Leave the Light On

Editorial Reviews
About the Artist
Grain has been rockin' the south since the early 90's and is growing more powerful still. Don't miss this opportunity to catch this wildly original and fiercely individualistic band in all of its magical studio glory.

Album Description
A scorching mix of punk, rock, blues, and country with special spice thrown in for good measure.

Tracks:

Open Up
Leave The Light On
Shillin' For The Blues
Seems So Real
Origin Of Species
Cold Trail Blues
Diplomacy
Father's Day
Visions Of Johanna
Blues In A Bottle
John Hardy
John Hardy Reprise

Amazon.com

This album's title cut finds the veteran folk-blues troubadour, now in his early 60s, pondering the possibility of living to be 100, thus setting the thematic tone for an uncommonly reflective, meditative set. The ragtime Zen of "Open Up," the philosophical "Seems So Real," and the rock-bottom despair in his cover of Peter Case's "Cold Trail Blues" all suggest that the virtuosic fingerpicker and evocatively smoky vocalist has reached a point in his life where he's pondering the biggest issues of mortality, a perspective that informs the complex relationship in "Father's Day." Not all of the material is that introspective, as the uptempo, electric rock of "Diplomacy" is as sardonic as Randy Newman, while "Origin of the Species" encapsulates Adam and Eve, Charles Darwin, and intelligent design. Smither also pays homage to two seminal influences, transforming Bob Dylan's "Visions of Johanna" into an acoustic, accordion-laced waltz and reviving Lightnin' Hopkins's version of the traditional "Blues in the Bottle." Ollabelle provide harmonies on two cuts, with mandolinist Tim O' Brien also offering instrumental and vocal support. --Don McLeese

Customer Reviews:

Lovely as Chris Smither always is..........2007-06-08

We were so pleased to get Chris' latest and as we had hoped the cd is Terrific. He's a great guitarist and somehow his lyrics tells stories that allow us in to know more about him...a great story teller. This is our 7th Chris Smither cd...he's incredible.

Smither is the best.......2007-05-15

Chris Smither is the kind of singer/songwriter/guitar picker that you want to go out and see whenever he comes to town. His every song sounds like music, and his lyrics give you cause to think.

another piece by a largely unrecognized master musician,songwriter........2007-03-31

i have been a fan of chris smither`s for about 35 years since first hearing cuts on the now long gone radio station WHFS,102.3 in bethesda,md. (D.C. and vicinity listeners from long ago should recall the station affectionately,also.) smither`s guitar playing is a unique and distinctive blend of folk,blues, and country that can only be described as superlative. his songwriting and way with words are unmatched, and comparable to Dylan, in my opinion. my favorite albums are "don`t it drag on","up on the lowdown", and now this most recent offering to those who can appreciate his talents,"leave the light on".

Leave the light on.......2007-02-24

I couldn't think of a better title for my review, listen to the the song and I think you will agree. Chris Smither gets better with every cd that he makes. He has a sound of his own and sees and hears life through a very unique perspective. There is not a cut on this cd that I don't like. Try it you want be disapointed.

Awesome.......2007-01-13

Chris Smither is a guitarists' guitarist. Even when his discs include orchestration they are incredible. If you've been to a solo concert, you're better off buying his two solo "live" discs in a small studio, because it's what you've heard, but if you like all Chris does, you won't be disappointed with this one.

Average customer rating:

Not quite what I thought - 2 1/2 stars
Karen T
Just discovered her
Incredible album.
DO YOURSEF A FAVOUR & BUY THIS CD

Leave the Light On
Beth Hart
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Contemporary | Vocal Pop | Pop | Styles | Music

Folk Rock | Rock | Styles | Music

General | Rock | Styles | Music

General | Classic Rock | Styles | Music
Similar Items:

Screamin' for My Supper
Immortal
Beth Hart - Live at Paradiso
Live at Paradiso
Testimony

ASIN: B0000CDL6F
Release Date: 2003-10-21

Tracks:

Lifts You Up
Leave The Light On
Bottle Of Jesus
World Without You
Lay Your Hands On Me
Broken & Ugly
Lifetime
If God Only Knew
Monkey Back
Sky Full Of Clover
I'll Stay With You

Customer Reviews:

Not quite what I thought - 2 1/2 stars.......2007-02-09

I investigated Ms. Hart after hearing her on "American Made World Played
Les Paul & Friends" where she had a cut with Neal Schon titled "I Wanna Know You". After hearing her on this cut - I had to dig deeper. Her voice is amazing. This album, however, is very disappointing. She should be singing "bluesy" material with her vocal talents. The material on this album is just too average. I will say the last half of the album is better than the 1st half. Maybe I just choose the wrong album??

Karen T.......2007-01-07

Raw emotion pervades all of Beth's music. If Janis Joplin could hear Beth Hart perform, she would say, "Wow, man!" I just saw her in concert again tonight and can't wait for her new CD to come out. Ballads or kick a#& rock - she does it all and well. Personally, I like this CD better than the others but what I heard in concert tonight is possibly even better!

Just discovered her.......2006-11-19

I had never heard of Beth Hart until last night. A friend of my boyfriend told him how good she was, that she sounded a lot like Janis.

She was playing at The Knitting Factory on Hollywood Blvd last night, so we decideed to see her. The place was sold out but some how he talked our way in. She was singing some mellow song that was really good but I thought his friend was NUTS!, this chick didn't sound a thing like Janis at all. Then she sang Monkey Back....Well I'll be damned! She did sound like Janis! I liked her so much last night I bought this CD.

As much as I like this CD, she's 100 times better live! If you ever have the opportunity to see her, don't miss it!

Incredible album........2006-09-29

This is an amazing album. I've had it for over a year and the more I listen to it the more I love it. There is nothing superficial about it. There are layers and layers of meaning and emotion here, as well as brutal honesty.
Beth is the best rock/blues singer ever and she is a great songwriter. Every album she does is better than the last.
There is so much emotion in this cd that no matter how many times I hear it I find my eyes watering when I least expect it.
This is the type of album that unfortunately only comes out of a painful experience or a series of painful experiences (abusive relationships, abandonment, self abuse, alcohol, drugs). Out of those experiences something astonishing is created. Despite the pain and heartbreak and shame Beth chooses hope and faith. This is a very cohesive album with a central theme of someone struggling yet determined to break the unhealthy cycles and start over again. She takes the lessons learned and moves forward to a better, healthier place and embraces life and all it has to offer.

DO YOURSEF A FAVOUR & BUY THIS CD.......2006-03-05

This is one of my favourite cds,& the one that's more often playing-so I guess it is the favourite...Anyway,how come you Americans go nuts over Britney or Gwen and not Beth!!!She is absolutely fantastic and deserves to be better recognised in US.'Leave the Light On' is a cd to listen to any mood and up loud.Many a time I've listened to the cd & longed for a voice as achingly beautiful as Beth's.The strength of her self as well as voice is in the songs she sings.Many of them are her facing up to her demons.'Leave The Light On' is as good as 'Sky Full Of Clover' is as good as'Broken& Ugly'...DO YOURSELF A FAVOUR & BUY THIS CD!I can't wait for her next cd!If I could I'd rate it 10 out 5.

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury

Average customer rating:

The Best Of Gilbert And Sullivan
Pure delight
Delicious G&S samplings abound here.
Fine Intro to G&S

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Ultimate Gilbert & Sullivan Collection
Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
The Best of Gilbert & Sullivan
The Complete Annotated Gilbert & Sullivan
The Gilbert and Sullivan Overtures

ASIN: B000003D1Y
Release Date: 1996-01-23

Tracks:

A Wandering Minstrel I
Behold The Lord High Executioner!
Three Little Maids From School Are We
Braid The Raven Hair
The Flowers That Bloom In The Spring
On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
For He's Gone And Married Yum-Yum
We Sail The Ocean Blue
I'm Called Little Buttercup
My Gallant Crew
When I Was A Lad
Things Are Seldom What They Seem
Never Mind The Why And Wherefore
Climbing Over Rocky Mountain
Poor Wand'ring One
How Beautifully Blue The Sky
I Am The Very Model Of A Modern Major-General
When The Foeman Bares His Steel
Ah, Leave Me Not To Pine
With Cat-Like Tread
Is Life A Boon?
I Have A Song To Sing, O!
Were I Thy Bride
Oh, A Private Buffoon Is A Light-Hearted Loon
When A Wooer Goes A-Wooing
When I, Good Friends, Was Called To The Bar
A Nice Dilemma We Have Here
Oh, Joy Unbounded

Customer Reviews:

The Best Of Gilbert And Sullivan.......2004-03-15

At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.

But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.

The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.

Pure delight.......2003-08-02

--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.

--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.

--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).

--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.

--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.

--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.

--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.

Delicious G&S samplings abound here........2003-05-06

The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."

Fine Intro to G&S.......2000-12-30

This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
Similar Items:

Vivaldi: The Masterworks (Box Set)
Haydn: The Masterworks [Box Set]
Mendelssohn: The Masterworks [Box Set]
Dvorák: The Masterworks [Box Set]
Schubert: The Masterworks [Box Set]

ASIN: B00062FLI8
Release Date: 2004-11-30

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock

Average customer rating:

Ladies & gentleman: The Lord'n Savior, God Almighty
So Fashionable, and So Disappointing
A nice combination of period nad tradiitonal
Wait! Before you buy...
La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Opera & Vocal | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

Opera & Vocal | Holiday Music | Special Features | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment
Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
Belcea Quartet ~ Debussy · Dutilleux · Ravel
Beethoven: Symphony No 9 /ORR * Gardiner
Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74

ASIN: B0000057DB
Release Date: 1990-10-25

Tracks:

Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
Messiah: Part One - 2. Accompagnato : Comfort Ye My People
Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
Messiah: Part One - 7. Chorus : And He Shall Purify
Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
Messiah: Part One - 11. Air : The People That Walked In Darkness
Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
Messiah: Part One - 13. Pifa (Pastoral Symphony)
Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
Messiah: Part One - 17. Chorus : Glory To God In The Highest
Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
Messiah: Part One - 20. Air : He Shall Feed His Flock
Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
Messiah: Part Two - Air : 23. He Was Despised

Tracks:

Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
Messiah: Part Two - 27. Accompagnato : All They That See Him
Messiah: Part Two - 28. Chorus : He Trusted In God
Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
Messiah: Part Two - 36. Air : Thou Art Gone Up On High
Messiah: Part Two - 37. Chorus : The Lord Gave The Word
Messiah: Part Two - 38. Air : How Beautiful Are The Feet
Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
Messiah: Part Two - 43. Air : Thou Shalt Break Them
Messiah: Part Two - 44. Chorus : Hallelujah
Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
Messiah: Part Three - 46. Chorus : Since By Man Came Death
Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
Messiah: Part Three - 48. Air : The Trumpet Shall Sound
Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
Messiah: Part Three - 51. Chorus : But Thanks Be To God
Messiah: Part Three - 52. Air : If God Be For Us
Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

Average customer rating:

Finally a Messiah with fervor!
Great recording!
Good and Bad
This is a great recording!

Handel: Messiah

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
Similar Items:

Christmas at Trinity

ASIN: B00002R16A
Release Date: 1999-11-30

Tracks:

Messiah: No. 1 Overture
Messiah: No. 2 Arioso For Tenor
Messiah: No. 3 Air For Tenor
Messiah: No. 4 Chorus
Messiah: No. 5 Recitative For Bass
Messiah: No. 6 Air For Bass
Messiah: No. 7 Chorus
Messiah: No. 8 Recitative For Alto
Messiah: No. 9 Air For Alto And Chorus
Messiah: No. 10 Arioso For Bass
Messiah: No. 11 Air For Bass
Messiah: No. 12 Chorus
Messiah: No. 13 Pifa (Pastoral Symphony)
Messiah: No. 14a Recitative And No. 14b Arioso For Soprano
Messiah: No. 15 Recitative For Soprano
Messiah: No. 16 Arioso For Soprano
Messiah: No. 17 Chorus
Messiah: No. 18 Air For Soprano
Messiah: No. 19 Recitative For Alto
Messiah: No. 20 Air For Alto And Soprano
Messiah: No. 21 Chorus
Messiah: No. 22 Chorus
Messiah: No. 23 Air For Alto
Messiah: No. 24 Chorus
Messiah: No. 25 Chorus
Messiah: No. 26 Chorus

Tracks:

Messiah: No. 27 Arioso For Tenor
Messiah: No. 28 Chorus
Messiah: No. 29 Recitative For Tenor
Messiah: No. 30 Air For Tenor
Messiah: No. 31 Recitative For Tenor
Messiah: No. 32 Air For Tenor
Messiah: No. 33 Chorus
Messiah: No. 34 Recitative For Tenor
Messiah: No. 35 Chorus
Messiah: No. 36 Air For Alto
Messiah: No. 37 Chorus
Messiah: No. 38 Aria For Soprano
Messiah: No. 39 Chorus
Messiah: No. 40 Air For Bass
Messiah: No. 41 Chorus
Messiah: No. 42 Recitative For Tenor
Messiah: No. 43 Air For Tenor
Messiah: No. 44 Chorus
Messiah: No. 45 Air For Soprano
Messiah: No. 46 Chorus
Messiah: No. 47 Recitative For Bass
Messiah: No. 48 Air For Bass
Messiah: No. 49 Recitative For Alto
Messiah: No. 50 Duet For Alto And Tenor
Messiah: No. 51 Chorus
Messiah: No. 52 Air For Soprano
Messiah: No. 53 Chorus
Messiah: Amen

Customer Reviews:

Finally a Messiah with fervor!.......2005-10-20

I've hunted a thrilling performance of The Messiah through 240 versions so far. This is the best I've found. Some are self-conscious, dutifully singing as instructed. Some are almost childish in their lilt. Some are overblown with so much bombast that you can barely hear the heart of the music. Some are concentrated on faithfulness to the original instruments. If you want a performance that will make you shiver with the power and joy of the music, this is the one. The singers are singing about GLORY. They sound as if they are ecstatic. The musicians are at one with the music and they create a virtual cathedral wherever this CD is played, just close your eyes. Or, let your own imagery, be it celestial, or of great oceans...carry you away.

Great recording!.......2003-09-22

There are so many performances of the Messiah out there that it is very difficult to point to a difinative one, but I'd put this in the catagory of the "very good" ones. As other reviewers have said, every performance is different and has its own character. Each has stronger and weaker points. Here the conductor and musicians have made good, solid musical choices. There is an amazing attention to detail which is not so obvious the first listen through but which makes the piece shine. The tempos seem to be right on, and there is no frivolous over-embellishment by the soloists. There is no attempt to be showey. The dramatic dynamics in the first section of the overture are interesting, but seem to work after you hear it a few times. This performance also includes sections which are often omitted (Second half of "He shall feed his flock," "Thou art gone up on high," "Great was the company of the preachers," and "Death where is thy sting"). I prefer the more intimate quality of a small ensemble of musicians to the mega-performances by the London Philharmonic, Vienna State Opera Orchestra, etc.. As with this performance, the smaller group lends a clarity to the music, where the larger ensembles can get a little "muddy" at times. Just my personal preference. Overall, this is a very good performance, and certainly the low price (being on the Naxos lable) makes this a clear choice.

Good and Bad.......2000-04-09

I was more interested in "The Messiah" for the religious content than as a music critic, but this was too much. The strings are tinny. The orchestra is plodding. The soloists and choir are thankfully very good and seem to understand the meaning of the words. It is a shame the sound mix is uneven. The male parts come across loud and clear, but the poor women. For instance, No. 9 Oh thou that tellest..., the soloist sounded like she was singing in an echo chamber far from the mike. This is one of the most disappointing versions of "The Messiah" I have heard in a long time.

This is a great recording!.......2000-02-11

I was really surprised with the new that the Messiah's New World premiere was held at Trinity Church in October 1770, twenty-eight years after it was written. This fact only will make one proud in having this CD among his collection.

Anyhow, this is nothing more than a historic detail and would not count if this recording had not an outstanding first-rate ensemble of singers. Without doubt there is no definitive version of Messiah. Each one has its own distinctive touch and feeling and exploring it is always a pleasant journey through imagination.

As stated by the conductor: "we must concede that performing Messiah with twenty singers and an appropriately balanced instrumental ensemble represents, at best, an imperfect comprimise", it will be easy to understand that this recording does not stand among the greatest and will probably carry some imperfections. I will mention two that kind of disppointed me a little bit. The Overture and the Chorus Worthy is the Lamb, for some reason misses the habitual vigor and strenght. Everything else is great and this is definitely a worth buying.

Average customer rating:

worth a spend

Jeff Bates Leave the light on

Great voice! Too bad about the songs...

Three words!

CountryInterviewsOnline.net

Leave the Light On
Jeff Bates
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music
New Traditionalist | Contemporary Country | Country | Styles | Music
General | Country | Styles | Music
Contemporary | Bluegrass | Country | Styles | Music
Similar Items:

Rainbow Man

Rockin' You Tonight

Country Is My Rock

White Trash with Money

The Dollar

ASIN: B000EHQ7TC
Release Date: 2006-04-11

Tracks:

Long, Slow Kisses
Rub It In
No Shame
Hands On Man
Leave The Light On
That'll Get You Ten
The Woman He Walked On
One Second Chance
Good People
I Can't Write That
What I Know
Mama Was A Lot Like Jesus

Customer Reviews:

worth a spend.......2007-01-31

This guy can sing. If you like country rock with feeling, grab yourself a copy of this.

Jeff Bates Leave the light on.......2006-11-15

I never knew a voice could sound that good but his does and I hope that he keeps up the good work.He has a strong voice and should be heard more often on radio.A friend of mine bought one of his CD at one of his concerts and it was the best I have heard in a long time.Your music sounds like it is coming from your heart.The one song that really stood out alot to me was Mama was alot like Jesus.I think that it should be your next release.It's a very touching ballad and I think people will want to hear more.A new and dedicated fan.Gerarda Watson

Great voice! Too bad about the songs..........2006-08-21

This young fellah has an incredibly deep voice, and could very well develop into a top "country star". Unfortunately, first he has to develop a DIRECTION. Every single song on this CD is derivative -- there's not one original note to be found here. The poor guy is probably getting twisted left and right by his manager, producers, and record company to copy everybody from Garth to Alan. The song "Good People" is begging the audience to pretend he's Garth singing "Friends In Low Places", even down to the bar-room singalong. And the song about Mama makes me want to toss my cookies. But I had already puked when I heard "Long, Slow Kisses" so I didn't have anything left to vomit. JEFF: You don't have to do this kinda pablum, dude! Look up the word "cloying" in the dictionary and don't be it! Next time out, see if you can find some FRESH songs and a direction of your own -- something that makes you stand out from all the other country cliches! Stop walking the same path that has been trod by the others. You have the voice -- you just need a direction.

Three words!.......2006-06-21

Powerful. Passionate. Soulful. Didn't think it possible Jeff Bates would outshine "Rainbow Man", but "Leave the Light On" is scorching!! Just leaves us wanting more, more, more. His voice and range are unbelievable. After seeing him in an electrifying concert a couple of years ago, we were hooked. On a scale of 1 to 5 stars, "Leave the Light On" is at least 10 stars.

CountryInterviewsOnline.net.......2006-05-09

The new Jeff Bates CD, Leave the Light On, was delayed several times before it was finally released in April. Bates decided he wanted to do fewer songs on drinking and more on love and relationships. Some things are worth waiting for! The CD is packed with the kinds of ballads and love songs that were just made for Bates' deep, sexy voice.

A new version of "Long Slow Kisses" makes the first track and is followed by the remake of a Craddock classic "Rub It In." Bates helped to write several of the songs on the CD. "No Shame" is an upbeat love song and the title song, "Leave the Light On," is made even more romantic by the deep richness of his voice:

"So baby, leave the light on
I wanna look inside your lovin eyes
And watch you when you breathe
So leave the light on
When you're making love to me."

"One Second Change," is the first single and Bates claims it's his personal favorite. It's the humorous story about life in jail and how difficult it is finding work as an ex-con and the final song, "Mama Was A Lot Like Jesus" is about a poor backwoods woman, like his own mother, who could "make a bag of groceries last two weeks" and always gave forgiveness and love.

"What I Know" was recorded live. The song simply tells about the end of a relationship:

"I remember when you left
I recall you made as hell
I know where you told me to go
Oh but I went somewhere else."

The audience gives a lasting applause at the end of the song. Many listeners will find much to cheer about with this CD - Bates has the ability to write and sing songs that everyone can identify with - either in finding love, losing it or just enjoying it while you have it.

By: Maxine Macpherson

Average customer rating:

Phenominal
A BETH FAN HAS REAL TASTE IN MUSIC>

Leave the Light On
Beth Hart
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

Folk Rock | Rock | Styles | Music

General | Rock | Styles | Music

General | Classic Rock | Styles | Music
Similar Items:

Immortal
Screamin' for My Supper
Beth Hart - Live at Paradiso

ASIN: B000FKPDRK
Release Date: 2005-02-17

Tracks:

Hiding Under Water
Say Something
Crazy Kind Of Day
I Don't Want To Be
Learning To Live
Lifts You Up
Leave The Light On
Bottle Of Jesus
World Without You
Lay Your Hands On Me
Broken & Ugly
Lifetime
If God Only Knew
Monkey Back
Sky Full Of Clover
Stay With You
Hiding Under Water (Bonus Track)
Broken & Ugly (Bonus Track)
Leave The Light On (Bonus Track)
Get Your Sh*T Together (Bonus Track)
L.A. Song (Bonus Track)

Customer Reviews:

Phenominal.......2007-04-24

Beth Hart is as the title states .... PHENOMINAL!!!!!!!

Enough said!!!!!!!!!

A BETH FAN HAS REAL TASTE IN MUSIC>.......2006-07-24

Beth Hart is a voice to be reckoned with.Ohhh, how I'd be blest to have a voice like hers, and believe me,I haven't. Please, if you haven't owned a Beth Hart cd, buy this one and savour real music.This cd is a re-release of her 2003 one with 5 extra songs- so you are getting real value for your dosh. Buy it and listen to her singing, and you will realise what you have been missing-REAL MUSIC, real soul wrenching music. If she happens to do a concert near you-GO.She is soooooooooooo much better than anything female singer in your local top twenty.

Average customer rating:

The Man from U.N.C.L.E., Vol. 3

Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Man From U.N.C.L.E., Vol. 2
The Man From U.N.C.L.E.
Man from U.N.C.L.E.
The Spy With My Face: The Man From U.N.C.L.E. Movies
The Man from U.N.C.L.E. Book: The Behind-the-Scenes Story of a Television Classic

ASIN: B0006SSQ8O
Release Date: 2005-01-11

Tracks:

First Season Main Title [Revised/Extended]
Jerry Goldsmith Medley: The Deadly Games Affair/The Vulcan ...
Quadripartite Affair
Double Affair, Suite No. 2
Belly Laughs
Finny Foot Affair
Fiddlesticks Affair, Suite No. 2
Yellow Scarf Affair
Meet Mr. Solo
Spy With My Face
Discotheque Affair, Suite No. 2
Nowhere Affair
U.N.C.L.E. A Go Go
Bat Cave Affair
One of Our Spies Is Missing
Monks of St. Thomas Affair, Suite No. 2
Spy in the Green Hat
Gerald Fried Medley: The Foreign Legion Affair/The Apple a Day Affair
Karate Killers
Richard Shores Medley: The Summit-Five Affair/The "J" for Judas Affair

Tracks:

Girl from U.N.C.L.E. Main Title
Dog-Gone Affair
Prisoner of Zalamar Affair
Mother Muffin Affair
Mata Hari Affair
Montori Device Affair
Horns-of-the-Dilemma Affair
Girl from U.N.C.L.E. (End Title)
Deadly Quest Affair: Teaser
Deadly Quest Affair: Act 1
Deadly Quest Affair: Act 2
Deadly Quest Affair: Act 3
Deadly Quest Affair: Act 4

Average customer rating:

Breakthrough album is a masterpiece
Classic release, except for...
A Wonderful Singer
Excellent First on BNA records

Leave the Light On
Lorrie Morgan
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music

New Traditionalist | Contemporary Country | Country | Styles | Music

General | Country | Styles | Music

Contemporary | Bluegrass | Country | Styles | Music
Similar Items:

Something in Red
Watch Me
Greater Need
War Paint
Shakin' Things Up

ASIN: B000003SQT
Release Date: 1989-05-11

Tracks:

Trainwreck Of Emotion
Out Of Your Shoes
I'll Take The Memories
Far Side Of The Bed
Dear Me
Five Minutes
He Talks To Me
It's Too Late (To Love Me Now)
Gonna Leave The Light On
Eight Days A Week
If Didn't Love You

Customer Reviews:

Breakthrough album is a masterpiece.......2004-03-07

This was Lorrie's first album for RCA. She made various recordings over the previous ten years but I'm not sure if an album was ever released, though those tracks have been released on various CD's and there were clearly enough of them to hake up an album. So whether this is Lorrie's first ever album or not, it is the one that catapulted her into the big time.

Lorrie has recorded many fine albums but I believe that this is still her best, with the possible exception of Watch me. It set the standard for those that followed. The album is dominated by ballads.

The album yielded a number one country hit - Five minutes, from the pen of Beth Neilsen Chapman. Out of your shoes and Dear me were both top ten country hits. Trainwreck of emotion, the opening song, was a lesser country hit for Lorrie. Despite its title (which suggests a slow weepie), this is an up-tempo song.

Eight days a week is sensational - a bluegrass-flavored up-tempo cover of the classic Beatles song. The remaining songs are all ballads. It's too late to love me and If I didn't love you are both covers, but Lorrie's versions are as good as any I've heard. The title track, I'll take the memories, Far side of the bed and He talks to me are all outstanding songs.

No Lorrie Morgan fan should be without this album. If you are new to Lorrie's music, there are plenty of compilations to choose from but this album was my introduction to her music and I've been a fan ever since.

Classic release, except for..........2002-04-30

This CD rates right up there with Clint Black's "Killin' Time," almost every song is traditional sounding. But like "Killin' Time," there are signs of stupidity. Why in the world did she have to almost spoil the whole thing with "Eight Days a Week?" Oh I forgot, country music isn't the big deal, crossing over is. Aside from that glaring problem, this cd is fantastic.

A Wonderful Singer.......2000-11-23

Lorrie Morgan is a fine country singer. Her voice is full of the emotion of the songs that she sings. You can hear the pain, the longing, the joy. On this album, she even tackles a Lennon-McCartney song 'Eight Days a Week' and turns it into a country tinged rocker, with some great help from Vince Gill on guitar. I highly recommend this cd.

Excellent First on BNA records.......2000-02-08

This album only hinted at what Lorrie Morgan had to offer. "Dear Me", my favorite ballad by the gorgeous singer, is possibly the best ballad ever by a female artist. She also has a sassy side. "Five Minutes", another winner, shows she can take or leave a man and stand on her own. Other favorites are "Out Of Your Shoes", "Trainwreck Of Emotion", and "He Talks To Me". Highly recommended.

Music: