It's All in Your Head [Import]

Editorial Reviews
Album Details
Japanese Version featuring a Bonus Track

Tracks:

Without You Here
Think Twice
At Least We're Dreaming
Still Here Waiting
Good Lives
Hey Montana
Bring The Night On
Friend Of Mine
Girlfriend
Not Gonna Be Alone Tonite
Hokis
Arch Drive Goodbye

Amazon.com

The arrival of Eve 6's third album was preceded by the curious news that frontman Max Collins had been cited for indecent exposure charges after he allegedly wandered into a hotel lobby in Pittsburgh naked except for some strategically placed shaving cream. It seemed like an ominous sign: After inking a major label deal straight out of high school, becoming Top 40 stars with its self-titled 1998 debut, and relentlessly touring its sophomore album, 2000's Horrorscope, was the Los Angeles rock trio on the verge of a meltdown? Luckily, It's All In Your Head reveals the band that is very much on top of things, from the thick and creamy guitars on songs such as the spiky "Still Here Waiting" to the potent relationship drama "Think Twice" and the scratchy last-night-on-earth melody that whips through "Not Gonna Be Alone Tonight.," all carried off in a vibrant Foo Fighters/Jimmy Eat World-style. --Aidin Vaziri

Customer Reviews:

Great Album.......2006-04-12

I think Eve6 may be the most underrated band of the 90s. It's a shame they aren't around anymore, as this, their last album, is every bit as catchy and fresh as their first 2. Check it out!

Dissapointment after almost 7 years of fandom .......2006-03-02

I'm in college now and I first started liking Eve 6 in the 6th grade. I've been a huge fan because I could never get enough to of the band's energetic, kick back and jam music, nor enough of the tongue twist lyrics that make you laugh and go "haha, I love that line". These were the reasons I adore their self titled and Horrorscope albums. When It's all in your head came out, I was reluctant, but eventually got the CD only to know why I waited almost a year to buy it. The energy of the band feels absent in this cd, and the lyrics drone on without creativity or catchiness. In previous Eve 6 albums, every song pumped you up just in time to be brought back down by songs like "Jesus nitelight" or "heres to the night", but on It's all in your head, it's rare to find that pump up song, which is a complete shame. The album feels tired. There are positives though, some songs are great:

Good lives
Bring the night on
Think twice
At least we're dreaming

Unfortunetly...the rest of the album sucks.

!!!.......2006-02-21

This album is totally stuck in my head at the moment! It's one of those album that you can just listen to and arn't temptd to skip to your favourite song, even the slow songs rock!

Lyrical master.......2005-12-14

Sure, there was mention of Think Twice, but nobod said a word about the best song on the album, "Bring the Night On"; it truly illustrates Collins' extraordinary talent with words. He puts words together I never knew would work. He leaves me wondering "How did he do that?" I mean listen:
"Okay I'm boring you I'm warning you tonight
It's not the night for fights, lies, white or otherwise"

And believe me, the energy when they perform it live will blow you away. And they were just opening. I wish they were the headliner that night!
It's less poppy than Horrorscope, more refined than their self titled debut, and deeper than anything I've seen from them yet, not to say that their other CD's weren't as good in their own ways.

I haven't had anybody tell me they didn't like this CD yet; everybody I play it for loves it. You won't be sorry.

The Album After the Dawn and Before the Dusk.......2005-08-16

Eve 6's first major hit, Inside Out, conjoured up images of an excited 15-year-old high-school guy who had just taken one too many Xanax- it gave you a feeling of excess energy complimented by inane, rose-tinted babbling. Horrorscope, though highly regarded by many Eve 6 fans, shows signs of the Billy Corgan slide into an equivocal mediocrity with hints of electonica (especially notable on Here's to the Night) that has lost its emotional flavor. Its All In Your Head has lost the extra Xanax of the first two albums in favor of a more defined, varied, and deeper emotional statement well-supported by intelligent lyrics and commendable musicianship, a statement that has been lost in Horrorscope, in favor of a more soma-induced please-all, which still contains the musicianship but lacks in the emotional and intelligent arenas.

Average customer rating:

Loved this CD
I LOVE this CD!
Costello Partners with Hubris and Yields Variable Results
what's so funny about peace, love, and understanding?
No life in her (pop) art

For the Stars
Anne Sofie von Otter , and Elvis Costello
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A46I
Release Date: 2001-04-10

Tracks:

No Wonder
Baby Plays Around
Go Leave
Rope
Don't Talk (Put Your Head On My Shoulder)
Broken Bicycles / Junk
The Other Woman
Like An Angel Passing Through My Room
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For The Stars

Amazon.com

At a time when popular music has been micro-marketed to the far side of ad nauseam, Declan MacManus, a.k.a. Elvis Costello, has traded on his reputation as the brightest songwriter to emerge from the new wave era to foster any number of delightful, cross-genre/generation musical surprises, including soundtracks and collaborations with the Brodsky Quartet, Paul McCartney, jazz artist Roy Nathanson, and songwriting legend Burt Bacharach. The latest fruit of that generous, insatiably curious artistic spirit is this elegant partnership with Swedish mezzo-soprano Anne-Sofie von Otter. Though an admitted pop novice, Otter couldn't have picked a better confederate than Costello, an artist whose taste in songs has seldom been tainted by trend.

Together, they weave material from disparate sources--including a slate of compelling Costello material, a pair of Brian Wilson's evocative "Pet Sounds" confessionals, a Tom Waits song from Francis Ford Coppola's One from the Heart (oddly, though effectively, coupled in medley with McCartney's "Junk"), an Abba song, and the Beatles' "For No One"--into a musical tapestry of stately power and grace. Costello sparingly uses his voice as seasoning throughout, though his masterful touch is everywhere. Otter's novice pop singing reveals an easy knack for jazz phrasing that should tempt further explorations and a warmth that belies the rigidity that's so often a byproduct of classical training. Most gratifying of all, this album ultimately achieves what's become one of the loftiest plateaus in Pop music: common ground. --Jerry McCulley

Customer Reviews:

Loved this CD .......2006-06-13

Who would pair Costello and an opera singer?? Elvis, and somehow it works. I really love the tone and moodiness of it and lyrics that talk about love and life, failure and success. It's soulful, in a contemplative way, music for those tucked away, rainy days .

I LOVE this CD!.......2005-09-01

Finally, an opera singer who knows how to channel her Classical training into a sound that is, as one critic aptly described it, "what pop singers would sound like if they could actually sing"! Although Elvis Costello does not join Ms. von Otter very often in the vocals, when he does they harmonize beautifully. With great melodies (some beautiful, some catchy) and sensitive (but not sappy) lyrics, this album makes a fine addition to any CD collection.

Costello Partners with Hubris and Yields Variable Results.......2005-05-08

Having just heard Elvis Costello's masterful collaboration with Burt Bacharach, "Painted from Memory", for the first time this past month, I had high hopes for this equally unusual partnership with mezzo-soprano Anne Sofie von Otter released in 2001. This time, however, Costello acts as arranger and producer, and it is von Otter who is front and center on vocals. She is among the most revered of singers on the opera and recital stages, and she has impressed me in the past, in particular, with her Dejanira in the 2002 Marc Minkowski-led performance of Handel's "Hercules", among many other roles she has embodied. Here she is called upon to be a pop chanteuse, and while the beauty of her voice is inarguable in any setting, her ability to interpret the diverse lyrics in these songs is far more debatable. This is where a Marianne Faithfull, a Blossom Dearie or even a Joni Mitchell could capture more of the underlying feeling with a fraction of the vocal power von Otter can provide but with twice the nuance. There is a rather sterile sameness to the performances here, somewhat jazz-inflected in a cocktail lounge manner at times and at other times, rather morose and dirge-like.

Take, for example, her rendition of Brian Wilson's "Don't Ask (Put Your Head on My Shoulder)" from the legendary "Pet Sounds" album. It moves so glacially that it actually extricates the romantic subtext almost surgically. The same can be said for Jessie Mae Robinson's "The Other Woman", which has at least Magnus Persson's vibraphone to provide relief from the tedium. She's better on the other "Pet Sounds" classic, "You Still Believe in Me", where she cannily soars with the chorus, though Costello damages it by adding some odd, muffled rapping in the background. Ironically, it is on the Costello compositions where the recording most noticeably flails. The opener "No Wonder" starts as a "Greensleeves"-like madrigal and then turns into Beatlesque pop; "Baby Plays Around" seems to suffer from exhaustion by all parties; the two Fleshquartet collaborations, "Rope" and "Just a Curio", sound somewhat like extraterrestrial hymns done in a series of minor keys; and the closing title track, "For the Stars" includes peppy, Beach Boys-sounding harmonies which escape her grasp. In fact, "Just a Curio" would have been a more appropriate title for this entire recording.

On the other hand, the Gallic flavor of Benny Andersson's accordion effectively informs her rendition of Tom Waits' "Broken Bicycles", which melds perfectly with Costello's vocal on Paul McCartney's "Junk". Speaking of Andersson, a fellow Scandinavian, von Otter admirably covers a piano-led ABBA ballad, "Like an Angel Passing Through My Room". She also displays a meticulously casual bounce on Lennon-McCartney's "For No One", though it stops rather abruptly. Von Otter acquits herself surprisingly well on the jazzy "Shamed into Love", written by another unlikely duo, Costello and Rubén Blades, and performed as almost a smokier variation of Bacharach's "Alfie". And speaking of Bacharach, she does a nice turn on the lovely "This House Is Empty Now" from the 1998 Bacharach-Costello disc. Costello and von Otter are masters of their craft, but I think some of the collaborations reflect simply irreconcilable differences. While Costello seems to have an insatiable desire to expand musically, his hubris here appears to constrain the often preternatural vocal skill von Otter displays on the opera and recital stage. Consequently, what we have here is a nice album, a generous one with eighteen tracks, that doesn't seem to capitalize on either contributor's talent fully.

what's so funny about peace, love, and understanding?.......2004-04-22

Nothing's funny about this boring duo. I picked this up FREE at my library and it didn't take me too many tracks to see why it was donated. The musical arrangements are hapless and dull, and her voice is Dion without the Vegas power finale. Come to think of it, the lyrics remind me of Dion; they are as saccharine as anything Dion has ever sung. I wasted a blank CD on this limp, sleepy pairing of two otherwise good artists.

No life in her (pop) art.......2004-03-15

I am a big fan of both artists and wanted very much for this combination to work. It avoids the traditional trap of "oversinging" the pop material. But a few years after its release, in these American Idol era, is that really such a terror for pop music any more? So-called oversinging seems pretty popular these days!

The big problem is that von Otter has not found a way to communicate any emotion in this scaled-down form of singing. All her classical techniques are stripped away, and there's nothing to replace them. Sure, her voice is gorgeous, but it sounds exactly the same no matter what the lyrical content. The songs could have been made up of nonsense syllables for all the emotional life she communicates.

Deeply disappointing - but someone, somewhere, will figure out how to bring classically trained singers to the wonderful pop song repertoire that has been composed over the past 50 years. Elvis may very well be the person to do it, but not on this album.

Iglice Szivem - Hungarian Folksongs (for Children)
Average customer rating:

Kati Szvorak and Teka take a folk tour of Hungary

Iglice Szivem - Hungarian Folksongs (for Children)
Kati Szvorak , and Teka
Manufacturer: Hungaroton
ProductGroup: Music
Binding: Audio CD

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ASIN: B000066SIJ
Release Date: 2002-05-21