May I Sing with Me [Import]

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May I Sing with Me, Music, Yo La Tengo, Alternative Pop/Rock, Indie Rock, Noise Pop, Pop, Rock
Instruments of the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD

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  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
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  4. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The MARIO LANZA Collection
Average customer rating: 4.5 out of 5 stars
  • Selections from the Greatest Voice of the Last Hundred Years
  • A Must Have
  • The Mario Lanza Collection
  • The MARIO LANZA Collection
  • WONDERFUL!!!!!
The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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  1. Mario Lanza: At His Best!
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  4. American Caruso
  5. Lanza: Greatest Hits

ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

  1. Be My Love
  2. I'll Never Love You
  3. Because You're Mine
  4. The Song Angels Sing
  5. Drink, Drink, Drink
  6. Serenade
  7. The Loveliest Night of the Year
  8. La Donna E Mobile
  9. Because
  10. For You Alone
  11. Golden Days
  12. Deep In My Heart, Dear
  13. If I Loved You
  14. Yours Is My Heart Alone
  15. One Night Of Love
  16. Beloved
  17. Beautiful Love
  18. With A Song In My Heart
  19. You Are My Love
  20. Call Me Fool

Tracks:

  1. All The Things You Are
  2. My Song,My Love
  3. Love Is The Sweetest Thing
  4. Will You Remember
  5. Granada
  6. Lolita
  7. Serenade
  8. Temptation
  9. Lygia
  10. Lady of Spain
  11. This Land
  12. Lee-Ah-Loo
  13. Tina-Lina
  14. Boom Biddy Boom Boom
  15. The Bayou Lullaby
  16. The Lord's Prayer
  17. And Here You Are
  18. Song of Songs
  19. Somewhere A Voice Is Calling
  20. I Never Knew

Tracks:

  1. Ciribiribin
  2. Wonder Why
  3. Come Dance With Me
  4. O Sole Mio
  5. Younger Than Springtime
  6. For the First Time (Come Prima)
  7. Never Till Now
  8. Arrivederci, Roma
  9. If You Were Mine
  10. Behold!
  11. A Night to Remember
  12. Love in a Home
  13. Do You Wonder
  14. Softly as in a Morning Sunrise
  15. One Alone
  16. Aida:Celeste Aida
  17. Carmen: Flower Song
  18. La Traviata: Brindisi
  19. Rigoletto:Questa O Quella
  20. Pagliacci:Vesti La Giubba
  21. Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

5 out of 5 stars Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

5 out of 5 stars A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

5 out of 5 stars The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

4 out of 5 stars The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

5 out of 5 stars WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.
May I Sing with Me
Average customer rating: 4 out of 5 stars
  • Even a sub-par YLT album is still a great album
  • A completely untypical YLT album, but one I dearly love
  • love the band, hate this album.
  • A guitarfest that hasn't aged so well
  • Not the YLT album to start with, but....
May I Sing with Me
Yo La Tengo
Manufacturer: Alias Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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  1. Fakebook
  2. Upside-Down EP (5 tracks)
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ASIN: B000001HUD
Release Date: 1992-02-28

Tracks:

  1. Detouring America With Horns
  2. Upside-Down
  3. Mushroom Cloud Of Hiss
  4. Swing For Life
  5. Five-Cornered Drone (Crispy Duck)
  6. Some Kinda Fatigue
  7. Always Something
  8. 86-Second Blowout
  9. Out The Window
  10. Sleeping Pill
  11. Satellite

Amazon.com essential recording

May I Sing with Me is the oft-overlooked pivotal album in the Yo La Tengo discography: the first to be made with the lineup of husband-and-wife team Ira Kaplan (guitar, vocals) and Georgia Hubley (drums) with bassist James McNew; the first on which Kaplan emerges as a first-class guitarist; the first on which the band's interest in drone-pop combines with its rootsy-folky base; and the first on which they record a song over nine minutes long (two of 'em, in fact, and it's not a bad thing). The next three albums--Painful, Electr-o-pura, and I Can Hear the Heart Beating As One--all go further into sonic experimentation, with increasingly rewarding results, but on May I it's the dichotomy of raw power and mellow travelogues that infuses the songs. On "Mushroom Cloud of Hiss," Kaplan screams as his guitar wails like nothing this side of the MC5, but "Satellite" finds his guitar caressing Hubley's vocals. "Some Kinda Fatigue" marries the Velvet Underground to Jason & the Scorchers, while "Always Something" drops the latter. --Randy Silver

Customer Reviews:

5 out of 5 stars Even a sub-par YLT album is still a great album.......2004-06-27

I really ought to give this 4 stars, but I wanted to try and cancel out all the negative marks people give this album. While certainly not the best YLT release, it does not deserve all the ragging critics and fans have given it. Perhaps it was the victim of misguided (and dated) production techniques and maybe a little too long a rehearsal period, I'll give you that. Yes, it lacks dynamics, favoring constant noise and aggression when some tracks could use a quieter approach (and often receive it nowadays in live performances). But there are some really good songs and some great performances (particularly Ira's guitar work) on this disc. As the Amazon review says, this marks an important point in the band's career. Although bassist James McNew had not yet become a truly equal contributer for this recording (examples: the album credits songwriters individually instead of using the more democratic collective approach of future releases, and the bass lines are less integral to the arrangements) his arrival marks where YLT really started to become a cohesive unit with a true artistic direction. If you already own four or more YLT albums, you need to add this to your collection. Standout tracks include "Detouring America With Horns", "Upside Down", "Swing for Life", and "Five-Cornered Drone (Crispy Duck)" (which is featured in a superior instrumental version on "Genius+Love").

5 out of 5 stars A completely untypical YLT album, but one I dearly love.......2004-01-25

OK, I'm going to have to defend this album. This is widely considered to be one of Yo La Tengo's weakest albums, and is unquestionably one of their least popular. I have always been perplexed by this take on it. Perhaps my liking for the album stems from the fact that the first time I saw them live (I've seen them about 15 times since) was immediately before this album was released, so that the songs on this album comprised most of the set that they were performing. Since then I have seen them perform fewer and fewer songs off the album, with the exception of "Mushroom Cloud of Hiss," which is a near staple of every performance (and who can forget all three members of the band shoving guitars or basses against amplifiers, creating the greatest amount of feedback and distortion recorded in human history?).

But I think part of my liking for this album stems from the fact that I am more into pure garage rock rather than electronic experimentation. I have to confess a preference for driving drums, a solid bass line, and a withering guitar to a gentle synthesizer that is tape looped that characterizes so much of the rest of the Yo La Tengo catalogue (though I like that as well, and in fact own over a dozen YLT albums--it is not "either/or" for me, more "both/and" though I prefer the grittier, rarer garage side of YLT). I love YLT wild and out of control. I love Ira Kaplan's guitar work (I use "work" advisedly, because it isn't so clear that he can play the guitar as that he is a master at manipulating it--listen to his guitar on "Mushroom Cloud of Hiss" and tell me that you would describe that as "playing" the guitar). I love many, many Yo La Tengo albums, but this is the only one that gets my adrenaline going.

I like nearly song on this album. "Some Kinda Fatigue" is one of my all time favorite YLT songs and actually one of my all time favorite hard rock songs period. I love the thick layering of sound, all so dense that it doesn't seem possible that it is a mere trio. I also love the weird guitar line that drives "Out the Window." "Five-Cornered Hat" actually sounds more like something their buddies in Chicago's Eleventh Dream Day would play. (For those outside New York and Chicago, or perhaps not even in New York, there is a pretty solid connection between Yo La Tengo and Eleventh Dream Day. I have seen them perform together on several occasions. On more than a couple of occasions Ira Kaplan has joined Eleventh Dream Day to provide a second lead guitar to Rick Rizzo. And on several occasions when I have seen Yo La Tengo in Chicago, I have seen either Rick Rizzo or Janet Bean jump on stage to guest for a song or two, perhaps most memorably at the Metro in Chicago a couple of years ago when Rick Rizzo joined them for a number, and his ex-wife and ongoing bandmate Janet Bean jumped up on stage and undid his pants during a blistering guitar solo--for the ladies in the audience, Rick wears boxers.) And there are several lighter songs as well, like "Always Something" and "Satellite." The only song that really disappoints me is the long, dull "Sleeping Pill."

It is possible that this is an album that some fans of harder alternative rock might like more than the rest of the Yo La Tengo albums. Myself, I like them all, but although not at all fashionable, I will nonetheless confess that this remains my favorite YLT album, and the one that I have played the most over the past decade or so.

2 out of 5 stars love the band, hate this album........2002-01-31

Its an earlier album that instead of hinting at the genius to come, rather shows weaknesses in the genius that did.

3 out of 5 stars A guitarfest that hasn't aged so well.......2001-12-12

Time hasn't been especially kind to this album. But it's the one that got me into Yo La Tengo in the first place--in fact, I became a raving fanatic for the group after just one listen. But tht was back in '92, when grunge ruled and we were living in a happy world of post-punk guitar noise. This, by far YLT's loudest effort, fit in really well with the times. Now, in the wake of the group's increasingly experimental and atmospheric sound, "May I Sing With Me" sounds way too long and way too noisy most of the time.

The group is very sensitive about being pegged as Velvet Underground-derived, but if any album of theirs deserves that tag, this one does. The guitar solos are mostly out of the "I Heard Her Call My Name"/"Sister Ray" school of squall, and the feedback blitzkrieg at the end of "Mushroom Cloud of Hiss" may be a deliberate homage to Lou Reed's "Metal Machine Music." Other tracks sound like an update of the Dream Syndicate's "Days of Wine and Roses," itself one of the better VU-clone albums.

The problem with the album is it's just too much. Swap out two or three crunching rockers (esp. "Mushroom Cloud of Hiss") with some of the YLT outtakes from the same era (many captured on "Genius+Love") and this would be an infinitely improved album. I hate to admit it, but nearly 10 years after its release, it gives me a headache to listen to all the way through. The shorter, quieter tracks--"Always Something," "Satellite," and "Detouring America with Horns" hold up the best.

Happily, the group realized they were backing themselves into a noisy corner, and shifted styles dramatially on the followup "Painful," which has aged very well in contrast. This is still a must-hear for new YLT fans, but be warned: you will not believe this is the same band that made "And Then Nothing Turned Itself Inside-Out" (except for "Cherry Chapstick," which would fit well on "May I Sing with Me," actually).

4 out of 5 stars Not the YLT album to start with, but...........2001-01-05

The critics have not been so kind to this one, but, as other reviews note, it is an important album for YLT, and has at least two classics ("Detouring America with Horns" and "Satellite"). "Inside-Out" is one of their best pop efforts, too. The rest is more problematic. "Sleeping Pill" is not a good extended YLT instrumental, and while "Mushroom Cloud of Hiss" starts off as a great punky rant, it's ruined partway through by an extended all-feedback squeal. Mind you, this is an all-time favorite for me, but if you're looking for your first YLT album, you are hereby directed to "Painful" and "Electr-o-pura." If you're looking to fill out your collection, however, there is good stuff here.
Henry Purcell: The Complete Anthems and Services, Vol. 1
Average customer rating: 5 out of 5 stars
  • Essential Purcell compositions
  • The entire set is outstanding
Henry Purcell: The Complete Anthems and Services, Vol. 1

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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  5. Purcell: The Complete Anthems and Services, Vol. 11

ASIN: B000002ZR3
Release Date: 1993-11-19

Tracks:

  1. O Sing Unto The Lord: Symphony
  2. O Sing Unto The Lord: O Sing Unto The Lord A New Song...
  3. O Sing Unto The Lord: Sing Unto The Lord And Praise His Name...
  4. O Sing Unto The Lord: The Lord Is Great And Cannot Worthily Be Praised...
  5. O Sing Unto The Lord: O Worship The Lord In The Beauty Of Holiness
  6. O Sing Unto The Lord: Tell It Out Among The Heathen That The Lord Is King
  7. O Praise God In His Holiness: Symphony
  8. O Praise God In His Holiness: Praise Him In His Noble Acts...
  9. O Praise God In His Holiness: Praise Him Upon The Well-Tuned Cymbals
  10. Praise The Lord, O Jerusalem: Symphony
  11. Praise The Lord, O Jerusalem
  12. Praise The Lord, O Jerusalem: Be Thou Exalted, Lord, In Thine Own Strength
  13. It Is A Good Thing To Give Thanks: Symphony
  14. It Is A Good Thing To Give Thanks: To Tell Of Thy Loving-Kindness...
  15. It Is A Good Thing To Give Thanks: O Lord How Glorious Are Thy Works...
  16. It Is A Good Thing To Give Thanks: For Thou, Lord, Hast Made Me Glad...
  17. O Give Thanks Unto The Lord: O Give Thanks Unto The Lord...
  18. O Give Thanks Unto The Lord: Who Can Express The Noble Acts Of The Lord...
  19. O Give Thanks Unto The Lord: Remember Me, O Lord...
  20. O Give Thanks Unto The Lord: That I May See The Felicity Of Thy Chosen...
  21. O Give Thanks Unto The Lord: Blessed Be The Lord God Of Israel...
  22. Let Mine Eyes Run Down With Tears: Let Mine Eyes Run Down With Tears...
  23. Let Mine Eyes Run Down With Tears: We Acknowledge, Lord, Our Wickedness
  24. Let Mine Eyes Run Down With Tears: Do Not Abhor Us, For Thy Name's Sake...
  25. My Beloved Spake: Symphony
  26. My Beloved Spake: For Lo! The Winter Is Past...
  27. My Beloved Spake: And The Time Of The Singing Of Birds Is Come...
  28. My Beloved Spake: Symphony
  29. My Beloved Spake: My Beloved Is Mine And I Am His.

Customer Reviews:

5 out of 5 stars Essential Purcell compositions.......2004-10-07

According to the liner notes, this first volume contains works that span throughout the whole (short) career of Purcell. Even his earliest anthems written when he was a teenager demonstrate that he was a genious from the beginning. The King Purcell demonstrates a composer at the same level as Bach in talent and depth.
The performances could not be bettered. The singers, choir and orchestra bring their all to these pieces.
The 11 volumes are expensive but really belong in every classical music lover's collection. Buy as many as you can afford.

5 out of 5 stars The entire set is outstanding.......2003-01-16

While some of the works are superior to others the entire set is great in the realm of production. Mostly all of these pieces are just superb and if you are someone who enjoys English Baroque then you absolutely MUST purchase these cds. If you enjoy complex, melancholic or heroic music then I urge you to purchase this cd and the rest of the volumes in the set...you won't be disappointed.
Dittersdorf: Arcifanfano, King of Fools
Average customer rating: 5 out of 5 stars
  • A Comic-Opera Treasure!
  • an obscure delight!
Dittersdorf: Arcifanfano, King of Fools

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

All Works by DittersdorfAll Works by Dittersdorf | Dittersdorf, Karl Ditters | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Anna Russell Takes On... Nabucco & The Magic Flute
  2. Anna Russell Again?
  3. The Anna Russell Album
  4. Encore?
  5. Hansel and Gretel: An Opera Fantasy

ASIN: B000003LIK
Release Date: 1994-12-12

Tracks:

  1. Arcifanfano, King Of Fools: Act I: Overture
  2. Arcifanfano, King Of Fools: Act I: Chorus - We've Traveled Far (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
  3. Arcifanfano, King Of Fools: Act I: Recitative - Approach! What Is Your Name, Sir? (Furibondo)
  4. Arcifanfano, King Of Fools: Act I: Aria - With A Sword That Is Sterner Than Moses (Furibondo)
  5. Arcifanfano, King Of Fools: Act I: Recitative - Unhappy Oddling (Gloriosa)
  6. Arcifanfano, King Of Fools: Act I: Aria - My Fair Skin, My Bare Chin (Gloriosa)
  7. Arcifanfano, King Of Fools: Act I: Recitative - Was Ever There Insanity (Sordidone)
  8. Arcifanfano, King Of Fools: Act I: Aria - Snugly Hidden Safe From Prying (Sordidone)
  9. Arcifanfano, King Of Fools: Act I: Recitative - Madness Beyond All Measure (Malgoverno)
  10. Arcifanfano, King Of Fools: Act I: Aria - When The Purse Is Clinking (Malgoverno)
  11. Arcifanfano, King Of Fools: Act I: Recitative - There, Like A Vapor (Semplicina)
  12. Arcifanfano, King Of Fools: Act I: Aria - O Look So Woeful (Semplicina)
  13. Arcifanfano, King Of Fools: Act I: Recitative - Such As She Seems To Be Frigid (Garbata)
  14. Arcifanfano, King Of Fools: Act I: Aria - Let's Sing, Let's All Be Jolly (Garbata)
  15. Arcifanfano, King Of Fools: Act I: Recitative - For All Types Of Confusion
  16. Arcifanfano, King Of Fools: Act I: Aria - The Fierce One Lives Only For The Slaughter
  17. Arcifanfano, King Of Fools: Act II: Recitative - I Beg You To Stop (Malgoverna, Gloriosa, Garbata)
  18. Arcifanfano, King Of Fools: Act II: Aria - We Praise The Sun For Beauty (Malgoverna)
  19. Arcifanfano, King Of Fools: Act II: Recitative - Bumpkin, Coarse-grained (Gloriosa, Garbata)
  20. Arcifanfano, King Of Fools: Act II: Aria - If You Will Love Me, I Will Love You (Garbata)
  21. Arcifanfano, King Of Fools: Act II: Recitative - No, They Cannot Persuade Me! (Gloriosa)
  22. Arcifanfano, King Of Fools: Act II: Aria - Lovely Ladies, You Enjoying (Gloriosa)
  23. Arcifanfano, King Of Fools: Act II: Recitative - Where's My Lover, Sweetheart (Sordidone)

Tracks:

  1. Arcifanfano, King Of Fools: Act II: Aria - Sordidone, Be A Bunny
  2. Arcifanfano, King Of Fools: Act II: Recitative - Are You Hiding? (Sordidone, Garbata)
  3. Arcifanfano, King Of Fools: Act II: Duet - See Comely Phyllis Wander (Garbata, Sordidone)
  4. Arcifanfano, King Of Fools: Act II: Recitative - Don't Come Near Me (Semplicina, Furibondo)
  5. Arcifanfano, King Of Fools: Act II: Aria - The High And Mighty Lion (Furibondo)
  6. Arcifanfano, King Of Fools: Act II: Recitative - Quiet At Last (Semplicina)
  7. Arcifanfano, King Of Fools: Act II: Duet - Semplicina, Do You Hear Me? (Semplicina)
  8. Arcifanfano, King Of Fools: Act II: Quartet - Ever More Bitter Shall Be My Raging (Gloriosa, Garbata, Malgoverno, Furibondo)
  9. Arcifanfano, King Of Fools: Act II: Recitative - What Now? What New Forms Of Madness? (Gloriosa, Sordidone, Malgoverno, Furibondo)
  10. Arcifanfano, King Of Fools: Act II: Chorus - Long Live King Arcifanfano (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
  11. Arcifanfano, King Of Fools: Act III: Aria - Earth, Our Dearest, Good And Nearest (Sordidone)
  12. Arcifanfano, King Of Fools: Act III: Aria - That His Sowing Yield A Growing (Malgoverno)
  13. Arcifanfano, King Of Fools: Act III: Recitative - What Has The Fool Committed (Malgoverna, Gloriosa)
  14. Arcifanfano, King Of Fools: Act III: Aria - Ask Of Beauty, She Will Answer (Gloriosa)
  15. Arcifanfano, King Of Fools: Act III: Recitative - Hop And Stop It! (Furibondo, Gloriosa)
  16. Arcifanfano, King Of Fools: Act III: Aria - All Of This Planet, I Cry To Each Man (Furibondo)
  17. Arcifanfano, King Of Fools: Act III: Recitative - What's Unleashed These Dreadful Roars? (Garbata, Furibondo)
  18. Arcifanfano, King Of Fools: Act III: Aria - I'm Simple And I'm Candid (Garbata)
  19. Arcifanfano, King Of Fools: Act III: Recitative - What Mischief And Load This Purse Is!
  20. Arcifanfano, King Of Fools: Act III: Aria - Goddess Bright As Morning
  21. Arcifanfano, King Of Fools: Act III: Recitative - Mother Always Used To Tell Me (Sordidone, Semplicina)
  22. Arcifanfano, King Of Fools: Act III: Aria - What A Lot I Need What I Need Lot's Of! (Sordidone)
  23. Arcifanfano, King Of Fools: Act III: Recitative - May He Not Come To Harm (Semplicina)
  24. Arcifanfano, King Of Fools: Act III: Aria - There's A Devil In A Ducat (Semplicina)
  25. Arcifanfano, King Of Fools: Act III: Recitative - Gather, O Subjects, About Us (Gloriosa, Garbata, Semplicina)
  26. Arcifanfano, King Of Fools: Act III: Duet - If You Marry Me (Semplicina)
  27. Arcifanfano, King Of Fools: Act III: Chorus - With Curiosity All Aflame (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
  28. Arcifanfano, King Of Fools: Act III: Recitative - Quiet, Please, We Implore You!
  29. Arcifanfano, King Of Fools: Act III: Chorus - The Wise And The Mad Have Got One Word For Their Dwelling

Customer Reviews:

5 out of 5 stars A Comic-Opera Treasure!.......2007-01-28

Dittersdorf is a sort of working-man's Mozart; in fact, this opera sounds similar to some of Mozart's early operas. But Mozart sought to break the rules and to explore new musical ideas; Dittersdorf is not an innovator...yet he is no less a master! This performance, too, is a materpiece of refined (not always!) comedy; the arias include some extremely difficult vocal leaps and trills, yet the primary joy is the witty verse. W.H. Auden (no less!) ramrodded this translation to English. And Anna Russell, famed for her "Analysis of Wagner's Ring Cycle" steals every scene she's in! Ad-libbing shamelessly, her introductory aria, all by itself, is worth more than the purchase price!

5 out of 5 stars an obscure delight!.......2002-07-31

Eleanor Steber's image on the cover of this set caught my eye while rummaging through the cut-out bins of San Francisco on a recent opera whirlwind. What a lost treasure this performance is - recorded "LIVE" in NYC 1965! All the principles shine, their energy ebullient. Don't hesitate, buy it and smile before it disappears.
Sacred Music Complete
Average customer rating: 5 out of 5 stars
  • great, great!!!
  • ALL THE MUSIC YOU EVER NEED!!
Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
  2. Complete Secular Songs (3cd)

ASIN: B00006RHQJ
Release Date: 2002-12-10

Customer Reviews:

5 out of 5 stars great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

5 out of 5 stars ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
Vintage Gilbert & Sullivan
Average customer rating: 4 out of 5 stars
  • Excellent ... but ...
Vintage Gilbert & Sullivan

Manufacturer: Sanctuary
ProductGroup: Music
Binding: Audio CD

All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Gilbert & Sullivan Favourites
  2. Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury

ASIN: B000AA5XFW
Release Date: 2005-10-03

Tracks:

  1. A Wand'ring Minstrel 1
  2. Behold The Lord High Executioner
  3. Three Litttle Maids From School
  4. Sun Whose Rays Are All Ablaze
  5. A More Humane Mikado
  6. Flowers That Bloom In The Spring
  7. On A Tree By A River A Little Tom-Tit
  8. There Is Beauty In The Bellow Of The Blast
  9. When U Good Friends Was Called To The Bar
  10. We Sail The Ocean Blue
  11. I'm Called Little Buttercup
  12. I Am The Captain Of The Pinafore
  13. When I Was A Lad I Served A Term
  14. Never Mind The Why And Wherefore
  15. Carefully On Tiptoe Stealing
  16. He Is An Englishman
  17. Oh Better Far To Live And Die
  18. Poor Wand'ring One
  19. I Am The Very Model Of A Modern Major-General
  20. Then Fred'ric Let Your Escort, Lion Hearted When The Foeman Bares His Steel
  21. When A Felon's Not Engaged
  22. With Cat-Like Tread
  23. I Cannot Tell What This Love May Be
  24. If You Want A Receipt For That Popular Mystery
  25. So Go To Him And Say To Him
  26. Loudly Let The Trumper Bray... Bow Ye Lower Middle Classes
  27. Love Unrequited Robs Me Of My Rest.... When You're Lying Awake With A Dismal
  28. If You Go In You're Sure To Win
  29. My Boy You May Take It From Me
  30. When The Night Wind Howls
  31. When Maiden Loves She Sits And Sighs
  32. When Our Gallant Norman Foes
  33. I Have A Song To Sing, Oh!
  34. Were I Thy Bride
  35. List And Learn
  36. In Enterprise Of Martial Kind
  37. There Was A Time
  38. Do Not Give Way... Then One Of Us
  39. Take A Pair Of Sparkling Eyes
  40. Dance A Cachucha

Customer Reviews:

4 out of 5 stars Excellent ... but ..........2007-02-07

As a vintage G&S listener, I appreciated this collection but I think it would mostly appeal to the specialist-completeist. A newcomer to the genre would do well to get a full operetta DVD. (I prefer the OK BBC performances to the tarted up & modernised Australian ones.)

Old-comers probably already have all these tracks as part of their collection of vintage full operetta recordings.

But don't let my idiosynchratic views deter you if you really like G&S... but not to the extent of buying all the vintage full operetta versions.
The Best of Gilbert & Sullivan
Average customer rating: Not rated
    The Best of Gilbert & Sullivan

    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Brannigan, OwenBrannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    ASIN: B00004SSJR
    Release Date: 2002-11-05

    Tracks:

    1. The Mikado: Overture
    2. The Mikado: A Wandering Minstrel I
    3. The Mikado: Our Great Mikado, Virtuous Man
    4. The Mikado: Young Man, Despair
    5. The Mikado: Behold The Lord High Executioner!...Taken From The County Jail
    6. The Mikado: As Some Day It May Happen
    7. The Mikado: Three Little Maids From School Are We
    8. The Mikado: Were You Not To Ko-Ko Plighted
    9. The Mikado: I Am So Proud
    10. The Mikado: The Sun, Whose Rays
    11. The Mikado: Here's A How-De-Do!
    12. The Mikado: Miya Sama (Entrance Of The Mikado)
    13. The Mikado: A More Humane Mikado Never
    14. The Mikado: The Criminal Cried
    15. The Mikado: See How The Fates Their Gifts Allot
    16. The Mikado: The Flowers That Bloom In The Spring
    17. The Mikado: Alone, And Yet Alive!...Hearts Do Not Break!
    18. The Mikado: On A Tree By A River
    19. The Mikado: There Is Beauty In The Bellow Of The Blast
    20. The Mikado: For He's Gone And Married Yum-Yum
    21. Trail By Jury: The Learned Jungle
    22. H.M.S. Pinafore: I'm Called Litttle Buttercup
    23. H.M.S. Pinafore: My Gallant Crew...I Am The Captain Of The Pinafore
    24. Sorry Her Lot Who Loves Too Well
    25. H.M.S. Pinafore: When I Was A Lad I Served A Term

    Tracks:

    1. H.M.S. Pinafore: Fair Moon, To Thee I Sing
    2. H.M.S. Pinafore: Things Are Seldom What They Seem
    3. H.M.S. Pinafore: The Hours Creep On Apace
    4. H.M.S. Pinafore: Never Mind The Why And Wherefore
    5. The Pirates Of Penzance: Oh, Better Far To Live And Die
    6. The Pirates Of Penzance: Oh, Is There Not One Maiden Breast
    7. The Pirates Of Penzance: Poor Wandering One!
    8. The Pirates Of Penzance: I Am The Very Model Of A Modern Major-General
    9. The Pirates Of Penzance: When The Foeman Bears His Steel
    10. The Pirates Of Penzance: Ah, Leave Me Not To Pine
    11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
    12. The Pirates Of Penzance: With Cat-Like Tread
    13. Patience: The Soldiers Of Our Queen...If You Want A Receipt For That Popular Mystery
    14. Patience: Am I Alone And Unobserved...If You're Anxious For To Shine
    15. Patience: Sad Is That Woman's Lot...Silvered Is The Raven Hair
    16. Patience: A Magnet Hung In A Hardware Shop
    17. Patience: Love Is A Plaintive Song
    18. Patience: So Go To Him And Say To Him
    19. Patience: When I Go Out Of Door
    20. Patience: After Much Debate (Finale Act 2)
    21. Iolanthe: When I Went To The Bar As A Very Young Man
    22. The Lady Of My Love...(Finale Act 1)

    Tracks:

    1. When All Night Long A Chap Remains
    2. When Britain Really Ruled The Waves
    3. When You're Lying Awake With A Dismal Headache
    4. If You Go In, You're Sure To Win
    5. Ruddigore: My Boy, May Take It From Me
    6. Ruddigore: The Battle's Roar Is Over
    7. Ruddigore: In Sailing O'er Life's Ocean Wide
    8. Ruddigore: You Understand?
    9. Ruddigore: When The Night Wind Howls
    10. Ruddigore: My Eyes Are Fully Open
    11. Ruddigore: There Grew A Little Flower
    12. The Gondoliers: We're Called Gondolieri
    13. The Gondoliers: From The Sunny Spanish Shore...In Enterprise Of Martial Kind
    14. The Gondoliers: I Stole The Prince
    15. The Gondoliers: When A Merry Maiden Marries
    16. The Gondoliers: Take A Pair Of Sparkling Eyes
    17. The Gondoliers: Dance A Cachucha, Fandango, Bolero
    18. The Gondoliers: There Lived A King, As I've Been Told
    19. The Gondoliers: I Am A Courtier Grave And Serious
    20. The Yeoman Of The Guard: I Have A Song To Sing, O!
    21. The Yeoman Of The Guard: How You Say Maiden, Will You Wed
    22. The Yeoman Of The Guard: Where I Thy Bride
    23. The Yeoman Of The Guard: Oh! A Private Buffoon Is A Light Hearted Loon
    24. The Yeoman Of The Guard: Comes The Pretty Young Bride
    I Am Filled With Heavenly Treasures
    Average customer rating: 4.5 out of 5 stars
    • Religious music from the 19th century
    • A wonderful listening treat
    I Am Filled With Heavenly Treasures

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Folk | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    ASIN: B0002NY90W
    Release Date: 2004-08-31

    Tracks:

    1. Today, today is my own time
    2. The Coming Day
    3. Rose of Sharon
    4. In this pleasant place I will go
    5. The Earth Is Renewed
    6. I've a spiritual garden to weed
    7. Lord give me of Thy living bread
    8. Redeeming Love
    9. Good Brethren will you receive my love
    10. Round Dance
    11. Compassion
    12. Toil On, Pray On
    13. As Stars and Diamonds
    14. Receive a Father's love
    15. Pearl of Great Price
    16. In love and peace we will increase
    17. Simple Gift
    18. With the lamb on Mt. Zion
    19. The Charms of My Mother
    20. "Great I" Medley: Dismission of Great I
    21. Love Is Little
    22. Harmony of Angels
    23. I Am Filled With Heavenly Treasures
    24. Mother's Chair
    25. Let us grow up strength in Zion
    26. My Mother's way's the way for me
    27. Let us sow to the spirit of love
    28. May I see as I am seen
    29. Wake Up
    30. I love to sing and worship God
    31. Move on with the gift
    32. How pretty 'tis to see
    33. Good Elder, dear Brethren and Sisters, I love you
    34. Grateful Remembrance
    35. Learned of Angel
    36. God Is Infinitely Able
    37. God's Blessing
    38. Farewell, farewell our dear gospel friends
    39. Prayer for the Nations

    Album Description

    Shaker music is a unique body of American sacred folk music, created by eighteen American Shaker communities over a period of one hundred and forty years (1780-1920). This rich tradition of song continues to serve the Shaker community in the twenty-first century because it embodies their history, records the testimony of Shakers "who have gone before," articulates the religious principles on which Shakerism is founded, and reflects the faith of the contemporary community. Shaker music was created and nurtured in communities that prized isolation from worldly ways. Shaker melodies, although related to the larger tradition of Anglo-American folk songs, are not bound by their form, tonality, melodic or rhythmic structure.

    The Enfield Shaker singers are a vocal ensemble of adults and children devoted to the study and performance of Shaker music. The group is open to all without audition, and is made up of both trained musicians and amateur singers. We draw heavily on the repertoire received or composed in the two societies that were the New Hampshire Bishopric—Canterbury and Enfield. Since the New Hampshire societies enriched their repertoire with songs from all the other Shaker communities, they also sing songs of the New York, Maine, Massachusetts, Ohio and Kentucky Shakers.

    The Enfield Shaker Singers are drawn to Shaker spirituals that illuminate Shaker communal values and broaden our definitions of the sacred. The songs included on this recording illustrate some of the many ways music served Shaker communities. Most Shaker song texts are theologically direct, emotionally honest, and expressive of our shared humanity.

    On this recording we offer thirty-nine songs we have come to love. Some have special meaning for individuals. We associate others with a particular singer in the group, or an occasion when it was sung. Each song offers us slightly different insights into Shaker aspiration, and Shaker faith. We hope that, through this recording, others will also come to love and sing them too. —Mary Ann Haagen, from the liner notes

    Customer Reviews:

    4 out of 5 stars Religious music from the 19th century.......2007-07-07

    If one likes the songs of the Shakers written in the late 18th and early 19 century that were without musical instruments, then you may like this CD. I found 8 songs out of the 30 or more on the CD that I liked, the others I did not care for much. This is no fault of the creators of the Cd, it is simply the style of the Shakers of the past.

    5 out of 5 stars A wonderful listening treat.......2005-01-11

    This CD is a delight! The simple melodies, surprising harmonies, and clarity of the voices makes you want to sing along. Listening makes one smile, regardless of one's religious persuasion. Thank you for giving us these songs and preserving the tradition of this music.
    The Essential Leontyne Price
    Average customer rating: 5 out of 5 stars
    • A Long Time Coming...
    • Her Best Album
    • Price At Her Peak
    • of course world class
    • the greatest american soprano of the 20th century
    The Essential Leontyne Price

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FWD
    Release Date: 1996-08-13

    Tracks:

    1. Aida: Act I: Ritorna vincitor!
    2. Aida: Act I: E l'amor mio?
    3. Aida: Act I: I sacri nomi di padre, d'amante
    4. Aida: Act III: Qui Radames verra!
    5. Aida: Act III: O patria mia
    6. Un Ballo in Maschera: Act II: (Prelude)
    7. Un Ballo in Maschera: Act II: Ecco l'orrido campo
    8. Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
    9. Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
    10. Un Ballo in Maschera: Act III: Morro, ma prima in grazia
    11. Il Trovatore: Act I: Che piu t'arresti?
    12. Il Trovatore: Act I: Tacea la notte placida
    13. Il Trovatore: Act I: Di tale amor che dirsi
    14. Il Trovatore: Act IV: Siam giunti
    15. Il Trovatore: Act IV: D'amor sull'ali rosee
    16. Ernani: Act I: Surta e la notte
    17. Ernani: Act I: Ernani! Ernani, involami
    18. Ernani: Act I: Tutto sprezzo che d'Ernani
    19. La forza del destino: Act II: Son giunta! Grazie, o Dio!
    20. La forza del destino: Act II: Madre, madre, pietosa Vergine
    21. La forza del destino: Act II: La Vergine degli angeli
    22. La forza del destino: Act IV: Pace, pace, mio Dio

    Tracks:

    1. Cosi fan tutte: Act I: Come scoglio immoto resta
    2. Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
    3. Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
    4. TOSCA: Act II: Vissi d'arte
    5. Manon Lescaut: Act II: In quelle trine morbide
    6. Manon Lescaut: Act IV: Sola, perduta, abbandonata
    7. Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
    8. Don Giovanni: Act I: Don Ottavio, son morta!
    9. Don Giovanni: Act I: Or sai chi l'onore
    10. Don Giovanni: Act II: Crudele? Ah, no, mio bene!
    11. Don Giovanni: Act II: Non mi dir
    12. Turandot: Act I: Signore, ascolta!
    13. Turandot: Act III: Tu che di gel sei cinta
    14. Ariadne auf Naxos: Es gibt ein Reich
    15. Antony And Cleopatra: Act III: Give me my robe

    Tracks:

    1. Otello: Era piu calmo?
    2. Otello: Mia madre aveva una povera ancella (Willow Song)
    3. Otello: Ave Maria
    4. Fidelio: Act I: Abscheulicher! Wo eilst du hin?
    5. Suor Angelica: Senza mamma, o bimbo, tu sei morto!
    6. Carmen: L'amour est un oiseau rebelle (Habanera)
    7. La Traviata: Act I: E strano, e strano !
    8. La Traviata: Act I: Ah, fors' e lui
    9. La Traviata: Act I: Sempre libera
    10. Le nozze di Figaro: Act III: E Susanna non vien!
    11. Le nozze di Figaro: Act III: Dove sono
    12. Die Agyptische Helena: Act II: Awakening Scene
    13. La rondine: Ore dolci e divine
    14. Salome: Finale

    Tracks:

    1. Eugene Onegin: Act II: Puskai pogibnu ya
    2. Eugene Onegin: Act II: Ya k vam pishu
    3. Eugene Onegin: Act II: Net, nikomu na svete
    4. Eugene Onegin: Act II: No tak i byt'!
    5. La rondine: Act I: Chi il bel sogno di Doretta
    6. VANESSA: Act I: He Has Come, He Has Come!
    7. VANESSA: Act I: Do Not Utter A Word
    8. Carmen: Act I: Pres des remparts de Seville (Seguidilla)
    9. Manon: Act II: Allons! il le faut!
    10. Manon: Act II: Adieu, notre petite table
    11. Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
    12. Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
    13. La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
    14. Die Frau ohne Schatten: Act II: Empress's Awakening Scene
    15. Dido and Aeneas: Act III: Thy Hand, Belinda!
    16. Dido and Aeneas: Act III: When I Am Laid In Earth
    17. Don Carlo: Act V: Tu che le vanita conoscesti del mondo

    Tracks:

    1. Otello: Act I: Gia nella notte
    2. Otello: Act I: Quando narravi
    3. Otello: Act I: Venga la morte!
    4. Cosi fan tutte: Act I: Ah, guarda, sorella
    5. Madama Butterfly: Act I: Bimba, bimba, non piangere
    6. Madama Butterfly: Act I: Bimba dagli occhi
    7. Madama Butterfly: Act I: Vogliatemi bene
    8. Requiem: Recordare
    9. Porgy And Bess: Act II: Bess, You Is My Woman
    10. Norma: Act III: Me chiami, o Norma
    11. Norma: Act III: Mira, o Norma
    12. Ernani: Act II: Tu, perfida!
    13. Ernani: Act II: Ah, morir, potessi adesso
    14. Cosi fan tutte: Act II: Sorella, cosa dici?
    15. Cosi fan tutte: Act II: Prendero quel brunettino
    16. Aida: Act IV: La fatal pietra sovra me si chiuse
    17. Aida: Act IV: Presago il core della tua condanna
    18. Aida: Act IV: Vedi? Di morte l'angelo
    19. Aida: Act IV: O terra, addio

    Tracks:

    1. Un Ballo in Maschera: Act II: Teco io sto!
    2. Aida: Act III: Ciel! mio padre!
    3. Aida: Act III: Rivedrai le forest imbalsamate
    4. Aida: Act III: In armi ora si desta il popol nostro
    5. Aida: Act III: Padre! a costoro schiava non sono
    6. Requiem: Angus Dei
    7. Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
    8. Cosi fan tutte: Act I: Soave sia il vento
    9. Porgy And Bess: Act II: I Loves You, Porgy
    10. Aida: Act II: Silenzio! Aida verso noi s'avanza
    11. Aida: Act II: Fu la sorte dell'armi
    12. Aida: Act II: Pieta ti prenda del mio dolor
    13. Aida: Act II: Alla prompa che s'appresta
    14. Il Trovatore: Act IV: Udiste?
    15. Il Trovatore: Act IV: Mira, di acerbe lagrime
    16. Il Trovatore: Act IV: Vivra! Contende il giubilo
    17. Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
    18. Carmen: Act IV: C'est toi! - C'est moi!
    19. Carmen: Act IV: Ou vas-tu? - Laisse-moi!

    Tracks:

    1. Les nuits d'ete, Op.7: Villanelle
    2. Les nuits d'ete, Op.7: Le spectre de la rose
    3. Les nuits d'ete, Op.7: Sur les lagunes
    4. Les nuits d'ete, Op.7: Absence
    5. Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
    6. Les nuits d'ete, Op.7: L'ile inconnue
    7. Four Last Songs: Fruhling
    8. Four Last Songs: September
    9. Four Last Songs: Beim Schlafengehen
    10. Four Last Songs: Im Abendrot
    11. Clair de lune, Op.46, No.2: Clair de lune
    12. Notre amour, Op.23, No.2: Notre amour
    13. Au cimetiere, Op.51, No.2: Au cimetiere
    14. Au bord de l'eau, Op.8, No.1: Au bord de l'eau
    15. No.1, Cinq melodies de Venise, Op.58: Mandoline
    16. Main dominee par le coeur
    17. Miroirs brulants No.2: Je nommerai ton front
    18. Miroirs brulants No.1: Tu vois le feu du soir
    19. Ce doux petit visage

    Tracks:

    1. Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
    2. Frauenliebe und -leben, op.42: Seit ich ihn gesehen
    3. Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
    4. Frauenliebe und -leben, op.42: Ich kann's nicht fassen
    5. Frauenliebe und -leben, op.42: Du Ring an meinem Finger
    6. Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
    7. Frauenliebe und -leben, op.42: Susser Freund, du blickest
    8. Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
    9. Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
    10. Widmung (No.1, Myrthen, Op.25): Widmung
    11. Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
    12. Volksliedchen, Op.51, No.2: Volksliedchen
    13. Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
    14. Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
    15. Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
    16. Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
    17. Allerseelen, Op.10, No.8: Allerseelen
    18. Schlagende Herzen
    19. Freundliche Vision, Op.48, No.1: Freundliche Vision
    20. Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
    21. Der Gartner (Morike-Lieder No.17)
    22. Lebe wohl (Morike-Lieder No.36)
    23. Morgentau (From An Old Songbook)
    24. Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

    Tracks:

    1. Ev'ry Time I Feel The Spirit - Various Artists
    2. Let Us Break Bread Together On Our Knees - Various Artists
    3. His Name So Sweet - Various Artists
    4. 'Roun' About De Mountain - Various Artists
    5. Swing Low, Sweet Chariot - Various Artists
    6. Sit Down, Servant - Various Artists
    7. Were You There - Various Artists
    8. He's Got The Whole World In His Hands - Various Artists
    9. Deep River - Various Artists
    10. Honor! Honor! - Various Artists
    11. My Soul's Been Anchored In De Lord - Various Artists
    12. On Ma Journey - Various Artists
    13. A City Called Heaven - Various Artists
    14. Ride On, King Jesus - Various Artists
    15. I Wish I Knew How It Would Feel To Be Free - Various Artists
    16. Sinner, Please Don't Let This Harvest Pass - Various Artists
    17. Sweet Little Jesus Boy - Various Artists
    18. There Is A Balm In Gilead - Various Artists
    19. Let Us Cheer The Weary Traveler - Various Artists
    20. Ev'ry Time I Feel The Spirit - Various Artists
    21. My Way Is Cloudy - Various Artists
    22. Nobody Knows The Touble I've Seen - Various Artists
    23. I Couldn't Hear Nobody Pray - Various Artists

    Tracks:

    1. Holy, Holy, Holy
    2. Lead, Kindly Light
    3. Blessed Assurance
    4. Ave Maria
    5. What A Friend We Have In Jesus
    6. Amazing Grace
    7. The Lord's Prayer
    8. Pass Me Not, O Gentle Saviour
    9. The Church's One Foundation
    10. Bless This House
    11. I Need Thee Every Hour
    12. Fairest Lord Jesus
    13. I Wonder As I Wander
    14. Ave Maria
    15. Porgy And Bess: Summertime
    16. America The Beautiful
    17. Lift Ev'ry Voice And Sing
    18. A Mighty Fortress Is Our God
    19. Battle Hymn Of The Republic

    Tracks:

    1. Chants tziganes, Op. 103: He Zigeuner
    2. Chants tziganes, Op. 103: Hochgeturmte Rimaflut
    3. Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
    4. Chants tziganes, Op. 103: Lieber Gott, du weisst
    5. Chants tziganes, Op. 103: Brauner Bursche
    6. Chants tziganes, Op. 103: Roselein dreie in der Reihe
    7. Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
    8. Chants tziganes, Op. 103: Rote Abendwolken
    9. Adriana Lecouvreur: Act I: Io son l'umile ancella
    10. This Little Light O'Mine
    11. Interview With Leontyne Price By John Pfeiffer

    Amazon.com

    This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

    Customer Reviews:

    5 out of 5 stars A Long Time Coming..........2006-03-30

    This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
    An American Icon....I will forever be a loyal fan and admirer!!

    5 out of 5 stars Her Best Album.......2006-01-01

    Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

    This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

    5 out of 5 stars Price At Her Peak.......2005-05-02

    Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

    This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

    Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

    Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
    This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

    5 out of 5 stars of course world class.......2000-08-14

    Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

    5 out of 5 stars the greatest american soprano of the 20th century.......1999-12-12

    This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

    Music:

    1. Mercy
    2. Mezzanine [Import]
    3. Munki
    4. Murder Ballads [Limited Edition]
    5. Murder, Misery and Then Goodnight
    6. Music for Pleasure (Jpn Lp Sleeve)
    7. Mutations [Extra tracks]
    8. My Hero [CD-single] [Enhanced] [Import]
    9. My Immortal [CD-single]
    10. Oddz & Enz

    Music

    music

    Music

    Storm in Heaven [Extra tracks] [Import]

    6 Bagatelles

    20 Greatest Hits

    Blue Note Trip V.4: Jazzanova Lookin Back Movin on [Import]

    An Estate

    49th Parallel

    24 [Extra tracks]

    16 Classical Marches

    You've Got to Walk That Lonesome Valley [Import]

    Yo Quiero Contigo

    You Guys Kill Me

    Y E'Malo ?

    Urbanjazz

    Ready to Cheat

    Worlds Within