Come on Die Young [Import]

Editorial Reviews
Album Description
Japanese reissue of the cosmic post-rock band's 1999 album features 12 tracks packaged in a miniature LP sleeve. Imperial. 2004.

Tracks:

Punk Rock:
Cody
Helps Both Ways
Year 2000 Non-Compliant Cardia
Kappa
Waltz For Aidan
May Nothing But Happiness Come Through Your Door
Oh! How The Dogs Stack Up
Ex-Cowboy
Chocky
Christmas Steps
Punk Rock/Puff Daddy/Antichrist

Amazon.com's Best of 1999

Moody, bombastic, brooding, loping, thunderous, austere, chaotic: heap on the adjectives as the young boys in Mogwai worm their way through a mostly instrumental set of guitar-heavy songscapes tinted with obscure samples and an occasional mumbled voice. Mogwai can transcend the distance between a loopy and delicate melody and a deafening and crashing crescendo in the space of a breath. Come On Die Young is a stunning, utterly original achievement. --Tod Nelson

Amazon.com

Emerging from Scotland's eclectic pop-rock landscape, Mogwai's Come On Die Young is an unsettling daydream of an album that hovers between the austere and chaotic. Reminiscent of albums by such forward-thinking iconoclasts as Sonic Youth and the little-known American band Slint in its slow, dry rhythms and song-to-song flow, Mogwai's is more resourceful than either band's efforts, hurling unusual samples against shifty song structures and layers of brooding guitar wash. Inventive touches replace actual vocals, such as when the jabberings of a play-by-play announcer suddenly take on the quality of dark metaphors in "Helps Both Ways" and long instrumental passages inspire a restless imagery that lyrics never could reach. Yet for all its darker qualities, Come On Die Young is more determined and serious than sinister, employing a ferocity that transcends mere menace and trading impenetrable gloom for a certain shadowy bliss. --Matthew Cooke

Album Description

1999 & second album from the Scottish instrumental gro up who use dynamics and melody to mesmerize the listener. 12 tracks, including 'Punk Rock/ Puff Daddy/ AntiChrist'.

Customer Reviews:

The depth of emptiness.......2006-03-14

This is a downer of an album for most people..When you think about the sparseness of it, the articualtion of it's bleak themes, you don't neccesarily think of it providing endless spine-tingling body waves of pleasure..Whoever argues for pain being a more serving muse for any receptive artist would be quite correct in the case of this album however, as the band plunges deeper and with more subtle intensity then anything before or since..Alot of the songs could be dismissed rather foolishly by the music fan that is looking for the big obvious soft/loud payoffs that mogwai ususally deliver. This album opts to study the fractured mentality of true isolation by it's simplicity in insisting the listener come prepared to savor every single downstroked string..In creating an atmosphere of the most intimate of settings, these guys have created some of their most concise, adept material documenting their introspective side..

post-rock at its finest.......2006-03-08

sometimes it feels ridiculous to give an album 5 stars...i mean, when you consider the vast amounts of talent in music over the centuries it is hard to give a modern rock band 5 stars simply because you love the album. however, this being said i must continue with such a critique...this album is fabulous. if you value the emotion of rock music, without the pop rhetoric so prevalent in music today, this is an album for you. This album boasts warm, dark tones that are both hypnotic and beautiful. this is not an album for someone looking for their next favorite singer...it is instrumental for the most part. if you are looking for a cd that will delight your darker side this album is for you. The closest comparison I could make would be to a band called neurosis...only mogwai is rock, whereas neurosis is more metal-ish; heavier. i realize that this might not help those who are only familiar with more mainstream bands...the most mainstream band one might be able to compare mogwai to is explosions in the sky, who did the soundtrack for "friday night lights"...it's not as lame as it sounds, trust me

GREAT ALBUM. Decent songs........2006-02-14

One of the funny things about this album is that all the things the people say who like it are true...and all the things the people who don't like it say are true.

No, it doesn't have too many great songs. That's why it only gets 4 stars.

HOWEVER, I do not believe that the songs are at all meant to be listened to individually. The structure is FAR stronger in the album as a whole than in any individual song.

In other words: don't buy this album to listen to the songs. Buy it to listen to the album. Taken as a single piece of music, it's simply unbelievable.

An IM conversation I had with a friend about Mogwai.......2005-12-28

fishhtank4: NOOOOOOOO
hatingondisney: come on
fishhtank4: i've already seeeen magwai once
hatingondisney: they are amazing live
hatingondisney: what
fishhtank4: i'm not into them :-(
hatingondisney: you didn't dig them live
hatingondisney: WHAT
fishhtank4: nooooooope
hatingondisney: the loudest band I've seen next to the boredoms
fishhtank4: as a matter of fact..........i (gulp) hated that show :-( sorry absey.
hatingondisney: and at the drive in
hatingondisney: neeahhh
hatingondisney: blasphemy
hatingondisney: their studio is called castle of doom for chrissakes
hatingondisney: CASTLE OF DOOM
hatingondisney: jesus istn' t that cool
hatingondisney: amnd they're scottish
hatingondisney: f***in' scottish
hatingondisney: they werea kilts and drink scotch
hatingondisney: and invented goolf
hatingondisney: aye
fishhtank4: that one song "Stanley Kubrik" has a pretty cool video. But i don't dig their music.
fishhtank4: too mellow...nott much going on.
fishhtank4: too much fuzzy guitar.
fishhtank4: tooooooooo booooooorrrrriiiiiiing :-(I
hatingondisney: that song causes Stanley Kubrick to speak with me
fishhtank4: sooooooorrrrryy
fishhtank4: sorry absey
hatingondisney: yeah but hte noise and the crazy crazy electronic topping of what radiohead do but not as well and as epic almost like an orchestra of noise and harmoniees
hatingondisney: put into arrangements that seem slow to you but are really quite breathtaking
hatingondisney: because they want you to relax
hatingondisney: and spend some time with them
hatingondisney: i shouild write for Spin
fishhtank4: i guuuuuuueeeesssssss

A blip on their radar.......2005-07-14

I hate to think i'm missing something by being in the minority of rating this album so low, but i don't think i'm missing a thing.

Mogwai is among my favorite bands, as i have every available release by them. For some reason, this album just doesn't do much for me whatsoever. It would have been just a good, or better, had they made it a 4 song EP with "punk rock, cody, christmas steps" and maybe one other....but the rest of the songs on here lack any intrigue.

But i'm a big fan of everything else they've released...namely "happy songs, rock action, and ep+2"

I was lucky the day i decided to take home what turned out to be their "Ten Rapid" album from a crate of CD's my college's radio station was throwing out. The CD had no case, and the bands name was not on the disc. I just thought the song title's were interesting along with the UFO on the disc. So i thought "it's free, i'll check it out"...
Luckily it was Mogwai who, because of that random discovery, are now one of my favorite bands. But this is the only album of theirs i would recommend against buying. Everything else by them is good or very good. I'd check out any of the others before getting this one.

From Holland with Love: Waltzes I've Saved for You

Average customer rating:

Simply Breathtaking !
Fantastic!
Pure Viennese Magic!

From Holland with Love: Waltzes I've Saved for You

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

The Vienna I Love, Waltzes From My Heart
Roses from the South
Emperor Waltz
Fiesta
At The Movies

ASIN: B00000411X
Release Date: 1996-03-05

Tracks:

Strauss & Co: A Bright Young Man - Along The Wonderful Blue Danube - Roses From The South - Viennese Blood - Lips Are Sealed ...
During Thunder And Lighting
The Third Man
The Second Waltz
Come On Gypsy
Swallows From Austria
Song Of Vilja
The Life Of Artist
Persian March
The White Horse Inn
Vienna, Vienna Just You
Today Angels Come To Vienna On Holiday
My Mother Was A Viennese
Rose From The South

Customer Reviews:

Simply Breathtaking !.......2000-05-14

I have always been a lover of classical music, but had never been truly introduced to the waltz until my wonderful father sent me this CD. After one time through it...I was in love. The romance...the feeling...the images of days gone by. Ladies in long, flowing gowns, men in black tails and white gloves...swirling around a ballroom floor. It's all right there for you to hear. Just lovely. My personal favorite is Song of Vilja, composed by Lehar. I think this to be the most beautiful piece of music ever written. This collection is a must for any lover of the classics....but for waltz enthusiasts, it is Heaven !

Fantastic!.......1999-12-27

I am a great fan of Andre Rieu and his Orchestra and this in possibly their best. I changd the CD's in the changer in my vehicle about once a week but this one usuallly occupies the honored number one spot for months at a time.

Pure Viennese Magic!.......1999-03-01

A wonderful find for any lover of Viennese music, particularly of the "Silver Era" of operetta. Great renditions of operetta fare by Strauss, Lehar, Kalman, Stolz and Benatzky. Also charming Viennese songs, such as "Die Engeln Kommen auf Urlaub Nach Wien," "Meine Mutterl war eine Weanerin," and other "heuriger" wine garden favorites. The whole thing is a delight!

Average customer rating:

Come on Die Young
Mogwai
Manufacturer: Chemikal Underground
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Experimental Music | Miscellaneous | Styles | Music
ASIN: B000ION6N6
Release Date: 2006-10-31

Tracks:

Punk Rock:
Cody
Helps Both Ways
Year 2000 Non-Compliant Cardia
Kappa
Waltz for Aidan
May Nothing But Happiness Come Through Your Door
Oh! How the Dogs Stack Up
Ex-Cowboy
Chocky
Christmas Steps
Punk Rock/Puff Daddy/Antichrist

Average customer rating:

Haydn: The Seasons

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Handel: Solomon; Love in Bath
Beethoven: Symphonies Nos. 2 & 7; Mass in C
The Complete Decca Reordings of Ataúlfo Argenta, 1953-1957
Prokofiev: Peter & the Wolf
La Boheme

ASIN: B0002XV2ZW
Release Date: 2005-02-15

Tracks:

Overture
Recitative: Oh See Where Cruel Winter Flies
Chorus: Come, Gentle Spring!
Recitative: From Aries Rolls At Last The Bounteous Sun
Air: Now Fairly Runs The Farmer's Boy
Recitative: The Countryman Has His Work Achieved
Trio And Chorus: Be Now GRacious, Smiling Heaven!
Recitative: Now Heard Are All Our Prayers
Trio And Chorus: Oh HOw Lovely Gleams The Outlook
Chorus And Trio: Ageless! Powerful! Bounteous God!
Recitative: IN Dove-Grey Mantle Drawing Near
Air: The LIvely Swain Is Gath'ring Now His Happy Flocks
Recitative: The Rosy Morn Breaks Forth
Trio And Chorus: He's Mounting Up, The Sun
Recitative: Now All Are Astir
Recitative: The Midday Sun Is Burning Now
Cavatina: Opress'd Succumbs All Nature Now
Recitative: Oh Welcome Now, You Shadier Grove
Air: So Reviving To The Senses
Recitative: Oh See! Now Rising In The Sultry Air
Chorus: Hark! The Tempest Drawing Night!
Trio And Chorus: The Gloomy Clouds Now Part Aside

Tracks:

Overture
Recitative: All That Through Her Blossom Fair Spring
Trio And Chorus: So Nature Gives Reward To Zeal
Recitative: Now See! To Hazel Bushes There The Youngsters
Duet: You Beauties Of The Town
Recitative: Now See, On New-Stripp'd Harvest Field
Air: There Look Across The Open Fields
Recitative: Here Beaters, Closing In , Put Up The Hares
Chorus: Hark! The Clamorous Noise That Through The Wood
Recitative: On All The Vines Are Glist'ning
Chorus: Cheer Now! The Wine Is Here
Introduction
Recitative: Now Sinks The Pale Declining Year
Cavatina: Light And Life Are Both Enfeebled
Recitative: Allfetter'd Lies The Open Lake
Air: Here Stands The Wand'rer Now
Recitative: At His Approach Rings In His Ear
Song And Chorus: Purring, Whirring, Purring
Recitative: The Flax Has Now Been Spun
Song And Chorus: A Maid Who Kept Her Honour Fair
Recitative: From Barren East Now Thrust Far Keener Icy Blasts
Air: Before Thee Here, Deluded Man
Recitative: Remains, Alone, And is Our Guide
Trio And Double Chorus: Then Breaks The Glorious Day At Last

Average customer rating:

The Great Voices of the Century, Vol. 2

Manufacturer: Rajon
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Folk | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B0007KUIU0
Release Date: 2005-02-14

Tracks:

Stars Were Brightly Shining (From "Tosca")
Come In The Gondola (From "Night In Venice")
Because
Open Road (From "The Gypsy Baron")
Merry Widow Waltz
Count Your Blessings
All Through The Night
Maidens Of Cadiz
Tristesse
If You Were The Only Girl In The World
Silver Threads Among The Gold
Deep In My Heart, Dear (From "The Student Prince")
Songs My Mother Taught Me
Torna A Surriento
Over The Rainbow (From "The Wizard Of Oz")
Parted
Bachelor Gay (From "Maid Of The Mountains")
Trottin To The Fair
White Wings
Lost Chord
Creed
Drinking Song (From "Merry Wives Of Windsor"
De Glory Road
Ol Man River (From "Showboat")
Changing Of The Guard
Blue Danube
Huguette (From "Vagabond King")
If I Were A Blackbird
ILl Sing A Song Of Love To You
Intermezzo
Panis Angelicus
Berceuse De "Jocelyn"
WeLl Gather Lilacs (From "Perchance To Dream")
Holy City
O For The Wings Of A Dove
Goodnight (From "Cousin From Nowhere")
Believe Me If All Those Endearing Young Charms
Drink To Me Only With Thine Eyes
ChElla Mi Creda Libero ( From "Girl Of The Golden West")
Loves Old Sweet Song
Last Rose Of Summer
River Stay Way From My Door
OSilver Moon (From "Russalka")
La Marseillaise
Nessun Dorma (From "Turandot")
Who Tied The Knot (From "Gypsy Baron")
They Call Me Mimi (From "La Boheme")
Rosary
Song Of India (From "Sadko")
Serenade
My Heart & I (From "Old Chelsea")
Smilin Through
Sanctuary Of The Heart
Vilia (From "Merry Widow")
ILl Take You Home Again, Kathleen
I Love You Truly
Road To The Isles
Eriskay Love Lilt
Vivere
Old Father Thames
Tales From The Vienna Woods
Oriental Prayer (From "Lakme")
My Song Goes Round The World
I Love Thee
On The Road To Mandalay
Wiegenlied (Cradle Song)

Album Description

3 CD set from the Rajon 'Great Series'. 66 tracks. 2005.

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Average customer rating:

Really Great
music fan in southern Virginia
North Hollywood Fan- Jay Pierson is Wonderful
great CD, but ms toppin was NOT on TOP
Terrific!

Ah! Love, But A Day

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

Women of Note ~ Beach, Boulanger, Clarke, Gubaidulina, Larsen, Mendelssohn, Monk, Musgrave, Ran, Zwilich
You Can Tell the World: Songs by African-American Women Composers

ASIN: B00004L8IB
Release Date: 2000-02-22

Tracks: