon" are islands in a sea of confusion. Like the band's best work, Thief requires more than a few listens to fully appreciate, but those who stick around will be richly rewarded. --Matthew Cooke

Amazon.com

Radiohead Photos

More from Radiohead

OK Computer
The Bends
Kid A

Pablo Honey
Amnesiac
The Astoria London Live

Customer Reviews:

Review 1000!.......2007-07-17

I dont know what else to say that will add to the other 999 reviews submitted for this disc. Its great, just not as great as OK computer or Kid A or even Amnesiac. I like this one better than The Bends though. Start with those three. If you like them then get this one.

what happened?!.......2007-06-04

pablo honey was ok. the bends was revolutionary. ok computer was so beautiful. kid a was a great album but not at my first listen. amnesiac was kinda experimental and i dont like it as much.

ok time to go back to the good stuff right? wrong. driving even further away at what they were best at. ive tried like 3 or 4 times to listen to this album and like it. everytime i stop it. its boring and the songs are dumb.

hell, that thom yorke solo cd is better than HTTT.

some radiohead soulsearching.......2007-04-13

After 6 years of radiohead album experiencing , and one year since radiohead at bonnaroo with my best friends i think i have come to the best conclusion possible.

Every album is great expect pablo honey (2 great songs, nothing else to speak of)

Amnesiac is great, i like the mysterious to all but two or three of the songs (track 03 is one of them), pyramid song is my favorite. spinning plates is amazing live.

Kid A is one of my favorites and is such a beautiful album to listen too. But not for anytime or day though. It kind of like " healing inner pain" kind of music, amazing, but sometimes. at the right time.

The bends has a similair issue as kid a. its awesome, but so emotionally charged you have to listen to it on a very special feeling day. Drive around on a beautiful day for no reason and listen to it. Feel great about life album.

Hail to the Thief is so heavy, powerful, and dark, The songs are ordered flawlessly and is like a similation of experiencing someone's inner psychology"

Ok computer is just, well.....you know. just beautiful.

Here's how i rank them at this point

1) Ok Computer

2) Hail to the Theif

3) Kid A

4) The Bends

5) Amnesiac

6) Pablo Honey

Yesterday's headlines blown by the wind.......2007-02-23

After completely changing their sound with 2000's KID A and 2001's AMNESIAC, the fate of Radiohead seemed uncertain. Where would they go next? They'd already passed on their chance to become the world's biggest band, and they'd lost a lot of fans who loved the band for its strong, dreamy 90's alt-rock sound on the group's first three albums. It all came together in 2003, when the band suddenly reappeared with HAIL TO THE THIEF, a 14-track masterpiece spawned from the recent (negative) changes in the political landscape.

A big part of why HAIL TO THE THIEF is such a success is that the band combines the strength, aggression, and subliminal protests of their early albums with the oddity and surreal techno sound of KID A and AMNESIAC. The result is Radiohead's finest album since OK COMPUTER, and also their darkest and most unsettling. On HAIL TO THE THIEF, the band is no longer trying to take a stand. To them it seems that time is up, and they're just going to rub it in our faces, with lyrics like "We can wipe you out anytime," "You have not been paying attention," and "We tried but there was nothing we could do." Listening to this album, I can't help thinking that Radiohead is the best band since The Beatles, and that HAIL TO THE THIEF is the Radiohead equivalent to THE WHITE ALBUM, a diverse collection of songs (though these are, of course, considerably more morose than anything The Beatles ever composed). Though there's not a bad or even lackluster song in the bunch, there are a number of songs that stand out above the rest, such as the firey opener, "2+2=5" (a reference to George Orwell's masterpiece of dehumanization and paranoia, 1984), the rolling "A Punchup at a Wedding", the brilliant "Myxomatosis" (the very sound of rage), the dreamy, drifting "Sail to the Moon", the surprisingly down-to-earth "Go to Sleep" (the most "normal" Radiohead song since OK COMPUTER), and the hopeful yet bizarrely morose "A Wolf at the Door".

The band is at its finest, both performance- and composition-wise. These are some of Thom Yorke's most intricate and meaningful lyrics, to which Thom lends some of his finest vocals. Strongly supporting him are razor-edged guitar from Jonny Greenwood and Ed O'Brien, prominent bass by Colin Greenwood, and impressively varied drumming styles from Phil Selway. The album's themes deal primarily with the feeling of paranoia, distrust, suspicion, and disillusionment from the 9/11 attacks as well as the Iraq War and the U.S. government's handling of the situation (guess who the titular "Thief" is?). It was clear that Radiohead was back in a big way - they experimented on KID A and especially on AMNESIAC, and HAIL TO THE THIEF was where they combined that with their pre-Y2K sound to make one hell of an interesting recording.

Mixed Feelings........2007-02-05

I will say the same thing about Hail to the Thief that I said about Kid A. When some of the individual songs are left to stand alone, they easily earn five stars. When considered as an album, however, Hail to the Thief is a little choppy in places.

2+2=5, There There, and Go to Sleep stand out as benchmarks; songs like the Gloaming and Punchup at a Wedding, though daring and original, do not quite flow with the album as a whole. This being said, the better songs on Hail to The Thief make it a great success musically and experimentally-- but, all things considered, I don't feel it quite reached the five-star mark.

Average customer rating:

wonderful
Repackaged New Year's Concert 1984 with VPO, etc.
I am glad I bought this one
Great Music as usual
A gem!

Strauss: The Best of Vienna

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Strauss Waltzes
Favorite Waltzes
Johann Strauss: Waltzes
Chopin: Waltzes Nos. 1-14
Chopin: Favorite Piano Works

ASIN: B00000HY9K
Release Date: 1999-01-12

Tracks:

The Blue Danube - (Waltz) - J. STRAUS SR./STRAUSS*J. JR.
Anna Polka - (French Polka) - J. STRAUS SR./STRAUSS*J. JR.
Morning Papers - (Waltz) - J. STRAUS SR./STRAUSS*J. JR.
At The Hunt - (Polka) - J. STRAUS SR./STRAUSS*J. JR.
Light of Heart - (Fast Polka) - J. STRAUS SR./STRAUSS*J. JR.
Wine, Women And Song - (Waltz) - J. STRAUS SR./STRAUSS*J. JR.
Pleasure - Train - (Fast Polka) - J. STRAUS SR./STRAUSS*J. JR.
Vienna Bonbons - (Waltz) - J. STRAUS SR./STRAUSS*J. JR.
Perpetual Motion - J. STRAUS SR./STRAUSS*J. JR.
Accelarations - (Waltz) - J. STRAUS SR./STRAUSS*J. JR.
Pizzicato - Polka - (Johann And Josef Strauss) - J. STRAUS SR./STRAUSS*J. JR.
Tales From The Vienna Woods - (Waltz) - J. STRAUS SR./STRAUSS*J. JR.

Tracks:

The Emperor Waltz - Vienna Philharmonic Orchestra
Thunder and Lightning - (Fast Polka) - Vienna Philharmonic Orchestra
Die Fledermaus: Overture - Vienna Philharmonic Orchestra
Voices of Spring - (Waltz) - Vienna Philharmonic Orchestra
Prince Methusalem: Bandit Gallop - (From 'Prince Methusalem') - Vienna Philharmonic Orchestra
Artist's Life - (Waltz) - Vienna Philharmonic Orchestra
Persian March - Vienna Philharmonic Orchestra
Roses from the South - (Waltz) - Vienna Philharmonic Orchestra
Eljen a Magyar! - (Fast Hungarian Polka) - Vienna Philharmonic Orchestra
Chit-Chat Polka - Vienna Philharmonic Orchestra
Vienna Blood - Vienna Philharmonic Orchestra
Radetzky-March - (Johann Strauss, Father) - Vienna Philharmonic Orchestra

Customer Reviews:

wonderful.......2007-07-22

These CD's were wonderful. When I drive in the Sierra Nevada mountians I want something peaceful but not boring. I love, love, love it.

Repackaged New Year's Concert 1984 with VPO, etc........2005-02-23

If I'm not mistaken, most of the pieces were recorded originally live during a 1984 New Year's Concert conducted by Lorin Maazel with the Vienna Philharmonic playing in its grand concert hall, the Musikverein. Maazel and the Vienna Philharmonic have had a longstanding relationship dating from the 1960's, and without question, this CD does rank among my favorite New Year's Concert performances (However, the most mesmerizing ones I've heard have been those with the late Carlos Kleiber and Nikolaus Harnoncourt conducting.) for the superb quality of the Vienna Philharmonic's playing. Maazel leads the Vienna Philharmonic Orchestra in some of the most popular works composed by the Strauss family, most notably Johann II Strauss' Tales from the Vienna Woods Waltz, Emperor Waltz, Pizzicato Polka, Blue Danube Waltz and his father's Radetzky March, which traditionally closes out the annual New Year's Concert. Fans of the Strauss family, Vienna Philharmonic and Lorin Maazel, will not be disappointed with this excellent two CD compilation.

I am glad I bought this one.......2003-04-25

I listen to this cd to relax and it is so soothing. It starts with The blue Danube, which is my favorite. But the rest of the songs do not disapoint.

Great Music as usual.......2002-10-08

This is great recording,
I enjoy listening to it
veru much. This is a
compilation of all the
favorite waltzes by
the Strauss family, that
one might hear at a
New Year's eve concert
of the Vienna Philharmonic...
All waltzes and Polkas are
favorites of audiences everywhere
in the world...

A gem!.......2001-10-29

Who else knows Strauss better than Viennese? I attest that no other orchestra in the world plays Strauss better than the Vienna Philharmonic. Their light sound is exactly what the composer wanted, and it really makes other clumsy, heavy attempts by some other orchestras like Berlin and Chicago seem pathetic.

Tracks:

Roses From The South Op.388
The United Millions Op.443
Where The Lemon Trees Blossom Op.364
Artist's Life Op.316
Treasure Waltz (From The Gypsy Baron) Op.418

Tracks:

Emperor Waltz Op.437
Tritsch, Tratsch Polka Op.214
Wine, Woman And Song Op.333
Eljen A Magyar Op.332
Morning Papers Op.279
Persian March Op.289
On The Beautiful Blue Danube Op.314

Customer Reviews:

Waltz CD review.......2007-05-06

The CD was delivered on time and was exactly as advertised ... good.

Average customer rating:

Mad about Baroque
The beauty of the songs brings tears to my eyes
Brilliant
Be Welcome then, great Sirs (and Mesdames).
Brilliant Purcell Disc

Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Purcell: The Fairy Queen
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
Purcell: Full Anthems & Organ Music

ASIN: B000002ZDU
Release Date: 1995-04-10

Tracks:

Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
The Choir Of The King's Consort: Hear My Prayer, O Lord
Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
Complete Anthems And Services Vol.3: Hosanna To The Highest
Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
Complete Anthems And Services Vol. 11: An Evening Hymn
Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven

Chuck Berry - Hail! Hail! Rock 'N' Roll (1987 Documentary)

Average customer rating:

Hail! Hail! Rock 'N' Roll
Kick Out The Jams
Great, simply great.
Too Bad This Video is Out of Print
Keith Richards is God

Chuck Berry - Hail! Hail! Rock 'N' Roll (1987 Documentary)
Chuck Berry
Manufacturer: Mca
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Binding: Audio CD

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Chuck Berry - Hail! Hail! Rock N' Roll (4 Disc)
Live at the Fillmore Auditorium
Buried Alive: Live in Maryland
St. Louis to Liverpool
Gold

ASIN: B000002O5D
Release Date: 1990-10-25

Tracks:

Maybellene
Around And Around
Sweet Little Sixteen
Brown Eyed Handsome Man
Memphis, Tennessee
Too Much Monkey Business
Back In The U.S.A.
Wee Wee Hours
Johnny B. Goode
Little Queenie
Rock And Roll Music
Roll Over Beethoven
I'm Through With Love

Customer Reviews:

Hail! Hail! Rock 'N' Roll .......2007-04-29

I have always lived in the St. Louis, Mo. area and am old enough to have seen Chuck Berry when he started with the Johnny Johnston Trio at the Cosmopolitan Club in E. St. Louis, Ill. I knew then he was going to be great. The rest is history so I will fast forward to Chuck's 60th Birthday Part Fest at the lengendary, ornate Fox Theatre in St. Louis, Mo.I can listen to Chuck sing his well known songs in any format but this cd has a great sound mainly due to the influence of Keith Richards putting together a tight band and never forgetting to include the late great Johnny Johnston and his awesome piano. Chuck has the St. Louis audience into from the get go but what I really dug was that he had Eric Clapton do "Wee Wee Hours," (awesome) the fantastic and beautiful Linda Ronstadt cookin on "Back In The U.S.A." - Linda brought the house down (I was lucky to be there) and the best of all in my opinion was when Etta James sang "Rock-n-Roll Music" - oh my goodness did she really "get down" with it....that to me was the highlight of the night.Robert Cray did a nice job on "Brown Eyed Handsome Man" but it paled in comparison with the original. Julian Lennon was really good on "Johnny B. Goode." You could tell he really enjoyed singing it that night but the best part was that Chuck also sang some and then harmonized with Julian - nice! Chuck had the audience really plugged in on "Sweet Little Sixteen," "Little Queenie" and "Roll Over Beethoven." The place was litteraly going nuts and that is captured on this cd. Not too many live Chuck Berry cds out there and none that are this well put together. Buy this sucker. A nice little touch is when Chuck sings "I'm Through With Love." As a voice says in the back ground "you have a great sound for a rock-n-roll singer, you should have been a jazz singer." Chuck Berry was instrumental in getting Black music into the White culture (with all due respect to Little Richard and the great Chicago Blues singers). This is a must cd for the serious Chuck Berry fan unless you want to buy the DVD. I am glad they didn't screw this compilation up by adding "My Ding-a-ling." This was just good old hard core Chuck Berry Rock-n-Roll at it's best.

Kick Out The Jams.......2007-02-13

Keith Richards was nearly a Stone alone at the celebrations of Chuck Berry's 60th birthday.

The concerts were held in the Fox Theatre - St. Louis, Missouri - on October 6, 1986, and Berry Park - Wentzville - on October 16. The 13 songs from the shows clock in at slightly over 39 minutes.

A documentary chronicled the oftentimes fractious relationship between Richards - who put together the band & produced the CD - and Berry, which found the latter threatening several times on camera to abandon the project.

The years leading to the shows found Berry mostly backed by local musicians who had no practice time before taking the stage. That is one of the reasons why Richards stepped in and brought together an all-star band for the event, which included Johnnie Johnson, who was a long-time pianist with Berry.

The other band members are Richards (guitar), Chuck Leavell (piano), Bobby Keys (sax), Joey Sampinato (bass), Steve Jordan (drums) and Ingrid Berry (vocals). The guests made the shows very special, as the legendary Etta James brought the house down on Rock And Roll Music. Linda Ronstadt (Back In The USA) and Julian Lennon (Johnny B. Goode) also delivered outstanding vocal performances.

Eric Clapton (guitar, vocals) is drenched in the blues on Wee Wee Hours, one of the first tracks Berry recorded for Chess Records - and the B-side to his first hit, Maybellene. But it's Robert Cray (guitar, vocals) on Brown-Eyed Handsome Man that remains my favorite cut.

Other songs that appear on the CD include Around And Around - the Rolling Stones have a great cover of it on Love You Live - Maybellene and Memphis, Tennessee.

Berry is rock-n-roll and these performances demonstrate the reason why.

Great, simply great........2006-11-08

This documentary give you an insite into the man and his music. His music in on many CD's but this video tells a lot about the man. Very, very interesting.

Too Bad This Video is Out of Print.......2005-07-07

A friend wanted a copy of this video and I was surprised to see Hail! Hail! Rock 'N' Roll was out of print. Hard to believe since Chuck is the godfather of rock. I bought the VHS in the early 90's and it included all the star interviews and rehearsals at Chuck's place. Total running time is 2 hrs. 1 min. This is a great video, especially the interviews and rehearsal sessions. Bluesbro, as any musician knows, you can't hog the spotlight through a whole show. The sax player you referred to that soloed that you would have rather seen Chuck solo in his place is none other than Bobby Keys, tenor sax player of the Rolling Stones since '69. I play tenor sax in 3 bands, have been playing sax since '69, and Bobby Keys has been my greatest influence. I had to write this because I hate to see Bobby Keys, one of the greatest modern rock and roll horn players, referred to as "sax player".

Keith Richards is God.......2003-01-17

The review by 'Bluesbro' is rubish! Keith Richards is awesome on this video, perfecting the guitar playing that Chuck Berry started in the fifties. For those that have not seen the full movie, Chuck berry does not show Keith how to play Carol, Keith's own version is like dynamite. The video includes Wee Wee hours with Clapton, the best I'v heard of Clapton. Well that could just be something to do with Mr Richards on Rhythm!!

Average customer rating:

Wonderful entainment
Beyond words ...
Magnificent voices, songs and arrangements
Not their best album
Excellent !!

Sacred
Irish Anonymous , Joe / Sprague, Billy / Carroll, Bruce Beck , Nicholas Brodszky , Gregorian Chant , Henri F. Hemy , Chuck / Shamblin, Allen Jones , Charlie Landsborough , John Newton , Stuart Townsend , Traditional , Irish Traditional , Shaker Traditional , Stevie Wonder , Arnie Roth , Orchestr Ceská Filharmonie , Anthony Kearns , Finbar Wright , and Irish Tenors
Manufacturer: Razor & Tie
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

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We Three Kings
Heritage
The Irish Tenors - In Concert With the Chicagoland Pops Orchestra
The Very Best of The Irish Tenors
Ronan

ASIN: B000A2GP2K
Release Date: 2005-09-13

Tracks:

Deus Meus
Be Thou My Vision
Morning Has Broken
My Love
If I Can Help Somebody
My Forever Friend
Shelter Me
Amazing Grace
To Do Your Will
Hail Glorious St. Patrick
How Deep The Father's Love
Lord Of The Dance
There's No Cross
I'll Walk With God
Salve Regina

From the Label

Sacred marks John McDermott's first recording with the Irish Tenors since rejoining fellow original member Anthony Kearns and Finbar Wright (who actually replaced McDermott in 2000). The Irish Tenors live up to their reputation as "gifted interpreters" with this collection, covering a wide range of spiritual material. Sacred was produced by the Irish Tenors' long-time musical director, Arnie Roth, who has also worked with Charlotte Church, Diana Ross, and Art Garfunkel. The album was produced in Prague at the Rudlofinum and ICN Studios.

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Ellis Island
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Rough Guide to Irish Music
My Life Belongs to You

Customer Reviews:

Wonderful entainment.......2007-07-25

We love the Irish Tenors. They are so great. We saw them in person and enjoyed the evening

Beyond words ..........2007-03-22

Having only recently discovered The Irish Tenors, nothing here was a repeat to me. And, even if it was, I can't imagine being disappointed.

If you are open to the idea that music can be a vehicle for a moment of sublime and sacred ecstacy, that may help convey what I find difficult to put into words.

While I live continuously and constantly in Our Father's presence, a music album such as this can certainly heighten the moment with Him.

Magnificent voices, songs and arrangements.......2006-06-17

This is an extraordinary collection. The songs are irresistible, the voices incredibly powerful and filled with appropriate emotion, and the orchestra is very simply great. You'll want to buy this album for others. Simply beautiful. A pure joy.

Not their best album.......2006-02-27

For the most part this is an enjoyable collections of sacred music. However the inclussion of "Lord of the Dance" and other modern tunes are dreary no matter who sings them.

Excellent !!.......2005-10-26

I recently went to a concert to hear The Irish Tenors. They did several songs from this CD and it was great. If you like John McDermott as much I do then you must have this CD. This is a triple good CD with 3 top tenors.

Average customer rating:

The very, very best Johann Strauss Jr. recordings

Johann Strauss: Waltzes

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Strauss Waltzes
Strauss: The Best of Vienna
Favorite Waltzes
Lehár: Waltzes
Chopin: Waltzes Nos. 1-14

ASIN: B00004Z19J
Release Date: 2001-03-27

Tracks:

The Blue Danube Waltz, Op.314
Hunting Polka, Op.373
Anna Polka, Op.117
Tales From The Vienna Woods Waltz, Op.325
Perpetuum mobile, Op.257
Vienna Blood Waltz, Op.354
Thunder And Lightning Polka, Op.324
In The Krapfen Woods Polka francaise, Op.336
Roses From South Waltz, Op.388
Tritsch-Tratsch-Polka, Op.214
Voices Of Spring Waltz, Op.410
Champagne Polka, Op.211
Hurrah For The Huingarian! Polka, Op.332
Emperor Waltz, Op.437

Customer Reviews:

The very, very best Johann Strauss Jr. recordings.......2006-08-14

No orchestra in the world has ever known how to play the waltzes of Johann Strauss Jr. as well as the Wiener Philharmoniker . . . and no conductor has ever led the Philharmoniker in this repertoire in as perfect a Strauss style as Willi Boskovsky (the orchestra's long-time concertmaster). The sine qua non of Strauss playing, the famous Viennese lilting afterbeats (where the second of the three beats of the waltz tempo comes infinitesimally early, rather than in strict time) is here. Tempos perfectly "in the groove" are here. Accept no substitutes: in this repertoire, this combination of performers is the absolute gold standard.

Sousa: Marches; Band of HR Royal Marines; Lt. Col. G.A.C. Hoskins

Average customer rating:

Sousa
Sousa By the Royal Marines
Still Among the Best
How Sousa Should Sound

Sousa: Marches; Band of HR Royal Marines; Lt. Col. G.A.C. Hoskins
John Phillip Sousa , Lt. Col. G. A. C. Hoskins , and Band of HR Royal Marines
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

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The United States Marine Band Performs Sousa Marches
Sousa's Greatest Hits
Sousa Original II / United States Marine Band
Stars & Stripes Forever and the Greatest Marches

ASIN: B0000CE7FX
Release Date: 2004-06-01

Tracks:

King Cotton
The Gladiator
Semper Fidelis
The Belle Of Chicago
The Invincible Eagle
Manhattan Beach
The Liberty Bell
El Capitan
The Washington Post
The Crusader
The Black Horse Troop
The Fairest Of The Fair
The High School Cadets
The Stars And Stripes Forever
The Pride Of The Wolverines
Hail To The Spirit Of Liberty
From Maine To Oregon
The Diplomat
Powhatan's Daughter
Kansas Wildcats
Sound Off
The Thunderer

Tracks:

Hands Across The Sea
The Royal Welch Fusiliers
The Legionnaires
Daughters Of Texas
The Gallant Seventh
Golden Jubilee
Solid Men To The Front
Marquette University
The Beau Ideal
The Rifle Regiment
The Northern Pines
Nobles Of The Mystic Shrine
New York Hippodrome
The Gridiron Club
The Charlatan
The Lambs
The National Game
On The Campus
La Flor De Sevilla
Jack Tar
The Glory Of The Yankee Navy

Customer Reviews:

Sousa.......2007-07-25

I love Sousa marches but this recording while comprehensive and cheep lacks much to be desired in the musical rendension. It lacks the spark and musicality of Sousa.

Sousa By the Royal Marines.......2007-03-31

This is a great CD re-issue of the Band of the Royal Marines School of Music under Graham Hoskins. This band did a three LP series on Sousa marches some years ago that was better than most on this very well covered topic. Sousa march recordings will always come and go, but some like this stand out more than others. For one, there is nothing like the panache of a Royal Marines band. Their sound is a time honored development that gets passed from one generation to the next. Even as the number of RM bands continues to change and downsize, there are now about four bands left in the service, their sound quality continues to be superb.

When these recordings were made RM bands were still at their height in the British service and their quality was amazing. Most bands numbered over 60 in this period, and that is why many Americans may be surprsed at the volume of music produced here. This is not one of your small, though excellent regimental bands! Americans tend to think that British military band instrumentation is on the thin side. Not so here! Of course Sousa always sounds best with either the Allentown band or the US Marine band.

This CD is evidence of how popular Sousa has always been in the UK, and with RM bands in particular. The selection here on two CDs covers most of the standard Sousa fair, with a few different selections here and there. Unfortunatley there are none of Sousa's fine transcriptions for classical music, or selections from his operettas. This music is always wonderful to have in combination with the marches as it shows how much variety he was capable of in his compositions. For that kind of concert the reader is referred to the very fine collection of Sousa music being done under the Naxos label by the Band of the Royal Artillery.

Here you will find a solid collection of Sousa's great marches. Roughly a third of those 136 compositions are contained here. The Royal Marines give a sharpe and clear sound to these works which should certainly inspire. You will also get a very nice idea how RM bands sounded back in the 1980s. Graham Hoskins was a fine director of music, typical of the inhouse genius of the Royal Marines Band Service at that time. He took this band on a USA tour in 1985 with the Arygll & Sutherland Highlanders. Devotees of Sousa should enjoy these spirited versions of the march king's music as performed across the pond.

Still Among the Best.......2006-06-01

I bought two audio casettes with these marches back in the 1980's and wore them out. These performances are hard to beat for virtuosity, enthusiasm, and sparkle. The sound quality is outstanding. And there are some marches that are rarely, if at all, available.

How Sousa Should Sound.......2006-03-07

Great value 2 cd disc set cut in the early 1980's & remastered the sound of the Royal Marines Band is nothing short of terrific. Judging by the sound would not be surprised for this to be a combined double RM band. These 1st chair players give Sousa's great marches that extra kick that takes the "March Kings" music to that higher level. By the center quick march!!!!

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)