This Is How Flat the World Is

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Average customer rating:

My Favorite Christmas CD
Superb, classical Christmas arrangements
You wont want to get rid of these.

Christmas Celebration

Manufacturer: Music Masters Jazz
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
Similar Items:

A Robert Shaw Christmas - Angels on High

ASIN: B000000FQR
Release Date: 1993-08-17

Tracks:

Carol of the Bells
Ave Maria
Angels We Have Heard on High
Ay Ay Galegui
Christmas Concerto: Largo and Vivace
Gaudete (Piae Cantiones 1582)
O Come, All Ye Faithful
Star in the East
Rejoice and Be Merry (Gallery Carol)
Three Settings of "While Shepherds Watched Their Flocks": A. Carol (S.
Tantum Ergo/Let All Mortal Flesh Keep Silence
In Dulci Jubilo
Well-Tempered Clavier, Book 1/Prelude in E-Flat Minor, S. 853
Deck the Hall
Christmas Carol
Wexford Carol
Hoy, JosSe os Da en el Suelo
Adagio
Hosanna to the Son of David
He Is King of Kings
First Noel
Silent Night

Customer Reviews:

My Favorite Christmas CD.......2005-12-01

This is without a doubt my favorite Christmas CD. Unlike traditional Christmas songs sung by "celebrities" - these renditions are timeless and classic.

The transitions from beautiful orchestral arrangements to the pure nakedness of a single voice is the perfect platform for quiet, reflective meditation.

Superb, classical Christmas arrangements.......2001-12-29

This two volume set is incredibly good. I came upon it in Target of all places. It looked like it might be good so I bought it and took it home. I was thrilled! The arrangements are terrific, the performers are top-notch, and what a variety! Everything from brass to voices to strings. One of my volumes mysteriously disappeard (I think my older son had something to do with it!) so I'm having to reorder it. I'm also going to get several as gifts.

You wont want to get rid of these........2001-09-15

I've bought a lot of christmas CD's and these are some that I am most pleased to listen to, any time of the year. The songs are not the same old familiar Christmas songs rearranged, but nice arrangements of a variety of songs done so anyone can appreciate them, especially the classical listener.

Average customer rating:

This Is How Flat the World Is
Dreamdaze
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Dance & DJ | Styles | Music

Pop Rock | Pop | Styles | Music

General | Alternative Rock | Indie Music | Stores | Music

General | Dance & DJ | Indie Music | Stores | Music
ASIN: B00020HDDU
Release Date: 2004-04-20

Tracks:

Atmosherocephalic
Illumined Pleasures
Placid Abstraction

Album Description

'This Is How Flat The World Is' consists of 3 songs:

'Illumined Pleasures' (IDM, 3:12) This jazzy, swinging free-form IDM song features quirky little blips and bleeps, a lightly funky deep bass and fusion-styled beats.

Tracks:

12 Vars in F, WoO 40 On The Theme 'Se Vuol Ballare' From Mozart's Opr 'The Marriage Of Figaro' - Eva Kander/Peter Glatte
Adagio in E flat, WoO 43 No.2 - Erhard Fietz/Amadeus Webersinke
Sonatina (Allegro) in C, WoO 44 No.1 - Erhard Fietz/Amadeus Webersinke
12 Vars in G, WoO 45 On A Theme From Handel's Oratorio 'Judas Makkabaus' - Mathilde Hermuth/Friedemann Erben
Three Pieces, WoO 33: Adagio Assai in F - Erich Piasetzki
Three Pieces, WoO 33: Scherzo. Allegro in G - Erich Piasetzki
Three Pieces, WoO 33: Allegro in G - Erich Piasetzki
Vars in C, WoO 28 on 'La Ci Darem La Mano' From Mozart's Opera 'Don Giovanni' - Peter Basche/Ekkehard Glocke/Dieter Wagner
Trio in G, WoO 37: 1. Allegro - Bernd Casper/Hermann Wolfframm/Dieter Hahnchen
Trio in G, WoO 37: 2. Adagio - Bernd Casper/Hermann Wolfframm/Dieter Hahnchen
Trio in G, WoO 37: 3. Tema Andante Con Vars - Bernd Casper/Hermann Wolfframm/Dieter Hahnchen

Tracks:

24 Scottish Songs, Op.108: Music, Love And Wine - Renate Krahmer/Eberhard Buchner/Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Sunset - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: O Sweet Were The Hours - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: The Maid Of Isla - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: The Sweetest Lad Was Jamie - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Dim, Dim Is My Eye - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Bonny, Laddie, Highland Laddie - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: The Lovely Lass Of Inverness - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Duet. Behold My Love How Green The Groves - Renate Krahmer/Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Sympathy - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108:O! Thou Art The Lad Of My Heart - Renate Krahmer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108:O, Had My Fate Been Join'd With Thine - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Come Fill, Fill, My Good Fellow - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: O, How Can I Be Blithe And Glad - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: O Cruel Was My Father - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Could This Ill World Have Been Contriv'd - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: O Mary, At Thy Window Be - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Enchantress, Farewell - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: O Swiftly Glides The Bonny Boat - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bi
24 Scottish Songs, Op.108: Faithfu' Johnie - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Jeanie's Distress - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: The Highland Watch - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: The Shepherd's Song - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Again, My Dyre - Renate Krahmer/Eva AnderReinhard Ulbricht/Joachim Bischof
24 Scottish Songs, Op.108: Sally In Our Alley - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
27 Songs Of Different Peoples, WoO 158/1: No.1 Ridder Stings Runer - Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.4 Wann I In Der Fruh Aufsteh - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.7 Wer Solche Buema Afipackt - Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.8 Ih Mag Di Nit Nehma, Du Toppeter Hecht - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.9 Oj, Oj Upilem Sie W Karczmie - Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.10 Poszla Baba Po Popiol - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.12 Seus Lindos Olhos - Eberhard Buchner/Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.13 Im Walde Sind Viele Mucklein Geboren - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.14 Ach bachlein, Bachlein, Kuhle Wasser - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.15 Unsere Madchen Gingen In Den Wald - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.17 Vaggvisa - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.18 An A Bergli Bin I Gesasse - Renate Krahmer/Ingeborg Springer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.20 Bolero A Due: Como La Mariposa - Renate Krahmer/Ingeborg Springer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.22 Magyar Szuretolo Enek - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.24 Air De Colin (from Le Devin Du Village) - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
27 Songs Of Different Peoples, WoO 158/1: No.27 Air Francais - Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul

Tracks:

Sextet in E flat, Op.81b: 1. Allegro Con Brio - Gerhard Meyer/Rudolf Horold
Sextet in E flat, Op.81b: 2. Adagio - Gerhard Meyer/Rudolf Horold
Sextet in E flat, Op.81b: 3. Rondo. Allegro - Gerhard Meyer/Rudolf Horold
Ten Varied Themes, Op.107: No.1 Air Tirolien. Moderato in E flat Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.2 Air Ecossais. Allegretto, Quasi Vivace in F Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.3 Air De La Petite Russie. Vivace in G Und Fun Vars Und Funf Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.4 Air Ecossais. Allegretto Scherzo in F Und Zwei Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.5 Air Tirolien. Moderato in F Und Drei Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.6 Air Ecossais. Andante Comodo in E flat Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.7 Air Russe. Andante in a Und Sechs Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.8 Air Ecossais. Andantino Quasi Allegretto in D Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.9 Air Ecossais. Allegretto Piu Tosto Vivace in E flat Und Funf Vars - Eva Ander/Johannes Walter/Peter Glatte
Ten Varied Themes, Op.107: No.10 Air Ecossais. Spirituoso E Marciale in g Und Funf Vars - Eva Ander/Johannes Walter/Peter Glatte
Duo in C, WoO27 No.1: 1. Allegro Commodo - Oskar Michallik/Jurgen Reuter
Duo in C, WoO27 No.1: 2. Larghetto Sostenuto - Oskar Michallik/Jurgen Reuter
Duo in C, WoO27 No.1: 3. Rondo. Allegretto - Oskar Michallik/Jurgen Reuter