Every Summer
Editorial Reviews
Bruce Brodeen, Not Lame dot com
10 perfect tracks!
About the Artist
I've been in this game from the age of 15 playing bars and clubs as a drummer for a regional band by the name of Airborne - there is still a website out there for them. We placed 2nd in a Miller High Life thing in the Binghamton NY area in a Rock to Riches contest years ago with a tune I wrote. It was on (gasp!) a vinyl album with ballots inside (I have a large family...). That lead to jobs opening for various bands (sadly) on their way down including Badfinger (huge heroes of mine) and even... read more
Album Description
A note from Jim Huie at Paisley Pop: I first heard Stephen Lawrenson last December when I received a 4 song EP in the mail from Susquehana, Pennsylvania. While initially my expectations based on the pretty straightforward song titles was low, on first listen, I was immediately impressed with Stephens songs and production. At first, they reminded me in some ways of early ELO without the strings. Something about his voice had a similar quality to John Lennons on "Across the Universe". Stephen and I corresponded, and I encouraged him to put together a full-length album for me to release. The results are "Every Summer", a collection of infectious jangly pop meets post punk. Playing all the instruments and recording the whole thing on his own, the results are surprisingly sonically sophisticated. Lawrensons hooky-but-rollicking melodies pay audible tribute to his great love for mid-'70s rock and 80s-90s jangle pop.
Every Summer
Every Summer, Music, Stephen Lawrenson, Power Pop, Jangle Pop from Northeastern Pennsylvania.
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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
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Similar Items:
- In the Real World
- Famous Opera Duets
- Show Boat (1988 Studio Cast Highlights)
- A Song of Naples - Neapolitan Songs
- Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
ASIN: B000003FQQ
Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
Average customer rating:
- I waited for this for five years
- Excellent collection but BIG PUBLISHING MISTAKE!
- ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
- SUCH MAGICAL MUSIC OF THE NIGHT!
- A Must Have for Sir Andrew fans
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Andrew Lloyd Webber: Now & Forever
Various Artists
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Similar Items:
- Gold: The Definitive Hits Collection
- Andrew Lloyd Webber - The Royal Albert Hall Celebration
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- Evita (Original London Cast)
- Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)
ASIN: B00005R5UJ
Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance
Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
- Genial, pero...
- GREAT TE KANAWA !
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Very Best Of Kiri Te Kanawa
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- Duets: An American Classic
ASIN: B0000AHEAZ
Release Date: 2003-09-02 |
Tracks:
- Signore, Ascolta
- Ecco: Respiro Appena. Io Son L'Umile Ancella
- La Mamma Morta
- Attendo, Attendo...Addio Del Passato
- Je Marche Sur Tous Les Chemins...Obeissons Quand Leur Voix Appelle
- Depuis Le Jour
- Elle A Fui, La Tourterelle!
- Me Voila Seule...Comme Autrefois
- Ach, Ich Fuhl's
- Dich, Teure Halle
- Wie Nahte Mir Der Schlummer...Leise, Leise, Fromme Weise!
- Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl
- Gluck, Das Mir Verblieb
- La Flute Enchantee
- L'Invitation Au Voyage
- Le Manoir De Rosemonde
Tracks:
- Somebody Loves Me
- Love Is Here To Stay
- Embraceable You
- Summertime
- Long Ago And Far Away
- A Fine Romance
- The Song Is You
- Let's Face The Music And Dance
- What'll I Do?
- They Say It's Wonderful
- I've Got You Under My Skin
- Ev'ry Time We Say Goodbye
- True Love
- I'll Be Home For Christmas
- Silent Night
- Come To The Fair
- The Last Rose Of Summer
- The Keel Row
- Comin' Thro' The Rye
- Greensleeves
- Danny Boy
- Hoki Hoki Tonu Mai
- Po Ata Rau (Now Is The Hour)
- The World You're Coming Into
Customer Reviews:
Genial, pero..........2005-04-19
Me parece que el arte vocal de Kiri posee muchas fortalezas y sòlidos atributos: brillantez, claridad, riqueza de colores, excelente fraseo, perfecta colocación y afinación, expresividad. Sin embargo, también carece de una mejor respiración para poder contrarrestar el excesivo vibrato que aplica a su canto. Sobre algunas de las obras interpretadas, recomiendo: Der Rosenkavalier: Schwarzkopf; Wagner: Kirsten Flagstad.
GREAT TE KANAWA !.......2004-02-19
THIS IS A GODD OVERVIEW OF KIRI TE KANAWA`S TALENT,THIS COMPILATION INCLUDES GREAT OPERA ARIAS,AMERICAN SONGBOOK CLASSICS,MAORI SONGS AND MORE,DIGITALLY REMASTERED. REALLY ENJOYABLE.
Average customer rating:
- Excellent Baroque collection - everyone should have this!
- Entry level baroque
|
Baroque Festival
Manufacturer: Compendia
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Binding: Audio CD
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ASIN: B000003QWD
Release Date: 1994-10-18 |
Tracks:
- Fanfare ('Masterpiece Theatre' Theme)
- Canon In D Major
- The Four Seasons, Op. 8 'The Spring' In E Major, No. 1: Allegro
- The Four Seasons, Op. 8 'The Spring' In E Major, No. 1: Largo e pianissimo sempre
- The Four Seasons, Op. 8 'The Spring' In E Major, No. 1: Allegro: Rustic Dance
- The Four Seasons, Op. 8 'The Summer' In G Minor, No. 2: Allegro non molto
- The Four Seasons, Op. 8 'The Summer' In G Minor, No. 2: Adagio: Presto
- The Four Seasons, Op. 8 'The Summer' In G Minor, No. 2: Presto: Impetuous Summer Storm
- The Four Seasons, Op. 8 'The Fall' In F Minor, No. 3: Dancing &Singing Of The Peasants: Allegro
- The Four Seasons, Op. 8 'The Fall' In F Minor, No. 3: The Sleeping Drunkards: Adagio
- The Four Seasons, Op. 8 'The Fall' In F Minor, No. 3: The Hunt: Allegro
- The Four Seasons, Op. 8 'The Winter' In F Minor, No. 4: Allegro non molto
- The Four Seasons, Op. 8 'The Winter' In F Minor, No. 4: Largo
- The Four Seasons, Op. 8 'The Winter' In F Minor, No. 4: Allegro
- Toccatta And Fugue In D Minor, BMV 565
- Xerxes: Largo
- Oboe Concerto In D Minor: Andante e spiccato
- Oboe Concerto In D Minor: Adagio
- Oboe Concerto In D Minor: Presto
- Gigue
Tracks:
- 'Brandenburg' Concerto No. 2 In F Major, BWV 1047: (Allegro)
- 'Brandenburg' Concerto No. 2 In F Major, BWV 1047: Andante
- 'Brandenburg' Concerto No. 2 In F Major, BWV 1047: Allegro assai
- 'Brandenburg' Concerto No. 3 In G Major, BWV 1048: (Allegro)
- 'Brandenburg' Concerto No. 3 In G Major, BWV 1048: Allegro
- 'Brandenburg' Concerto No. 5 In D Major, BWV 1050: Allegro
- 'Brandenburg' Concerto No. 5 In D Major, BWV 1050: Affettuoso
- 'Brandenburg' Concerto No. 5 In D Major, BWV 1050: Allegro
- Jesu, Joy of Man's Desiring
- 'Messiah': Overture
- 'Messiah': Comfort ye
- 'Messiah': Every Valley
- 'Messiah': And The Glory Of The Lord
- 'Messiah': Glory To God
- 'Messiah': Hallelujah!
- 'Messiah': And The Trumpet Shall Sound
Tracks:
- 'Water Music' Suite: Overture
- 'Water Music' Suite: Adagio
- 'Water Music' Suite: Allegro; Andante; Allegro
- 'Water Music' Suite: Minuet
- 'Water Music' Suite: Air
- 'Water Music' Suite: Minuet
- 'Water Music' Suite: Bourree
- 'Water Music' Suite: Hornpipe
- 'Water Music' Suite: Allegro moderato
- Royal Fireworks Music: Overture
- Royal Fireworks Music: Bourree
- Royal Fireworks Music: 'The Peace:' Largo alla Sicillana
- Royal Fireworks Music: La Rejouissance: Allegro
- Royal Fireworks Music: Minuet
- Royal Fireworks Music: Minuet
- Rondeau
- Tune In D major
- Arioso for Brass
- Allegro for Brass
- Prelude And Fugue In C Major, BWV 846
- Sleepers, Wake
Tracks:
- Trumpet Voluntary
- Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture
- Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau
- Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande
- Orchestral Suite No. 2 in B minor, BWV 1067: Bourree
- Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise: Lentement
- Orchestral Suite No. 2 in B minor, BWV 1067: Menuet
- Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie
- Orchestral Suite No. 1 In C Major, BWV 1066: Ouverture (Grave; Allegro)
- Orchestral Suite No. 1 In C Major, BWV 1066: Courante
- Orchestral Suite No. 1 In C Major, BWV 1066: Gavotte
- Orchestral Suite No. 1 In C Major, BWV 1066: Forlane
- Orchestral Suite No. 1 In C Major, BWV 1066: Menuet
- Orchestral Suite No. 1 In C Major, BWV 1066: Bourree
- Orchestral Suite No. 1 In C Major, BWV 1066: Passepied
- Air For The 'G' String
- Symphony from 'The Fairy Queen' Act Four: Allegro marziale
- Symphony from 'The Fairy Queen' Act Four: Canzona
- Symphony from 'The Fairy Queen' Act Four: Largo
- Symphony from 'The Fairy Queen' Act Four: Allegro maestoso
- Symphony from 'The Fairy Queen' Act Four: Adagio
- Symphony from 'The Fairy Queen' Act Four: Allegro maestoso
- 'A Hero's Music': La Vaillance
- 'A Hero's Music': La Grace
- 'A Hero's Music': L'Armenet
- Joy To The World
Customer Reviews:
Excellent Baroque collection - everyone should have this!.......2002-06-18
This is a remarkable collection of Baroque music. I've heard a lot of Baroque music and I am very discriminating about performance and sound quality. This set is a winner and a fantastic bargain... Somehow they've managed to choose what is truly "best" from the period (for example I've always felt Bach's Brandenburg Concertos # 2, 3, 5 were the best of the six, while 1,4,6 were relatively weaker - and lo and behold this collection includes 2,3,and 5) while missing very little if anything that "should have" been here (of course a 10 or 12 CD collection would have been even better, but you have to stop somewhere).
The performances here are excellent, and the recording quality is very high. I disagree with the person who claims this isn't "audiophile quality", because I don't think it could get much better unless it were on another medium such as SACD. I didn't particularly notice coughing on Handel's "Messiah" but Messiah fans would likely prefer a complete performance of that particular work anyway (the excerpts from Messiah here are complete pieces, but this set doesn't include the entire 2 hour or whatever Messiah). These do not sound like "outtakes", what kind of a comment is that? Somebody worked very hard to put this collection together, and they did a fantastic job (and I have zero affiliation with this, I just feel the truth as I see it should be told).
Vivaldi's "Four Seasons" is presented in it's entirety (ok, it's not the entire Vivaldi Opus 8, but it is the entire Four Seasons as normally found on any "Four Seasons" CD). There are so many great works here, which a lot of people will recognize even if they didn't know the actual piece or composer (or even that it was from the Baroque era). There's even the Mouret fanfare made famous as the "Masterpiece Theater" theme music. Yes this is a great "introduction" at a great price - which might get people to explore Baroque music further, but it's also a fairly complete collection which will suit a lot of people as such (i.e. for everyone who appreciates most any type of music these works should be "essential", but also the 4 CD collection might be all that a casual listener would "need" from the Baroque era). I feel that most people would be thrilled with this set; about the only way it might have been better would be to include information about each piece and about the Baroque era in general (there is no "text" at all with this set).
Entry level baroque.......2001-01-11
Nice cheap way to get into Baroque music. Unfortunately it's not the best recording you can get but it should be adequate enough for a non-audiophile. I've been unable to bring myself to listening to it again since I noticed that someone coughs in the background (very noticeably) during Handel's Messiah. Wonder if this is an outtakes CD.
Average customer rating:
|
Halcyon Days: A Treasury of British Light Music
Manufacturer: Asv Living Era
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Binding: Audio CD
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ASIN: B0000Y37NI
Release Date: 2004-02-24 |
Tracks:
- Overture
- Lento, Ma Non Troppo
- Gaily, But Not Quick
- Cantilena
- Vivace
- Miss Melanie
- Raf March Past
- Very Slow
- Maestoso; Alla Marcia Funebre
- Fairly Slowly, But Evenly Flowing In Strict Time
- Allegretto Rubato
- Overture, Op.52
- Fantasia On 'Greensleeves'
- Country Dance: Allegretto E Leggiero
- Burlesco: Allegro
- Adagio
- Sarabande: Maestoso
- Bourree: Vivace
- Rondo In A Flat
- Allegro
- Lento Moderato
- Con Brio
Tracks:
- March
- Plymouth Hoe (A Nautical Overture)
- Nelson's Column, Trafalgar Square
- Tower Hill
- The Horse Guards, Whitehall
- Rotten Row
- Covent Garden
- Westminster
- Knightsbridge March
- No.1 Wheatly Processional
- No.2 Constant Billy
- No.4 Jockie To The Fair
- No.5 Ladies Of Pleasure
- No.6 Princess Royal
- Malltraeth (Pastorale)
- Cemaes (Scherzo)
- March Of The Bowmen
- City Of Lincoln March
- Overture, Op.3
- Londonderry Air
Tracks:
- The Devil's Galop
- Sailing By
- High Adventure
- The Watermill
- Loch Laggan
- Psalm 23 - CHRIST CHURCH CATHEDRAL CHOIR
- Southern Rhapsody
- Ecce Homo - CHRIST CHURCH CATHEDRAL CHOIR
- Girls In Grey
- Halcyon Days
- March Glorious
- An English Overture
- Spitfire Prelude And Fugue
- Carry On Suite
- Carry On Up The Khyber
- Andante Expressivo
- The Dam Busters March
- Tarka The Otter
- The African Queen
Tracks:
- Caramba
- Two Interlinked French Melodies
- Kanikani
- Preambule
- Barcarolle
- Provencale
- By The Sleepy Lagoon
- A L'ombre D'un Buissonet
- Triste Est Le ciel
- Allons Gay
- A Mountain Tune
- Tambourin
- Passepied
- Sarabande
- Farandole
- Petite Promenade
- Andante/Medium Beguine
- Song Dance
- Fado
- Kolo
- In The French Countryside
- Carpet Dance
- Slow Waltz
- End Titles
Tracks:
- Miniature Overture (Help!)
- March (When I'm 64)
- Dance Of The Sugar Plum Fairy (Can't Buy Me Love)
- Arabian Dance (It's For You)
- Chinese Dance (Ticket To Ride)
- Dance Of The Reed Flutes (She Loves You)
- Waltz Of The Flowers (From Me To You)
- Pas De Deux (All My Loving)
- Sarabande
- The Reception
- The Orgy (Rondo)
- Danza Gaya
- Scene 1
- Malaguena (Vivace)
- Habanera (Moderato)
- Tango (Vivace)
- The Hiring Fair
- Carousing
- Round Dance
- Pas De Deux
- Hornpipe
- March
- Doll's Dance
- Round Dance
- Bobby Shaftoe
- The Keel Row
- The 98th Jacks Listed!
Average customer rating:
- Inauthentic Herbert/authentic Percy Faith
- disappointment
- "music giants come together ~ Herbert & Faith"
- Herbert in good hands with Faith renditions
- Percy Faith-Columbia Album Of Victor Herbert
|
The Columbia Album of Victor Herbert
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD
All Works by Herbert
| Herbert, Victor
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Similar Items:
- A Night With Jerome Kern/A Night With Sigmund Romberg
- A Victor Herbert Showcase: The Greatest Hits of the Father of American Popular Song
- The Sound of Music/South Pacific
- A Night with Rudolf Friml/Shakespeare's Greatest Hits
- Ah, Sweet Mystery of Life: The Songs of Victor Herbert
ASIN: B0000996GF
Release Date: 2003-09-16 |
Tracks:
- Ah! Sweet Mystery of Life
- Spanish Serenade
- Dream Girl
- Because You're You!
- Toyland
- March of the Toys
- Gypsy Love Song and Romany Life
- Kiss in the Dark
- I Want What I Want When I Want It
- When You're Away
- Cuban Serenade
- Indian Summer
- Every Day Is Ladies' Day with Me
- Kiss Me Again
- Habanera
- To the Land of My Own Romance
- Dagger Dance
- Italian Street Song
- Sweethearts
- Yesterthoughts
- Streets of New York
- I'm Falling in Love With Someone
- Thine Alone
Album Description
Percy Faith was the master of distilling the best of melodies and in this collection from 1958, Percy rescues us from the images that Victor Herbert melodies tend to evoke - the operetta, and the "erstwhile lady singing (belting out?) Herbert tunes at the piano." With this in mind, Percy's early stereo spectacular brings us the best of the Victor Herbert tunes - with the grand voice of the orchestra to bring out the beauty of each song - twenty-three Victor Herbert songs in this collection! (Bill Halvorsen)
Album Description
Full Title - The Columbia Album Of Victor Herbert/And His Orchestra. Pianist Percy Faith, a pioneer of the Easy Listening genre, had a successful and lengthy career as the in-house conductor and arranger for Columbia Records. Faith was renowned for his musical interpretations of Broadway and motion picture music. These 2 albums on 1 CD were originally released in 1958. 23 tracks. 2003 Collectables reissue.
Customer Reviews:
Inauthentic Herbert/authentic Percy Faith.......2006-09-03
If you love the Percy Faith orchestral style, you will certainly
enjoy this typical example. The disc is full and the selections are numerous and varied, including characteristic pieces, operetta
excerpts, and even a couple of excerpts from one of Herbert's
grand operas.
BUT - if you're primarily interested in the music of Victor Herbert, then the advice has to be to avoid this seemingly tempting item. The combination of anachronistic arrangements, altered harmonies, and orchestrations foreign to anything Herbert would have imagined or countenanced ends by falsifying the charm and character of Herbert's music. In essence it's more like "1950's Fantasies Loosely Based on Certain Herbert Themes."
disappointment.......2006-08-14
This is a very poor rendering of the music of Victor Herbert. I am very disappointed in it and would not have ordered it if I realized that there were no vocals.
"music giants come together ~ Herbert & Faith".......2004-02-09
Now we have something that only Percy Faith could tackle "The Columbia Album of Victor Herbert", composer Victor Herbert has all the elements that Mr. Faith was looking for, and what a workout the award winning Percy Faith Orchestra has in store for them, look at the result...pure satisfaction and then some ~ "TOYLAND" is one of the most beautiful songs ever written, Percy's arrangement comes from the heart and weaves a magic spell over the listener ~ "MARCH OF THE TOYS", once again the signature arrangement comes to the surface of each cue that Mr. Faith records, very stimulating performance ~ listen to this cue and visualize the toys coming to life ~ "A KISS IN THE DARK" and "KISS ME AGAIN", once again the magic prevails with soft and sweeping strings, The Percy Faith Touch comes to the forefront ~ and Percy was always there to record the music whenever the time presented itself, and it is here and now.
Two great giants in the music world Victor Herbert (1859-1924) and Percy Faith (1908-1976), brought together by Columbia Records and originally released in 1958 (C2S-801), received wonderful reviews from the music critics. This is an historic event for Faith fans, a double LP that has all the ingredients is now released on one single compact disc ~ with all the sonic clarity you could ask for.
Great job to all who were involved in bringing this to listeners of fine music ~ very impressive with all original liner notes and recording cues intact. This has to be in the top five of Faith's re-issues, keep them coming, cause there is an audience out there crying and craving more of the same...gotta love it!
Total Time: 73:46 on 23 Tracks ~ Collectables 7565 ~ (9/16/2003)
Herbert in good hands with Faith renditions.......2003-10-08
Percy Faith, the easy listening music arranger and conductor, pays homage to composer Victor Herbert (1859-1924) and in doing so offers us a remarkable recording of Herbert's oft-forgotten music. Faith interprets Herbert's music with his signature lush strings and sound orchestral arrangements that provide a light buoyancy to the compositions. Especially good are Indian Summer, Spanish Serenade and Gypsy Love Song. But all tracks are impressive and offer good testimony to Herbert's compositions and Faith's tuneful arranging. This is one of the better Faith re-releases from Collectables to date.
Percy Faith-Columbia Album Of Victor Herbert.......2003-09-18
This is one of Percy Faith's most beautiful albums and it is finally on cd.Most of this album is beautiful and lush but there is a few songs that are brassy,2 Christmas songs and 1 Semi classical song.Here is the song list.
The Columbia Album Of Victor Herbert-1958(Liner Notes Included)
1)Ah Sweet Mystery Of Life-Lush
2)Spanish Life-Brassy
3)Dream Girl-Lush
4)Because Your You're You-Lush
5)Toyland-Lush Christmas This is the most beautiful version of toyland I have ever heard although Johnny Mathis has a pretty good version too.You should play Percy's version during the Christmas season off of this cd.
6)March Of The Toys-Brassy Christmas with Drums interspursed.Percy's version of this song is great and should also get a lot of play during the holiday season.
7)Gypsy Love Song and Romany Life-Semi Classical
8)A Kiss In The Dark-Lush
9)I Want What I Want When I Want It-Brassy
10)When You're Away-Lush
11)Cuban Love Song-Light Strings
12)Indian Summer-Lush
13)Every Day Is Ladies Day With Me-Brassy
14)Kiss Me Again-Lush
15)Habanera-Brassy
16)To The Land Of My Own Romance-Lush
17)Dagger Dance-Brassy
18)Italian Street Song-Brassy
19)Sweethearts-Lush
20)Yesterthoughts-Lush
21)Streets Of New York-Lush
22)I'm Falling In Love With Someone-Light Strings
23)Thine Alone-Lush
All 23 Songs are just with orchestra and no chrous.Also the two Christmas Songs on this album are not available on his other 3 Christmas albums only here.You may also like Percy Faith's Columbia Album of George Gershwin if it's still available,if it's not Collectibles will probebly be reissiuing it eventually.If you like beautiful music this album must be in your collection.Doubtless a lot of these songs probebly got played on beautiful music stations before beautiful music died out on the radio.
Average customer rating:
- One of my Favorite CDs
- Melodious Shakespeare
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Songs to Shakespeare
John Addison , John Addison II , William Aikin , Thomas Arne , Sir Henry Rowley Bishop , Benjamin Britten , Geoffrey Bush , John Clifton , Henry Balfour Gardiner , Franz Joseph Haydn , Mervyn Horder , Herbert Howells , John Ireland , William Linley , John Major , Sir Charles H.H. Parry , Roger Quilter , John Christopher Smith , Charles Villiers Stanford , Michael Tippett , Ralph Vaughan Williams , Graham Johnson , and Anthony Rolfe Johnson
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002ZP7
Release Date: 1993-11-19 |
Tracks:
- You Spotted Snakes
- No More Dams I'll Make For Fish
- On A Day, Alack The Day
- She Never Told Her Love
- O Mistress Mine
- Lawn, As White As Driven Snow
- If Love Make Me Forsworn
- O Happy Fair!
- If Music Be the Food Of Love
- Farewell, Thou Art Too Dear For My Posessing
- When In Disgrace With Fortune And Men's Eyes
- Shall I Compare Thee To A Summer's Day?
- The Rain It Raineth Every Day
- Orpheus With His Lute
- Come Away Death
- Fear No More The Heat o' The Sun
- Take, O Take Those Lips Away
- It Was A Lover And His Lass
- Winter
- When Daffodils Begin To Peer
- Under The Greenwood Tree
- Songs For Ariel - I. Come Unto These Yellow Sands
- Songs For Ariel - II. Full Fathom Five
- Songs For Ariel - III. Where The Bee Sucks
- Who Is Silvia?
- Francie
- Sigh No More Ladies
Customer Reviews:
One of my Favorite CDs.......2004-02-19
In this wonderful collection of Shakespeare settings, Mr. Rolfe-Johnson creates a magical atmosphere using his unbelievable musicality and gorgeous, gorgeous voice! The songs themselves range from the sweet and charming "No more Dams!" to the heavenly interpretation of "She Never Told Her Love", but for me the high point of the whole CD is his incredible performance of the early version of Vaughan Willams' "Orpheus with his Lute"...this song alone is worth the price of the album! Mr. Rolfe Johnson is truly one of the worlds most exquisite tenors! A must have for every fan of English Song!
Melodious Shakespeare.......2001-01-24
This CD consists of a collection of settings of Shakespearian lines by composers ranging from the 18th to the mid-20th centuries. It is an ideal vehicle for finding a new way to enjoy these writings of Shakespeare and also experience the work of a number of British composers, some well-known and some not so well-known
Average customer rating:
- Charming Coates Recordings
- Ah, Nostalgia!
- Eric Coates Conducts His Own Music.
|
Coates: By the Sleepy Lagoon; Summer Days; London Suite
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Eirc Coates: 10 Orchestral Pieces; The Enchanted Garden
- Eric Coates: London Calling
- The Symphonic Eric Coates
- Elizabethan Serenade: The Best of British Light Music
ASIN: B00005MAPN
Release Date: 2001-08-21 |
Tracks:
- By The Sleepy Lagoon
- Summer Days-Ste: In A Country Lane - The New Queen's Hall Light Orch/Eric Coates
- Summer Days-Ste: On The Edge Of The Lake - The New Queen's Hall Light Orch/Eric Coates
- Summer Days-Ste: At The Dance - The New Queen's Hall Light Orch/Eric Coates
- Wood Nymphs - Valsette - The Queen's Hall Light Orch/Eric Coates
- The Jester At The Wedding: March
- The Jester At The Wedding: Valse
- Symphonic Rhap On 'I Pitch My Lonely Caravan' - Hon. W. Brownlow
- Symphonic Rhap On 'I Heard You Singing' And 'Bird Songs At Eventide'
- London Ste: Tarantelle 'Covent Garden'
- London Ste: Meditation 'Westminister'
- London Ste: March 'Knightsbridge'
- Summer Afternoon - Idyll
- Cinderella - A Phantasy
- London Bridge - March
Customer Reviews:
Charming Coates Recordings.......2007-02-16
The best of British light classical music in the first half of the century, represented particularly by Eric Coates and Alfred Ketelbey, is a glimpse of a vanished era. Coates' music is largely forgotten in the U.S. today. Record-collectors, however, quickly discovered Coates' wonderful recordings via the numerous 78-rpm discs he made for Columbia and Decca/London, released in both the U.K. and the U.S. Fortunately, Naxos has digitally remastered some of the best of these delightful performances.
Coates was a gifted melodist and orchestrator. He was also a very competent conductor, as these recordings demonstrate. It is a real treat to hear him conducting his own music, some of which was recorded in stereo by Frederick Fennell for Mercury Records. These are truly light classical gems, much in the "pops" vein, and can be enjoyed both classical music lovers and those who prefer the lighter classics.
Ah, Nostalgia!.......2001-11-20
Although I'm sure there are those that would disagree with me, I consider this the Mecca of all Eric Coates CDs. To be able to hear the works not only written by the composer but conducted as well...What can I say? The fact that during the reengineering of the original recordings not all of the hisses, cracks and pops were removed only adds to the charm and enjoyment of these fabulous and historic recordings. Best on the disc: bands 10, 11 and 12, "London Suite," recorded in March of 1933.
Eric Coates Conducts His Own Music........2001-10-05
Eric Coates wrote light music that was very good music. A very experienced practitioner, he was highly regarded by his public, his publishers, his colleagues, and by record companies. He recorded his own works extensively, and inimitably.
Peter Dempsey, working from original 78s issued between 1926 and 1940, has produced and annotated this welcome addition to the Naxos catalogue devoted to Eric Coates conducting his own music. The orchestra, usually named "Symphony Orchestra" on the original labels and in this Naxos issue also, was frequently the London Philharmonic Orchestra - no less. This was the case with Tracks 2 - 5, 9 - 12, and 14.
You'll hear an hour of delightful music here, well transferred and presented.
Average customer rating:
|
Every Summer
Stephen Lawrenson
Manufacturer: Paisley Pop
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Pop
| Styles
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Pop Rock
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ASIN: B0006L5P44
Release Date: 2004-11-09 |
Tracks:
- 4U
- Town
- Laughter & Tears
- Harmonee
- Mind
- Stairway
- Too Far
- Out There
- One More Try
- That Way
- Town (acoustic)
Album Description
A note from Jim Huie at Paisley Pop: I first heard Stephen Lawrenson last December when I received a 4 song EP in the mail from Susquehana, Pennsylvania. While initially my expectations based on the pretty straightforward song titles was low, on first listen, I was immediately impressed with Stephen's songs and production. At first, they reminded me in some ways of early ELO without the strings. Something about his voice had a similar quality to John Lennon's on "Across the Universe". Stephen and I corresponded, and I encouraged him to put together a full-length album for me to release. The results are "Every Summer", a collection of infectious jangly pop meets post punk. Playing all the instruments and recording the whole thing on his own, the results are surprisingly sonically sophisticated. Lawrenson's hooky-but-rollicking melodies pay audible tribute to his great love for mid-'70s rock and `80s-`90s jangle pop.
Customer Reviews:
Every Summer!.......2006-03-14
Every Summer is a fantastic "hook-laden" pop debut release from Stephen Lawrenson. A big "Wow". This cd is filled with tunes that you find yourself humming for days thereafter. It serves-up elements of classic Beatlesque pop that is both retro and refreshing in an Adrien Belew kind-of-way. This is self-production at its best... every note preformed by Stephen himself; the vocals, harmonies, instrumentation, phrasing, lyrics... the works! Buy this cd! It has all the stuff that great pop music is... and it is.
Average customer rating:
- A Long Time Coming...
- Her Best Album
- Price At Her Peak
- of course world class
- the greatest american soprano of the 20th century
|
The Essential Leontyne Price
Manufacturer: RCA
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Binding: Audio CD
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ASIN: B000003FWD
Release Date: 1996-08-13 |
Tracks:
- Aida: Act I: Ritorna vincitor!
- Aida: Act I: E l'amor mio?
- Aida: Act I: I sacri nomi di padre, d'amante
- Aida: Act III: Qui Radames verra!
- Aida: Act III: O patria mia
- Un Ballo in Maschera: Act II: (Prelude)
- Un Ballo in Maschera: Act II: Ecco l'orrido campo
- Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
- Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
- Un Ballo in Maschera: Act III: Morro, ma prima in grazia
- Il Trovatore: Act I: Che piu t'arresti?
- Il Trovatore: Act I: Tacea la notte placida
- Il Trovatore: Act I: Di tale amor che dirsi
- Il Trovatore: Act IV: Siam giunti
- Il Trovatore: Act IV: D'amor sull'ali rosee
- Ernani: Act I: Surta e la notte
- Ernani: Act I: Ernani! Ernani, involami
- Ernani: Act I: Tutto sprezzo che d'Ernani
- La forza del destino: Act II: Son giunta! Grazie, o Dio!
- La forza del destino: Act II: Madre, madre, pietosa Vergine
- La forza del destino: Act II: La Vergine degli angeli
- La forza del destino: Act IV: Pace, pace, mio Dio
Tracks:
- Cosi fan tutte: Act I: Come scoglio immoto resta
- Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
- Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
- TOSCA: Act II: Vissi d'arte
- Manon Lescaut: Act II: In quelle trine morbide
- Manon Lescaut: Act IV: Sola, perduta, abbandonata
- Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
- Don Giovanni: Act I: Don Ottavio, son morta!
- Don Giovanni: Act I: Or sai chi l'onore
- Don Giovanni: Act II: Crudele? Ah, no, mio bene!
- Don Giovanni: Act II: Non mi dir
- Turandot: Act I: Signore, ascolta!
- Turandot: Act III: Tu che di gel sei cinta
- Ariadne auf Naxos: Es gibt ein Reich
- Antony And Cleopatra: Act III: Give me my robe
Tracks:
- Otello: Era piu calmo?
- Otello: Mia madre aveva una povera ancella (Willow Song)
- Otello: Ave Maria
- Fidelio: Act I: Abscheulicher! Wo eilst du hin?
- Suor Angelica: Senza mamma, o bimbo, tu sei morto!
- Carmen: L'amour est un oiseau rebelle (Habanera)
- La Traviata: Act I: E strano, e strano !
- La Traviata: Act I: Ah, fors' e lui
- La Traviata: Act I: Sempre libera
- Le nozze di Figaro: Act III: E Susanna non vien!
- Le nozze di Figaro: Act III: Dove sono
- Die Agyptische Helena: Act II: Awakening Scene
- La rondine: Ore dolci e divine
- Salome: Finale
Tracks:
- Eugene Onegin: Act II: Puskai pogibnu ya
- Eugene Onegin: Act II: Ya k vam pishu
- Eugene Onegin: Act II: Net, nikomu na svete
- Eugene Onegin: Act II: No tak i byt'!
- La rondine: Act I: Chi il bel sogno di Doretta
- VANESSA: Act I: He Has Come, He Has Come!
- VANESSA: Act I: Do Not Utter A Word
- Carmen: Act I: Pres des remparts de Seville (Seguidilla)
- Manon: Act II: Allons! il le faut!
- Manon: Act II: Adieu, notre petite table
- Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
- Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
- La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
- Die Frau ohne Schatten: Act II: Empress's Awakening Scene
- Dido and Aeneas: Act III: Thy Hand, Belinda!
- Dido and Aeneas: Act III: When I Am Laid In Earth
- Don Carlo: Act V: Tu che le vanita conoscesti del mondo
Tracks:
- Otello: Act I: Gia nella notte
- Otello: Act I: Quando narravi
- Otello: Act I: Venga la morte!
- Cosi fan tutte: Act I: Ah, guarda, sorella
- Madama Butterfly: Act I: Bimba, bimba, non piangere
- Madama Butterfly: Act I: Bimba dagli occhi
- Madama Butterfly: Act I: Vogliatemi bene
- Requiem: Recordare
- Porgy And Bess: Act II: Bess, You Is My Woman
- Norma: Act III: Me chiami, o Norma
- Norma: Act III: Mira, o Norma
- Ernani: Act II: Tu, perfida!
- Ernani: Act II: Ah, morir, potessi adesso
- Cosi fan tutte: Act II: Sorella, cosa dici?
- Cosi fan tutte: Act II: Prendero quel brunettino
- Aida: Act IV: La fatal pietra sovra me si chiuse
- Aida: Act IV: Presago il core della tua condanna
- Aida: Act IV: Vedi? Di morte l'angelo
- Aida: Act IV: O terra, addio
Tracks:
- Un Ballo in Maschera: Act II: Teco io sto!
- Aida: Act III: Ciel! mio padre!
- Aida: Act III: Rivedrai le forest imbalsamate
- Aida: Act III: In armi ora si desta il popol nostro
- Aida: Act III: Padre! a costoro schiava non sono
- Requiem: Angus Dei
- Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
- Cosi fan tutte: Act I: Soave sia il vento
- Porgy And Bess: Act II: I Loves You, Porgy
- Aida: Act II: Silenzio! Aida verso noi s'avanza
- Aida: Act II: Fu la sorte dell'armi
- Aida: Act II: Pieta ti prenda del mio dolor
- Aida: Act II: Alla prompa che s'appresta
- Il Trovatore: Act IV: Udiste?
- Il Trovatore: Act IV: Mira, di acerbe lagrime
- Il Trovatore: Act IV: Vivra! Contende il giubilo
- Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
- Carmen: Act IV: C'est toi! - C'est moi!
- Carmen: Act IV: Ou vas-tu? - Laisse-moi!
Tracks:
- Les nuits d'ete, Op.7: Villanelle
- Les nuits d'ete, Op.7: Le spectre de la rose
- Les nuits d'ete, Op.7: Sur les lagunes
- Les nuits d'ete, Op.7: Absence
- Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
- Les nuits d'ete, Op.7: L'ile inconnue
- Four Last Songs: Fruhling
- Four Last Songs: September
- Four Last Songs: Beim Schlafengehen
- Four Last Songs: Im Abendrot
- Clair de lune, Op.46, No.2: Clair de lune
- Notre amour, Op.23, No.2: Notre amour
- Au cimetiere, Op.51, No.2: Au cimetiere
- Au bord de l'eau, Op.8, No.1: Au bord de l'eau
- No.1, Cinq melodies de Venise, Op.58: Mandoline
- Main dominee par le coeur
- Miroirs brulants No.2: Je nommerai ton front
- Miroirs brulants No.1: Tu vois le feu du soir
- Ce doux petit visage
Tracks:
- Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
- Frauenliebe und -leben, op.42: Seit ich ihn gesehen
- Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
- Frauenliebe und -leben, op.42: Ich kann's nicht fassen
- Frauenliebe und -leben, op.42: Du Ring an meinem Finger
- Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
- Frauenliebe und -leben, op.42: Susser Freund, du blickest
- Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
- Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
- Widmung (No.1, Myrthen, Op.25): Widmung
- Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
- Volksliedchen, Op.51, No.2: Volksliedchen
- Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
- Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
- Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
- Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
- Allerseelen, Op.10, No.8: Allerseelen
- Schlagende Herzen
- Freundliche Vision, Op.48, No.1: Freundliche Vision
- Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
- Der Gartner (Morike-Lieder No.17)
- Lebe wohl (Morike-Lieder No.36)
- Morgentau (From An Old Songbook)
- Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About De Mountain - Various Artists
- Swing Low, Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy
- Lead, Kindly Light
- Blessed Assurance
- Ave Maria
- What A Friend We Have In Jesus
- Amazing Grace
- The Lord's Prayer
- Pass Me Not, O Gentle Saviour
- The Church's One Foundation
- Bless This House
- I Need Thee Every Hour
- Fairest Lord Jesus
- I Wonder As I Wander
- Ave Maria
- Porgy And Bess: Summertime
- America The Beautiful
- Lift Ev'ry Voice And Sing
- A Mighty Fortress Is Our God
- Battle Hymn Of The Republic
Tracks:
- Chants tziganes, Op. 103: He Zigeuner
- Chants tziganes, Op. 103: Hochgeturmte Rimaflut
- Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
- Chants tziganes, Op. 103: Lieber Gott, du weisst
- Chants tziganes, Op. 103: Brauner Bursche
- Chants tziganes, Op. 103: Roselein dreie in der Reihe
- Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
- Chants tziganes, Op. 103: Rote Abendwolken
- Adriana Lecouvreur: Act I: Io son l'umile ancella
- This Little Light O'Mine
- Interview With Leontyne Price By John Pfeiffer
Amazon.com
This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine
Customer Reviews:
A Long Time Coming..........2006-03-30
This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!
Her Best Album.......2006-01-01
Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.
This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.
Price At Her Peak.......2005-05-02
Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.
This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.
Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.
Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.
of course world class.......2000-08-14
Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.
the greatest american soprano of the 20th century.......1999-12-12
This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
Music:
- Exottica
- Focus
- Friday Night Disco
- Generator [CD-single] [Import]
- Give Me Sanity
- God Says You Can
- Going Nowhere
- Gold Metal
- Happy Today
- Horse Penis Pants
Music
music
Music
Kiss Of The Goddess
Prokofiev: Alexander Nevsky; Cinderella Suite
Mozart Recordings, 1924 - 1933
Rendez-Vous: The Sound of the Mediterranean [Import]
Quagmire, Vol. 8 [Import]
Rock N Roll Party
Oscar's Trashy Songs
Scriabin: Piano Concerto
Snake Still Rockin After All These Years
Postales
Relaxation for Children...The Pleasure of
Musica Andina [Import]
One Nation, Vol. 3 [Import]
Fish Ain't Bitin'
Love of My Life: The Best of Dan Hill