This Desert Life

Editorial Reviews
Amazon.com
Two years in the making, This Desert Life is the kind of collection that will please the Counting Crows faithful and leave doubters unconverted. Adam Duritz's recognizably emotive vocals and the group's classic-rock stylings remain in the fore as the Crows stick near the nest with their third studio outing. The Mellencamp-like opener, "Hanginaround," is one of the strongest tunes here, thanks to its laid-back passion and catchy piano and percussive elements. The familiar feeling "Mrs. Potter's Lullaby" is another lively offering, but at nearly eight minutes it's too long. The emotional, Van Morrison-like lament "All My Friends" feels self-pitying, while the balance of the album is simply bland. The sound is appealing (witness the spare "Colorblind" and the waltzing "Amy Hit the Atmosphere"), but This Desert Life is, on the whole, rather dry. --Katherine Turman --This text refers to the Audio CD edition.

Album Details
All Songs Were Written by the Band. Produced by David Lowery (Sparklehorse) and David Herring (Throwing Muses.) Includes Extra Track Not on the Us Version. --This text refers to the Audio CD edition.

This Desert Life
Average customer rating: 4 out of 5 stars
  • Not Their Best But A Solid Effort
  • Crows Are Entertaining
  • Great Music
  • Classic Crows
  • For those who haven't heard
This Desert Life
Counting Crows
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Recovering the Satellites
  2. Hard Candy
  3. August and Everything After
  4. Across A Wire: Live In New York City
  5. New Amsterdam: Live at Heineken Music Hall

ASIN: B00002JXF8
Release Date: 1999-11-02

Tracks:

  1. Hanginaround
  2. Mrs. Potter's Lullaby
  3. Amy Hit The Atmosphere
  4. Four Days
  5. All My Friends
  6. High Life
  7. Colorblind
  8. I Wish I Was A Girl
  9. Speedway
  10. St. Robinson In His Cadillac Dream

Amazon.com

Two years in the making, This Desert Life is the kind of collection that will please the Counting Crows faithful and leave doubters unconverted. Adam Duritz's recognizably emotive vocals and the group's classic-rock stylings remain in the fore as the Crows stick near the nest with their third studio outing. The Mellencamp-like opener, "Hanginaround," is one of the strongest tunes here, thanks to its laid-back passion and catchy piano and percussive elements. The familiar feeling "Mrs. Potter's Lullaby" is another lively offering, but at nearly eight minutes it's too long. The emotional, Van Morrison-like lament "All My Friends" feels self-pitying, while the balance of the album is simply bland. The sound is appealing (witness the spare "Colorblind" and the waltzing "Amy Hit the Atmosphere"), but This Desert Life is, on the whole, rather dry. --Katherine Turman

Album Details

All Songs Were Written by the Band. Produced by David Lowery (Sparklehorse) and David Herring (Throwing Muses.) Includes Extra Track Not on the Us Version.

Customer Reviews:

4 out of 5 stars Not Their Best But A Solid Effort.......2006-12-20

For Counting Crows third album the band starts off with a song that sounds like it was written specifically to receive radio airplay. Although the song "Hangingaround" was a pretty big hit, it is really significantly different from what Counting Crows are known for and just sounds to me like a kowtow to record industry pressure. I really never liked the song much at all with it's "we've got to have a hit" vibe. After that though things improve immensely with the almost 8 minute "Mrs. Potter's Lullaby" and "Amy Hit The Atmosphere" both of which are great songs. The rest of the album is up and down. Overall it is a mellower release than "Recovering the Satellites" as many of the songs are moody and reflective. Other highlights include "All My Friends And Lovers", and "Colorblind". This is probably the weakest of the Crow studio discs up to this point, but it is still a strong album for the most part.

4 out of 5 stars Crows Are Entertaining.......2006-06-13

THIS DESERT LIFE is an interesting piece of work. Melodies, harmonies, and lyrics are the album's standing out traits. Counting Crows' piano player has a very interesting take on how to use the instrument to achieve unique musical sounds. The Pop/Rock group consists of guitars, basses, drums, keyboards, strings, and percussion. These instruments are used to their full extent to create an overall good Pop/Rock album.

Stand out tracks include:
"Hanginaround"
"Mrs. Potter's Lullaby"
"All My Friends"
"Colorblind"

4 out of 5 stars Great Music.......2006-03-08

This CD is by far my favorite Counting Crows recording. It has a great mix of music styles that are upbeat and fun. It is a must have for any Counting Crows fan.

5 out of 5 stars Classic Crows.......2005-09-19

I am a huge fan of Counting Crows. While this album may not be as strong or popular as "August and Everything After," few album are, this is still a very good album. My personal favorite track is "Mrs. Potter's Lullaby." If you like 90s rock or Counting Crows then you are in for a treat with this album.

5 out of 5 stars For those who haven't heard.......2005-06-01

If this is your first time with the Crows, you might want to check out Films About Ghosts first. That said, this was actually the first Crows CD I bought. My roommate in college my freshman year used to play Mrs. Potter's Lullaby and I immediately loved it. It wasn't until a year later that I heard some other tracks, and I knew this whole disc had to be a winner. When I purchased it, it did not disappoint. Here is my review.

1. Hanginaround: Great bouncy radio single to start the album off with. I love the guitar riff. Basic song about hanging around a small town being a bum. Basically what I do, lol.

2. Mrs. Potter's Lullaby: In my opinion, the best song on the album. I love the piano melody, the thought-provoking lyrics which go on for the song's entire 7 minutes and 44 seconds with no instrumental breaks. This always brings me to tears. This would appear to be about a movie star whom a messed-up man admires from afar. Judge for yourself.

3. Amy Hit the Atmosphere: A nice one, I like the electric sitar intro, undoubtedly bassist Matt Malley's influence. It's about the title girl who leaves a bad place and the singer who wishes he could take the same way out. A great song to waltz to, as it's in 3/4 time. If you can waltz, that is.

4. Four Days: Probably the most underrated song on the album. Has a different feel than the rest of the material. It's hard to explain. Not much else to say.

5. All My Friends: Good lyrics, nice vocals, pretty string arrangement. "I'm still looking for a girl".

6. High Life: No, not the beer. I have gotten a lot of positive comments about the lyrics to this song. They are very complex and pretty at the same time. I find this song stuck in my head a lot. Good long one, too.

7. Colorblind: As beautiful a piano ballad as there ever was. It was featured on the soundtrack to "Cruel Intentions", which is a sucky movie. Nonetheless, I am moved to tears from time to time. This is probably one of the Crows' most popular songs.

8. I Wish I Was a Girl: This one really has to be heard to be believed. But I can empathize with the lyrics. Too much static in my head keeps me from sleeping sometimes.

9. Speedway: Similar to Walkaways from "Recovering the Satellites", in that it is a song about leaving. A slow, quiet number, it prepares you for the buildup of the grand finale that is track 10.

10. St. Robinson in His Cadillac Dream: An epic of a song, barely containing itself within its 5 minutes length. Starts off with mandolins, which is a treat. A great tale about a man whose dreams become bigger than he can handle. Well worth a listen, if only for the ending where Adam reaches his high note amid a chorus of double-tracked and backing vocals. Pure Heaven. It will make you want to get into a car and drive.

10.5: Yes, there is a hidden track. Keep listening after St. Robinson ends. I will tell you that it's called Kid Things, and it's pretty funny. That is all. Enjoy!

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
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  4. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
British Film Music, Vol. 3
Average customer rating: Not rated
    British Film Music, Vol. 3

    Manufacturer: Pearl
    ProductGroup: Music
    Binding: Audio CD

    All Works by AlwynAll Works by Alwyn | Alwyn, William | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
    Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by WaltonAll Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    SuitesSuites | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
    CompilationsCompilations | Classical | Styles | Music
    Movie ScoresMovie Scores | Soundtracks | Styles | Music
    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    Similar Items:
    1. British Film Music, Vol. 2

    ASIN: B000058A00
    Release Date: 2001-04-24

    Tracks:

    1. The First Of The Few: Spitfire Prelude - The Halle Orchestra/William Walton
    2. The First Of The Few: Spitfire Fugue - The Halle Orchestra/William Walton
    3. Spellbound: Theme From The Concerto - Queen's Hall Light Orchestra/Charles Williams
    4. Henry The Fifth: The Death Of Flastaff - The Philharmonia String Orchestra/William Walton
    5. Henry The Fifth: Touch Her Soft Lips And Part - The Philharmonia String Orchestra/William Walton
    6. Odette: The Saga Of Odette - Charles Williams Concert Orchestra/Charles Williams
    7. Desert Victory: March - Band Of The Grenadier Guards/Lt. F. Harris
    8. A Matter Of Life And Death: Prelude - Queen's Hall Light Orchestra/Charles Williams
    9. This Man Is Mine: Theme - Queen's Hall Light Orchestra/Charles Williams
    10. Sleeping Car To Trieste: Sleeping Car Train - London Symphony Orchestra/Muir Mathieson
    11. Sleeping Car To Trieste: Waltz - London Symphony Orchestra/Muir Mathieson
    12. The Rake's Progress: Calypso - London Symphony Orchestra/Muir Mathieson
    13. Wanted For Murder: A Voice In The Night - Eric Harrison
    14. Hungry Hill: Waltz Into Jig - London Symphony Orchestra/Muir Mathieson
    15. Esther Waters: Derby Day 1886 - The Royal Phil Orchestra/Muir Matheson
    16. The Loves Of Joanna Godden: Romney Marsh/Joanna Godden/Sheepshearing/Work On The Farm/The Fair... - The Philharmonic Chorus/Ernest Irving
    17. The Loves Of Joanna Godden: Ellen And Harry Trevor/Adoption Of Motherless Lamb... - The Philharmonic Chorus/Ernest Irving
    18. Woman Hater: People In Love - The Royal Phil Orchestra/John Hollingsworth
    19. Woman Hater: Dinner At Lady Datchett's - The Royal Phil Orchestra/John Hollingsworth
    20. The Weaker Sex: Victory Parade Montage - London Symphony Orchestra/Muir Mathieson
    21. The Weaker Sex: London Scene - London Symphony Orchestra/Muir Mathieson
    22. So Long At The Fair: Carriage & Pair... Long Forgotten Melody - Charles Williams Concert Orchestra/Charles Williams
    All American Favorites
    Average customer rating: Not rated
      All American Favorites

      Manufacturer: Delos Records
      ProductGroup: Music
      Binding: Audio CD

      BalletsBallets | Ballets & Dances | Classical | Styles | Music
      All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by GriffesAll Works by Griffes | Griffes, Charles T. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      Grofé, FerdeGrofé, Ferde | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      SuitesSuites | Forms & Genres | Classical | Styles | Music
      OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      GeneralGeneral | Arias | Opera & Vocal | Styles | Music
      ClassicalClassical | Box Sets | Stores | Music
      ASIN: B000000704
      Release Date: 1994-12-06

      Tracks:

      1. Grand Canyon Suite: Sunrise - ALL AMERICAN FAVORITES
      2. Grand Canyon Suite: Painted Desert - ALL AMERICAN FAVORITES
      3. Grand Canyon Suite: On The Trail - ALL AMERICAN FAVORITES
      4. Grand Canyon Suite: Sunset - ALL AMERICAN FAVORITES
      5. Grand Canyon Suite: Cloudburst - ALL AMERICAN FAVORITES
      6. 6.1 - Introduction : The Open Prairie - 6.2 - Street In A Frontier Town - 6.3 - Mexican Dance - 6.4 - Card Game At Night - 6.5 - Gun Battle - 6.6 - Celebration After Billy's Capture - 6.7 - Billy's Demise - 6.8 - Conclusion - ALL AMERICAN FAVORITES
      7. Rodeo (Four Dance Episodes): Buckaroo Holiday - ALL AMERICAN FAVORITES
      8. Rodeo (Four Dance Episodes): Corral Nocturne - ALL AMERICAN FAVORITES
      9. Rodeo (Four Dance Episodes): Saturday Night Waltz - ALL AMERICAN FAVORITES
      10. Rodeo (Four Dance Episodes): Hoe - Down - ALL AMERICAN FAVORITES

      Tracks:

      1. Through The Looking Glass: Dedication - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      2. Through The Looking Glass: The Garden of Live Flowers - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      3. Through The Looking Glass: Jabberwocky - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      4. Through The Looking Glass: Looking Glass Insects - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      5. Through The Looking Glass: The White Knight - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      6. The Pleasure - Dome Of Kubla Khan - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      7. The White Peacock - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      8. Poem For Flute And Orchestra - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      9. Three Tone Pictures: The Lake At Evening - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      10. Three Tone Pictures: The Vale Of Dreams - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      11. Three Tone Pictures: The Night Winds - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa
      12. Bacchanale - Charles Griffes & Deems Taylor - The Seattle Symphony, Gerard Schwa

      Tracks:

      1. Overture To 'The School For Scandal' - Gerard Schwarz\Seattle Symphony
      2. An American In Paris - Gerard Schwarz\Seattle Symphony
      3. Prelude - Gerard Schwarz\Seattle Symphony
      4. Love Duet - Gerard Schwarz\Seattle Symphony
      5. Little Smary - Gerard Schwarz\Seattle Symphony
      6. The Love Of My Life - Gerard Schwarz\Seattle Symphony
      7. Greeting - Gerard Schwarz\Seattle Symphony
      8. At My Wedding - Gerard Schwarz\Seattle Symphony
      9. Mr. & Mrs. Webb Say Goodnight - Gerard Schwarz\Seattle Symphony
      10. Nachspiel - Gerard Schwarz\Seattle Symphony
      Sure on This Shining Night: 20th-Century Romantic Songs of America
      Average customer rating: 4 out of 5 stars
      • A Spectrum of Romance in American Musical Composition
      • a rare gem of a CD
      Sure on This Shining Night: 20th-Century Romantic Songs of America

      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by BeachAll Works by Beach | Beach, Amy Marcy Cheney | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Bolcom, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by CoriglianoAll Works by Corigliano | Corigliano, John | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by GriffesAll Works by Griffes | Griffes, Charles T. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by HerbertAll Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by HindemithAll Works by Hindemith | Hindemith, Paul | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      Ives, CharlesIves, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music
      Korngold, Erich WolfgangKorngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
      Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by SchumanAll Works by Schuman | Schuman, William | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by ThomsonAll Works by Thomson | Thomson, Virgil | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      OperettasOperettas | Opera & Vocal | Styles | Music
      GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
      ClassicalClassical | Imports | Stores | Music
      Similar Items:
      1. Songs from the Labyrinth (Music by John Dowland)

      ASIN: B000002ZYW
      Release Date: 1997-04-10

      Tracks:

      1. The Children
      2. The Year's At The Spring
      3. When Stars Are In The Quiet Skies
      4. Orpheus With His Lute
      5. Rose Marie
      6. Ives
      7. Song To The Witch Of The Cloisters
      8. Sure On This Shining Night
      9. Sigh No More, Ladies
      10. Come Away, Death
      11. On Hearing 'The Last Rose Of Summer'
      12. Echo
      13. If I Could Tell You
      14. The Collection
      15. The Lord's Prayer
      16. Nature, The Gentlest Mother
      17. The Tiger
      18. Never More Will The Wind
      19. Little Elegy
      20. One Alone
      21. Do Not Go, My Love
      22. To A Stranger
      23. When I Have Sung My Songs
      24. These, My Ophelia
      25. An Old Song Re-sung
      26. Ah! Sweet Mystery Of Life
      27. June Night
      28. Triolet

      Customer Reviews:

      5 out of 5 stars A Spectrum of Romance in American Musical Composition.......2006-01-15

      Often American music is thought to be jaunty, combative, or tragic in content, especially when it comes to songs/lieder for the classical repertoire. This engaging CD takes umbrage with that misconception and in presenting some twenty-eight songs by various composers clearly identifies the romantic side of American composers.

      Here are songs well known and not so well known by familiar and not so familiar composers, and in the hands of tenor Robert White and pianist Samuel Sanders they all come across as important. Included are rarities by composers such as Amy Beach, Theodor Chanler, Isabelle Firestone, Eric Ewazen, Albert Hay Malotte, Marc Marder, John Musto and Richard Hageman, with popular composers Rudolf Friml and Sigmund Romberg, along with the greats: Ives, Schuman, Hindemith, Barber, Thomson, Korngold, Copland. Rorem, Bolcom, Corigliano, and Griffes. It is a huge spectrum of work and while some are less successful than other, they all are given respectful and loving renditions by White and Sanders. It is great fun to hear Firestone's famous 'If I could tell you' that opened the Voice of Firestone for so many years along side Samuel Barber's gorgeous 'Sure on this shining night' and Aaron Copland's settings of Emily Dickinson's poems.

      This a rare treat for connoisseurs of lieder and for lovers of beautiful songs. Recommended. Grady Harp, January 06

      3 out of 5 stars a rare gem of a CD.......2002-07-08

      Sure On This Shining Night is not my usual musical cup of tea...yet, it has become one of my favorite CDs. This collection of American Romantic songs has burrowed its way into my heart.

      There is a universality to the longing involved in Romanticism. These songs capture this feeling perfectly. From the first song to the last, these songs do one thing perfectly: evoke an emotional response.

      This is due in no short measure to the wonderful performance Robert White gives. Rather than being merely technically accurate, White actually gives each of these songs a life of their own. He achieves this effect by getting inside not only the words, but the feelings involved.

      Some of the highlights for me are: the lovely and memorable "Rose Marie," Ewazen's setting of Blake's "The Tiger," a moving version of "The Lord's Prayer" and the haunting "Never More Will the Wind."

      Samuel Sanders is a worthy musical companion to White. His playing is reciprocally lovely and introspective. The notes are extensive and informative as well.

      Even though it may be an acquired taste in our postmodern age, I give Sure On This Shining Night my full recommendation.

      Music:

      1. This Is Big Audio Dynamite/Megatop Phoenix [Import]
      2. Thursday's Child Pt. 2
      3. Touch Sensitive [Box set] [Import]
      4. Trail of Stars
      5. Truce
      6. Utter Madness [Import]
      7. Violent Femmes [Original recording remastered]
      8. Vulnerable [Enhanced] [Limited Edition]
      9. Walk Away [CD-single] [Import]
      10. Windowtree

      Music

      music

      Music

      The Flower & the Knife

      BUSCH QUARTET PLAYS BEETHOVEN

      Betsy Jolas: Stances - for Piano and Orchestra; B For Sonata (piano work); J.D.E. - for 14 instruments; Points D'Aube - for Viola and Wind Instruments

      Crazy Moon

      Best of [Import]

      Bottacchiari: L'Ombra

      Bad Mood Mom

      Bolleter: The Country of Here Below

      Chasin' the Sun

      Big Band Legends

      Best of Simple Minds [Import] [Original recording remastered] [SACD]

      Christmas Spirit

      Buggin [CD-single] [Import]

      Hindemith: Complete Orchestral Works, Vol. 3 (Box Set)

      Springtime Can Kill You