The Other Side of Now
Editorial Reviews
Toledo City Paper (Mar 2004)
- "...memorable and haunting..."
Toledo City Paper, 2004
Best of 2003 - Female Vocalist, Band most likely to break out, Best of 2003 Compilation CD.
Album Description
The Other Side of Now The new CD, The Other Side of Now, is available April 2004. Intelligent, rocking, filled with power and poetry, this debut from the mind of singer/songwriter Phyllis Dwyer will find it's way into your heart and your head.
The Other Side of Now
The Other Side of Now, Music, Glinda's Bubble, Powerful, intense, beautiful pop-rock with acoustic underpinnings and intelligent lyrics.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Aretha Does Her Own Thing With Quincy
- Kind of odd, uneven, but still great overall
- A Good Album, not great, Good.
- Hey Now Hey (The Other Side of Aretha!)
- Aretha's Tour de Force
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Hey Now Hey (The Other Side of the Sky)
Aretha Franklin
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD
General
| R&B
| Styles
| Music
General
| Soul
| R&B
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Southern Soul
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R&B
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Similar Items:
- Let Me in Your Life
- Spirit in the Dark
- Young, Gifted and Black
- This Girl's in Love With You
- Soul '69
ASIN: B0000033G0
Release Date: 1994-12-01 |
Tracks:
- Hey Now Hey (The Other Side Of The Sky)
- Somewhere
- So Swell When You're Well
- Angel
- Sister From Texas
- Mister Spain
- That's The Way I Feel About Cha
- Moody's Mood
- Just Right Tonight
- Master Of Eyes (The Deepness Of Your Eyes)
Album Description
A re-issue of her 1973 album long deleted in the States. Hey Now Hey finds the Queen of Soul taking her untouchably powerful set of pipes somewhat left field of the straight-ahead Atlantic groove formula of the late '60s. This is not to suggest that the record is neither soulful nor funky. On the contrary, it is both. But, from the ambiguous, trippy cover art to the lush, Quincy Jones string arrangements within, it is clear that Hey Now Hey is also not the usual collection of Franklin singles. Working closely with Jones, and taking cues from the extended, elaborate, and visionary works of other soul music contemporaries-especially Isaac Hayes, Stevie Wonder, and Marvin Gaye, Franklin fuses elements of blues, jazz, and church music, winding the album together with superior production and an almost psychedelic orchestral finesse. Included among the originals are fresh readings of Bobby Womack's 'That's The Way I Feel About You' and 'Somewhere' from West Side Story. In all, Hey Now Hey is a unique and noteworthy addition to the Franklin catalog. Warner. 2005.
Customer Reviews:
Aretha Does Her Own Thing With Quincy.......2007-07-07
Aretha could'nt be any hotter then she was in the beginning of 1973. She'd just come off of a spectacular run of albums streching back as far as 1967 and had several handfulls of hits. This time out she teamed up with Quincy Jones for 'Hey Now Hey (The Other Side Of The Sky',a recording that dabbles in some of the abstract progressive jazz-soul that people like Nina Simone were doing at the time.The musical selection is quite diverse;the only song on here that would go down as one of her classics is the soul ballad "Angel",but Aretha had already done almost too many of those anyway.Quincy's production often gives way to jazz-funk such as the sprawling title track,"Sister From Texas" and "That's How I Feel About 'Cha"-all before she suddenly swings into a full on jazz mode on "Moody's Mood",once again transforming the song as only she could.Even though it's a wonderful album 'Hey Now Hey' may not be to everyone's taste;it's really short of hits and the songs spin in and out of dissonence many many times.But those willing to join Aretha on this ride will be rewarded.
Kind of odd, uneven, but still great overall.......2006-06-21
Aretha's oddest album but also one of her best. Three tracks stand out for their brilliance: Somewhere, Moody's Mood, and Just Right Tonight (with the late great Billy Preston on piano) are wonderful arrangements by Quincy Jones of three jazz standards, and Aretha sets the roof on fire with her passionate interpretations. Angel is perhaps the most successful pop soul piece on the album. The rest of the album is basically just mediocre filler. But those three jazz pieces and that one soul song are outstanding and make this album well worth getting. I just wish everything else on it could have matched the greatness of those four tracks.
A Good Album, not great, Good........2005-01-12
Ok, I get it, Aretha was expanding her artistic persona. This album is good, not great, good. It made theatrical sense that Aretha (only Soul musics greatest female singer) and Quincy Jones(one of Musics genius')be teamed up.The problem was Aretha's down home gospel driven vocals combined with the experimental Jazz that quincy was adding to the equasion, came off as odd to many people.In comparison to albums like "I never loved a man" and "Spirit in the dark" one almost asks, is this the same artist? The album's success could have gone either way, wildly successful or a complete flop, sadly the album took to the ladder.The songs were not overly catchy or could even be considered R&B of the time. The major exception, the whole reason to buy this album comes from the 7+ minute song "Just right tonight". I heard this song and said "wow" this song is so amazing it will send shivers through your entire body. I truly feel this is Aretha's most INTENSE,SOULFUL and by far her BEST recording ever! The albums shows off some of Arethas amazing vocal prowess. The song Angel is beautiful and awe inspiring, while "Moody's mood" leaves your head spinning, with the thousand lyrics a minute way in which it is sung.
A good, not great, but good album.
One last note. Master of Eyes is also included on the album. The first time it was ever available on the album. THe song was not included on the origional vinyl release.
Hey Now Hey (The Other Side of Aretha!).......2004-12-27
I am sooOOOoooo glad to be reading positive reviews of this album, especially since it is one of the most difficult Aretha Franklin albums to aquire. And I agree, it is also Aretha's finest, most introspective work to date. When it was first released, I did not understand why it didn't top the charts, as I did not understand the commercial whoring of the industry yet. All I knew is that I had discovered soul, and was enveloped by it's messenger. Buy this album, and hear what true artistic nirvana is.
Aretha's Tour de Force.......2004-08-19
In my humble opinion, this lp stands as Aretha's singular greatest acheivement, the moment when she advanced light years from what was at the time the reliable hit machine she, Jerry Wexler and Arif Mardin had evolved into. No female before her had created a song cycle as esoteric as this one. She seems to be speaking directly to her demons in a way I don't think her audience was willing to comprehend. Very similar in many respects to Marvin Gaye's "Here My Dear" though not as literal.
That the project was deemed a failure, almost assures it's place as a cult favorite among Aretha fans. Listening to the album in it's entirety, I think that Aretha was purging herself of the some of the pressures surrounding her at the time. There is a joy inside the melancholy of her singing. I don't know, it just feels cathartic at the end.
QJ's production doesn't overwhelm as it tended to with his later projects. Aretha gets lots of room to just sing.
And we're all the richer for it.
She'd return to a career making coda with "Let Me In Your Life" but this lp shows us her willingness to push the limits of r&b/pop/jazz and broadway to their extremes.
Average customer rating:
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Bonnie Langford: Now (Selections From Her One Woman Show Live and Direct)
Bonnie Langford
Manufacturer: EPL Records
ProductGroup: Music
Binding: Audio CD
ASIN: B000LOMDCS |
Product Description
This CD contains 15 songs performed by British stage singer and actress Bonnie Langford. Song list is:
1. Let the Good Times Roll,
2. Because I'm a Woman,
3. Some Cats Know (From the musical Smokey Joes Cafe),
4. Memory (From the musical Cats),
5. Blues Melody,
6. Somewhere That's Green (From the musical Little Shop of Horrors)
7. Sweet Charity Melody (From the musical Sweet Charity),
8. The Best is Yet to Come,
9. The Other Side of Me,
10. I Can't Stop Loving You,
11. Sixties Melody,
12. A Singer in a Night Club (From the musical Tallulah for a Day),
13. I'm a Woman (From the musical Smokey Joes Cafe),
14. I Am Changing (From the musical Dreamgirls),
and 15. The Music That Makes Me Dance (From the musical Funny Girl).
Average customer rating:
- Outstanding Tenor
- The Voice Does It Again
- Superb Second CD
- Awesome! Really different.
- More of the same please
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Encore
Russell Watson , Leonard Bernstein , Eduardo di Capua , Esposito / Beath / Gordon / Watson / Pigott , Carole Bayer Foster David / Sager , Charles Gounod , Ruggero Leoncavallo , Domenico Modugno , Bruce Preston Billy / Fisher , Giacomo Puccini , Lionel Richie , Scott / Stewart / Kaihau , Paraire Tomoana , Giuseppe Verdi , Stephen Warbeck , Diane Warren , John Lubbock , Nicholas Dodd , William Hayward , and Jay Berliner
Manufacturer: Universal International
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
| ( B )
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| Gounod, Charles
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| Leoncavallo, Ruggiero
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| Puccini, Giacomo
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
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Similar Items:
- Russell Watson · The Voice
- Awake
ASIN: B00005OM5G
Release Date: 2001-11-05 |
Tracks:
- Va, Pensiero
- Volare
- Prayer - Lulu, Russell Watson
- O Sole Mio
- Ave Maria
- Mattinata
- Pelagia's Song (Captain Corelli's Mandolin)
- You Are So Beautiful
- Somewhere
- Che Gelida Manina
- Lucevan le Stelle
- Magic of Love - Lionel Richie, Russell Watson
- Catch the Tears
- Lost in the Snow
- Celeste Aida
- Where My Heart Will Take Me (Theme from Enterprise)
Album Description
Follow-up to his hugely successful debut album, The Voice. Watson is a young man with an intensely powerful, operatic voice. The album features classics like 'Volare', ' The Prayer' (with Lulu) & 'Ave Maria'. 2001.
Album Details
He's Blue Eyed, Handsome and Not from Italy Or Spain...but From the Good Ole UK He's Has Ascended to that Elite Circle of Popular Tenors that is Known by the Masses. Watson Breaks Out on this Disc with a Mix of Popular Favorites and Classical Standards. Includes his Take on 'the Prayer' with Lulu and a Duet with Lionel Richie (The Magic of Love), as Well as the Theme to the Film 'captain Corelli's Mandolin'.
Customer Reviews:
Outstanding Tenor.......2004-02-08
This is an outstanding album and an outstanding tenor voice. I have listened to a lot of tenors over time and this voice is unique in its natural beauty and power. I can listen to the selections on this (and the previous ) album over and over and never tire of them. It may be a "crossover" voice in the sense that Watson successfully sings both pop and classical songs, but it has an electric quality that sets it apart from virtually any other tenor I have heard whether purely "operatic" or not. I cannot fathom what CD the authors of previous critical comments have been listening to but it must not be the same one I hear.
The Voice Does It Again.......2003-12-24
If anyone thought Watson's first album, The Voice, was a fluke, I recommend that they llisten to this one. Again there is the intriguing mix of popular and operatic/classical numbers and again there is the amazing tenor voice, which shifts from soft and intimate to soaring and powerful. All the selections are appealing but my favorites are Che Gelida Manina, Celeste Aida,The Magic of Love (with Lionel Richie), The Prayer (with Lulu), Mattinata, and Ave Maria. There is not a bad one on the whole CD, though, and the two added ones are beautiful..Highly recommended--do not miss this voice!
Superb Second CD.......2003-01-12
Watson here proves every bit as fascinating as on his first CD, "The Voice". Again he gives us a mix of classical/operatic and pop and it is quite irresistible. The first offering, Va Pensiero, is really stunning, beginning with the soft "pop" voice and then suddenly soaring into the beautiful, powerful tenor that is so unusual. I particularly like the operatic arias such as Che Gelida Manina but the duets with Lulu and Lionel Ritchie are also beautiful. Every number is lovely in its own way and this CD can be played over and over without becoming tiring.
Awesome! Really different........2002-11-06
I first heard Russell Watson a few weeks ago when he was featured as the closing artist for the Larry King Live show one evening on CNN (Oct 02). The song was "Va, pensiero" from his album Encore. As the song began my first impressions were "hmmm, pretty good tenor voice." But then, mid-song, Russell's switch to his operatic tenor voice literally made me hold my breath and made the hair stand up on the back of my neck (not to mention the tear in my eye). It wasn't just the tenor voice (I've heard other powerful tenors) but Russell's ability to switch back and forth from a pop vocalist to an operatic tenor is what struck me as absolutely incredible.
I had never before heard anyone do that, so I made a note of the name of his album "Encore" and a few days later got online to see what he was all about. I found a great many reviewers who raved on about how good Russell Watson is, but I was also intrigued by the vicious remarks made by some online reviewers (though I noted that those negative reviews were largely unsubstantiated with specifics).
I decided to buy it anyway, together with his first album "The Voice." I'm not disappointed in the least. If anything, hearing "Va Pensiero" again rekindled my appreciation of his voice. Now, I am not a great "traditional" opera expert in the least and have never heard an "original" operatic rendition of Va Pensiero, so I can't compare Russell to a traditional "pure" operatic voice. Do I care? NO! I wasn't looking for a traditional operatic tenor when I stumbled across Russell.
I have heard what I consider the beauty and diversity in Russell's voice and I like it. Period. If I like the combination of classical and contemporary voice that Russell brings, so be it. That combination may be heresy to a classical purist, but hey it's what I like, so frankly, I don't give a damn about what the true classical operatic voice should sound like... it's NOT what I'm looking for.
More of the same please.......2002-10-28
I had never heard of Russell Watson until the show Enterprise. His voice is superb. I have now heard all of his albums and enjoy each one but believe this is, by far, his greatest. His voice becomes part of the music, joining with his fellow artists' in the duets, and leads to a true appreciation for the new classical music. At the end of the day I want nothing more than to relax, to find peace in a crazy world, thank you Russell Watson for giving that to me.
Average customer rating:
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The Other Side of Now
Glinda's Bubble
Manufacturer: Caged Bird Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Folk
| Styles
| Music
General
| Pop
| Styles
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Pop Rock
| Pop
| Styles
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General
| Alternative Rock
| Indie Music
| Stores
| Music
General
| Pop
| Indie Music
| Stores
| Music
ASIN: B00021YIDW
Release Date: 2004-04-05 |
Tracks:
- Kryptonite
- Last Gasp
- Soothing and Smoothing
- Worship the Ground
- Bird in Talons
- Dance Floor
- Level Horizon
- The Other Side of Now
- Another Shade of Gray
- The Next Thing
- This Sore
Album Description
The Other Side of Now The new CD, The Other Side of Now, is available April 2004. Intelligent, rocking, filled with power and poetry, this debut from the mind of singer/songwriter Phyllis Dwyer will find it's way into your heart and your head.
Customer Reviews:
Astounding CD.......2004-07-09
I can't get this one out of my player. It's a broad mix of modern gurl music and adult alternative. Great vocals, thoughtful lyrics, scorching guitar work, great production. Glinda (AKA Phyllis) and the band are destined for hugeness.
Lots of world-music influence, but it's otherwise very difficult to categorize. Just listen to it.
Average customer rating:
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Hey Now Hey (The Other Side of the Sky)
Aretha Franklin
Manufacturer: Vivid Sound
ProductGroup: Music
Binding: Audio CD
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Southern Soul
| Soul
| R&B
| Styles
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R&B
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ASIN: B000FIHAS2
Release Date: 2006-07-03 |
Album Description
Japanese pressing packaged in a miniature LP sleeve with the added bonus track 'Master Of Eyes (The Deepness Of Your Eyes)'. Vivid. 2006.
Album Details
Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
Music:
- The Priest, The Prophet & The Poet
- The Shortest Life
- The World Still Turns Without You
- This Is How Flat the World Is
- Three Years Two Months Eleven Days
- Timerunner
- To the 5 Boroughs [Enhanced] [Explicit Lyrics] [Import] [Limited Edition]
- To the 5 Boroughs [Import]
- Transvection Now Adoring Shame [EP]
- Travel On
Music
music
Music
Treasure Trail [CD-single]
Caricatures
Canterbury Pilgrims: Music for Chaucer's Prologue
Dirty Dancing: Ultimate Dirty Dancing [Enhanced] [Original recording remastered]
Drowning Cupid
Best of Beach Party [Original recording remastered] [Import]
BSF Hymns for Preschoolers
Burleigh: Art Songs
Borrowed Tales [Import]
Azteca de Oro [Explicit Lyrics]
Beautiful (Remix Album) [Import]
Botanique et Vielles Charrues [Import]
Beat It [Import]
Rocky Mountain Way
Waylon Jennings Sings Hank Williams