Moving [CD-single] [Import]

Editorial Reviews
Album Description
The second single from the highly anticipated third album by this top British alternative rock group, 1999's 'Supergrass'. The German edition contains all three of the non-album audio tracks found between the two parts of the U.K. release, but on one disc & for the price of one CD! Backing tracks are 'Believer', 'Faraway' (Acoustic) and 'You Too Can Play Alright'. Slimline jewel case. 1999 release.

Tracks:

Tom Sawyer
Red Barchetta
YYZ
Limelight
The Camera Eye
Witch Hunt
Vital Signs

Amazon.com essential recording

With Moving Pictures, Rush's complex songwriting and musical virtuosity reached new heights. It's that rarest of creatures, a highly listenable progressive-rock album; even the all-instrumental "YYZ" is of interest to listeners besides musicians. The highlight of the album is "Limelight"; like many progressive-rock bands, Rush writes songs about the experience of being on-stage. The result is impressive, with almost orchestral arrangements that never overwhelm the actual music. "Tom Sawyer," another classic, is on this album, as well as the science-fiction-meets-road-movie "Red Barchetta," the epic "The Camera Eye," the cautionary "Witch Hunt," and "Vital Signs," which takes advantage of the budding digital sound technology available at the time the album was recorded. This is probably Rush's best album; it's definitely their most accessible. --Genevieve Williams

Customer Reviews:

NOTHING COMES CLOSE!!!.......2007-07-25

IN TERMS OF RUSH ALBUMS THIS IS THEM AT THEIR PRIME. A NON STOP ROCKER!!
I FIND MYSELF WISHING THEY HAD PUT 10 SONGS ON HERE INSTEAD OF 7. BECAUSE IT'S OVER AND YOU STILL WANT MORE. EVERY CUT GIVES 100% OF THE RUSH EXPERIANCE. THEIR NEXT BEST ALBUM IS "2112". BUT THIS ONE IS HEAD OF THE CLASS.

What a rush.......2007-07-24

I vacillated on this one, between 4 and 5 stars. I went with 4 because the album just kind of falters some in the second half. The first half is spectacular: Tom Sawyer, Limelight and Red Barchetta are all awesome. The Carmera Eye is good but too long. The final tracks on teh CD are solid, but not up to the mark of the others. Overall, the CD has a lot of punch for an album with compartively few tracks [tho it does log in at 40 minutes as a whole]. Strong 4 stars, almost got to 5.

The Greatest Rush Ever Made!!!!.......2007-06-13

Moving Pictures is both one of my favorite albums of all time and one of the greatest albums ever recorded. Perfect in every aspect. This is Rush unleashed! After the near perfection of previous efforts like Hemispheres and Farewell To Kings and Permanent Waves, Rush came together and created their masterpiece. I could listen to it a million times and still never get tired of the prog-rock trio's best effort.

Tom Sawyer - Hands down one of the coolest songs ever! Here the boys from Toronto show that not only are they excellent musicians, but they can write a song with hooks from hell. Memorable and classic. I love this tune.

Red Barchetta - My Uncle has a country place that no one knows about... Another classic Rush tune. Written in the 1984-esque future-gone-wrong perspective with an idea garnered from a cool sci-fi story. This about a boy and his car and the fact that driving has become illegal. Great stuff.

YYZ - One of the most killer instrumental tunes ever recorded. This song rox! Geddy, Alex & Neil in complete show-off jam mode. Solid.

Limelight - Another of my personal favorites. A song about the other side of fame & fortune. From the opening riff, this song rocks! All the world's indeed a stage and we are merely players! Excellent!

The Camera Eye - If Moving Pictures is said to have a soft spot, Camera Eye would be it, although I happen to love this song. Clocking just over eleven minutes, this is a sprawling, moody tune along the lines of Xanadu or Natural Science. A sleeper, but still strong.

Witch Hunt - I have so many favorites on this album, and Witch Hunt is another. Written about prejudice and mob mentality, Witch Hunt is part three of the 'Fear Trilogy' (The Enemy Within & The Weapon being the other two parts) that they performed live for a long time. Killer tune. Those who know what's best for us should rise and save us from ourselves....

Vital Signs - Great ending song to a magnificent album. Short and sweet and too the point. Neil's lyrics flow on their own. Everybody's got to deviate from the norm.

Overall, Rush went into the studio and came up big with Moving Pictures. This is the culmination of their earlier years solidified into something both powerful and perfect. There will never be another Rush album like Moving Pictures. This is the peak. Great songs will follow but there will never be that cohession that this album brings. Great album to start with if you are just getting acquainted with Rush. An old favorite for those of us who have been following them forever.

Dig it!

rush moving forward.......2007-05-29

While Rush has so many great albums this one is in my top three.
A classic cd from the 80's with such melodic songs as Red Barchetta and
Witch Hunt. Plus the two mega hits we all love. If you are wanting to forget your worries, put this in your cd player and sit back.

Best album ever.......2007-05-11

OK folks, I don't want to sound over the top here but only one album can be the "best ever" and this is it for me. Every track is outstanding.

This came out in my freshman year of HS but since I had no older siblings it generally passed me by until Signals came out. I picked it up, went to the New World Man tour where they played every song from 'Moving Pictures' except for 'Witch Hunt' and hence... I found my favorite band. As soon as I had the money I went to the store and bought up every Rush album including 'Moving Pictures'.

At that time a new technology was being developed -- the Compact Disc. 'Moving Pictures' was one of a handful of albums chosen for this new experimental technology and they could not have chosen a better set of songs for this experiment. If I remember correctly the CD cost about $20 which was about 3 times the cost of vinyl. It was well worth the cost.

Everybody knows about Tom Sawyer and Limelight -- played on classic rock stations to this day. They have played these two songs on every concert as well and after 25 years I have almost had enough. Notice I say 'almost'.

Unfortunately, along with YYZ, side B gets overlooked. I listen to side B more often than side A because they are never played on the radio and the quality is just as good. I remember being completely fascinated at how an 11 minute song (Camera eye) can have such little singing and come out so fantastic. The traveling Lifeson arpeggios are simple yet clever and sound so outstanding with the other instruments as you travel from NY to London in a variety of time signatures that change like a well oiled Mercedes.

Witch hunt makes you feel like you are in a Salem witch trial with the mob stirring in the background. The synth in this song is some of their best use of keyboards ever.

Vital Signs sounds a little different than the rest of the album but it is a perfect ending to a perfect record. "Unstable condition. A symptom of Life." The end of the song is so strong it makes you want to hit the repeat button and start it all over again with Tom Sawyer.

Average customer rating:

Yoga music but not that joyful
The title for this CD is full and true
I feel the joy
surreal
Great Massage CD

Music for Yoga and Other Joys
Jai Uttal , and Ben Leinbach
Manufacturer: Gemini Sun Records
ProductGroup: Music
Binding: Audio CD

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Kirtan: The Art and Practice of Ecstatic Chant
The Spirit of Yoga
Yoga Rhythm
Yoga Rhythms by Shiva Rea
Dakshina

ASIN: B0001HK09S
Release Date: 2004-03-16

Tracks:

Govinda
Mahadeva
Nataraja
Gopala
Surya

Amazon.com

Music for yoga is such a cliché that you could slap that moniker on a Barry Manilow CD and have it sold as a soundtrack for Downward Facing Dog pose. Yoga music has become a made-to-order commodity, and rarely attains the level of art. The title Music for Yoga and Other Joys doesn't bode well, but then, it has Jai Uttal, a veteran of world fusion going back 15 years and a devotee of kirtan singing teaming up with multi-instrumentalist Ben Leinbach for a series of extended improvisations. Leinbach creates a shifting back drop of chilled, Indian-derived grooves and textures like liquid mercury dipped in a fractal swirl. It's a perfect modal backdrop for Uttal, who improvises freely on an Indian stringed instrument called the dotar, electric guitar, and even banjo. Pieces like the 26-minute "Govinda" extend in a free fall until a rhythm loop drops in. Uttal swaps to a fuzzed out electric guitar solo that eventually merges into an improvised kirtan, his voice coiling in note-bending spirals like soul singing from the east. This may be music for yoga, but it's the other joys that will keep you coming back. --John Diliberto

Album Description

Jai Uttal—premier world music composer and 2003 Grammy® nominee—offers a moving mix of melody, rhythms, and chants with Music for Yoga and Other Joys. Known for his eclectic blend of East-meets-West sound, Jai offers listeners his first album created especially for yoga practice. More than 60 minutes of sensual music featuring dotar, electric guitar, and slide tamboura, all complemented by Jai's full, golden-toned voice. Produced in collaboration with Ben Leinbach. Also an excellent choice for meditating, gardening, driving, and bodywork.

Customer Reviews:

Yoga music but not that joyful.......2007-05-18

I got this CD though my library based on reviews here and the sample cuts. After listening to this CD a few times, I was done. I enjoy yoga music but not this one.

The title for this CD is full and true.......2007-02-24

I love Jai Uttal's kirtan. There so much shakti that it is a great support for my asana. It supports full fucus and a joyful experience in my asana. Tears come to my eyes when I feel the bhakti expressed though this kirtan!

I feel the joy.......2007-02-09

This is a wonderfull yoga cd. Jai has a beautiful haunting voice and the five songs progress perfectly to fit your asanas. I look forward to buying more of his cds

surreal.......2007-01-10

Jai Uttal along with Krishna Das present music to balance the world.Any person remotely aligned with world peace / yoga or betterment of the world will relate to the mystical chants and attitude expressed here.This album should be compulsory for all liked minds.Wonderful !

Great Massage CD.......2006-12-12

I am a massage therapist and use this CD almost exclusively as background music for my sessions. I especially like the fact that it has a subtle rhytmic pulse almost throughout (rather than the airy/tinkly/spacey feel of a lot of massage music). I also like Uttal's chanting and judicious use of unexpected instruments like electric guitar. And above all, this music really adds to my clients' massage experiences. (Now what to do with all those other CD's?)

The Pianist: Music from the Motion Picture

Average customer rating:

Marvellous!
Absolutely beautiful
one word beautiful
Felt the movie,now feel the music that truly inspires..
A Too-Easily Dismissed Artist

The Pianist: Music from the Motion Picture
Janusz Olejniczak , and Frederic Chopin
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00007E8SQ
Release Date: 2002-11-26

Tracks:

Nocturne in C-Sharp minor (1830)
Nocturne in E minor, Op. 72, No. 1
Nocturne in C minor, Op. 48, No. 1
Ballade No. 2 in F Major, Op. 38
Ballade No. 1 in G minor, Op. 23
Waltz No. 3 in A minor, Op. 34, No. 2
Prilude in E minor, Op. 28, No. 4
Grande Polonaise for Piano and Orchestra (preceded by an Andante Spianato), Op. 22
Andante spianato in G Major
Grande Polonaise in E-flat Major
Moving to the Ghetto Oct. 31, 1940
Mazurka in A minor, Op. 17, No. 4

Amazon.com

Roman Polanski's telling of famed Polish composer-pianist Wladyslaw Szpilman's survival in the Nazi-controlled Warsaw ghetto can't help but be infused with the director's deepest passions: he himself escaped the Kraków ghetto as a boy of 7. The musician's status as a musical hero to the oppressed Polish Jews of World War II was surpassed only by that of Chopin, the composer who was at the core of Szpilman's repertoire. Thus this score revolves tightly around Chopin's music, with modern Polish pianist Janusz Olejniczak paying passionate homage to both his musical and national forebears, the haunting strains of the Nocturne in C-sharp Minor setting the film's historical and dramatic tone. The underscore of previous Polanski collaborator Wojciech Kilar (The Ninth Gate, Death and the Maiden) is represented here by the soulful "Moving to the Ghetto," a cue that helps anchor the soundtrack's troubling time and place with understated grace. The collection concludes with a rare, remastered performance of Chopin's Mazurka Op. 17, No.4 by Szpilman himself, recorded in Warsaw in 1948. --Jerry McCulley

Customer Reviews:

Marvellous!.......2006-02-11

While being very familiar with the Holocaust and F. Chopin's work, I have to admit I had no idea who Wladyslaw Szpilman was. After watching Polanski's masterpiece of a movie, I'm glad that I got to know the life of a man who went through hell and managed to survive thanks to the courage and strength given to him by Chopin's music that he constantly played in his head under surreal circumstances.

"The Pianist" music soundtrack is a wonderful collection of Chopin's piano works. Of course a few masterpieces of the polish great composer have been left out, but I think that's more than understable. After all, Polanski needed certain pieces that connected best with some of the images and scenes of his movie. And in the end we all agree that he certainly pulled it off.

Before watching the movie, I didn't know who Janusz Olejniczak was either. Now I do. His Chopin is really marvellous, especially the "Nocturne in C-sharp Minor", "La grande Polonaise brillante" and "Nocturne in E Minor Op. 72 No 1". Getting to know Olejniczak's Chopin is yet another reason to be thankful to Polanski.

Absolutely beautiful.......2006-01-30

While not versed in the finer aspects of classical music or their composers as other reviewers on this page are, I like to think of myself as someone who appreciates classical music and the Pianist soundtrack is classical music at its best.

Being half-Polish, I heard of Frederic Chopin through the years but was never told of him or his beautiful - if somewhat sad - music (I learned much about Beethoven, my favorite composer, though). I was cheated but feel that I have caught up for lost time with this soundtrack.

My favorite track is "Nocturne in E Minor, Op. 72, No. 1." It's four and a half minutes of pure bliss. Kudos to Janusz Olejniczak for playing beyond beautiful piano (he's not a concert pianist for no reason, eh?).

The Pianist is one of the best movie soundtracks of all time. The movie was powerful (unlike *other* directors who made Holocaust films, Roman actually lived through that black period in human history, making it a cut above the rest), the book was moving and the soundtrack is great relaxation.

one word beautiful.......2005-11-08

Excellent and very beautiful. The Grand Polonaise in E flat major fantastic.

Felt the movie,now feel the music that truly inspires.........2005-05-29

The Pianist is a great and "fantaztisch" movie itself! Note the great actors Adrien Brody and Thomas Kretschmann. Now, how would the movie be without the music itself that inspired and still inspiring thousands of people who listened to it.

All the piano works are classical and have a story of it's own.
From the Nocturnes; sad, moving and played on the first part of the movie (yes, the intro) and when the jews are fighting and facing their nightmares.
To Ballade 1 & 2, which was played by Spilzman (adrien brody) in that movie when he met up with the german officer Hosenfeld (thomas kretschmann)..

Just by listening to the soundtrack you could already see and feel the whole movie. Especially the Nocturnes... very touching.. recommending this album to those who fell in love to the piano works in the movie like i was, just by listening it for the first time! :)

A Too-Easily Dismissed Artist.......2005-05-09

A previous reviewer considerately corrected others who are perhaps not as well versed as he is about classical music. That reviewer also quite cavalierly dismissed the playing of Janusz Olejniczak, chiefly it appears because this is a movie soundtrack.
A number of eminent pianists - Rubinstein, Bolet, Moravec, Ax, among many others - have recorded movie soundtracks. And, like them, Olejniczak has recorded a great deal more. For instance, his albums for the Opus 111 label, which also recorded Sokolov, should be sampled by all lovers of Chopin, if only because Olejniczak can be heard playing on one record an Erard piano from Chopin's time, and on another an even more remarkable Pleyel. It's fascinating to find the Erard really does have what Chopin called a "ready-made" tone; the Pleyel by comparison is a revelation.
But then so it the playing of Olejniczak. He was not discovered by Roman Polanski. Olejniczak was a prize-winner of the Warsaw Chopin competition at the age of 18. He is greatly respected in his native Poland and in Japan, which both know something about great Chopin playing.
Olejniczak is a forceful artist who nevertheless never pounds; one frequently is put in mind of how Chopin envied the powerful way Liszt played his etudes. Olejniczak's Polish "accent" is, of course, entirely appropriate for Chopin, as is his wonderful voicing of chords and sure but free rhythm. Olejniczak plays with a full-throated lyricism -- it is the Bellini of "Norma" rather than "Sonnambula" -- but the pianist can also be touchingly tender. Above all he is dramatic in the fullest sense, vividly characterizing each piece. It's easy to see why Polanski and other film directors have been drawn to him. Chopin clearly is Olejniczak's life blood.
That previous reviewer may sincerely prefer such very different musicians, one to the other, as Rachmaninoff, Rubinstein, Cortot and Argerich, but I hope no one will hold it against Olejniczak (who, by the way, I don't know personally -- no special pleading here!) simply because he is not as widely known as some other pianists. He is a genuine find, and Polanski should be thanked for sharing a superb talent with a wider public.

Average customer rating:

Travelling without Moving
Question?
I Like Their Style
This slick album brings a mature string of arrangements
Space

Travelling Without Moving
Jamiroquai
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Synkronized
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ASIN: B000002BSG
Release Date: 1997-01-14

Tracks:

Virtual Insanity
Cosmic Girl
Use The Force
Everyday
Alright
High Times
Drifting Along
Didjerama
Didjital Vibrations
Travelling Without Moving
You Are My Love
Spend A Lifetime
Bonus Track 1

Amazon.com

Adding pop savvy to their soul-disco mix, Jamiroquai grabbed the attention of MTV and Top 40 radio and won a Grammy with this platinum-selling album, their third. It's a fine record, with warm keyboards, sweet strings, and irrepressible grooves grounding Jay Kay's sublime vocals and fueling the hits ("Virtual Insanity," "Cosmic Girl," the title track). That voice--elastic, jazzy--is the fire of the band, but immaculate guitar sounds, snappy backup vocals, and clever old-school soul samples (Eddie Harris on "Alright," Esther Phillips on "High Times") are the details that create perfection. Balancing the dance-ready, radio-friendly tracks are the ballads "Everyday" and "Spend a Lifetime," the reggae-styled "Drifting Along," and a couple of didjeridoo instrumentals. --Suzanne McElfresh

Customer Reviews:

Travelling without Moving.......2007-01-09

Although the music is somewhat "retro", (disco throwback), it's still really good listening.

Question?.......2006-11-09

I am a real jazz lover, old school, new school, acid jazz, neo-soul, funk, you name it. This particular Jamiroquai cd is everthing. In my opinion, it rocks. There's not one song on the whole disk that I don't totally enjoy. I only recently heard of the group, and this cd is the only one I have heard so far. I would like to know if there's any other Jamiroquai cd's I should check out? I need to know if there's maybe another work as good as, if not better, than this one. I am one of those people who hate to buy a cd and only like one or two songs on the whole thing. If you know of any other Jamiroquai cd's, or any other artist who sounds as awesome as this one does, please let me in on it.

I Like Their Style.......2006-11-08

I'm not really a fan of Jamiroquai, not that I don't like their music before or after this album, this is just the first album of their I've listened to. The very first song from Jamiroquai that I've ever heard was the single for this album Virtual Insanity. To me it is a song with a smooth sound that should catch everyone's ear. After the second track the rest of the album was unpredictable for me because Virtual Insanity sets a certain sound that most artists would stick with. Every song on this album has its own distinct sound and feeling to it, that's my favorite thing about this album that it has the ability to give something different with every song. You get a couple of really beautiful slow songs that could melt metal and though the lyrics are lacking "Spend a life time" the music picks it up. You've got songs that you can chill to and are really the definition for a perfect chill song. For people that don't know much about Jamiroquai like myself I think Traveling without moving is the album to start with because it is sure to get you hooked.

This slick album brings a mature string of arrangements.......2006-07-24

I remember years ago when I saw the music video for "Virtual Insanity" with its unique special effects and Jay Kay's signature vocal "sound," I had an inkling that it was going to be a good album to listen to. It's definitely a quick pick-me-up! You've got all different kinds of music on it. Reggae, rock, pop, jazz... etc. Whatever kind of music that floats your boat, you'll probably find on this album.

My favorite tracks are "Virtual Insanity" (of COURSE...) "Alright" (just makes you want to dance), "Cosmic Girl," "Traveling Without Moving," "Everyday," and "Drifting Along." I have to admit I'm rarely able to "sit" through the disc in its entirety. It seems to be a work that is three fourths complete with eight of the thirteen cuts exceptional and five being substandard.

Jay Kay really brings a unique style of Jazz mixed with Dance that sends you into a world of groovy romantic fantasy, with mind-fuzzing bass and dreamful lyrics. The flourish of various instruments harmonizing into one beautiful sound is enough to keep you excited once you place this album into your player, other than that 'Travelling without Moving' is good album to have due to it's collaboration.

Space.......2006-04-04

Driven by a 70's funk, dance release, Travelling Without Moving, is a deeper push for Jamiroquai and for the time. "Cosmic Girl" is a good example of the album's direction with its mixture of disco, funk and dance that feels like a roller rink song. The variety found on this LP is apparently unmatched with titles such as the mellow love song "Everyday" quickly takes the spotlight. For a more Jamaican / Reggae instrumentation "Drifting Along" shows the versatility of Jamiroquai with its exotic atmosphere. Both "Didjerama" and "Didjital Vibrations" are instrumentals, but track 8 becomes annoying with its looped vibes. "Didjital Vibrations" could stand alone as a jazzy, funk rendition that's only missing crooning vocals to set it off. "Spend A Lifetime" is a romantic tune filled with a beautiful violin arrangement to help complete this album. Track 13 is a bonus track to conclude Travelling Without Moving on a high note or at least an up-beat.

Illegal, Immoral and Fattening/Moving Targets

Average customer rating:

Illegal, Immoral and Fattening/Moving Targets
Flo & Eddie
Manufacturer: Acadia Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000RB6UW4
Release Date: 2007-07-02

Tracks:

Illegal, Immoral And Fattening
Rebecca
Kama Sutra Time
Sanzini Brothers Return
Livin' In The Jungle
Cheap
Kung Fu Killer
Eddie Are You Kidding?
Pop Star Massage Unit
Let Me Take Love To You
There's No Business Like Show Business
Mama, Open Up
Love You Gave Away
Hot
Best Friends
Best Possible Me
Keep It Warm
Guns
Elenore
Sway When You Walk
Moving Targets

Album Description

2007 digitally remastered two-fer featuring a double dose of Flo and Eddie on one disc. Flo And Eddie are Howard Kaylan and Mark Volman who had great success and scored many hits world wide in the '60s as members of The Turtles. After splitting from The Turtles, the duo joined Frank Zappa and The Mothers O Invention before moving on as a 'solo' duo. The duo also provided backing vocals for T.Rex on their Electric Warrior and The Slider albums, which became part of T.Rex's signature sound. Illegal, Immoral & Fattening is their third album, originally released n 1974. Moving Targets was their fourth album and was relapsed two years later in '76. Targets features Mother Ian Underwood and Jeff Skunk Baxter and also has a re-working of The Turtles classic 'Elenore'. Illegal, Immoral... again features Ian Underwood with fellow Mother, Aynsley Dunbar and has a rare Frank Zappa co-write 'Eddie Are You Kidding?'. Acadia.

Album Details

2007 Digitally Remastered Edition featuring Two Original Comedy Album Classics from Turtles Frontmen Flo and Eddie (Aka Howard Kaylan and Mark Voorlan) who also Enjoyed Years of Pleasure in Frank Zappa's Mothers of Invention. After Splitting from the Mothers, They Recorded These Two Albums on Columbia. "Moving Targets" features Ian Underwood (Mothers of Invention) and Steely Dan Sideman (And Future Doobie Brother) Jeff "Skunk" Baxter and also Includes a Reworking of the Turtles Classic "Elenore". "Illegal, Immoral and Fattening" Again features Ian Underwood with Fellow Mother Aynsley Dunbar and Has a Rare Frank Zappa Co-written Tune "Eddie Are You Kidding".

Jim Gill Sings Moving Rhymes For Modern Times

Average customer rating:

AWESOME!!
A "MUST HAVE" for daycare

Jim Gill Sings Moving Rhymes For Modern Times
Jim Gill
Manufacturer: Jim Gill Music Inc.
ProductGroup: Music
Binding: Audio CD

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Eat Every Bean and Pea On Your Plate

ASIN: B000FKOZRO
Release Date: 2006-01-01

Tracks:

Hello, I Must Be Going
Swing Your Partner
Tromboning
Jump Up, Turn Around
Face The Facts
Jim Gill's Groove
California
Sliding, Rolling and Jumping
Rhythm In My Fingers
Strollin' Down The Road
Delay On The Freeway
Drumming The House
Backwards Day
Family Goodbyes
Crazy Shoes Theme

Customer Reviews:

AWESOME!!.......2007-06-28

Jim Gill is a genius! His developmentally appropriate music is a huge hit with my kindergarten students. This summer, it totally saved me when teaching summer school to 3rd graders...Dr Jean is too "babyish" for the olders, but they LOVE Jim Gill. Thanks Jim!

A "MUST HAVE" for daycare.......2007-01-08

Jim Gill sure knows how to capture young children. His CD has catchy lyrics. He also has the children participate. What a great release before we start our "schooltime".

Average customer rating:

A quirky album that plays to their strengths...
Pop. Rock. Progressive rock. Arty pop. Call it what you like. Just listen to it....Brilliant!
Simply the Greatest Prog Rock LP of All Time
Best work by a good instrumental band
pretty good

Moving Waves
Focus
Manufacturer: Red Bullet
ProductGroup: Music
Binding: Audio CD

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Focus III
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Mirage

ASIN: B00005B364
Release Date: 2001-02-19

Tracks:

Hocus Pocus
Clochard
Janis
Moving Waves
Focus II
Eruption: Orfeus/Answer/Orfeus/Answer/Pupilla/Tommy/Pupilla/Answer/The
Answer (Eruption)
Orfeus (Eruption)
Answer (Eruption)
Pupilla (Eruption)
Tommy (Eruption)
Pupilla (Eruption)
Answer (Eruption)
Bridge (Eruption)
Break
Euridice (Eruption)
Dayglow (Euruption)
Endless Road (Eruption)
Answer (Eruption)
Orfeus (Eruption)
Euridice (Eruption)

Album Description

Reissue of 1971 album for Dutch progressive rock act best known for their 1973 hit single 'Hocus Pocus', included here. 2001 release. Standard jewel case.

Album Details

Digitally Remastered Version of the Dutch Progressive Rockers' Second Album, which Includes the Worlwide Smash Hit that Made Yodeling Chic for 15 Minutes, 'hocus Pocus'. Includes Some of the Finest Guitar Work by Jan Akkerman.

Customer Reviews:

A quirky album that plays to their strengths..........2006-11-18

Focus caught a wave in the US with their eccentric hit, Hocus Pocus. The song was novel and catchy enough to give Moving Waves some notice, although some were surely surprised at how unique Hocus Pocus was even within the context of the rest of the album. The rest of it is decidedly more serious and less focused, as it were. Short on vocals (thankfully so) and long on classically influenced instrumental suites, Moving Waves covers a lot of musical territory, sometimes within the same song. For serious prog rock fans it's a delicious cornucopia. For casual listeners who are expecting more songs like Hocus Pocus it can be maddening. The album's centerpiece, Eruption, is by far the most interesting song (plenty of opportunity as it comprises the last half of the album), even if its foundation is little more than an extended jam featuring lengthy keyboard and guitar solos by Van Leer and Akkerman. It's hardly a spontaneous affair though, carefully laid out to range from somber to achingly beautiful to borderline chaos with a keen sense of musical drama keeping it all tied together as it reaches an end that seems to arrive all too soon despite its length. If you really like Hocus Pocus, a compilation might be the way to go as most of them include the shorter, more accessible songs. If you're willing to hang on for the ride, Moving Waves offers a wild one indeed, but a very satisfying one as well.

Pop. Rock. Progressive rock. Arty pop. Call it what you like. Just listen to it....Brilliant!.......2006-05-10

This album was so well composed and executed that it has easily stood the test of time. It is good music through and through; clever, exciting, beautiful and moving. This band of dutch guys really knew what they were doing and boy could they play. They were (and still are) essentially an instrumental outfit with the melody carried by guitar, flute, keyboards and occasionally vocals. Focus didn't appear to be too much swayed by music fashions or commercial pressures of the music business when they recorded this album and that is one of the reasons why "Moving Waves" still sounds as fresh and exciting today as it did when it was released in the early 1970's. I wonder if dutchman Eddie van Halen was paying homage to Jan Akkerman and Focus when he used the title "Eruption" for his ground-breaking solo piece for guitar in the late 1970's.

The album kicks off with the one that was released as a 45, "Hocus pocus" a thunderous, relentless rocker composed by Akkerman and van Leer. Comical, but brilliant and hailed by many as a so-called rock classic, it has lots of novelties, tricks and dazzling guitar licks. Keyboardist Thijs (pronounced Tys) van Leer plays the jester with his wild flute playing, whistling, yodelling and other crazy vocal gymnastics, effortlessly hitting notes higher than Brian and Carl Wilson ever went on any Beach Boys recording. Not to be outdone, guitarist Jan Akkerman provides a lot of the thrills and excitement with his amazing gibson les paul guitar antics. Cracking job by the rhythm section, drummer Pierre van der Linden and bassist Cyril Havermans.

In contrast to this, on the next track Jan displays his talent on classical guitar by playing his own composition, the gentle, haunting "Le clochard(bread)". Lovely touch by Thijs with the mellotron accompaniment which adds a bit of weirdness and eerieness to the piece. GORGEOUS! Track 3 "Janis", another Akkerman composition features Thijs on multitracked, interwoven flute parts. The impressionistic title piece "Moving waves" (one of the few actual songs with words that Focus ever did) is one the sayings of Hazrat Inayat Khan set to music by Thijs on vocals and piano. Listen to the words with the music that van Leer has written. The rippling piano chords and the crescendos and diminuendos conjur up the image of ocean waves as they "become excited and then all calm together". The ascending last few chords rise with the waves as they "reach upwards" (to the moon). This is good composing. Track 5, oh yes! Thijs van Leer's "Focus II" with classical and jazz influences and beautifully sensitive guitar playing by Jan. It is typical of Akkerman to add expression with the use of dynamics and subtle phrasing to enhance a melody as he does on this magical piece. Nobody does this better than him. STUNNING!

However, the best is yet to come. The final piece is made up of several compositions, most by Thijs who came up with the overall concept "Eruption", aptly titled lasting 23 minutes. It commences with a line borrowed from Monteverdi's "L'Orfeo" with hammond organ, bass guitar and Jan Akkerman's violin guitar effect (guitar volume control tweaking. You hear a smooth note without the sound of the plucking). The sound is mesmerising and really grabs your attention. After a minute or two, it bursts into life taking you on a journey through the most amazing music, including stunning guitar solos and a couple of incredibly skillful drum solos which add hugely to the overall piece and don't lose your interest for a second. The variety of musical styles in "Eruption" is incredible; from the renaissance style compositions "Orpheus" and "Dayglow" to the Santana-esque organ break segment of "The bridge". Thijs's rock/jazz hammond organ playing is fabulous. In "Euridice" he shows his talent as a flautist producing the richest timbres achievable on a flute. The richly melodic guitar oriented segment "Pupilla/Tommy" is spine-tinglingly SUBLIME! As mentioned in an earlier Amazon review of this album by Ryle Shermatz, a lot of the impact of these individual pieces comes from the contrast between each one and the next. The whole is greater than the sum of the parts.

Technically brilliant with a lot of feel and a real understanding of music, Jan Akkerman is one of the most versatile guitarists in the business. Drummer Pierre van der Linden has a lot of musicality, not only providing the beat and rhythm, but hugely augmenting the music with his incredibly creative and expressive, skillful drumming. Cyril Havermans (later replaced by Bert Ruiter) plays a highly musical, rhythmic and solid bass. Multi-talented keyboardist, flautist and vocalist Thijs van Leer has a great gift for composition and has written music which stands among THE MOST EXCITING, ORIGINAL AND BRILLIANT ROCK/POP MUSIC EVER PRODUCED.

Get "Moving waves" if you are interested in hearing something dramatically different. You won't believe your ears and you will not be disappointed!

Simply the Greatest Prog Rock LP of All Time.......2006-01-14

My Amazon recommendation string led me to the Focus "Moving Waves" page, and I was (as usual) interested in having my own long-held opinions validated by kindred spirits world wide. Unfortunately, I find only scattershot praise for what in my estimation is in fact THE GREATEST PROG ROCK ALBUM OF ALL TIME.

I should quickly explain that as we grow up, we all have awakening experiences that open up new dimensions of life to us. Some we can remember, some we can't. For me, however, at age 15-16 or so, hearing Focus' "Moving Waves" around 1972-73 on a cruddy console stereo in a friend's basement was surely a defining musical experience in my life. I'd grown up (like everyone else) with the Beatles & Stones and the rest of the great British invasion sounds, and they certainly deserve their spot in the firmament of R&R heaven. But "Moving Waves" was (and is) a unique synthesis of rock, jazz, classical, all fused into an in-your-face whole that grabbed me by the throat and shook me for the rest of my life.

I will not presume on your attention any longer than necessary except to point out that the fury and swagger of Jan Akkerman's guitar solos has NEVER been equaled by any other guitarist in my hearing. Yeah, you could call "Hocus Pocus" (by Focus) "silly", but you'd be WRONG WRONG WRONG. This is a band completely hitting its stride, a band that can do ANYTHING and if you got a problem with the yodeling, go buy the new Bobby Sherman album instead. What other band has had the sheer audacity to even consider such a thing and pull it off with such blistering panache?

I cannot close without trying to impart some of the emotional majesty of side two's (yeah, I'm an LP era guy) track-long opus "Eruption;" several instrumental themes are introduced and repeated over the course of a 20+ minute "suite." It's all a more than worthy effort, and I won't belabor your attention with a blow-by-blow description, but the BIG MOMENT comes toward the middle of the piece--the section titled "The Bridge" concludes with two smashing chords repeated as a launching pad for Akkerman's blistering descending Gibson Les Paul custom runs; repeated three times with variations by the angelically-inspired Akkerman, he's left snarling in the void on his own with no accompaniment. Closing with a final descending left-hand only tear-off riff (I know of no other guitarist who could do this), the section ends abruptly, segueing to flautist/organist Thijs Van Leer's sublime "Euridice" (pron. "you-rid-a-sea" for the benefit of those not aware of Greek mythology), a gentle flute/piano duo eventually adding the entire quartet that is as close to perfection as I can imagine. It's not just the beauty of the composition--it's the amazing, stark contrast between the "over the cliff" fury of Akkerman's guitar followed by the Johann Sebastian consonance of Van Leer's singular genius. I KNOW I can't be the only person in the world totally captured for life by this moment. But let me hear from you.

FOCUS deserves a lot more love than this forum can lavish on them, and those who are harmonious with my assessment of "Moving Waves" should advance quickly to "Hamburger Concerto," two albums later and almost equally sublime (Van Leer is ascendent on HC, and that is NOT a bad thing). EVERY Focus album has something GREAT, including their "worst" album, 1975's "Mother Focus" which still has one of the greatest short compositions of all time, "Focus V." Very few bands ever working in "rock" had the musical chops that Focus did, and NONE came anywhere close to the absolutely unique synthesis of styles they achieved. If you're willing to give this recording a chance I do believe it can still echo down your life as it has with mine.

Best work by a good instrumental band.......2005-12-30

One of the original great bands. I also highly recommend Jan Akkerman's recent DVD - he returns to some good playing. Moving Waves is a classic.

pretty good.......2005-09-06

you'll probably buy this disc for the same reason i did - to hear "hocus pocus" again. i can't blame you. i listened to the entire disc and it's not bad at all - a bit odd here and there, but not bad at all. i'll admitt this though, i'll probably play only "hocus pocus" 90% of the times i pull this disc out of the collection. but it's worth it. enjoy.
space puppy, out

Average customer rating:

MOVING FORWARD

Moving Forward
Free Chapel
Manufacturer: Integrity Media
ProductGroup: Music
Binding: Audio CD

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Right People, Right Place, Right Plan: Discerning the Voice of God
Bloodtypes, Bodytypes and You

ASIN: B000R7I3NC
Release Date: 2007-07-10

Tracks:

Great God
Say So
Awesome God
Moving Forward
Is To Come
I Call Your Name
I Sing Praises To Your Name
My Nation Healed
Celebrate
We Wait Upon You
Prayer with Jentezen Franklin

Customer Reviews:

MOVING FORWARD.......2007-07-24

This CD is powerful. There is an awesome anointing that is very obviously on these singers, and it is contagious as you listen to it!!!

Average customer rating:

sherman
delightful
Passion @ its finest
Blend of Africa, Europe, and America
Best of the best

Keep on Moving-Best of Angelique Kidjo
Angélique Kidjo
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Djin Djin
Oyaya!
Black Ivory Soul
Aye
Lightning in a Bottle

ASIN: B00005JA28
Release Date: 2001-05-15

Tracks:

Summertime
Voodoo Child (Slight Return)
Agolo
Fifa
Batonga
Wombo Lombo
Malaika
Open Your Eyes (featuring Kelly Price)
The Sound Of The Drums
Adouma
Naima (featuring Carlos Santana)
Tourner La Page
Babalao
Agossi
Idje Idje
Tombo
We We
Senie

Amazon.com

The Benin-born, Paris-based singer Angélique Kidjo has become the most popular African female artist on the world-music scene. This compilation contains 18 tracks from her five CDs released between 1990 and 1998. An electrifying performer fluent in French, English-jazz vocalese, and her country's traditional zilin vocal techniques, Kidjo often sings in her native Fon/Yoruba language. Along with her husband, bassist/producer Jean Hebral, Kidjo conjures up a zesty mix of funk, Latin, jazz, gospel, Caribbean zouk, Congolese rumba, and Afropop grooves. Kidjo covers a lot of ground--from Afro-pulsed renditions of Jimi Hendrix's "Voodoo Child (Slight Return)" to her indigenous take on George Gershwin's "Summertime." The rising hip-hop/gospel diva Kelly Price lends her sanctified sound to "Open Your Eyes," and Carlos Santana's bluesy guitar lines illuminate "Naima." The Tanzanian chant "Malaika" is dedicated to Kidjo's idol, Miriam Makeba, while "Senie," a spare track with background vocals and drums, is a shout out to the great Togolese singer Bella Bellow. Of course, this collection also contains Kidjo's most popular dance hits, including the infectious "Batonga," "Agolo," and the classic "Aye." This fabulous package shows why Kidjo is the belle of the world-music ball, with a host of fans from Cassandra Wilson to Branford Marsalis. --Eugene Holley Jr.

Customer Reviews:

sherman.......2006-11-13

She has a great and unique sound. She gives her all in performance on CD.

delightful.......2006-06-08

i really loved it. her style is unique and that is what draws me to her music.

Passion @ its finest.......2006-03-13

The best of Miss Kidjo! Buy this music.Peace of mind will follow!!

Blend of Africa, Europe, and America.......2006-03-01

Angelique Kidjo's music is a blend of African (where she was born), European (where she lives) and America (where she draws much inspiration). Don't waste too much time trying to categorize it - just enjoy it as it is excellent. Her cover of "Little Wing" very interesting and her own compositions are good. The beat is so good that you don't mind if you don't understand the language of many songs.

Best of the best.......2005-08-15

If you are new to Angelique Kidjo then this is the best introduction to her range and power, spanning the wide spectrum of her styles from her African roots to more European/American influences. If you are new to African music, this is an easy introduction, and if you have other of her albums you'll want to add this.

My only complaint - it was released before Black Ivory Soul, so doesn't include her more Brazilian music, which I love. Her voice is astonishing, her talent unique. I was lucky enough to see her live in Santa Cruz California a couple of years back and she could have filled the auditorium with her voice alone, without the aid of a microphone. She is one of those rare people who truly can sing astonishingly well. She blew me away.

Average customer rating:

5 Stars Is Not Enough
The Borders of Heaven
Dances with Wolves
Beautiful Renditions of Traditional American Songs
Connie's renditions set a standard which is hard to match.

The Border of Heaven
Connie Dover
Manufacturer: Taylor Park
ProductGroup: Music
Binding: Audio CD

General | Contemporary Folk | Folk | Styles | Music

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If Ever I Return
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ASIN: B00004SUM0
Release Date: 2000-03-28

Tracks:

The Blessing
Sweet Betsy From Pike
I Am Going To The West
The Streets Of Laredo (The Sailor Cut Down In His Prime)
Lord Franklin
An Spailpin Fanach
Last Night By The River
The Water Is Wide
Wondrous Love
Winter's Night
My Dearest Dear
Brother Green

Customer Reviews:

5 Stars Is Not Enough.......2005-11-15

I have exposed a number of people to Connie Dover, young and old, and have yet to find anyone who doesn't immediately fall in love with her. Let's put it in a nutshell: If you listen to Connie and don't become instantly hooked, by all means have your head examined!
However if I have already conviced you and you want to know which of her titles to purchase, sorry, I can't recommend just one. Stick a crowbar in your wallet and get all 4! It will be the best $60+/- you've ever spent. Now stop reading these reviews and place your order!

The Borders of Heaven.......2005-08-12

Connie Dover's latest, "The Borders of Heaven", is an apt this for this CD. Her vocals are crisp and clear as ever.
The accompanying musicians are the cream of the crop. They include Phil Cunningham and John Hartford. It's another production triumph for Phil Cunningham. All in all a beautiful set of tunes.
I have all of Connie's recordings and I believe that this is the best to date.

Dances with Wolves.......2004-11-30

This is a great CD, I love Connie Dover, and anything she sings is always beautiful. I am writing this particular review for any of those folks who are looking for the name of the song (or the song itself) that Kevin Costner sings in the wonderful movie Dances with Wolves. Connie actually sings this old folk song here, it is track #10, "Winter's Night". Why it is called that is beyond me, but there ya go. Song titles....go figure. Connie sings many wonderful old folk songs on this CD, but she makes them her own, and that is her talent. This is a great CD. Period.

Beautiful Renditions of Traditional American Songs.......2004-06-26

It's hard not to fall in love with Connie Dover, who looks and sings like an angel. She has cited Steeleye Span and its lead singer, Maddy Pryor, as an early influence. That makes sense, because she is perhaps the purest soprano folk singer I have heard since Maddy Pryor. Before I acquired this CD, my only exposure to Ms. Dover was several songs here and there on various Celtic music collections, but on each and every one, her voice always stopped me in my tracks. So when I saw this collection of early American folk tunes (and the songs that inspired them), I thought it was a bit of a departure for her. But these arrangements strikingly emphasize the Scots-Irish influence on American folk music. Even old chestnuts like "Sweet Betsy from Pike" and "Streets of Laredo" can be heard in a new light. Ms. Dover gets expert assistance, too, from familiar names like Phil Cunningham (who also produced), Jerry Douglas and John Hartford. This is an impressive effort from one of the most beautiful voices in traditional music.

Connie's renditions set a standard which is hard to match........2002-05-25

'The Border of Heaven' is aptly named, for many of the songs on this - Connie Dover's fourth solo CD - have a dreamy, angelic feel to them. Of course there are more upbeat numbers too, but then that is typical of this singer's records - a bold but effective mix of gentle Celtic ballads, 18th and 19th century American folk songs, a spiritual piece or two, and a smattering of Connie Dover's own compositions, which on this CD include the intriguingly original 'Last Night by the River', complete with the sound of an eagle wing-bone whistle!

As is usual with this artist, all the songs are very very good. Several of the tracks may be familiar to lovers of traditional music, but Connie Dover's versions invariably set a standard which is hard to match. Her rendition of the sad but true story of 'LORD FRANKLIN' and his ill-fated crew of adventurers is simply the best I have heard. 'THE WATER IS WIDE' is also performed beautifully. And as for 'THE SAILOR CUT DOWN IN HIS PRIME', I think Connie's version of this familiar melody is perfection itself, although the style in which guest artist Skip Gorman sings the companion piece 'The Streets of Laredo', is not to my own personal taste. The up-tempo songs include the jolly 'SWEET BETSY FROM PIKE' and 'WINTERS NIGHT', whilst 'I AM GOING TO THE WEST' is another of Connie Dover's own compositions - and yet it sounds just as 'traditional', and every bit as good, as the old, tried and tested standards. The spiritual song on this CD is the hymn 'WONDROUS LOVE' - wondrous indeed! The CD closes with two more lovely tracks, the achingly sentimental 'MY DEAREST DEAR', and finally 'BROTHER GREEN', a melody, not so much from the border, as from the very heart, of Heaven.

The standard of this artist has been well maintained in this, her most recent CD to date - happily Connie Dover is seemingly still singing, and writing, the most charming of songs. Less happily, Connie Dover CDs seem to come out rather sparsely, at three year intervals - so here's hoping we don't have to wait yet another three years for the next one. It pains me to say this as a Brit living in the land where so much of Connie's inspiration comes from, but there's nobody better in the world at singing this kind of material than this American. Certainly nobody I know of in my country. And there's still a huge wealth of beautiful material out there just awaiting her attention; so come on Connie - get recording again! In the meantime, just enjoy this, her latest contribution to the world of tradional folk. She is, as I say, the best in the business.

Music:

Music

music

Music

Plays

Tchaikovsky:Le Lac Des Cygnes/La Belle Au Bois Dormant/Casse-Noisette

Romeo & Juliette

Used to Want to Be a Cowboy

The Bitter Well

Una furtiva lagrima

Tropical Lullaby

Schumann: Piano Concerto In A Minor/Carnaval

The French Song [Import]

Straight Ahead

The Best of the Long Ryders

The Definitive Collection: The Grand Dame of African Music [Import]

Sorry I Make You Lush

Midnight Baby

Underage Thinking