Out of Range
Editorial Reviews
Amazon.com essential recording
Out of Range marks the end of the first phase of Ani DiFranco's career, not so much in terms of the way she goes about her business (as always, on her own terms) but in terms of her songwriting, arranging, performing, and, to a greater extent than ever before, growing popularity. On Range, for the first time, DiFranco's songs sound like they wouldn't be out of place on the radio (in this case, that's a good thing); on the very first track, "Buildings and Bridges," she expresses herself with greater grace and subtlety than ever before. But the message is still loud and clear: she can take what the world will throw at her, and she will persevere. The rest of the album unfolds along similar lines and often reveals similar treasures. --Randy Silver --This text refers to the Audio CD edition.
Out of Range, Music, Ani DiFranco, Alternative Folk, Alternative Pop/Rock, Anti-Folk, Indie Rock, Pop, Rock, Singer/Songwriter, Urban Folk
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- My least favorite (overall) early Ani album
- Right on target!
- A Staple in Your Ani Collection
- tied for my favorite
- Excellent introduction to Ani
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Out of Range
Ani DiFranco
Manufacturer: Righteous Babe
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Singer-Songwriters
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Urban Folk
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
General
| Contemporary Folk
| Folk
| Styles
| Music
Alternative Folk
| Contemporary Folk
| Folk
| Styles
| Music
General
| Folk
| Styles
| Music
Singer-Songwriters
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Alternative Rock
| Indie Music
| Stores
| Music
Singer Songwriters
| Alternative Rock
| Indie Music
| Stores
| Music
Contemporary Folk
| Folk
| Indie Music
| Stores
| Music
Similar Items:
- Not a Pretty Girl
- Imperfectly
- Dilate
- Puddle Dive
- Ani DiFranco
ASIN: B0000058MO
Release Date: 1994-07-26 |
Tracks:
- Buildings And Bridges
- Out Of Range (Acoustic)
- Letter To A John
- Hell Yeah
- How Have You Been
- Overlap
- Face Up And Sing
- Falling Is Like This
- Out Of Range (Electric)
- You Had Time
- If He Tries Anything
- The Diner
Amazon.com essential recording
Out of Range marks the end of the first phase of Ani DiFranco's career, not so much in terms of the way she goes about her business (as always, on her own terms) but in terms of her songwriting, arranging, performing, and, to a greater extent than ever before, growing popularity. On Range, for the first time, DiFranco's songs sound like they wouldn't be out of place on the radio (in this case, that's a good thing); on the very first track, "Buildings and Bridges," she expresses herself with greater grace and subtlety than ever before. But the message is still loud and clear: she can take what the world will throw at her, and she will persevere. The rest of the album unfolds along similar lines and often reveals similar treasures. --Randy Silver
Customer Reviews:
My least favorite (overall) early Ani album.......2004-11-24
This is the only early Ani album where I feel like the review I am writing now will be quite different than it would have been had I written it years ago during my initial exposures to it. This is the early Ani album that has held up the least over the years, in my opinion. As is the case with many of Ani's albums, this one has some of her best tunes ever. Performance-wise though, there is something about this album that doesn't hold me as much as her other early ones still do.
That's not to say that it is a bad album at all. Buildings & Bridges, Hell Yeah, and You Had Time are great performances of some of my favorite of her tunes. It's just that in the years since... take Overlap for instance. In terms of commercially available versions, the Overlap on the Living in Clip live 2-disc set renders this Overlap utterly null and void. Not owning Living In Clip would seem (to me) to be the only possible explanation as to why someone would still listen to the version on Out of Range.
Having said that, obviously anyone who is more than just a casual Ani fan should buy this album. Like I said, the 3 songs/performances I listed earlier are great and are not to be missed. Also with more electricity than her previous (at the time) releases, this one is a bit of a glimpse into her future electric bands and evolving aesthetic.
Letter To a John, Overlap, Out of Range, etc...song-wise, the goods are here, it's just that by now there are performances of these great tunes that seem to make these versions sound like nothing more than the jotting down of some ideas that would go on to bloom into perfection at later dates.
Right on target!.......2004-10-07
Out of Range is an exercise in musical, lyrical, and vocal subtlety by Ani DiFranco. By the time she announces in track 5 that her reference to "two tree limbs" is "a metaphor, if you know what I mean", you've already been drawn into a subliminal lyrical journey quite nicely; the songs are about real life without gloss. The music is pure delight, with sparse acoustic guitar accompaniment dominating many of the songs -- she sometimes resorts to gently plucking the notes of the same chord repeatedly, but deftly avoids becoming monotonous and dull-sounding when she does this. Her simple acoustic moments work perfectly in setting up the explosive moments of electric-guitar playing (and horn playing on one track) that pepper the CD. The lady sings slow ballads and fast rockers with a youthful-McCartney-like adeptness. She is superb.
I like every track on this CD but I wish to comment on two specific songs. With wonderful percussion and a 3-piece horn section accompaniment, "How Have You Been" explodes from the speakers. The raucous music superbly supports the raucous attitude of a lyric about a disenchanted lover. "You Had Time" is an unusual track because it has a gorgeous, two-minute-long, piano introduction that quietly alerts the listener that something important and significant is up. The extended intro seems to represent either a period of meditation and contemplation or the period of loss felt in a dying relationship. The lyric touches on the conflict one feels when one person in a relationship senses that something is missing while the other person believes that they've found bliss. By the way, in my opinion, Ani's lyrics on Out of Range are gender neutral and can be related to by heterosexual people. Don't believe anyone who tells you differently.
You may consider Ani DiFranco's voice on Out of Range to be either exquisite or quirky (depending on your personal taste in vocals) but it is, undeniably, a fascinating mixture of mature sound and childlike sound; she absolutely avoids the annoying childlike-sound of some recent female pop singers. Early in her career, Ani was categorized as a folk singer (note: the local Coconuts Music Store near my home has Ani DiFranco's CDs in its tiny "Folk" section). The "Folk" tag has stuck with her despite the fact that the lady really hits her stride with a very funky rock and jazz-rock style.
Although Ani DiFranco has oft been compared to specific female folkies and rockers, her sound on Out of Range is a synthesis of many who came before her: Rickie Lee Jones, Joni Mitchell, Edie Brickell, Suzane Vega, Natalie Merchant (who, like Ani, hails from western New York) and even Debbi Harry (on the fast songs), to name but a few. It seems to me that Ms. DiFranco has had an influence on the likes of Jewel, Sarah McLachlan, Lisa Loeb, Tori Amos, Rachael Sage, and many others, although her relative obscurity may make that contention an implausible and impossible one in most cases.
Out of Range is an excellent album. If you like vivid melodies, subtle narrative lyrics, and Ani's voice, you should add Out of Range to your music collection.
A Staple in Your Ani Collection.......2004-06-18
OK, so you loved NOT A PRETTY GIRL, IMPERFECTLY and PUDDLE DIVE and you want another album by Ani that's "kind of like those". You're in luck -- there's one left! It's called OUT OF RANGE and it's great.
(Not that the earlier, more simple albums and the later, more synthesized albums aren't great too, but this one sort of rounds out the 'in-your-face folk style quadrilogy".)
Songs like OVERLAP capture deeply personal moments with anger, longing and guts.
YOU HAD TIME is about wishing you loved someone that you know is a good match for you, and who -- even worse -- ouch -- happens to love you deeply.
And of course, there's her trademark political FACE UP AND SING, which is probably the reason for the cliche, "You go, girl." :)
It's another must-have in your Classic Ani collection.
tied for my favorite.......2004-02-19
This is going to go down as one of my favorite albums of all time. It was my first album by ani and to this day i could listin to it whether i am happy or sad or lonely or content. It is a beautiful, beautiful album. It has some of the best songs possibly ever written like buildings and bridges and face up and sing. Its simply a pleasure to listen to.
Excellent introduction to Ani.......2003-10-21
This was my first Ani CD when she was touring to promote it back in the nineties. While it's not her best, it's a great introduction to an artist in transition from an acoustic folk singer to something a little more diverse. Her later albums contain broader influences and more complex orchestrations with a greater variety of instruments. I think this album shows that she was beginning to feel the limitations of being simply a girl with a guitar and ready to try something different...
Average customer rating:
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Mel-Soul-Tree
Melsoultree
Manufacturer: Soul Quest Records, LLC
ProductGroup: Music
Binding: Audio CD
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
ASIN: B000CAKRCE
Release Date: 2005-11-08 |
Tracks:
- Gotta Be Me
- Free
- Cry
- How Do U Survive...?
- Tell Me
- Rain
- Friday
- Who Am I Foolin'?
- Truly I Do Love U (Featuring Tyrone Grant)
- Reach for the Sky
- Free [C. Roc Remix] Featuring Black Miss
- Gotta Be Me [C. Roc Remix]
Average customer rating:
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On Lincoln Place
Manufacturer: Viridiana
ProductGroup: Music
Binding: Audio CD
Latin Pop
| Latin Music
| Styles
| Music
General
| Jazz
| Styles
| Music
Ragtime
| Traditional Jazz & Ragtime
| Jazz
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B00000G2JK
Release Date: 1998-12-08 |
Tracks:
- On Lincoln Place
- Ste Otono: El Caminito
- Ste Otono: Crepusculo
- Ste Otono: Patricia
- The Journey Home: Interlude #9
- Rhap For Ernesto Lecuona
- Chor in f
- Waltz
- Belasco
- Out From The Arms Of Morpheus
Average customer rating:
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Free to Dream
Manufacturer: River Lily
ProductGroup: Music
Binding: Audio CD
Cool Jazz
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Jazz
| Indie Music
| Stores
| Music
ASIN: B00006A99M
Release Date: 2002-06-17 |
Tracks:
- In the Loop
- But Not for Me
- Free to Dream
- With a Song in My Heart
- The Gentle Rain
- U Don't Know What You're Missin'!
- The Sound of Music Suite
- Alone Together
- My Love Is
- Love Me or Leave Me
- Celia
- Another Star
- Puttin' on the Ritz
- Close Your Eyes
Album Description
On Free to Dream, Williamson's cool, smoky, and supple alto envelops each song in a sensuous embrace. There's a remarkable play of darkness and light and a wide range of inflections in her voice that bring out shades of meaning in the words. Her unerring feel for time is marked by a playfulness with the beat that let's her drag a word or phrase behind the beat one instant then spring ahead of it the next. Even when she's taking liberties with a song, she never loses track of the words or melody; she's seems to be guided by an innate feeling for the lyrical. .
Throughout the album, she is able to make personal statements that also address universal feelings. Her originals, such as "In the Loop" and "Free to Dream" are statements of self-hood, independence, and hopefulness. She conveys the sweet sadness of love with great compassion and understanding on Bonfa's "Gentle Rain" and Stevie Wonder's "Another Star." There's just a hint of laughter in "But not for Me" and tenderness in "With a Song in My Heart." But Williamson has plenty of emotional range and there's sass and self-assurance in the down and dirty blues, "You Don't Know What You're Missing" and the headlong euphoria of bebop in Bud Powell's "Celia." Her medley of songs from The Sound of Music, a loving daughter's playful and affectionate "thank-you" to her late father, is heartwarming and creatively insightful. This is not merely an album by a singer with a back up band, but a real jazz singer's album. Williamson scats with authority on "Alone Together" and her pure, melodious flute playing graces "Gentle Rain" and "Puttin' on the Ritz."
Average customer rating:
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Lemonade
Breaking Laces
Manufacturer: Meeka Salise Music
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Sohcahtoa
- Operation Income
- Bridges
- New English EP
- Subtitulo
ASIN: B000CAKNPA
Release Date: 2005-08-16 |
Tracks:
- Call You Home
- Shack Up Sos
- States Away
- Garbanzo Beans
- I Do I Don't
- Hold My Head
- Get Up Today
- This World
- I Just Wanna Fight
- (The) Ocean (That Lies Between Us)
- It's Over Now
- Reprise
Average customer rating:
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Unexpected Song
Mark Bialek
Manufacturer: independent artist
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Pop
| Indie Music
| Stores
| Music
General
| Soundtracks
| Indie Music
| Stores
| Music
ASIN: B0002Y000E
Release Date: 2004-04-24 |
Tracks:
- Unexpected Song
- The Music of the Night
- Close Every Door
- Gethsemane (I only Want to Say)
- Sunset Boulevard
- Love Changes Everything
- Not While I'm Around
- Memory
- On the Street Where You Live
- If Ever I Would Leave You
Album Description
"Unexpected Song" is Mark's debut album where the lush and beautiful ballads from composers Webber, Sondheim, Lerner and Loewe are captured with full orchestra and Mark's tenor voice soaring to connect with the human heart. If you love Broadway, beautful music and a voice that can sooth your soul this might just be the album for you. If you are a fan of Michael Crawford, who orginated the role of the Phantom in London, New York and Los Angeles you might find similarities with Mark's vocal technique and use of emotion.
The ballads from Broadway, past and present, tell stories that directly connect to the human spirit and condition. They tell a range of stories from the disfigured Phantom in search of true love and acceptance through the beauty of the music in Christine's heart to the soaring rock ballad of Jesus accepting the will of his Father in the garden of Gethsemane. This album will take you on a journey through the range of human emotions, being guided by Mark's tenor voice and in a way that only Broadway can inspire.
Average customer rating:
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Mend
Daniel Parker
Manufacturer: Electric Whiskers Records
ProductGroup: Music
Binding: Audio CD
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CA805A
Release Date: 2005-05-03 |
Tracks:
- Last Day in San Diego
- Madness We Know
- Mend
- Breakthrough
- Setting Calm
- Throught Control
- Tired
- Half Orange Flip
- Electric Currents
- If You Roll the Dice
- Talk
- One Mistake
- Chill Child
Average customer rating:
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Out of the Blue
Miles Davis
Manufacturer: Nouveau Range
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Jazz
| Imports
| Stores
| Music
ASIN: B000MTEZT6
Release Date: 2007-02-26 |
Album Description
Miles Davis jazz career spans from the 1940's to the early 90's, during which time he was involved in almost every important innovation and stylistic development in the jazz during that period. Songs featured on this album include "Take the "A" Train", "Don't Get Around Much Anymore", Sophisticated Lady", Caravan" and "Mood Indigo".
Album Details
Miles Davis' Jazz Career Spans from the 1940's to the Early 90's, During which Time He was Involved in Almost Every Important Innovation and Stylistic Development in Jazz During that Period.
Average customer rating:
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Dirt Road Bumps
Lael
Manufacturer: Numo Entertainment/Long Range Distribution
ProductGroup: Music
Binding: Audio CD
General
| Rap & Hip-Hop
| Styles
| Music
ASIN: B000CAGZ8E
Release Date: 2004-01-27 |
Tracks:
- Makin' Moves Featuring MC Breed, Kon-Artis of D12
- Whole Show
- Radio MC
- Can't Take It No More
- Ready Luv 4 Sale Featureing Tee-Tee
- Nuts Hangin' from Your Chin Featuring Phantom
- Naturally
- Journey
- My Style Featuring MC Breed, Kon-Artis, Kuniva of D12
- Song Sucks
- Tryin' to Get by Featuring Damien & Dub
- Sea of Dreams Featuring Ben Hameen
- Lost in a Daze Featuring Tonia
- Smoke Filled Rain Drops Featuring Phantom
- Makin' Moves Featuring Damien & Dub [Remix]
- Bonus: Makin' Moves (Radio Version)
Music:
- Polycontrale Contra Punkte
- Re Arranged [CD-single] [Enhanced] [Import]
- Relaxation...The Pleasure of (subliminal)
- Roots Rasta Party
- say word [Explicit Lyrics]
- Sexy
- Singing in My Sleep [CD-single] [Import]
- Sleep Now in the Fire [Import]
- Sleeping Well...The Pleasure of (subliminal)
- Snow On Venus
Music
music
Music
Stiff
BACH: St. Matthew Passion (Highlights) King's College Choir
Brahms: Symphonies 1, 2, 3 & 4
Before the Storm
Airborne [Import]
Angels Among Us
Baby Dreams
Bach: Organ Works on Silbermann Organs, Vol. 9
4 Runner
Alcen Sus Copas... Con Don Abusivo
Aglio e Olio [CD-single] [EP]
30 Best Irish Hits, Vol. 2
Alone in the Field
Greatest Hits: 30 Years of Rock
Stardust