Quitter [Explicit Lyrics]
Editorial Reviews
About the Artist
"Real rock-n-roll that's utterly dangerous." It was a reluctant New York fan that coined this phrase after seeing The Rhones perform live. The Rhones mix raw energy, great lyrics, and an unpolished garage sound into a captivating rock stew and performance you won't soon forget. Spirited, irreverent, whatever eases your conscience but definitely hot. You may even say Detroit meets London in 1969. That works. Track after track, their music is memorable and mesmerizing.
The Rhones is the evolution of Ghettoblaster, which was formed by lead singer Rob Wofford, bass guitarist Heath Lanyon, and some former members. After moving to L.A. and signing with Elektra Records, Ghettoblaster recorded a half million dollar record, only to become a victim of budget cuts.
Not letting the Elektra setback faze them, lead guitarist Andy Putnam and drummer Matt Long joined Wofford and Lanyon to form The Rhones. The new lineup with the new name and new sound headed to New York for a short stint of shows. After hitting the Big Apple, The Rhones headed back to their native Missouri to record another record-this time independent style with Records of Mass Destruction. Their latest record, Quitter, is available now on RMD. These boys are always writing; they're a constant flow of great new music.
In addition to their rough edgy sound, and energetic live shows, The Rhones have industry experience. As well as being signed to Elektra, they've been produced by the likes of Eric Valentine (Queens of the Stone Age) and Jim Wirt, and worked in the studio with Wayne Krammer (MC5), Rolan Bolan, and DJ Swamp. They've played with well-know acts such as Sparta, Mars Volta, Incubus, and a solo Dave Navarro. And they've played lots of major events including SXSW and CMJ, and venues from L.A. to New York. Their music video for Move Fast was in the top 10 of MTV's Best Music On Campus.
The Rhones are motivated, talented, and their music is a breath of fresh air in a polluted music scene. Like the fan in New York, even if you don't want to like The Rhones you will. Their music is raw rock and roll, tossed into a blender and set on dangerous.
Album Description
The Rhones mix raw energy, great lyrics, and an unpolished garage sound into a captivating rock stew and performance you won't forget. Spirited, irreverent, whatever eases your conscience but definitely hot. Real rock-n-roll that's utterly dangerous.
Quitter, Music, The Rhones
Average customer rating:
- Wonderful CD
- Versailles, Le Roi Soleil, et Lully
- A great introduction to the father of French opera
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Lully: Les Divertissements de Versailles
Jean-Baptiste Lully , Les Arts Florissants , William Christie , Sophie Daneman , and Paul Agnew
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Jean-Baptiste Lully: L'Orchestre du Roi Soleil
- Lully - Ballet Music for the Sun King / Mary Enid Haines · Aradia Baroque Ensemble · Kevin Mallon
- Lully: Le Roi Danse
- François Couperin: Les Concerts Royaux
- Rameau: Une Symphonie Imaginaire
ASIN: B000063TE8
Release Date: 2002-06-11 |
Tracks:
- Prelude pour les trompetes
- Chantons les plaisirs charmants
- Quittons notre vaine querelle
- Chantons tous de l'Amour
- Enfin il est en ma puissance
- Chere Climene, dis-moi
- Je vous aime, Nymphe charmante & Plainte du Dieu Pan
- Duo des Nymphes
- Laisse-nous en repos, Philene
- L'hiver qui nous tourmente
- Que le feu des forges s'allume
- Trop indiscret Amour
- Ah! J'attendrai longtemps
- Armide, vous m'allez quitter/Passacaille
Customer Reviews:
Wonderful CD.......2005-09-22
I only would like to say that this is a first class disc. I love classical music since the barroque century to our days. Thank you very much.
Versailles, Le Roi Soleil, et Lully.......2002-06-19
Great music, wonderfully performed, historically accurrate,
what else could we ask for.
A great introduction to the father of French opera.......2002-06-11
Considering his historical importance as the founder of French Baroque opera, it is perhaps surprising that Jean-Baptiste Lully has not received the same degree of attention on disc as his rivals and followers. The revival of French Baroque music which has been such a phenomenon over the last two or three decades has only rarely paid him much attention. Listeners seem to find the harmonic daring of Marc-Antoine Charpentier or the incredible colour and imagination of Jean-Philippe Rameau far more to their taste. Lully's suave, well-crafted music is often dismissed as bland beside the music of these figures and that of Lully's English follower, Purcell. But as this well-filled (78 minutes) disc of extracts from the whole range of his stage music demonstrates, Lully was a considerable and innovative composer in his own right. If you are new to Lully, this is the ideal place to start.
The new recording tells the story of how this ambitious, and frequently ruthless, young Florentine transformed himself into a French citizen and friend of "Le Roi Soleil", just as he transformed the Italian opera of the mid-seventeenth century into something uniquely Gallic. Lully began by catering to the young King Louis XIV's mania for dance with a series of comedies-ballets written in collaboration with Moliere. Extracts from two of them, "Georges Dandin" and "L'Amour Medecin" are included here, where the Italian influence is still strong with plenty of lively comedy. This phase of Lully's career culminated with the amazing five-hour extravaganza, "Psyche", in 1671. Two powerful choruses from this divertissement start the disc.
It was while he was working on "Psyche" that Lully met the librettist Philippe Quinault who was to be his partner in forging a distinctively French form of opera, the 'tragedie lyrique'. Quinault's contribution was vitally important since Lully saw opera as an equal marriage of words and music. The key would be expressive recitative rather than the show arias that dominated the Italian 'opera seria' of the time. The chorus and ballet would also play a major part in the divertissements which ended each act, offering a chance for Lully to show off his musical imagination. Some of the best examples of this come in the extracts from the opera "Isis" (1677) included here. In fact the first audience found the music rather too imaginative and it soon acquired the reputation as a work for connoisseurs only, 'the musicians' opera'. One of the connoisseurs who appreciated it was Henry Purcell. The "Scene de Froid" inspired him to write the wonderfully atmospheric Frost Scene in his "King Arthur" (1691). You can hear immediately what appealed to the Englishman's imagination - the chattering chorus and shivering violins conjure up a vivid impression of extreme cold. It is quickly followed by a scene depicting blazing heat - the smithy of the Chalybes, where the ringing percussion suggests the music of Wagner's Nibelheim two hundred years later. But the most haunting music is a lament by the god Pan for the nymph Syrinx, after her transformation into a reed. It is touchingly accompanied by woodwind and an organ. The characteristic Lullian blend of words and music (which is possibly one reason why many non-French speaking Baroque enthusiasts find a whole Lully opera hard to listen to) is illustrated by scenes from "Armide" and "Roland". In the latter, the hero Roland searches for his lost love Angelique. Lully's music conjures up a beautiful pastoral scene using only smoothly sliding strings, becoming more and more troubled as Roland learns from the names carved into the trees that his beloved has married his rival, Medor. Finally, Roland explodes into rage, his anguish turns to madness and the music rages too. In "Armide", the eponymous heroine, a pagan sorceress, has lulled the Christian hero Renaud asleep so she can stab him to death. However, when she sees him lying defenceless, she falls in love with him and cannot bring herself to commit the murder. Armide's monologue included here, where she hesitates between hatred and love, has always been rightly regarded as one of the high points of the entire French repertoire with its masterly psychological depiction of the tortured enchantress. The disc ends with a love duet between Armide and Renaud from the final act of the opera, followed by another dance, the massive 'grande passecaille'. Its interweaving musical lines have an extraordinary, hypnotic beauty.
Christie's staging and recording of the opera "Atys" is widely considered one of the landmarks in the revival of Lully and this new disc is generally very well performed. My one quibble is with Rinat Shaham who takes the part of Armide - her voice is not really powerful enough to suggest the mighty sorceress, especially when compared with Guillemette Laurens who took the role in the complete recording under Philippe Herreweghe. But otherwise, highly recommended, especially to those who have yet to appreciate Lully's considerable musical gifts. (Brys)
Average customer rating:
- SImply Untrue
- an extra star for all the guest artists
- An Homage to a Great Artist
- superb vocals
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The Very Best of Thomas Hampson
Marc Barrard , Thomas Hampson , Csaba Airizer , Georges Bizet , Charles Wakefield Cadman , Stephen Foster , Charles Gounod , Edvard Grieg , Charles Tomlinson Griffes , Imre (Emmerich) Kalman , Erich Wolfgang Korngold , Franz Lehar , Gustav Mahler , Jules Massenet , Giacomo Meyerbeer , Gioachino Rossini , Franz Schubert , Robert Schumann , Johann II Strauss , Ambroise Thomas , Giuseppe Verdi , Richard Wagner , Carl Maria von Weber , Antonio de Almeida , Antonio Pappano , Eugene Kohn , and Fabio Luisi
Manufacturer: EMI Classics
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Similar Items:
- Song of America
- No Tenors Allowed: Famous Duets for Baritone and Bass
- Arias - Haydn, Mozart, Beethoven, Schubert
- Samuel Ramey - Operatic Arias
- Leading Man
ASIN: B0006VYEI2
Release Date: 2005-04-26 |
Tracks:
- La Ran La Lera...Largo Al Factotum
- O Sainte Medaille...Avant De Quitter Ces Lieux
- Ce Breuvage...Vision Fugitive
- C'est Toi...Au Fond Du Temple Saint - Placido Domingo
- La Fatigue Alourdit Mes Pas...Comme Une Pale Fleur
- Ecoute!...Dieu, Tu Semas Dans Nos Ames
- C'est Mon Jour Supreme
- Tout Est Desert...Son Regard
- Ove Son Io?...Vada In Fiamme
- Perfidi! All'Anglo Contro Me...Pieta, Rispetto Amore
- Di Provenza Il Mar, Il Suol
- E Sogno? O Realta?
- Komm!
- Der Garten Des Herzens
- Lied Des Venezianischen Gondoliers
- Le Lazzarone
- L'Ultimo Ricordo
Tracks:
- Mein Sehnen, Mein Wahnen
- Wo Berg' Ich Mich?...So Weih' Ich Mich Den Rachgewalten
- Wie Todesahnung...O Du Mein Holder Abendstern
- Gruss Op.48 No.1
- Im Wunderschonen Monat Mai
- Aus Meinen Tranen Spriessen
- Die Rose, Die Lilie
- Ich Will Meine Seele Tauchen
- Ich Grolle Nicht
- Gute Nacht
- Die Post
- Blicke Mir Nicht In Die Lieder
- Ich Atmet' Einen Linden Duft
- Ich Bin Der Welt Abhanden Gekommen
- Von Der Schonheit
- O Vaterland, Du Machst Bei Tag
- Als Flotter Geist
- Komm, Zigany
- An Old Song Re-Sung
- At Dawning (I Love You) Op.29 No.1 - Armen Guzelimian
- Jeanie With The Light Brown Hair
- Beautiful Dreamer
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
SImply Untrue.......2006-08-16
The previous review is simply a gross falsification. I have been an obsessed opera fan for a long time, and Thomas Hampson is a truly special singer. He is not the possesor of the largest or most interesting voice, which he will tell you and indeed says so all the time. His commitment to text, his willingness to search out parts to fit his voice, and his dedication to art song make im invaluable to Americans as a ture Troubador. His light Baritone was ideally suited to Figaro and to Valentin and the art song he loves. He must stretch to sing Verdi, where his voice sounds dry and small but many singers have chanced Verdi at their peril, and his innate ablity to inhabit a song, here evidenced in Di Provenza overcomes fact that it is out of his fach. You misinformed opinion of Hampson is mean and strangly bitter. I love Opera, but I do not love every singer, which doesn't mean I debase their very artistic existance. I have seen Hampson live, and have loved him (in Thias) and somewhat disliked him (in Simon Boccanegra) As for him being pretentious, somwetimes I find him mannered, but always charming. SOmetimes Intellectualism can appear pretentious, but surely you wont hold an opera singer to the charge that he must be unintellectual. what a vitriolic review, please buy this Cd, it merits repeated listening to a true American SINGER,
an extra star for all the guest artists.......2006-05-08
The title of this album is an oxymoron. Or a sick joke. I can't decide. Sure he has made millions by luring the uninitiated listener into his web of deceit and conceit, but don't be fooled any longer. How fortunate Hampson has been to sing for and with great artists to shoulder his heavy load.
An Homage to a Great Artist.......2005-10-30
EMI is wisely creating a series of recordings to gather the moments of artists that showcase the very reasons they become so highly regarded. Usually these collections are produced late in careers or even posthumously, but in the case of THE VERY BEST OF THOMAS HAMPSON the artist is still one of the more active and premiere singers of our day. Yet while he doesn't still perform all of these inclusions, it is wonderful to have excerpts from various successful recordings to remind us of the artistry that Hampson represents.
The two disc set includes arias from operas: Rossini's 'Il barbière di Siviglia', von Weber's 'Euryanthe', Gounod's 'Faust', Massenet's 'Hérodiade', Bizet's 'Les Pêcheurs de perles' (in duet with Placido Domingo), Thomas' 'Hamlet', Verdi's 'Don Carlo', 'Il Travatore', 'Macbeth', 'La Traviata', and 'Falstaff', Korngold's 'Die Tote Stadt', and Wagner's 'Tannhäuser'.
But the rewards of a Hampson recording must include his impeccable career as a lieder stylist and on this recording are excerpts from Schumann's 'Dichterliebe', Schubert's 'Winterreise', Mahler's 'Rückert Lieder' and 'Das Lied von der Erde', as well as songs by Meyerbeer, Rossini, Grieg, Kalman, and Lehar. And very importantly there are examples of American songs that Hampson has always emphasized in his recitals. Works by Stephen Foster, and two extraordinary works with the brilliant accompanist Armen Guzelimian - 'An Old Song Re-sung' by Griffes and 'At Dawning' by Charles Wakefield Cadman - round out this fine survey.
Not usually a collector of such 'recombinations', for this listener this album is so very fine that it deserves the attention of all those who appreciate the artistry of Thomas Hampson - then and now. Highly recommended. Grady Harp, October 05
superb vocals.......2005-08-07
Mr.Hampson really gets the chance to showcase his wonderful baritone voice in this "Best of" collection which includes excellent selections from his various other CDs. I like the diversity of the selections featuring operatic arias,works from classical composers, and folk songs. For Thomas hampson fans, as well as fans of the baritone voice, this CD is for them.
Average customer rating:
- Domingo, Freni, Ghiurov, Success!
- A Faust That Soars
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Charles Gounod: Faust (Highlights)
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mozart: The Magic Flute (Highlights)
- Verdi: Aida (Highlights)
- Verdi: Rigoletto (Highlights) / Sutherland, Pavarotti
- Gounod: Faust (Complete Opera); Domingo, Freni, Ghiaurov, Allen, Pretre
- Gounod: Faust (Highlights)
ASIN: B000002S0Y
Release Date: 1989-06-06 |
Tracks:
- Act II - 'Vin ou bi'
- Act II - 'O sainte m?daille...Avant de quitter ces lieux...Le veau d'or est toujours debout' (Mephistopheles)
- Act II - 'Nous nous retrouvons mes amis! ...Ainsi que la brise legere...Ne permettrez-vous pas, ma belle demoiselle' (Mephistopheles, Faust, Marguerite)
- Act III - 'Quel trouble inconnu me ptre!..Salut! demeure chaste et pure' (Faust)
- Act III - 'Je voudrais bien savoir...Il etait un roi de Thule...Ah!...Je ris' (Marguerite)
- Act III - 'Il se fait tard!.. Adi ( Marguerite, Faust)
- Act IV - 'Seigneur, daignez permettre...Souviens-toi du passe...Quand du Seigneur' (Mephistopheles, Marguerite)
- Act IV - 'Glorie immortelle de nos aieux'
- Act IV - 'Vous qui faitl'endormie (Mephistopheles )
- Act V - 'Alerte, alerte...Anges purs, anges radieux...Christ est ressuscite' (Mephistopheles, Marguerite, Faust) )
Customer Reviews:
Domingo, Freni, Ghiurov, Success!.......2005-08-09
Faust has never sounded more lush and dramatic than in the hands of these seasoned singers. Placido Domingo as Faust is appropriately conflicted, emotional and romantic. He gets into character from his first scene as he curses God for his futile existence and old age and to his last scene when he is dragged to Hell. Mirella Freni is in fine voice as Marguerite, truly her performance is the greatest of all possible Marguerites on record or stage. She's got a full lyric voice that soars with passionate intensity (the Church scene and the last scene in which she tries to save Faust from damnation and she's sent to Heaven). Her husband (or soon to be husband depending on the time of this recording) bass Nicolai Ghiurov, a great Russian bass, is on fire as the Devil, with all the darkness and power in his vocal performance alone. George Petre, a famed French conductor leads a primarily French orchestra with singers who are absolutely brilliant in their mastery of the French text. This cd offers only highlights (not the full-length recording available on Amazon.com as well). Here are the Waltz, the Calf Song, Marguerite's ornate "Jewel Aria" the Church Scene complete with demonic chorus, and the outstanding Final Trio (Ange Pure Ange Radieux)which I feel could somehow be better but is not all that bad. A great highlights CD.
A Faust That Soars.......2005-03-17
This recording of Gounod's Faust made in the late 70's, stars Placido Domingo, Mirella Freni and Nicolai Ghiuarov, a powerful trio which is reason enough in itself to seek this album for purchase. Opera fanatics, such as myself, are never content with one recording of one opera, when they can indulge in a variety of singers and styles of conducting. I own this recording and the one with Hadley, Gasdia and Samuel Ramey. Now, while I think this is a great Faust, it is only second best to the recording with Hadley/Gasdia/Ramey, mainly because the real spirit of the work, active in the orchestration and especially in the bass voice of Samuel Ramey, is more true to Charles Gounod's vision. This one, though, holds its own, mainly through the dramatic prowess and rich vocals of tenor Placido Domingo, soprano Mirella Freni and her husband bass Nicolai Ghiurov. Pretre, who is French, is also enjoying his slow pace of conducting, probably slowing down what ought to be faster so as to focus on the lush lyric beauty of the French style of the lead singers who have mastered the French technique down to a "T". Superb, top-notch performances by all three lead singers is what makes this album so attractive. These are only highlights from the full length album. In this album, we find the opening chorus, the Waltz and the scene in which Faust meets Marguerite in person for the first time, the Devil's "Calf Song", Marguerite's "Jewel Song", the Church Scene in which Marguerite prays while the Devil and demons mock her, and the awesome Trio Finale "Ange Pure, Ange Radieux".
For Gounod, Faust proved a masterpiece and the one opera that would become a standard repertoire for most opera companies at that time and now. The Met opened in the 1880's with Faust. It's the tragic tale of a pathetic elderly scholar/scientist who longs for eternal life and youth and romance. When the Devil tempts him with a vision of the beautiful village girl Marguerite, and offers him youth and good looks, he makes a deal with the Devil, offering up his soul. The plan takes effect when Marguerite, seduced by jewelry and materialistic things, is seduced by Faust. She eventually becomes pregnant with his baby. At the end of the opera, Faust is dragged to Hell while Marguerite is saved and ascends to Heaven. Faust, written by the German writer Goethe, figured in a lot of Romantic Era 19th century music. Berlioz composed La Damnation De Faust and Boito wrote "Mephistophele", while the "diabolically radical" composer Franz Liszt enjoyed composing themes on Faust and symphonic poems about it.
Average customer rating:
- The best is wonderful, but there are a few duds
- Beautiful Voice, Bad Choices
- A Great Showcase of Hampson's Voice and Artistry
- Comprehensive coverage of Hampson's range in song
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Thomas Hampson - A Portrait
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
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ASIN: B000024D1I
Release Date: 1997-01-01 |
Customer Reviews:
The best is wonderful, but there are a few duds.......2006-07-17
No portrait of a singer can satisfy all cmers, so EMI has shrugged its shoulders and tossed a bit of everything into the pot. (Without including any bonus tracks, one should note.) Hampson is without a doubt the successor to Fischer-Dieskau as the world's most famous operatic baritone. His strengths, like F-D's, are in song, especially American song. Seven of the 19 cuts here are American songs, which isn't enough. We don't really need Hampson's rather plodding and earnest Viennese operetta aria, nor his duet, "Anything You Can Do, I Can Do Better" with the shrill Kim Criswell (to tell the truth, neither does very well). Two small slivers from Schumann's Dichterlieve cycle seems rather silly, too.
But that leaves a lot that's wonderful--all the American selections, the Rossini and Liszt songs, the aria form Korngold's Die Tote Stadt, and above all Hampson's rollicking, let-'er-rip rendition of Figaro's aria form the Barber of Seville. If this omnium gatherum entices listeners to bu the complete recordings, it will serve a very good purpose.
Beautiful Voice, Bad Choices.......2003-11-25
Short and Sweet.
I love listening to this beautiful baritone's voice, but I really don't like his choice of songs on this album. Beautiful Dreamer is so hackneyed and I can't stand to listen to it (also why I didn't buy the Stephen Foster album). I did like is choice of two classic lieder by Schumann. I would have chosen more lieder for a different album, he does great things with it. The Live recording of Largo al factotum from Barber is distracting with audience claps and poor mics for the recording. You can hear him walking away from the mics (fading in and out). The absolute worst choice is "Anything You Can Do" from Annie Get Your Gun. It sounds nice but I hate this song. The rest of the songs swing from Sappy awful to beautifully sung.
Bottom Line: Inconsistent and Not worth your money. He can do much better
A Great Showcase of Hampson's Voice and Artistry.......2002-02-23
Thomas Hampson is definitely one of the greatest artists on today's musical scene. This CD displays the beauty of Hampson's voice and the intelligence and artistry that he brings to a great variety of musical styles (German, French and Italian Opera; Italian, French and German art song, and American music). Among the highlights are the first selection, the beautiful "Mein Sehnen, mein Wähnen" from DIE TOTE STADT by Korngold, sung with great control and melting pianissimos. The same can be said of the aria from TANNHAUSER. His live "Largo al Factotum" from IL BARBIERE DI SIVIGLIA is just virtuosistic, with effortless high notes (even a cadenza up to high C) and energetic vocal acting. In the art songs he is no less impressive, with total involvement in the style and mood of the songs, being particularly impressive "Oh, quand je dors" by Lizt. The American repertoire is also a delight. Hampson displays all kind of nuances for this repertoire, from the estatic quality of "Beautiful Dreamer" to the humor and bawdiness of "Where Is The Life that Late I Led". In summary, this is a delightful and eclectic souvenir from one of the most charismatic and intelligent singers of our time.
Comprehensive coverage of Hampson's range in song.......2001-11-01
This EMI disc, "Thomas Hampson, Portrait" is an excellent example of the wide range of this melliflous baritone. From the first German aria, Korngold's "Mein Sehnen, mein Wahnen" one of my personal favourites, to Jerome Kern's "The Last Time I saw Paris" you have great variety of opera, lieder and popular song offering you examples of Hampson's great talent. Buy and enjoy! Jill Whitburn
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- Tibbett - Prima Voce
- "the quintessential American artist"
- Lawrence Tibbett, a singing actor
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Nimbus Prima Voce: Tibbett
Manufacturer: Nimbus Records
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Binding: Audio CD
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ASIN: B0000037JP
Release Date: 1992-12-02 |
Tracks:
- Pagliacci: Si Puo?
- Carmen: Chanson Du Toreador
- Tosca: Te Deum
- Un Ballo In Maschera: Eri Tu
- Il Barbiere Di Siviglia: Largo Al Factotum
- Faust: O Sainte Medaille...Avant De Quitter Ces Lieux
- Tannhauser: Wie Todesahnung Dammrung...O Du, Mein Dolder Abendstern
- Die Walkure: Wotan's Farewell
- Rigoletto: Cortigiani, Vil Razza Dannata
- Otello: Brindisi
- Otello: Vanne!...Credo In Un Dio Crudel
- Otello: E Qual Certezza Sognate...Era La Notte
- Simon Boccanegra: Plebe! Patrizi! Popolo
Customer Reviews:
Tibbett - Prima Voce.......2006-03-18
This is a great selection of his work and the recordings are great for their age.
The selections are very good and makes it enjoyable to be able to hear the voice of this famous man and be able to get a very good feel for his voice and style.
"the quintessential American artist".......2005-01-09
Lawrence Tibbett (1896-1960) was a magnificent bass-baritone, with a wide range both vocally and in repertoire, as he did Broadway as well as the opera he was most famous for, and had a charismatic stage presence that was so strong one can sense it through these recordings that were made during the height of his career, from 1926 through 1939.
Up until the last four decades, it was rare for an opera singer to achieve fame without a European background and resume, but Tibbett, born in Bakersfield, California, was one of the first and few to star at the Metropolitan without crossing the Atlantic, proof of his outstanding talent from the start.
Tibbett is brilliant in the arias chosen for this CD, which are sung in French, Italian, and German; favorites for me are the "Chanson du Toreador" (I have seen archival film footage of him singing this aria, which is fabulous and so memorable), the glorious melody of "Eri tu", in which we hear the darker tones of his rich voice, and the heavenly beauty of "Wie Todesahnung Dammrung" contrasted with power and emotion of "Wotan's Farewell".
The final track from "Simon Boccanegra", "Plebe ! Patrizi ! Popolo" includes the voices of some other big names from that great era at the Metropolitan Opera: Rose Bampton, Giovanni Martinelli, and Leonard Warren.
The sound has a few crackles, but overall has been very well re-mastered, and the age of the recordings becomes irrelevant once one becomes captured by the intensity and passion of Tibbett's singing. To quote the liner notes, these are "renditions seldom equaled, never surpassed".
The insert booklet contains notes, recording info, synopses of the arias, and photographs, and total playing time is 77'14.
Lawrence Tibbett, a singing actor.......2003-05-15
Lawrence Tibbett was my favorite singer when I was a little girl....and this album brought back memories of the many operas he did at the Met....You have to get used to the sound, but once past that, it is a great album......I just listened to the Bocelli Tosca, and recall Tibbett was a great Scarpia...the Te Deum is on this recording. So much of the music recorded by the great singers of yesteryear is being lost....and I felt this was a great find..All the numbers on this CD are great and one especially beautiful one is the Hymn to the Evening Star from Tannhauser...simply beautiful
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Escape Through Opera
Luciano Pavarotti , Jane Eaglen , Plácido Domingo , Karita Mattila , Inva Mula , Bo Skovhus , Renata Scotto , Denyce Graves , Eve Queler , Richard Tucker , Anne-Marie Owens , Andrea Rost , Kwangchul Youn , Frederica von Stade , Kiri Te Kanawa , Ileana Cotrubas , Leopold Stokowski , and Ying Huang
Manufacturer: Sony
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ASIN: B00005A8I6
Release Date: 2001-03-06 |
Tracks:
- La Traviata: Prld To Act 1 - Columbia Symphony Orchestra
- Gianni Schicchi: 'O Mio Babbino Caro' - London Symphony Orchestra
- Tosca: 'E Lucevan Le Stelle' - Placido Domingo
- Turandot: 'Signore, Ascolta' - Ying Huang
- Carmen: Habanera - Rise Stevens
- The Mariage Of Figaro: 'Sull' Aria... Che Soave Zeffiretto' - Karita Mattila/Marie McLaughlin
- La Rondine: 'Chi Il Bel Sogno Di Doretta' - Renata Scotto
- Cavalleria Rusticana: Intermezzo - LSO/John Georgiadis
- Tosca: 'Vissi D'arte' - Kiri Te Kanawa
- Aida: 'Celeste Aida' - Richard Tucker
- Martha: 'M'appari Tutt'amor' - Richard Tucker
- Prince Igor: Polovtsian Dances - Toronto Mendelssohn Choir
- Hansel And Gretel: Children's Prayer - Ileana Cotrubas/Frederica von Stade/Children's Chor Of the Cologne Opr
- Madama Butterfly: Humming Chorus - Ambrosian Opr Chor
- L'elisir D'amore: 'Una Furtiva Lagrima' - Marcelo Alvarez
- Thais: Meditation - Teiko Maehashi
- Carmen: Flower Song - Richard Tucker
- Tales Of Hoffman: Barcarolle - New York Philharmonic
- La Boheme: 'Si, Mi Chiamano Mimi' - Ileana Cotrubas
- Faust: 'Avant De Quitter Ces Lieux' - Bo Skovhus
- Fedora: 'Amor Ti Vieta' - Luciano Pavorotti
- L'elisir D'amore: 'Prendi, Per Me Sei Libero' - Andrea Rost
Tracks:
- Xerxes: 'Ombra Mai Fu' - Carolyn Watkinson
- Don Giovanni: 'La Ci Darem La Mano' - Kwangchul Youn/Inva Mula-Tchako
- Rinaldo: 'Lascia Ch'io Pianga' - Ileana Cotrubas
- Orfeo And Euridice: Dance Of The Blessed Spirits - The Philadelphia Orch/Eugene Ormandy
- The Marriage Of Figaro: 'Porgi, Amor...' - Karita Mattila
- The Pearl Fishers: 'Je Crois Entendre Encore' - Richard Tucker
- Carmen: Intermezzo - Natl Phil Orch/Leopold Stokowski
- La Wally: 'Ebben? Ne Andro Lontana' - Renata Scotto
- Manon: 'Adieu, Notre Petite Table' - Bidu Sayao
- Edgar: 'Addio, Mio Dolce Amor!' - Renata Scotto
- Mignon: 'Connais-tu Le Pays' - Frederica Von Stade
- Samson Et Dalila: 'Mon Coeur S'ouvre A Ta Voix' - Placido Domingo/Denyce Graves
- Madama Butterfly: 'Un Bel Di' - Kiri Te Kanawa
- Bianca E Fernando: 'Sorgi, O Padre, E La Figlia Rimira' - Jane Eaglen/Anne-Marie Owens
- Louise: 'Depuis Le Jour' - Ileana Cotrubas
- Tannhauser: 'Wie Todesahnung Dammrung Deckt Die Lande... O Du, Mein Holder Abendstern' - Bo Skovhus
- Turandot: 'Nessun Dorma' - Luciano Pavarotti
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Favorite French Excerpts
Manufacturer: Opera D'oro
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ASIN: B0000A1HO1
Release Date: 2003-07-01 |
Tracks:
- Pres Des Remparts De Seville (Seguidille) - Rosa Ponselle
- Les Tringles Des Sistres Tintaient - Emmy Destinn
- Votre Toast (Toreador Song) - Lawrence Tibbett
- La Fleur Que Tu M'Avais Jetee (Flower Song) - Enrico Caruso
- Je Dis Que Rien Me N'Epouvante - Claudia Muzio
- Rachel, Quand Du Seigneur - Enrico Caruso
- Depuis Le Jour - Grace Moore
- Vainement, Ma Bien Aimee (Aubade) - Edmond Clement
- Ou Va La Jeune Hindoue (Bell Song) - Lily Pons
- O Casto Fior (O Chaste Fleur) - Riccardo Stacciari
- Egli E Bel (Il Est Doux, Il Est Bon) - Claudia Muzio
- Instant Charmant...En Fermant Les Yeux - Jussi Bjorling
- Ah! Dispar Vision (Ah! Fuyez, Douce Image) - Tito Schipa
- Je Viens Celebrer La Victoire - Louise Homer
- Mon Coeur S'Ouvre A Ta Voix - Wanda Werminska
- A Vos Jeux, Mes Amis (Mad Scene) - Nellie Melba
- Mi Par D'Udir Ancora (Je Crois Entendre Encore) - John McCormack
- Au Fond Du Temple Saint - Marcel Journet
Tracks:
- Ah! Leve-Toi, Soleil - Jussi Bjorling
- Je Veux Vivre Dans Ce Reve (Juliet's Waltz Song) - Amelita Galli-Curci
- Que Fais-Tu Blanche Tourtourelle? - Elisaveta Petrenko
- Valse Infernale - Juste Nivette
- O Paradiso (O Paradis) - Beniamino Gigli
- Piff! Paff! - Paul Aumonier
- Au Mont Ida - Jussi Bjorling
- Legend Of Kleinzach - Richard Tauber
- Les Oiseaux Dans La Charmille (Doll's Song) - Lily Pons
- Ah! Non Credevi Tu (Elle Ne Croyait Pas) - Giuseppe Di Stefano
- Je Suis Titania - Lily Pons
- Addio Mignon (Adieu, Mignon) - Ferruccio Tagliavini
- Pourquoi Me Reveiller - Giovanni Martinelli
- Ah! Tout Es Bien Fini...O Souverain - Enrico Caruso
- O Sainte Medaille...Avant De Quitter Ces Lieux - Lawrence Tibbett
- Le Veau D'Or - Pol Plancon
- Salut! Demeure Chaste Et Pure - Jussi Bjorling
- Ah! Je Ris De Me Voir (Jewel Song) - Nellie Melba
- Vous Qui Faites L'Endormie - Feodor Chaliapin
- All'Erta, All'Erta - Gina Cigna
- Sous Les Pieds - Ezio Pinza
Average customer rating:
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Fischer-Dieskau Edition (Box Set)
Manufacturer: Deutsche Grammophon
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ASIN: B00004SC5S
Release Date: 2000-06-13 |
Tracks:
- Winterreise: Gute Nacht - Franz Schubert
- Winterreise: Die Wetterfahne - Franz Schubert
- Winterreise: Gefrorene Trn - Franz Schubert
- Winterreise: Erstarrung - Franz Schubert
- Winterreise: Der Lindenbaum - Franz Schubert
- Winterreise: Wasserflut - Franz Schubert
- Winterreise: Auf dem Flusse - Franz Schubert
- Winterreise: Rck - Franz Schubert
- Winterreise: Irrlicht - Franz Schubert
- Winterreise: Rast - Franz Schubert
- Winterreise: Frstraum - Franz Schubert
- Winterreise: Einsamkeit - Franz Schubert
- Winterreise: Die Post - Franz Schubert
- Winterreise: Der greise Kopf - Franz Schubert
- Winterreise: Die Kr - Franz Schubert
- Winterreise: Letzte Hoffnung - Franz Schubert
- Winterreise: Im Dorfe - Franz Schubert
- Winterreise: Der sthe Morgen - Franz Schubert
- Winterreise: Tchung - Franz Schubert
- Winterreise: Der Wegweiser - Franz Schubert
- Winterreise: Das Wirtshaus - Franz Schubert
- Winterreise: Mut! - Franz Schubert
- Winterreise: Die Nebensonnen - Franz Schubert
- Winterreise: Der Leiermann - Franz Schubert
Tracks:
- Die schone Mullerin: Das Wandern
- Die schone Mullerin: Wohin?
- Die schone Mullerin: Halt!
- Die schone Mullerin: Danksagung an den Bach
- Die schone Mullerin: Am Feierabend
- Die schone Mullerin: Der Neugierige
- Die schone Mullerin: Ungeduld
- Die schone Mullerin: Morgengruss
- Die schone Mullerin: Des Mullers Blumen
- Die schone Mullerin: Tranenregen
- Die schone Mullerin: Mein!
- Die schone Mullerin: Pause
- Die schone Mullerin: Mit dem grunen Lautebande
- Die schone Mullerin: Der Jager
- Die schone Mullerin: Eifersucht und Stolz
- Die schone Mullerin: Die liebe Farbe
- Die schone Mullerin: Die bose Farbe
- Die schone Mullerin: Trockne Blumen
- Die schone Mullerin: Der Muller und der Bach
- Die schone Mullerin: Des Baches Wiegenlied
- 4 Lieder: Nacht und Traume D 827
- 4 Lieder: Standchen
- 4 Lieder: Du bist die Ruh
- 4 Lieder: Erlkonig
Tracks:
- Schwanengesang: Liebesbotschaft
- Schwanengesang: Kriegers Ahnung
- Schwanengesang: Fruhlingssehnsucht
- Schwanengesang: Standchen
- Schwanengesang: Aufenthalt
- Schwanengesang: In der Ferne
- Schwanengesang: Abschied
- Schwanengesang: Der Atlas
- Schwanengesang: Ihr Bild
- Schwanengesang: Das Fischermadchen
- Schwanengesang: Die Stadt
- Schwanengesang: Am Meer
- Schwanengesang: Der Doppelganger
- Schwanengesang: Die Taubenpost
- 9 Lieder: Vollendung
- 9 Lieder: Die Erde
- 9 Lieder: An die Musik
- 9 Lieder: An Silvia
- 9 Lieder: Heideroslein
- 9 Lieder: Im Abendrot
- 9 Lieder: Der Musensohn
- 9 Lieder: Die Forelle
- 9 Lieder: Der Tod und das Madchen
Tracks:
- An die Leier
- Philoktet
- Memnon
- Fahrt zum Hades
- Lied des Orpheus, als er in die Holle ging
- Orest auf Tauris
- Der entsuhnte Orest
- Fragment aus dem Aeschylus
- Der zurnenden Diana
- Lied eines Schiffers an die Dioskuren
- Heliopolis I
- Freiwilliges Versinken
- Das Weinen
- Schiffers Scheidelied
- Der Kreuzzug
- Vor meiner Wiege
- Fruhlingslied
- Jagers Liebeslied
Tracks:
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Im wunderschonen Monat Mai
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Aus meinen Tranen spriessen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Die Rose, die Lilie, die Taube, die Sonne
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Wenn ich in deine
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ich will meine Seele tauchen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Im Rhein, im schonen Strome
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ich grolle nicht
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Und wussten's die blumen die kleinen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Das ist ein Floten und Geigen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Hor ich das Liedchen kiligen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ein Jungling liebt ein Madchen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Am leuchteden Sommermorgen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ich hab im Traum geweinet
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Allnachtilch im Traume
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Aus alten Marchen winkt es
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Die alten bosen Lieder
- 12 Gedichte Op. 35 Justinus Kerner: Lust der Sturmnacht
- 12 Gedichte Op. 35 Justinus Kerner: Stirb, Lieb und Freud
- 12 Gedichte Op. 35 Justinus Kerner: Wanderlied
- 12 Gedichte Op. 35 Justinus Kerner: Erstes Grun
- 12 Gedichte Op. 35 Justinus Kerner: Sehsucht nach der Waldgagend
- 12 Gedichte Op. 35 Justinus Kerner: Auf das Trinkglas einet verstorbenen Fredes
- 12 Gedichte Op. 35 Justinus Kerner: Wandrung
- 12 Gedichte Op. 35 Justinus Kerner: Stille Liebe
- 12 Gedichte Op. 35 Justinus Kerner: Frage
- 12 Gedichte Op. 35 Justinus Kerner: Stille Tranen
- 12 Gedichte Op. 35 Justinus Kerner: Wer machete dich so krank?
- 12 Gedichte Op. 35 Justinus Kerner: Alte Laute
- 7 Lieder: Freisinn
- 7 Lieder: Schneeglockchen
- 7 Lieder: Standchen
- 7 Lieder: Laute di menien
- 7 Lieder: Des sennen Abschied
- 7 Lieder: Des sennen Abschied
- 7 Lieder: Talismane
Tracks:
- Liederkreis Op 24: Morgens steh ich auf und frage
- Liederkreis Op 24: Es treibt mich hin
- Liederkreis Op 24: Ich wandelte unter den baumen
- Liederkreis Op 24: Lieb liebchen
- Liederkreis Op 24: Schone Wiege meiner leiden
- Liederkreis Op 24: Warte, warte, wilder Schiffmann
- Liederkreis Op 24: Berg' undBurgen schaun herunter
- Liederkreis Op 24: Anfangs wolt ich fast verzagen
- Liederkreis Op 24: Mit Myrten und rosen
- 11 Lieder: Der Kontrabandiste
- 11 Lieder: Zigeunerliedchen I
- 11 Lieder: Zigeunerliedchen II
- 11 Lieder: Tief im Herzen
- 11 Lieder: Melancholie
- 11 Lieder: Sehnsucht
- 11 Lieder: Gestandnis
- 11 Lieder: O wie lieblich
- 11 Lieder: Weh, wie zornig
- 11 Lieder: Der Hidalgo
- 11 Lieder: Romanze
- Myrten op. 25: Widmung
- Myrten op. 25: Der Nussbaum
- Myrten op. 25: Lied aus dem Schenkenbuch I
- Myrten op. 25: Lied aus dem Schenkenbuch II
- Myrten op. 25: Die Lotosblume
- Myrten op. 25: Du bist wie eine Blume
- Myrten op. 25: Auden hebraischen Geangen
- Myrten op. 25: Du bist wie eine Blume
- Myrten op. 25: Zum Schluss
- 5 Lieder: Die feindlichen Bruder
- 5 Lieder: Abends am Strand
- 5 Lieder: Die beiden Grenadiere
- 5 Lieder: Mein schoner Stern
- 5 Lieder: Wein Wagen
Tracks:
- An die ferne Geliebte, op.98: Auf dem Huegel sitz ich, spaehend - Ludwig Van Beethoven
- Wo die Berge so blau - Ludwig Van Beethoven
- Beethoven: Leichte Segler in den Hoehen - Ludwig Van Beethoven
- Diese Wolken in den Hoehen - Ludwig Van Beethoven
- Es kehret der Maien, es bluehet die Au - Ludwig Van Beethoven
- Nimm sie hin denn, diese Lieder - Ludwig Van Beethoven
- Lieder: Adelaide, op.46 - Ludwig Van Beethoven
- Ich liebe dich, so wie du mich, WoO 123 - Ludwig Van Beethoven
- L'amante impaziente, op.82-3 - Ludwig Van Beethoven
- L'amante impaziente, op.82-4 - Ludwig Van Beethoven
- Ariette (Der Kuss), op.128 - Ludwig Van Beethoven
- In questa tomba oscura, WoO 133 - Ludwig Van Beethoven
- Die Ehre Gottes aus der Natur, op.48-4 - Ludwig Van Beethoven
- Maigesang, op.52-4 - Ludwig Van Beethoven
- Marmotte, op.52-7 - Ludwig Van Beethoven
- Seufzer eines Ungeliebten-Gegeliebe, WoO 118 - Ludwig Van Beethoven
- Andenken, WoO 136 - Ludwig Van Beethoven
- Der Wachtelschlag, WoO 129 - Ludwig Van Beethoven
- Aus Goethes Faust (Mephistos Flohlied), op.75-3 - Ludwig Van Beethoven
- 3 Gesaenge, op.83: I. Wonne der Wehmut - Ludwig Van Beethoven
- II. Sehnsucht - Ludwig Van Beethoven
- III. Mit einem gemalten Band - Ludwig Van Beethoven
- An die Hoffnung, op.94 - Ludwig Van Beethoven
- Lied aus der Ferne, WoO 137 - Ludwig Van Beethoven
- Der Juengling in der Fremde, WoO 138 - Ludwig Van Beethoven
- Der Liebende, WoO 139 - Ludwig Van Beethoven
- Abendlied unterm gestirnten Himmel, WoO 150 - Ludwig Van Beethoven
Tracks:
- Es muss ein Wunderbares sein
- Benedetto sia 'l giorno
- Pace non trovo
- I' vidi in terra angelici costumi
- Oh, quad je dors S282
- die drei zigeuner
- Die vatergruft
- Der alpen jager
- Blume und Duft
- Vergiftet sind meine Lieder
- Tristesse
- Ihr Glocken von Marling
- Hohe Liebe
- O lieb, so lang du lieben kannst
- Im Rhein, im schonen Strome
- Ein Fichtenbaum steht einsam
- Morgens steh ich auf und frage
- der traurige Monch
Tracks:
- Denn es gehet dem Menschen wie dem Vieh
- Ich wandte mich und sahe an alle
- O Tod, wie bitter bist du
- Wenn ich mit Menschen - und mit Engelszungen redete
- Sommerabend
- Mondenschein
- Es liebt sich so lieblich im Lenze
- Meerfahrt
- Es schauen die blumen
- Der Tod, das ist die kuhle Nacht
- Mit vierzig Jahren
- Steig auf , geliebter Schatten
- Mein Herz ist schwer
- Kein Haus, keine Heimat
- Herbstgefuhl
- Alte Liebe
- Abenddammerung
- Heimweh II
- Auf dem Kirchhofe
- Verzagen
- Regenlied
- Nachklang
- Fruhlingslied
- Auf dem See
- Feldeinsamkeit
Tracks:
- Hugo Wolf: In der FrHugo Wolf
- Hugo Wolf: Fussreise - Hugo Wolf
- Hugo Wolf: Neue Liebe - Hugo Wolf
- Hugo Wolf: Der Feuerreiter - Hugo Wolf
- Hugo Wolf: Jrlied - Hugo Wolf
- Hugo Wolf: Storchenbotschaft - Hugo Wolf
- Hugo Wolf: Verborgenheit - Hugo Wolf
- Hugo Wolf: Verborgenheit - Hugo Wolf
- Hugo Wolf: Im Fr - Hugo Wolf
- Hugo Wolf: Auf einer Wanderung - Hugo Wolf
- Hugo Wolf: An die Geliebte - Hugo Wolf
- Hugo Wolf: Peregrina I - Hugo Wolf
- Hugo Wolf: Peregrina II - Hugo Wolf
- Hugo Wolf: Lebewohl - Hugo Wolf
- Hugo Wolf: Begegnung - Hugo Wolf
- Hugo Wolf: Der Jr - Hugo Wolf
- Hugo Wolf: Bei einer Trauung - Hugo Wolf
- Hugo Wolf: Abschied - Hugo Wolf
Tracks:
- Es war einmal ein Bock
- Einst kam der Bock als Bote
- Es liebte einst ein Has
- Drei Masken sah ich am Himmel stehn
- Hast du ein Tongedicht vollbracht
- O lieber Kunstler, sei ermanhnt
- Unser Feind ist, gober Gott
- Von Handlern wird die Kunst bedroht
- Es war mal eine Wanze
- Die Kunstler sind die Schopfer
- Die Handler und die Marcher
- O Schropferschwarm, o Handlerkreis
- Gefunden
- Das Roseband
- Einerlei
- Winterweihe
- Stiller Gang
- Der Arbeitsmann
- Blindenklage
- Heimkehr
- Wer wird von der Welt Verlangen
- Hab ich euch denn je geraten
- Wanderers Gemutsruhe
Tracks:
- Aeolsharfe
- Winterahnung
- Traum durch die Dammerung
- Nelken
- Flieder
- Minnelied
- Der Himmel Hat eine Trane Geweint
- Waldeinsamkeit
- Schlecht Wetter
- Gluckes genug
- Einsamkeit
- Gottes Segen
- Das sterbende Kind
- Ein Drangen
- Trost
- Heimat
- Ihr, ihr Herrlichen!
- Der zerrissne Grabkranz
- Das Blatt im Buche
- Im April
- Brablied
- Sie haben heut Abend Gesellschaft
- In Danzig
- Eingelegte Ruder
- Saerspruch
- Hussens Kerker
- Zorn
- An die Mark
- Zum Abschied meiner Tochter
- Tragische Geschichte
- Sonett Nach Petrarca
Tracks:
- Ein Tagewerk I
- Ein Tagewerk II
- Fruhgesicht
- Reisefantasie
- Das Ende des Festes
- Nachruf
- Jugendgedenken
- Peregrina II
- Auf ein Kind
- Dammrung senkte sich
- Ach, wie schon
- Nachklang
- Hore den Rat
- Venezianisches Epigramm
- Jetzt rede du
- Auskunft
- Aus zwei Talern
- Kennst du das auch?
- Ravenna I
- Das Ziel
- Keine Rast
- Kindheit
- Im Kreuzgang von Santo Stefano
- Nachtgefuhl
- Magie der Farben
- Verwelkende Rosen
- Abends
- Mittag im September
- Blauer Schmetterling
- Pfeifen
- Sommernacht
- Fur Ninon
- Verganglichkeit
Tracks:
- Ballade de Villon a s'amye
- Ballade que Villon feit a la requeste de sa mere pour prier nostre Dame
- Ballade des femmes de Paris
- Nahandove
- Aoua!
- II est doux
- Chanson de la mariee
- La-bas, vers l'eglise
- Quel galant m'est comparable
- Chanson des cueilleuses de lentisques
- Tout gai!
- Chanson romanesque
- Chanson epique
- Chanson a borie
- At The River
- Elegie
- Anne Street
- A Chirstmas Caro
- From 'The Swimmers'
- West London (A Sonnet)
- A Farewell To Land
- Abide With Me
- Where the eagle
- Disclosure
- The White Gulls
- The Children's Hour
- Two Little Flowers (And Dedicated To Them)
- Autumn
- Tom Sails Away
- Ich Grolle nicht
- Feldeinsamkeit
- Weil' auf mir
- In Flanders Fields
Tracks:
- Phantasie aus Don Juan
- Ablosung im Sommer
- Selbstgefuhl
- Des Antonius von Padua Fischpredigt
- Zu Strabburg auf der Schanz
- Booh, Wie Ist Die Barmhezigkeit des herrn
- Willst du Gottes Diener sein
- Alles, was aus der Erde kommt
- Tod, wie bitter bist du
- Lied des Mephistopheles
- Zigeunerlied
- Schlechter Trost
- Lied des Mephistopheles
- Liederseelen
- Alle
- Der Gesang des Meeres
- In einer Sturmanacht (Nikodemus)
- Nun die Schatten dunkeln
- Wonne der Wehmut
- Aus den Himmelsaugen
- Musikantegrub
- Der juge Ehemann
- Der Soldat
- Uomo del mio tempo
- Con una fronda di mirto
Tracks:
- 1. Wenn mein Schatz Hochzeit macht
- 2. Ging heut morgen uebers Feld
- 3. Ich hab ein gluehend Messer
- 4. Die zwei blauen Augen
- 1. Um Mitternacht
- 2. Ich atmet' einen Linden Duft
- 3. Blicke mir nicht in die Lieder
- 4. Ich bin der Welt abhanden gekommen
- 1. Nun will die Sonn' so hell aufgehn
- 2. Nun seh ich wohl, warum so dunkle Flammen
- 3. Wenn dein Mutterlein
- 4. Oft denk ich, sie sind nur ausgegangen
- 5. In diesem Wetter, in diesem Braus
Tracks:
- Ich will den kreuzstab gerne tragen: Arie
- Ich will den kreuzstab gerne tragen: Rezitativ
- Ich will den kreuzstab gerne tragen: Choral
- Ich will den kreuzstab gerne tragen: Arie
- Ich will den kreuzstab gerne tragen: Rezitativ
- Ich habe Genug: Arie
- Ich habe Genug: Rezitativ
- Ich habe Genug: Arie
- Ich habe Genug: Rezitativ
- Ich habe Genug: Arie
- Ich bin eine blum zu saron: Arie
- Ich bin eine blum zu saron: Arie
- Ich bin eine blum zu saron: Arie
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Arie
- Ich suchte des nachts: Arie
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Arie
- Ich suchte des nachts: Duett
Tracks:
- Hir ist sas rechte Osterlamm
- Gerne will ich mich bequemen
- gebt mir meine jesum wiender
- Mache dich, mein herz, rein
- Et in Spiritum Sanctum
- Achzen und erbarmlich weinen
- Duett - Wann kommst du, mein heil
- O Memory! Still Bitter To My Soul-Opprest WIth Never - Casting Greif
- Aus der Tiefe rufe ich
- Aus tiefer Not schrei ich zu dir
- Meine Hande ringen sich
- Jedennoch bleib ich stets an dir
- Aus der Tiefe rufe ich
- Duett - Holde Gattin, dir zur Seite
- Solo & Chor - Herr, lehre doch mich
Tracks:
- Frondi tenere e belle - Ombra mai fu
- Cara pianta
- Presti omai l'Egizia terra
- Non e si vago e bello
- Che faro senza Euridice
- Udite, tutti udite
- Io deggio ad ogni patto
- Finch'han dal vino
-
Deh, vieni alla finestra
- Hai gia vinta la causa
- Vedro, mentr'io sospiro
- Der Vogelfanger bin ich ja
- Ein Madchen oder Weibchen
- Ha! Welch ein Augenblick!
- Wie Todesahnung Damm'rung - O du, mein holder Abenstern
- Was duftet doch der Flieder
- Wahn! Wahn!
- Zur Burg fuhrt die Brucke - Abendlich strahlt der Sonne Auge
Tracks:
- Botre toast... je peux vous le renre
- avant de quitter ces lieux
- L'orage s'est calme
- Resta immobile
- Morir! ... Tremenda cosa!
- Di Provenz il mar
- Nemico della patria?!
- Si puo? Signore!
- Povero Rigoletto!
- Cortigiani, vil razza dannata
- Brav, alter Hans
- Lebt wohl ihr suben studen
Tracks:
- Schlafst oder wachst du?
- Heimkehr
- Maggy Lauder
- Dort, wo durchs ried
- Fileb leise, mein bachlein
- Horch auf, mein liebchen
- Da brava, Cantina
- O kostliche Zeit
- Trinklied
- Der treue Johnie
- Kommt, schliebt mir einen forhen Kreis
- Once more I Hail Thee
- Sunset
- Put Round The Bright Wine
- Could Ill World
- Could Ill Be fate
- Oh, Had My Fate
- The Return Of Ulster
- Ein entmutigter liebender
- Ein begluckter Liebender
- Bewuderug
- Gluhende Liebe
- Trinklied
- Weine, weine, weine nur nicht
Customer Reviews:
The Mastersinger.......2000-06-24
If the second half of the 20th Century has musical signs, they must include that phenomenal German singer Dietrich Fischer-Dieskau who dominated the recital and concert halls, the opera stages and the recording studios in a way no other artist has done it, except maybe Leonard Bernstein. In celebration of this great artist's 75th birthday we have here a set which includes the gems of his lieder repertoire, starting with those great Schubert cycles in their most vivid performances. Just listen to those early renditions of the Schone Mullerin or with Jorg Demus, or to Schuman's Dichterliebe cycle (with the same pianist). And you shall not miss the artistry of this most sensitive voice in full volume of Mahler lieder with piano and orchestral songs. And what about the Morike lieder by Hugo Wolf? Well, you shall probably wonder at that special cooperation between the singer and the Russian pianist Svitoslav Richter. It is a performance of lifetime, and so it is with the Wintereise of Schubert with Barnboim at the piano. Those who know the artistry of Fischer-Dieskau and even those who have already other recordings of those great works will not regret having this special set. For the newcomers to this great artist there will be a lot to discover, The music itself, sure, but mainly the art of interpratation. In this alone Dietrich Fischer-Dieskau shine high and above all other singers.
Average customer rating:
- Excellent Pop-Rock
- It's NOT the Gin Blossoms
- A GREAT CD!
- CLASSIC ROBIN!! NOW, DON"T FORGET THE POPPIN WHEELIES!!
- FBTBB Rocks! 5 Stars!!
|
From Beyond the Back Burner
Gas Giants
Manufacturer: Atomic Pop
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Pop Rock
| Pop
| Indie Music
| Stores
| Music
Similar Items:
- Major Lodge Victory
- Gas Giants
- Dusted
- Up & Crumbling
- Northey Valenzuela
ASIN: B000021XVT
Release Date: 1999-09-28 |
Tracks:
- Now The Change
- I Hope My Kids Like Marilyn Manson
- In Between Two Worlds
- Stinking Up The Charts
- Whose Side Are You On
- Circus Of Stars
- Quitter
- Useless
- Letter
- Going Down
- Like It Or Not
- Tonight Won't Let Me Wander
- You're Absolutely
Customer Reviews:
Excellent Pop-Rock.......2007-02-25
This is Robin and Phil (singer and drummer) from the Gin Blossoms' post-Blossoms effort. This CD came out in '99, and I was a little late getting it, but I'm a huge Gin Blossoms fan, and this does not dissapoint. Pretty similar to the Blossoms last record, perhaps a little more aggressive? Anyways, near perfect pop-rock. Don't player hate, get this.
It's NOT the Gin Blossoms.......2004-11-12
This wasn't what I expected coming from 2 of the members of the Gin Blossoms. Actually, I heard that the other member of the Gas Giants was a member of the Gin Blossoms way back in the day. Anyway... the Gin Blossoms put out incredible albums. Generally, there aren't many bad tunes on their cds. But the Gas Giants couldn't pull that off. "I hope my kids like Marylin Manson" and "Quitter" are really good songs. But the rest of the album is average at best. It was sort of a filler during the time when the Gin Blossoms had broken up. Hearing Robin's voice and Phil's beats was great but it lacked Bill's bass lines. But hey, they're not supposed to be the Gin Blossoms so I'll cut them some slack.
As a side note.. what the heck is with the name "Gas Giants" anyway????????????
A GREAT CD!.......2004-07-11
Many of these previous reviews hit it on the nail. ROBIN has a wonderful voice and makes this project, POPPIN' WHEELIES and now recording with the GIN BLOSSOMS again....reason to BUY this and the other ROBIN WILSON CDs! A CLASS act!
CLASSIC ROBIN!! NOW, DON"T FORGET THE POPPIN WHEELIES!!.......2003-09-19
Always been a Robin Wilson fan, as it seems he was the focal point of both the much-loved Gin Blossoms and his followup band here, the Gas Giants. His vocal style is just CLASSIC powerpop, and here, Robin is in VERY fine form. I just love the Gin Blossoms records, and their mix of great Big Star-ish powerpop, jangly REM/Byrds riffs, and a drop of alt-country for flavour.
Now, I love harder-edged powerpop too, like Cheap Trick, and here, on this flat-out FANTASTIC Gas Giants record, Robin and his pals seem to merge Robin's trademark vocal stylings of his Gin Blossoms days, with more of a Cheap Trick-ish setting, and it totally works. It's like the Gin Blossoms live attack but in the studio. And the reason it works is cuz of Robin's spot-on powerpop songwriting and pure passionate yet understated vocals, plus their sense of fun. Robin is just great and he seems to not be able to do any wrong moves, classic!!
There are at LEAST 3 classic tunes here: "In Between Two Worlds", "Quitter" and "Tonight Won't Let Me Wander", and all the others are almost in the same excellent realm. I also rally dig "Circus Of Stars" and the way it changes form mid-song without losing any melody or momentum, quite inventive really, even genius.
Now, here's a tip: there IS a SECOND Gas Giants record out, but not under that name, but the POPPIN WHEELIES!! They sell it here on Amazon.com, but no one seems to know about it here, and that's a shame, because it's CLASSIC ROBIN (Dan and Phil AND Scotty Johnson are on there too)!! It's Robin + his pals doing a Gorillaz-like project, aka a CARTOON, but it's still the same voice and style, like classic Gin Blossoms, the Gas Giants edge, just more powerpop sugar piled on, a VERY good thing. It was produced by Robin, most of the tunes WRITTEN by Robin, along with 3 Tommy Keene covers (attention powerpop enthusiasts), including a killer "Places That Are Gone"!! Imagine ROBIN WILSON SINGING "PLACES THAT ARE GONE" (with Scotty Johnson on lead guitar), and believe me, it's as drop-dead amazing as you would imagine. TOTALLY cool!! Sooo, order this Gas Giants record AND the Poppin Wheelies CD (and Jesse's solo record, "Tunes Young People Will Enjoy"), and you are set!!
Robin rules, what can I say?? Helluva nice guy too...
FBTBB Rocks! 5 Stars!!.......2001-02-21
As a longtime fan of Gin Blossoms and Robin Wilson, I bought the CD as soon as it came out. I LOVE it! I think it has a great diversity of styles; a cool mix. Great rockers, classic pop tunes, everything a music lover can want. Robin's impeccible vocal style is in fine form. I give FBTBB 5 stars!
Average customer rating:
- A good collection
- A Musician of Great Dignity and Style
- Passed the "Opera in English" test with flying colors.
|
Great Operatic Arias
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Britten
| Britten, Sir Benjamin
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
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| Classical
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| Music
Korngold, Erich Wolfgang
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Lehár, Franz
| ( L )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
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Strauss Jr., Johann
| ( S )
| Featured Composers, A-Z
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All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
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All Works by Thomas
| Thomas, Ambroise
| ( T )
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
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All Works by Wagner
| Wagner, Richard
| ( W )
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All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
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General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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General
| Korngold, Erich Wolfgang
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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Allen, Thomas
| ( A )
| Featured Performers, A-Z
| Classical
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London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
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| Classical
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Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
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Modern & 20th Century
| Historical Periods
| Opera & Vocal
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Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
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| Music
General
| Arias
| Opera & Vocal
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General
| Opera & Vocal
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English
| Languages
| Opera & Vocal
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French
| Languages
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German
| Languages
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Italian
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Similar Items:
- A Treasury of English Song
- Songs My Father Taught Me
- More Songs My Father Taught Me
- On the Idle Hill of Summer: Song Cycles & Songs by Vaughan Williams, Butterworth, Quilter, Peel
- Great Baritone Arias
ASIN: B0006SGF1Y
Release Date: 2005-02-22 |
Tracks:
- 'Even Bravest Heart My Swell'
- 'I Am The Barber Everyone Wants, I Am!
- 'Must I Be Made To Suffer'
- 'Look Down, Oh Gentle Evening Star'
- 'You Have My Love And My Devotion
- 'Oh Wine, Deliver Me From Sadness' - Geoffrey Mitchell Choir
- 'Marriage Is Sacred' - I Was Right To Be So Suspicious'
- 'Turning My Gaze Upon This Proud Assembly'
- 'O Nadir, Best Of Friends'
- Billy In The Darbies
- 'Though I'm Somewhat Out Of Practice' - Janice Watson
- 'Hello, Here's A Soldier Bold' - Janice Watson
- 'I Wonder What He'll Think Of Me!'
- 'In Visions, Illusions'
Customer Reviews:
A good collection.......2007-05-14
Unlike the huge names, collections by Allen are not many - plenty of his opera performances are recorded, but there are only a few collections. My voice teacher recommended I listen to him to understand better how to deliver power without weight, something we've been working on. Yes, it's all in English, but that's fine, and the quality of Allen's instrument comes through very well.
A Musician of Great Dignity and Style.......2005-07-27
Sir Thomas Allen is one of the enduring baritones who has been able to move throughout the operatic repertoire and the recital stage with intelligence, informed characterization, and immaculate musicianship. To have a recording of some of the roles he has inhabited at this point in his career is a gift (this CD was recorded in 2003). To have the added challenge of retaining the stature of the roles while sung in English translations at the request of Chandos is a credit to his abilities and communicative powers.
English is a difficult language to make musical, though saying that abruptly is countered by the fact that some of the most beautiful operas in history are by Benjamin Britten, a composer who truly understood his native tongue and kept it as fluid as the soaring melodies he wrote, as Thomas Allen proves here in 'Billy in the Darbies' from Britten's 'Billy Budd'. It is the other major arias from Korngold to Wagner to Tchaikovsky to Rossini, Bizet, Mozart, Gounod, Verdi, Thomas, Strauss, and Lehar that Allen proves that English translations do not detract at all from the performances!
For those purists who prefer opera sung in the original language (and for those who don't even need supertitles in the opera house!), then this recording may provide a temporary barrier to respecting Allen's singing. But once caught up in the ease with which he moves from style to style and comedy to drama, it is hard not to relinquish old preferences and not be wholly impressed with the beauty of the voice and the warmth and dignity of this fine musician. Highly recommended. Grady Harp, July 05
Passed the "Opera in English" test with flying colors........2005-07-04
For me, the test here was Figaro's Cavatina, from Rossini's Barber of Seville - sung in English, as is this entire compilation of 14 operatic favorites, sung by baritone Sir Thomas Allen. Could he pull it off? Could Chandos pull it off? The answer is an unequivocal, unqualified yes! The secret in singing classics in English, that were written and scored in another language, is in three things: pacing, vocal agility and appreciation for "fit", and what greater test for tongue and timing than Figaro? When you listen to this one song, you will understand why Chandos and its benefactor, Sir Peter Moores have such a passion for their Opera in English series. Sir Allen's voice is a matured unmistakably settled baritone voice that contains a lifetime's worth of understanding of the music and words he imparts through his magnificent delivery. For example, when he sings, Tchaikovsky's "You have my love and devotion" from The Queen of Spades, he delivers a smooth and deeply emotional rendition that lacks nothing in translation. Wagner's "Turning my gaze upon this proud assembly", from Tannhäuser is another example of how fine, full orchestration behind a seasoned voice that waxes eloquent with every phrase, can create a mood of relaxed familiarity with word and music, that may be lacking when sung in another tongue. Great Operatic Arias, serves up a smorgasbord of tunes that are familiar, made more so by the care and attention given to creating a place for the Opera in English series in every home library. The mood here is romantic, relaxed and with few exceptions consistent throughout. If you haven't heard Opera in English, this might be a good way to start, given the fact that the listener gets to sample how different composers might sound in other than German, Italian or French. You might be surprised to discover that when done with care, as is obviously the case here, the sound is about as good as it gets. As an added bonus, the booklet that comes with the CD is full of pictures, libretto in English, and biography that gives us a good insight into history of the singer and his identifying rolls.
Music:
- Redundant Pt.2 [CD-single]
- Results May Vary [Live]
- Retro
- Rock N Roll Paddy [CD-single]
- Sacred Sacrifice
- Scar The Shell
- Secret Migration [Import]
- SOS
- Sounds of Santa Cruz Volume 1
- Spangle Maker [Import]
Music
music
Music
Scattered, Smothered and Covered
Vivaldi: Concertos for Strings - RV 152, RV 124, RV 155, RV 123, RV 129, RV 120
The Washington Organ Book
Anniemal
Vivaldi: The Meeting
What A Wonderful World
World's Best Messianic
Visions of Light and Mystery
Trucker's Christmas
Vivir
Wanted Man
Trem Bala [Import]
Touch Sampler [Import]
Sexy Ways
100% Azucar!: The Best of Celia Cruz con la Sonora Matancera