All the Pieces
Editorial Reviews
Asleep By Dawn Magazine, Summer 2004 issue
...lyrics are sharp points of anger and aggression, given an extra edge of dark sexuality by the delivery of vocalist...
Flesh Department
...a combination of powerful lyrics, combined with driving electronics...brings something new and unique to the electronic scene.
Album Description
The music of Bow Ever Down is dark and aggressive, with Franks backup vocals incredibly twisted and distorted, but Kimberlys deep, rich, clear lead provides a seductive and beguiling counterpoint. Fans of hard-edged industrial dance music will thoroughly enjoy this band.
All the Pieces
All the Pieces, Music, Bow Ever Down (Author)
Average customer rating:
- pure genius
- Another great Yo-Yo Disc
- first disc great- second a flop
- Encore
- The Versatile Yo-Yo Ma
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Similar Items:
- Appassionato
- Yo-Yo Ma Plays Ennio Morricone
- Vivaldi's Cello
- Classic Yo-Yo
- Silk Road Journeys: Beyond the Horizon
ASIN: B000A7Q29G
Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine
Customer Reviews:
pure genius.......2007-05-21
No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
The set-up with the classical pieces on the first disc and the other on the second is excellent.
first disc great- second a flop.......2007-04-12
the first disc is awesome. the second disc is weird and boring.
Encore.......2007-03-31
Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.
The Versatile Yo-Yo Ma.......2007-03-29
I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Elegance at the piano
- VALUE FOR MONEY
- Good bang for the buck.
- Really good price.
|
Piano Favorites
Manufacturer: EMI Classics
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Similar Items:
- 25 Piano Favorites
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- Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
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- Chopin: Preludes & Nocturnes
ASIN: B000000UVY
Release Date: 1995-10-17 |
Tracks:
- Fantasie Impromptu in C-sharp minor, OP.66
- Waltz No.15 in A-flat, Op.39
- Rondo all turca from Sonata in A, K.331
- Minuet in G
- Traumerei Op.15 No.7 (from Kinderzenen)
- Un sospiro
- Etude in C-sharp minor, Op.10 No.4
- Etude in G-flat, Op.10 No.5
- Humoresque, Op.101 No.7
- 'Fur Elise' (Bagatelle Wo0.59)
- Claire de lune (Suite Bergamasque, No.3)
- Golliwog's Cakewalk (Coin des enfants, No.6)
- Prelude in C-sharp minor, Op.3 No.2
- Melody in F, Op.3 No.1
- The Cuckoo
- La fille aux cheveux de lin (from Preludes Book I)
- Waltz in C-sharp minor, Op.64 No.2
- Waltz in G-flat, Op.70 No.1
- Jeux d'eau
- Gymnopedie No.1 (Lent et douloureux)
Customer Reviews:
Elegance at the piano.......2007-06-16
I grew up listening to Moura Lympany's playing, especially Litolff's Scherzo. Never could understand how a person could play with absolute control at high speed. In this recording, most (though not all - the Etude in C# minor an obvious exception)of the music is more laid back, and played with great grace and with the controlled touch of a pianist at the peak of her career.
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.
VALUE FOR MONEY.......2006-08-24
Dame Moura is my favourite pianist. Her great style and sublety of expression comes out in all her recordings. this CD is the best value for money ever!!
Good bang for the buck........2005-12-07
I was killing some time in the store the other day and was in the mood for a cheap CD for the car for the ride home. I ran across this and saw a few recognizable titles so for about $5 I figured I'd take a chance. I'm fairly impressed, I wasn't crazy about some of her dynamics in Un Sospiro plus her little added frill in there but still enjoyed it...I'd learned that piece myself years back, still can't play it and probably never will! Another piece I've known for years is the infamous Rachmaninov Prelude in C#m. Again, I wasn't crazy about some of the dynamics of her style but she still nails it without a hitch. Then I got to some other interesting pieces, I love the Debussy Golliwog's Cakewalk...really sticks in your head. Sort of a classisized (?) ragtime and it's cool enough that I'm going to dig through my music and see if I don't have it somewhere. I thought the Chopin Etude in C#m was absolutely fabulous, she just cooks through it from beginning to end. I probably have the music for that too...I'm not even going to attempt it! ;-) In fact, I liked all the Chopin she plays here, it seems she had a real flair for his music. Without going on forever here I'll just say that there are several tracks I listen to extensively on here and I'm fairly impressed. For a lousy $5 how can you go wrong? Just buy the thing! I'd never heard of her before so I just did a little 'net searching and I'm saddened to find that she just passed away about 8 months ago at age 88, truly a loss to the classical music world. In any case, even at twice the price I doubt anyone would be disappointed with this CD.
Really good price........2002-06-15
This is a great CD and you can't beat the price. These piano compositions are great for restful backgroud music after a hard day. I want to get a second one for when this one wears out.
Average customer rating:
- Excellent recording
- Highly Recommended!
- Amazing
- A gentleman musical agreement!
- Extreme virtuosity
|
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
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ASIN: B000002RTR
Release Date: 1993-09-14 |
Tracks:
- Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
- Estudio brillante
- Etude No. 1 In E Minor
- Recuerdos de la Alhambra
- Leyenda
- Romance
- Rumores de la Caleta
- Capricho Arabe
- Cantata 147: Jesu, Joy Of Man's Desiring
- Well-Tempered Clavier: Prelude No. 1
- Well-Tempered Clavier: Prelude No. 6
- Cantata 140: Sleepers Awake
- Prelude, Fugue, And Allegro: Allegro
- Cantata 208: Sheep May Safely Graze
- Les Barricades mysterieuses
- Preambulo & Allegro vivo: Preambulo And Allegro vivo
- Passacaglia
- The Girl With The Flaxen Hair
- Gymnopedie No. 1
- Empress Of The Pagodas
- Afro-Cuban Lullaby
Tracks:
- Fourth Lute Suite: Praludium
- Fairest Lord Jesus
- Praise Ye The Lord, K. 339
- Simple Gifts
- Hymn Of Christian Joy
- Cantata 29: We Thank Thee, Lord
- Cantata 156: Arioso
- Cantata 99: What God Hath Done
- Canon
- Dolly Suite: Berceuse
- La Vida breve: Spanish Dance No. 1
- Terezinha De Jesus
- Prelude (In The Baroque Style)
- Goyescas: Intermezzo
- Prelude & Fugue No. 4 In E: Fugue
- Evening Dance
- Variations On A Theme Of Mozart
- Canarlos
- La Maja de Goya
- El Noi de la Mare
- Concierto de Aranjuez: Adagio - J. Rodrigo
Customer Reviews:
Excellent recording.......2007-05-12
If you are a fan of classical guitar than this is a must own set. I enjoy every moment.
Highly Recommended!.......2006-12-23
I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.
This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.
Amazing.......2006-05-08
I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.
A gentleman musical agreement! .......2006-03-16
In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.
But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.
Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.
Extreme virtuosity.......2005-09-25
CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Average customer rating:
- "Beautiful"? More like "funereal". Very dark and depressing.
- BEAUTIFUL!!
- Encore! Encore!
- Superb!
- A superb collection
|
Jewish Cello Masterpieces
Manufacturer: Leggiero Records
ProductGroup: Music
Binding: Audio CD
Classical
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Similar Items:
- Kol Nidre Variations
- Dvorák: Cello Concerto; Bruch: Dol Nidrei; Bloch: Schelomo
- Legendary Cantors
- Sacred Chants of the Contemporary Synagogue
- Cantors: A Faith in Song
ASIN: B00006NSWV
Release Date: 2002-09-20 |
Tracks:
- Ernest Bloch: "Nigun" (from Baal Shem)
- Ernest Bloch: "Schelomo"
- Max Bruch: "Kol Nidre"
- Ernest Bloch: "Prayer" (from Jewish Life)
- Ernest Bloch: "Meditation Hebraique"
- Maurice Ravel: "Kaddisch"
- Zavel Zilberts: "Reb Dovid'l"
- Zavel Zilberts: "V'shom'ru"
- Zavel Zilberts: "Haneros Halolu"
- Jacob Wasilkovsky: "Al Tiro"
- Zavel Zilberts: "Havdolo"
- David Meyerowitz: "Gelt" (Wie Shlecht es is Ohn Gelt)
Album Description
A beautiful collection of great Jewish Music. Classics by Ernest Bloch and Max Bruch, mixed with rarely heard gems by Maurice Ravel, Zavel Zilberts, Jacob Wasilkovsky, and David Meyerowitz. "Wie Shlecht es is Ohn Gelt", a Yiddish Theatre gem, is alone worth the price of admission for its mixture of pathos and humor. The songs by Zilberts are an important and beautiful part of the Jewish music legacy that must be heard.
Customer Reviews:
"Beautiful"? More like "funereal". Very dark and depressing........2007-07-12
"Beautiful"? I did not find anything about this music "beautiful". Most of it is very dark and depressing. A few of the songs sound like something you would hear in a horror movie. Now I know why they do not provide samples to listen to. The only two songs I found pleasant to listen to were "Zilberts: Reb Dovid'l" and "Meyerowitz: Gelt (Wie Shlecht es is Ohn Gelt)". I am very disappointed. Admittedly, I purchased this CD without really knowing what to expect. I just trusted the previous reviews. Try to find samples to listen to before you purchase this CD to see if you like this kind of music.
BEAUTIFUL!!.......2006-01-07
I love this CD and have bought several for friends. Music is so very beautiful. Toda raba!!!!
Encore! Encore!.......2004-01-13
Perhaps no other instrument captures the sad-sweet contemplative mood of classical Jewish music like a cello. Is this because so many Jewish composers have written for the cello, that we think of it as a "Jewish" instrument? Or did they choose the cello because it sings so beautifully of the Jewish soul? Like the chicken and the egg, this question may never be answered -- but it doesn't really matter. This superb music is an important part of our Jewish legacy in its own right.
On this CD, cellist Richard Locker, accompanied by Susan Walters on piano, brings together 12 classical Jewish pieces, some well-known and others not so, in an absolutely magnificent performance -- so beautiful, that it literally brought tears to my eyes. The CD starts out with a niggun (Hasidic tune) by Ernest Bloch, then moves into to the dark, somber strains of Max Bruch's "Kol Nidre." From there it rises in mood, to end with a playful Yiddish theater piece, "Wie schecht is ohne Gelt" (How awful it is to be without money!) Included is the rarely heard "Meditation Hebraique" by Bloch, which he dedicated to Pable Casals, and a trio of pieces by the lesser-known composer, Zavel Zilberts (1881-1949), who directed the Choral Society of New York and played with the Metropolitan Opera. All of this is performed on a cello made by Nicolo Gagliano, dated 1780. To hear such a fine old instrument played by a talented, sensitive musician is truly a mechayah! (pleasure)
Superb!.......2003-12-05
I recently received this CD as a gift and was simply overwhelmed by how beautiful it is. The music, the playing, and the recording are all stunning. The interpretations of the well known works are magnificent and the pieces by Zilberts and Meyerowitz are a revelation. I cannot recommend this recording highly enough.
A superb collection.......2002-11-17
Jewish Cello Masterpieces is magnificent! This is a soulful performance by a true cello master. I look forward to more work from Richard Locker!
Average customer rating:
|
Essential Hyperion, Vol. 2
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Essential Hyperion (Label Highlight Compilation)
- Essential Purcell
- Beethoven - The Complete String Quartets / Alban Berg Quartet
ASIN: B00004RITB
Release Date: 2001-01-09 |
Customer Reviews:
Nothing but hits.......2001-01-31
As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.
Average customer rating:
- Wonderful!
- Simple and sweet songs
- Marvellous cd, enchanting music
- Good if you want to sing from the book but can't read music
- Didn't like the voice.
|
Lullabies: A Songbook Companion
Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Elgar
| Elgar, Sir Edward
| ( E )
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| ( G )
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| ( H )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Offenbach, Jacques
| ( O )
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| ( S )
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Similar Items:
- Lullabies: An Illustrated Songbook
- Lullabies and Poems for Children (Everyman's Library Pocket Poets)
- A Treasury of Children's Songs: Forty Favorites to Sing and Play
- Go In and Out the Window: An Illustrated Songbook For Children
- The Library of Children's Song Classics
ASIN: B00000083Z
Release Date: 1997-11-18 |
Tracks:
- All Through The Night
- All The Pretty Little Horses
- All Night, All Day
- Armenian Lullaby
- Baby's Bed's A Silver Moon
- Baloo, Baleerie
- Brahms' Lullaby
- Brezairola
- Traumerei, Op. 15, No. 1
- Can Ye Sew Cushions
- By'm Bye
- Bye, Baby Bunting - Golden Slumbers
- Dance To Your Daddy - Dance, Little Baby
- Fais Dodo
- Good Night To You All
- Jocelyn: Berceuse
- Hush, Little Baby
- Kumbayah
- Little Boy Blue
- Suo Gan
- Matthew, Mark, Luke, And John
- Mozart's Lullaby
- Chanson de Nuit, Op. 15, No. 1
- Now The Day Is Over - Raindrops
- Raisins And Almonds
- Rock-A-Bye, Baby
- Rocking - The Sandman
- Tales Of Hoffman: O Bell Nuit - Bacarolle
- Skidamarink
- Sleep, Baby, Sleep
- Sweet And Low
- Swing Low, Sweet Chariot
- Toora, Loora, Loora
- Twinkle, Twinkle, Little Star: Twinkel, Twinkel, Little Star
- When At Night I Go To Sleep
Amazon.com
Released as a companion piece to the award-winning book Lullabies: An Illustrated Songbook, this hour-plus of music is a wonderful mix of stately classical themes and child-friendly vocals. The selections range from "All the Pretty Little Horses" to a global spread of lullabies drawn from classical and folk traditions. The music is spare, with Kapp on piano, Julianne Baird and Kapp's daughter Madeline on vocals, and Mela Tenenbaum on violin, viola, and occasional vocals. Most of the classical selections (from Robert Schumann, Johannes Brahms, Edmund Elgar, W.A. Mozart, et al.) get a straight-ahead, accomplished treatment. Lest you think the project stuffy, each of the melodies is in the one- to two-minute range, which effectively mandates a stronger sense of flow than most children's collections. Kapp, who managed to create a visual and poetic flow in the Lullabies book, keeps things nicely in a groove here, knowing enough to segue into silly tracks about halfway through the CD to provide a wider emotional range. This album every bit as accomplished as the book. --Andrew Bartlett
Customer Reviews:
Wonderful!.......2007-02-14
I love this CD. It's very well-done, and the approach is different than most children's CDs - very refined, yet soothing. I don't get tired of listening to it the way I do others -- which is important when trying to get a little one to sleep! I highly recommend it and the companion book.
Simple and sweet songs.......2006-04-02
With just piano, violin and vocals, this is a simple and heartfelt album. Ms. Baird's voice conveys the full emotions that a mother feels for her new baby with clean and open singing. The first track in particular, "All Through The Night," still makes me teary. I played this in the hospital when my son was born, and we use it as part of our wind-down ritual. I do agree that some of the songs are a little upbeat for bedtime. We just skip those in the evening (using iTunes).
Marvellous cd, enchanting music.......2005-10-18
Our whole family loves this cd. I am continually charmed and refreshed by the subtlety, taste and musicianship that has gone into these arrangements of well- and lesser-known gems. Apart from the joy of the simple yet perfect chordal progressions, listen to the warm, caressing tone imparted by the low bass notes in the piano in many of the tracks. The pace is so wonderfully leisurely, there is time to savour each song or piece, and yet each lasts only two or three minutes. The three diverse yet complementary singers, each with a tender and gentle presence suiting the subject matter, give a sense of a 19th century family musical evening. Magical.
Good if you want to sing from the book but can't read music.......2004-02-10
I bought this solely because I have the book and wanted to sing the lullabies to my kids, but I can't read music. For this purpose it is fine. The songs are not in the same order as in the book but I can deal. As a stand-alone lullaby CD I wouldn't really recommend it--the songs are not sung in a soothing manner, there's lots of variety in tempo and volume, some are even sung up-beat. The voices are not pitched high enough for babies either. That being said, I am back on Amazon today to buy it for my sister who is due any day now with her 3rd kid--we both like to sing and have the book, and songs (in book or music form) are a great present that the baby won't grow out of for a long time, and helps you bond with your little one too.
Didn't like the voice........2002-12-11
I bought this cd to go with the book and it is very frustrating because the songs on this cd are not even in the same order as the book. The singing voice fluctuates too much, it will be really soft and then it gets really high pitch. And if you have the volume set at a lower level for some songs then you can't hear other songs. I think there are better cds to buy than this one.
Average customer rating:
- Uneven quality but great value
- A superb collection of Mendelssohn
|
Mendelssohn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Octets
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Similar Items:
- Dvorák: The Masterworks [Box Set]
- Haydn: The Masterworks [Box Set]
- Vivaldi: The Masterworks (Box Set)
- Schubert: The Masterworks [Box Set]
- Brahms: The Masterworks (Box Set)
ASIN: B00062FLJ2
Release Date: 2004-11-30 |
Customer Reviews:
Uneven quality but great value.......2007-04-30
Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.
Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.
A superb collection of Mendelssohn.......2007-03-24
Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
Average customer rating:
- The "Clinker" of the bunch
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Brahms: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Quartets
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Similar Items:
- Dvorák: The Masterworks [Box Set]
- Mendelssohn: The Masterworks [Box Set]
- Vivaldi: The Masterworks (Box Set)
- Beethoven: The Masterworks (Box Set)
- Schubert: The Masterworks [Box Set]
ASIN: B00062FLIS
Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.
Average customer rating:
- A fascinating glimpse into Barokian style
- Bela Bartok, The pianist.
|
Bartók Plays Bartók
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Claude Debussy: The Composer as Pianist
- Bartok: Complete Solo Piano Music
- Maurice Ravel: The Composer as Pianist and Conductor
- The Composer as Pianist
- Prokofiev Plays Prokofiev
ASIN: B000000WPP
Release Date: 1995-11-14 |
Tracks:
- Ste, Op.14 Allegretto: Scherzo: Allegro Molto: Sostenuto
- Two Rumanian Dances Op.8a: No.1, Allegro Vivace
- 10 Easy Pieces: No.5, Evening In Transylvania; No.10: Bear Dance
- Allegro Barbaro
- 14 Bagatelles Op.6 No.2: Allegro Giocoso; 3 Burlesques Op.8c: No.2, A Bit Drunk
- 9 Little Piano Pieces: No.6, Air, No.8, Tambourne, Petite Ste; V, Bagpipes
- 3 Rondos On Folk Melodies: No.1, Andante
- 15 Hungarian Peasant Songs: Nos. 7-10, 12, 14, 15 (Old Dance Tunes)
- Sursum Corda No.7 From Annees De Pelerinage, Book 3
- Mikrokosmos: No.124: Staccato; No.146: Ostinato
- Petite Ste Ia. Slow Melody: , Ib. Walachian Dance; II. Whirling Dance; III. Quasi Pizzicato...
- 9 Little Piano Pieces: No.9, Prld All'ungherese
- 3 Rondos On Folk Tunes: No.1, Andante; 14 Bagatelles: No.2, Allegro Giocoso
- 3 Rondos On Folk Melodies: No.1, Andante
- 15 Hungarian Peasant Songs: Nos.7-10, 12, 14, 15; Old Dance Tunes
- Annees De Peleringe, Book III: No.7 Sursum Corda - Bela Bartok/Ditta Pasztory-Bartok
- Mikrokosmos: No.124: Staccato
- Mikrokosmos: No.146: Ostinato
- Petite Ste: Ia. Slow Melody
- Petite Ste: Ib. Walachian Dance
- Petite Ste: II. Whirling Dance
- Petite Ste: III. Quasi Pizzicato
- Petite Ste: IV. Ukrainian Song
- Petite Ste: V. Bagpipes
- 9 Little Pno Pieces: No.9: Prld-All'ungherese
- 3 Rondos On Folk Melodies: No.1, Andante
- 14 Bagatelles: No.2, Allegro Giocoso
- Improvisions On Hungarian Peasant Songs: No.1, Molto Moderato
- Improvisions On Hungarian Peasant Songs: No.2, Molto Capriccioso
- Improvisions On Hungarian Peasant Songs: No.6, Allegro Moderato, Molto Capriccioso
- Improvisions On Hungarian Peasant Songs: No.7, Sostenuto, Rubato
- Improvisions On Hungarian Peasant Songs: No.8, Allegro
- 3 Hungarian Folk Tunes: No.1
- 3 Hungarian Folk Tunes: No.2
- 3 Hungarian Folk Tunes: No.3
- 7 Pieces From Mikrokosmos: I. Chord And Trill Study
- 7 Pieces From Mikrokosmos: II. New Hungarian Folk Song
- 7 Pieces From Mikrokosmos: III. Chromatic Invention
Customer Reviews:
A fascinating glimpse into Barokian style.......2007-04-20
I will be brief. These recordings, made between the late 1920s and 1940, are technically deficient in showing Bartok's fabled tone (though a little of it comes through) but musically fascinating in showing how much more lyrical and gentle his playing of his own music was than that of most pianists today. Based on this evidence, then, pianists like Annie Fischer are much closer to Bartok's musical concept than Gyorgy Lehel or many of the others who have recorded his concerti in recent decades. A major resource for students of Bartok's music. (Only four stars given because of the scratchy discs and boxy sound, not because of intrinsic musical value.)
Bela Bartok, The pianist........2007-03-15
Hungarian composer Bela Bartok (born in Romania) was an innovative composer in his day and along with Gyorgy Ligeti is highly regarded as one of the greatest composers to come out of Hungary in the 20th century.
While a majority of Bartok's works are timeless classics in modern Classical repertoire, recordings are Bartok performing his own music are extremely rare to find these days. This is what makes the "Bartok Plays Bartok" disc from Pearl Records such a treat to listen to.
The recordings on this disc date from between 1929 and 1941 and display Bartok's gifts as a solid pianist in their fullest. His pianistic attack and full command of the instrument comes through in every piece included here.
Standouts include the opening piano "Suite", Bartok's own rendition of his famous "Allegro Barbaro" and the "Petite Suite". The 2-piano arrangement of three of Bartok's "Mikrokosmos" pieces is also a standout and features Bartok's wife Ditta as second pianist.
Indeed, there is plenty of history and lessons heard in these historic performances. For a pianist studying on how Bartok's music ought to be played, "Bartok Plays Bartok" is an ideal CD to have. We get to hear a master composer prove himself to be a master pianist.
Definitely a must have for any Bartok fan.
Music:
- Ambient V.1: Music for Airports [Import]
- An Angel's Journey
- Angel & Devil
- Beautiful Mutant [Explicit Lyrics]
- Bleed From Within EP (Enhanced) [CD-single] [Enhanced] [Import]
- Bliss
- Bump 'N Grind [Extra tracks] [Import]
- Cincinnati Music Volume 2
- Cincinnati Music Volume 3
- City
Music
music
Music
Feelmazumba [Import]
Henry Purcell: King Arthur
Gibbons: Second Service and Anthems
Methods of Mayhem [Enhanced] [Explicit Lyrics]
Live from Pickle Park [Live] [Soundtrack]
Maximum Nick Drake
I Like Being a Kid
Passions: Baroque & Renaissonce Duets [Import]
More Songs of Route 66: Roadside Attractions
Lo Mejor De [Import]
Life in a Bubble Can Be Beautiful
Latitudes [Import]
Hoodoo Talk [Import]
Best of the Vanguard Years
I'll Give All My Love to You