Editorial Reviews Their personal histories, while colorful, bear witness to the manifold hardships and hard-scrabble existences so commonly borne by folk artists. Only one was educated on the Continent. Most were forced to leave college after graduation. Like most such groups, Tangleweed typically performs at drinking establishments and other communal gathering places, where ordinary people come to wash away the trials and tribulations of their workaday lives. Such venues are far removed from the niceties of the concert hall. Yet they testify to the formative influence that context can exert on performance style. How easily does the plaintive keening of Tangleweed's vocal harmonies rise above the whine of milk frothers and espresso machines. How cleanly do their finger-picked melodies cut through the din of mobile telephones and personal computing devices. Tangleweeds repertoire, which encompasses traditional fiddle tunes, African-American blues, rags, and stomps, was born in the rich soil of the rural agrarian South. Unlettered and without formal training, its originators gave rise to a deeply expressive musical idiom that spoke for and to a vast, poverty-stricken community of Euro- and African-Americans, for whom such music functioned first and foremost as an accompaniment to social dance. Tangleweed is proud to claim this rich cultural legacy, without in any way sharing in it. Relieved of the burden of authenticity, unencumbered by troublesome notions of historical accuracy or, indeed, of personal accountability, the men of Tangleweed are free to pursue their own startlingly original interpretive impulses. So does a great tradition reinvent itself, often beyond all recognition. The band was literally gathered around the antiquated stove used to heat the apartment. Bob set up two microphones to capture the instruments, as well as an old RCA ribbon mic in the general vicinity of the vocalists. No headphones or monitors were used. The band played through most of the songs theyt knew over the course of the afternoon, never taking more than a few passes on any tune. You can hear floorboards creak between takes. You can hear feet stomping. You can hear voices crack to be heard above the din of five instruments. It is a flawed record, but also a very human one.
Just a Spoonful, Music, Tangleweed, Acoustic Americana that combines hard-driving musicianship with high lonesome harmonies., Alternative, Folk
About the Artist
For generations, practitioners of that uniquely American art form known variously as old-time or string-band music progenitor of country, precursor to bluegrass have labored in obscurity, their talents unrecognized, their provenance maligned. The men of Tangleweed are proud to uphold that tradition.
Album Description
Tangleweed made every effort to record this in the style of an old field recording. The recording was made live to 2-track analog tape in the empty second-floor apartment of a two-flat in Chicagos Logan Square neighborhood. All the tracks were recorded in one afternoon in November, 2004, by Bob Weston. Everything is live and unedited. There are no overdubs.
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Superhits: 1966 (Time Life Music)
Bobby Hebb , Bob Lind , The Mindbenders , The Happenings , The New Vaudeville Band , The Seekers , B.J. Thomas and the Triumphs , Petula Clark , Dusty Springfield , and Gary Lewis and the Playboys Manufacturer: Time Life Music ProductGroup: Music Binding: Audio CD ASIN: B000SY0MPQ |
Product Description
SONG LIST :1. California Dreamin - The Mamas & Papas 2. Good Vibrations - The Beach Boys 3. Sunny - Bobby Herb 4. DayDream - The Lovin' Spoonful 5. Elusive Butterfly - Bob Lind 6. You Don't Have to Say You Love Me - Dusty Springfield 7. A Groovy Kind of Love - The Mindbenders 8. Bang Bang (My Baby Shot Me Down) - Cher 9. See You in September - The Happenings 10. Message to Michael - Dionne Warwick 11. When a Man Loves a Woman - Percy Sledge 12. You Can't Hurry Love - The Surpremes 13. I'm a Believer - The Monkees 14. Sweet Talkin' Guy - The Chiffons 15. Cherish - The Associations 16. She's Just My Style - Gary Lewis & the Playboys 17. You Didn't Have to Be So Nice - The Lovin' Spoonful 18. Georgy Girl - The Seekers 19. Winchester Cathedral - The New Vaudeville Band 20. My Love - Petula Clark 21. (You're My) Soul and Inspiration - The Righteous Brothers 22. I'm So Lonesome I Could Cry - B.J.Thomas
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COUCH POTATOES DON'T JUST HAVE EYES, THEY ALSO HAVE EARS.
ProductGroup: Music Binding: Audio CD ASIN: B000BD5LQY |
Product Description
Selections include: 1. David Grey, Babylon 2. SR71, right now 3. Eve 6, Here's to the night (explicit) 4. Vertical Horizon, Best I ever had 5. Robert Bradley's Baclwater Sirprise, Baby 6. Tarsha, Be yourself 7. Public Announcement, Mamacita 8. Kristine W., Stronger 9. Etta James, Miss You 10. Jim brickman, Change of Heart 11. Lonestar, Amazed 12. Martha McBride, There You Are 13. Alan Jackson, www.memory 14. Rob Base & DJ E_Z Rock, It Takes two 15. Mary MacGregor, Torn Between two lovers 16. Aretha Franklin, Freeway of Love 17. Delphonics, La La means I Love You 18. The Lovin' Spoonful, Daydream 19. the Lovin' Spoonful, Do You Believe in Magic 20. Andrea True Connection, More, More, More
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Just a Spoonful
Tangleweed Manufacturer: Squatney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009PAX8A Release Date: 2005-05-23 |
Tracks:
Product Description
Tangleweed made every effort to record this in the style of an old field recording. The recording was made live to 2-track analog tape in the empty second-floor apartment of a two-flat in ChicagoÂ’s Logan Square neighborhood. All the tracks were recorded in one afternoon in November, 2004, by Bob Weston. Everything is live and unedited. There are no overdubs. The band was literally gathered around the antiquated stove used to heat the apartment. Bob set up two microphones to capture the instruments, as well as an old RCA ribbon mic in the general vicinity of the vocalists. No headphones or monitors were used. The band played through most of the songs theyt knew over the course of the afternoon, never taking more than a few passes on any tune. You can hear floorboards creak between takes. You can hear feet stomping. You can hear voices crack to be heard above the din of five instruments. It is a flawed record, but also a very human one.Customer Reviews:
Plenty of live exuberance and energy....a little ragged but right.......2005-10-24
authentic imitation.......2005-06-28
These guys rock !.......2005-06-03
Skillet Lick'in good.......2005-06-01
Music:
Music
Schumann: Fantasiestücke; Schubert: Sonatinas
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